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<strong>Stockholm</strong> <strong>–</strong><br />

<strong>the</strong> <strong>Powerhouse</strong><br />

<strong>of</strong> <strong>Sound</strong><br />

<strong>–</strong> The birthplace <strong>of</strong><br />

Musictech innovations<br />

June 2016


Introduction<br />

2<br />

<strong>Stockholm</strong> <strong>–</strong> <strong>the</strong> world’s<br />

Musictech capital<br />

It’s in <strong>Stockholm</strong> where it all happens. This is where ideas become reality and where companies<br />

are created and grow strong. One <strong>of</strong> <strong>the</strong> hottest sectors at <strong>the</strong> moment is Musictech, where music<br />

and technology come toge<strong>the</strong>r.<br />

<strong>Stockholm</strong> is <strong>the</strong> driving force in Musictech. Here, innovations are transforming <strong>the</strong> music<br />

sector into a more transparent, accessible and democratic industry and <strong>of</strong>fering new forms <strong>of</strong><br />

entertainment in <strong>the</strong> process.<br />

By Musictech we mean s<strong>of</strong>tware and hardware for producing and consuming music. Today,<br />

companies from <strong>Stockholm</strong> are dominating <strong>the</strong> world <strong>of</strong> streaming music. When combined,<br />

Spotify, Apple Music and Pandora Radio (which acquired <strong>Stockholm</strong>-based Rdio) have a pr<strong>of</strong>ound<br />

influence on <strong>the</strong> world <strong>of</strong> revenue-making streaming services.<br />

However, <strong>Stockholm</strong> is not only about streaming and Spotify. Music electronics, digital music<br />

production and new companies developing smart new ways <strong>of</strong> managing music rights are also<br />

flourishing and garnering interest from o<strong>the</strong>r countries and global giants like Google and Apple.<br />

In 2015, <strong>Stockholm</strong>’s Musictech companies attracted investments <strong>of</strong> USD 555 million.<br />

And yet, this is just <strong>the</strong> start. In an increasingly digital world, markets are growing rapidly. The<br />

streaming sector alone is expected to grow by eleven percent annually and reach a market<br />

volume <strong>of</strong> USD 7.5 billon by 2020. By <strong>the</strong>n, every forth person around <strong>the</strong> world is expected to<br />

use some form <strong>of</strong> streaming service. 1<br />

So, why have <strong>Stockholm</strong> become <strong>the</strong> world capital <strong>of</strong> Musictech? One answer is that success<br />

breeds success. <strong>Stockholm</strong> is a place that acts like an incubator for ideas and where <strong>the</strong> tech and<br />

music industries respectively, have grown into world leaders. It’s in <strong>the</strong> intersection <strong>of</strong> <strong>the</strong>se two<br />

successful hubs where synergies emerge. We have <strong>the</strong> future ahead <strong>of</strong> us. <strong>Stockholm</strong>’s journey in<br />

Musictech has just begun.


Content<br />

3<br />

Content<br />

1 Why <strong>Stockholm</strong> is <strong>the</strong> leader in Musictech<br />

<strong>–</strong> Success breeds success<br />

5<br />

2 The main creators <strong>of</strong> <strong>the</strong> <strong>Stockholm</strong> Musictech scene<br />

<strong>–</strong> <strong>Stockholm</strong>, <strong>the</strong> birthplace <strong>of</strong> <strong>the</strong> innovations that are<br />

transforming <strong>the</strong> music industry<br />

<strong>–</strong> The <strong>Stockholm</strong> Musictech scene, 25 companies in five markets<br />

7<br />

8<br />

3 Milestones on <strong>the</strong> road to success<br />

<strong>–</strong> Ten years <strong>of</strong> <strong>Stockholm</strong> Musictech<br />

19<br />

4 Examples <strong>of</strong> how <strong>Stockholm</strong> Musictech influences<br />

<strong>the</strong> future <strong>of</strong> <strong>the</strong> music industry<br />

<strong>–</strong> ”It's about <strong>the</strong> future <strong>of</strong> great ideas.”<br />

21<br />

5 Sources<br />

<strong>–</strong> Media and interviews<br />

24<br />

<strong>Stockholm</strong> Business Region<br />

+46 8 508 280 00<br />

www.investstockholm.com<br />

www.visitstockholm.com<br />

www.movetostockholm.com


Why <strong>Stockholm</strong> is <strong>the</strong> leader in Musictech<br />

4<br />

Why <strong>Stockholm</strong> is <strong>the</strong><br />

leader in Musictech<br />

Photo: Happy plugs / Image Bank


Why <strong>Stockholm</strong> is <strong>the</strong> leader in Musictech<br />

5<br />

Success breeds success<br />

The Musictech companies <strong>of</strong> <strong>Stockholm</strong> have already become very successful and are making <strong>the</strong>ir<br />

mark thanks to several groundbreaking innovations. But why is it that a city in <strong>the</strong> north <strong>of</strong> Europe<br />

has become <strong>the</strong> breeding ground for so many innovative Musictech companies? There may be<br />

several answers to that question, but here are three.<br />

01<br />

<strong>Stockholm</strong> - an incubator that<br />

quickly turns ideas into reality<br />

02 03<br />

A world-leading<br />

tech hub<br />

Music Tech<br />

Where global<br />

music hits<br />

are born<br />

01<br />

02<br />

03<br />

<strong>Stockholm</strong> <strong>–</strong> an incubator that quickly turns<br />

ideas into reality<br />

<strong>Stockholm</strong> is <strong>the</strong> capital city, but with an intimate feel. It has a high density <strong>of</strong> informal meeting<br />

places for smooth knowledge exchange and highly educated, curious and ambitious people who<br />

cross-pollinate different ecosystems.<br />

A world-leading tech hub<br />

<strong>Stockholm</strong> has, after Silicone Valley, produced <strong>the</strong> most unicorns per capita <strong>–</strong> startups sold or<br />

valued at over one billion US dollars. The city is <strong>the</strong> birthplace <strong>of</strong> international brands and tech<br />

unicorns like Skype, Mojang (Minecraft), Klarna, King (CCS) and Spotify. But also <strong>the</strong> home <strong>of</strong><br />

large corporations like Ericsson <strong>–</strong> <strong>the</strong> world’s largest supplier <strong>of</strong> telecom infrastructure. Did you<br />

know that programmer is <strong>the</strong> most common work title in <strong>Stockholm</strong> and that every fifth <strong>Stockholm</strong>er<br />

works in <strong>the</strong> tech sector?<br />

Where global music hits are born<br />

Sweden is one <strong>of</strong> <strong>the</strong> world’s leading exporters <strong>of</strong> music. Ever since <strong>the</strong> 90s, a lot <strong>of</strong> <strong>the</strong> world’s<br />

biggest pop acts come to <strong>Stockholm</strong> to produce <strong>the</strong>ir music in cooperation with <strong>the</strong> city’s many<br />

music creators. In fact, this is where a substantial part <strong>of</strong> American and British hits are created.<br />

Producer and songwriter Max Martin, with more than 20 Billboard number ones to his name, is<br />

<strong>the</strong> world’s third most successful hit maker after Lennon/McCartney. There is also a well-developed<br />

infrastructure around music with publicly subsidized music education for children.


