FESTIVAL PROGRAM
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LUNA LEEDERVILLE | LUNA ON SX | CINEMA PARADISO<br />
<strong>FESTIVAL</strong> <strong>PROGRAM</strong>
ECU - proudly sponsoring the<br />
Revelation Perth International<br />
Film Festival for 10 years<br />
ECU’s School of Arts and Humanities offers a range of exciting undergraduate<br />
pathways including Film & Video, Animation, Broadcasting, Games &<br />
Interactivity, Photomedia and more.<br />
For students interested in postgraduate study, ECU’s WA Screen Academy<br />
offers a leading film and television training program. The intensive one-year,<br />
industry-focused course gives students the opportunity to learn their craft<br />
within a creative and dynamic environment.<br />
Apply now<br />
ecugetready.com.au<br />
ECU. That’s how university should be.<br />
303ML ECU12132 | CRICOS IPC 00279B
CONTENTS<br />
INTRODUCTIONS 04<br />
SPECIAL EVENTS 07<br />
Opening Night: Demolition 08<br />
Mike Kelley Mobile Homestead 09<br />
WA Screen Awards 10<br />
Get Your Shorts On 11<br />
Iranian Film Festival 12<br />
Cine Vivo: Latino Film Festival 14<br />
Experimental Showcase 16<br />
Revel-8 Super 8 Film Competition 17<br />
ICS Showcase 18<br />
Magnolia’s Revelation Special 19<br />
Muppets, Music & Magic:<br />
The Jim Henson Legacy 20<br />
Labyrinth & Dark Crystal 22<br />
Mini Rev: Jim Henson<br />
Free Kids Screenings 23<br />
REVCON 30<br />
RevCon Workshops + Field day 30<br />
Revelation Academic + ATOM Seminar 31<br />
Guests 32<br />
FEATURES 35<br />
Aaaaaaah! 36<br />
Atmo HorroX 37<br />
Bridgend 38<br />
Der Bunker 39<br />
High-Rise 40<br />
Kidnap Capital 41<br />
Little Sister 42<br />
The Love Witch 43<br />
Mad 44<br />
Paths of the Soul 45<br />
Patrick’s Day 46<br />
Pikadero 47<br />
Somebody’s Mother 48<br />
Suburra 49<br />
Swiss Army Man 50<br />
The Whispering Star 51<br />
LATE NIGHTS 53<br />
A Night of Horror 54<br />
Baskin 55<br />
Dude Bro Party Massacre III 56<br />
Wacken 3D 57<br />
DOCUMENTARIES 59<br />
A Crackup at the Race Riots 60<br />
All The Time In The World 61<br />
All Things Ablaze 62<br />
The Art of the Prank 63<br />
The Banksy Job 64<br />
Chemsex 65<br />
Dead Slow Ahead 66<br />
Don’t Blink: Robert Frank 67<br />
Eat That Question: Frank Zappa<br />
In His Own Words 68<br />
Ettrick 69<br />
Fresh Dressed 70<br />
Fursonas 71<br />
Heart of a Dog 72<br />
Human 73<br />
Invention 74<br />
Janis: Little Girl Blue 75<br />
The Land of the Enlightened 76<br />
Louis Theroux: My Scientology Movie 77<br />
Machine Gun or Typewriter? 78<br />
Mapplethorpe: Look at the Pictures 79<br />
Notfilm + Film 80<br />
Nuts! 81<br />
The Other Side 82<br />
Tony Conrad: Completely In The Present 83<br />
Weiner 84<br />
SHORT FILMS 87<br />
CREDITS 94<br />
<strong>FESTIVAL</strong> SCHEDULE 98<br />
TICKET & VENUE INFO 100<br />
PARTNERS 101<br />
3
JACK SARGEANT<br />
<strong>PROGRAM</strong> DIRECTOR<br />
Welcome to the 2016 Revelation Perth<br />
International Film Festival. It’s taken us some<br />
time to get here, putting together our biggest<br />
instalment yet.<br />
Whether it’s the riots of All Things Ablaze, the<br />
slipstream sci-fi of High-Rise, the disjointed<br />
families of Der Bunker, Little Sister and<br />
Aaaaaaaah! the contemplative calm of All the<br />
Time in the World, Invention and Ettrick, the<br />
rock and metal of Wacken or the humour of My<br />
Scientology Movie and The Art of the Prank<br />
– there’s all forms of cinema celebrated here,<br />
as well as a dedicated session of indigenous<br />
works, a showcase from South America, the<br />
return of IFFA, and Revelation’s use of PICA to<br />
present work by Mike Kelley and State Library<br />
of Western Australia to screen Jim Henson’s<br />
Muppets, and much, much more besides.<br />
It’s a packed festival. Enjoy!<br />
RICHARD SOWADA<br />
DIRECTOR AND FOUNDER<br />
Looking at films for this edition of Rev has<br />
been the most amazing experience.<br />
The kinds of films and the mood of them<br />
has clearly changed in the last 12months.<br />
There’s been a major shift internationally to<br />
the symphonic and explosion of cinema that<br />
experiments...that’s why this year’s program is<br />
just so big! In fact we’ve managed to somehow<br />
squeeze even more titles into the program for<br />
your viewing pleasure.<br />
For those wanting to explore the deep audiovisual<br />
textures of this vanguard of new cinema<br />
I can’t recommend highly enough the very,<br />
very lovely films Paths of the Soul, Dead Slow<br />
Ahead, Invention and The Whispering Star<br />
they are utterly unique...but with all the most<br />
excellent titles on offer, how can I choose my<br />
favourite child?<br />
To cope with demand and desire for the first<br />
time we’ve added a three-day Rev Rewind<br />
component that will bust out some of the most<br />
popular films in the program for the three days<br />
after our official program has ended...but we<br />
of course won’t know them until well into our<br />
primary screening program.<br />
I sincerely hope you enjoy these sensational<br />
titles direct from the international film scene to<br />
your door.<br />
See you in the dark!<br />
4<br />
INTRODUCTION
HON JOHN DAY MLA<br />
MINISTER FOR CULTURE AND THE ARTS<br />
Welcome back to the Revelation Perth<br />
International Film Festival, and another year of<br />
providing entertaining and thought-provoking<br />
films and discussions, for film makers and film<br />
lovers to enjoy.<br />
The State Government, through ScreenWest<br />
and Lotterywest, is proud to be a major<br />
supporter of this 10-day showcase of indie,<br />
genre and cult movies, which next year will<br />
celebrate its 20th anniversary.<br />
To the Western Australian film makers who<br />
have had their film selected, I congratulate you<br />
on being a part of Revelation 2016.<br />
Congratulations also to the Revelation team<br />
including many volunteers for creating an<br />
event that invites the Western Australian<br />
community to celebrate and explore films from<br />
around the world.<br />
I encourage everyone to help spread the word<br />
about this year’s exceptional line up, and wish<br />
you all the best for a wonderful festival.<br />
BECOME A MEMBER<br />
Buy your Revelation Film Festival<br />
Membership and experience<br />
the world of international<br />
independent cinema for a fraction<br />
of the cost!<br />
• For just $250 you receive in excess of $500 value<br />
• Festival Gold pass giving you access to all<br />
general screenings throughout the event<br />
• Opening night VIP double pass allows you and<br />
a guest to attend our first night screening, and<br />
attend our post film party with complimentary<br />
drinks and food<br />
• Discounts at all Luna Palace Cinemas throughout<br />
the year<br />
• Double pass for a Eat/Drink/Walk small bar tour<br />
courtesy of Two Feet and a Heartbeat<br />
• Bottle of wine<br />
• Our very special Rev t-shirt<br />
• $4 off your Companion’s ticket when attending<br />
a screening with you<br />
• Eligibility to all competitions and giveaways<br />
• Goodie Bag<br />
Join online at www.revelationfilmfest.org<br />
REV REWIND<br />
Missed some of Rev’s hottest<br />
moments? Stand by for three<br />
days of the biggest Rev films<br />
back by popular demand!<br />
July 18–20, Luna Leederville & Luna SX.<br />
Join our subscriber list for updates as they happen!<br />
INTRODUCTION<br />
5
Screenwest<br />
...is proud to support<br />
Revelation Perth International Film Festival<br />
SOL BUNKER © Taylor Media<br />
Connecting Western Australian audiences with<br />
high quality, diverse films and filmmakers<br />
www.screenwest.wa.gov.au
SPECIAL<br />
EVENTS<br />
7
DIR: JEAN-MARC VALLEE<br />
USA/2015/101MINS<br />
OPENING NIGHT<br />
DEMOLITION<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
THURS 7, 7PM LUNA<br />
WED 13, 7PM LUNA<br />
C DemolitionMovie<br />
demolition-themovie.com<br />
TORONTO INTERNATIONAL FILM<br />
<strong>FESTIVAL</strong><br />
OFFICIAL SELECTION: SXSW<br />
Proudly presented by<br />
Try these names on and picture what might be coming your<br />
way: Jake Gyllenhall, Naomi Watts, Chris Cooper, Judah Lewis,<br />
Director of Dallas Buyers Club Jean-Marc Vallee, Producer<br />
John Malkovich, great music from Heart, The Animals, Gil<br />
Scott-Heron and...well do we need to go on?<br />
Davis (Gyllenhall) is an extraordinarily successful business<br />
man with everything that he wants at his fingertips...except<br />
emotions...but he seems OK with that.<br />
Life isn’t going to let him off the hook that easily though and<br />
after a terrible accident a strange kind of long distance pen-pal<br />
relationship emerges between him and a young woman on the<br />
other end of his letters to a vending machine company - one of<br />
whose machines refused to give him a candy bar in a hospital.<br />
It’s really quite lovely as we see things unfold and as Davis’<br />
communications become more and more and unintentionally<br />
personal and poetic, but this poetry is still kept well hidden.<br />
That is until Davis’ long stifled feelings fight to come to the<br />
surface in always surprisingly deadpan and honest ways.<br />
Great performances all round, tons of humour and small<br />
moments filled with surprises throughout, Demolition is very<br />
much Vallee’s film and as such is directed with clarity and<br />
precision.<br />
On Thursday 7th, join us for our famous after party where the<br />
drinks will flow, the food will be plentiful and the waxings will<br />
be spun well into the evening. And if that wasn’t enough our<br />
special friends from the Menagerie Choir will also be making<br />
a special appearance which is bound to bring a smile to your<br />
face. Ticket prices include all the fun and all the film as we<br />
celebrate this year’s huge event.<br />
8 SPECIAL EVENTS<br />
BOOKINGS: REVELATIONFILMFEST.ORG
MIKE KELLEY MOBILE HOMESTEAD<br />
FREE EVENT<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SCREENING DAILY AT PICA<br />
(EXCEPT MONDAY)<br />
12:30pm: Mobile Homestead<br />
Christening Ceremony and<br />
Launch (2010-11), 53min<br />
1:30pm: Going West on<br />
Michigan Avenue from<br />
Downtown Detroit to Westland<br />
(2010-11), 78min<br />
3pm: Going East on Michigan<br />
Avenue from Westland to<br />
Downtown Detroit (2010-11),<br />
79min<br />
Mobile Homestead videos © Mike<br />
Kelley Foundation for the Arts. All<br />
rights reserved.<br />
Courtesy of the Mike Kelley<br />
Foundation for the Arts in<br />
collaboration with Artangel.<br />
Presented in association with<br />
In 2005 multimedia-artist Mike Kelley was commissioned by<br />
Artangel to produce a site-specific artwork. His response was<br />
to create a replica of his childhood home in the Detroit suburb<br />
of Westland, the façade of which was driven from the Museum<br />
of Contemporary Art, Detroit, to Westland, on a route that<br />
took the artwork along Michigan Avenue and back again.<br />
In Mobile Homestead, a three part video work, Kelley,<br />
documents this journey and the changing social and cultural<br />
geographies on Michigan Avenue. By including interviews<br />
conducted on route with those who live or work alongside<br />
the road, including strip-club dancers, church officials, and<br />
representatives of the Ford Motor Company, among many<br />
others, the work offers snapshot portraits of the city and its<br />
inhabitants.<br />
This video trilogy opens with a celebration of the launch of<br />
Mobile Homestead and features poet John Sinclair, alongside<br />
community leaders, as well as numerous musicians and bands<br />
representing the cultural diversity of the suburbs the façade<br />
passed through.<br />
The work was premiered in 2012 at the Whitney Biennial, New<br />
York, and has screened at Site Gallery, Sheffield, and the Tate<br />
Modern, London.<br />
Mike Kelley’s Mobile Homestead is commissioned by Artangel in association with<br />
MOCAD, LUMA Foundation and Mike Kelley Foundation for the Arts with the<br />
generous support of the Artangel International Circle.<br />
SPECIAL EVENTS<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
9
THE 28 TH ANNUAL<br />
WEST AUSTRALIAN SCREEN AWARDS<br />
M T W T F S S<br />
4 5 6 7 8 9 10<br />
11 12 13 14 15 16 17<br />
MON 4 JULY, HEATH<br />
LEDGER THEATRE, STATE<br />
THEATRE CENTRE OF WA<br />
TICKETS ON SALE FROM<br />
WWW.TICKETEK.COM.AU<br />
MORE INFORMATION FROM<br />
WWW.FTI.ASN.AU<br />
Proudly presented by<br />
The West Australian Screen Awards (WASAs) is the premier<br />
celebration of West Australian screen culture, celebrating<br />
excellence and achievements in feature film, short film, web<br />
series, music videos, television production, documentary,<br />
games and interactive productions.<br />
The 2016 WASAs will be a red carpet gala awards ceremony<br />
held at the prestigious Heath Ledger Theatre at the State<br />
Theatre Centre of Western Australia on Monday 4 July 2016,<br />
as a grand opening to the Revelation Perth International Film<br />
Festival.<br />
Former WASA winners include some of Australia’s most<br />
prominent screen practitioners such as Nelson Woss (Red<br />
Dog), Elissa Down (The Black Balloon), Zak Hilditch (These<br />
Final Hours), James Bogle (Lockie Leonard, The Circuit, Closed<br />
for Winter), Sue Taylor (The Tree, Last Train to Freo), Myles<br />
Pollard (Drift) as well as a who’s who of the next generation of<br />
household names including Lauren Elliott, Ben Young, Emilia<br />
Jolakoska, Antony Webb and seasoned professionals including<br />
Kim Lord, Laurie Silvestren, and Torstein Dyrting.<br />
10<br />
SPECIAL EVENTS<br />
BOOKINGS: REVELATIONFILMFEST.ORG
8 X SHORT FILMS<br />
GET YOUR SHORTS ON!<br />
M T W T F S S<br />
7 8 9 10<br />
Get Your Shorts On! is back with another fresh and exciting<br />
line up of short films guaranteed to delight audiences and<br />
showcase the talents of WA’s emerging filmmakers.<br />
11 12 13 14 15 16 17<br />
THU 14, 7PM, LUNA<br />
Get Your Shorts On! films have<br />
received funding support from<br />
ScreenWest, Lotterywest and/or the<br />
Film & Television Institute (FTI).<br />
Some shorts are not suitable for<br />
