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LUNA LEEDERVILLE | LUNA ON SX | CINEMA PARADISO<br />

<strong>FESTIVAL</strong> <strong>PROGRAM</strong>


ECU - proudly sponsoring the<br />

Revelation Perth International<br />

Film Festival for 10 years<br />

ECU’s School of Arts and Humanities offers a range of exciting undergraduate<br />

pathways including Film & Video, Animation, Broadcasting, Games &<br />

Interactivity, Photomedia and more.<br />

For students interested in postgraduate study, ECU’s WA Screen Academy<br />

offers a leading film and television training program. The intensive one-year,<br />

industry-focused course gives students the opportunity to learn their craft<br />

within a creative and dynamic environment.<br />

Apply now<br />

ecugetready.com.au<br />

ECU. That’s how university should be.<br />

303ML ECU12132 | CRICOS IPC 00279B


CONTENTS<br />

INTRODUCTIONS 04<br />

SPECIAL EVENTS 07<br />

Opening Night: Demolition 08<br />

Mike Kelley Mobile Homestead 09<br />

WA Screen Awards 10<br />

Get Your Shorts On 11<br />

Iranian Film Festival 12<br />

Cine Vivo: Latino Film Festival 14<br />

Experimental Showcase 16<br />

Revel-8 Super 8 Film Competition 17<br />

ICS Showcase 18<br />

Magnolia’s Revelation Special 19<br />

Muppets, Music & Magic:<br />

The Jim Henson Legacy 20<br />

Labyrinth & Dark Crystal 22<br />

Mini Rev: Jim Henson<br />

Free Kids Screenings 23<br />

REVCON 30<br />

RevCon Workshops + Field day 30<br />

Revelation Academic + ATOM Seminar 31<br />

Guests 32<br />

FEATURES 35<br />

Aaaaaaah! 36<br />

Atmo HorroX 37<br />

Bridgend 38<br />

Der Bunker 39<br />

High-Rise 40<br />

Kidnap Capital 41<br />

Little Sister 42<br />

The Love Witch 43<br />

Mad 44<br />

Paths of the Soul 45<br />

Patrick’s Day 46<br />

Pikadero 47<br />

Somebody’s Mother 48<br />

Suburra 49<br />

Swiss Army Man 50<br />

The Whispering Star 51<br />

LATE NIGHTS 53<br />

A Night of Horror 54<br />

Baskin 55<br />

Dude Bro Party Massacre III 56<br />

Wacken 3D 57<br />

DOCUMENTARIES 59<br />

A Crackup at the Race Riots 60<br />

All The Time In The World 61<br />

All Things Ablaze 62<br />

The Art of the Prank 63<br />

The Banksy Job 64<br />

Chemsex 65<br />

Dead Slow Ahead 66<br />

Don’t Blink: Robert Frank 67<br />

Eat That Question: Frank Zappa<br />

In His Own Words 68<br />

Ettrick 69<br />

Fresh Dressed 70<br />

Fursonas 71<br />

Heart of a Dog 72<br />

Human 73<br />

Invention 74<br />

Janis: Little Girl Blue 75<br />

The Land of the Enlightened 76<br />

Louis Theroux: My Scientology Movie 77<br />

Machine Gun or Typewriter? 78<br />

Mapplethorpe: Look at the Pictures 79<br />

Notfilm + Film 80<br />

Nuts! 81<br />

The Other Side 82<br />

Tony Conrad: Completely In The Present 83<br />

Weiner 84<br />

SHORT FILMS 87<br />

CREDITS 94<br />

<strong>FESTIVAL</strong> SCHEDULE 98<br />

TICKET & VENUE INFO 100<br />

PARTNERS 101<br />

3


JACK SARGEANT<br />

<strong>PROGRAM</strong> DIRECTOR<br />

Welcome to the 2016 Revelation Perth<br />

International Film Festival. It’s taken us some<br />

time to get here, putting together our biggest<br />

instalment yet.<br />

Whether it’s the riots of All Things Ablaze, the<br />

slipstream sci-fi of High-Rise, the disjointed<br />

families of Der Bunker, Little Sister and<br />

Aaaaaaaah! the contemplative calm of All the<br />

Time in the World, Invention and Ettrick, the<br />

rock and metal of Wacken or the humour of My<br />

Scientology Movie and The Art of the Prank<br />

– there’s all forms of cinema celebrated here,<br />

as well as a dedicated session of indigenous<br />

works, a showcase from South America, the<br />

return of IFFA, and Revelation’s use of PICA to<br />

present work by Mike Kelley and State Library<br />

of Western Australia to screen Jim Henson’s<br />

Muppets, and much, much more besides.<br />

It’s a packed festival. Enjoy!<br />

RICHARD SOWADA<br />

DIRECTOR AND FOUNDER<br />

Looking at films for this edition of Rev has<br />

been the most amazing experience.<br />

The kinds of films and the mood of them<br />

has clearly changed in the last 12months.<br />

There’s been a major shift internationally to<br />

the symphonic and explosion of cinema that<br />

experiments...that’s why this year’s program is<br />

just so big! In fact we’ve managed to somehow<br />

squeeze even more titles into the program for<br />

your viewing pleasure.<br />

For those wanting to explore the deep audiovisual<br />

textures of this vanguard of new cinema<br />

I can’t recommend highly enough the very,<br />

very lovely films Paths of the Soul, Dead Slow<br />

Ahead, Invention and The Whispering Star<br />

they are utterly unique...but with all the most<br />

excellent titles on offer, how can I choose my<br />

favourite child?<br />

To cope with demand and desire for the first<br />

time we’ve added a three-day Rev Rewind<br />

component that will bust out some of the most<br />

popular films in the program for the three days<br />

after our official program has ended...but we<br />

of course won’t know them until well into our<br />

primary screening program.<br />

I sincerely hope you enjoy these sensational<br />

titles direct from the international film scene to<br />

your door.<br />

See you in the dark!<br />

4<br />

INTRODUCTION


HON JOHN DAY MLA<br />

MINISTER FOR CULTURE AND THE ARTS<br />

Welcome back to the Revelation Perth<br />

International Film Festival, and another year of<br />

providing entertaining and thought-provoking<br />

films and discussions, for film makers and film<br />

lovers to enjoy.<br />

The State Government, through ScreenWest<br />

and Lotterywest, is proud to be a major<br />

supporter of this 10-day showcase of indie,<br />

genre and cult movies, which next year will<br />

celebrate its 20th anniversary.<br />

To the Western Australian film makers who<br />

have had their film selected, I congratulate you<br />

on being a part of Revelation 2016.<br />

Congratulations also to the Revelation team<br />

including many volunteers for creating an<br />

event that invites the Western Australian<br />

community to celebrate and explore films from<br />

around the world.<br />

I encourage everyone to help spread the word<br />

about this year’s exceptional line up, and wish<br />

you all the best for a wonderful festival.<br />

BECOME A MEMBER<br />

Buy your Revelation Film Festival<br />

Membership and experience<br />

the world of international<br />

independent cinema for a fraction<br />

of the cost!<br />

• For just $250 you receive in excess of $500 value<br />

• Festival Gold pass giving you access to all<br />

general screenings throughout the event<br />

• Opening night VIP double pass allows you and<br />

a guest to attend our first night screening, and<br />

attend our post film party with complimentary<br />

drinks and food<br />

• Discounts at all Luna Palace Cinemas throughout<br />

the year<br />

• Double pass for a Eat/Drink/Walk small bar tour<br />

courtesy of Two Feet and a Heartbeat<br />

• Bottle of wine<br />

• Our very special Rev t-shirt<br />

• $4 off your Companion’s ticket when attending<br />

a screening with you<br />

• Eligibility to all competitions and giveaways<br />

• Goodie Bag<br />

Join online at www.revelationfilmfest.org<br />

REV REWIND<br />

Missed some of Rev’s hottest<br />

moments? Stand by for three<br />

days of the biggest Rev films<br />

back by popular demand!<br />

July 18–20, Luna Leederville & Luna SX.<br />

Join our subscriber list for updates as they happen!<br />

INTRODUCTION<br />

5


Screenwest<br />

...is proud to support<br />

Revelation Perth International Film Festival<br />

SOL BUNKER © Taylor Media<br />

Connecting Western Australian audiences with<br />

high quality, diverse films and filmmakers<br />

www.screenwest.wa.gov.au


SPECIAL<br />

EVENTS<br />

7


DIR: JEAN-MARC VALLEE<br />

USA/2015/101MINS<br />

OPENING NIGHT<br />

DEMOLITION<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

THURS 7, 7PM LUNA<br />

WED 13, 7PM LUNA<br />

C DemolitionMovie<br />

demolition-themovie.com<br />

TORONTO INTERNATIONAL FILM<br />

<strong>FESTIVAL</strong><br />

OFFICIAL SELECTION: SXSW<br />

Proudly presented by<br />

Try these names on and picture what might be coming your<br />

way: Jake Gyllenhall, Naomi Watts, Chris Cooper, Judah Lewis,<br />

Director of Dallas Buyers Club Jean-Marc Vallee, Producer<br />

John Malkovich, great music from Heart, The Animals, Gil<br />

Scott-Heron and...well do we need to go on?<br />

Davis (Gyllenhall) is an extraordinarily successful business<br />

man with everything that he wants at his fingertips...except<br />

emotions...but he seems OK with that.<br />

Life isn’t going to let him off the hook that easily though and<br />

after a terrible accident a strange kind of long distance pen-pal<br />

relationship emerges between him and a young woman on the<br />

other end of his letters to a vending machine company - one of<br />

whose machines refused to give him a candy bar in a hospital.<br />

It’s really quite lovely as we see things unfold and as Davis’<br />

communications become more and more and unintentionally<br />

personal and poetic, but this poetry is still kept well hidden.<br />

That is until Davis’ long stifled feelings fight to come to the<br />

surface in always surprisingly deadpan and honest ways.<br />

Great performances all round, tons of humour and small<br />

moments filled with surprises throughout, Demolition is very<br />

much Vallee’s film and as such is directed with clarity and<br />

precision.<br />

On Thursday 7th, join us for our famous after party where the<br />

drinks will flow, the food will be plentiful and the waxings will<br />

be spun well into the evening. And if that wasn’t enough our<br />

special friends from the Menagerie Choir will also be making<br />

a special appearance which is bound to bring a smile to your<br />

face. Ticket prices include all the fun and all the film as we<br />

celebrate this year’s huge event.<br />

8 SPECIAL EVENTS<br />

BOOKINGS: REVELATIONFILMFEST.ORG


MIKE KELLEY MOBILE HOMESTEAD<br />

FREE EVENT<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SCREENING DAILY AT PICA<br />

(EXCEPT MONDAY)<br />

12:30pm: Mobile Homestead<br />

Christening Ceremony and<br />

Launch (2010-11), 53min<br />

1:30pm: Going West on<br />

Michigan Avenue from<br />

Downtown Detroit to Westland<br />

(2010-11), 78min<br />

3pm: Going East on Michigan<br />

Avenue from Westland to<br />

Downtown Detroit (2010-11),<br />

79min<br />

Mobile Homestead videos © Mike<br />

Kelley Foundation for the Arts. All<br />

rights reserved.<br />

Courtesy of the Mike Kelley<br />

Foundation for the Arts in<br />

collaboration with Artangel.<br />

Presented in association with<br />

In 2005 multimedia-artist Mike Kelley was commissioned by<br />

Artangel to produce a site-specific artwork. His response was<br />

to create a replica of his childhood home in the Detroit suburb<br />

of Westland, the façade of which was driven from the Museum<br />

of Contemporary Art, Detroit, to Westland, on a route that<br />

took the artwork along Michigan Avenue and back again.<br />

In Mobile Homestead, a three part video work, Kelley,<br />

documents this journey and the changing social and cultural<br />

geographies on Michigan Avenue. By including interviews<br />

conducted on route with those who live or work alongside<br />

the road, including strip-club dancers, church officials, and<br />

representatives of the Ford Motor Company, among many<br />

others, the work offers snapshot portraits of the city and its<br />

inhabitants.<br />

This video trilogy opens with a celebration of the launch of<br />

Mobile Homestead and features poet John Sinclair, alongside<br />

community leaders, as well as numerous musicians and bands<br />

representing the cultural diversity of the suburbs the façade<br />

passed through.<br />

The work was premiered in 2012 at the Whitney Biennial, New<br />

York, and has screened at Site Gallery, Sheffield, and the Tate<br />

Modern, London.<br />

Mike Kelley’s Mobile Homestead is commissioned by Artangel in association with<br />

MOCAD, LUMA Foundation and Mike Kelley Foundation for the Arts with the<br />

generous support of the Artangel International Circle.<br />

SPECIAL EVENTS<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

9


THE 28 TH ANNUAL<br />

WEST AUSTRALIAN SCREEN AWARDS<br />

M T W T F S S<br />

4 5 6 7 8 9 10<br />

11 12 13 14 15 16 17<br />

MON 4 JULY, HEATH<br />

LEDGER THEATRE, STATE<br />

THEATRE CENTRE OF WA<br />

TICKETS ON SALE FROM<br />

WWW.TICKETEK.COM.AU<br />

MORE INFORMATION FROM<br />

WWW.FTI.ASN.AU<br />

Proudly presented by<br />

The West Australian Screen Awards (WASAs) is the premier<br />

celebration of West Australian screen culture, celebrating<br />

excellence and achievements in feature film, short film, web<br />

series, music videos, television production, documentary,<br />

games and interactive productions.<br />

The 2016 WASAs will be a red carpet gala awards ceremony<br />

held at the prestigious Heath Ledger Theatre at the State<br />

Theatre Centre of Western Australia on Monday 4 July 2016,<br />

as a grand opening to the Revelation Perth International Film<br />

Festival.<br />

Former WASA winners include some of Australia’s most<br />

prominent screen practitioners such as Nelson Woss (Red<br />

Dog), Elissa Down (The Black Balloon), Zak Hilditch (These<br />

Final Hours), James Bogle (Lockie Leonard, The Circuit, Closed<br />

for Winter), Sue Taylor (The Tree, Last Train to Freo), Myles<br />

Pollard (Drift) as well as a who’s who of the next generation of<br />

household names including Lauren Elliott, Ben Young, Emilia<br />

Jolakoska, Antony Webb and seasoned professionals including<br />

Kim Lord, Laurie Silvestren, and Torstein Dyrting.<br />

10<br />

SPECIAL EVENTS<br />

BOOKINGS: REVELATIONFILMFEST.ORG


8 X SHORT FILMS<br />

GET YOUR SHORTS ON!<br />

M T W T F S S<br />

7 8 9 10<br />

Get Your Shorts On! is back with another fresh and exciting<br />

line up of short films guaranteed to delight audiences and<br />

showcase the talents of WA’s emerging filmmakers.<br />

11 12 13 14 15 16 17<br />

THU 14, 7PM, LUNA<br />

Get Your Shorts On! films have<br />

received funding support from<br />

ScreenWest, Lotterywest and/or the<br />

Film & Television Institute (FTI).<br />

Some shorts are not suitable for<br />

persons under 15.<br />

Proudly presented by<br />

INVISIBLE LIGHT<br />

DOCUMENTARY, 5 MINS<br />

PRODUCER: NICHOLAS DUNLOP<br />

WRITER/DIR: PERUN BONSER<br />

Stories are told using cutting-edge<br />

infrared and ultraviolet light photography<br />

to reveal the secrets hiding amongst our<br />

most familiar surroundings.<br />

REVEALING THE<br />

HIDDEN WORLD<br />

DOCUMENTARY, 5 MINS<br />

PRODUCER: NICHOLAS DUNLOP<br />

WRITER/DIR: ASHLEY SPRATT<br />

For photographer Tash Nannup, light<br />

defines everything she does.<br />

THE SHAPES: COOL ROCK<br />

VIDEO & I’M A GENIUS<br />

ANIMATION/COMEDY, 3 MINS<br />

PRODUCER: LAUREN ELLIOTT<br />

WRITER/DIR: MATT LOVKIS &<br />

HENRY INGLIS<br />

MUSIC & LYRICS: MATT LOVKIS &<br />

TIMOTHY NELSON<br />

An animated musical comedy series<br />

showcasing music videos from raucous<br />

cartoon band ‘The Shapes’.<br />

NORMAL PEOPLE<br />

COMEDY, 7 MINS<br />

PRODUCER: JENNA DIMITRIJEVIC<br />

WRITER/DIR: JAMES PONTIFEX<br />

Zoe arrives at a cocktail party to find she<br />

has misread the invite and is the only one<br />

dressed in costume.<br />

SOL BUNKER<br />

DRAMA, 13MINS<br />

PRODUCER: GLEN STASIUK<br />

WRITER/DIR: NATHAN MEWETT<br />

Sol Bunker is an eccentric sound designer<br />

who searches for the elusive “frequency of<br />

life” to help save his dying wife.<br />

OUTLINE<br />

DRAMA, 6MINS<br />

PRODUCER: JESS PARKER<br />

WRITER/DIR: CODY CAMERON-<br />

BROWN<br />

A grieving young artist seeks redemption<br />

in an unlikely place.<br />

SHADOWS OF DISPLACEMENT<br />

DOCUMENTARY, 5 MINS<br />

WRITER/PRODUCER:<br />

RENEE KENNEDY<br />

WRITER/DIR: PERUN BONSER<br />

Government policies and political<br />

discourse is laid bare in a black and white<br />

world.<br />

REFLECTION<br />

DRAMA, 8 MINS<br />

PRODUCER: LAUREN CURTIS-POWER<br />

WRITER/DIR: JAMES BROADHURST<br />

A trip to an isolated lake proves that the<br />

truth will always come to the surface.<br />

SPECIAL EVENTS<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

11


IRANIAN FILM <strong>FESTIVAL</strong><br />

For over two decades one of the most exciting national cinemas has been that of Iran. One of<br />