The main creators <strong>of</strong> <strong>the</strong> <strong>Stockholm</strong> Musictech scene<br />

6<br />

The main creators<br />

<strong>of</strong> <strong>the</strong> <strong>Stockholm</strong><br />

Musictech scene<br />

Photo: Viktor Gårdsäter


The main creators <strong>of</strong> <strong>the</strong> <strong>Stockholm</strong> Musictech scene<br />

7<br />

” <strong>Stockholm</strong> has outpaced o<strong>the</strong>r European cities<br />

with a mix <strong>of</strong> unique cultural traditions, visionary<br />

tech leaders, globally oriented startups and smart<br />

government policies. <strong>Stockholm</strong> has produced<br />

more unicorns per capita than any o<strong>the</strong>r city in<br />

<strong>the</strong> world.”<br />

Tech Crunch, January 2016. 2<br />

<strong>Stockholm</strong>, <strong>the</strong> birthplace <strong>of</strong> <strong>the</strong> innovations<br />

that are transforming <strong>the</strong> music industry<br />

During 2015, <strong>Stockholm</strong>’s Musictech companies attracted USD 555 million in open/reported<br />

investments 3 . Total investments in <strong>the</strong> entire tech sector amounted to USD 892 million 4 , which<br />

means that Musictech got a majority share <strong>of</strong> <strong>the</strong> entire investment volume. While perhaps best<br />

known for streaming services, <strong>the</strong>re are also many o<strong>the</strong>r successful companies in <strong>the</strong> <strong>Stockholm</strong><br />

Musictech sector.<br />

Tech investments 2015<br />

USD<br />

million<br />

1000'<br />

800'<br />

600'<br />

400'<br />

200'<br />

100'<br />

0<br />

USD<br />

555<br />

million<br />

<strong>Stockholm</strong>’s Musictech<br />

companies<br />

USD<br />

892<br />

million<br />

Total investments in<br />

<strong>the</strong> tech sector<br />

” <strong>Stockholm</strong> is becoming Europe's premier tech hub.<br />

There is a startup scene here that is rivalling <strong>the</strong><br />

likes <strong>of</strong> London, Berlin and Paris as <strong>the</strong> most<br />

important tech startup hub in Europe.”<br />

Mashable, 2016. 5


Why The main <strong>Stockholm</strong> creators is <strong>of</strong> <strong>the</strong> <strong>the</strong> leader <strong>Stockholm</strong> in Musictech scene<br />

8<br />

The <strong>Stockholm</strong> Musictech Scene<br />

- 25 companies in five market segments<br />

Below follows a short presentation <strong>of</strong> <strong>the</strong> 25 leading Musictech companies in <strong>Stockholm</strong>, divided<br />

into five segments. Toge<strong>the</strong>r, <strong>the</strong>se companies have more than 1000 6 employees and continue to<br />

grow and attract cutting-edge expertise from all over <strong>the</strong> world.<br />

03<br />

Digital music production<br />

04<br />

Music publishers and<br />

rights management<br />

02<br />

Musical instruments,<br />

aids and equipment<br />

01<br />

Music accessories<br />

05<br />

Streaming and o<strong>the</strong>r<br />

forms <strong>of</strong> music and audio<br />

entertainment<br />

The image shows <strong>the</strong> distribution <strong>of</strong> <strong>the</strong><br />

25 companies in five segments


The main creators <strong>of</strong> <strong>the</strong> <strong>Stockholm</strong> Musictech scene<br />

9<br />

01<br />

“ Urbanears has changed <strong>the</strong> way<br />

we look at personal electronics.”<br />

The Future Positive, 2013. 7<br />

Music accessories<br />

This hardware segment comprises accessories for entertainment<br />

electronics. These are aimed mainly at music<br />

consumers. The segment is contiguous to Fashiontech.<br />

Happy Plugs<br />

Pugz Gear<br />

Sudio<br />

Zound Industries<br />

Product/business idea:<br />

Since 2012, <strong>the</strong> company<br />

produces a range <strong>of</strong> popular,<br />

colorful headphones. The<br />

products are sold in more<br />

than 6 000 stores in 70<br />

countries, including through<br />

wholesalers like Colette, Le<br />

Bon Marché, Selfridges and<br />

Urban Outfitters.<br />

Founded: 2011<br />

Founder:<br />

Andreas Vural<br />

happyplugs.com<br />

Product/business idea:<br />

The company creates<br />

distinctively designed wireless<br />

headphones with high<br />

functionality. It became one<br />

<strong>of</strong> Kickstarter’s most successful<br />

projects in 2015.<br />

Founded: 2014<br />

Founders:<br />

Hamid and Vahid Toosi<br />

Investment:<br />

USD 1.5 million (2015)<br />

pugz.com<br />

Product/business idea:<br />

Sudio produces studio quality<br />

designer headphones.<br />

The name originates from<br />

an incident where one <strong>of</strong><br />

<strong>the</strong> founders by accident<br />

happened to see Phil Collins<br />

having an issue with his<br />

headphones in New York.<br />

Founded: 2012<br />

Founders:<br />

Johan Gawell, Carl<br />

Sundqvist och Jonas<br />

Wistrand<br />

Investment:<br />

USD 0.18 million (2015)<br />

Product/business idea:<br />

To create products at <strong>the</strong><br />

junction <strong>of</strong> electronics<br />

and fashion. Urbanears<br />

headphones are <strong>the</strong><br />

company’s best-known<br />

product, but it has also<br />

developed o<strong>the</strong>r kinds <strong>of</strong><br />

electronics in cooperation<br />

with <strong>the</strong> British company<br />

Marshall. The products are<br />

sold in 20 000 stores in 95<br />

markets. In 2015, three <strong>of</strong><br />

Zound Industries’ products<br />

were awarded <strong>the</strong> iF Design<br />

Award, one <strong>of</strong> <strong>the</strong> world’s<br />

most prestigious. The same<br />

year <strong>the</strong> company secured an<br />

investment <strong>of</strong> USD 11 million.<br />

sudiosweden.com<br />

Founded: 2008<br />

Founders:<br />

Andreas Enkvist, Erik Petersen,<br />

Kenneth Schönborg, Konrad<br />

Bergström, Markus Rudbäck,<br />

Niklas Bergh, Oscar Axhede<br />

and Vincent Skoglund<br />

Investment:<br />

USD 11 million (2015)<br />

zoundindustries.com


02<br />

Why The main <strong>Stockholm</strong> creators is <strong>of</strong> <strong>the</strong> <strong>the</strong> leader <strong>Stockholm</strong> in Musictech scene<br />