persons under 15.<br />
Proudly presented by<br />
INVISIBLE LIGHT<br />
DOCUMENTARY, 5 MINS<br />
PRODUCER: NICHOLAS DUNLOP<br />
WRITER/DIR: PERUN BONSER<br />
Stories are told using cutting-edge<br />
infrared and ultraviolet light photography<br />
to reveal the secrets hiding amongst our<br />
most familiar surroundings.<br />
REVEALING THE<br />
HIDDEN WORLD<br />
DOCUMENTARY, 5 MINS<br />
PRODUCER: NICHOLAS DUNLOP<br />
WRITER/DIR: ASHLEY SPRATT<br />
For photographer Tash Nannup, light<br />
defines everything she does.<br />
THE SHAPES: COOL ROCK<br />
VIDEO & I’M A GENIUS<br />
ANIMATION/COMEDY, 3 MINS<br />
PRODUCER: LAUREN ELLIOTT<br />
WRITER/DIR: MATT LOVKIS &<br />
HENRY INGLIS<br />
MUSIC & LYRICS: MATT LOVKIS &<br />
TIMOTHY NELSON<br />
An animated musical comedy series<br />
showcasing music videos from raucous<br />
cartoon band ‘The Shapes’.<br />
NORMAL PEOPLE<br />
COMEDY, 7 MINS<br />
PRODUCER: JENNA DIMITRIJEVIC<br />
WRITER/DIR: JAMES PONTIFEX<br />
Zoe arrives at a cocktail party to find she<br />
has misread the invite and is the only one<br />
dressed in costume.<br />
SOL BUNKER<br />
DRAMA, 13MINS<br />
PRODUCER: GLEN STASIUK<br />
WRITER/DIR: NATHAN MEWETT<br />
Sol Bunker is an eccentric sound designer<br />
who searches for the elusive “frequency of<br />
life” to help save his dying wife.<br />
OUTLINE<br />
DRAMA, 6MINS<br />
PRODUCER: JESS PARKER<br />
WRITER/DIR: CODY CAMERON-<br />
BROWN<br />
A grieving young artist seeks redemption<br />
in an unlikely place.<br />
SHADOWS OF DISPLACEMENT<br />
DOCUMENTARY, 5 MINS<br />
WRITER/PRODUCER:<br />
RENEE KENNEDY<br />
WRITER/DIR: PERUN BONSER<br />
Government policies and political<br />
discourse is laid bare in a black and white<br />
world.<br />
REFLECTION<br />
DRAMA, 8 MINS<br />
PRODUCER: LAUREN CURTIS-POWER<br />
WRITER/DIR: JAMES BROADHURST<br />
A trip to an isolated lake proves that the<br />
truth will always come to the surface.<br />
SPECIAL EVENTS<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
11
IRANIAN FILM <strong>FESTIVAL</strong><br />
For over two decades one of the most exciting national cinemas has been that of Iran. One of<br />
Rev’s most popular events, IFFA returns with a program showcasing the strength and quality of<br />
films from this otherwise troubled country.<br />
NAHID<br />
DIR: IDA PANAHANDEH (2015/105MIN)<br />
AUSTRALIAN PREMIERE<br />
SUN 10, 6.45PM, PARADISO<br />
SUN 17, 7PM, PARADISO<br />
As part of her divorce Nahid has retained custody of her son,<br />
conditional upon her not remarrying. However she does want to<br />
remarry, but Nahid (Sareh Bayat) knows that her former husband<br />
will certainly challenge the custody. In the meantime, life continues<br />
– among her other problems are her elderly bedridden mother and<br />
the growing disobedience of her young son. Temporary marriage<br />
seems like the solution but it just adds more problems.<br />
WINNER: UN CERTAIN REGARD SPECIAL JURY PRIZE CANNES<br />
THE MAN WHO BECAME A HORSE (MARDI KE ASB SHOD)<br />
DIR: AMIR HOSSEIN SAGHAFI (2015/110MIN)<br />
This is a father-daughter tale - a father, afraid of abandonment, and<br />
daughter, attached to the one thing she has left of her deceased<br />
mother, an old horse. Although the daughter is already married,<br />
her father manipulates her into continuing to live with him.<br />
SAT 9, 4.40PM, PARADISO<br />
FRI 15, 6.45PM, PARADISO<br />
Based on Anton Chekhov’s short story Sorrow, this film takes the<br />
narrative a step further to explore the inner world of a selfish man<br />
overtaken by self-pity.<br />
12<br />
SPECIAL EVENTS<br />
BOOKINGS: REVELATIONFILMFEST.ORG
RISK OF ACID RAIN (EHTEMAL-S BARAN-E ASIDI)<br />
DIR: BEHTASH SANAEEHA (2015/105MIN)<br />
Manouchehr still insists on going to work at the Iranian Tobacco<br />
Company, although he has retired long ago. When his mother<br />
passes away, he embarks on a journey to Tehran to find an old<br />
childhood friend. But on arrival he checks into a hotel staffed by<br />
eccentrics. He is finally in his element...<br />
WED 13, 8.45PM, PARADISO<br />
SUN 17, 3.15PM, PARADISO<br />
It’s a minimal, poetic story that addresses the human condition<br />
with subtle and laconic humour. This strong (and charming)<br />
debut feature, which won the Netpac award at IFFA in 2015, is<br />
anchored by a strong lead performance from famous poet Shams<br />
e Lageroodi.<br />
TIME FOR LOVE (DORANE ASHEGHI)<br />
DIR: ALIREZA RAISIAN (2014/90MIN)<br />
FRI 8, 8.45PM, PARADISO<br />
SAT 16, 3.30PM, PARADISO<br />
Bita, a divorce lawyer, (played by Leila Hatami), takes on a case<br />
which turns out to be against her own husband (Shahab Hosseini),<br />
although she is unaware of this initially. A complex web of lovers<br />
and ex lovers constellating round the struggling marriage of Bita<br />
and her husband, combined with an unwanted pregnancy and<br />
the desire for revenge, is woven into a tightly scripted film. A box<br />
office hit in Iran.<br />
AVALANCHE (BAHMAN)<br />
DIR: MORTEZA FARSHBAF (2015/90MIN)<br />
MON 11, 6.45PM, PARADISO<br />
THU 14, 6.45PM, PARADISO<br />
Homa, a very experienced nurse is assigned a 10-day night shift<br />
to take care of an unpleasant old woman while her son, the owner<br />
of the clinic, is away. A huge snowstorm hits Iran and clogs the<br />
city, effectively closing it down which her mindscape begins to<br />
mirror. As the nights go by, she has increasing trouble sleeping.<br />
The stress of her insomnia and building personal issues come to<br />
a head during the crisis within the city. Fatimeh Motamed Arya’s<br />
performance has been described as “sublime”, and saw her<br />
nominated for best actress at the Asia Pacific Screen Awards.<br />
I AM DIEGO MARADONA (MAN DIEGO MARADONA HASTAM)<br />
DIR: BAHRAM TAVAKOLI (2015/85MIN)<br />
SUN 10, 1.15PM, PARADISO<br />
WED 13, 6.45PM, PARADISO<br />
I am Diego Maradona rotates around the domestic problems of<br />
two married sisters who are now situated in very different social<br />
circles and economic levels. One couple tries to hash out what<br />
actually went wrong, as the surrounding family members point<br />
fingers at one another. Tension builds as all of their other problems<br />
seem to bubble to the surface at the same time. This masterfully<br />
directed and award-winning ensemble brims with charm and<br />
cinematic ingenuity, is a very black comedy.<br />
Proudly presented by<br />
SPECIAL EVENTS<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
13
CINE VIVO: LATINO FILM <strong>FESTIVAL</strong><br />
All aboard! The Latino Film Festival is about to take off. Strap yourself in for the best cinema<br />
from some of the continent’s most cutting-edge talent. Running over 12 nights through to<br />
September 3rd, the Festival will bring you more than just remarkable films. Get whisked away<br />
to faraway lands of mouth-watering foods, luscious cocktails and infectious rhythms. Catch Latin<br />
fever at our after parties with music and dance performances that’ll get your hips shaking in no<br />
time.<br />
The films here are a taste of what the Festival has on offer. Go to cinevivo.com.au for the full<br />
program of films, food, music and dance including our Brazilian night on July 8th and Cuban<br />
night on July 16th.<br />
This is a journey of all five senses – one you’ll never forget. ¡Andale andale!.<br />
BOI NEON<br />
DIR: GABRIEL MASCARO (2015/BRAZIL, NETHERLANDS, URUGUAY/110MIN)<br />
PORTUGUESE WITH ENGLISH SUBTITLES)<br />
FRI 8, 6.45PM, PARADISO<br />
With its recent world premiere at Venice, this marks Gabriel<br />
Mascaro as the leading figure in a burgeoning new wave<br />
movement coming out of Recife in Brazil’s north-east. The story<br />
centres on Iremar who works as a vaqueiro wrangling bulls on<br />
the tough, macho rodeo circuit, but each evening swinging from<br />
the hammock in the back of the truck, Iremar’s head is filled<br />
with dreams of pattern cutting, sequins and exquisite fabrics as<br />
he mentally assembles his latest sexy fashion designs. Will this<br />
be a case of Strictly Bullroom, or will our hero achieve his frock<br />
dreaming?<br />
14<br />
SPECIAL EVENTS<br />
BOOKINGS: REVELATIONFILMFEST.ORG
HORIZONTES<br />
DIR: EILEEN HOFER (2015/SWITZERLAND/70MIN)<br />
LANGUAGES: SPANISH WITH ENGLISH SUBTITLES<br />
AUSTRALIAN PREMIERE<br />
MON 11, 8.45PM, PARADISO<br />
SAT 16, 5.15PM, PARADISO<br />
Run-down rehearsal rooms along the halls of the Grand<br />
Theatre of Havana, Amanda and Viengsay dedicate themselves<br />
wholeheartedly to the demanding routine their discipline requires<br />
of them: that of classical ballet. Their every step and aspiration<br />
echo the great achievements of their predecessor, Alicia Alonso,<br />
the prima ballerina assoluta, still invincible even at the grand age<br />
of 90.<br />
GUARANÍ (GUARANÍ)<br />
DIR: LUIS ZORRAQUÍN (2015/ARGENTINA, PARAGUAY/85MIN)<br />
GUARANI & SPANISH WITH ENGLISH SUBTITLES<br />
AUSTRALIAN PREMIERE<br />
SUN 10, 4.50PM, PARADISO<br />
SUN 17, 5.20PM, PARADISO<br />
Atilio lives with his granddaughter Iara. His great desire is to have<br />
a grandson to transmit the Guarani culture. When he discovers<br />
that Iara’s mother, Helena, is pregnant, he decides to go to a long<br />
journey and cross borders, with the aim to convince Helena to give<br />
birth in the Guarani land... The long journey will make Atilio and<br />
Iara understand the real meaning of traditions and family bonds.<br />
Proudly presented by<br />
SPECIAL EVENTS<br />
FRIDAY 8th - Post Boi Neon screening<br />
OPENING PARTY – Brazilian Celebration!<br />
$10 with a film ticket/$15 without<br />
Experience the joyful watercolour of rhythms and the sounds of<br />
Brazil - bossa and samba de gafieira - right here in Australia.<br />
Dubbed the ‘Bossa Nova Baby’, this Brazilian born singer and<br />
songwriter, and multiple award nominee, brings a new edge to<br />
traditional Brazilian rhythms - creating a contemporary musical<br />
fusion which is taking the Australian and the international music<br />
scene by storm.<br />
More details on: www.oniria.com.au<br />
SAT 16th - Post Horizontes screening<br />
A Cuban Collision - Una noche de Son y Trova<br />
$10 with a film ticket/$15 without<br />
Solo-artist Nicolás Bahamonde will be joined by special guest Luiza<br />
Mjeda-Beg to perform a soulful mix of ‘Trova’ - one of the great<br />
roots of the Cuban music tree. Al Medio Son will then set the room<br />
on fire with their electric mix of Cuban ‘Son’ rhythms. This is not to<br />
be missed!<br />
More details on: www.oniria.com.au<br />
SPECIAL EVENTS<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
15
9 X SHORT FILMS<br />
EXPERIMENTAL SHOWCASE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SUN 10, 6.45PM, LUNA<br />
SUN 17, 1.15PM, LUNA<br />
Revelation’s annual selection of experimental films sees<br />
a combination of found footage works,visual and aural<br />
manipulations, micro-documentaries, and more. Dancing with<br />
the limits of cinema and film, exploring the processes of listening<br />
to film, the nature of meaning and the potential joys of visual<br />
pleasure.<br />
ÞETTA REDDAST (THETTA<br />
REDDAST) IT WILL ALL<br />
WORK OUT OKAY<br />
DIR: SAMANTHA J HERIZ<br />
UK, ICELAND/12MIN/2015<br />
FILME SOM (FILM SOUND)<br />
DIR: CESAR GANANIAN AND ALEX-<br />
ANDRE MOURA<br />
BRAZIL/9MIN/2014<br />
COLD WAR CHRISTMAS<br />
DIR: EMMA PENAZ EISNER<br />
USA/5MIN/2015<br />
ABSTRACTICA GALACTICA<br />
DIR: GREGG BIERMANN<br />
USA/13MIN/2016<br />
VENGEANCE<br />
DIR: ANDRÉ SHANNON<br />
AUST/3MIN/2015<br />
BODY CONTOURS<br />
DIR: KRISTIN REEVES<br />
USA/6MIN/2015<br />
SMART DRESS IS<br />
ABSOLUTELY ESSENTIAL<br />
DIR: SLAWOMIR MILEWSKI<br />
POLAND/7MIN/2015<br />
GIRL STREAMING<br />
DIR: MARC PONTHUS<br />
USA/14MIN/2015<br />
UNTITLED (MY BOYS AND I)<br />
DIR:BONNE FEE<br />
USA/3MIN/2015<br />
16<br />
SPECIAL EVENTS<br />
BOOKINGS: REVELATIONFILMFEST.ORG
16 X SHORT FILMS<br />
REVEL-8<br />
SUPER 8 FILM COMPETITION<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SUN 17, 9PM, LUNA<br />
Proudly presented by<br />
Revel-8 is presented by Keith Smith, Co-ordinator Film and<br />
Video, Edith Cowan University with thanks to Lindsay Vickery and<br />
the talented music composition students at the WA Academy of<br />
Performing Arts.<br />
Join the party as Super-8ers weave their celluloid magic to this<br />
year’s theme of GIFT and Revel-8 celebrates its 10th Birthday!<br />
It’s filmmaker-meets-composer-meets-audience all over again in<br />
REV’s unique image-music small gauge filmfest.<br />
Filmmaker challenge: shoot one reel of silent Super 8 film incamera<br />
lasting just 3 1/2 minutes.<br />
Composer challenge: compose and record a music soundtrack<br />
without even meeting the director.<br />
Audience challenge: cheer for your favourite film as you sit sideby-side<br />
with anxious filmmakers who haven’t seen or heard their<br />
films, and nervous composers who want to know if they’ve got it<br />
right!<br />
Prizes to be awarded on the night include Best Film, Best Music<br />
Soundtrack, Best Super 8 Cinematography and Audience Choice<br />
Award.<br />
Supported by<br />
SPECIAL EVENTS<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
17
5 X SHORT FILMS/100MINS<br />
ICS SHOWCASE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
TUE 12, 7PM, LUNA<br />
The Indigenous Community Stories (ICS) Program records and<br />
archives Indigenous oral histories and cultural expressions on<br />
film. The initiative aims to record and archive 100 stories of<br />
this generation of Elders, their families and communities, for<br />
future generations. ICS has created an invaluable anthology that<br />
contributes to Australia’s cultural identity. Stories include creation<br />
stories, art stories, music stories, station stories, and Stolen<br />
Generation stories from across Western Australia. .<br />
Told in first person, ICS films are important documents which<br />
reflect the diversity and layers of Aboriginal experiences in<br />
Western Australia. They have the capacity to connect us all as<br />
human beings.<br />
LAUREL NANNUP<br />
DOCUMENTARY, 13MINS<br />
DIR: MITCH TORRES<br />
LOCATION: PERTH/ PINJARRA<br />
Laurel was born in 1943 at the Carrolup<br />