Rev’s most popular events, IFFA returns with a program showcasing the strength and quality of<br />

films from this otherwise troubled country.<br />

NAHID<br />

DIR: IDA PANAHANDEH (2015/105MIN)<br />

AUSTRALIAN PREMIERE<br />

SUN 10, 6.45PM, PARADISO<br />

SUN 17, 7PM, PARADISO<br />

As part of her divorce Nahid has retained custody of her son,<br />

conditional upon her not remarrying. However she does want to<br />

remarry, but Nahid (Sareh Bayat) knows that her former husband<br />

will certainly challenge the custody. In the meantime, life continues<br />

– among her other problems are her elderly bedridden mother and<br />

the growing disobedience of her young son. Temporary marriage<br />

seems like the solution but it just adds more problems.<br />

WINNER: UN CERTAIN REGARD SPECIAL JURY PRIZE CANNES<br />

THE MAN WHO BECAME A HORSE (MARDI KE ASB SHOD)<br />

DIR: AMIR HOSSEIN SAGHAFI (2015/110MIN)<br />

This is a father-daughter tale - a father, afraid of abandonment, and<br />

daughter, attached to the one thing she has left of her deceased<br />

mother, an old horse. Although the daughter is already married,<br />

her father manipulates her into continuing to live with him.<br />

SAT 9, 4.40PM, PARADISO<br />

FRI 15, 6.45PM, PARADISO<br />

Based on Anton Chekhov’s short story Sorrow, this film takes the<br />

narrative a step further to explore the inner world of a selfish man<br />

overtaken by self-pity.<br />

12<br />

SPECIAL EVENTS<br />

BOOKINGS: REVELATIONFILMFEST.ORG


RISK OF ACID RAIN (EHTEMAL-S BARAN-E ASIDI)<br />

DIR: BEHTASH SANAEEHA (2015/105MIN)<br />

Manouchehr still insists on going to work at the Iranian Tobacco<br />

Company, although he has retired long ago. When his mother<br />

passes away, he embarks on a journey to Tehran to find an old<br />

childhood friend. But on arrival he checks into a hotel staffed by<br />

eccentrics. He is finally in his element...<br />

WED 13, 8.45PM, PARADISO<br />

SUN 17, 3.15PM, PARADISO<br />

It’s a minimal, poetic story that addresses the human condition<br />

with subtle and laconic humour. This strong (and charming)<br />

debut feature, which won the Netpac award at IFFA in 2015, is<br />

anchored by a strong lead performance from famous poet Shams<br />

e Lageroodi.<br />

TIME FOR LOVE (DORANE ASHEGHI)<br />

DIR: ALIREZA RAISIAN (2014/90MIN)<br />

FRI 8, 8.45PM, PARADISO<br />

SAT 16, 3.30PM, PARADISO<br />

Bita, a divorce lawyer, (played by Leila Hatami), takes on a case<br />

which turns out to be against her own husband (Shahab Hosseini),<br />

although she is unaware of this initially. A complex web of lovers<br />

and ex lovers constellating round the struggling marriage of Bita<br />

and her husband, combined with an unwanted pregnancy and<br />

the desire for revenge, is woven into a tightly scripted film. A box<br />

office hit in Iran.<br />

AVALANCHE (BAHMAN)<br />

DIR: MORTEZA FARSHBAF (2015/90MIN)<br />

MON 11, 6.45PM, PARADISO<br />

THU 14, 6.45PM, PARADISO<br />

Homa, a very experienced nurse is assigned a 10-day night shift<br />

to take care of an unpleasant old woman while her son, the owner<br />

of the clinic, is away. A huge snowstorm hits Iran and clogs the<br />

city, effectively closing it down which her mindscape begins to<br />

mirror. As the nights go by, she has increasing trouble sleeping.<br />

The stress of her insomnia and building personal issues come to<br />

a head during the crisis within the city. Fatimeh Motamed Arya’s<br />

performance has been described as “sublime”, and saw her<br />

nominated for best actress at the Asia Pacific Screen Awards.<br />

I AM DIEGO MARADONA (MAN DIEGO MARADONA HASTAM)<br />

DIR: BAHRAM TAVAKOLI (2015/85MIN)<br />

SUN 10, 1.15PM, PARADISO<br />

WED 13, 6.45PM, PARADISO<br />

I am Diego Maradona rotates around the domestic problems of<br />

two married sisters who are now situated in very different social<br />

circles and economic levels. One couple tries to hash out what<br />

actually went wrong, as the surrounding family members point<br />

fingers at one another. Tension builds as all of their other problems<br />

seem to bubble to the surface at the same time. This masterfully<br />

directed and award-winning ensemble brims with charm and<br />

cinematic ingenuity, is a very black comedy.<br />

Proudly presented by<br />

SPECIAL EVENTS<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

13


CINE VIVO: LATINO FILM <strong>FESTIVAL</strong><br />

All aboard! The Latino Film Festival is about to take off. Strap yourself in for the best cinema<br />

from some of the continent’s most cutting-edge talent. Running over 12 nights through to<br />

September 3rd, the Festival will bring you more than just remarkable films. Get whisked away<br />

to faraway lands of mouth-watering foods, luscious cocktails and infectious rhythms. Catch Latin<br />

fever at our after parties with music and dance performances that’ll get your hips shaking in no<br />

time.<br />

The films here are a taste of what the Festival has on offer. Go to cinevivo.com.au for the full<br />

program of films, food, music and dance including our Brazilian night on July 8th and Cuban<br />

night on July 16th.<br />

This is a journey of all five senses – one you’ll never forget. ¡Andale andale!.<br />

BOI NEON<br />

DIR: GABRIEL MASCARO (2015/BRAZIL, NETHERLANDS, URUGUAY/110MIN)<br />

PORTUGUESE WITH ENGLISH SUBTITLES)<br />

FRI 8, 6.45PM, PARADISO<br />

With its recent world premiere at Venice, this marks Gabriel<br />

Mascaro as the leading figure in a burgeoning new wave<br />

movement coming out of Recife in Brazil’s north-east. The story<br />

centres on Iremar who works as a vaqueiro wrangling bulls on<br />

the tough, macho rodeo circuit, but each evening swinging from<br />

the hammock in the back of the truck, Iremar’s head is filled<br />

with dreams of pattern cutting, sequins and exquisite fabrics as<br />

he mentally assembles his latest sexy fashion designs. Will this<br />

be a case of Strictly Bullroom, or will our hero achieve his frock<br />

dreaming?<br />

14<br />

SPECIAL EVENTS<br />

BOOKINGS: REVELATIONFILMFEST.ORG


HORIZONTES<br />

DIR: EILEEN HOFER (2015/SWITZERLAND/70MIN)<br />

LANGUAGES: SPANISH WITH ENGLISH SUBTITLES<br />

AUSTRALIAN PREMIERE<br />

MON 11, 8.45PM, PARADISO<br />

SAT 16, 5.15PM, PARADISO<br />

Run-down rehearsal rooms along the halls of the Grand<br />

Theatre of Havana, Amanda and Viengsay dedicate themselves<br />

wholeheartedly to the demanding routine their discipline requires<br />

of them: that of classical ballet. Their every step and aspiration<br />

echo the great achievements of their predecessor, Alicia Alonso,<br />

the prima ballerina assoluta, still invincible even at the grand age<br />

of 90.<br />

GUARANÍ (GUARANÍ)<br />

DIR: LUIS ZORRAQUÍN (2015/ARGENTINA, PARAGUAY/85MIN)<br />

GUARANI & SPANISH WITH ENGLISH SUBTITLES<br />

AUSTRALIAN PREMIERE<br />

SUN 10, 4.50PM, PARADISO<br />

SUN 17, 5.20PM, PARADISO<br />

Atilio lives with his granddaughter Iara. His great desire is to have<br />

a grandson to transmit the Guarani culture. When he discovers<br />

that Iara’s mother, Helena, is pregnant, he decides to go to a long<br />

journey and cross borders, with the aim to convince Helena to give<br />

birth in the Guarani land... The long journey will make Atilio and<br />

Iara understand the real meaning of traditions and family bonds.<br />

Proudly presented by<br />

SPECIAL EVENTS<br />

FRIDAY 8th - Post Boi Neon screening<br />

OPENING PARTY – Brazilian Celebration!<br />

$10 with a film ticket/$15 without<br />

Experience the joyful watercolour of rhythms and the sounds of<br />

Brazil - bossa and samba de gafieira - right here in Australia.<br />

Dubbed the ‘Bossa Nova Baby’, this Brazilian born singer and<br />

songwriter, and multiple award nominee, brings a new edge to<br />

traditional Brazilian rhythms - creating a contemporary musical<br />

fusion which is taking the Australian and the international music<br />

scene by storm.<br />

More details on: www.oniria.com.au<br />

SAT 16th - Post Horizontes screening<br />

A Cuban Collision - Una noche de Son y Trova<br />

$10 with a film ticket/$15 without<br />

Solo-artist Nicolás Bahamonde will be joined by special guest Luiza<br />

Mjeda-Beg to perform a soulful mix of ‘Trova’ - one of the great<br />

roots of the Cuban music tree. Al Medio Son will then set the room<br />

on fire with their electric mix of Cuban ‘Son’ rhythms. This is not to<br />

be missed!<br />

More details on: www.oniria.com.au<br />

SPECIAL EVENTS<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

15


9 X SHORT FILMS<br />

EXPERIMENTAL SHOWCASE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SUN 10, 6.45PM, LUNA<br />

SUN 17, 1.15PM, LUNA<br />

Revelation’s annual selection of experimental films sees<br />

a combination of found footage works,visual and aural<br />

manipulations, micro-documentaries, and more. Dancing with<br />

the limits of cinema and film, exploring the processes of listening<br />

to film, the nature of meaning and the potential joys of visual<br />

pleasure.<br />

ÞETTA REDDAST (THETTA<br />

REDDAST) IT WILL ALL<br />

WORK OUT OKAY<br />

DIR: SAMANTHA J HERIZ<br />

UK, ICELAND/12MIN/2015<br />

FILME SOM (FILM SOUND)<br />

DIR: CESAR GANANIAN AND ALEX-<br />

ANDRE MOURA<br />

BRAZIL/9MIN/2014<br />

COLD WAR CHRISTMAS<br />

DIR: EMMA PENAZ EISNER<br />

USA/5MIN/2015<br />

ABSTRACTICA GALACTICA<br />

DIR: GREGG BIERMANN<br />

USA/13MIN/2016<br />

VENGEANCE<br />

DIR: ANDRÉ SHANNON<br />

AUST/3MIN/2015<br />

BODY CONTOURS<br />

DIR: KRISTIN REEVES<br />

USA/6MIN/2015<br />

SMART DRESS IS<br />

ABSOLUTELY ESSENTIAL<br />

DIR: SLAWOMIR MILEWSKI<br />

POLAND/7MIN/2015<br />

GIRL STREAMING<br />

DIR: MARC PONTHUS<br />

USA/14MIN/2015<br />

UNTITLED (MY BOYS AND I)<br />

DIR:BONNE FEE<br />

USA/3MIN/2015<br />

16<br />

SPECIAL EVENTS<br />

BOOKINGS: REVELATIONFILMFEST.ORG


16 X SHORT FILMS<br />

REVEL-8<br />

SUPER 8 FILM COMPETITION<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SUN 17, 9PM, LUNA<br />

Proudly presented by<br />

Revel-8 is presented by Keith Smith, Co-ordinator Film and<br />

Video, Edith Cowan University with thanks to Lindsay Vickery and<br />

the talented music composition students at the WA Academy of<br />

Performing Arts.<br />

Join the party as Super-8ers weave their celluloid magic to this<br />

year’s theme of GIFT and Revel-8 celebrates its 10th Birthday!<br />

It’s filmmaker-meets-composer-meets-audience all over again in<br />

REV’s unique image-music small gauge filmfest.<br />

Filmmaker challenge: shoot one reel of silent Super 8 film incamera<br />

lasting just 3 1/2 minutes.<br />

Composer challenge: compose and record a music soundtrack<br />

without even meeting the director.<br />

Audience challenge: cheer for your favourite film as you sit sideby-side<br />

with anxious filmmakers who haven’t seen or heard their<br />

films, and nervous composers who want to know if they’ve got it<br />

right!<br />

Prizes to be awarded on the night include Best Film, Best Music<br />

Soundtrack, Best Super 8 Cinematography and Audience Choice<br />

Award.<br />

Supported by<br />

SPECIAL EVENTS<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

17


5 X SHORT FILMS/100MINS<br />

ICS SHOWCASE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

TUE 12, 7PM, LUNA<br />

The Indigenous Community Stories (ICS) Program records and<br />

archives Indigenous oral histories and cultural expressions on<br />

film. The initiative aims to record and archive 100 stories of<br />

this generation of Elders, their families and communities, for<br />

future generations. ICS has created an invaluable anthology that<br />

contributes to Australia’s cultural identity. Stories include creation<br />

stories, art stories, music stories, station stories, and Stolen<br />

Generation stories from across Western Australia. .<br />

Told in first person, ICS films are important documents which<br />

reflect the diversity and layers of Aboriginal experiences in<br />

Western Australia. They have the capacity to connect us all as<br />

human beings.<br />

LAUREL NANNUP<br />

DOCUMENTARY, 13MINS<br />

DIR: MITCH TORRES<br />

LOCATION: PERTH/ PINJARRA<br />

Laurel was born in 1943 at the Carrolup<br />

Native Settlement and grew up at Wandering<br />

Mission and the Pinjarra Reserve. She went<br />

on to study print-making at Curtin University<br />

and is now a highly regarded artist who<br />

recalls her childhood experiences through art.<br />

PAUL HANSEN (RIP) -<br />

LEGENDARY NYOONGAR<br />

WARRIOR<br />

DOCUMENTARY, 12MINS<br />

DIR: MITCH TORRES<br />

LOCATION: PERTH<br />

In 1970 Paul joined the Australian Royal Army<br />

Service and served in the Vietnam War. This is<br />

his story of survival and how he and his family<br />

coped with his post-traumatic stress disorder<br />

and journey of healing.<br />

BIGALI HANLON -<br />

WALKING TRACKS BACK HOME<br />

DOCUMENTARY, 15MINS<br />

DIR: MITCH TORRES<br />

LOCATION: PILBARA-ROEBOURNE,<br />

MULGA DOWNS AND PERTH<br />

In 1947, Bigali aged 6 and her younger<br />

brother were stolen from their Yindjibarndi<br />

and Banjima families in the East Pilbara.<br />

Separated from her brother and sent to Sister<br />

Kates in Perth, this story celebrates Bigali’s<br />

remarkable but painful journey to reconnect<br />

with her family.<br />

CEDRIC JACOBS<br />

DOCUMENTARY, 15MINS<br />

DIR: KARLA HART<br />

LOCATION: SOUTH WEST AND PERTH<br />

Cedric and his siblings were stolen whilst<br />

his parents were working picking grapes.<br />

He tells about the harsh life growing up at<br />

Mogumber Mission and how he found solace<br />

in his love for family and church.<br />

GUNADA BAND (*WORLD<br />

PREMIERE*)<br />

DOCUMENTARY, 22MINS<br />

DIR: MITCH TORRES<br />

LOCATION: KIMBERLEY / BROOME<br />

In the late 1980’s, two Broome-based<br />

musicians broke new ground and formed an<br />

original multi-cultural band. Band members<br />

explain their creative and cultural influences<br />

and how Gunada became one of Broome’s<br />

most iconic bands.<br />

Proudly presented by<br />

18<br />

SPECIAL EVENTS<br />

BOOKINGS: REVELATIONFILMFEST.ORG


MAGNOLIA’S REVELATION SPECIAL<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SUN 10, 6PM, BABUSHKA<br />

742 NEWCASTLE ST,<br />

LEEDERVILLE<br />

$10 OR FREE ON<br />

PRESENTATION OF<br />

REVELATION FILM TICKET<br />

Proudly presented by<br />

What’s better than a trilogy? A quadrilogy! For the fourth year,<br />

Magnolia’s Late Night Live IV: The Voyage Home returns to<br />

Revelation Film Festival to ask probing questions like “Which<br />

was better – Highlander IV: Endgame or The Next Karate Kid?”,<br />

“Will Jason Bourne continue the franchise magic?” and “Should<br />

Coppola have made a Godfather IV?”<br />

The lo-fi talk show that began in 2012 inside a North Perth<br />

backyard shed, Magnolia’s has travelled far and wide including<br />

all the way to shows for National Science Week (2013-2014) and<br />

Fringe World (2013-2016). Hosted by Tristan Fidler (RTRFM’s<br />

Movie Squad reviewer) with help from Matt Aitken (Paddle Clubb<br />

and Swamp Clubb) and “Jimmy’s Choice” (the show’s answer to<br />

Red Symons), Magnolia’s engages in fun, loose, and thoughtful<br />

conversations in front of an intimate audience. Past guests have<br />

included John Safran, Costa Georgiadis, Rachael Dease, Andrea<br />

Gibbs, Kirin J. Callinan, just to casually drop a few names there.<br />

Alongside such enlightening discussion, audience favourite<br />

segments are performed such as Amber’s Love Seat (musician<br />

Amber Fresh asks questions pertaining to love and romance) and<br />

Mystery Drinks (Nick Odell selects a drink for guests to taste and<br />

talk about).<br />

For this year’s Revelation Film Festival, Magnolia’s looks forward<br />

to chatting to visiting international guests as well as spending<br />

time with WA-based members of the film industry. For film buffs<br />

and casual viewers alike, smash your choc-bomb into your box<br />

of popcorn and strap yourselves in for a true 4-D experience.<br />

Magnolia’s Revelation Special is back … and to quote the poster<br />

for Lethal Weapon 4, the gang’s all here.<br />

SPECIAL EVENTS<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

19


MUPPETS, MUSIC & MAGIC: THE JIM HENSON LEGACY<br />

Jim Henson was one of the great independent artists of the international big and small screen.<br />

A great innovator and collaborator, Henson blazed a wholly individual trail through children’s TV,<br />

children’s features, science fiction and fantasy motion pictures, experimental cinema, animation,<br />

television commericals and much much more. This exhaustive tribute pays homage to this great<br />

moving image pioneer and dives into his work – famous and hidden – to uncover sides of Henson<br />

we’ve never seen, appreciated or understood.<br />

COMMERCIALS & EXPERIMENTS<br />

(73MINS)<br />

SAT 9, 5.15PM, SX<br />

SUN 10, 11AM, LUNA<br />

This side of Henson rarely seen as we go deep within the vaults<br />

to explore his early work. It’s within them that we see the birth of<br />

many of the characters we know and love from The Muppets and<br />

Sesame Street but we also experience the abstract and unusual<br />

works produced as corporate training films, TV commercials, short<br />

films and all manner of other unexpected purposes. This program<br />

includes excerpts from experimental TV programs The Cube<br />

and Youth ‘68, and Time Piece, the 8-minute Oscar- nominated<br />

experimental masterpiece directed by (and starring) Jim Henson<br />

himself.<br />

Because of its more experiental nature content in this film is geared more at an adult<br />

audience than the other programs in this retropsective.<br />

Photography courtesy of The Jim Henson Legacy, The Jim Henson Company, Disney, and Sesame Workshop. This series is produced by The<br />

Jim Henson Legacy. Tour Executive Producer Irena Kovarova. Film and program notes courtesy of The Jim Henson Legacy. TM & © 2015 The<br />

Jim Henson Company. JIM HENSON’s mark & logo, characters and elements are trademarks of The Jim Henson Company. All rights reserved.<br />

MUPPET, MUPPETS and the Muppets Characters are registered trademarks of Disney. All rights reserved. © 2015 Disney. Sesame Street ®<br />

and associated characters, trademarks and design elements are owned and licensed by Sesame Workshop. © 2015 Sesame Workshop.<br />