” Swedish hardware designers Teenage<br />

Engineering have made a name for<br />

<strong>the</strong>mselves by building some <strong>of</strong> <strong>the</strong> most<br />

unique and creative musical gear on <strong>the</strong><br />

market.”<br />

The Verge, 2015. 8 10<br />

Musical instruments, aids and equipment<br />

This hardware segment is comprised <strong>of</strong> physical instruments<br />

like keyboards, drums and guitars, as well as physical aids<br />

facilitating <strong>the</strong> production <strong>of</strong> music.<br />

Mind Music Labs Sensus<br />

Smart Guitar<br />

Nord Keyboards Clavia<br />

TactSense<br />

Teenage Engineering<br />

Product/business idea:<br />

The company has developed<br />

<strong>the</strong> world’s first smart guitar<br />

which is able to wirelessly<br />

transmit, process and share<br />

music and data. This enables<br />

<strong>the</strong> user to perform, record<br />

and share performances<br />

online. Behind <strong>the</strong> guitar are<br />

Swedish and Italian artists<br />

along with scientists from <strong>the</strong><br />

Royal Institute <strong>of</strong> Technology.<br />

Nominated for <strong>the</strong> <strong>Stockholm</strong><br />

Innovation Scholarship in <strong>the</strong><br />

Creative Industries category,<br />

2012.<br />

Founded: 2015<br />

Founder:<br />

Michele Benincaso<br />

Investment:<br />

Undisclosed amount in 2015<br />

Product/business idea:<br />

The company manufactures<br />

keyboard and drum products<br />

that are used by stars such<br />

as Prince, Pet Shop Boys and<br />

Madonna.<br />

Founded: 1983<br />

Founders:<br />

Hans Nordelius and Mikael<br />

Carlsson<br />

nordkeyboards.com<br />

Product/business idea:<br />

Tactsense captures an<br />

infrared video signal<br />

from <strong>the</strong> conductor’s<br />

hand and transform that<br />

into tactile impulses on<br />

to <strong>the</strong> musician’s body<br />

surface <strong>–</strong> helping visually<br />

impaired musicians feel <strong>the</strong><br />

movements <strong>of</strong> <strong>the</strong> conductor.<br />

Tactsense received <strong>the</strong> City<br />

<strong>of</strong> <strong>Stockholm</strong> Innovation<br />

Scholarship in 2015 in <strong>the</strong><br />

Creative sector.<br />

Founded: 2015<br />

Founders:<br />

RicWasserman, Jan<br />

Lundqvist, RunoAndersson,<br />

Ellen Sundh and Wu Jing<br />

Product/business idea:<br />

The company was started by<br />

<strong>the</strong> founder <strong>of</strong> <strong>the</strong> clothing<br />

brand Acne and produces<br />

syn<strong>the</strong>sizers in a garage in<br />

Södermalm, <strong>Stockholm</strong>. The<br />

best-known product is called<br />

OP-1. Teenage Engineering<br />

cooperates with Swedish<br />

design brands like Ikea and<br />

Cheap Monday as well as<br />

Elektronmusikstudion. Half<br />

a million syn<strong>the</strong>sizers have<br />

been sold worldwide and<br />

are used by <strong>the</strong> likes <strong>of</strong><br />

Depeche Mode, Beck and<br />

Pharrell Williams.<br />

Founded: 2006<br />

Founders:<br />

Jesper Koutho<strong>of</strong>d, David<br />

Eriksson, Jens Rudberg and<br />

David Möllerstedt<br />

mindmusiclabs.com<br />

teenageengineering.com


The main creators <strong>of</strong> <strong>the</strong> <strong>Stockholm</strong> Musictech scene<br />

11<br />

03<br />

“ One <strong>of</strong> our favorite<br />

music-making apps...”<br />

Wired about Auxy, 2015. 9<br />

Digital music production<br />

This s<strong>of</strong>tware segment comprises s<strong>of</strong>tware for music<br />

production <strong>–</strong> alone or toge<strong>the</strong>r with o<strong>the</strong>r musicians.<br />

The products are aimed at both pr<strong>of</strong>essionals and consumers.<br />

Auxy<br />

DoReMir Music Research<br />

Moodelizer<br />

Musifier<br />

Product/business idea:<br />

Auxy is a music app for<br />

electronic music production<br />

on iOS. Within one month<br />

<strong>of</strong> its launch on App Store<br />

in 2014, it had been<br />

downloaded 500 000<br />

times. The app has, among<br />

o<strong>the</strong>r things, been awarded<br />

“Apples Best <strong>of</strong> 2014”.<br />

Founded: 2014<br />

Founder:<br />

Henrik Lenberg and Fredrik<br />

Gadnell<br />

Investment:<br />

USD 0.85 million (2014)<br />

Product/business idea:<br />

The app ScoreCloud Express<br />

is a notation s<strong>of</strong>tware<br />

that turns music into sheet<br />

music and has been called<br />

“Google translate for music”.<br />

Behind <strong>the</strong> technology lies<br />

20 years <strong>of</strong> research and<br />

cooperation between two<br />

processors from <strong>the</strong> Royal<br />

College <strong>of</strong> Music and <strong>the</strong><br />

Royal Institute <strong>of</strong> Technology.<br />

In 2013, <strong>the</strong> app was<br />

awarded a Gold Lion in<br />

Cannes. It has become<br />

<strong>the</strong> most sold app [all<br />

categories] in Japan.<br />

Founded: 2008<br />

Product/business idea:<br />

Moodelizer’s technology<br />

customizes music to match<br />

<strong>the</strong> mood <strong>of</strong> a film and<br />

<strong>the</strong>reby strips away much <strong>of</strong><br />

<strong>the</strong> complexities <strong>of</strong> adding<br />

music to film.<br />

Founded: 2012<br />

Founder:<br />

Carl-Michael Herlöfsson<br />

moodelizer.com<br />

Product/business idea:<br />

Music Adaptive Improviser<br />

(MAI) is a s<strong>of</strong>tware<br />

system for adaptive music<br />

generation, based on music<br />

morphing. MAI composes<br />

and performs music in<br />

real-time. Connected to<br />

interactive applications<br />

like computer games, MAI<br />

generates highly adaptive<br />

musical soundtracks.<br />

Founded: 2004<br />

Founder: Lars Jonas Edlund<br />

musifier.com<br />

auxy.co<br />

Founders:<br />

Sven Ahlbäck and Sven<br />

Emtell<br />

Investment:<br />

USD 1 million (2013)<br />

scorecloud.com


Why The main <strong>Stockholm</strong> creators is <strong>of</strong> <strong>the</strong> <strong>the</strong> leader <strong>Stockholm</strong> in Musictech scene<br />