Native Settlement and grew up at Wandering<br />
Mission and the Pinjarra Reserve. She went<br />
on to study print-making at Curtin University<br />
and is now a highly regarded artist who<br />
recalls her childhood experiences through art.<br />
PAUL HANSEN (RIP) -<br />
LEGENDARY NYOONGAR<br />
WARRIOR<br />
DOCUMENTARY, 12MINS<br />
DIR: MITCH TORRES<br />
LOCATION: PERTH<br />
In 1970 Paul joined the Australian Royal Army<br />
Service and served in the Vietnam War. This is<br />
his story of survival and how he and his family<br />
coped with his post-traumatic stress disorder<br />
and journey of healing.<br />
BIGALI HANLON -<br />
WALKING TRACKS BACK HOME<br />
DOCUMENTARY, 15MINS<br />
DIR: MITCH TORRES<br />
LOCATION: PILBARA-ROEBOURNE,<br />
MULGA DOWNS AND PERTH<br />
In 1947, Bigali aged 6 and her younger<br />
brother were stolen from their Yindjibarndi<br />
and Banjima families in the East Pilbara.<br />
Separated from her brother and sent to Sister<br />
Kates in Perth, this story celebrates Bigali’s<br />
remarkable but painful journey to reconnect<br />
with her family.<br />
CEDRIC JACOBS<br />
DOCUMENTARY, 15MINS<br />
DIR: KARLA HART<br />
LOCATION: SOUTH WEST AND PERTH<br />
Cedric and his siblings were stolen whilst<br />
his parents were working picking grapes.<br />
He tells about the harsh life growing up at<br />
Mogumber Mission and how he found solace<br />
in his love for family and church.<br />
GUNADA BAND (*WORLD<br />
PREMIERE*)<br />
DOCUMENTARY, 22MINS<br />
DIR: MITCH TORRES<br />
LOCATION: KIMBERLEY / BROOME<br />
In the late 1980’s, two Broome-based<br />
musicians broke new ground and formed an<br />
original multi-cultural band. Band members<br />
explain their creative and cultural influences<br />
and how Gunada became one of Broome’s<br />
most iconic bands.<br />
Proudly presented by<br />
18<br />
SPECIAL EVENTS<br />
BOOKINGS: REVELATIONFILMFEST.ORG
MAGNOLIA’S REVELATION SPECIAL<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SUN 10, 6PM, BABUSHKA<br />
742 NEWCASTLE ST,<br />
LEEDERVILLE<br />
$10 OR FREE ON<br />
PRESENTATION OF<br />
REVELATION FILM TICKET<br />
Proudly presented by<br />
What’s better than a trilogy? A quadrilogy! For the fourth year,<br />
Magnolia’s Late Night Live IV: The Voyage Home returns to<br />
Revelation Film Festival to ask probing questions like “Which<br />
was better – Highlander IV: Endgame or The Next Karate Kid?”,<br />
“Will Jason Bourne continue the franchise magic?” and “Should<br />
Coppola have made a Godfather IV?”<br />
The lo-fi talk show that began in 2012 inside a North Perth<br />
backyard shed, Magnolia’s has travelled far and wide including<br />
all the way to shows for National Science Week (2013-2014) and<br />
Fringe World (2013-2016). Hosted by Tristan Fidler (RTRFM’s<br />
Movie Squad reviewer) with help from Matt Aitken (Paddle Clubb<br />
and Swamp Clubb) and “Jimmy’s Choice” (the show’s answer to<br />
Red Symons), Magnolia’s engages in fun, loose, and thoughtful<br />
conversations in front of an intimate audience. Past guests have<br />
included John Safran, Costa Georgiadis, Rachael Dease, Andrea<br />
Gibbs, Kirin J. Callinan, just to casually drop a few names there.<br />
Alongside such enlightening discussion, audience favourite<br />
segments are performed such as Amber’s Love Seat (musician<br />
Amber Fresh asks questions pertaining to love and romance) and<br />
Mystery Drinks (Nick Odell selects a drink for guests to taste and<br />
talk about).<br />
For this year’s Revelation Film Festival, Magnolia’s looks forward<br />
to chatting to visiting international guests as well as spending<br />
time with WA-based members of the film industry. For film buffs<br />
and casual viewers alike, smash your choc-bomb into your box<br />
of popcorn and strap yourselves in for a true 4-D experience.<br />
Magnolia’s Revelation Special is back … and to quote the poster<br />
for Lethal Weapon 4, the gang’s all here.<br />
SPECIAL EVENTS<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
19
MUPPETS, MUSIC & MAGIC: THE JIM HENSON LEGACY<br />
Jim Henson was one of the great independent artists of the international big and small screen.<br />
A great innovator and collaborator, Henson blazed a wholly individual trail through children’s TV,<br />
children’s features, science fiction and fantasy motion pictures, experimental cinema, animation,<br />
television commericals and much much more. This exhaustive tribute pays homage to this great<br />
moving image pioneer and dives into his work – famous and hidden – to uncover sides of Henson<br />
we’ve never seen, appreciated or understood.<br />
COMMERCIALS & EXPERIMENTS<br />
(73MINS)<br />
SAT 9, 5.15PM, SX<br />
SUN 10, 11AM, LUNA<br />
This side of Henson rarely seen as we go deep within the vaults<br />
to explore his early work. It’s within them that we see the birth of<br />
many of the characters we know and love from The Muppets and<br />
Sesame Street but we also experience the abstract and unusual<br />
works produced as corporate training films, TV commercials, short<br />
films and all manner of other unexpected purposes. This program<br />
includes excerpts from experimental TV programs The Cube<br />
and Youth ‘68, and Time Piece, the 8-minute Oscar- nominated<br />
experimental masterpiece directed by (and starring) Jim Henson<br />
himself.<br />
Because of its more experiental nature content in this film is geared more at an adult<br />
audience than the other programs in this retropsective.<br />
Photography courtesy of The Jim Henson Legacy, The Jim Henson Company, Disney, and Sesame Workshop. This series is produced by The<br />
Jim Henson Legacy. Tour Executive Producer Irena Kovarova. Film and program notes courtesy of The Jim Henson Legacy. TM & © 2015 The<br />
Jim Henson Company. JIM HENSON’s mark & logo, characters and elements are trademarks of The Jim Henson Company. All rights reserved.<br />
MUPPET, MUPPETS and the Muppets Characters are registered trademarks of Disney. All rights reserved. © 2015 Disney. Sesame Street ®<br />
and associated characters, trademarks and design elements are owned and licensed by Sesame Workshop. © 2015 Sesame Workshop.<br />
All rights reserved.<br />
20<br />
SPECIAL EVENTS<br />
BOOKINGS: REVELATIONFILMFEST.ORG
JIM HENSON: IN PERFORMANCE<br />
(78MIN)<br />
SAT 9, 1.45PM, SX<br />
FRI 15, 4.45PM, LUNA<br />
Henson was of course much more than a puppeteer – he was a<br />
complete entertainer. Cutting his teeth early with live performances for<br />
children in all manner of settings he learned quickly how important it<br />
was to keep rolling, keep popping and keep sparking. This compilation<br />
program looks at the development of some of his most famous<br />
creations such as Kermit, Rowlf the Dog, Ernie and the Swedish Chef<br />
from not just the earliest years of the characters but the earliest years<br />
of television.<br />
JIM HENSON: HIS SESAME STREET STORY<br />
(79MIN)<br />
SAT 9, 11AM, LUNA<br />
SUN 10, 12.45PM, SX<br />
Arguably Henson’s best-loved and influential body of work rests<br />
with Sesame Street and the unforgettable creations there-in. These<br />
creations aren’t simply the iconic characters but also the iconic artwork<br />
and conceptual worlds. Here we examine these creations and also the<br />
contributions of his early Sesame Street collaborators (including Frank<br />
Oz, Fran Brill, and Caroll Spinney). This program is packed with rare<br />
clips from TV specials, guest appearances on talk and variety shows,<br />
and much more.<br />
FRI 8, 5.15PM, LUNA<br />
WED 13, 6.45PM, SX<br />
JIM HENSON: BEHIND THE SEAMS<br />
(84MIN)<br />
This combination of documentary clips, interviews and fantastic behind<br />
the scenes footage provides a rare glimpse into the science (and<br />
ambitious madness) behind the great puppetry works in Henson’s TV<br />
and feature film production. It’s a joy to watch the ensemble prepare<br />
and execute the behind the scenes choreography that make these<br />
unique characters come to life in a way that has made them such<br />
an important part of childhoods across the globe, across economic<br />
differences and across language and cultural divides.<br />
SPECIAL EVENTS<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
21
MUPPETS, MUSIC & MAGIC: JIM HENSON’S LEGACY<br />
LABYRINTH<br />
DIR: JIM HENSON (1986/101MINS)<br />
For the uninitiated Labyrinth is quite the most unusual movie.<br />
Perhaps most famous for David Bowie’s turn as Gareth the Goblin<br />
King, it’s Henson’s large (and small) scale puppets that steal the<br />
show in a film that was very much a passion project for Henson.<br />
SUN 10, 4.30PM, SX<br />
SAT 16, 10.20AM LUNA<br />
Classified G<br />
Sarah is left home to babysit her younger brother whose incessant<br />
crying is getting more than a little irritating. In telling him a story<br />
she inadvertently conjures the Goblin King who steals the young<br />
boy. It’s her mission to penetrate the Goblin King’s world - the<br />
labyrinth - to retrieve her brother. In the process she encounters<br />
all manner of strange beings and beasts - all of whom spring from<br />
Henson’s incredibly fertile imagination.<br />
It’s hard not to admire the incredible detail in every shot here - as<br />
well as wonder at the almost psychedelic environment Henson<br />
places his characters in. It’s also impossible to resist some of the<br />
oddball humour as the characters exchange insults, quips of all<br />
kinds and a lot of verbal fencing that gives them such great life<br />
and character.<br />
On Sat 16th our special friends from the Menagerie Choir will<br />
entertain you pre-film with a special selection of Bowie tunes in<br />
delivered in their own fabulous style.<br />
THE DARK CRYSTAL<br />
DIR: JIM HENSON & FRANK OZ (1982/93MINS)<br />
Most certainly darker than any of his other feature film works the<br />
amazing puppets he created had a look all of their own and the<br />
animatronics that we see on screen were something especially<br />
groundbreaking. Much of this is explored in one of our other<br />
Henson programs - Jim Henson: Behind the Seams.<br />
THU 14, 4.45PM, LUNA<br />
SAT 16, 4.45PM, SX<br />
Classified G<br />
It’s a simple tale of good v evil as a young Gelfling - Jen - is<br />
charged to find and heal the Dark Crystal before the bad race of<br />
Skeksis’ take control. In typical Henson fashion he befriends and<br />
battles all manner of strange beasts in some sensational set-pieces<br />
and told with the amazing detail<br />
Henson was famous for.<br />
On Sat 16th our special friends<br />
from the Menagerie Choir will<br />
entertain you pre-film with a<br />
special selection of Bowie<br />
tunes delivered in their<br />
own fabulous style.<br />
22<br />
SPECIAL EVENTS<br />
BOOKINGS: REVELATIONFILMFEST.ORG
FREE EVENT<br />
MINI REV: JIM HENSON FREE KIDS SCREENINGS<br />
Mini Rev is proudly presented by the City of Perth, in partnership with the State Library of Western<br />
Australia. Revelation is over the moon to be able to bring two hugely enjoyable family films to<br />
Perth this winter. Join Rev and some very special guests this July school holidays and stay awhile<br />
to have further fun at AWESOME Arts workshops and nibble on guacamole and chips courtesy of<br />
Guzman Y Gomez! Reservations required, bookings through www.eventbrite.com.au.<br />
JIM HENSON’S TALES FROM MUPPETLAND<br />
(74MINS)<br />
MON 11- FRI 15, 10AM, STATE<br />
LIBRARY OF WESTERN AUSTRALIA<br />
A cavalcade of some of Henson’s best loved characters barrel<br />
and blunder their way through every classic fairytale you care<br />
to name…and it’s a riot from start to finish. From Kermit the<br />
Frog’s finest moments including some of his Sesame Street News<br />
reports this hilarious program features excerpts from The Muppet<br />
Show and special condensed versions of Tales of the Tinkerdee,<br />
Hey Cinderella and The Frog Prince.<br />
MUPPET MUSICAL MOMENTS<br />
(78MIN)<br />
MON 11- FRI 15, 2PM, STATE<br />
LIBRARY OF WESTERN AUSTRALIA<br />
The Muppet Show was of course famous for its various guest<br />
appearances from Liberace, to Elton John. From Julie Andrews<br />
to Harry Belafonte there was no shortage of talent wanting to<br />
appear. And appear they did…who can forget Linda Ronstadt<br />
singing Blue Bayou in her hillbilly bloomers surrounded by a<br />
Muppet jug band? It’s all still so funny to watch and impossible to<br />
stop smiling – whatever you think of the artists.<br />
Proudly presented by<br />
City of Perth<br />
Mini Rev partners<br />
SPECIAL EVENTS<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
23
28th Annual<br />
West Australian<br />
Screen Awards_<br />
4 July 2016<br />
State Theatre<br />
Centre of WA<br />
Tickets_<br />
ticketek.com.au<br />
Hosted by<br />
Rhys Nicholson<br />
IN PARTNERSHIP WITH
A RADIO<br />
STATION<br />
THAT<br />
BRINGS YOU<br />
PICTURES.<br />
Win movie tickets! We love films and we’re proud to be hosting two great films at<br />
Revelation. One’s about a closed-door religion and another’s about an open-pants<br />
congressman. We have tickets to screenings of My Scientology Movie and Weiner to<br />
give away, plus Gold Season Passes to all films and the opening night party.<br />
To win, listen on air, online or via the ABC Radio app.<br />
720bcperth<br />
@720perth<br />
@abcperth<br />
abc.net.au/perth
How will you impact your world?<br />
We’re proud to be the 2016 Revelation Academic Partner<br />
Screen Arts at Curtin is a dynamic course that allows you to develop expertise<br />
in traditional areas of screen theory and practice, as well as in new, interactive<br />
and multiscreen environments.<br />
Our strong partnerships and industry focus mean you will develop valuable<br />
expertise and a global perspective that will inspire you to impact your world.<br />
Find out more at curtin.edu/hum/screen-arts<br />
Follow us on Facebook at facebook.com/curtinscreenarts<br />
2016<br />
Make tomorrow better.<br />
CRICOS Provider code 00301J. Curtin University is a trademark of Curtin University of Technology. 2230HUM
REVELATION<br />
PERTH INTERNATIONAL<br />
FILM <strong>FESTIVAL</strong><br />
AUSTRALIAN<br />
REVELATIONS<br />
FILM SERIES<br />
Revelation Perth International Film Festival in<br />
