GRADUATE FASHION WEEK SHAY D PETER JENSEN FESTIVALS ALEX PRITCHARD
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disordermagazine.com 33<br />
Hutchence highlights the rapid nature of social media and<br />
its importance to young creatives all over the world. “Social<br />
platforms are the best and quickest way to create brand awareness<br />
and identity. Most people we work with we have met through<br />
Instagram...I guess it’s just a lot quicker and easier. You can get to<br />
know a brand in seconds. That is also why it is so important to do<br />
a good job and stay authentic.”<br />
While social media allows young artists, designers and agencies like<br />
Sticks and Stones to roam free in the digital sphere, the freedom is<br />
often accompanied by double standards and regulations that have<br />
come to limit artistic expression. In Hutchence and Fougere’s case,<br />
the agency’s Instagram account got deleted due to a photo that<br />
featured two young women posing in high-cut swimwear with a<br />
little bit of pubic hair peeking from the seams. Hutchence sees<br />
this as an example of common sexism in social media. “Obviously<br />
if it was a man with the same hair, the photo would not have been<br />
deleted,” she states. The agency’s Instagram ban was soon turned<br />
into a public issue concerning the discriminative sexism that led<br />
to a revision of Instagram’s female bush censorship rules.<br />
“It would be impossible for<br />
Instagram to go through<br />
everything and decide what is<br />
porn and what is art.”<br />
However, Hutchence has come to terms with this issue. “It<br />
definitely does bother me a lot when I have to scribble over nipples<br />
on a beautiful natural photo of a woman but to some degree it<br />
[Instagram] is a global business taking into consideration all<br />
religions and cultures so I can understand why Instagram have<br />
censorship laws in place,” Hutchence notes and continues: “Of<br />
course it is very frustrating to see full-on sexual shots that have<br />
covered up just enough to stay up, while innocent natural nudity<br />
gets taken down, but it would be impossible for Instagram to<br />
go through everything and decide what is porn and what is art.”<br />
Regardless of the regulations, Sticks and Stones Agency has found<br />
a way to make the limitations work for them rather than against<br />
them: “I have realised it kind of works in our favour anyway… It<br />
gives followers another reason to go visit our website to see full<br />
uncensored shoots.”<br />
The bush debacle has not been the only time Hutchence and her<br />
husband have been targeted over the Internet. Eighteen months<br />
after the couple’s wedding, their highly stylised wedding photos<br />
went viral and caused a stir all over the Internet. Keyboard warriors<br />
all over the world filled the comment sections with abusive<br />
comments that shocked the couple at first but were soon silenced<br />
by Hutchence and Fougere’s badass attitude. “I think at first we<br />
were a little affected by negative remarks but we quickly realised the<br />
pictures received way more positive media, likes and shares than<br />
they did hateful comments. It’s the Internet trolls who feel they<br />
have to comment, and when you read what they are writing, it is<br />
impossible to take them seriously. Who are these people that get<br />
the urge to write ridiculous comments about complete strangers?<br />
Definitely not the people I would ever want to fuck with anyway!”<br />
Hutchence notes and reveals, “End of the day it was definitely all a<br />
very positive marketing experience for our business.”<br />
taking a stand for all things important to them. “For me, artistic<br />
expression should always be top priority rather than being caught<br />
up in politics,” Hutchence states. When asked about the lack of<br />
minorities in fashion, Hutchence expresses her wishes to see more<br />
diversity in fashion: “It would be amazing to see more variety<br />
in models. We have actually put a few call-outs on Instagram<br />
because there is definitely a lack of ethnic model submissions<br />
coming through.” Based in whitewashed Queensland, the brand<br />
has found it difficult to find ethnic models. “We just don’t have<br />
much cultural diversity at all but, fuck, I wish we did!” Hutchence<br />
states.<br />
Spreading the message of body positivity and natural sexiness,<br />
Sticks and Stones Agency wants to tell a story that young women<br />
will find both sexy and empowering in all of their shoots.<br />
“Anything overly sexual will not be published unless it is a post<br />
about a fetish or a memoir from one of our sex-positive stripper<br />
contributors. We love natural sexiness,” Hutchence notes and<br />
emphasises the significance of the narrative behind every shoot:<br />
“A storyline or a very strong mood is crucial to set the tone for the<br />
brand and its seasonal ranges and to inspire people to buy into<br />
that collection.”<br />
During the six years of its existence, Sticks and Stones has come<br />
to represent the natural weirdness and candidness which have<br />
made them stand out amidst thousands of fashion brands floating<br />
around the Internet. Fighting the stiffness of high-fashion<br />
editorials, the couple started organising live photo shoot events –<br />
“Camera Clubs” – which allowed the models to bring their own<br />
creativity into the sessions whilst acting out roles given to them<br />
beforehand. “We would pause them when they did something<br />
that looked like a good shot and the pictures always turned out<br />
incredibly natural looking!” Hutchence explains.<br />
“For me, artistic expression<br />
should always be top priority<br />
rather than being caught up in<br />
politics.”<br />
There is a feeling of authenticity and warmth in the work of<br />
Sticks and Stones Agency. They have created a business that<br />
is as fun as it is odd. In every piece of work, Hutchence and<br />
Fougere’s fingerprints can be seen in the bold colours and quirks<br />
that make them stand out. “When shooting fashion stories,<br />
we always look for brands that offer a lot of colour, sequins or<br />
vintage inspired pieces. My favourites are Discount Universe,<br />
Emma Mulholland, Dyspnea and Zhivago.” Hutchence notes<br />
that in the end, it all comes down to one thing: the way you<br />
treat the people around you. “End of the day, we usually work<br />
with brands that have nice people behind them,” Hutchence<br />
explains and summarises the 4-1-1 of working in the fashion<br />
industry in five sentences: “Be authentic. Don’t look at how<br />
other people are doing it. Make it up as you go. Be good to<br />
people. Don’t be a fashion wanker.”<br />
Working in fashion without getting political is hard, yet Sticks and<br />
Stones Agency has found a way of remaining democratic whilst