12<br />

Propellerhead<br />

<strong>Sound</strong>trap<br />

XLN Audio<br />

Product/business idea:<br />

The company develops<br />

s<strong>of</strong>tware products for digital<br />

sound production for PC<br />

and Mac, along with apps<br />

for mobiles and tablets. The<br />

company is best known for<br />

its s<strong>of</strong>tware Reason, which<br />

helps musicians from all over<br />

<strong>the</strong> world to co-create and<br />

cooperate.<br />

Founded: 1997<br />

Founders:<br />

Ernst Nathorst-Böös, Marcus<br />

Zetterquist and Peter Jubel<br />

propellerheads.se<br />

Product/business idea:<br />

With <strong>Sound</strong>trap you make<br />

music online. You can plug<br />

in your own instrument, use<br />

<strong>the</strong> s<strong>of</strong>tware instruments<br />

available in <strong>Sound</strong>trap<br />

or just record a song<br />

directly with your computer<br />

microphone.<br />

Founded: 2012<br />

Founders:<br />

Per Emanuelsson and<br />

Fredrik Posse<br />

Investment:<br />

USD 2.5 million (2015)<br />

soundtrap.com<br />

Product/business idea:<br />

A s<strong>of</strong>tware company that<br />

creates virtual musical<br />

instruments. Swedish star<br />

producer, Max Martin,<br />

co-owns <strong>the</strong> company.<br />

Addictive Keys and Addictive<br />

Drums are two <strong>of</strong> its betterknown<br />

products.<br />

Founded: 2005<br />

Founders:<br />

Niklas Möller and Lars<br />

Erlandssson<br />

xlnaudio.com


The main creators <strong>of</strong> <strong>the</strong> <strong>Stockholm</strong> Musictech scene<br />

13<br />

04<br />

” A weirdly large number <strong>of</strong> <strong>the</strong> music and audio<br />

related companies that you have heard <strong>of</strong> came<br />

from <strong>Stockholm</strong>. The capital <strong>of</strong> Sweden not only<br />

has a curiously large number such companies<br />

operating <strong>the</strong>re, but it also gave rise to some <strong>of</strong><br />

<strong>the</strong> most important.”<br />

The Observer, 2016. 10<br />

Music publishers and rights management<br />

This segment comprises digital music publishers and s<strong>of</strong>tware<br />

for handling copyright revenue streams. The segment may be<br />

contiguous to FinTech.<br />

Auddly<br />

Epidemic <strong>Sound</strong><br />

International Copyright<br />

Enterprise<br />

X5 Music Group<br />

Product/business idea:<br />

Auddly is a music<br />

management tool that<br />

ga<strong>the</strong>rs all information about<br />

a musical piece in one place,<br />

as an independent bridge<br />

between <strong>the</strong> music industry’s<br />

copyright owners and master<br />

owners. In 2015, ABBA’s<br />

Björn Ulvaeus, star producer<br />

Max Martin and Aviciis’<br />

manager Ash Pournouri<br />

invested more than USD<br />

1 million in <strong>the</strong> business.<br />

Founded: 2012<br />

Founders:<br />

Niclas Molinder and Daniel<br />

Hagenfeldt<br />

Investment:<br />

USD 1 million (2015)<br />

auddly.com<br />

Product/business idea:<br />

The company manages<br />

and buys production music<br />

directly from musicians who<br />

are not affiliated with a<br />

copyright organization. Its<br />

more than 50 000 customers<br />

are production companies,<br />

websites and TV-channels in<br />

some 100 countries. In 2014,<br />

venture capital company<br />

Creandum invested USD 5<br />

million in <strong>the</strong> business.<br />

Founded: 2009<br />

Founders:<br />

Oscar Höglund, Jan<br />

Zachrisson, David<br />

Stenmarck, Peer Åström and<br />

Hjalmar Winbladh<br />

Investment:<br />

USD 5 million (2014)<br />

epidemicsound.com<br />

Product/business idea:<br />

ICE is a service center for<br />

<strong>the</strong> global management <strong>of</strong><br />

music rights. It’s a global<br />

company which is owned<br />

and cooperates with, among<br />

o<strong>the</strong>rs, Swedish collective<br />

management organization<br />

STIM as well as British PRS<br />

and German GEMA. ICE<br />

provides more than 19<br />

million musical works.<br />

Founded: 2007<br />

Founder:<br />

Founded as a joint<br />

venture between collective<br />

management organizations<br />

STIM (Sweden) and PRS for<br />

music (UK)<br />

iceservices.com<br />

Product/business idea:<br />

This digital music publishing<br />

company licenses existing<br />

music and publishes<br />

compilation albums like<br />

”The 50 greatest pieces <strong>of</strong><br />

classic music”. The album<br />

topped <strong>the</strong> download chart<br />

in ten countries when it was<br />

released on iTunes. In 2013,<br />

<strong>the</strong> Red Herring magazine<br />

named X5 Music Group one<br />

<strong>the</strong> 100 most innovative<br />

companies in Europe. In<br />

June 2016 <strong>the</strong> company<br />

was acquired by Warner<br />

Music Group.<br />

Founded: 2003<br />

Founders:<br />

Johan Lagerlöf, Daniel<br />

Bäckström, Stefan Enberg,<br />

Jan Nordlund and Fredrik<br />

Nyström<br />

x5musicgroup.com


The main creators <strong>of</strong> <strong>the</strong> <strong>Stockholm</strong> Musictech scene<br />

14<br />

05<br />

“ Pacemaker, our favorite DJ<br />

app, just got even better.”<br />

The Verge, 2015. 11<br />

Streaming and o<strong>the</strong>r forms <strong>of</strong> music<br />

and audio entertainment<br />

This s<strong>of</strong>tware segment comprises s<strong>of</strong>tware for streaming<br />

music and o<strong>the</strong>r music and audio entertainment. The<br />

segment is contiguous to GameTech.<br />

Blicko<br />

Pacemaker Music<br />

Singbox<br />

StrumLive<br />

Product/business idea:<br />

Blicko is a digital jukebox<br />

that lets <strong>the</strong> users influence<br />

<strong>the</strong> playlist while listening<br />

toge<strong>the</strong>r. It <strong>of</strong>fers a<br />

democratic music service for<br />

your restaurant, bar, store or<br />

even your home.<br />

Founded: 2012<br />

Founders:<br />

Jesper Ahlberg, Theodor<br />

Zettersten and Andreas<br />

Andrén<br />

blicko.com<br />

Product/business idea:<br />

Pacemaker Music is a DJ<br />

app with access to Spotify’s<br />

and iTunes’ music libraries.<br />

It <strong>of</strong>fers a whole host <strong>of</strong><br />

mixing effects and can be<br />

used on iPhones, iPads and<br />

Apple Watches. Last year,<br />

<strong>the</strong> app received <strong>the</strong> Apple<br />

Design Award - Honoring<br />

Outstanding Design and<br />

Innovation.<br />

Founded: 2011<br />

Founders:<br />

Jonas Norberg, Daniel<br />

Wallner and Ol<strong>of</strong> Berglöf<br />

Product/business idea:<br />

Singbox is a karaoke app<br />

that lets <strong>the</strong> user compete<br />

against friends and share<br />

<strong>the</strong> results. Singbox have<br />

previously developed<br />

versions for <strong>the</strong> Swedish<br />

edition <strong>of</strong> <strong>the</strong> Eurovision<br />

song contest and <strong>the</strong> world’s<br />

first <strong>of</strong>ficial ABBA app.<br />

Founded: 2007<br />

Founders:<br />

Carl Ljungström and John<br />

Ardelius<br />

singbox.com<br />

Product/business idea:<br />

StrumLive is an online<br />

community for live music. It’s<br />

an arena where anyone can<br />

perform his or her music for<br />

free in front <strong>of</strong> an audience<br />

that can communicate with<br />

<strong>the</strong> artist in several ways.<br />

Founded: 2014<br />

Founders:<br />

Lucas Sandberg and Petter<br />

Ögren<br />

strumlive.se<br />

pacemaker.net


Why The main <strong>Stockholm</strong> creators is <strong>of</strong> <strong>the</strong> <strong>the</strong> leader <strong>Stockholm</strong> in Musictech scene<br />