All rights reserved.<br />

20<br />

SPECIAL EVENTS<br />

BOOKINGS: REVELATIONFILMFEST.ORG


JIM HENSON: IN PERFORMANCE<br />

(78MIN)<br />

SAT 9, 1.45PM, SX<br />

FRI 15, 4.45PM, LUNA<br />

Henson was of course much more than a puppeteer – he was a<br />

complete entertainer. Cutting his teeth early with live performances for<br />

children in all manner of settings he learned quickly how important it<br />

was to keep rolling, keep popping and keep sparking. This compilation<br />

program looks at the development of some of his most famous<br />

creations such as Kermit, Rowlf the Dog, Ernie and the Swedish Chef<br />

from not just the earliest years of the characters but the earliest years<br />

of television.<br />

JIM HENSON: HIS SESAME STREET STORY<br />

(79MIN)<br />

SAT 9, 11AM, LUNA<br />

SUN 10, 12.45PM, SX<br />

Arguably Henson’s best-loved and influential body of work rests<br />

with Sesame Street and the unforgettable creations there-in. These<br />

creations aren’t simply the iconic characters but also the iconic artwork<br />

and conceptual worlds. Here we examine these creations and also the<br />

contributions of his early Sesame Street collaborators (including Frank<br />

Oz, Fran Brill, and Caroll Spinney). This program is packed with rare<br />

clips from TV specials, guest appearances on talk and variety shows,<br />

and much more.<br />

FRI 8, 5.15PM, LUNA<br />

WED 13, 6.45PM, SX<br />

JIM HENSON: BEHIND THE SEAMS<br />

(84MIN)<br />

This combination of documentary clips, interviews and fantastic behind<br />

the scenes footage provides a rare glimpse into the science (and<br />

ambitious madness) behind the great puppetry works in Henson’s TV<br />

and feature film production. It’s a joy to watch the ensemble prepare<br />

and execute the behind the scenes choreography that make these<br />

unique characters come to life in a way that has made them such<br />

an important part of childhoods across the globe, across economic<br />

differences and across language and cultural divides.<br />

SPECIAL EVENTS<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

21


MUPPETS, MUSIC & MAGIC: JIM HENSON’S LEGACY<br />

LABYRINTH<br />

DIR: JIM HENSON (1986/101MINS)<br />

For the uninitiated Labyrinth is quite the most unusual movie.<br />

Perhaps most famous for David Bowie’s turn as Gareth the Goblin<br />

King, it’s Henson’s large (and small) scale puppets that steal the<br />

show in a film that was very much a passion project for Henson.<br />

SUN 10, 4.30PM, SX<br />

SAT 16, 10.20AM LUNA<br />

Classified G<br />

Sarah is left home to babysit her younger brother whose incessant<br />

crying is getting more than a little irritating. In telling him a story<br />

she inadvertently conjures the Goblin King who steals the young<br />

boy. It’s her mission to penetrate the Goblin King’s world - the<br />

labyrinth - to retrieve her brother. In the process she encounters<br />

all manner of strange beings and beasts - all of whom spring from<br />

Henson’s incredibly fertile imagination.<br />

It’s hard not to admire the incredible detail in every shot here - as<br />

well as wonder at the almost psychedelic environment Henson<br />

places his characters in. It’s also impossible to resist some of the<br />

oddball humour as the characters exchange insults, quips of all<br />

kinds and a lot of verbal fencing that gives them such great life<br />

and character.<br />

On Sat 16th our special friends from the Menagerie Choir will<br />

entertain you pre-film with a special selection of Bowie tunes in<br />

delivered in their own fabulous style.<br />

THE DARK CRYSTAL<br />

DIR: JIM HENSON & FRANK OZ (1982/93MINS)<br />

Most certainly darker than any of his other feature film works the<br />

amazing puppets he created had a look all of their own and the<br />

animatronics that we see on screen were something especially<br />

groundbreaking. Much of this is explored in one of our other<br />

Henson programs - Jim Henson: Behind the Seams.<br />

THU 14, 4.45PM, LUNA<br />

SAT 16, 4.45PM, SX<br />

Classified G<br />

It’s a simple tale of good v evil as a young Gelfling - Jen - is<br />

charged to find and heal the Dark Crystal before the bad race of<br />

Skeksis’ take control. In typical Henson fashion he befriends and<br />

battles all manner of strange beasts in some sensational set-pieces<br />

and told with the amazing detail<br />

Henson was famous for.<br />

On Sat 16th our special friends<br />

from the Menagerie Choir will<br />

entertain you pre-film with a<br />

special selection of Bowie<br />

tunes delivered in their<br />

own fabulous style.<br />

22<br />

SPECIAL EVENTS<br />

BOOKINGS: REVELATIONFILMFEST.ORG


FREE EVENT<br />

MINI REV: JIM HENSON FREE KIDS SCREENINGS<br />

Mini Rev is proudly presented by the City of Perth, in partnership with the State Library of Western<br />

Australia. Revelation is over the moon to be able to bring two hugely enjoyable family films to<br />

Perth this winter. Join Rev and some very special guests this July school holidays and stay awhile<br />

to have further fun at AWESOME Arts workshops and nibble on guacamole and chips courtesy of<br />

Guzman Y Gomez! Reservations required, bookings through www.eventbrite.com.au.<br />

JIM HENSON’S TALES FROM MUPPETLAND<br />

(74MINS)<br />

MON 11- FRI 15, 10AM, STATE<br />

LIBRARY OF WESTERN AUSTRALIA<br />

A cavalcade of some of Henson’s best loved characters barrel<br />

and blunder their way through every classic fairytale you care<br />

to name…and it’s a riot from start to finish. From Kermit the<br />

Frog’s finest moments including some of his Sesame Street News<br />

reports this hilarious program features excerpts from The Muppet<br />

Show and special condensed versions of Tales of the Tinkerdee,<br />

Hey Cinderella and The Frog Prince.<br />

MUPPET MUSICAL MOMENTS<br />

(78MIN)<br />

MON 11- FRI 15, 2PM, STATE<br />

LIBRARY OF WESTERN AUSTRALIA<br />

The Muppet Show was of course famous for its various guest<br />

appearances from Liberace, to Elton John. From Julie Andrews<br />

to Harry Belafonte there was no shortage of talent wanting to<br />

appear. And appear they did…who can forget Linda Ronstadt<br />

singing Blue Bayou in her hillbilly bloomers surrounded by a<br />

Muppet jug band? It’s all still so funny to watch and impossible to<br />

stop smiling – whatever you think of the artists.<br />

Proudly presented by<br />

City of Perth<br />

Mini Rev partners<br />

SPECIAL EVENTS<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

23


28th Annual<br />

West Australian<br />

Screen Awards_<br />

4 July 2016<br />

State Theatre<br />

Centre of WA<br />

Tickets_<br />

ticketek.com.au<br />

Hosted by<br />

Rhys Nicholson<br />

IN PARTNERSHIP WITH


A RADIO<br />

STATION<br />

THAT<br />

BRINGS YOU<br />

PICTURES.<br />

Win movie tickets! We love films and we’re proud to be hosting two great films at<br />

Revelation. One’s about a closed-door religion and another’s about an open-pants<br />

congressman. We have tickets to screenings of My Scientology Movie and Weiner to<br />

give away, plus Gold Season Passes to all films and the opening night party.<br />

To win, listen on air, online or via the ABC Radio app.<br />

720bcperth<br />

@720perth<br />

@abcperth<br />

abc.net.au/perth


How will you impact your world?<br />

We’re proud to be the 2016 Revelation Academic Partner<br />

Screen Arts at Curtin is a dynamic course that allows you to develop expertise<br />

in traditional areas of screen theory and practice, as well as in new, interactive<br />

and multiscreen environments.<br />

Our strong partnerships and industry focus mean you will develop valuable<br />

expertise and a global perspective that will inspire you to impact your world.<br />

Find out more at curtin.edu/hum/screen-arts<br />

Follow us on Facebook at facebook.com/curtinscreenarts<br />

2016<br />

Make tomorrow better.<br />

CRICOS Provider code 00301J. Curtin University is a trademark of Curtin University of Technology. 2230HUM


REVELATION<br />

PERTH INTERNATIONAL<br />

FILM <strong>FESTIVAL</strong><br />

AUSTRALIAN<br />

REVELATIONS<br />

FILM SERIES<br />

Revelation Perth International Film Festival in<br />

association with Cinema Australia proudly present<br />

a celebration of Australian film - past, present and<br />

future - through a program of monthly screenings<br />

of Australian films and WA-made shorts, ‘Q+As’ with<br />

filmmakers and industry networking opportunities.<br />

FOR MORE INFORMATION WWW.REVELATIONFILMFEST.ORG


REVCON: WORKSHOPS AND PANELS<br />

THE MYSTERIOUS ART OF CROWDFUNDING<br />

FREE EVENT<br />

SAT 9 JULY, 12PM–3PM<br />

THE BACKLOT PERTH, 21 SIMPSON ST WEST PERTH<br />

REGISTRATION: WWW.REVELATIONFILMFEST.ORG<br />

A quick and easy way to raise money for your project<br />

or a whole lot of wasted time...? Crowdfunding can be<br />

neither, or both.<br />

Raising money by any means isn’t easy: but a well<br />

planned, strategically targeted campaign on the right<br />

platform can be lucrative and a whole lot of fun. It’s<br />

also a great way to find out whether your project has<br />

an audience!<br />

This session offers to unpack the process and outline<br />

useful strategies and tools for crowdfunding, using<br />

recent successful campaigns as case-studies.<br />

This session will be run by Dr Cathy Henkel, WA<br />

Chapter head for ADG, Director of the WA Screen<br />

Academy and award-winning documentary filmmaker<br />

(Eco-Warriors, Show Me the Magic, The Burning<br />

Season, The Man Who Stole My Mother’s Face).<br />

The Mysterious Art of Crowdfunding is proudly supported by the<br />

ADG, the WA Screen Academy and The Backlot Perth.<br />

GUILD FIELD DAY<br />

FREE EVENT<br />

SAT 16, 12PM–2PM<br />

BILL’S BAR & BITES, 742 NEWCASTLE ST, LEEDERVILLE<br />

The Guild Field Day, hosted by Revelation and FTI<br />

sets the scene for emerging screen aficionados to rub<br />

elbows with WA screen sector Guilds @ Bill’s Bar and<br />

Bites in a relaxed & friendly showcase.<br />

The Guild Field Day will put WA Guilds, Screen<br />

Institutes & specialist visual and performing arts<br />

schools to the test, with booths for one and all. “Why<br />

should I join?” “What do I get?” “What’s a Guild<br />

again?” are questions no longer.<br />

FTI encourages young filmmakers to learn about these<br />

professional guilds and associations, as they work hard<br />

to ensure Australian screen practitioners have the<br />

opportunity to tell home-grown stories, many of them<br />

for younger and emerging talent too!<br />

This his event is for budding writers, directors, filmmakers,<br />

games designers, animators, actors, producers, sound<br />

designers, costume designers and more.<br />

OWNING CHANGE IN FILM DISTRIBUTION<br />

AND EXHIBITION<br />

FREE EVENT<br />

SAT JULY 9, 3.30PM<br />

THE BACKLOT PERTH, 21 SIMPSON ST WEST PERTH<br />

Over only the last two or three years the world of film<br />

distribution and exhibition has seen nothing short<br />

of a seismic business, structural and creative shift<br />

internationally. A revolution in platforms, a complete<br />

shift in audience expectations and a resultant shift in<br />

types of content has turned the creative world on its<br />

head. Hear from one of Australia’s leading producers/<br />

distributors/sales agent Michael Favelle (Odin’s<br />

Eye) and Revelation’s own director Richard Sowada<br />

about their impression on this enormously interesting<br />

landscape.<br />

NEXT GEN LOOK & SOUND MASTERCLASS<br />

FREE EVENT<br />

SUN 10, 10AM-2.30PM<br />

THE BACKLOT PERTH, 21 SIMPSON STREET, WEST PERTH<br />

BOOKINGS: TRYBOOKING.COM/LMPW<br />

Join Cinematographer, Simon Akkerman ACS<br />

(President of the Australian Cinematographers<br />

Society WA) and Sound Designer, Ric Curtin (WA<br />

Representative of the Australian Screen Sound<br />

Guild) as they guide you through techniques that all<br />

emerging filmmakers can utilise on a low budget.<br />

Lighting, sound recording, editing, cameras and much<br />

more is covered.<br />

This masterclass is suited to emerging filmmakers<br />

and anyone with a key interest in the art of<br />

cinematography and sound design.<br />

SUPER 8 MASTERCLASS<br />

WITH REVEL-8 DIRECTOR KEITH SMITH<br />

FRIDAY 8 – SUN 10 JULY, 10AM–4PM<br />

PLACES: 16 PARTICIPANTS<br />

EDITH COWAN UNIVERSITY, 2 BRADFORD ST MT LAWLEY<br />

AMOUNT: $30<br />

REGISTRATION: WWW.TRYBOOKING.COM/LNQI<br />

This hands-on workshop will provide an introduction<br />

to working on the Super 8 medium and give<br />

participants a chance to make a teaser/trailer to<br />

screen as part of the Revel-8 Super 8 Film Fest on<br />

Sunday 17 July.<br />

Friday 8 July: Learn about cameras, shooting, film<br />

processing, editing, projection and digital transfer.<br />

Sat 9 July or Sun 10 July: Shoot your teaser/trailer in<br />

small groups<br />

Films will be tank-processed after shooting.<br />

30<br />

REVCON<br />

BOOKINGS: REVELATIONFILMFEST.ORG


REVELATION ACADEMIC & ATOM SEMINAR<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

MON 11, 10AM, NORTH<br />

METROPOLITAN TAFE,<br />

LEEDERVILLE<br />

TUES 12, 10AM, NORTH<br />

METROPOLITAN TAFE,<br />

LEEDERVILLE<br />

Revelation’s Academic Conference returns for another year, with a selection<br />

of papers given by academics, students, independent scholars, and film fans<br />

from across the country. For two days discussion and debate will transpire at<br />

the North Metropolitan TAFE campus in Leederville.<br />

Attendees receive a light-lunch and six-film mini-pass, while preference<br />

is given to those presenting papers, a limited number of places may be<br />

available for those who want to attend but do not plan to present a paper.<br />

Bookings can be made online via Eventbrite (www.eventbrite.com.au).<br />

Registration is $100 for both days.<br />

Register: www.revelationfilmfest.org/academic-conference<br />

Revelation Academic presented in<br />

association with Curtin University<br />

Proudly supported by<br />

ATOM WA MEDIA EDUCATION SEMINAR<br />

WED 13 JULY<br />

CENTRAL INSTITUTE OF TECHNOLOGY, NORTHBRIDGE<br />

REGISTRATION: $100<br />

This Media Education Seminar is a one-day event for Year 11 & 12<br />

media students and their teachers. It is crafted by ATOM WA and run by<br />

experienced media educators and film industry professionals. A day not to<br />

be missed!<br />

Catering by<br />

ATOM Seminar presented by<br />

ATOM screening presented by<br />

The day features your choice of:<br />

9:45AM – 10:45AM: Independent<br />

Film lecture – Richard Sowada;<br />

Music Video lecture – John<br />

McMullan; Journalism lecture –<br />

James McHale<br />

11AM – 12:30PM: Production<br />

Submission Guidelines – ATOM<br />

WA president Brad Minchin;<br />

Communication Models and<br />

Theories – Steven Maras; The<br />

Individual Filmmaker – Luci Trevaskis<br />

1:20PM – 3:30PM: Post-Production<br />

Sound – Kim Siragusa; Camera<br />

Operation – Rusty Geller; Stills<br />

Camera Operation – Des Birt<br />

4PM: Media Perspectives Student<br />

Film Screening (The State Library<br />

Theatre, Francis St NORTHBRIDGE)<br />

Register: www.atomwa.com.au<br />

REVCON<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

31


GUESTS<br />

ERIN COATES<br />

Erin Coates is a Perth-based<br />

artist, curator and creative<br />

producer. A cross-disciplinary<br />

approach defines much of<br />

her practice and she has<br />

collaborated with engineers,<br />

architects, sound artists, scuba divers, parkour<br />

traceurs and members of remote indigenous<br />

communities. She has exhibited in significant<br />

Australian art institutions and her screenbased<br />

works have been shown in film festivals<br />

internationally. Erin holds a Masters degree in<br />

Fine Arts from the University of British Columbia,<br />

Canada.<br />

AMY MARJORAM<br />

Amy Marjoram is a curator,<br />

artist, arts writer, and editor<br />

of the online photography<br />

and video art publication<br />

Excerpt Magazine. Amy has<br />

curated and co-curated video<br />

art exhibitions and has specific interests in videobased<br />

performance practice, internet art and the<br />

creative and cultural impact of screen-mediated<br />

living. Amy has written for many publications and<br />

has participated in exhibition selection panels for<br />

arts organisations around the country. She holds<br />

a Bachelor of Fine Art, Honours in Photomedia<br />

from Monash University.<br />

EMMA PENAZ EISNER<br />

Emma Penaz Eisner is a young<br />

filmmaker and artist from San<br />

Francisco, California, USA. In<br />

the past three years she has<br />

created critically-acclaimed<br />

short films that have screened worldwide at<br />

over 70 international film festivals and earned<br />

more than 30 awards. Her work is in stop motion<br />

animation, live action combined with animation,<br />

and experimental filmmaking.<br />

DR GRADY HANCOCK<br />

Dr. Grady Hancock is a<br />

lecturer in film and media at<br />

Deakin University and chair of<br />

Revelation Academic 2016.<br />

Her research areas include<br />

feminism and affect in local<br />

and independent film.<br />

ANDREW FROST<br />

Dr. Andrew Frost is a<br />

researcher in science fiction,<br />

cinema and contemporary<br />

art, the art critic for<br />

Guardian Australia and a<br />

lecturer in the Dept. Media,<br />

Music, Communications and Cultural Studies<br />

at Macquarie University, Sydney. He is the<br />

writer and presenter of more than a dozen<br />

documentaries on Australian contemporary art for<br />

ABC1 and is the director of My Space Program:<br />

The Art of Peter Hennessey [Arts HD, 2016].<br />

ANNE DEMY-GEROE<br />

Anne Démy-Geroe is<br />

an academic and film<br />

programmer. She currently<br />

teaches at Griffith Film school<br />

and is co-Director of the<br />

Iranian Film Festival Australia.<br />

She is an inaugural Nominations Council member<br />

of the Asia Pacific Screen Awards and a Vice<br />

President of the Network for the Promotion<br />

of Asian Cinema. She was the Artistic Director<br />

of the Brisbane international Film Festival for<br />

eighteen years.<br />

32<br />

GUESTS<br />

BOOKINGS: REVELATIONFILMFEST.ORG


KAI SMYTHE<br />

Kai Smythe has been creating<br />

his own theatre, music and<br />

film projects for over 15 years.<br />

His solo musical comedy<br />

project Hairy Soul Man has<br />

been touring live nationally and internationally<br />

for over three years as well as his two short films<br />

Loving Myself and How Deep Can I Go?, both<br />

being accepted into film festivals all over the<br />

world and receiving multiple awards.<br />

His current productions include the action<br />

adventure feature documentary Lost On The<br />

Road To Shangri La in post-production, A Hairy<br />

Soul Man series in development and Rented<br />

Space a comedy Sci Fi series in development.<br />

MICHAEL FAVELLE<br />

Odin’s Eye is dedicated to the<br />

acquisition and distribution<br />

of smart and unique<br />

independent films across a<br />

wide variety of genres. In<br />

2012, Michael commenced<br />

trade with a sister company, Odin’s Eye<br />

Productions, creating original content including<br />

its first feature length narrative production<br />

The Legend of Ben Hall. An avid animator in<br />

his youth, OEE currently has several major<br />

animation features completed or in production<br />

from multiple regions including Australia, China,<br />

Russia, Canada, USA and Turkey.<br />

REVELATION FOOD FEST!<br />

eelation is delighted to proide our film audiences with great oers and<br />

film-themed goodies at these eederille restaurants during the estial.<br />

All you need is a e film stub and a hearty appetite<br />

www.keepitlowkey.com.au www.guzmanygomez.com www.duende.com.au<br />

GUESTS<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

33


SEE THE<br />

WORLD<br />

THROUGH<br />

THE EYES OF 100 +<br />

INDEPENDENT<br />

FILMMAKERS<br />

Proud to again host + sponsor Rev this year.<br />

For all things art in Vincent (including our annual Film Project),<br />

visit: www.vincent.wa.gov.au/arts<br />

WWW.VINCENT.WA.GOV.AU<br />

STAY IN TOUCH


FEATURES<br />

35


DIR: STEVE ORAM<br />

UK/2015/79MINS<br />

AAAAAAAAH!<br />

AUSTRALIAN PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

FRI 8, 6.45PM, SX<br />

MON 11, 6.45PM, LUNA<br />

SAT 16, 8.45PM, LUNA<br />

Screens with Test<br />

lincolnfilmstudios.co.uk<br />

Aaaaaaaah! appears almost like a classic British kitchen sink<br />

drama - with family disputes, relationship troubles, arguments,<br />

and even outbursts of violence. But these routine events are<br />

very different in Aaaaaaaah!<br />

The action may take place amongst ordinary looking people,<br />

but the protagonists here are anything but familiar…instead<br />

they exist in a world where the animal inside dominates, a<br />

universe where evolution has taken a very different turn. In<br />

Aaaaaaaah! the human condition is told through a language<br />

of grunts and gibberish, more ape than human, creating a<br />

remarkable film that is disturbing, hilarious and anarchic, a<br />

cinematic primal scream.<br />

A unique directorial debut from actor / director Steve Oram<br />

(Sightseers, The World’s End) with an excellent ensemble<br />

cast – that includes Toyah Willcox and Julian Barratt (A Field<br />

In England, The Mighty Boosh), as well as a cameo by Noel<br />

Fielding – who all rise perfectly to the demands of the project.<br />

If this wasn’t enough, the movie is scored by King Crimson<br />

Projects. Aaaaaaaah! is a film that will stay with the audience<br />

long after the credits have rolled.<br />

“Steve Oram’s directorial debut Aaaaaaaah! comes on like<br />

a collaboration between Dogme ‘95 and Chris Morris.<br />

It’s hard to think of another film closely like it in British<br />

cinema. It really is that out-there and singular.”<br />

CINE-VUE.COM<br />

36<br />

FEATURES<br />

BOOKINGS: REVELATIONFILMFEST.ORG


DIR: PAT TREMBLAY<br />

CANADA/2016/101MINS<br />

ATMO HORROX<br />

WORLD PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SAT 9, 8.45PM, LUNA<br />