association with Cinema Australia proudly present<br />
a celebration of Australian film - past, present and<br />
future - through a program of monthly screenings<br />
of Australian films and WA-made shorts, ‘Q+As’ with<br />
filmmakers and industry networking opportunities.<br />
FOR MORE INFORMATION WWW.REVELATIONFILMFEST.ORG
REVCON: WORKSHOPS AND PANELS<br />
THE MYSTERIOUS ART OF CROWDFUNDING<br />
FREE EVENT<br />
SAT 9 JULY, 12PM–3PM<br />
THE BACKLOT PERTH, 21 SIMPSON ST WEST PERTH<br />
REGISTRATION: WWW.REVELATIONFILMFEST.ORG<br />
A quick and easy way to raise money for your project<br />
or a whole lot of wasted time...? Crowdfunding can be<br />
neither, or both.<br />
Raising money by any means isn’t easy: but a well<br />
planned, strategically targeted campaign on the right<br />
platform can be lucrative and a whole lot of fun. It’s<br />
also a great way to find out whether your project has<br />
an audience!<br />
This session offers to unpack the process and outline<br />
useful strategies and tools for crowdfunding, using<br />
recent successful campaigns as case-studies.<br />
This session will be run by Dr Cathy Henkel, WA<br />
Chapter head for ADG, Director of the WA Screen<br />
Academy and award-winning documentary filmmaker<br />
(Eco-Warriors, Show Me the Magic, The Burning<br />
Season, The Man Who Stole My Mother’s Face).<br />
The Mysterious Art of Crowdfunding is proudly supported by the<br />
ADG, the WA Screen Academy and The Backlot Perth.<br />
GUILD FIELD DAY<br />
FREE EVENT<br />
SAT 16, 12PM–2PM<br />
BILL’S BAR & BITES, 742 NEWCASTLE ST, LEEDERVILLE<br />
The Guild Field Day, hosted by Revelation and FTI<br />
sets the scene for emerging screen aficionados to rub<br />
elbows with WA screen sector Guilds @ Bill’s Bar and<br />
Bites in a relaxed & friendly showcase.<br />
The Guild Field Day will put WA Guilds, Screen<br />
Institutes & specialist visual and performing arts<br />
schools to the test, with booths for one and all. “Why<br />
should I join?” “What do I get?” “What’s a Guild<br />
again?” are questions no longer.<br />
FTI encourages young filmmakers to learn about these<br />
professional guilds and associations, as they work hard<br />
to ensure Australian screen practitioners have the<br />
opportunity to tell home-grown stories, many of them<br />
for younger and emerging talent too!<br />
This his event is for budding writers, directors, filmmakers,<br />
games designers, animators, actors, producers, sound<br />
designers, costume designers and more.<br />
OWNING CHANGE IN FILM DISTRIBUTION<br />
AND EXHIBITION<br />
FREE EVENT<br />
SAT JULY 9, 3.30PM<br />
THE BACKLOT PERTH, 21 SIMPSON ST WEST PERTH<br />
Over only the last two or three years the world of film<br />
distribution and exhibition has seen nothing short<br />
of a seismic business, structural and creative shift<br />
internationally. A revolution in platforms, a complete<br />
shift in audience expectations and a resultant shift in<br />
types of content has turned the creative world on its<br />
head. Hear from one of Australia’s leading producers/<br />
distributors/sales agent Michael Favelle (Odin’s<br />
Eye) and Revelation’s own director Richard Sowada<br />
about their impression on this enormously interesting<br />
landscape.<br />
NEXT GEN LOOK & SOUND MASTERCLASS<br />
FREE EVENT<br />
SUN 10, 10AM-2.30PM<br />
THE BACKLOT PERTH, 21 SIMPSON STREET, WEST PERTH<br />
BOOKINGS: TRYBOOKING.COM/LMPW<br />
Join Cinematographer, Simon Akkerman ACS<br />
(President of the Australian Cinematographers<br />
Society WA) and Sound Designer, Ric Curtin (WA<br />
Representative of the Australian Screen Sound<br />
Guild) as they guide you through techniques that all<br />
emerging filmmakers can utilise on a low budget.<br />
Lighting, sound recording, editing, cameras and much<br />
more is covered.<br />
This masterclass is suited to emerging filmmakers<br />
and anyone with a key interest in the art of<br />
cinematography and sound design.<br />
SUPER 8 MASTERCLASS<br />
WITH REVEL-8 DIRECTOR KEITH SMITH<br />
FRIDAY 8 – SUN 10 JULY, 10AM–4PM<br />
PLACES: 16 PARTICIPANTS<br />
EDITH COWAN UNIVERSITY, 2 BRADFORD ST MT LAWLEY<br />
AMOUNT: $30<br />
REGISTRATION: WWW.TRYBOOKING.COM/LNQI<br />
This hands-on workshop will provide an introduction<br />
to working on the Super 8 medium and give<br />
participants a chance to make a teaser/trailer to<br />
screen as part of the Revel-8 Super 8 Film Fest on<br />
Sunday 17 July.<br />
Friday 8 July: Learn about cameras, shooting, film<br />
processing, editing, projection and digital transfer.<br />
Sat 9 July or Sun 10 July: Shoot your teaser/trailer in<br />
small groups<br />
Films will be tank-processed after shooting.<br />
30<br />
REVCON<br />
BOOKINGS: REVELATIONFILMFEST.ORG
REVELATION ACADEMIC & ATOM SEMINAR<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
MON 11, 10AM, NORTH<br />
METROPOLITAN TAFE,<br />
LEEDERVILLE<br />
TUES 12, 10AM, NORTH<br />
METROPOLITAN TAFE,<br />
LEEDERVILLE<br />
Revelation’s Academic Conference returns for another year, with a selection<br />
of papers given by academics, students, independent scholars, and film fans<br />
from across the country. For two days discussion and debate will transpire at<br />
the North Metropolitan TAFE campus in Leederville.<br />
Attendees receive a light-lunch and six-film mini-pass, while preference<br />
is given to those presenting papers, a limited number of places may be<br />
available for those who want to attend but do not plan to present a paper.<br />
Bookings can be made online via Eventbrite (www.eventbrite.com.au).<br />
Registration is $100 for both days.<br />
Register: www.revelationfilmfest.org/academic-conference<br />
Revelation Academic presented in<br />
association with Curtin University<br />
Proudly supported by<br />
ATOM WA MEDIA EDUCATION SEMINAR<br />
WED 13 JULY<br />
CENTRAL INSTITUTE OF TECHNOLOGY, NORTHBRIDGE<br />
REGISTRATION: $100<br />
This Media Education Seminar is a one-day event for Year 11 & 12<br />
media students and their teachers. It is crafted by ATOM WA and run by<br />
experienced media educators and film industry professionals. A day not to<br />
be missed!<br />
Catering by<br />
ATOM Seminar presented by<br />
ATOM screening presented by<br />
The day features your choice of:<br />
9:45AM – 10:45AM: Independent<br />
Film lecture – Richard Sowada;<br />
Music Video lecture – John<br />
McMullan; Journalism lecture –<br />
James McHale<br />
11AM – 12:30PM: Production<br />
Submission Guidelines – ATOM<br />
WA president Brad Minchin;<br />
Communication Models and<br />
Theories – Steven Maras; The<br />
Individual Filmmaker – Luci Trevaskis<br />
1:20PM – 3:30PM: Post-Production<br />
Sound – Kim Siragusa; Camera<br />
Operation – Rusty Geller; Stills<br />
Camera Operation – Des Birt<br />
4PM: Media Perspectives Student<br />
Film Screening (The State Library<br />
Theatre, Francis St NORTHBRIDGE)<br />
Register: www.atomwa.com.au<br />
REVCON<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
31
GUESTS<br />
ERIN COATES<br />
Erin Coates is a Perth-based<br />
artist, curator and creative<br />
producer. A cross-disciplinary<br />
approach defines much of<br />
her practice and she has<br />
collaborated with engineers,<br />
architects, sound artists, scuba divers, parkour<br />
traceurs and members of remote indigenous<br />
communities. She has exhibited in significant<br />
Australian art institutions and her screenbased<br />
works have been shown in film festivals<br />
internationally. Erin holds a Masters degree in<br />
Fine Arts from the University of British Columbia,<br />
Canada.<br />
AMY MARJORAM<br />
Amy Marjoram is a curator,<br />
artist, arts writer, and editor<br />
of the online photography<br />
and video art publication<br />
Excerpt Magazine. Amy has<br />
curated and co-curated video<br />
art exhibitions and has specific interests in videobased<br />
performance practice, internet art and the<br />
creative and cultural impact of screen-mediated<br />
living. Amy has written for many publications and<br />
has participated in exhibition selection panels for<br />
arts organisations around the country. She holds<br />
a Bachelor of Fine Art, Honours in Photomedia<br />
from Monash University.<br />
EMMA PENAZ EISNER<br />
Emma Penaz Eisner is a young<br />
filmmaker and artist from San<br />
Francisco, California, USA. In<br />
the past three years she has<br />
created critically-acclaimed<br />
short films that have screened worldwide at<br />
over 70 international film festivals and earned<br />
more than 30 awards. Her work is in stop motion<br />
animation, live action combined with animation,<br />
and experimental filmmaking.<br />
DR GRADY HANCOCK<br />
Dr. Grady Hancock is a<br />
lecturer in film and media at<br />
Deakin University and chair of<br />
Revelation Academic 2016.<br />
Her research areas include<br />
feminism and affect in local<br />
and independent film.<br />
ANDREW FROST<br />
Dr. Andrew Frost is a<br />
researcher in science fiction,<br />
cinema and contemporary<br />
art, the art critic for<br />
Guardian Australia and a<br />
lecturer in the Dept. Media,<br />
Music, Communications and Cultural Studies<br />
at Macquarie University, Sydney. He is the<br />
writer and presenter of more than a dozen<br />
documentaries on Australian contemporary art for<br />
ABC1 and is the director of My Space Program:<br />
The Art of Peter Hennessey [Arts HD, 2016].<br />
ANNE DEMY-GEROE<br />
Anne Démy-Geroe is<br />
an academic and film<br />
programmer. She currently<br />
teaches at Griffith Film school<br />
and is co-Director of the<br />
Iranian Film Festival Australia.<br />
She is an inaugural Nominations Council member<br />
of the Asia Pacific Screen Awards and a Vice<br />
President of the Network for the Promotion<br />
of Asian Cinema. She was the Artistic Director<br />
of the Brisbane international Film Festival for<br />
eighteen years.<br />
32<br />
GUESTS<br />
BOOKINGS: REVELATIONFILMFEST.ORG
KAI SMYTHE<br />
Kai Smythe has been creating<br />
his own theatre, music and<br />
film projects for over 15 years.<br />
His solo musical comedy<br />
project Hairy Soul Man has<br />
been touring live nationally and internationally<br />
for over three years as well as his two short films<br />
Loving Myself and How Deep Can I Go?, both<br />
being accepted into film festivals all over the<br />
world and receiving multiple awards.<br />
His current productions include the action<br />
adventure feature documentary Lost On The<br />
Road To Shangri La in post-production, A Hairy<br />
Soul Man series in development and Rented<br />
Space a comedy Sci Fi series in development.<br />
MICHAEL FAVELLE<br />
Odin’s Eye is dedicated to the<br />
acquisition and distribution<br />
of smart and unique<br />
independent films across a<br />
wide variety of genres. In<br />
2012, Michael commenced<br />
trade with a sister company, Odin’s Eye<br />
Productions, creating original content including<br />
its first feature length narrative production<br />
The Legend of Ben Hall. An avid animator in<br />
his youth, OEE currently has several major<br />
animation features completed or in production<br />
from multiple regions including Australia, China,<br />
Russia, Canada, USA and Turkey.<br />
REVELATION FOOD FEST!<br />
eelation is delighted to proide our film audiences with great oers and<br />
film-themed goodies at these eederille restaurants during the estial.<br />
All you need is a e film stub and a hearty appetite<br />
www.keepitlowkey.com.au www.guzmanygomez.com www.duende.com.au<br />
GUESTS<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
33
SEE THE<br />
WORLD<br />
THROUGH<br />
THE EYES OF 100 +<br />
INDEPENDENT<br />
FILMMAKERS<br />
Proud to again host + sponsor Rev this year.<br />
For all things art in Vincent (including our annual Film Project),<br />
visit: www.vincent.wa.gov.au/arts<br />
WWW.VINCENT.WA.GOV.AU<br />
STAY IN TOUCH
FEATURES<br />
35
DIR: STEVE ORAM<br />
UK/2015/79MINS<br />
AAAAAAAAH!<br />
AUSTRALIAN PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
FRI 8, 6.45PM, SX<br />
MON 11, 6.45PM, LUNA<br />
SAT 16, 8.45PM, LUNA<br />
Screens with Test<br />
lincolnfilmstudios.co.uk<br />
Aaaaaaaah! appears almost like a classic British kitchen sink<br />
drama - with family disputes, relationship troubles, arguments,<br />
and even outbursts of violence. But these routine events are<br />
very different in Aaaaaaaah!<br />
The action may take place amongst ordinary looking people,<br />
but the protagonists here are anything but familiar…instead<br />
they exist in a world where the animal inside dominates, a<br />
universe where evolution has taken a very different turn. In<br />
Aaaaaaaah! the human condition is told through a language<br />
of grunts and gibberish, more ape than human, creating a<br />
remarkable film that is disturbing, hilarious and anarchic, a<br />
cinematic primal scream.<br />
A unique directorial debut from actor / director Steve Oram<br />
(Sightseers, The World’s End) with an excellent ensemble<br />
cast – that includes Toyah Willcox and Julian Barratt (A Field<br />
In England, The Mighty Boosh), as well as a cameo by Noel<br />
Fielding – who all rise perfectly to the demands of the project.<br />
If this wasn’t enough, the movie is scored by King Crimson<br />
Projects. Aaaaaaaah! is a film that will stay with the audience<br />
long after the credits have rolled.<br />
“Steve Oram’s directorial debut Aaaaaaaah! comes on like<br />
a collaboration between Dogme ‘95 and Chris Morris.<br />
It’s hard to think of another film closely like it in British<br />
cinema. It really is that out-there and singular.”<br />
CINE-VUE.COM<br />
36<br />
FEATURES<br />
BOOKINGS: REVELATIONFILMFEST.ORG
DIR: PAT TREMBLAY<br />
CANADA/2016/101MINS<br />
ATMO HORROX<br />
WORLD PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SAT 9, 8.45PM, LUNA<br />
SUN 10, 8.45PM, LUNA<br />
FRI 15, 7.30PM, LUNA<br />
Screens with Passion of V<br />
One of the most gleefully twisted films that has screened at<br />
Revelation, Atmo HorroX is a gloriously crazed psychedelic<br />
sci-fi horror hybrid.<br />
With its combination of occasional violence, deconstructed<br />
camp, and full on wild insanity the film rightly positions its<br />