15<br />

“ Now Spotify is <strong>the</strong> Netflix <strong>of</strong> music sites.<br />

MarkZuckerberg, Facebook’s founder, says,<br />

'Daniel [Ek] just saw <strong>the</strong> opportunities <strong>of</strong><br />

streaming music before anyone else.”<br />

The New Yorker, 2014. 12<br />

Innovations from <strong>Stockholm</strong> is leading <strong>the</strong> way<br />

30<br />

30<br />

25<br />

20<br />

Spotify <strong>–</strong> <strong>the</strong> world’s<br />

streaming giant<br />

Product/business idea:<br />

The music, and recently<br />

video, streaming service<br />

that in just a few years have<br />

developed into a giant<br />

that dominates <strong>the</strong> world<br />

market. 13<br />

Founded: 2006<br />

Founders:<br />

Daniel Ek, Martin Lorentzon<br />

15<br />

10<br />

5<br />

0<br />

30<br />

11<br />

Spotify Apple Music Deezer Pandora<br />

Radio<br />

6<br />

Rhapsody/<br />

Napster<br />

Spotify still leads <strong>the</strong> way regarding <strong>the</strong> number <strong>of</strong> downloads, income and active users 15 <strong>–</strong> currently 100 million<br />

people 16 . Compared with its closest competitor (Apple Music 17 ), Spotify has almost twice as many paying users 18 .<br />

In fact, Spotify has more paying users than <strong>the</strong> five largest competitors combined.<br />

4<br />

3,5 1<br />

Tidal<br />

30<br />

Investment:<br />

USD 526 million (2015)<br />

USD 500 million (2016)<br />

spotify.com<br />

Spotify is <strong>the</strong> most popular<br />

app on Facebook 14 and<br />

at <strong>the</strong> beginning <strong>of</strong> 2016,<br />

it released a new version<br />

containing podcasts, video<br />

and ‘fresh finds’ <strong>–</strong> a playlist<br />

with new songs from artists<br />

that have been identified<br />

as shooting stars by a set <strong>of</strong><br />

algorithms.<br />

25<br />

20<br />

15<br />

10<br />

5<br />

0<br />

0,5<br />

1 1,5<br />

2,5 3<br />

4<br />

5 6<br />

Jul Mar Jun Nov Jan Aug Dec Mar May Nov Jan Jun Mar<br />

10 11 11 11 12 12 12 13 14 14 15 15 16<br />

Spotify is Europe’s highest valued venture capital funded startup 19 and in 14 th place globally 20 . In 2015 it was valued<br />

at USD 8.53 billion 21 . During 2015, <strong>the</strong> company secured investments <strong>of</strong> USD 526 million. This year, it has received<br />

a fur<strong>the</strong>r USD 500 million 22 . Spotify employs more than 1 500 people all over <strong>the</strong> world.<br />

10<br />

12,5<br />

15<br />

20


The main creators <strong>of</strong> <strong>the</strong> <strong>Stockholm</strong> Musictech scene 16<br />

Photo: Henrik Trygg<br />

O<strong>the</strong>r <strong>Stockholm</strong>-born innovations<br />

<strong>Stockholm</strong>’s innovation power in Musictech flows over <strong>the</strong> city limits and across <strong>the</strong> globe. There<br />

are a whole host <strong>of</strong> world-leading companies and innovations that was developed by <strong>Stockholm</strong>ers.<br />

Companies that are active in o<strong>the</strong>r places or owned by global corporations. Below are eight<br />

companies or innovations that first saw <strong>the</strong> light <strong>of</strong> day in <strong>Stockholm</strong> and continue to make an<br />

imprint in <strong>the</strong> world <strong>of</strong> music.<br />

01<br />

02<br />

Digital music production<br />

Coding Technologies<br />

Coding Technologies is <strong>the</strong> <strong>Stockholm</strong> company that created <strong>the</strong> audio technology for Dolby.<br />

The company was started by Lars Liljeryd in 1997 and was acquired by Dolby in 2007 for USD<br />

250 million. GIPS (Global IP Solution) is <strong>the</strong> <strong>Stockholm</strong> company behind Skype’s technology. The<br />

company produces s<strong>of</strong>tware for real time voice and video processing for IP networks. It was started<br />

in 1999 by Roar Hagen, Bastiaan Kleijn, Espen Fjogstad and Ivar T. Hognestad. In 2010 it was<br />

bought by Google for USD 68 million.<br />

Music publishers and rights management<br />

Kobalt Music Group<br />

Kobalt Music Group is <strong>the</strong> world’s largest independent music publishing company representing<br />

14 000 songwriters and artists, who toge<strong>the</strong>r makes up 40 percent <strong>of</strong> <strong>the</strong> British and American top-<br />

100 lists. The company was founded in 2000 by <strong>Stockholm</strong> entrepreneur Willard Ahdritz, who still<br />

runs <strong>the</strong> company from its London HQ. Kobalt has been a driving force behind <strong>the</strong> push to improve<br />

transparency <strong>of</strong> <strong>the</strong> hundreds <strong>of</strong> thousands <strong>of</strong> revenue streams in <strong>the</strong> music industry. In 2015,<br />

Google Ventures invested USD 60 million in <strong>the</strong> company 22 .