SUN 10, 8.45PM, LUNA<br />

FRI 15, 7.30PM, LUNA<br />

Screens with Passion of V<br />

One of the most gleefully twisted films that has screened at<br />

Revelation, Atmo HorroX is a gloriously crazed psychedelic<br />

sci-fi horror hybrid.<br />

With its combination of occasional violence, deconstructed<br />

camp, and full on wild insanity the film rightly positions its<br />

surrealism and dream-logic front-and-centre of its genrebending<br />

narrative, creating a movie that embraces its zerobudget<br />

and takes the audience on a one of a kind journey<br />

unique to each person.<br />

Luridly coloured, full of the kind of imagery that defies ready<br />

description (trust us, you will never view balloons in the same<br />

way again) this is a film that really needs to be experienced.<br />

Atmo HorroX could be compared to George and Mike Kuchar<br />

lo-fi underground cinema and even the Butthole Surfers / Alex<br />

Winter Bar-B-Que Movie, but really it’s its own wonderfully<br />

strange luminous beast.<br />

Through a very surreal chase of spying and surveillance,<br />

Catafuse, a dubiously dressed “creature”, hunts down specific<br />

human targets with the help of Molosstrap. But in a world<br />

completely run by the shadowy hands of the pharmaceutical<br />

industry, the lines of reality become so blurry and complex,<br />

that the mastering of insanity might just be the only way out...<br />

and I’m feeling insanity is just the right kind of word here.<br />

...which is the long way of saying this thing is so unusual we<br />

just can’t resist giving it the time it demands and hearing what<br />

you have to say - and this includes the short film.<br />

FEATURES<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

37


DIR: JEPPE RONDE<br />

UK/2015/104MINS<br />

BRIDGEND<br />

AUSTRALIAN PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

WED 13, 9PM, LUNA<br />

SUN 17, 12.45PM, PARADISO<br />

Screens with Colorado<br />

bridgendthemovie.com<br />

TRIBECA FILM <strong>FESTIVAL</strong><br />

2015: BEST ACTRESS, BEST<br />

CINEMATOGRAPHER AND<br />

BEST EDITING<br />

CINEMATOGRAPHER AWARD<br />

BODIL AWARDS 2016:<br />

CINEMATOGRAPHER AWARD<br />

FANTASIA FILM <strong>FESTIVAL</strong> 2015:<br />

AQCC AWARD WINNER AND<br />

PRIX AQCC<br />

GOTEBORG FILM <strong>FESTIVAL</strong> 2015:<br />

INTERNATIONAL DEBUT AWARD<br />

SPECIAL MENTION WINNER<br />

An astonishing work filled with a poignant naturalism and -<br />

through an evocative cinematography and atmosphere there’s a<br />

very real and tactile sense of foreboding that almost borders on<br />

the gothic.<br />

Sara (Hannah Murray, Dark Shadows and Game of Thrones) and<br />

her father, Dave (Steve Waddington, The Imitation Game), have<br />

moved to the small town of Bridgend, where he has taken a job<br />

as a police officer.<br />

But there is a darkness in the community following a number of<br />

unexplained youth suicides. While Dave investigates the suicides,<br />

teenager Sara befriends Jamie (Josh O’Connor, Cinderella) and<br />

his friends.<br />

These youths spend much of their time hanging around the<br />

woods near where a friend was found dead, and as Sara<br />

becomes drawn deeper into the psychological lives of her peers<br />

her father begins to worry about what may happen.<br />

The film draws upon real events and director and writer<br />

Ronde spent six years researching and interviewing people in<br />

the community while writing the script. All the young cast give<br />

exceptional standout performances creating a deeply affecting<br />

work.<br />

38<br />

FEATURES<br />

BOOKINGS: REVELATIONFILMFEST.ORG


DIR: NIKIAS CHRYSSOS<br />

GER/2015/85MIN<br />

DER BUNKER<br />

AUSTRALIAN PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

TUE 12, 9PM, LUNA<br />

SUN 17, 9.00PM, PARADISO<br />

Screens with Ophelia<br />

C klaustrophobil<br />

L @bildstorung<br />

bildstoerung.tv/derbunker<br />

When a physics student (played by Pit Bukowski) takes a room<br />

at a remote, countryside residence located in a concrete<br />

bunker, his life takes a turn for the darkly surreal.<br />

Sharing the concrete home of a small, close-knit family – the<br />

Father (David Scheller) and Mother (Oona von Maydell)<br />

and their son, Klaus (Daniel Fripan) – the student soon finds<br />

himself working as a private tutor to their strange homeschooled<br />

child. But the longer he spends in the bunker with<br />

the increasingly demanding family the weirder existence<br />

becomes…<br />

Der Bunker’s mood shifts between comedy, drama, and<br />

even horror. At points it evokes the mood of television’s The<br />

League of Gentlemen and auteurs such as David Lynch and<br />

Luis Buñuel. But Der Bunker is its own peculiar beast: a surreal<br />

hybrid of genres, an examination of family, isolation and the<br />

expectations placed on children.<br />

FANTASTIC FEST NEXT WAVE<br />

AWARD WINNER 2015<br />

“A dark fairy tale of sorts with everything from darkly<br />

throbbing Lynchian undercurrents, outré touches of scifi<br />

and more than a soupcon of camp a la John Waters”<br />

HOLLYWOOD REPORTER<br />

ITHICA INTERNATIONAL<br />

FANTASTIC FILM <strong>FESTIVAL</strong><br />

JURY AWARD WINNER 2015<br />

PALMARES MAUVAIS GENRE<br />

<strong>FESTIVAL</strong> PRIX DU JURY WINNER<br />

PRIX DE JURY LA CRITIQUE<br />

WINNER 2015<br />

FEATURES<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

39


DIR: BEN WHEATLEY<br />

UK/2015/119MIN<br />

HIGH-RISE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

FRI 8, 9PM, LUNA<br />

WED 13, 8.45PM, SX<br />

SAT 16, 11PM, LUNA<br />

C High.Rise.The.Film<br />

L @HighRise_movie<br />

highrisefilm.co.uk<br />

TORONTO INTERNATIONAL FILM<br />

<strong>FESTIVAL</strong><br />

SAN SEBASTIAN FILM <strong>FESTIVAL</strong><br />

Proudly presented by<br />

Ben Wheatley (A Field In England, Kill List…) turns his unique<br />

talents on JG Ballard’s classic novel High-Rise. Alongside the<br />

author’s Crash and The Atrocity Exhibition (both of which have<br />

formed the basis for feature films), High-Rise helped define the<br />

new wave of British science fiction in the seventies.<br />

Dystopian and firmly rooted in contemporary culture, these<br />

books redefined the literary genre. Under Wheatley’s direction,<br />

with a perfect script from regular collaborator Amy Jump, the<br />

novel, once deemed ‘unfilmable’ becomes fully realised in this<br />

ambitious adaptation.<br />

High-Rise focuses on the inhabitants of a new tower block in<br />

the London commuter-belt as residents’ more primal urges<br />

start to emerge and civilization’s veneer begins to fade. As<br />

an increasingly primitive world erupts into the corridors<br />

and luxurious apartments everything starts to change. The<br />

ensemble cast, which includes Tom Hiddleston, Jeremy Irons<br />

and Sienna Miller – deliver perfect performances, building on<br />

the unsettling material.<br />

The movie is essential viewing. Listen out also for the score,<br />

which includes a stunning version of ABBA’s SOS by Portishead.<br />

“Working with writer (and co-editor) Amy Jump again,<br />

Wheatley wades into the prescient 1975 text, delivering<br />

a complex, fluid interpretation which is respectful and<br />

almost faithful while still being its own beautiful, crazed<br />

beast.”<br />

SCREENDAILY.COM<br />

40<br />

FEATURES<br />

BOOKINGS: REVELATIONFILMFEST.ORG


DIR: FELIPE RODRIGUEZ<br />

CAN/2015/90MINS<br />

KIDNAP CAPITAL<br />

AUSTRALIAN PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SAT 9, 2.40PM, LUNA<br />

TUE 12, 8.45PM, SX<br />

SUN 17, 8.45PM, LUNA<br />

Screens with Aisling<br />

C kidnapcapital<br />

kidnapcapitalfilm.com<br />

A suburban house in Phoenix, Arizona (the kidnap capital of<br />

the title), hides a grim secret; locked into a room / homemade<br />

cell a group of half-naked immigrants are held hostage.<br />

Having been smuggled into the USA these illegal immigrants<br />

face a final bloody hurdle; they have to pay for their freedom.<br />

But many have spent everything they have just to get there and<br />

cannot pay the ransom despite facing violence and even death.<br />

Meanwhile as events unfold it becomes clear that those<br />

holding them captive also face problems.<br />

This rock-solid independent feature is incredibly taut and<br />

has its nerves right on the surface which make the film quite<br />

thrilling to watch and a real discovery for audiences.<br />

Driven by a powerful script and performances this is a film that<br />

creates a claustrophobic atmosphere and edge-of-the-seat<br />

drama which doesn’t let-up until the final credits roll.<br />

Kidnap Capital is a searing and powerful thriller.<br />

WINNER MANCHESTER<br />

FILM <strong>FESTIVAL</strong>: BEST<br />

CINEMATOGRAPHY 2016<br />

SAN DIEGO FILM <strong>FESTIVAL</strong>:<br />

CHAIRMAN’S AWARD WINNER<br />

2015<br />

FEATURES<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

41


DIR: ZACH CLARK<br />

USA/2016/91MINS<br />

LITTLE SISTER<br />

AUSTRALIAN PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

FRI 8, 10.30PM, LUNA<br />

SAT 9, 12.45PM, PARADISO<br />

SUN 17, 6.30PM, LUNA<br />

Screens with<br />

The Immaculate<br />

Misconception<br />

littlesisterthemovie.com<br />

Zach Clark should be well known to regular attendees of<br />

Revelation, with his previous movies White Reindeer and<br />

Vacation! showcasing his unique talent for darkly humoured<br />

skewed-melodrama and an emphasis on female-led narratives.<br />

In Little Sister, Clark turns his attention to Colleen (Addison<br />

Timlin) a young nun who heads to her parents’ home when<br />

she finds out her brother Jacob (Keith Poulson) has returned<br />

from Iraq.<br />

Christianity, goth, drumming, and much more slowly collide, in<br />

a film about making peace in a dysfunctional family (watch out<br />

also for The Breakfast Club’s Ally Sheedy as Mom).<br />

Clark’s most classically indie film, Little Sister sees the director<br />

in top form, with a sensitive appreciation for his protagonists<br />

and their complex lives and a true appreciation for cinematic<br />

storytelling.<br />

“Another absolute triumph”<br />

BIRTH. MOVIES. DEATH.<br />

“Cynics among us will recognize this as a lovely comedy”<br />

THE AUSTIN CHRONICLE<br />

SXSW 2016<br />

42<br />

FEATURES<br />

BOOKINGS: REVELATIONFILMFEST.ORG


DIR: ANNA BILLER<br />

USA/2016/120MINS<br />

THE LOVE WITCH<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SUN 10, 9PM, LUNA<br />

FRI 15, 10.20PM, LUNA<br />

SUN 17, 6.20PM, SX<br />

C Anna-Biller-Productions<br />

L MissAnnaBiller<br />

lifeofastar.com<br />

OFFICIAL SELECTION:<br />

ROTTERDAM FILM <strong>FESTIVAL</strong><br />

A visually stunning comic-melodrama-thriller from Anna Biller,<br />

The Love Witch tells the tale of beautiful young witch Elaine,<br />

who is searching for true love.<br />

From her apartment, in a suitably gothic house, she makes<br />

love potions and casts spells in her quest for true love. But her<br />

spells have the habit of working too well, and the men in her<br />

life soon become hapless victims.<br />

Playing with themes of female fantasy, sexuality, gender,<br />

lust, love, and masculinity in crisis, The Love Witch is a true<br />

pleasure to watch.<br />

Anna Biller’s luminescent visual palette, alongside her stunning<br />

set and costume designs are perfect, and The Love Witch<br />

pays homage to the Technicolor thrillers of the ‘60s. The visual<br />

influences dance between Alfred Hitchcock, Russ Meyer and<br />

Douglas Sirk, and the film was shot on 35mm film, proof (if any<br />

were needed) that the medium remains essential.<br />

There’s also use of devices such as back projection, further<br />

emphasising the period feel of the movie. Meanwhile Biller’s<br />

script and direction drive an exemplary cast who rise to the<br />

material with ease.<br />

OFFICIAL SELECTION:<br />

EDINBURGH FILM <strong>FESTIVAL</strong><br />

Proudly presented by<br />

FEATURES<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

43


DIR: ROBERT G PUTKA<br />

USA/2016/84MIN<br />

MAD<br />

AUSTRALIAN PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

FRI 8, 8.45PM, LUNA<br />

THU 14, 6.45PM, LUNA<br />

FRI 15, 8.50PM, PARADISO<br />

Screens with<br />

Upside Down Feeling<br />

C mutuallyassureddestructionfilm<br />

madfilm2016.com<br />

Late-middle-aged mother Mel (Maryann Plunkett) is facing<br />

a lonely future following a separation from her husband and<br />

with her two adult daughters too caught up in their own lives<br />

to spend any real time with her. Depressed, events spin out of<br />

control, and she finds herself in the psychiatric ward.<br />

Meanwhile, her daughters Connie (Jennifer Lafleur) and Casey<br />

(Eilis Cahill) face their own personal issues, but are forced by<br />

circumstances to come together and make decisions.<br />

Combining elements of comedy and drama the script sparks<br />

with both dry-humour and genuine understanding.<br />

First-time-feature director Putka’s emphasis on character<br />

allows the shifting relationships between the protagonists<br />

to drive the film and the cast bring genuine life to their roles,<br />

creating an exceptional indie movie.<br />

VICTORIA TX INDIE FILM FEST:<br />

WINNER JURY PRIZE 2016<br />

44<br />

FEATURES<br />

BOOKINGS: REVELATIONFILMFEST.ORG


DIR: ZHANG YANG<br />

CHINA/2015/115MINS<br />

PATHS OF THE SOUL<br />

AUSTRALIAN PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

TUE 12, 6.45PM, SX<br />

SAT 16, 12.30PM, LUNA<br />

Unclassified 15+<br />

chineseshadows.com<br />

This is an epic tale in anyone’s language.<br />

Paths of the Soul is a beautifully poetic, deeply affecting and<br />

brilliantly simple odyssey of devotion seen through the eyes<br />

of a group of pilgrims from a small village deep in the isolated<br />

Tibetan countryside.<br />

The film unfolds in such a wonderful way from the opening<br />

moments. What starts out as a chance conversation about<br />

the possibilities of a pilgrimage between two men herding<br />

their yaks, soon filters through the village and becomes a fait<br />

accompli involving young, old, male and female, able and not<br />

so able.<br />

But the pilgrimage is more difficult than anyone can imagine<br />

as the small group must traverse 2000kms of inhospitable<br />

territory, blizzards, rockfalls, floods and all manner of<br />

misfortune - all the while having to prostrate themselves to the<br />

ground every few steps in prayer.<br />

TORONTO INTERNATIONAL<br />

FILM <strong>FESTIVAL</strong><br />

ROTTERDAM FILM <strong>FESTIVAL</strong><br />

Paths of the Soul is magnificent in its big screen scale and<br />

scope and in the cinematic world it’s hard to know what<br />

is documentary and what is actually not - giving the film<br />

authenticity and honesty.<br />

A very rare and lovely film.<br />

FEATURES<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

45


DIR: TERRY MCMAHON<br />

IRL/2014/102MINS<br />

PATRICK’S DAY<br />

AUSTRALIAN PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

TUE 12, 8.45PM, LUNA<br />

SAT 16, 2.40PM, SX<br />

Screens with<br />

I Remember You<br />

C PatricksDay<br />

patricksday.ie<br />

Patrick is a warm, open, twenty-six year old virgin<br />

schizophrenic.Pills and his mother’s protection mean he is no<br />

threat to himself or anyone else. Until he falls in love.<br />

Directed by Terry McMahon - who previously impressed<br />

Revelation’s audiences with Charlie Casanova - Patrick’s Day<br />

is a powerful drama that further cements McMahon’s role in<br />

forefront of the new wave of independent Irish cinema. In<br />

Patrick’s Day, McMahon turns his focus onto Patrick (Moe<br />

Dunford, best known for Vikings), a young man with a<br />

mental illness who becomes temporarily separated from his<br />

overbearing dominant mother (Kerry Fox – Shallow Grave,<br />

The Dressmaker). An ensuing night spent with a suicidal<br />

young-woman (Catherine Walker) has radical and far-reaching<br />

consequences for all concerned, and especially the innocent<br />

Patrick.<br />

On the surface Patrick’s Day is more immediately accessible<br />

than McMahon’s previous offering, and it is perhaps a more<br />

fully developed work, but it retains the anger and frustrations<br />

of the previous movie and under McMahon’s driven direction<br />

the cast deliver incredible performances, in a powerful film<br />

about family and contemporary society.<br />

A provocative and heart-breaking love story about the right to<br />

intimacy for everyone, Patrick’s Day proves, when it comes to<br />

love, we’re all a little crazy.<br />

“As a powerful portrait of mental paranoia, McMahon’s<br />

movie might be among the best that cinema has<br />

produced. It’s certainly the best that Irish cinema has<br />

produced, though its depiction is deeply disturbing.”<br />

THE IRISH POST<br />

46<br />

FEATURES<br />

BOOKINGS: REVELATIONFILMFEST.ORG


DIR: BEN SHARROCK<br />

SPAIN,UK/2015/98MINS<br />

PIKADERO<br />

AUSTRALIAN PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SAT 9, 6.45PM, PARADISO<br />

SUN 10, 8.50PM, SX<br />

Screens with Abe & Ike<br />

L @pikederofilm<br />

ZURICH FILM <strong>FESTIVAL</strong> 2015:<br />

CRITICS’ CHOICE AWARD<br />

TIRANA INTERNATIONAL FILM<br />

<strong>FESTIVAL</strong>: JURY AWARD AND<br />

SPECIAL MENTION<br />

MOLODIST INTERNATIONAL FILM<br />

<strong>FESTIVAL</strong> 2015: AL 2015 BEST FILM<br />

AWARD AND FIPRESCI PRIZE<br />

Combining drama and deadpan comedy Pikadero explores<br />

the relationship between two twenty-somethings, the everstoic<br />

Gorka (Joseba Usabiaga) and art student Ane (Barbara<br />

Goenaga).<br />

The couple long to be able to consummate their love, but with<br />

the country gripped in economic crisis neither have their own<br />

apartment and both are forced to live in the family homes with<br />

no space for privacy. The only opportunity the couple have<br />

is to find a quiet ‘picadero,’ a public hot spot where young<br />

people can try and snatch a passionate moment.<br />

With a deadpan observational humour, that has drawn<br />

comparison to Jacques Tati’s sense of visual style, this multiaward<br />

winning film examines the lives of those unable to get<br />

on with their lives. A generation living in cramped apartments<br />

with extended families, hoping to find their place in a world in<br />

which they have so few opportunities.<br />

This is a rare, brave film, in which the most painful experiences<br />

of motherhood are explored with a rare depth. Shot and edited<br />

to emphasize the intimate emotional moments the protagonists<br />

face Somebody’s Mother makes for powerful viewing.<br />

“A deft balance of the pessimistic and the playful.”<br />

THE HOLLYWOOD REPORTER<br />

EVOLUTION INTERNATIONAL<br />

FILM <strong>FESTIVAL</strong> 2015: SPECIAL<br />

MENTION<br />

FEATURES<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

47


FULLY RESTORED 40 TH ANNIVERSARY<br />

DIR: GABRIELA TOLLMAN<br />

USA/2016/83 MINS<br />

SOMEBODY’S MOTHER<br />

AUSTRALIAN PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SUN 10, 2.15PM, LUNA<br />

