Braxton Blake - Four Pieces for Piano
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1<br />
FOUR PIECES<br />
<strong>for</strong> piano<br />
BRAXTON BLAKE<br />
BRAXTON<br />
BLAKE<br />
MUSIC
2<br />
FOUR PIECES<br />
<strong>for</strong> piano<br />
I – <strong>for</strong> Samuel Adler<br />
II – <strong>for</strong> Warren Benson<br />
III – <strong>for</strong> Joseph Schwantner<br />
IV – in memory, Jan DeGaetani...<br />
Duration: circa 17’<br />
First Per<strong>for</strong>mance: Scott Faigen<br />
March 14, 1988, Stuttgart<br />
BRAXTON<br />
BLAKE<br />
MUSIC<br />
1508 Longshore Drive<br />
Ann Arbor, MI 48105<br />
Tel/Fax (734) 332-9277<br />
e-mail bblake@thedance.net<br />
http://braxtonblake.com<br />
20140824
=84<br />
3<br />
FOUR PIECES FOR PIANO<br />
I<br />
3<br />
<strong>Braxton</strong> <strong>Blake</strong><br />
(1989)<br />
8ba<br />
5<br />
8va<br />
8va<br />
8va<br />
9<br />
8va 8va 8va 8va 8va 8va 8va 8va<br />
10<br />
20140824<br />
copyright © 1989 <strong>Braxton</strong> <strong>Blake</strong>
4<br />
13<br />
8ba<br />
16<br />
8ba<br />
20<br />
8va<br />
8ba<br />
26<br />
3<br />
8ba<br />
32 5 3 5<br />
5 5 3 5<br />
5
36<br />
7<br />
= =98<br />
8va<br />
5<br />
5<br />
6<br />
7<br />
39<br />
8va<br />
=58<br />
8va<br />
43<br />
5<br />
5<br />
3 7<br />
8ba<br />
47<br />
8ba<br />
8ba<br />
49<br />
8va<br />
8va<br />
8va
6<br />
8va<br />
52<br />
8va<br />
56<br />
8va<br />
8va<br />
58<br />
8va<br />
8va<br />
8va<br />
60<br />
8va<br />
62
8va<br />
accel.<br />
7<br />
64<br />
8va<br />
8va<br />
8va<br />
accel.<br />
66<br />
8va<br />
8va<br />
accel.<br />
8va<br />
=84<br />
68<br />
71<br />
8ba<br />
8va<br />
8va<br />
8va<br />
76<br />
8va<br />
8va 8va 8va
8<br />
78<br />
8ba<br />
80<br />
8ba<br />
84<br />
5<br />
5<br />
5<br />
5<br />
6 7<br />
accel.<br />
8va<br />
88
8va<br />
accel. =98<br />
9<br />
92<br />
95<br />
=84<br />
8va<br />
8va<br />
8ba<br />
8ba<br />
...<strong>for</strong> Samuel Adler
10<br />
II<br />
=44–48<br />
legato<br />
poco marcato<br />
8ba<br />
2<br />
accel.<br />
8va<br />
a tempo<br />
leggiero<br />
3<br />
3<br />
poco marcato<br />
3 3<br />
8ba<br />
4<br />
3<br />
=<br />
8ba<br />
5<br />
8va<br />
6<br />
8va<br />
rit. =44–48<br />
8va
8va<br />
11<br />
10<br />
leggiero 9<br />
9<br />
9<br />
legato<br />
13<br />
8va<br />
9<br />
9<br />
9<br />
9<br />
8va<br />
14<br />
9<br />
9<br />
9 9<br />
15<br />
8va<br />
8va<br />
3<br />
3<br />
3<br />
legato<br />
18 8va<br />
3
12<br />
21<br />
8va<br />
4:3<br />
8va<br />
3<br />
25<br />
8va<br />
3<br />
8va<br />
29<br />
8va<br />
3<br />
3<br />
3<br />
33<br />
( =44–48)<br />
legato<br />
poco marc.<br />
8ba
13<br />
36<br />
sostenuto<br />
8ba<br />
41<br />
(sost.)<br />
42<br />
poco staccato<br />
9<br />
9<br />
44<br />
9<br />
9<br />
9
14<br />
9<br />
9 9 9<br />
47<br />
8va<br />
9<br />
9 9<br />
8va<br />
48<br />
15ma<br />
3<br />
9<br />
9<br />
50<br />
8va<br />
3 3<br />
3<br />
...<strong>for</strong> Warren Benson
*<br />
III<br />
8va<br />
=98<br />
15<br />
4<br />
8va<br />
7<br />
9<br />
5<br />
11<br />
8va<br />
8va<br />
* sostenuto Pedal
16<br />
13<br />
8va<br />
18<br />
8va<br />
9<br />
21 marc. =<br />
5<br />
=<br />
5<br />
5<br />
24<br />
= =84 ( = )<br />
30<br />
8va
34<br />
8va<br />
17<br />
38<br />
43<br />
8va<br />
47<br />
50
18<br />
54<br />
8va<br />
58<br />
62<br />
8va<br />
66<br />
8va<br />
70
19<br />
74<br />
8va<br />
78<br />
82<br />
8va<br />
86<br />
8va<br />
89<br />
8va
20<br />
93<br />
8va<br />
8ba<br />
97<br />
8va<br />
8ba<br />
8ba<br />
101<br />
8va<br />
8va<br />
8ba<br />
8ba<br />
105<br />
108
111<br />
21<br />
114<br />
8va<br />
117<br />
8va<br />
119<br />
8va<br />
122 8va
22<br />
8va<br />
125<br />
...<strong>for</strong> Joseph Schwantner
Molto sostenuto<br />
=44–46<br />
IV<br />
23<br />
sim.<br />
sempre<br />
poco rit.<br />
5<br />
poco meno mosso<br />
a tempo<br />
sim.<br />
9<br />
sim.<br />
12
24<br />
17<br />
21<br />
poco<br />
26 ten.<br />
31<br />
sempre sost. e
25<br />
35<br />
38<br />
41<br />
45<br />
...in memory, Jan DeGaetani
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