Why The main <strong>Stockholm</strong> creators is <strong>of</strong> <strong>the</strong> <strong>the</strong> leader <strong>Stockholm</strong> in Musictech scene <strong>Stockholm</strong> Gay & Lesbian Network<br />

17<br />

03<br />

Streaming and o<strong>the</strong>r forms <strong>of</strong> music and<br />

audio entertainment<br />

Beats Music<br />

Beats Music is a music streaming service based on <strong>the</strong> service created by, among o<strong>the</strong>rs,<br />

<strong>Stockholm</strong>er and serial entrepreneur Ola Sars. In 2010 he launched <strong>the</strong> streaming service Let’s<br />

Mix, which two years later was acquired by headphone producer Beats, making Ola Sars a<br />

partner in Beats in <strong>the</strong> process. Apple bought Beats Electronics (which at that point included both<br />

<strong>the</strong> streaming service Beats Music and headphone producer Beats Electronics) for USD 3 billion 23 .<br />

Beats Music is today known as Apple Music, second only to Spotify, with 11 million paying<br />

subscribers.<br />

Filtr<br />

Filtr was developed by <strong>the</strong> digital team at Sony Music Entertainment in <strong>Stockholm</strong>. The app is <strong>the</strong><br />

world’s largest third party service for playlists and gets 30.000 new listeners daily.<br />

Rdio<br />

Rdio is a music streaming service which was created by, among o<strong>the</strong>rs, Skype founder and <strong>Stockholm</strong>er<br />

Niklas Zennström in 2010. Before being acquired by competitor Pandora Radio for USD 75 million, <strong>the</strong><br />

service was available in 85 countries.<br />

Spinnup<br />

Spinnup is a platform for unsigned artists who want to get <strong>the</strong>ir music played on, for example,<br />

Spotify, iTunes, Apple Music, Tidal, Rhapsody, Amazon and Google Play, making it possible for <strong>the</strong><br />

music industry to discover new talents. Spinnup is owned by Universal Music and was developed<br />

by <strong>the</strong>ir team in <strong>Stockholm</strong> in cooperation with <strong>the</strong> <strong>Stockholm</strong> company X5 Music Group.<br />

<strong>Sound</strong>Cloud<br />

<strong>Sound</strong>Cloud is an online platform for distribution <strong>of</strong> sound, primarily music. It is <strong>the</strong> world’s largest<br />

music community to which twelve hours <strong>of</strong> music is uploaded every minute. <strong>Sound</strong>Cloud has 175<br />

million unique, active users per month and reaches every tenth online user between 16 and 64<br />

worldwide. The company was originally founded in <strong>Stockholm</strong>, but was established in 2007 by<br />

Alexandet Ljung and Eric Wahlforss, both students at <strong>the</strong> Royal Institute <strong>of</strong> Technology in <strong>Stockholm</strong>.<br />

<strong>Sound</strong>track your brand<br />

<strong>Sound</strong>track your brand is a joint venture with Spotify and <strong>the</strong> only supplier <strong>of</strong> Spotify Business and<br />

Spotify Enterprise. The company develops and sells solutions to companies and chains that want to<br />

make music a part <strong>of</strong> <strong>the</strong>ir brand experience. McDonalds and Starbucks Sweden are among <strong>the</strong><br />

users. The company was founded in 2013 by Ola Sars and Andreas Liffgarden.


Milestones on <strong>the</strong> road to success<br />

18<br />

Milestones on <strong>the</strong><br />

road to success<br />

Photo: Viktor Gårdsäter


Milestones on <strong>the</strong> road to success<br />

19<br />

Ten years <strong>of</strong> <strong>Stockholm</strong> Musictech<br />

It was against <strong>the</strong> backdrop <strong>of</strong> <strong>the</strong> decline <strong>of</strong> <strong>the</strong> music industry in <strong>the</strong> beginning <strong>of</strong> <strong>the</strong> 21st century<br />

that <strong>Stockholm</strong>’s Musictech scene got started in earnest. For many <strong>of</strong> <strong>the</strong> entrepreneurs it was<br />

about making music more accessible to consumers through <strong>the</strong> use <strong>of</strong> new technology. The quick<br />

proliferation <strong>of</strong> technical music services in <strong>Stockholm</strong> that followed came as a result <strong>of</strong> <strong>the</strong> fact that<br />

<strong>the</strong> people <strong>of</strong> <strong>Stockholm</strong> were able to adopt <strong>the</strong> new services thanks to tax-exempt home computers<br />

and access to <strong>the</strong> world’s largest open fiber optics network 24 .<br />

2006<br />

Spotify is founded by<br />

Daniel Ek and Martin<br />

Lorentzon.<br />

2009<br />

Epidemic <strong>Sound</strong> is<br />

founded.<br />

2011<br />

Spotify is named a pioneer<br />

by World Economic<br />

Forum. Launches in <strong>the</strong><br />

USA.<br />

2014<br />

Auxy launches for<br />

iOS October 29.<br />

Gets named one <strong>of</strong><br />

best apps<br />

by Apple.<br />

2005 2010 2015 2020<br />

2005<br />

Teenage Engineering<br />

is founded with Jesper<br />

Koutho<strong>of</strong>d at <strong>the</strong> helm.<br />

2008<br />

Spotify launches in<br />

Sweden, Great Britain,<br />

Germany, France,<br />

Italy, Spain, Finland and<br />

Norway.<br />

2010<br />

Teenage Engineering<br />

launches <strong>the</strong> synth OP-1.<br />

Napster/Facebookfounder<br />

Sean Parkers’<br />

Founders Fund invests<br />

in Spotify. Spotify pays<br />

more than €45 million<br />

in licenses.<br />

2013<br />

Spotify launches<br />

for phones and in<br />

eight new markets.<br />

24 millions active<br />

users have streamed<br />

4.5 billion<br />

hours <strong>of</strong> music.<br />

2015<br />

Pugz becomes Sweden’s<br />

most successful Kickstarter<br />

ever with SEK 11.5<br />

million.<br />

Midi Hack <strong>–</strong> a music<br />

hack-a-thon <strong>–</strong> takes place<br />

in <strong>Stockholm</strong>.<br />

Teenage Engineering<br />

launches <strong>the</strong> Pocket Operator<br />

10-series toge<strong>the</strong>r<br />

with Cheap Monday.<br />

A report from <strong>the</strong> European<br />

commission points<br />

to clear evidence that<br />

Spotify has contributed to<br />

<strong>the</strong> decrease in <strong>the</strong> illegal<br />

downloading <strong>of</strong> music 25 .<br />

2016<br />

Spotify launches a new<br />

version containing podcasts,<br />

video and ‘fresh finds’ <strong>–</strong> a<br />

playlist with new songs<br />

from artists that have been<br />

identified as shooting stars<br />

by a set <strong>of</strong> algorithms.<br />

<strong>Sound</strong>track your brand/<br />

Spotify for Business and<br />

Starbucks enters into a partnership<br />

covering more than<br />

7.500 American Starbucks<br />

locations.<br />

Spotify reaches 30 million<br />

paying subscribers.<br />

Zound Industries is founded<br />

by Konrad Bergström<br />

and Kenneth Schönborg. 2012<br />

Spotify reaches four million<br />

paying subscribers.