SAT 16, 12.45PM, LUNA<br />

somebodysmotherfilm.com<br />

Following the death of her baby, Clare turns to her sister Anna<br />

for support. However, Anna is also facing a personal and<br />

profound crisis.<br />

Telling the story of the two sisters both struggling with<br />

traumas, Somebody’s Mother is a family drama that explores<br />

tragedy and grief with a rare power. The intense, emotionally<br />

developed script is matched by strong performances that<br />

explore the women’s different experiences of motherhood.<br />

Gabriela Tollman, who also wrote and stars in the film, has an<br />

extensive resume of short films (including The Last Gunshot<br />

and Birth of Industry) that have played at festivals across<br />

the world, including Cannes, and Somebody’s Mother is a<br />

powerful drama and poignant feature film debut.<br />

48<br />

FEATURES<br />

BOOKINGS: REVELATIONFILMFEST.ORG


DIR: STEFANO SOLLIMA<br />

ITALY/FRANCE/2015/130 MINS<br />

SUBURRA<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SAT 9, 6.30PM, LUNA<br />

FRI 15, 8.45PM, SX<br />

Suburra is a visually stunning neo-noir, hardboiled thriller<br />

set in the waterfront suburbs of Rome, where a massive real<br />

estate project is planned to turn the suburbs into a new<br />

Las Vegas.<br />

With a week to go before a crucial vote, ruthless criminals and<br />

corrupt politicians need to guarantee that all goes smoothly.<br />

But then, during a drug fuelled hotel orgy with politician<br />

Malgradi, a sex worker dies, and events spin rapidly out of<br />

control.<br />

With an incredible cast and multiple and layered narratives,<br />

Suburra unleashes a new visionary energy upon the crime<br />

genre.<br />

Multi-award winning director Stefano Sollima has an<br />

established track record with two acclaimed TV series<br />

Romanzo Criminale and the cult hit Gomorra, and Suburra<br />

sees him return to cinema with equal power. It is unsurprising<br />

that it has already been commissioned for a Netflix series.<br />

An excellenct, high-impact and absorbing big screen<br />

experience.<br />

FEATURES<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

49


DIR: DAN KWAN, DANIEL SCHEINERT<br />

USA/2016/95MINS<br />

SWISS ARMY MAN<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

THU 14, 8.45PM, SX<br />

SAT 16, 9PM, LUNA<br />

Classified M<br />

C swissarmymanfilm<br />

Proudly presented by<br />

This is one of those films where you’re either all the way in<br />

or all the way out - and you’ll know which side of the fence<br />

you’re on about 10 minutes into this startlingly strange buddy<br />

comedy.<br />

Daniel Radcliffe plays Manny - a dead body washed up on a<br />

deserted island inhabited by a sole long-time shipwrecked<br />

young man - Hank.<br />

Through the magic of decomposition, Manny’s body provides<br />

Hank with his one time only opportunity to literally propel him<br />

off his tiny island and in what is actually an hilarious sequence,<br />

Hank grabs hold of it.<br />

From there a strange kind of metaphysical friendship evolves<br />

between Hank and Manny - Hank being convinced the<br />

more he can make Manny remember his past life the more<br />

chance he stands of bringing Manny back to life. Along their<br />

journey though Hank discovers even more of Manny’s unique<br />

decompositional powers that allow him to survive in the most<br />

inhospitable conditions.<br />

There are two things here. One is the really great art direction<br />

and visualisations in the film. Alongside the truly surreal there<br />

are some fantastically realised set pieces. The other is the<br />

rapid rising of Radcliffe as a producer and backer of all manner<br />

of obscure, high-risk and high-concept narrative features. He’s<br />

staking some firm ground and along with the likes of James Franco,<br />

he’s carving out his own special niche in independent cinema.<br />

50<br />

FEATURES<br />

BOOKINGS: REVELATIONFILMFEST.ORG


DIR: SION SONO<br />

JAPAN/2015/101MINS<br />

THE WHISPERING STAR (HISO HISO BOSHI)<br />

AUSTRALIAN PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

THU 14, 8.45PM, PARADISO<br />

SAT 16, 2.30PM, LUNA<br />

Unclassified 15+<br />

TORONTO FILM <strong>FESTIVAL</strong><br />

Proudly presented by<br />

Japanese director Sion Sono’s haunting, elegiac science fiction<br />

film The Whispering Star follows a lone woman as she travels<br />

across the galaxy. Her task consists of delivering parcels to<br />

distant human outposts.<br />

These worlds are often barren, sometimes empty, always<br />

uncanny and haunted by the echoes of previous existences.<br />

As she travels across the vast expanses of the universe<br />

between deliveries her thoughts turn to questions of what it<br />

means to exist.<br />

Hauntingly shot in black and white, with the ruins of Fukashima<br />

doubling as alien worlds, the film examines not just what it<br />

means to be human but what humans mean for the worlds that<br />

they inhabit.<br />

Multi award-winning director Sion Sono’s previous works<br />

include Tag, Suicide Club, and Love Exposure, amongst many<br />

others. In The Whispering Star the director has created a<br />

fascinating, poignant, visually powerful science fiction movie<br />

that recalls works such as Solaris and Under the Skin, yet<br />

retains the director’s own unique vision as a filmmaker.<br />

FEATURES<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

51


52<br />

FEATURES<br />

BOOKINGS: REVELATIONFILMFEST.ORG


LATE NIGHTS<br />

FEATURES<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

53<br />

53


DIR: ENZO TEDESCHI AND OTHERS<br />

AUS, CAN, USA/2015/88MINS<br />

A NIGHT OF HORROR<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SAT 9, 11PM, LUNA<br />

MON 11, 8.45PM, LUNA<br />

Screens with<br />

Brainless Killers<br />

C anightofhorror<br />

L @ANightOfHorror<br />

anightofhorror.com<br />

A Night of Horror – Sydney’s genre festival and one-time<br />

Revelation guests – unleash their first anthology feature film,<br />

showcasing the suitably horrifying talents of Enzo Tedeschi,<br />

Bossi Baker, Rebecca Thomson, Justin Harding, Evan Randall<br />

Green, Carmen Falk, Goran Spoljaric, Matthew Goodrich,<br />

Nicholas Colla and Daniel Daperis.<br />

The filmmakers whose work is presented here represent a<br />

cross-selection of styles and influences (even including a nod<br />

to Doctor Who in one segment) and there’s clearly some talent<br />

on display.<br />

From the uncanny atmosphere of Hum through to the bloodysplattered<br />

humour of I Am Undone, and all points in between,<br />

A Night of Horror offers a current-state-of-play of the genre<br />

and offers some joyously horrific pleasures.<br />

Featuring:<br />

LIFE IMITATES<br />

DIR: ENZO TEDESCHI<br />

DARK ORIGINS<br />

DIR: EVAN RANDALL GREEN<br />

HUM<br />

DIR: BOSSI BAKER<br />

FLASH<br />

DIR: NICHOLAS COLLA &<br />

DANIEL DAPERIS<br />

RAVENOUS<br />

DIR: CARMEN FALK<br />

SCISSION<br />

DIR: MATTHEW GOODRICH<br />

POINT OF VIEW<br />

DIR: JUSTIN HARDING<br />

THE PRIEST<br />

DIR: GORAN SPOLJARIC<br />

I AM UNDONE<br />

DIR: REBECCA THOMSON<br />

54<br />

LATE NIGHT<br />

BOOKINGS: REVELATIONFILMFEST.ORG


DIRECTOR’S PICK<br />

DIR: CAN EVRENOL<br />

TUR/2015/97MIN<br />

BASKIN<br />

AUSTRALIAN PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

FRI 8, 11.15PM, LUNA<br />

FRI 15, 10.50PM, LUNA<br />

Screens with<br />

Damage Control<br />

C baskinthemovie<br />

L @baskinthemovie<br />

baskinthemovie.com<br />

Baskin (the title is, apparently, Turkish for police raid) follows a<br />

squad of suitably dysfunctional cops on a routine night call that<br />

takes them far from familiar roads.<br />

Delving into surreal horror like a finger poking into an openwound,<br />

Baskin’s dream-logic and shifting narrative emphasises<br />

brooding atmosphere, all-consuming darkness, and terrifying<br />

brutality, to nightmarish effect.<br />

The film has an amazing effect as it jumps backwards and<br />

forwards in time showing the story from different angles of<br />

all hapless participants - something that helps with the film’s<br />

frenetic pace and off-balance story. Just when you think you’ve<br />

got a handle on the wild ride, Baskin ratchets up its power and<br />

atmosphere to an almost unbearable level...perfect for hardcore<br />

horror fans.<br />

Baskin echoes such touchstones as Lucio Fulci’s The Beyond,<br />

Tobe Hooper’s The Texas Chain Saw Massacre and Clive<br />

Barker’s Hellraiser, but it is very much its own work.<br />

A charnel bloodied nightmarishly claustrophobic film, Baskin is<br />

not a movie recommended for the squeamish or faint of heart.<br />

FANTASTIC FEST 2015:<br />

WINNER NEXT WAVE AWARD,<br />

BEST DIRECTOR<br />

MORBIDO FEST 2015:<br />

WINNER BEST FILM<br />

LATE NIGHT<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

55


DIR: TOMM JACOBSEN, MICHAEL<br />

ROUSSELET, JON SALMON<br />

USA/2015/91MINS<br />

DUDE BRO PARTY MASSACRE III<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

WED 13, 8.45PM, LUNA<br />

SAT 16, 10.30PM, LUNA<br />

Screens with The Worst<br />

Alien In The World<br />

C dudebropartymassacre3<br />

L @5sf<br />

dudebropartymassacre3.com<br />

Most copies of the original Dude Bro Party Massacre III movie<br />

were destroyed, but thankfully one copy remains, recorded<br />

from TV late at night on an old VHS tape. Now’s your chance<br />

to catch the terror of Dude Bro Party Massacre III.<br />

Following two previous mass murders on Chico’s frat row,<br />

Brent – twin brother of murder victim Brock - joins with the<br />

Dude Bros of Delta Bis fraternity in the hope that he can find<br />

out the truth of his brother’s murder and finally confront the<br />

terrifying serial killer Motherface.<br />

Playing with the style and attitude of the ‘80s slasher movie,<br />

Dude Bro Party Massacre III works as a homage and satire of<br />

the genre.<br />

An absurdly exaggerated and utterly riotous combination<br />

of to-be-killed-gorily students, nasty deaths and off-kilter<br />

subplots, the film will entertain anybody who remembers ‘80s<br />

straight-to-video horror movies, late night TV, and, of course,<br />

the Dude Bros and their ilk.<br />

Watch out for appearances by Patton Oswalt and Nina Hartley!<br />

56<br />

LATE NIGHT<br />

BOOKINGS: REVELATIONFILMFEST.ORG


DIRECTOR’S PICK<br />

DIR: NORBERT HEITKER<br />

GER/2014/95MIN<br />

WACKEN 3D<br />

AUSTRALIAN PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

FRI 15, 9PM, LUNA<br />

Unclassified 15+<br />

C wacken3d<br />

wacken3d-film.de<br />

Proudly presented by<br />

Each August, in a field in Germany, the Wacken Open Air<br />

Festival takes place. A celebration of heavy metal music, the<br />

festival draws 75,000 fans from across the globe to see some<br />

of the biggest and best heavy metal bands in the world.<br />

Heitker’s documentary – filmed at the festival’s 24th instalment<br />

- plays as a 3D celebration of the event, of the bands, and<br />

the metal heads and rock fans that make up the enthusiastic<br />

audience.<br />

The movie captures the pure energy of the festival, from<br />

hopefuls playing the Wacken Metal Battle to some of the<br />

biggest bands in the genre taking the main stage, including<br />

Motorhead, Rammstein, Deep Purple and Alice Cooper, who<br />

all appear in the movie.<br />

Filmed in stereoscopic 3D the movie takes on epic proportions,<br />

capturing the massive scale of the event and some incredible<br />

performances (spectacular even to those who are unfamiliar<br />

with the music). A celebration of heavy metal, both known and<br />

unknown, and the community that form the global tribe of<br />

heavy metal, Wacken is a must see for those initiated into the<br />

music and those who are merely curious.<br />

“If you’ve never been to Wacken, this is your chance to<br />

take a special journey to the heart of the festival, with<br />

the 3D screening making you feel like you’re right there<br />

with over 75,000 metalheads from all over the world<br />

celebrating life and heavy music.”<br />

THE HEADBANGING MOOSE<br />

LATE NIGHT<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

57


DOCUMENTARIES<br />

59


DIR: LEO GABIN<br />

BELGIUM/2015/56MINS<br />

A CRACKUP AT THE RACE RIOTS<br />

AUSTRALIAN PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

TUE 12, 8.45PM, PARADISO<br />

SUN 17, 11.15AM, LUNA<br />

Screens with Clare<br />

Unclassified 15+<br />

Drawing on Harmone Korine’s cult novel, A Crackup At The<br />

Race Riots shifts between various forms of ‘amateur’ video,<br />

creating a shifting landscape that incorporates everything from<br />

teenage webcam girls to shopping malls.<br />

For a physical and electronic place where nothing really<br />

happens the results are surprisingly interesting. There’s no<br />

dare-devils, there’s no going viral and there’s no pets doing<br />

funny things. It’s all suburban ordinaryness and when put<br />

together an unusual story of social disconnection and isolation<br />

is told. This “news from nowhere” is quite fascinating to watch<br />

and has an odd resonance.<br />

The film is rich in the raw American iconography that<br />

punctuates Kornine’s works in literature, music and music<br />

videos.<br />

Directed by Leo Gabin – a Belgian video collective – the film<br />

marks a continuation of Leo Gabin’s collaboration with Korine<br />

that include Leo Gabin communicating with Korine during the<br />

development of his hit Spring Breakers.<br />

An experimental documentary, A Crackup At The Race Riots is<br />

a remarkable hybrid work. A film for the YouTube generation,<br />

a renegotiation of the function of cinema and role of narrative,<br />

the film is a remarkable, essential work.<br />

60<br />

DOCUMENTARIES<br />

BOOKINGS: REVELATIONFILMFEST.ORG


DIR: SUZANNE CROCKER<br />

CANADA/2014/89MIN<br />

ALL THE TIME IN THE WORLD<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

FRI 8, 6.45PM, LUNA<br />

SUN 10, 12.20PM, LUNA<br />

SAT 16, 12.45PM, SX<br />

C All-The-Time-In-The-World<br />

L @allthetime92<br />

allthetimeintheworld.ca<br />

In search of something more than the daily grind, filmmaker<br />

Suzanne Crocker takes her husband and three young children<br />

deep into the remote Canadian outback.<br />

Here they spend nine months in a remote cabin, deep in the<br />

woods. With no electricity, and reachable only by stream, life<br />

in the cabin through the harsh Canadian winter takes on its<br />

own natural rhythms, and – away from digital entertainment<br />

and television screens – the family experience a new form of<br />

existence and bonding.<br />

Directed with rare warmth, this exceptional low budget<br />

documentary, All The Time in the World is an exploration of<br />

family and parenthood, survival and existence and the beauty<br />

of a world rarely seen.<br />

For anyone who wants to experience nature, life off the grid,<br />

or just the wonder of a world through the eyes of children, this<br />

film is essential.<br />

Suitable for children.<br />

VANCOUVER INTERNATIONAL<br />

FILM FEST: MOST POPULAR<br />

CANADIAN DOCUMENTARY<br />

Proudly presented by<br />

DOCUMENTARIES<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

61


DIR: OLEKSANDR TECHYNSKYI, ALEKSEY<br />

SOLODUNOV AND DMITRY STOYKOV<br />

UKRAINE/2014/90MINS<br />

ALL THINGS ABLAZE<br />

AUSTRALIAN PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SAT 9, 2.30PM, LUNA<br />

THU 14, 6.45PM, SX<br />

SUN 17, 12.45PM, LUNA<br />

Screens with Last Words<br />

C AllThingsAblaze<br />

ablaze.honestfish.com.ua<br />

All Things Ablaze is a visually powerful and deeply visceral fly<br />

on the wall documentary that positions the audience amongst<br />

the Ukranian protestors in the winter of 2013-2014.<br />

Speeches are made, demonstrators wave banners, but finally<br />

all things transform to chaos, the police and protestors size<br />

one-another up, before anger is unleashed and the streets turn<br />

to battlefields.<br />

Shot by camera crews located deep within the crowds, All<br />

Things Ablaze follows the events unleashed in the winter, not<br />

as a political analysis but as a study in people and society in a<br />

world where all things are ablaze.<br />

A unique film, All Things Ablaze creates a truly cinematictableaux<br />

of the protests and a world in which violence<br />

explodes in city streets and squares. Free of direct narrative<br />

and editorialising the film, allows events to speak for<br />

themselves, and audiences pay witness to history as it unfolds<br />

on the streets.<br />

WINNER: DOK LEIPZIG<br />

62<br />

DOCUMENTARIES<br />

BOOKINGS: REVELATIONFILMFEST.ORG


DIR: ANDREA MARINI<br />

USA,ITALY,UK/2015/82MINS<br />

THE ART OF THE PRANK<br />

AUSTRALIAN PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SUN 10, 2.30PM, SX<br />

MON 11, 9PM, LUNA<br />

SUN 17, 4.40PM, LUNA<br />

Screens with<br />

The Arms of Venus de Milo<br />

Unclassified 15+<br />

C artoftheprankmovie<br />

L @AotP_themovie<br />

artoftheprank-themovie.com<br />

Joey Skaggs is an arch-prankster, since the late ‘60s he has<br />

used pranks as an artistic medium, creating cultural and<br />

political works that play with the media.<br />

Skaggs is the Godfather of the media hoax, and his creative<br />

legacy can be traced through to contemporary culture<br />

jamming and reality hacking by the likes of The Yes Men and<br />

Improv Everywhere.<br />

The Art of the Prank focuses on Skaggs’ extensive career in<br />

pranksterdom, which involves creating hilarious hoaxes that<br />

become reported as news.<br />

Skaggs was behind such pranks as the Fat Squad, the brothel<br />

for dogs, the mobile confessional booth, and many others, all<br />

of which gained major press and TV coverage internationally.<br />

He manipulates media reality to expose complacency and<br />

encourage genuine critical thinking.<br />

Through both the interviews and archive footage, Skaggs’<br />

limitless imagination, his humour, and his astute understanding<br />

of the power of the media is evident and it’s impossible to<br />

watch The Art of The Prank and not be inspired.<br />

SLAMDANCE FILM <strong>FESTIVAL</strong> 2016:<br />

JURY AWARD<br />

DOCUMENTARIES<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

63


DIR: IAN RODERICK GRAY,<br />

DYLAN HARVEY<br />

UK/2016/79MINS<br />

THE BANKSY JOB<br />

AUSTRALIAN PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SAT 16, 7PM, LUNA<br />