surrealism and dream-logic front-and-centre of its genrebending<br />
narrative, creating a movie that embraces its zerobudget<br />
and takes the audience on a one of a kind journey<br />
unique to each person.<br />
Luridly coloured, full of the kind of imagery that defies ready<br />
description (trust us, you will never view balloons in the same<br />
way again) this is a film that really needs to be experienced.<br />
Atmo HorroX could be compared to George and Mike Kuchar<br />
lo-fi underground cinema and even the Butthole Surfers / Alex<br />
Winter Bar-B-Que Movie, but really it’s its own wonderfully<br />
strange luminous beast.<br />
Through a very surreal chase of spying and surveillance,<br />
Catafuse, a dubiously dressed “creature”, hunts down specific<br />
human targets with the help of Molosstrap. But in a world<br />
completely run by the shadowy hands of the pharmaceutical<br />
industry, the lines of reality become so blurry and complex,<br />
that the mastering of insanity might just be the only way out...<br />
and I’m feeling insanity is just the right kind of word here.<br />
...which is the long way of saying this thing is so unusual we<br />
just can’t resist giving it the time it demands and hearing what<br />
you have to say - and this includes the short film.<br />
FEATURES<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
37
DIR: JEPPE RONDE<br />
UK/2015/104MINS<br />
BRIDGEND<br />
AUSTRALIAN PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
WED 13, 9PM, LUNA<br />
SUN 17, 12.45PM, PARADISO<br />
Screens with Colorado<br />
bridgendthemovie.com<br />
TRIBECA FILM <strong>FESTIVAL</strong><br />
2015: BEST ACTRESS, BEST<br />
CINEMATOGRAPHER AND<br />
BEST EDITING<br />
CINEMATOGRAPHER AWARD<br />
BODIL AWARDS 2016:<br />
CINEMATOGRAPHER AWARD<br />
FANTASIA FILM <strong>FESTIVAL</strong> 2015:<br />
AQCC AWARD WINNER AND<br />
PRIX AQCC<br />
GOTEBORG FILM <strong>FESTIVAL</strong> 2015:<br />
INTERNATIONAL DEBUT AWARD<br />
SPECIAL MENTION WINNER<br />
An astonishing work filled with a poignant naturalism and -<br />
through an evocative cinematography and atmosphere there’s a<br />
very real and tactile sense of foreboding that almost borders on<br />
the gothic.<br />
Sara (Hannah Murray, Dark Shadows and Game of Thrones) and<br />
her father, Dave (Steve Waddington, The Imitation Game), have<br />
moved to the small town of Bridgend, where he has taken a job<br />
as a police officer.<br />
But there is a darkness in the community following a number of<br />
unexplained youth suicides. While Dave investigates the suicides,<br />
teenager Sara befriends Jamie (Josh O’Connor, Cinderella) and<br />
his friends.<br />
These youths spend much of their time hanging around the<br />
woods near where a friend was found dead, and as Sara<br />
becomes drawn deeper into the psychological lives of her peers<br />
her father begins to worry about what may happen.<br />
The film draws upon real events and director and writer<br />
Ronde spent six years researching and interviewing people in<br />
the community while writing the script. All the young cast give<br />
exceptional standout performances creating a deeply affecting<br />
work.<br />
38<br />
FEATURES<br />
BOOKINGS: REVELATIONFILMFEST.ORG
DIR: NIKIAS CHRYSSOS<br />
GER/2015/85MIN<br />
DER BUNKER<br />
AUSTRALIAN PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
TUE 12, 9PM, LUNA<br />
SUN 17, 9.00PM, PARADISO<br />
Screens with Ophelia<br />
C klaustrophobil<br />
L @bildstorung<br />
bildstoerung.tv/derbunker<br />
When a physics student (played by Pit Bukowski) takes a room<br />
at a remote, countryside residence located in a concrete<br />
bunker, his life takes a turn for the darkly surreal.<br />
Sharing the concrete home of a small, close-knit family – the<br />
Father (David Scheller) and Mother (Oona von Maydell)<br />
and their son, Klaus (Daniel Fripan) – the student soon finds<br />
himself working as a private tutor to their strange homeschooled<br />
child. But the longer he spends in the bunker with<br />
the increasingly demanding family the weirder existence<br />
becomes…<br />
Der Bunker’s mood shifts between comedy, drama, and<br />
even horror. At points it evokes the mood of television’s The<br />
League of Gentlemen and auteurs such as David Lynch and<br />
Luis Buñuel. But Der Bunker is its own peculiar beast: a surreal<br />
hybrid of genres, an examination of family, isolation and the<br />
expectations placed on children.<br />
FANTASTIC FEST NEXT WAVE<br />
AWARD WINNER 2015<br />
“A dark fairy tale of sorts with everything from darkly<br />
throbbing Lynchian undercurrents, outré touches of scifi<br />
and more than a soupcon of camp a la John Waters”<br />
HOLLYWOOD REPORTER<br />
ITHICA INTERNATIONAL<br />
FANTASTIC FILM <strong>FESTIVAL</strong><br />
JURY AWARD WINNER 2015<br />
PALMARES MAUVAIS GENRE<br />
<strong>FESTIVAL</strong> PRIX DU JURY WINNER<br />
PRIX DE JURY LA CRITIQUE<br />
WINNER 2015<br />
FEATURES<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
39
DIR: BEN WHEATLEY<br />
UK/2015/119MIN<br />
HIGH-RISE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
FRI 8, 9PM, LUNA<br />
WED 13, 8.45PM, SX<br />
SAT 16, 11PM, LUNA<br />
C High.Rise.The.Film<br />
L @HighRise_movie<br />
highrisefilm.co.uk<br />
TORONTO INTERNATIONAL FILM<br />
<strong>FESTIVAL</strong><br />
SAN SEBASTIAN FILM <strong>FESTIVAL</strong><br />
Proudly presented by<br />
Ben Wheatley (A Field In England, Kill List…) turns his unique<br />
talents on JG Ballard’s classic novel High-Rise. Alongside the<br />
author’s Crash and The Atrocity Exhibition (both of which have<br />
formed the basis for feature films), High-Rise helped define the<br />
new wave of British science fiction in the seventies.<br />
Dystopian and firmly rooted in contemporary culture, these<br />
books redefined the literary genre. Under Wheatley’s direction,<br />
with a perfect script from regular collaborator Amy Jump, the<br />
novel, once deemed ‘unfilmable’ becomes fully realised in this<br />
ambitious adaptation.<br />
High-Rise focuses on the inhabitants of a new tower block in<br />
the London commuter-belt as residents’ more primal urges<br />
start to emerge and civilization’s veneer begins to fade. As<br />
an increasingly primitive world erupts into the corridors<br />
and luxurious apartments everything starts to change. The<br />
ensemble cast, which includes Tom Hiddleston, Jeremy Irons<br />
and Sienna Miller – deliver perfect performances, building on<br />
the unsettling material.<br />
The movie is essential viewing. Listen out also for the score,<br />
which includes a stunning version of ABBA’s SOS by Portishead.<br />
“Working with writer (and co-editor) Amy Jump again,<br />
Wheatley wades into the prescient 1975 text, delivering<br />
a complex, fluid interpretation which is respectful and<br />
almost faithful while still being its own beautiful, crazed<br />
beast.”<br />
SCREENDAILY.COM<br />
40<br />
FEATURES<br />
BOOKINGS: REVELATIONFILMFEST.ORG
DIR: FELIPE RODRIGUEZ<br />
CAN/2015/90MINS<br />
KIDNAP CAPITAL<br />
AUSTRALIAN PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SAT 9, 2.40PM, LUNA<br />
TUE 12, 8.45PM, SX<br />
SUN 17, 8.45PM, LUNA<br />
Screens with Aisling<br />
C kidnapcapital<br />
kidnapcapitalfilm.com<br />
A suburban house in Phoenix, Arizona (the kidnap capital of<br />
the title), hides a grim secret; locked into a room / homemade<br />
cell a group of half-naked immigrants are held hostage.<br />
Having been smuggled into the USA these illegal immigrants<br />
face a final bloody hurdle; they have to pay for their freedom.<br />
But many have spent everything they have just to get there and<br />
cannot pay the ransom despite facing violence and even death.<br />
Meanwhile as events unfold it becomes clear that those<br />
holding them captive also face problems.<br />
This rock-solid independent feature is incredibly taut and<br />
has its nerves right on the surface which make the film quite<br />
thrilling to watch and a real discovery for audiences.<br />
Driven by a powerful script and performances this is a film that<br />
creates a claustrophobic atmosphere and edge-of-the-seat<br />
drama which doesn’t let-up until the final credits roll.<br />
Kidnap Capital is a searing and powerful thriller.<br />
WINNER MANCHESTER<br />
FILM <strong>FESTIVAL</strong>: BEST<br />
CINEMATOGRAPHY 2016<br />
SAN DIEGO FILM <strong>FESTIVAL</strong>:<br />
CHAIRMAN’S AWARD WINNER<br />
2015<br />
FEATURES<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
41
DIR: ZACH CLARK<br />
USA/2016/91MINS<br />
LITTLE SISTER<br />
AUSTRALIAN PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
FRI 8, 10.30PM, LUNA<br />
SAT 9, 12.45PM, PARADISO<br />
SUN 17, 6.30PM, LUNA<br />
Screens with<br />
The Immaculate<br />
Misconception<br />
littlesisterthemovie.com<br />
Zach Clark should be well known to regular attendees of<br />
Revelation, with his previous movies White Reindeer and<br />
Vacation! showcasing his unique talent for darkly humoured<br />
skewed-melodrama and an emphasis on female-led narratives.<br />
In Little Sister, Clark turns his attention to Colleen (Addison<br />
Timlin) a young nun who heads to her parents’ home when<br />
she finds out her brother Jacob (Keith Poulson) has returned<br />
from Iraq.<br />
Christianity, goth, drumming, and much more slowly collide, in<br />
a film about making peace in a dysfunctional family (watch out<br />
also for The Breakfast Club’s Ally Sheedy as Mom).<br />
Clark’s most classically indie film, Little Sister sees the director<br />
in top form, with a sensitive appreciation for his protagonists<br />
and their complex lives and a true appreciation for cinematic<br />
storytelling.<br />
“Another absolute triumph”<br />
BIRTH. MOVIES. DEATH.<br />
“Cynics among us will recognize this as a lovely comedy”<br />
THE AUSTIN CHRONICLE<br />
SXSW 2016<br />
42<br />
FEATURES<br />
BOOKINGS: REVELATIONFILMFEST.ORG
DIR: ANNA BILLER<br />
USA/2016/120MINS<br />
THE LOVE WITCH<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SUN 10, 9PM, LUNA<br />
FRI 15, 10.20PM, LUNA<br />
SUN 17, 6.20PM, SX<br />
C Anna-Biller-Productions<br />
L MissAnnaBiller<br />
lifeofastar.com<br />
OFFICIAL SELECTION:<br />
ROTTERDAM FILM <strong>FESTIVAL</strong><br />
A visually stunning comic-melodrama-thriller from Anna Biller,<br />
The Love Witch tells the tale of beautiful young witch Elaine,<br />
who is searching for true love.<br />
From her apartment, in a suitably gothic house, she makes<br />
love potions and casts spells in her quest for true love. But her<br />
spells have the habit of working too well, and the men in her<br />
life soon become hapless victims.<br />
Playing with themes of female fantasy, sexuality, gender,<br />
lust, love, and masculinity in crisis, The Love Witch is a true<br />
pleasure to watch.<br />
Anna Biller’s luminescent visual palette, alongside her stunning<br />
set and costume designs are perfect, and The Love Witch<br />
pays homage to the Technicolor thrillers of the ‘60s. The visual<br />
influences dance between Alfred Hitchcock, Russ Meyer and<br />
Douglas Sirk, and the film was shot on 35mm film, proof (if any<br />
were needed) that the medium remains essential.<br />
There’s also use of devices such as back projection, further<br />
emphasising the period feel of the movie. Meanwhile Biller’s<br />
script and direction drive an exemplary cast who rise to the<br />
material with ease.<br />
OFFICIAL SELECTION:<br />
EDINBURGH FILM <strong>FESTIVAL</strong><br />
Proudly presented by<br />
FEATURES<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
43
DIR: ROBERT G PUTKA<br />
USA/2016/84MIN<br />
MAD<br />
AUSTRALIAN PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
FRI 8, 8.45PM, LUNA<br />
THU 14, 6.45PM, LUNA<br />
FRI 15, 8.50PM, PARADISO<br />
Screens with<br />
Upside Down Feeling<br />
C mutuallyassureddestructionfilm<br />
madfilm2016.com<br />
Late-middle-aged mother Mel (Maryann Plunkett) is facing<br />
a lonely future following a separation from her husband and<br />
with her two adult daughters too caught up in their own lives<br />
to spend any real time with her. Depressed, events spin out of<br />
control, and she finds herself in the psychiatric ward.<br />
Meanwhile, her daughters Connie (Jennifer Lafleur) and Casey<br />
(Eilis Cahill) face their own personal issues, but are forced by<br />
circumstances to come together and make decisions.<br />
Combining elements of comedy and drama the script sparks<br />
with both dry-humour and genuine understanding.<br />
First-time-feature director Putka’s emphasis on character<br />
allows the shifting relationships between the protagonists<br />
to drive the film and the cast bring genuine life to their roles,<br />
creating an exceptional indie movie.<br />
VICTORIA TX INDIE FILM FEST:<br />
WINNER JURY PRIZE 2016<br />
44<br />
FEATURES<br />
BOOKINGS: REVELATIONFILMFEST.ORG
DIR: ZHANG YANG<br />
CHINA/2015/115MINS<br />
PATHS OF THE SOUL<br />
AUSTRALIAN PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
TUE 12, 6.45PM, SX<br />
SAT 16, 12.30PM, LUNA<br />
Unclassified 15+<br />
chineseshadows.com<br />
This is an epic tale in anyone’s language.<br />
Paths of the Soul is a beautifully poetic, deeply affecting and<br />
brilliantly simple odyssey of devotion seen through the eyes<br />
of a group of pilgrims from a small village deep in the isolated<br />
Tibetan countryside.<br />
The film unfolds in such a wonderful way from the opening<br />
moments. What starts out as a chance conversation about<br />
the possibilities of a pilgrimage between two men herding<br />
their yaks, soon filters through the village and becomes a fait<br />
accompli involving young, old, male and female, able and not<br />
so able.<br />
But the pilgrimage is more difficult than anyone can imagine<br />
as the small group must traverse 2000kms of inhospitable<br />
territory, blizzards, rockfalls, floods and all manner of<br />
misfortune - all the while having to prostrate themselves to the<br />
ground every few steps in prayer.<br />
TORONTO INTERNATIONAL<br />
FILM <strong>FESTIVAL</strong><br />
ROTTERDAM FILM <strong>FESTIVAL</strong><br />
Paths of the Soul is magnificent in its big screen scale and<br />