Examples <strong>of</strong> how <strong>Stockholm</strong> Musictech influences <strong>the</strong> music industry <strong>of</strong> <strong>the</strong> future<br />

20<br />

Examples <strong>of</strong> how<br />

<strong>Stockholm</strong> Musictech<br />

influences <strong>the</strong> music<br />

industry <strong>of</strong> <strong>the</strong> future<br />

Photo: Robert Höglund


Examples <strong>of</strong> how <strong>Stockholm</strong> Musictech influences <strong>the</strong> music industry <strong>of</strong> <strong>the</strong> future<br />

21<br />

“ We are two to three years ahead in<br />

Sweden, which means that <strong>the</strong> rest <strong>of</strong><br />

<strong>the</strong> world is very interested in what<br />

we do and how we do it. The next step<br />

is to go international.”<br />

Michelle Kadir, Digital manager at Sony Music Entertainment and<br />

former product manager at Spotify. 26<br />

”It's about <strong>the</strong> future <strong>of</strong> great ideas”<br />

With those words, Spotify founder Daniel Ek opened <strong>the</strong> Brilliant Mind Conference, which took<br />

place for <strong>the</strong> first time in <strong>Stockholm</strong> in 2015. Music and tech is <strong>the</strong> basis for <strong>the</strong> conference, which<br />

brings toge<strong>the</strong>r <strong>the</strong> world's gurus <strong>of</strong> music, media and tech. Behind <strong>the</strong> initiative, in addition to<br />

Daniel Ek, is Aviciis’ manager Ash Pournouri. The conference is one example <strong>of</strong> how <strong>the</strong> future <strong>of</strong><br />

<strong>the</strong> music industry is developed in <strong>Stockholm</strong>. The trend is clear - progress is by leaps and bounds -<br />

and <strong>Stockholm</strong> is playing a major role. Below we list some <strong>of</strong> <strong>the</strong> hottest trends.<br />

Musictech grows as <strong>the</strong> world becomes more<br />

and more digital<br />

Music consumption is expected to grow significantly in <strong>the</strong> next few years. The streaming segment<br />

alone is expected to grow by eleven percent and reach a market volume <strong>of</strong> USD 7.5 million by <strong>the</strong><br />

year 2020. It is expected that almost every forth person in <strong>the</strong> world will be using music streaming<br />

services by <strong>the</strong>n. 27<br />

<strong>Stockholm</strong> contributes to more ‘intelligence’ in <strong>the</strong> music industry<br />

As <strong>the</strong> digitization and hence streaming increases, artists, producers and songwriters can use<br />

technology to get more "intelligent" contact with <strong>the</strong> market. This way, music develops and music<br />

services can be fine-tuned to suit specific target groups.


Examples <strong>of</strong> how <strong>Stockholm</strong> Musictech influences <strong>the</strong> music industry <strong>of</strong> <strong>the</strong> future<br />

22<br />

One example <strong>of</strong> a <strong>Stockholm</strong> company in <strong>the</strong> ‘intelligence sector’ is MIMA. This Musictech<br />

company uses artificial intelligence for real time analysis <strong>of</strong> billions <strong>of</strong> news, music, image and<br />

video flows, and conversations about music in order to make predictions on hot artists, albums<br />

and songs. The company was launched during March 2016 and is a collaboration between Jay<br />

Solomon and Ash Pournouri.<br />

Ano<strong>the</strong>r <strong>Stockholm</strong> example is <strong>the</strong> app Sony Insights, which has been developed by <strong>the</strong> digital<br />

team at Sony Music Entertainment in <strong>Stockholm</strong>. It was launched during March 2016 and is aimed<br />

at <strong>the</strong> record company’s artists and managers who, using <strong>the</strong> service, achieves continuous control<br />

over how <strong>the</strong>ir music is used in <strong>the</strong> world’s largest streaming channels. It also tracks what happens<br />

in <strong>the</strong> artists’ social media channels. The information about how <strong>the</strong> target groups communicate<br />

is, among o<strong>the</strong>r things, used to plan how <strong>the</strong> artist should market its music and where <strong>the</strong> next live<br />

performance should be booked. The app is <strong>the</strong> first <strong>of</strong> its kind in <strong>the</strong> world. It is being tested in<br />

Sweden and if <strong>the</strong> outcome turns out to be positive, international expansion awaits.<br />

A new music format as <strong>the</strong> net becomes our new reality<br />

Scientists 28 are seeing a new effect <strong>of</strong> <strong>the</strong> digitalization and that is that <strong>the</strong> net is increasingly<br />

becoming <strong>the</strong> real (as opposed to virtual) reality where we live our lives. We are moving from<br />

being an individualized culture where we only convey personal experiences, to becoming a culture<br />

<strong>of</strong> participation, where we instead create and experience more toge<strong>the</strong>r.<br />

There are several companies and innovations in this presentation that promote interaction and<br />

co-production, but one <strong>of</strong> <strong>the</strong> most interesting examples is perhaps ORB Industries, which has filed<br />

a patent for a completely new music format in Virtual Reality. Using ORB Industries services, artists<br />

and creators will be able to package <strong>the</strong> music experience in a totally new way and allow users to<br />

interact through VR.<br />

The success story continues<br />

Keeping in mind that <strong>Stockholm</strong> is called ”<strong>the</strong> streaming capital <strong>of</strong> <strong>the</strong> world” 29 , <strong>the</strong> future<br />

looks bright for <strong>Stockholm</strong>’s Musictech scene. <strong>Stockholm</strong> vibrates with ideas and <strong>of</strong>fers unique<br />

possibilities <strong>of</strong> quickly turning ideas into reality. There are many reasons to keep track <strong>of</strong><br />

<strong>Stockholm</strong>’s Musictech <strong>–</strong> this is only <strong>the</strong> beginning.


Sources<br />

23<br />

Sources<br />

Photo: Viktor Gårdsäter


Sources<br />

24<br />

Sources<br />

Media and interviews<br />

1. Statista 2016: Digital Music, Key<br />

Takeaways, worldwide<br />

www.statista.com/outlook/202/100/digital-music/<br />

worldwide<br />

2. TechCrunch 2016: Sweden Is A Tech<br />

Superstar From The North<br />

techcrunch.com/2016/01/26/sweden-is-a-techsuperstar-from-<strong>the</strong>-north/#.czceqpa:RjFV<br />

3. Primarily obtained through searches on<br />

CrunchBase <strong>of</strong> <strong>the</strong>ir respective companies<br />

4. The Nordic Web 2016:<br />

www.<strong>the</strong>nordicweb.com/news/<br />

5. Mashable 2016: How <strong>Stockholm</strong> is<br />

becoming Europe's premier tech hub<br />

mashable.com/2016/01/22/stockholm-europe-techhub/#AW9KHjxpU8qw<br />

6. Webbsökning på respektive företag<br />

These figures we have obtained from various sorces,<br />

allabolag (figures from), corporate web sites, emailed<br />

companies and from SvD which wrote that Spotify<br />

has 800 employees. www.svd.se/spotify-har-egenbostadsko<br />

7. 2013: Interview Urbanears<br />

www.<strong>the</strong>futurepositive.com/blog/interviewurbanears/<br />

8. The Verge 2015: Teenage Engineering<br />

designed a set <strong>of</strong> incredible pocket<br />

syn<strong>the</strong>sizers that cost $59 each<br />

http://www.<strong>the</strong>verge.com/2015/1/22/7868157/<br />

teenage-engineering-pocket-operator-syn<strong>the</strong>sizers<br />

9. Wired 2015: Auxy’s Awesome iPad Music-<br />

Making App Comes to <strong>the</strong> iPhone<br />

http://www.wired.com/2015/12/auxy-for-iphone/<br />

10. The Observer 2016: <strong>Stockholm</strong> Is <strong>the</strong> Next<br />

<strong>Powerhouse</strong> <strong>of</strong> <strong>Sound</strong><br />

www.observer.com/2016/03/stockholm-is-<strong>the</strong>-nextpowerhouse-<strong>of</strong>-sound/<br />