SUN 17, 8.45PM SX<br />

Unclassified 15+<br />

C thebanksyjob<br />

TRIBECA FILM <strong>FESTIVAL</strong><br />

Anonymous street artist Banksy has become a legend for<br />

his stencil graffiti that offers incisive, sharp political critique,<br />

garnering critical interest and making the artist a household<br />

name.<br />

When, in 2004, Banksy leaves his sculpture The Drinker (a take<br />

on Rodin’s Thinker) in Central London, former rave promoter,<br />

artist and mischief maker AK47 decides to take the massive<br />

sculpture home, and proceeds to engage a truck and a crew<br />

of friends to undertake a broad-daylight art-heist in Central<br />

London. The Banksy Job follows the larger-than-life AK47 and<br />

documents (over the following years) the caper that ensues,<br />

combining an exploration of the contemporary art word, a<br />

study of London underground culture, and (perhaps) a battle<br />

of wits.<br />

The Banksy Job made Hollywood Reporters Critic’s Picks: 10<br />

Best Tribeca Films at the Midpoint, and it’s easy to see why,<br />

directors Gray and Harvey’s film shifts between interviews and<br />

re-creations, and occasionally it appears to dance between<br />

re-creation and surreal drama (at one-point AK47 appears<br />

surrounded by minions in his lair) further conflating biography<br />

and mythology.<br />

“Regardless of its veracity, The Banksy Job provides some<br />

great British humor, a compelling main character, and<br />

some well-deserved cultural mockery. The fact that the<br />

audience is even tempted to believe it all speaks to the<br />

extent of the farce in today’s art world.”<br />

HYPERALLERGIC<br />

64<br />

DOCUMENTARIES<br />

BOOKINGS: REVELATIONFILMFEST.ORG


DIR: WILLIAM FAIRMAN, MAX GOGARTY<br />

UK/2015/83MINS<br />

CHEMSEX<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SUN 10, 8.45PM, PARADISO<br />

WED 13, 6.45PM, LUNA<br />

L chemsexmovie<br />

vice.com/en_uk/tag/chemsex<br />

Chemsex dives deep into the largely underground gay<br />

subculture that pursues the hedonistic, often unsafe thrills of<br />

drug driven sex (GHB and crystal meth being popular).<br />

Letting people associated with this community speak for<br />

themselves, directors Fairman and Gogarty take the audience<br />

into a world of drugs and weekend-long sex parties in a<br />

harrowing investigative documentary.<br />

Chemsex makes for a powerful exploration of an emerging<br />

social-phenomena, made with a genuine sense of urgency, the<br />

film doesn’t pass judgment and doesn’t shy away from asking<br />

troubling questions.<br />

Chemsex makes for necessary viewing.<br />

Proudly presented by<br />

DOCUMENTARIES<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

65


DIR: MAURO HERCE<br />

SPAIN/2016/74MINS<br />

DEAD SLOW AHEAD<br />

AUSTRALIAN PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SUN 10, 12.15PM, LUNA<br />

SAT 16, 6.45PM, SX<br />

Unclassified 15+<br />

OFFICAL SELECTION SXSW<br />

If you were make a documentary about the Nostromo - the<br />

giant cargo space vessel featured in Alien - this would be it.<br />

This beautiful documentary is a work of art from start to end as<br />

it spends twelve months on board the giant grain tanker Fair Lady.<br />

The camera moves from the bridge to the bilge as it captures<br />

the daily lives and environments of the seamen from high<br />

drama to flat out boredom.<br />

But beyond these human observations it’s the vessel itself that<br />

is the central character with the individuals on it seemingly<br />

somehow trapped inside the belly of a gigantic whale.<br />

The film’s exploration of these cavernous and lonely spaces<br />

is utterly astonishing - they are simply huge with the men<br />

onboard seemingly as small as the grains of wheat the vessel is<br />

transporting.<br />

The images presented are so deep, the scale so enormous,<br />

the colour so vibrant and the sound so rich that you wonder<br />

at times if you’re watching some kind of metaphysical work of<br />

science fiction.<br />

It’s just brilliant and breathtaking.<br />

66<br />

DOCUMENTARIES<br />

BOOKINGS: REVELATIONFILMFEST.ORG


DIR: LAURA ISRAEL<br />

CAN,USA, FRA/2015/88MIN<br />

DONT BLINK: ROBERT FRANK<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SAT 9, 6.45PM, SX<br />

SUN 17, 5PM, LUNA<br />

C dontblinkrobertfrank<br />

L @dontblinkfilm<br />

dontblinkrobertfrank.com<br />

Robert Frank’s debut photographic work The Americans<br />

changed the way people saw photography. Frank’s vision was<br />

unique as he caught people’s lives, exploring an unseen world.<br />

Over the decades he has documented the Beats, the Rolling<br />

Stones, and the lives of ordinary working people.<br />

More than a pioneer of photography, Frank is also a<br />

groundbreaking indie filmmaker, working with everybody<br />

from Tom Waits to William Burroughs to Jack Kerouac and, of<br />

course, the Rolling Stones.<br />

In Don’t Blink award-winning director Laura Israel (Windfall) tells<br />

Frank’s story, exploring his life and work, with Frank – famous for<br />

his dislike of interviews – opening up for the director.<br />

Making Film Comment’s Top 10 Unreleased Films of<br />

2015, Don’t Blink is a beautiful portrait of an exceptional<br />

photographer and filmmaker.<br />

“A provocative portrait of its equally provocative<br />

subject…. the film vividly conveys his artistic spirit,<br />

defiant iconoclasm and lifelong aversion to compromise.”<br />

Hollywood Reporter.<br />

DOCUMENTARIES<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

67


DIR: THORSTEN SCHÜTTE<br />

FRA,GER/2016/90MIN<br />

EAT THAT QUESTION :<br />

FRANK ZAPPA IN HIS OWN WORDS<br />

AUSTRALIAN PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

FRI 8, 7PM, LUNA<br />

SAT 9, 8.45PM, SX<br />

SUN 17, 7PM, LUNA<br />

Screens with<br />

How Deep Can I Go?<br />

C eatthatquestion.<br />

frankzappainhisownwords<br />

It’s probably fair to say that the legendary Frank Zappa<br />

changed music; his life was spent exploring, developing and<br />

pushing the nature of music and musical form.<br />

Alongside his musical career, Eat That Question traces Zappa’s<br />

work and cultural interventions; from his cult film 200 Motels to<br />

his stand against the emergent PMRC (Parent’s Music Resource<br />

Committee) in the ‘80s.<br />

What makes the film so unique is that the voice here is Zappa’s<br />

own, culled entirely from archival interviews and footage of<br />

performances. The figure that emerges is never less than<br />

fascinating, whether appearing on television in the sixties<br />

showcasing the musical potentials of the bicycle on the Steve<br />

Allen Show or flying to the liberated Czech Republic where he<br />

was viewed as a cultural hero of the musical underground.<br />

For Zappa’s legions of fans the film will be a pure joy to watch,<br />

while for the uninitiated it offers a fascinating insight into the<br />

visionary musician.<br />

“By giving us Zappa In His Own Words, Schütte has done<br />

a service to the man’s legacy and provided a highly<br />

entertaining film at the same time. Eat that, naysayers.”<br />

TWITCH FILM.<br />

68<br />

DOCUMENTARIES<br />

BOOKINGS: REVELATIONFILMFEST.ORG


DIR: JACQUES PERCONTE<br />

FRANCE/2015/52MINS<br />

ETTRICK<br />

AUSTRALIAN PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SUN 10, 10.45AM, LUNA<br />

SAT 16, 11.15AM, LUNA<br />

Screens with River<br />

jacquesperconte.com<br />

When we were programming this film we had real trouble<br />

trying to figure out if it’s a feature film or feature documentary<br />

or in fact a gallery installation...so we’ve settled on<br />

experimental documentary.<br />

...And what a lovely experimental documentary it is.<br />

It’s difficult at first to get a handle on what you’re seeing. A<br />

very bumpy and noisy journey filmed from a passenger’s<br />

perspective in a Land Rover charging along a country track.<br />

The sound is thundering. Suddenly the picture starts to<br />

disintegrate into pixels to become an unrecognisable blur.<br />

Just when we’re about to knock on the projectionist’s door to<br />

complain about the picture quality we realise this is just the<br />

first of many audio visual surprises.<br />

Ettrick takes digital technology and literally creates a new<br />

kind of fabric with a new kind of cinematic texture as Perconte<br />

explores the beautiful Scottish landscape with a particular<br />

focus on a textile mill in the countryside. In what’s been<br />

described as a “visually captivating” style the countryside<br />

becomes the fabric.<br />

It’s absolutely fascinating to watch.<br />

DOCUMENTARIES<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

69


DIR: SACHA JENKINS<br />

USA/2015/90MIN<br />

FRESH DRESSED<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

FRI 8, 8.45PM, SX<br />

SUN 10, 7PM, LUNA<br />

SAT 16, 8.45PM, PARADISO<br />

Unclassified 15+<br />

C FreshDressedMovie<br />

L @freshdressed<br />

freshdressedmovie.com<br />

Sacha Jenkin’s Fresh Dressed takes the audience through the<br />

history of hip hop fashion. Opening with cotton plantations<br />

before progressing to the early days of New York hip hop in<br />

the seventies, and, finally to the global stage and shopping<br />

malls across the globe.<br />

From graffiti decorated jackets, baggy trousers, classic sports<br />

wear, bespoke designs, and more, hip hop has always been at<br />

the forefront of fashion.<br />

Fresh Dressed tells the story of hip hop fashion, but it also<br />

looks at the music, the culture and the politics, about the need<br />

for individual expression and group identity and those who<br />

sought-out, wore and designed the unique looks that have<br />

defined the genre in all of its forms.<br />

This documentary features some great archive material – notably<br />

the old school footage of NYC in the seventies – and features<br />

contributions from many of the biggest names in hip hop.<br />

Fresh Dressed offers an essential history and joyous<br />

celebration of street fashion.<br />

Proudly presented by<br />

70<br />

DOCUMENTARIES<br />

BOOKINGS: REVELATIONFILMFEST.ORG


DIR: DOMINIC RODRIGUEZ<br />

USA/2016/81MINS<br />

FURSONAS<br />

AUSTRALIAN PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SAT 9, 6.45PM, LUNA<br />

FRI 15, 5.45PM, LUNA<br />

SAT 16, 6.45PM, LUNA<br />

Unclassified 15+<br />

C fursonasdoc<br />

L @lFursonasDoc<br />

fursonasdoc.com<br />

SPIRIT OF SLAMDANCE AWARD<br />

2016<br />

Fursonas documents the world of furry fandom, looking<br />

at individuals who dress up and role-play in full-body<br />

anthropomorphic animal costumes.<br />

Director Rodriguez takes the audience into this world,<br />

introducing diverse enthusiasts from Boomer the Dog, whose<br />

costume is not made from fun fur but shredded paper, and<br />

Chew Fox, who caused a degree of community outrage when<br />

she talked on TV about furry sexuality, something that many in<br />

the community deny exists.<br />

None the less is it a question both the film and the audience<br />

asks and this and deeper notions of identity and belonging<br />

are explored throughout, and it’s that exploration that gives<br />

the films its wide-eyed innocence, honesty and growing<br />

international interest.<br />

The strength of Rodriguez’s film is in his warm understanding<br />

of his subjects and many open up to him, discussing their<br />

interests in furry fandom and their own furry-personas.<br />

Simultaneously joyous and fascinating, Fursonas offers a rare<br />

opportunity to enter a world most will never otherwise hear of.<br />

This film is not suitable for children.<br />

DOCUMENTARIES<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

71


DIR: LAURIE ANDERSON<br />

USA/2015/75MIN<br />

HEART OF A DOG<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SAT 9, 4.40PM, LUNA<br />

SAT 16, 6.45PM, PARADISO<br />

Screens with The Mermaid<br />

Unclassified 15+<br />

heartofadogfilm.com<br />

LINA MANGIACAPRE AWARD<br />

WINNER, VIENNA 2015<br />

TROSMO INTERNATIONAL FILM<br />

<strong>FESTIVAL</strong> AURORA AWARD<br />

WINNER 2016<br />

In Heart of a Dog the internationally acclaimed multimedia<br />

artist, musician and performer Laurie Anderson turns her<br />

attention to her relationship with her pet dog, Lolabelle.<br />

But this is no mere exploration of pets, but an examination of<br />

the desire for companionship, of family and friendship, and of<br />

death. It is also an examination of the nature of consciousness<br />

(human and canine), and a meditation on Buddhist philosophy<br />

drawn from Anderson’s own life and the experiences that have<br />

marked it.<br />

The artist/director accompanies her footage – archival and<br />

home movies are mixed with dog’s-eye-view recreations –<br />

with a focused, calm, and gently incisive narrative that flows<br />

through memories, anecdotes and philosophy.<br />

Constructed with an almost dreamlike quality, a fact matched<br />

by Anderson’s perfectly pitched narration, Heart of a Dog is far<br />

more than a story of a dog; it is a film about love and life, but<br />

also about loss and the Bardo.<br />

A beautiful, critically acclaimed work that – contrary to the<br />

Tibetan Book of the Dead’s instructions – may not leave a dry<br />

eye in the house.<br />

CINEMA EYE HONORS AWARDS:<br />

OUTSTANDING ACHIEVEMENT IN<br />

ORIGINAL MUSIC SCORE WINNER<br />

2016<br />

72<br />

DOCUMENTARIES<br />

BOOKINGS: REVELATIONFILMFEST.ORG


DIR: YANN ARTHUS-BERTRAND<br />

FRANCE/2015/190MINS<br />

HUMAN<br />

AUSTRALIAN PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SUN 10, 1.45PM, LUNA<br />

SUN 17, 3PM, SX<br />

Unclassified 15+<br />

C humanthemovie<br />

L @Humanthemovie<br />

human-themovie.org<br />

If ever the word “epic” could be used to describe a<br />

documentary, this is the one.<br />

Human is a stunning partly symphonic and partly interview<br />

based film that examines what it means to be part of the<br />

human race.<br />

The film is utterly dazzling in every respect as we are immersed<br />

in new perspectives of the planet and its inhabitants courtesy<br />

of famed French photographer Yann Arthus-Bertrand’s<br />

breathtaking aerial photography.<br />

With a global scope that embraced over 2000 interviews<br />

across 60 countries, Human demonstrates the power of new<br />

digital and drone technology in so doing presenting us with<br />

a journey that is in equal parts poetic, urgent, surprising,<br />

saddening, joyful but always engrossing.<br />

This kind of documentary is rare on any screen in any context<br />

and it’s a pleasure to present it in the highest of fidelity -<br />

treatment that both it and you completely deserve.<br />

A must see for lovers of photography and the environment<br />

and magnificent celebration of the art and power of cinema.<br />

VENICE FILM <strong>FESTIVAL</strong>, IDFA<br />

Proudly presented by<br />

DOCUMENTARIES<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

73


DIR: MARK LEWIS<br />

CAN/2014/87MINS<br />

INVENTION<br />

AUSTRALIAN PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SAT 9, 5PM, LUNA<br />

SUN 10, 3PM, PARADISO<br />

A visually stunning exploration of place and space, that<br />

explores architecture and cityscapes, Invention captures the<br />

play of shapes, designs, forms and textures of the modern city.<br />

In this film cities are viewed as uncannily beautiful worlds of<br />

concrete and glass.<br />

Invention is filled with camera artistry as we slowly glide<br />

and linger over beautiful works of art and architecture. The<br />

camerawork is full of surprises as we move through windows<br />

and walls and explore all manner of famous and lesser known<br />

places at a pace where we’re able to deeply examine and<br />

admire every detail. The film isn’t without its unusual humour<br />

as well and depending on where you focus, there’s also lots of<br />

little background rewards.<br />

With its epic visual scope and re-engagement with an everyday<br />

world that we too often miss because of our immersion within<br />

it, Invention recalls the great City Symphony films of the 1920s<br />

that defined early cinema.<br />

A truly cinematic film that will have audiences looking at the<br />

familiar worlds we inhabit with new wonder.<br />

74<br />

DOCUMENTARIES<br />

BOOKINGS: REVELATIONFILMFEST.ORG


DIR: AMY BERG<br />

USA/2015/103MINS<br />

JANIS: LITTLE GIRL BLUE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SUN 10, 5PM, LUNA<br />

MON 11, 9.15PM, SX<br />

FRI 15, 7PM, LUNA<br />

Unclassified 15+<br />

Over the years, Rev’s annually brought to local audiences<br />

some of the best music documentaries from the world over -<br />

and this year sees some of the best we’ve seen including this<br />

international film festival hit.<br />

Narrated by Cat Power, Amy (Deliver Us From Evil, West of<br />

Memphis ) Berg’s documentary Janis: Little Girl Blue tells the<br />

story of Janis Joplin in intimate detail, from her childhood in<br />

Port Arthur, Texas to her groundbreaking career and untimely<br />

death.<br />

Incredible archive footage and interviews with musicians,<br />

friends and family are intercut with personal letters that offer a<br />

unique insight into Joplin’s exceptional talent and personal life.<br />

Challenging the male-dominated industry while affirming her<br />

talent, Joplin was a trailblazer, and this documentary makes<br />

essential viewing.<br />

Proudly presented by<br />

“Amy Berg brings an intimate voice to her absorbing<br />

documentary portrait of late blues-rock goddess<br />

Janis Joplin.”<br />

VARIETY<br />

DOCUMENTARIES<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

75


DIR: PIETER-JAN DE PUE<br />

BEL,IRE,NED,GER,AFG/2016/87MINS<br />

THE LAND OF THE ENLIGHTENED<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

MON 11, 7PM, LUNA<br />

SAT 16, 1.30PM, PARADISO<br />

thelandoftheenlightened.com<br />

We love documentary and it’s our enormous pleasure to present<br />

this outstanding examination of the people surrounded by conflict.<br />

Stunningly photographed in 16mm The Land of the Enlightened<br />

follows a group of Afghan children and teenagers in the war torn<br />

country.<br />

As American soldiers wait in a remote base and long for home, the<br />

Afghan youths survive on their wits by scavenging, stealing and<br />

barter, while dreaming of their own futures in the harsh landscape.<br />

A hybrid work that shifts between observational documentary and<br />

dramatic re-enactments, the film offers an evocative and poignant<br />

portrait of the next generation of Afghans and the land that is<br />

their home.<br />

Seven years in the making, The Land of the Enlightened is a<br />

remarkable work, that follows survival and youthful resilience in a<br />

perpetually war torn landscape that seems raw and barren, divided<br />

between mountains, plateaus, fields of poppies and vast skies.<br />

SUNDANCE FILM <strong>FESTIVAL</strong>:<br />

CINEMATOGRAPHY AWARD 2016<br />

76<br />

DOCUMENTARIES<br />

BOOKINGS: REVELATIONFILMFEST.ORG


DIR: JOHN DOWER<br />

UK/2015/99MINS<br />

LOUIS THEROUX:<br />

MY SCIENTOLOGY MOVIE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SAT 9, 9PM, LUNA<br />

SAT 16, 8.45PM, SX<br />

To win tickets to the special<br />

screening on 9 July, listen<br />

to 720 ABC Perth on air,<br />

online or via the<br />

ABC Radio App<br />

Unclassified 15+<br />

C LouisTheroux<br />

L @louistheroux<br />

Audiences will be familiar with Louis Theroux’s offbeat, slightly<br />

quizzical, style from his cult BBC television series currently<br />

broadcast on ABC and in My Scientology Movie the journalist<br />

turns his attention to the Church of Scientology.<br />

Long fascinated by the religion, Theroux’s exploration of the<br />

Church sees him talking to ex-members, employing actors,<br />

and, in a bizarre turn of events finding himself being followed<br />

by a camera crew.<br />

My Scientology Movie is a documentary that is funny and<br />

informative, and never less than strange.<br />

My Scientology Movie sees Theroux at his most provocative.<br />

“Louis Theroux’s attempt to get under Scientology’s skin<br />

is a giddy, Pythonesque delight”<br />

THE TELEGRAPH (UK)<br />

Proudly presented by<br />

DOCUMENTARIES<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

77


DIR: TRAVIS WILKERSON<br />

USA/2015/71MINS<br />

MACHINE GUN OR TYPEWRITER?<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SAT 9, 1PM, LUNA<br />