scope and in the cinematic world it’s hard to know what<br />
is documentary and what is actually not - giving the film<br />
authenticity and honesty.<br />
A very rare and lovely film.<br />
FEATURES<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
45
DIR: TERRY MCMAHON<br />
IRL/2014/102MINS<br />
PATRICK’S DAY<br />
AUSTRALIAN PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
TUE 12, 8.45PM, LUNA<br />
SAT 16, 2.40PM, SX<br />
Screens with<br />
I Remember You<br />
C PatricksDay<br />
patricksday.ie<br />
Patrick is a warm, open, twenty-six year old virgin<br />
schizophrenic.Pills and his mother’s protection mean he is no<br />
threat to himself or anyone else. Until he falls in love.<br />
Directed by Terry McMahon - who previously impressed<br />
Revelation’s audiences with Charlie Casanova - Patrick’s Day<br />
is a powerful drama that further cements McMahon’s role in<br />
forefront of the new wave of independent Irish cinema. In<br />
Patrick’s Day, McMahon turns his focus onto Patrick (Moe<br />
Dunford, best known for Vikings), a young man with a<br />
mental illness who becomes temporarily separated from his<br />
overbearing dominant mother (Kerry Fox – Shallow Grave,<br />
The Dressmaker). An ensuing night spent with a suicidal<br />
young-woman (Catherine Walker) has radical and far-reaching<br />
consequences for all concerned, and especially the innocent<br />
Patrick.<br />
On the surface Patrick’s Day is more immediately accessible<br />
than McMahon’s previous offering, and it is perhaps a more<br />
fully developed work, but it retains the anger and frustrations<br />
of the previous movie and under McMahon’s driven direction<br />
the cast deliver incredible performances, in a powerful film<br />
about family and contemporary society.<br />
A provocative and heart-breaking love story about the right to<br />
intimacy for everyone, Patrick’s Day proves, when it comes to<br />
love, we’re all a little crazy.<br />
“As a powerful portrait of mental paranoia, McMahon’s<br />
movie might be among the best that cinema has<br />
produced. It’s certainly the best that Irish cinema has<br />
produced, though its depiction is deeply disturbing.”<br />
THE IRISH POST<br />
46<br />
FEATURES<br />
BOOKINGS: REVELATIONFILMFEST.ORG
DIR: BEN SHARROCK<br />
SPAIN,UK/2015/98MINS<br />
PIKADERO<br />
AUSTRALIAN PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SAT 9, 6.45PM, PARADISO<br />
SUN 10, 8.50PM, SX<br />
Screens with Abe & Ike<br />
L @pikederofilm<br />
ZURICH FILM <strong>FESTIVAL</strong> 2015:<br />
CRITICS’ CHOICE AWARD<br />
TIRANA INTERNATIONAL FILM<br />
<strong>FESTIVAL</strong>: JURY AWARD AND<br />
SPECIAL MENTION<br />
MOLODIST INTERNATIONAL FILM<br />
<strong>FESTIVAL</strong> 2015: AL 2015 BEST FILM<br />
AWARD AND FIPRESCI PRIZE<br />
Combining drama and deadpan comedy Pikadero explores<br />
the relationship between two twenty-somethings, the everstoic<br />
Gorka (Joseba Usabiaga) and art student Ane (Barbara<br />
Goenaga).<br />
The couple long to be able to consummate their love, but with<br />
the country gripped in economic crisis neither have their own<br />
apartment and both are forced to live in the family homes with<br />
no space for privacy. The only opportunity the couple have<br />
is to find a quiet ‘picadero,’ a public hot spot where young<br />
people can try and snatch a passionate moment.<br />
With a deadpan observational humour, that has drawn<br />
comparison to Jacques Tati’s sense of visual style, this multiaward<br />
winning film examines the lives of those unable to get<br />
on with their lives. A generation living in cramped apartments<br />
with extended families, hoping to find their place in a world in<br />
which they have so few opportunities.<br />
This is a rare, brave film, in which the most painful experiences<br />
of motherhood are explored with a rare depth. Shot and edited<br />
to emphasize the intimate emotional moments the protagonists<br />
face Somebody’s Mother makes for powerful viewing.<br />
“A deft balance of the pessimistic and the playful.”<br />
THE HOLLYWOOD REPORTER<br />
EVOLUTION INTERNATIONAL<br />
FILM <strong>FESTIVAL</strong> 2015: SPECIAL<br />
MENTION<br />
FEATURES<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
47
FULLY RESTORED 40 TH ANNIVERSARY<br />
DIR: GABRIELA TOLLMAN<br />
USA/2016/83 MINS<br />
SOMEBODY’S MOTHER<br />
AUSTRALIAN PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SUN 10, 2.15PM, LUNA<br />
SAT 16, 12.45PM, LUNA<br />
somebodysmotherfilm.com<br />
Following the death of her baby, Clare turns to her sister Anna<br />
for support. However, Anna is also facing a personal and<br />
profound crisis.<br />
Telling the story of the two sisters both struggling with<br />
traumas, Somebody’s Mother is a family drama that explores<br />
tragedy and grief with a rare power. The intense, emotionally<br />
developed script is matched by strong performances that<br />
explore the women’s different experiences of motherhood.<br />
Gabriela Tollman, who also wrote and stars in the film, has an<br />
extensive resume of short films (including The Last Gunshot<br />
and Birth of Industry) that have played at festivals across<br />
the world, including Cannes, and Somebody’s Mother is a<br />
powerful drama and poignant feature film debut.<br />
48<br />
FEATURES<br />
BOOKINGS: REVELATIONFILMFEST.ORG
DIR: STEFANO SOLLIMA<br />
ITALY/FRANCE/2015/130 MINS<br />
SUBURRA<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SAT 9, 6.30PM, LUNA<br />
FRI 15, 8.45PM, SX<br />
Suburra is a visually stunning neo-noir, hardboiled thriller<br />
set in the waterfront suburbs of Rome, where a massive real<br />
estate project is planned to turn the suburbs into a new<br />
Las Vegas.<br />
With a week to go before a crucial vote, ruthless criminals and<br />
corrupt politicians need to guarantee that all goes smoothly.<br />
But then, during a drug fuelled hotel orgy with politician<br />
Malgradi, a sex worker dies, and events spin rapidly out of<br />
control.<br />
With an incredible cast and multiple and layered narratives,<br />
Suburra unleashes a new visionary energy upon the crime<br />
genre.<br />
Multi-award winning director Stefano Sollima has an<br />
established track record with two acclaimed TV series<br />
Romanzo Criminale and the cult hit Gomorra, and Suburra<br />
sees him return to cinema with equal power. It is unsurprising<br />
that it has already been commissioned for a Netflix series.<br />
An excellenct, high-impact and absorbing big screen<br />
experience.<br />
FEATURES<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
49
DIR: DAN KWAN, DANIEL SCHEINERT<br />
USA/2016/95MINS<br />
SWISS ARMY MAN<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
THU 14, 8.45PM, SX<br />
SAT 16, 9PM, LUNA<br />
Classified M<br />
C swissarmymanfilm<br />
Proudly presented by<br />
This is one of those films where you’re either all the way in<br />
or all the way out - and you’ll know which side of the fence<br />
you’re on about 10 minutes into this startlingly strange buddy<br />
comedy.<br />
Daniel Radcliffe plays Manny - a dead body washed up on a<br />
deserted island inhabited by a sole long-time shipwrecked<br />
young man - Hank.<br />
Through the magic of decomposition, Manny’s body provides<br />
Hank with his one time only opportunity to literally propel him<br />
off his tiny island and in what is actually an hilarious sequence,<br />
Hank grabs hold of it.<br />
From there a strange kind of metaphysical friendship evolves<br />
between Hank and Manny - Hank being convinced the<br />
more he can make Manny remember his past life the more<br />
chance he stands of bringing Manny back to life. Along their<br />
journey though Hank discovers even more of Manny’s unique<br />
decompositional powers that allow him to survive in the most<br />
inhospitable conditions.<br />
There are two things here. One is the really great art direction<br />
and visualisations in the film. Alongside the truly surreal there<br />
are some fantastically realised set pieces. The other is the<br />
rapid rising of Radcliffe as a producer and backer of all manner<br />
of obscure, high-risk and high-concept narrative features. He’s<br />
staking some firm ground and along with the likes of James Franco,<br />
he’s carving out his own special niche in independent cinema.<br />
50<br />
FEATURES<br />
BOOKINGS: REVELATIONFILMFEST.ORG
DIR: SION SONO<br />
JAPAN/2015/101MINS<br />
THE WHISPERING STAR (HISO HISO BOSHI)<br />
AUSTRALIAN PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
THU 14, 8.45PM, PARADISO<br />
SAT 16, 2.30PM, LUNA<br />
Unclassified 15+<br />
TORONTO FILM <strong>FESTIVAL</strong><br />
Proudly presented by<br />
Japanese director Sion Sono’s haunting, elegiac science fiction<br />
film The Whispering Star follows a lone woman as she travels<br />
across the galaxy. Her task consists of delivering parcels to<br />
distant human outposts.<br />
These worlds are often barren, sometimes empty, always<br />
uncanny and haunted by the echoes of previous existences.<br />
As she travels across the vast expanses of the universe<br />
between deliveries her thoughts turn to questions of what it<br />
means to exist.<br />
Hauntingly shot in black and white, with the ruins of Fukashima<br />
doubling as alien worlds, the film examines not just what it<br />
means to be human but what humans mean for the worlds that<br />
they inhabit.<br />
Multi award-winning director Sion Sono’s previous works<br />
include Tag, Suicide Club, and Love Exposure, amongst many<br />
others. In The Whispering Star the director has created a<br />
fascinating, poignant, visually powerful science fiction movie<br />
that recalls works such as Solaris and Under the Skin, yet<br />
retains the director’s own unique vision as a filmmaker.<br />
FEATURES<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
51
52<br />
FEATURES<br />
BOOKINGS: REVELATIONFILMFEST.ORG
LATE NIGHTS<br />
FEATURES<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
53<br />
53
DIR: ENZO TEDESCHI AND OTHERS<br />
AUS, CAN, USA/2015/88MINS<br />
A NIGHT OF HORROR<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SAT 9, 11PM, LUNA<br />
MON 11, 8.45PM, LUNA<br />
Screens with<br />
Brainless Killers<br />
C anightofhorror<br />
L @ANightOfHorror<br />
anightofhorror.com<br />
A Night of Horror – Sydney’s genre festival and one-time<br />
Revelation guests – unleash their first anthology feature film,<br />
showcasing the suitably horrifying talents of Enzo Tedeschi,<br />
Bossi Baker, Rebecca Thomson, Justin Harding, Evan Randall<br />
Green, Carmen Falk, Goran Spoljaric, Matthew Goodrich,<br />
Nicholas Colla and Daniel Daperis.<br />
The filmmakers whose work is presented here represent a<br />
cross-selection of styles and influences (even including a nod<br />
to Doctor Who in one segment) and there’s clearly some talent<br />
on display.<br />
From the uncanny atmosphere of Hum through to the bloodysplattered<br />
humour of I Am Undone, and all points in between,<br />
A Night of Horror offers a current-state-of-play of the genre<br />
and offers some joyously horrific pleasures.<br />
Featuring:<br />
LIFE IMITATES<br />
DIR: ENZO TEDESCHI<br />
DARK ORIGINS<br />
DIR: EVAN RANDALL GREEN<br />
HUM<br />
DIR: BOSSI BAKER<br />
FLASH<br />
DIR: NICHOLAS COLLA &<br />
DANIEL DAPERIS<br />
RAVENOUS<br />
DIR: CARMEN FALK<br />
SCISSION<br />
DIR: MATTHEW GOODRICH<br />
POINT OF VIEW<br />
DIR: JUSTIN HARDING<br />
THE PRIEST<br />
DIR: GORAN SPOLJARIC<br />
I AM UNDONE<br />
DIR: REBECCA THOMSON<br />
54<br />
LATE NIGHT<br />
BOOKINGS: REVELATIONFILMFEST.ORG
DIRECTOR’S PICK<br />
DIR: CAN EVRENOL<br />
TUR/2015/97MIN<br />
BASKIN<br />
AUSTRALIAN PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
FRI 8, 11.15PM, LUNA<br />
FRI 15, 10.50PM, LUNA<br />
Screens with<br />
Damage Control<br />
C baskinthemovie<br />
L @baskinthemovie<br />
baskinthemovie.com<br />
Baskin (the title is, apparently, Turkish for police raid) follows a<br />
squad of suitably dysfunctional cops on a routine night call that<br />
takes them far from familiar roads.<br />
Delving into surreal horror like a finger poking into an openwound,<br />
Baskin’s dream-logic and shifting narrative emphasises<br />
brooding atmosphere, all-consuming darkness, and terrifying<br />
brutality, to nightmarish effect.<br />
The film has an amazing effect as it jumps backwards and<br />
forwards in time showing the story from different angles of<br />
all hapless participants - something that helps with the film’s<br />
frenetic pace and off-balance story. Just when you think you’ve<br />
got a handle on the wild ride, Baskin ratchets up its power and<br />
atmosphere to an almost unbearable level...perfect for hardcore<br />
horror fans.<br />
Baskin echoes such touchstones as Lucio Fulci’s The Beyond,<br />
Tobe Hooper’s The Texas Chain Saw Massacre and Clive<br />
Barker’s Hellraiser, but it is very much its own work.<br />
A charnel bloodied nightmarishly claustrophobic film, Baskin is<br />
not a movie recommended for the squeamish or faint of heart.<br />
FANTASTIC FEST 2015:<br />
WINNER NEXT WAVE AWARD,<br />
BEST DIRECTOR<br />
MORBIDO FEST 2015:<br />
WINNER BEST FILM<br />
LATE NIGHT<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
55
DIR: TOMM JACOBSEN, MICHAEL<br />
ROUSSELET, JON SALMON<br />
USA/2015/91MINS<br />
DUDE BRO PARTY MASSACRE III<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
WED 13, 8.45PM, LUNA<br />
SAT 16, 10.30PM, LUNA<br />
Screens with The Worst<br />
Alien In The World<br />
C dudebropartymassacre3<br />
L @5sf<br />
dudebropartymassacre3.com<br />
Most copies of the original Dude Bro Party Massacre III movie<br />
were destroyed, but thankfully one copy remains, recorded<br />
from TV late at night on an old VHS tape. Now’s your chance<br />
to catch the terror of Dude Bro Party Massacre III.<br />
Following two previous mass murders on Chico’s frat row,<br />
Brent – twin brother of murder victim Brock - joins with the<br />
Dude Bros of Delta Bis fraternity in the hope that he can find<br />
out the truth of his brother’s murder and finally confront the<br />
terrifying serial killer Motherface.<br />
Playing with the style and attitude of the ‘80s slasher movie,<br />
Dude Bro Party Massacre III works as a homage and satire of<br />