11. The Verge 2015: Pacemaker, our favorite DJ<br />

app, just got even better<br />

http://www.<strong>the</strong>verge.<br />

com/2015/12/17/10293578/pacemaker-<br />

DJmixing-features-ios-update<br />

12. The New Yorker 2014: REVENUE STREAMS- Is<br />

Spotify <strong>the</strong> music industry’s friend or its foe?<br />

www.newyorker.com/magazine/2014/11/24/<br />

revenue-streams<br />

13. Statista 2016: Number <strong>of</strong> paying Spotify<br />

subscribers worldwide from July 2010 to<br />

March 2016 (in millions)<br />

www.statista.com/statistics/244995/number-<strong>of</strong>paying-spotify-subscribers/<br />

14. Statista 2016: Most popular Facebook apps<br />

in November 2015, by monthly active users<br />

(in millions)<br />

www.statista.com/statistics/276371/most-popularfacebook-apps-by-monthly-active-users/<br />

15. TechCrunch 2015: Spotify Claims Streaming<br />

Music Throne Worldwide, But Pandora Is<br />

Still Top Service In U.S.<br />

techcrunch.com/2015/12/01/spotify-claimsstreaming-music-throne-worldwide-but-pandora-is-stilltop-service-in-u-s/<br />

16. Statista 2016: Number <strong>of</strong> global monthly<br />

active Spotify users from July 2012 to<br />

January 2016 (in millions)<br />

www.statista.com/statistics/367739/spotify-globalmau/<br />

17. Billboard 2016: As Spotify Nears 30 Million<br />

Subscribers and Apple Music Exceeds 11<br />

Million, Is Streaming Turning <strong>the</strong> Corner?<br />

www.billboard.com/articles/business/6875477/<br />

spotify-30-million-subscribers-apple-music-11-millionsubscribers<br />

18. Forbes 2016: With 30 Million Users, Spotify Is<br />

Gaining Subscribers Faster And Faster<br />

www.forbes.com/sites/hughmcintyre/2016/03/21/<br />

with-30-million-users-spotify-is-gaining-subscribersfaster-and-faster/#48f5d646402e


Sources<br />

25<br />

Financial Times 2016: Spotify within<br />

earshot <strong>of</strong> 30m paying subscribers,<br />

http://www.ft.com/intl/cms/s/1159aca6-d1e3-<br />

11e5-92a1-c5e23ef99c77,Authorised=false.<br />

html?siteedition=intl&_i_<br />

location=http%3A%2F%2Fwww.<br />

ft.com%2Fcms%2Fs%2F0%2F1159aca6-d1e3-11e5-<br />

92a1-c5e23ef99c77.html%3Fsiteedition%3Dintl&_i_<br />

referer=&classification=conditional_<br />

standard&iab=barrier-app#axzz40L5VXOWt<br />

Svenska Dagbladet 2016: Konkurrenten:<br />

”Vi försöker inte ta kunder från Spotify”<br />

http://www.svd.se/vi-forsoker-inte-ta-kunderfranspotify/om/deezer<br />

19. The Telegraph 2015 : Spotify valued at<br />

$8.53bn valuation after fresh funding round<br />

www.telegraph.co.uk/finance/newsbysector/<br />

mediatechnologyandtelecoms/11664186/Spotifyhits-8.53bn-valuation-after-fresh-funding-round.html<br />

20. The Telegraph 2015: These are <strong>the</strong> most<br />

valuable startups in <strong>the</strong> world<br />

www.telegraph.co.uk/finance/picturegalleries/11904378/These-are-<strong>the</strong>-most-valuablestart-ups-in-<strong>the</strong>-world.html?frame=3460665<br />

21. The Telegraph 2015 : Spotify valued at<br />

$8.53bn valuation after fresh funding round<br />

www.telegraph.co.uk/finance/newsbysector/<br />

mediatechnologyandtelecoms/11664186/Spotifyhits-8.53bn-valuation-after-fresh-funding-round.html<br />

22. Crunchbase 2016: Spotify,<br />

https://www.crunchbase.com/organization/<br />

spotify#/entity<br />

23. TechCrunch 2015: Kobalt Tunes Into $60M<br />

Led By Google Ventures For Its Music Rights<br />

Collection Platform<br />

techcrunch.com/2015/02/26/kobalt-tunes-into-<br />

60m-led-by-google-ventures-for-its-music-rightscollection-platform/<br />

24. Wall Street Journal 2014: Apple Buys Beats<br />

for $3 Billion, Tapping Tastemakers to<br />

Regain Music Mojo<br />

http://www.wsj.com/articles/apple-to-buybeats-1401308971<br />

25. IFPI 2015: Musikförsäljningsstatistik helåret<br />

2014<br />

ifpi.se/dokument-och-statistik?cat=2014<br />

26. Europeiska Kommissionen 2015: Streaming<br />

Reaches Flood Stage: Does Spotify Stimulate<br />

or Depress Music Sales?<br />

ec.europa.eu/jrc/en/publication/eur-scientificand-technical-research-reports/streaming-reachesflood-stage-does-spotify-stimulate-or-depress-musicsales?search<br />

27. Breakit 2016: Hennes vision har tagit form <strong>–</strong><br />

ny app skakar om musikbranschen<br />

www.breakit.se/artikel/2744/hennes-vision-hartagit-form-ny-app-skakar-om-musikbranschen<br />

28. Statista 2015: Digital Music, Key<br />

Takeaways, worldwide<br />

www.statista.com/outlook/202/100/digital-music/<br />

worldwide<br />

29. TV4 2016: Nyhetsmorgon<br />

www.tv4.se/nyhetsmorgon/artiklar/alexander-<br />

bard-instagram-kommer-att-d%C3%B6-ut-<br />

56c9b172b9a9f6cd43000069<br />

30. Financial Times 2014: The Spotify effect<br />

http://www.ft.com/intl/cms/s/0/59e6e6d6-5a49-<br />

11e4-8771-00144feab7de.html<br />

Interviews and mail contacts<br />

Björn Lindborg, #sthlmmusic, among o<strong>the</strong>rs.<br />

Jens Rudberg, Teenage Engineering<br />

Jon Mauno Pettersson, Breakit<br />

Rikard Jönsson, Midi Hack<br />

Sara Herrlin, SUP46, #sthlmmusic<br />

Contact with some <strong>of</strong> <strong>the</strong> companies through e-mail<br />

Photo Cover: Teenage Engineering / Press

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