TUE 12, 6.45PM, LUNA<br />

SAT 16, 2.30PM, LUNA<br />

Unclassified 15+<br />

We were first introduced to Travis Wilkerson as a filmmaker<br />

back in the early days of Rev with his fantastic agit-essay on<br />

Cuban revolutionary filmmaker Santiago Alvarez - Accelerated<br />

Underdevelopment: In the Idiom of Santiago Alvarez. Since<br />

then we’ve stayed in touch and now he’s back with this<br />

excellent experimental agit-punk-noir work Machine Gun or<br />

Typewriter?<br />

Using a lot of found footage, lazy and laconic sequences of<br />

urban landscapes, animated graphic insertions and a hushed<br />

voice-over throughout, in this work “The protagonist, who<br />

we only ever see behind (and half obscured by) a microphone,<br />

narrates this idiosyncratic odyssey as the sole operator of a<br />

pirate radio station, using his latest broadcast to appeal to<br />

a former lover, for whom he’s searching in the aftermath of<br />

police crackdowns on Occupy.”<br />

It’s subversive, political, different and with a passing nod to<br />

Alvarez and experimental giant Chris Marker, Machine Gun or<br />

Typewriter? is an experimental feast with great musicality and<br />

very definite cool.<br />

78<br />

DOCUMENTARIES<br />

BOOKINGS: REVELATIONFILMFEST.ORG


DIR: FENTON BAILEY, RANDY<br />

BARBATO<br />

USA,GER/2016/108MINS<br />

MAPPLETHORPE:<br />

LOOK AT THE PICTURES<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SAT 9, 9PM, PARADISO<br />

SUN 10, 6.45PM, SX<br />

THU 14, 9PM, LUNA<br />

SAT 16, 4.45PM, LUNA<br />

C MapplethorpeFilm<br />

L @mapplethorpedoc<br />

mapplethorpefilm.com<br />

As an artist and photographer Robert Mapplethorpe created<br />

works that were stunning in their power. He created numerous<br />

iconographic images; from the portrait of his youthful muse<br />

and collaborator Patti Smith, which appears on the cover of<br />

Horses, through to meticulously crafted photographs of flowers,<br />

and controversial depictions of the gay S&M underground that<br />

caused outrage amongst the religious right of the eighties.<br />

What these works shared was the artist’s complete control of<br />

the photographic image: meticulously lit, perfectly framed, and,<br />

without fail, evocative in their sculptural beauty.<br />

In Mapplethorpe: Look at the Pictures, directors Bailey and<br />

Barbato (whose previous collaborations include directing<br />

Inside Deep Throat and Party Monster and producing Ru-Paul’s<br />

Drag Race ) tell the photographer’s story through interviews<br />

with family, friends, and partners, archive footage and the<br />

photographs themselves.<br />

The film follows the groundbreaking photographer’s life, from his<br />

childhood in Queens to two major retrospectives in Los Angeles,<br />

held years after his death, creating a cinematic portrait of one of<br />

the 20 th centuries’ most important artists.<br />

SUNDANCE 2016<br />

DOCUMENTARIES<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

79


DIR: ROSS LIPMAN<br />

UK, USA/1965 & 2015/130+20MINS<br />

NOTFILM + FILM<br />

DOUBLE BILL<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SUN 10, 4PM, LUNA<br />

MON 11, 6.30PM, SX<br />

SAT 16, 4PM, LUNA<br />

Unclassified 15+<br />

Director Ross Lipman is one of the world’s leading film archivists<br />

and film essayists. Having a fine record in working with hidden<br />

corners of cinema with Notfilm he brings to the fore one of those<br />

hidden and nearly lost moments. Bringing together the worlds<br />

of literature, theatre and cinema Lipman’s exhaustive work is<br />

enlighting in both its style and its content.<br />

Staring the legendary Buster Keaton and written and conceived<br />

by Samuel Beckett, Film was intended as a unique collaboration<br />

between artists and visionaries.<br />

NotFilm tells the story of the production of Film, exploring the<br />

creative collaboration that drew in figures including Grove Press’s<br />

Barney Rossett and director Alan Schneider (best known for<br />

directing Beckett’s works on stage).<br />

With incredible access to archive materials – from outtakes to<br />

recordings of production meetings – the evocative, fascinating<br />

cinematic essay NotFilm explores the nature of collaboration,<br />

film and the philosophical nature of the work.<br />

Following NotFilm, Revelation is proud to be screening Film, to<br />

enable audiences to see Schneider, Beckett and Keaton’s work.<br />

80<br />

DOCUMENTARIES<br />

BOOKINGS: REVELATIONFILMFEST.ORG


DIR:PENNY LANE<br />

USA/2016/79MINS<br />

NUTS!<br />

AUSTRALIAN PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SAT 9, 3PM, PARADISO<br />

TUE 12, 6.45PM, PARADISO<br />

FRI 15, 6.45PM, SX<br />

Unclassified 15+<br />

C NutsTheFilm<br />

L @nutsthefilm<br />

nutsthefilm.com<br />

Nuts! tells the almost unbelievable story of Dr John Romulus<br />

Brinkley, a depression-era ‘visionary’ who built his empire on<br />

a combination of border radio and goat testicle transplants<br />

(which consisted of transplanting slices of goat testicles into<br />

human males in order to cure impotence). Somehow he<br />

invented everything from junk mail to the infomercial, and was<br />

almost the Governor of Kansas.<br />

Through a combination of animation, archive footage and<br />

interviews, director Penny Lane offers an insight not just into<br />

one man but into the birth of the modern era, medicine and<br />

quacks, and the potential of mass media.<br />

Lovingly animated and a joy to watch, Nuts! is an exploration<br />

and celebration of a different era, of a world that is familiar yet<br />

somehow uncanny.<br />

“A ridiculously enjoyable ode to old, weird America”<br />

THE GUARDIAN<br />

SUNDANCE 2016: JURY AWARD<br />

FOR EDITING<br />

DOCUMENTARIES<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

81


DIR: ROBERTO MINERVINI<br />

FRANCE, ITALY /2015/92MINS<br />

THE OTHER SIDE<br />

AUSTRALIAN PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SAT 9, 3.20PM, SX<br />

SUN 17, 3PM, LUNA<br />

C oktafilm<br />

oktafilm.it/en/project/louisiana/<br />

OFFICIAL SELECTION: CANNES<br />

ITALIAN NATIONAL SYNDICATE<br />

OF FILM JOURNALISTS: BEST DOC<br />

MONTREAL INTERNATIONAL<br />

DOCUMENTARY FILM <strong>FESTIVAL</strong>:<br />

BEST CINEMATOGRAPHY<br />

PUSAN INTERNATIONAL FILM<br />

<strong>FESTIVAL</strong>: BEST CINEPHILE<br />

Premiering at Cannes, 2015, The Other Side isn’t for the faint of<br />

heart. The film offers a harrowing-yet-poignant portrait of rural<br />

Louisiana.<br />

This beautifully lensed documentary chronicles a world of drugs<br />

and guns, of anti-government militia prepping for the end-times,<br />

and of drug users struggling to make a buck.<br />

These appear to be hard lives, but under Minervini’s careful<br />

direction a more complex picture emerges. His vérité filmmaking<br />

style offering his subjects the space to breathe and their stories<br />

the opportunity to slowly unfold.<br />

This is not easy viewing, and there are no pleas for sympathy,<br />

but there is no judgement either, instead The Other Side offers a<br />

portrait of those who are forgotten by the world.<br />

Winning awards at the Pusan International Film Festival, Montreal<br />

International Documentary Festival, Seville European Film<br />

Festival, St Petersburg Message to Man Film Festival, amongst<br />

others, the film has been described by Variety as a “beautifully<br />

disquieting immersion in Louisiana lives.” The Other Side will stay<br />

with the viewer long after the credits have rolled.<br />

SEVILLE EUROPEAN<br />

FILM <strong>FESTIVAL</strong>: BEST<br />

CINEMATOGRAPHY AND BEST<br />

DIRECTOR<br />

ST PETERSBURG MESSAGE TO<br />

MAN FILM <strong>FESTIVAL</strong>: STUDENT<br />

JURY PRIZE<br />

82<br />

DOCUMENTARIES<br />

BOOKINGS: REVELATIONFILMFEST.ORG


DIR: TYLER HUBBY<br />

USA/2016/90MINS<br />

TONY CONRAD:<br />

COMPLETELY IN THE PRESENT<br />

AUSTRALIAN PREMIERE<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SAT 9, 11.15AM, LUNA<br />

THU 14, 8.45PM, LUNA<br />

SUN 17, 2.50PM, LUNA<br />

C TonyConradMovie<br />

L @tonyconradmovie<br />

tonyconradmovie.com<br />

A central figure in twentieth-century avant-garde culture Tony<br />

Conrad’s biography can be traced through music, cinema and<br />

visual art.<br />

Playing with, among others, John Cale and La Monte Young<br />

he developed Just Intonation and Minimalism, he played a<br />

pivotal role in the formation of the Velvet Underground, and<br />

collaborated with German cult group Faust.<br />

Conrad also directed the groundbreaking experimental film<br />

Flicker and worked on the soundtrack for the legendary<br />

underground movie Flaming Creatures.<br />

Equally at home with public access television, working as an<br />

artist, collaborating with musicians and inspiring students,<br />

Conrad’s influence extended throughout the worlds of music,<br />

art and film.<br />

Filming Conrad since the 1990s, Tyler Hubby’s debut<br />

documentary feature, completed shortly before Conrad’s<br />

death earlier this year, combines archive and interviews to offer<br />

a fascinating portrait of the inspirational artist.<br />

Proudly presented by<br />

DOCUMENTARIES<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

83


DIR: JOSH KRIEGMAN,<br />

ELYSE STEINBERG<br />

USA/2016/96MINS<br />

WEINER<br />

M T W T F S S<br />

7 8 9 10<br />

11 12 13 14 15 16 17<br />

SAT 9, 12.40PM, LUNA<br />

SUN 17, 1.15PM, SX<br />

To win tickets to the special<br />

screening on Saturday 9<br />

July, listen to 720 ABC<br />

Perth on air, online or via<br />

the ABC Radio app<br />

Classified M<br />

SUNDANCE FILM <strong>FESTIVAL</strong> 2016:<br />

GRAND JURY PRIZE<br />

The Grand Jury Documentary Prize winner at this year’s<br />

Sundance Film Festival, Weiner offers a fascinating, edge-of-theseat<br />

behind-the-scenes view of disgraced Congressman<br />

Anthony Weiner.<br />

The cut and thrust of political life is central to Weiner’s life, and,<br />

despite resigning from Congress in 2011 as the result of a sexting<br />

scandal, two-years later he decides to run for mayor of New York.<br />

But then another scandal breaks…<br />

Fly-on-the-wall documentary Weiner follows the campaign, but<br />

this rapidly expands into an exploration of family, devotion,<br />

loyalty, and the pitfalls of digital media. The results are a movie<br />

described by Variety as “a rollicking and never-dull insiders’ view<br />

of a political campaign.”<br />

Weiner unfolds at quite the most frenetic pace and just when<br />

you think things couldn’t go any more off the rails, the heat is<br />

turned up just that little more for him and us. For the viewer it<br />

reaches excruciating levels of tension - and not without subtantial<br />

humour. But amped to 11 throughout there’s simply no stopping<br />

this man - whatever wreckage he may leave in his wake.<br />

By turns funny, absurd and tragic, and always fascinating, Weiner<br />

is essential viewing.<br />

Proudly presented by<br />

84<br />

DOCUMENTARIES<br />

BOOKINGS: REVELATIONFILMFEST.ORG


WINTER<br />

ARTS<br />

<strong>FESTIVAL</strong><br />

UNIQUE. THRILLING. UNEXPECTED.<br />

1 JUNE – 31 AUGUST VISITPERTHCITY.COM<br />

Immerse yourself in Perth’s biggest<br />

winter festival with over 130 events.<br />

FEATURES<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

85


The City of Fremantle is a<br />

proud supporter of Revelation<br />

International Film Festival.<br />

If you have an exciting community or arts idea or<br />

event, consider applying for one of our grants.<br />

Rounds close the end of July and February annually.<br />

For more information visit:<br />

fremantle.wa.gov.au/grants<br />

Artwork by Nemco Uno - Sherrie Wilson Projects<br />

...ranked first in the country for skills development<br />

and top in WA for overall education quality, student<br />

satisfaction and full-time employment.<br />

– The West Australian, 11 May 2016<br />

T H E U N I V E R S I T Y O F<br />

NOTRE DAME<br />

A U S T R A L I A<br />

PERFORMING WELL FROM THE WEST END TO BROADWAY<br />

A university as<br />

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NOW SHOWING AT NOTREDAME.EDU.AU/QILT