the genre.<br />
An absurdly exaggerated and utterly riotous combination<br />
of to-be-killed-gorily students, nasty deaths and off-kilter<br />
subplots, the film will entertain anybody who remembers ‘80s<br />
straight-to-video horror movies, late night TV, and, of course,<br />
the Dude Bros and their ilk.<br />
Watch out for appearances by Patton Oswalt and Nina Hartley!<br />
56<br />
LATE NIGHT<br />
BOOKINGS: REVELATIONFILMFEST.ORG
DIRECTOR’S PICK<br />
DIR: NORBERT HEITKER<br />
GER/2014/95MIN<br />
WACKEN 3D<br />
AUSTRALIAN PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
FRI 15, 9PM, LUNA<br />
Unclassified 15+<br />
C wacken3d<br />
wacken3d-film.de<br />
Proudly presented by<br />
Each August, in a field in Germany, the Wacken Open Air<br />
Festival takes place. A celebration of heavy metal music, the<br />
festival draws 75,000 fans from across the globe to see some<br />
of the biggest and best heavy metal bands in the world.<br />
Heitker’s documentary – filmed at the festival’s 24th instalment<br />
- plays as a 3D celebration of the event, of the bands, and<br />
the metal heads and rock fans that make up the enthusiastic<br />
audience.<br />
The movie captures the pure energy of the festival, from<br />
hopefuls playing the Wacken Metal Battle to some of the<br />
biggest bands in the genre taking the main stage, including<br />
Motorhead, Rammstein, Deep Purple and Alice Cooper, who<br />
all appear in the movie.<br />
Filmed in stereoscopic 3D the movie takes on epic proportions,<br />
capturing the massive scale of the event and some incredible<br />
performances (spectacular even to those who are unfamiliar<br />
with the music). A celebration of heavy metal, both known and<br />
unknown, and the community that form the global tribe of<br />
heavy metal, Wacken is a must see for those initiated into the<br />
music and those who are merely curious.<br />
“If you’ve never been to Wacken, this is your chance to<br />
take a special journey to the heart of the festival, with<br />
the 3D screening making you feel like you’re right there<br />
with over 75,000 metalheads from all over the world<br />
celebrating life and heavy music.”<br />
THE HEADBANGING MOOSE<br />
LATE NIGHT<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
57
DOCUMENTARIES<br />
59
DIR: LEO GABIN<br />
BELGIUM/2015/56MINS<br />
A CRACKUP AT THE RACE RIOTS<br />
AUSTRALIAN PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
TUE 12, 8.45PM, PARADISO<br />
SUN 17, 11.15AM, LUNA<br />
Screens with Clare<br />
Unclassified 15+<br />
Drawing on Harmone Korine’s cult novel, A Crackup At The<br />
Race Riots shifts between various forms of ‘amateur’ video,<br />
creating a shifting landscape that incorporates everything from<br />
teenage webcam girls to shopping malls.<br />
For a physical and electronic place where nothing really<br />
happens the results are surprisingly interesting. There’s no<br />
dare-devils, there’s no going viral and there’s no pets doing<br />
funny things. It’s all suburban ordinaryness and when put<br />
together an unusual story of social disconnection and isolation<br />
is told. This “news from nowhere” is quite fascinating to watch<br />
and has an odd resonance.<br />
The film is rich in the raw American iconography that<br />
punctuates Kornine’s works in literature, music and music<br />
videos.<br />
Directed by Leo Gabin – a Belgian video collective – the film<br />
marks a continuation of Leo Gabin’s collaboration with Korine<br />
that include Leo Gabin communicating with Korine during the<br />
development of his hit Spring Breakers.<br />
An experimental documentary, A Crackup At The Race Riots is<br />
a remarkable hybrid work. A film for the YouTube generation,<br />
a renegotiation of the function of cinema and role of narrative,<br />
the film is a remarkable, essential work.<br />
60<br />
DOCUMENTARIES<br />
BOOKINGS: REVELATIONFILMFEST.ORG
DIR: SUZANNE CROCKER<br />
CANADA/2014/89MIN<br />
ALL THE TIME IN THE WORLD<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
FRI 8, 6.45PM, LUNA<br />
SUN 10, 12.20PM, LUNA<br />
SAT 16, 12.45PM, SX<br />
C All-The-Time-In-The-World<br />
L @allthetime92<br />
allthetimeintheworld.ca<br />
In search of something more than the daily grind, filmmaker<br />
Suzanne Crocker takes her husband and three young children<br />
deep into the remote Canadian outback.<br />
Here they spend nine months in a remote cabin, deep in the<br />
woods. With no electricity, and reachable only by stream, life<br />
in the cabin through the harsh Canadian winter takes on its<br />
own natural rhythms, and – away from digital entertainment<br />
and television screens – the family experience a new form of<br />
existence and bonding.<br />
Directed with rare warmth, this exceptional low budget<br />
documentary, All The Time in the World is an exploration of<br />
family and parenthood, survival and existence and the beauty<br />
of a world rarely seen.<br />
For anyone who wants to experience nature, life off the grid,<br />
or just the wonder of a world through the eyes of children, this<br />
film is essential.<br />
Suitable for children.<br />
VANCOUVER INTERNATIONAL<br />
FILM FEST: MOST POPULAR<br />
CANADIAN DOCUMENTARY<br />
Proudly presented by<br />
DOCUMENTARIES<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
61
DIR: OLEKSANDR TECHYNSKYI, ALEKSEY<br />
SOLODUNOV AND DMITRY STOYKOV<br />
UKRAINE/2014/90MINS<br />
ALL THINGS ABLAZE<br />
AUSTRALIAN PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SAT 9, 2.30PM, LUNA<br />
THU 14, 6.45PM, SX<br />
SUN 17, 12.45PM, LUNA<br />
Screens with Last Words<br />
C AllThingsAblaze<br />
ablaze.honestfish.com.ua<br />
All Things Ablaze is a visually powerful and deeply visceral fly<br />
on the wall documentary that positions the audience amongst<br />
the Ukranian protestors in the winter of 2013-2014.<br />
Speeches are made, demonstrators wave banners, but finally<br />
all things transform to chaos, the police and protestors size<br />
one-another up, before anger is unleashed and the streets turn<br />
to battlefields.<br />
Shot by camera crews located deep within the crowds, All<br />
Things Ablaze follows the events unleashed in the winter, not<br />
as a political analysis but as a study in people and society in a<br />
world where all things are ablaze.<br />
A unique film, All Things Ablaze creates a truly cinematictableaux<br />
of the protests and a world in which violence<br />
explodes in city streets and squares. Free of direct narrative<br />
and editorialising the film, allows events to speak for<br />
themselves, and audiences pay witness to history as it unfolds<br />
on the streets.<br />
WINNER: DOK LEIPZIG<br />
62<br />
DOCUMENTARIES<br />
BOOKINGS: REVELATIONFILMFEST.ORG
DIR: ANDREA MARINI<br />
USA,ITALY,UK/2015/82MINS<br />
THE ART OF THE PRANK<br />
AUSTRALIAN PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SUN 10, 2.30PM, SX<br />
MON 11, 9PM, LUNA<br />
SUN 17, 4.40PM, LUNA<br />
Screens with<br />
The Arms of Venus de Milo<br />
Unclassified 15+<br />
C artoftheprankmovie<br />
L @AotP_themovie<br />
artoftheprank-themovie.com<br />
Joey Skaggs is an arch-prankster, since the late ‘60s he has<br />
used pranks as an artistic medium, creating cultural and<br />
political works that play with the media.<br />
Skaggs is the Godfather of the media hoax, and his creative<br />
legacy can be traced through to contemporary culture<br />
jamming and reality hacking by the likes of The Yes Men and<br />
Improv Everywhere.<br />
The Art of the Prank focuses on Skaggs’ extensive career in<br />
pranksterdom, which involves creating hilarious hoaxes that<br />
become reported as news.<br />
Skaggs was behind such pranks as the Fat Squad, the brothel<br />
for dogs, the mobile confessional booth, and many others, all<br />
of which gained major press and TV coverage internationally.<br />
He manipulates media reality to expose complacency and<br />
encourage genuine critical thinking.<br />
Through both the interviews and archive footage, Skaggs’<br />
limitless imagination, his humour, and his astute understanding<br />
of the power of the media is evident and it’s impossible to<br />
watch The Art of The Prank and not be inspired.<br />
SLAMDANCE FILM <strong>FESTIVAL</strong> 2016:<br />
JURY AWARD<br />
DOCUMENTARIES<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
63
DIR: IAN RODERICK GRAY,<br />
DYLAN HARVEY<br />
UK/2016/79MINS<br />
THE BANKSY JOB<br />
AUSTRALIAN PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SAT 16, 7PM, LUNA<br />
SUN 17, 8.45PM SX<br />
Unclassified 15+<br />
C thebanksyjob<br />
TRIBECA FILM <strong>FESTIVAL</strong><br />
Anonymous street artist Banksy has become a legend for<br />
his stencil graffiti that offers incisive, sharp political critique,<br />
garnering critical interest and making the artist a household<br />
name.<br />
When, in 2004, Banksy leaves his sculpture The Drinker (a take<br />
on Rodin’s Thinker) in Central London, former rave promoter,<br />
artist and mischief maker AK47 decides to take the massive<br />
sculpture home, and proceeds to engage a truck and a crew<br />
of friends to undertake a broad-daylight art-heist in Central<br />
London. The Banksy Job follows the larger-than-life AK47 and<br />
documents (over the following years) the caper that ensues,<br />
combining an exploration of the contemporary art word, a<br />
study of London underground culture, and (perhaps) a battle<br />
of wits.<br />
The Banksy Job made Hollywood Reporters Critic’s Picks: 10<br />
Best Tribeca Films at the Midpoint, and it’s easy to see why,<br />
directors Gray and Harvey’s film shifts between interviews and<br />
re-creations, and occasionally it appears to dance between<br />
re-creation and surreal drama (at one-point AK47 appears<br />
surrounded by minions in his lair) further conflating biography<br />
and mythology.<br />
“Regardless of its veracity, The Banksy Job provides some<br />
great British humor, a compelling main character, and<br />
some well-deserved cultural mockery. The fact that the<br />
audience is even tempted to believe it all speaks to the<br />
extent of the farce in today’s art world.”<br />
HYPERALLERGIC<br />
64<br />
DOCUMENTARIES<br />
BOOKINGS: REVELATIONFILMFEST.ORG
DIR: WILLIAM FAIRMAN, MAX GOGARTY<br />
UK/2015/83MINS<br />
CHEMSEX<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SUN 10, 8.45PM, PARADISO<br />
WED 13, 6.45PM, LUNA<br />
L chemsexmovie<br />
vice.com/en_uk/tag/chemsex<br />
Chemsex dives deep into the largely underground gay<br />
subculture that pursues the hedonistic, often unsafe thrills of<br />
drug driven sex (GHB and crystal meth being popular).<br />
Letting people associated with this community speak for<br />
themselves, directors Fairman and Gogarty take the audience<br />
into a world of drugs and weekend-long sex parties in a<br />
harrowing investigative documentary.<br />
Chemsex makes for a powerful exploration of an emerging<br />
social-phenomena, made with a genuine sense of urgency, the<br />
film doesn’t pass judgment and doesn’t shy away from asking<br />
troubling questions.<br />
Chemsex makes for necessary viewing.<br />
Proudly presented by<br />
DOCUMENTARIES<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
65
DIR: MAURO HERCE<br />
SPAIN/2016/74MINS<br />
DEAD SLOW AHEAD<br />
AUSTRALIAN PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SUN 10, 12.15PM, LUNA<br />
SAT 16, 6.45PM, SX<br />
Unclassified 15+<br />
OFFICAL SELECTION SXSW<br />
If you were make a documentary about the Nostromo - the<br />
giant cargo space vessel featured in Alien - this would be it.<br />
This beautiful documentary is a work of art from start to end as<br />
it spends twelve months on board the giant grain tanker Fair Lady.<br />
The camera moves from the bridge to the bilge as it captures<br />
the daily lives and environments of the seamen from high<br />
drama to flat out boredom.<br />
But beyond these human observations it’s the vessel itself that<br />
is the central character with the individuals on it seemingly<br />
somehow trapped inside the belly of a gigantic whale.<br />
The film’s exploration of these cavernous and lonely spaces<br />
is utterly astonishing - they are simply huge with the men<br />
onboard seemingly as small as the grains of wheat the vessel is<br />
transporting.<br />
The images presented are so deep, the scale so enormous,<br />
the colour so vibrant and the sound so rich that you wonder<br />
at times if you’re watching some kind of metaphysical work of<br />
science fiction.<br />
It’s just brilliant and breathtaking.<br />
66<br />
DOCUMENTARIES<br />
BOOKINGS: REVELATIONFILMFEST.ORG
DIR: LAURA ISRAEL<br />
CAN,USA, FRA/2015/88MIN<br />
DONT BLINK: ROBERT FRANK<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SAT 9, 6.45PM, SX<br />
SUN 17, 5PM, LUNA<br />
C dontblinkrobertfrank<br />
L @dontblinkfilm<br />
dontblinkrobertfrank.com<br />
Robert Frank’s debut photographic work The Americans<br />
changed the way people saw photography. Frank’s vision was<br />
unique as he caught people’s lives, exploring an unseen world.<br />
Over the decades he has documented the Beats, the Rolling<br />
Stones, and the lives of ordinary working people.<br />
More than a pioneer of photography, Frank is also a<br />
groundbreaking indie filmmaker, working with everybody<br />
from Tom Waits to William Burroughs to Jack Kerouac and, of<br />
course, the Rolling Stones.<br />
In Don’t Blink award-winning director Laura Israel (Windfall) tells<br />
Frank’s story, exploring his life and work, with Frank – famous for<br />
his dislike of interviews – opening up for the director.<br />
Making Film Comment’s Top 10 Unreleased Films of<br />
2015, Don’t Blink is a beautiful portrait of an exceptional<br />
photographer and filmmaker.<br />
“A provocative portrait of its equally provocative<br />
subject…. the film vividly conveys his artistic spirit,<br />
defiant iconoclasm and lifelong aversion to compromise.”<br />
Hollywood Reporter.<br />
DOCUMENTARIES<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
67
DIR: THORSTEN SCHÜTTE<br />
FRA,GER/2016/90MIN<br />
EAT THAT QUESTION :<br />
FRANK ZAPPA IN HIS OWN WORDS<br />
AUSTRALIAN PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
FRI 8, 7PM, LUNA<br />
SAT 9, 8.45PM, SX<br />