SHORTS<br />

87


ABE & IKE<br />

DIR: CHRISTIAN LONG & JUSTIN LONG/USA/2016/11MINS<br />

Based on the Old Testament story of Abraham and<br />

Isaac, in 2016, the father and son work through their<br />

daddy issues...<br />

Screens with Pikadero<br />

AUSTRALIAN PREMIERE<br />

AISLING<br />

DIR: ALEXANDER GIBLIN/AUS/2015/17MINS<br />

When an ageing mercenary is mislead into killing a<br />

young girl, he exacts revenge on the woman who hired<br />

him.<br />

Screens with Kidnap Capital<br />

WORLD PREMIERE<br />

WORLD PREMIERE<br />

THE ARMS OF THE VENUS DE MILO<br />

DIR: ANDRÉAS GIANNOPOULOS/AUS/2016/13MINS<br />

A lonely sculptor locks himself away to start work on his<br />

first masterpiece, only to find himself on the fringes of<br />

an alien invasion.<br />

Screens with Art of the Prank<br />

BRAINLESS KILLERS<br />

DIR: REN THACKHAM/AUS/2015/18MINS<br />

Two journalists venture into the zombie inhabited town<br />

of Zombridge, a functioning town within the wider<br />

community of Australia, to interview the mayor. They<br />

find a story more worthy of telling but have to get out<br />

alive first.<br />

Screens with A Night of Horror<br />

COLORADO<br />

DIR: CHAD PETER/USA/2016/16MINS<br />

A young woman spends time on the road coming to<br />

terms with herself and the death of her father. A really<br />

very lovely road trip through the backroads of the US.<br />

Screens with Bridgend<br />

WORLD PREMIERE<br />

DAMAGE CONTROL<br />

DIR: SAMUEL BARTLETT/AUS/2015/5MINS<br />

It’s a dark, still night outside the pharmacy. Just<br />

another quiet shift for the two employees inside. A<br />

car pulls up out the front and a man hurriedly walks in<br />

to do some shopping. The clerk is instantly suspicious<br />

of his edgy behaviour and dishevelled appearance.<br />

He can’t be up to any good.<br />

Screens with Baskin<br />

AUSTRALIAN PREMIERE<br />

88<br />

SHORTS<br />

BOOKINGS: REVELATIONFILMFEST.ORG


AUSTRALIAN PREMIERE<br />

HOW DEEP CAN I GO?<br />

DIR: KAI SMYTHE/AUS/2015/5MINS<br />

The Hairy Soul Man returns with a 100% completely<br />

unsound all singing, all dancing and all imaginative art<br />

direction with ode to one man’s question of how far can<br />

he push his love...<br />

Screens with Eat That Question<br />

THE IMMACULATE MISCONCEPTION<br />

DIR: MICHAEL GEOGHEGAN/UK/2015/25MINS<br />

What if the second coming of Christ was to happen in<br />

the suburbs of Belfast in a dysfunctional family and with<br />

a daughter who’s best known for not perhaps doing<br />

precisely the right thing?<br />

Screens with Little Sister<br />

I REMEMBER YOU<br />

DIR: RAMON SAMSON/AUS/2015/5MINS.<br />

Jonathan, an elderly father with Alzheimers, lives his life<br />

trapped inside his own head, watching the world go by<br />

without him – he has lost the ability to communicate or<br />

control his body, but still retains a mental awareness of<br />

his surroundings. When his estranged son comes to visit<br />

him Jonathan desperately calls out asking him to stay.<br />

Screens with Patrick’s Day<br />

WORLD PREMIERE<br />

LAST WORDS<br />

DIR: LUCAS JATOBA & ANDREW GOLDIE/AUS/2016/15MINS<br />

Last Words tells the true stories of 8 convicts on<br />

death row and their last statements just before being<br />

executed by the state.“If you kill the murderer, the<br />

quantity of murderers will not change.” – Winston<br />

Churchill. Last Words is a film about regret,<br />

forgiveness and compassion.<br />

Screens with All Things Ablaze<br />

AUSTRALIAN PREMIERE<br />

THE MERMAID<br />

DIR: THOMAZ LABANCA/AUS/2015/16MINS<br />

A fishing crew lands the ultimate catch: A mermaid.<br />

Captive and sold to the highest bidder, she is left in the<br />

care of a boy who takes it upon himself to return her<br />

to sea. Throughout her journey, we are exposed to the<br />

best and worst of the human condition.<br />

Screens with Heart of A Dog<br />

WORLD PREMIERE<br />

OPHELIA<br />

DIR: ANTHONY GARLAND/USA/2016/8MINS<br />

A job interview takes an ominous turn as Ophelia’s<br />

insecurities manifest and she battles her way through a<br />

frightening exchange with her inquirers, culminating in a<br />

showdown with her inner self.<br />

Screens with Der Bunker<br />

AUSTRALIAN PREMIERE<br />

SHORTS<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

89


PASSION OF V<br />

DIR: DAVID SEOK HOON BOO/SOUTH KOREA/2016/39MINS<br />

Hoon dreams of imminent danger that is about to<br />

happen on Earth. In that same dream, Hoon meets<br />

a member of ‘Guardians of the Earth.’ The guardian<br />

appoints Hoon to be the pilot of the legendary hero<br />

‘Robot Taekwon V.’ Now Hoon must head to the<br />

National Assembly building to awaken Taekwon V and<br />

save the earth.<br />

Screens with Atmo HorroX<br />

WORLD PREMIERE<br />

RIVER<br />

DIR: STEPHANIE MAXWELL/USA/2015/10MINS<br />

River presents a unique perspective on the exquisite<br />

beauty that is present in infinite abundance when one<br />

focuses attention on the intimate motions of river water<br />

and its animated reflections and refractions of sunlight<br />

and sky.<br />

Screens with Ettrick<br />

AUSTRALIAN PREMIERE<br />

TEST<br />

DIR: JAY LIFTON/USA/2014/10MINS<br />

A seemingly unremarkable man spends a day taking<br />

a bizarre test at a mysterious facility. Through his day<br />

he interacts with the odd, detached employees of the<br />

facility, guiding him from section to section, obscuring<br />

the intentions or duration of the test.<br />

Screens with Aaaaaaaah!<br />

AUSTRALIAN PREMIERE<br />

WORLD PREMIERE<br />

THE WORST ALIEN IN THE WORLD<br />

DIR: ANTHONY FRITH/AUS/2015/7MINS<br />

The Worst Alien in the World is the final episode of<br />

a sitcom that’s long run past its prime. Facing down<br />

the last few hours of humanity, Albert confronts his<br />

adulterous wife and kicks out his golf loving alien<br />

stepson so he can take command of his destiny once<br />

and for all.<br />

Screens with Dude Bro Party Massacre III<br />

UPSIDE DOWN FEELING<br />

DIR: EDDIE WHITE/AUS/2015/10MINS<br />

Arthur, a young boy with a wild imagination, develops<br />

a preoccupation with death and disease and begins<br />

to explore mortality in the vivid images he sees in the<br />

movies and through a strange visitor from the past.<br />

Screens with Mad<br />

CLARE<br />

DIR: TONY LAWRENCE/AUS/2015/18MINS<br />

A girl finds herself in a strange place where she is<br />

confronted by desire. Shot using 5 different Super<br />

8mm film stocks and utilising homemade revolving<br />

light devices and speed.<br />

Screens with A Crackup at the Race Riots<br />

90<br />

SHORTS<br />

BOOKINGS: REVELATIONFILMFEST.ORG


SHORTS<br />

BOOKINGS: REVELATIONFILMFEST.ORG<br />

91


DIRECTOR<br />

NORTH METRO GRADUATE<br />

PRODUCER<br />

NORTH METRO GRADUATE<br />

CINEMATOGRAPHER<br />

NORTH METRO GRADUATE<br />

NORTHMETROTAFE.WA.EDU.AU


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CREDITS<br />

BOARD<br />

Ian Hale (Chair)<br />

Rebecca Matthews<br />

Claire McCarthy<br />

Ken Kelso<br />

Richard Skead<br />

Richard Sowada<br />

DEEP AND PERSONAL THANKS TO<br />

Ian Booth, Neta Gill and everyone at ScreenWest;<br />

Roslyn & Miller Sargeant; Keith Smith; Paul Tonta;<br />

Leederville Connect; Steve & Elouise & Daniel Worner;<br />

Leigh, Selena & Lauren McDonald; Hawthorn Hub;<br />

Aiden Thomas, David Revill & creatives at Nth Metro<br />

TAFE; everybody who submitted a film or suggested<br />

a title; all of our dedicated volunteers; Ian & Jasmine<br />

at The Backlot Perth; Lauren McDonough; Rebecca<br />

Matthews; Paul Timos; The Mike Kelley Foundation<br />

for the Arts; PICA; Dale Fairbairn and Richard Harris at<br />

Screen Australia; everyone who has ever worked with<br />

and for the event; Pete Collins; Ingrid, Tony, Candice,<br />

Sim, Jess, Morten and Toni and the whole Luna crew;<br />

everyone who has been so patient with us.<br />

CREDITS<br />

Festival Director:<br />

Richard Sowada<br />

Program Director:<br />

Jack Sargeant<br />

General Manager &<br />

Communications Director:<br />

Suzanne Worner<br />

Marketing & Partnerships Director:<br />

Mimi McDonald<br />

Festival Coordinator:<br />

Kylie Brown<br />

Print Traffic Coordinator:<br />

Felix Burrows<br />

Social Media Coordinator:<br />

Luke Caporn, Bianca Kartawiria<br />

Event Design:<br />

Tee Ken Ng, Katie Burgess<br />

FOLLOW<br />

AUSTRALIA<br />

ON FACEBOOK<br />

FACEBOOK.COM/VICEAUSTRALIA<br />

94<br />

DIRECTOR’S PICKS / CREDITS


SIENAS<br />

OF LEEDERVILLE<br />

RISORANE PIERIA AFFE<br />

115 Oxford Street<br />

Leederville<br />

PHONE: 9444 8844<br />

FAX: 9444 1779<br />

www.sienas.com.au<br />

OPEN 7 DAYS TIL LATE 149 SCARBOROUGH BEACH RD, MT HAWTHORN / PH: 9201 0271 / WWW.DIABOLIKBOOKS.COM.AU<br />

95


PROUD PARTNER OF<br />

REVELATION<br />

FILM <strong>FESTIVAL</strong><br />

MonDAY<br />

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to ThURSDAY<br />

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WEEK<br />

tILL late<br />

FriDAY : 2pm TILL midnight / SatURDAY : 12pm TILL 1am<br />

FOR LUNCH AND DINNER FROM 11:30AM<br />

SunDAY : 12pm to 10pm<br />

742 742 NEWCASTLE STREET LEEDERVILLE<br />

PH. PH. 08 08 9202 8222<br />

THE SOUND ALTERNATIVE.<br />

TUNE IN. SUBSCRIBE. RTRFM.COM.AU<br />

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What<br />

are you<br />

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97


<strong>FESTIVAL</strong> SCHEDULE<br />

All sessions are classified 18+ unless otherwise indicated.<br />

Seating is sometimes limited. Early purchase and arrival is always recommended.<br />

98<br />

LUNA LEEDERVILLE<br />

CINEMA 1<br />

THURSDAY 7 TH JULY<br />

7.00pm<br />

FRIDAY 8 TH JULY<br />

5.15pm<br />

7.00pm<br />

9.00pm<br />

11.15pm<br />

Demolition<br />

SATURDAY 9 TH JULY<br />

11.00am<br />

12.40pm<br />

2.30pm<br />

4.40pm<br />

6.30pm<br />

9.00pm<br />

11.00pm<br />

SUNDAY 10 TH JULY<br />

11.00am<br />

12.15pm<br />

1.45pm<br />

5.00pm<br />

7.00pm<br />

9.00pm<br />

Jim Henson: Behind<br />

the Seams<br />

Eat That Question<br />

High-Rise<br />

Baskin<br />

Jim Henson: His<br />

Sesame Street Story<br />

Weiner<br />

All Things Ablaze<br />

Heart Of A Dog<br />

Suburra<br />

Louis Theroux: My<br />

Scientology Movie<br />

A Night Of Horror<br />

Jim Henson:<br />

Commercials and<br />

Experiments<br />

Dead Slow Ahead<br />

Human<br />

Janis<br />

Fresh Dressed<br />

The Love Witch<br />

MONDAY 11 TH JULY<br />

7.00pm<br />

9.00pm<br />

Land Of The<br />

Enlightened<br />

Art Of The Prank<br />

TUESDAY 12 TH JULY<br />

7.00pm<br />

9.00pm<br />

Indigenous<br />

Showcase<br />

Der Bunker<br />

WEDNESDAY 13 TH JULY<br />

7.00pm<br />

9.00pm<br />

Demolition<br />

Bridgend<br />

<strong>FESTIVAL</strong> SCHEDULE<br />

THURSDAY 14 TH JULY<br />

4.45pm<br />

7.00pm<br />

9.00pm<br />

FRIDAY 15 TH JULY<br />

4.45pm<br />

7.00pm<br />

9.00pm<br />

10.50pm<br />

The Dark Crystal<br />

Get Your Shorts On!<br />

Mapplethorpe: Look<br />

At The Pictures<br />

Jim Henson: In<br />

Performance<br />

Janis<br />

Wacken 3D<br />

Baskin<br />

SATURDAY 16 TH JULY<br />

10.20am<br />

12.30pm<br />

2.30pm<br />

4.45pm<br />

7.00pm<br />

9.00pm<br />

11.00pm<br />

SUNDAY 17 TH JULY<br />

12.45pm<br />

3.00pm<br />

5.00pm<br />

7.00pm<br />

9.00pm<br />

Labyrinth<br />

Paths Of The Soul<br />

The Whispering Star<br />

Mapplethorpe: Look<br />

At The Pictures<br />

The Banksy Job<br />

Swiss Army Man<br />

High-Rise<br />

All Things Ablaze<br />

The Other Side<br />

Don’t Blink: Robert<br />

Frank<br />

Eat That Question<br />

Revel8<br />

LUNA LEEDERVILLE<br />

CINEMA 4*<br />

*Limited seating, Admit 1 tickets not valid<br />

FRIDAY 8 TH JULY<br />

6.45pm<br />

8.45pm<br />

10.30pm<br />

SATURDAY 9 TH JULY<br />

11.15am<br />

1.00pm<br />

2.40pm<br />

5.00pm<br />

6.45pm<br />

8.45pm<br />

All the Time In The<br />

World<br />

Mad<br />

Little Sister<br />

Tony Conrad<br />

Machine Gun Or<br />

Typewriter?<br />

Kidnap Capital<br />

Invention<br />

Fursonas<br />

Atmo HorroX<br />

SUNDAY 10 TH JULY<br />

10.45am<br />

12.20pm<br />

2.15pm<br />

4.00pm<br />

6.45pm<br />

8.45pm<br />

MONDAY 11 TH JULY<br />

6.45pm<br />

8.45pm<br />

Ettrick<br />

All The Time In The<br />

World<br />

Somebody’s Mother<br />

NotFilm<br />

Experimental<br />

Showcase<br />

Atmo HorroX<br />

Aaaaaaaah!<br />

A Night of Horror<br />

TUESDAY 12 TH JULY<br />

6.45pm<br />

8.45pm<br />

Machine Gun Or<br />

Typewriter?<br />

Patrick’s Day<br />

WEDNESDAY 13 TH JULY<br />

6.45pm<br />

8.45pm<br />

Chemsex<br />

Dude Bro Party<br />

Massacre III<br />

THURSDAY 14 TH JULY<br />

6.45pm<br />

8.45pm<br />

Mad<br />

Tony Conrad<br />

FRIDAY 15 TH JULY<br />

5.45pm<br />

7.30pm<br />

10.20pm<br />

Fursonas<br />

Atmo HorroX<br />

The Love Witch<br />

SATURDAY 16 TH JULY<br />

11.15am<br />

12.45pm<br />

2.30pm<br />

4.00pm<br />

6.45pm<br />

8.45pm<br />

10.30pm<br />

SUNDAY 17 TH JULY<br />

11.15am<br />

1.15pm<br />

2.50pm<br />

4.40pm<br />

6.30pm<br />

8.45pm<br />

Ettrick<br />

Somebody’s Mother<br />

Machine Gun Or<br />

Typewriter?<br />

NotFilm<br />

Fursonas<br />

Aaaaaaaah!<br />

Dude Bro Party<br />

Massacre III<br />

A Crackup At The<br />

Race Riots<br />

Experimental<br />

Showcase<br />

Tony Conrad<br />

Art of the Prank<br />

Little Sister<br />

Kidnap Capital


<strong>FESTIVAL</strong> SCHEDULE<br />

LUNA PARADISO<br />

FRIDAY 8 TH JULY<br />

6.45pm<br />

8.45pm<br />

Boi Neon<br />

Time For Love<br />

SATURDAY 9 TH JULY<br />

12.45pm<br />

3.00pm<br />

4.40pm<br />

6.45pm<br />

9.00pm<br />

SUNDAY 10 TH JULY<br />

1.15pm<br />

3.00pm<br />

4.50pm<br />

6.45pm<br />

8.45pm<br />

Little Sister<br />

Nuts!<br />

The Man Who<br />

Became A Horse<br />

Pikadero<br />

Mapplethorpe: Look<br />

At The Pictures<br />

I Am Diego<br />

Maradona<br />

Invention<br />

Guarani<br />

Nahid<br />

Chemsex<br />

MONDAY 11 TH JULY<br />

6.45pm<br />

8.45pm<br />

Avalanche<br />

Horizontes<br />

TUESDAY 12 TH JULY<br />

6.45pm<br />

8.45pm<br />

Nuts!<br />

A Crackup At The<br />

Race Riots<br />

WEDNESDAY 13 TH JULY<br />

6.45pm<br />

8.45pm<br />

I Am Diego<br />

Maradona<br />

Risk of Acid Rain<br />

THURSDAY 14 TH JULY<br />

6.45pm<br />

8.45pm<br />

FRIDAY 15 TH JULY<br />

6.45pm<br />

8.50pm<br />

Avalanche<br />

The Whispering Star<br />

The Man Who<br />

Became A Horse<br />

Mad<br />

SATURDAY 16 TH JULY<br />

1.30pm<br />

3.30pm<br />

5.15pm<br />

6.45pm<br />

8.45pm<br />

Land Of The<br />

Enlightened<br />

A Time For Love<br />

Horizontes<br />

Heart Of A Dog<br />

Fresh Dressed<br />

SUNDAY 17 TH JULY<br />

12.45pm<br />

3.15pm<br />

5.20pm<br />

6.45pm<br />

8.45pm<br />

LUNA SX<br />

FRIDAY 8 TH JULY<br />

6.45pm<br />

8.45pm<br />

Bridgend<br />

Risk Of Acid Rain<br />

Guarani<br />

Nahid<br />

Der Bunker<br />

Aaaaaaaah!<br />

Fresh Dressed<br />

SATURDAY 9 TH JULY<br />

1.45pm<br />

3.20pm<br />

5.15pm<br />

6.45pm<br />

8.45pm<br />

SUNDAY 10 TH JULY<br />

12.45pm<br />

2.30pm<br />

4.30pm<br />

6.45pm<br />

8.50pm<br />

Jim Henson: In<br />

Performance<br />

The Other Side<br />

Jim Henson:<br />

Commercials and<br />

Experiments<br />

Don’t Blink: Robert<br />

Frank<br />

Eat That Question<br />

MONDAY 11 TH JULY<br />

6.30pm<br />

9.15pm<br />

Jim Henson: His<br />

Sesame Street Story<br />

The Art of the Prank<br />

Labyrinth<br />

Mapplethorpe: Look<br />

At The Pictures<br />

Pikadero<br />

NotFilm + Film<br />

Janis<br />

TUESDAY 12 TH JULY<br />

6.45pm<br />

8.45pm<br />

Paths Of The Soul<br />

Kidnap Capital<br />

WEDNESDAY 13 TH JULY<br />

6.45pm<br />

8.45pm<br />

Jim Henson: Behind<br />

The Seams<br />

High-Rise<br />

THURSDAY 14 TH JULY<br />

6.45pm<br />

8.45pm<br />

All Things Ablaze<br />

Swiss Army Man<br />

FRIDAY 15 TH JULY<br />

6.45pm<br />

8.45pm<br />

Nuts!<br />

Suburra<br />

SATURDAY 16 TH JULY<br />

12.45pm<br />

2.40pm<br />

4.45pm<br />

6.45pm<br />

8.45pm<br />

SUNDAY 17 TH JULY<br />

1.15pm<br />

3.00pm<br />

6.20pm<br />

8.45pm<br />

All The Time In The<br />

World<br />

Patrick’s Day<br />

Dark Crystal<br />

Dead Slow Ahead<br />

Louis Theroux: My<br />

Scientology Movie<br />

Weiner<br />

Human<br />

The Love Witch<br />

The Banksy Job<br />

STATE LIBRARY<br />

THEATRE<br />

MON 11 – FRI 15 JULY (FREE)<br />

10am<br />

2pm<br />

Jim Henson’s Tales<br />

From Muppetland<br />

Muppet Musical<br />

Moments<br />

WEDNESDAY 13 TH JULY<br />

4pm<br />

Media Perspectives<br />

Student Film<br />

Screening<br />

<strong>FESTIVAL</strong> SCHEDULE 99<br />

99


TICKET & VENUE INFORMATION<br />

VENUES & ENQUIRIES<br />

LUNA LEEDERVILLE<br />

155 Oxford Street, Leederville 9444 4056<br />

CINEMA PARADISO<br />

164 James Street, Northbridge 9227 1771<br />

LUNA ON SX<br />

13 Essex Street, Fremantle 9430 5999<br />

PERTH INSTITUTE OF<br />

CONTEMPORARY ARTS (PICA)<br />

51 James St, Perth 9228 6300<br />

HEATH LEDGER THEATRE,<br />

STATE THEATRE CENTRE OF WA<br />

174-176 William Street, Perth<br />

THE BACKLOT PERTH<br />

21 Simpson Street, West Perth 9227 1837<br />

STATE LIBRARY OF WESTERN AUSTRALIA<br />

25 Francis Street, Perth 9427 3111<br />

NORTH METROPOLITAN TAFE<br />

Cnr Oxford & Richmond Streets, Leederville<br />

(Revelation Academic)<br />

30 Aberdeen St, Northbridge (ATOM seminar)<br />

BILL BAR AND BITES<br />

742 Newcastle St, Leederville<br />

BABUSHKA<br />

742 Newcastle St, Leederville<br />

THE SOUP KITCHEN<br />

TBS (to be surprised!)<br />

#perthsoupnazi<br />

EDITH COWAN UNIVERSITY<br />

2 Bradford St, Mt Lawley<br />

GENERAL ENQUIRIES:<br />

admin@revelationfilmfest.org<br />

PURCHASING ONLINE*<br />

revelationfilmfest.org or lunapalace.com.au<br />

Before and during the festival: advance ticket<br />

and pass purchases from lunapalace.com.au<br />

*Counter tickets for specific titles are only available at specific<br />

venues<br />

TERMS & CONDITIONS<br />

All tickets are unreserved<br />

General admission applies, so be early!<br />

Unless purchasing online, tickets for individual films<br />

must be purchased at the relevant screening venue<br />

Passes do not guarantee entry to sold-out sessions<br />

unless you redeem your tickets early from that venue.<br />

All sessions are classified 18+ unless otherwise<br />

indicated<br />

Sessions in Luna cinemas 3+4 have limited seating so<br />

do book early!<br />

TICKETS*<br />

SINGLE ADMISSION:<br />

$18.50 Full<br />

$15 Concession<br />

$13.50 Members<br />

OPENING NIGHT FILM + PARTY:<br />

$50 Full<br />

$40 Concession<br />

*3D films additional $3 charge<br />

PASSES<br />

Passes are valid at all screenings except<br />

Opening Night, WASAs, Revelation Academic,<br />

and Super8 Masterclass.Tickets from passes<br />

must be redeemed at the venue box office.<br />

Gold pass includes Opening Night. Not valid<br />

for multiple tickets for a single film from the<br />

same pass...it’s one ticket per pass.<br />

GOLD PASS: $200 (that’s $3 per film) Valid for<br />

all films, including Opening Night. Excludes<br />

WASAs, Revelation Academic and Super8<br />

Masterclass<br />

MINI 6 PASS: $85 (over $110 value) Valid for<br />

6 films. Excludes Opening Night, WASAs,<br />

Revelation Academic and Super8 Masterclass<br />

CONNECT 4 PASS: $60 (Over $70 value)<br />

Valid for 4 films. Excludes Opening Night,<br />

WASAs, Revelation Academic and Super8<br />

Masterclass<br />

MEMBERSHIP<br />

$250 available at revelationfilmfest.org<br />

100<br />

TICKET & VENUE INFORMATION


REVELATION PARTNERS<br />

The Revelation Perth International Film Festival proudly present their partners for 2016.<br />

We’re immensely grateful for their wonderful support so please support them where you can.<br />

Cinemascope Gold<br />

Widescreen Silver<br />

Supporting<br />

PARTNERS<br />

101


International films across<br />

Perth, thanks to you<br />

Lotterywest is proud to support Australia’s<br />

leading independent film event, the<br />

Revelation Perth International Film Festival.<br />

The screen community is an important<br />

creative industry in Western Australia<br />

and Lotterywest is proud to support the<br />

development and production of local<br />

stories through ScreenWest.<br />

Every time you play Lotterywest Games,<br />

a third of what you spend goes back to<br />

the WA community through our grants,<br />

allowing us to continue supporting the<br />

local community.<br />

lotterywest.wa.gov.au<br />

Lotterywest<br />

Games<br />

Lotterywest<br />

Grants<br />

Play Responsibly gamblinghelponline.org.au 1800 858 858


GUZMAN Y GOMEZ PRESENTS<br />

PERTH'S<br />

FRESHEST<br />

MEXICAN<br />

NACHOS<br />

PRIZE<br />

2016<br />

BEST<br />

BURRITOS<br />

2016<br />

TACOS<br />

WINNER<br />

2016<br />

GUZMAN Y GOMEZ ARE PROUD SUPPORTERS OF REVELATION PERTH INTERNATIONAL FILM <strong>FESTIVAL</strong><br />

MT LAWLEY • COCKBURN • LEEDERVILLE • NORTHBRIDGE • PERTH AIRPORT T1<br />

GYG.COM.AU

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