SUN 17, 7PM, LUNA<br />
Screens with<br />
How Deep Can I Go?<br />
C eatthatquestion.<br />
frankzappainhisownwords<br />
It’s probably fair to say that the legendary Frank Zappa<br />
changed music; his life was spent exploring, developing and<br />
pushing the nature of music and musical form.<br />
Alongside his musical career, Eat That Question traces Zappa’s<br />
work and cultural interventions; from his cult film 200 Motels to<br />
his stand against the emergent PMRC (Parent’s Music Resource<br />
Committee) in the ‘80s.<br />
What makes the film so unique is that the voice here is Zappa’s<br />
own, culled entirely from archival interviews and footage of<br />
performances. The figure that emerges is never less than<br />
fascinating, whether appearing on television in the sixties<br />
showcasing the musical potentials of the bicycle on the Steve<br />
Allen Show or flying to the liberated Czech Republic where he<br />
was viewed as a cultural hero of the musical underground.<br />
For Zappa’s legions of fans the film will be a pure joy to watch,<br />
while for the uninitiated it offers a fascinating insight into the<br />
visionary musician.<br />
“By giving us Zappa In His Own Words, Schütte has done<br />
a service to the man’s legacy and provided a highly<br />
entertaining film at the same time. Eat that, naysayers.”<br />
TWITCH FILM.<br />
68<br />
DOCUMENTARIES<br />
BOOKINGS: REVELATIONFILMFEST.ORG
DIR: JACQUES PERCONTE<br />
FRANCE/2015/52MINS<br />
ETTRICK<br />
AUSTRALIAN PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SUN 10, 10.45AM, LUNA<br />
SAT 16, 11.15AM, LUNA<br />
Screens with River<br />
jacquesperconte.com<br />
When we were programming this film we had real trouble<br />
trying to figure out if it’s a feature film or feature documentary<br />
or in fact a gallery installation...so we’ve settled on<br />
experimental documentary.<br />
...And what a lovely experimental documentary it is.<br />
It’s difficult at first to get a handle on what you’re seeing. A<br />
very bumpy and noisy journey filmed from a passenger’s<br />
perspective in a Land Rover charging along a country track.<br />
The sound is thundering. Suddenly the picture starts to<br />
disintegrate into pixels to become an unrecognisable blur.<br />
Just when we’re about to knock on the projectionist’s door to<br />
complain about the picture quality we realise this is just the<br />
first of many audio visual surprises.<br />
Ettrick takes digital technology and literally creates a new<br />
kind of fabric with a new kind of cinematic texture as Perconte<br />
explores the beautiful Scottish landscape with a particular<br />
focus on a textile mill in the countryside. In what’s been<br />
described as a “visually captivating” style the countryside<br />
becomes the fabric.<br />
It’s absolutely fascinating to watch.<br />
DOCUMENTARIES<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
69
DIR: SACHA JENKINS<br />
USA/2015/90MIN<br />
FRESH DRESSED<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
FRI 8, 8.45PM, SX<br />
SUN 10, 7PM, LUNA<br />
SAT 16, 8.45PM, PARADISO<br />
Unclassified 15+<br />
C FreshDressedMovie<br />
L @freshdressed<br />
freshdressedmovie.com<br />
Sacha Jenkin’s Fresh Dressed takes the audience through the<br />
history of hip hop fashion. Opening with cotton plantations<br />
before progressing to the early days of New York hip hop in<br />
the seventies, and, finally to the global stage and shopping<br />
malls across the globe.<br />
From graffiti decorated jackets, baggy trousers, classic sports<br />
wear, bespoke designs, and more, hip hop has always been at<br />
the forefront of fashion.<br />
Fresh Dressed tells the story of hip hop fashion, but it also<br />
looks at the music, the culture and the politics, about the need<br />
for individual expression and group identity and those who<br />
sought-out, wore and designed the unique looks that have<br />
defined the genre in all of its forms.<br />
This documentary features some great archive material – notably<br />
the old school footage of NYC in the seventies – and features<br />
contributions from many of the biggest names in hip hop.<br />
Fresh Dressed offers an essential history and joyous<br />
celebration of street fashion.<br />
Proudly presented by<br />
70<br />
DOCUMENTARIES<br />
BOOKINGS: REVELATIONFILMFEST.ORG
DIR: DOMINIC RODRIGUEZ<br />
USA/2016/81MINS<br />
FURSONAS<br />
AUSTRALIAN PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SAT 9, 6.45PM, LUNA<br />
FRI 15, 5.45PM, LUNA<br />
SAT 16, 6.45PM, LUNA<br />
Unclassified 15+<br />
C fursonasdoc<br />
L @lFursonasDoc<br />
fursonasdoc.com<br />
SPIRIT OF SLAMDANCE AWARD<br />
2016<br />
Fursonas documents the world of furry fandom, looking<br />
at individuals who dress up and role-play in full-body<br />
anthropomorphic animal costumes.<br />
Director Rodriguez takes the audience into this world,<br />
introducing diverse enthusiasts from Boomer the Dog, whose<br />
costume is not made from fun fur but shredded paper, and<br />
Chew Fox, who caused a degree of community outrage when<br />
she talked on TV about furry sexuality, something that many in<br />
the community deny exists.<br />
None the less is it a question both the film and the audience<br />
asks and this and deeper notions of identity and belonging<br />
are explored throughout, and it’s that exploration that gives<br />
the films its wide-eyed innocence, honesty and growing<br />
international interest.<br />
The strength of Rodriguez’s film is in his warm understanding<br />
of his subjects and many open up to him, discussing their<br />
interests in furry fandom and their own furry-personas.<br />
Simultaneously joyous and fascinating, Fursonas offers a rare<br />
opportunity to enter a world most will never otherwise hear of.<br />
This film is not suitable for children.<br />
DOCUMENTARIES<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
71
DIR: LAURIE ANDERSON<br />
USA/2015/75MIN<br />
HEART OF A DOG<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SAT 9, 4.40PM, LUNA<br />
SAT 16, 6.45PM, PARADISO<br />
Screens with The Mermaid<br />
Unclassified 15+<br />
heartofadogfilm.com<br />
LINA MANGIACAPRE AWARD<br />
WINNER, VIENNA 2015<br />
TROSMO INTERNATIONAL FILM<br />
<strong>FESTIVAL</strong> AURORA AWARD<br />
WINNER 2016<br />
In Heart of a Dog the internationally acclaimed multimedia<br />
artist, musician and performer Laurie Anderson turns her<br />
attention to her relationship with her pet dog, Lolabelle.<br />
But this is no mere exploration of pets, but an examination of<br />
the desire for companionship, of family and friendship, and of<br />
death. It is also an examination of the nature of consciousness<br />
(human and canine), and a meditation on Buddhist philosophy<br />
drawn from Anderson’s own life and the experiences that have<br />
marked it.<br />
The artist/director accompanies her footage – archival and<br />
home movies are mixed with dog’s-eye-view recreations –<br />
with a focused, calm, and gently incisive narrative that flows<br />
through memories, anecdotes and philosophy.<br />
Constructed with an almost dreamlike quality, a fact matched<br />
by Anderson’s perfectly pitched narration, Heart of a Dog is far<br />
more than a story of a dog; it is a film about love and life, but<br />
also about loss and the Bardo.<br />
A beautiful, critically acclaimed work that – contrary to the<br />
Tibetan Book of the Dead’s instructions – may not leave a dry<br />
eye in the house.<br />
CINEMA EYE HONORS AWARDS:<br />
OUTSTANDING ACHIEVEMENT IN<br />
ORIGINAL MUSIC SCORE WINNER<br />
2016<br />
72<br />
DOCUMENTARIES<br />
BOOKINGS: REVELATIONFILMFEST.ORG
DIR: YANN ARTHUS-BERTRAND<br />
FRANCE/2015/190MINS<br />
HUMAN<br />
AUSTRALIAN PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SUN 10, 1.45PM, LUNA<br />
SUN 17, 3PM, SX<br />
Unclassified 15+<br />
C humanthemovie<br />
L @Humanthemovie<br />
human-themovie.org<br />
If ever the word “epic” could be used to describe a<br />
documentary, this is the one.<br />
Human is a stunning partly symphonic and partly interview<br />
based film that examines what it means to be part of the<br />
human race.<br />
The film is utterly dazzling in every respect as we are immersed<br />
in new perspectives of the planet and its inhabitants courtesy<br />
of famed French photographer Yann Arthus-Bertrand’s<br />
breathtaking aerial photography.<br />
With a global scope that embraced over 2000 interviews<br />
across 60 countries, Human demonstrates the power of new<br />
digital and drone technology in so doing presenting us with<br />
a journey that is in equal parts poetic, urgent, surprising,<br />
saddening, joyful but always engrossing.<br />
This kind of documentary is rare on any screen in any context<br />
and it’s a pleasure to present it in the highest of fidelity -<br />
treatment that both it and you completely deserve.<br />
A must see for lovers of photography and the environment<br />
and magnificent celebration of the art and power of cinema.<br />
VENICE FILM <strong>FESTIVAL</strong>, IDFA<br />
Proudly presented by<br />
DOCUMENTARIES<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
73
DIR: MARK LEWIS<br />
CAN/2014/87MINS<br />
INVENTION<br />
AUSTRALIAN PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SAT 9, 5PM, LUNA<br />
SUN 10, 3PM, PARADISO<br />
A visually stunning exploration of place and space, that<br />
explores architecture and cityscapes, Invention captures the<br />
play of shapes, designs, forms and textures of the modern city.<br />
In this film cities are viewed as uncannily beautiful worlds of<br />
concrete and glass.<br />
Invention is filled with camera artistry as we slowly glide<br />
and linger over beautiful works of art and architecture. The<br />
camerawork is full of surprises as we move through windows<br />
and walls and explore all manner of famous and lesser known<br />
places at a pace where we’re able to deeply examine and<br />
admire every detail. The film isn’t without its unusual humour<br />
as well and depending on where you focus, there’s also lots of<br />
little background rewards.<br />
With its epic visual scope and re-engagement with an everyday<br />
world that we too often miss because of our immersion within<br />
it, Invention recalls the great City Symphony films of the 1920s<br />
that defined early cinema.<br />
A truly cinematic film that will have audiences looking at the<br />
familiar worlds we inhabit with new wonder.<br />
74<br />
DOCUMENTARIES<br />
BOOKINGS: REVELATIONFILMFEST.ORG
DIR: AMY BERG<br />
USA/2015/103MINS<br />
JANIS: LITTLE GIRL BLUE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SUN 10, 5PM, LUNA<br />
MON 11, 9.15PM, SX<br />
FRI 15, 7PM, LUNA<br />
Unclassified 15+<br />
Over the years, Rev’s annually brought to local audiences<br />
some of the best music documentaries from the world over -<br />
and this year sees some of the best we’ve seen including this<br />
international film festival hit.<br />
Narrated by Cat Power, Amy (Deliver Us From Evil, West of<br />
Memphis ) Berg’s documentary Janis: Little Girl Blue tells the<br />
story of Janis Joplin in intimate detail, from her childhood in<br />
Port Arthur, Texas to her groundbreaking career and untimely<br />
death.<br />
Incredible archive footage and interviews with musicians,<br />
friends and family are intercut with personal letters that offer a<br />
unique insight into Joplin’s exceptional talent and personal life.<br />
Challenging the male-dominated industry while affirming her<br />
talent, Joplin was a trailblazer, and this documentary makes<br />
essential viewing.<br />
Proudly presented by<br />
“Amy Berg brings an intimate voice to her absorbing<br />
documentary portrait of late blues-rock goddess<br />
Janis Joplin.”<br />
VARIETY<br />
DOCUMENTARIES<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
75
DIR: PIETER-JAN DE PUE<br />
BEL,IRE,NED,GER,AFG/2016/87MINS<br />
THE LAND OF THE ENLIGHTENED<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
MON 11, 7PM, LUNA<br />
SAT 16, 1.30PM, PARADISO<br />
thelandoftheenlightened.com<br />
We love documentary and it’s our enormous pleasure to present<br />
this outstanding examination of the people surrounded by conflict.<br />
Stunningly photographed in 16mm The Land of the Enlightened<br />
follows a group of Afghan children and teenagers in the war torn<br />
country.<br />
As American soldiers wait in a remote base and long for home, the<br />
Afghan youths survive on their wits by scavenging, stealing and<br />
barter, while dreaming of their own futures in the harsh landscape.<br />
A hybrid work that shifts between observational documentary and<br />
dramatic re-enactments, the film offers an evocative and poignant<br />
portrait of the next generation of Afghans and the land that is<br />
their home.<br />
Seven years in the making, The Land of the Enlightened is a<br />
remarkable work, that follows survival and youthful resilience in a<br />
perpetually war torn landscape that seems raw and barren, divided<br />
between mountains, plateaus, fields of poppies and vast skies.<br />
SUNDANCE FILM <strong>FESTIVAL</strong>:<br />
CINEMATOGRAPHY AWARD 2016<br />
76<br />
DOCUMENTARIES<br />
BOOKINGS: REVELATIONFILMFEST.ORG
DIR: JOHN DOWER<br />
UK/2015/99MINS<br />
LOUIS THEROUX:<br />
MY SCIENTOLOGY MOVIE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SAT 9, 9PM, LUNA<br />
SAT 16, 8.45PM, SX<br />
To win tickets to the special<br />
screening on 9 July, listen<br />
to 720 ABC Perth on air,<br />
online or via the<br />
ABC Radio App<br />
Unclassified 15+<br />
C LouisTheroux<br />
L @louistheroux<br />
Audiences will be familiar with Louis Theroux’s offbeat, slightly<br />
quizzical, style from his cult BBC television series currently<br />
broadcast on ABC and in My Scientology Movie the journalist<br />
turns his attention to the Church of Scientology.<br />
Long fascinated by the religion, Theroux’s exploration of the<br />
Church sees him talking to ex-members, employing actors,<br />
and, in a bizarre turn of events finding himself being followed<br />
by a camera crew.<br />
My Scientology Movie is a documentary that is funny and<br />
informative, and never less than strange.<br />
My Scientology Movie sees Theroux at his most provocative.<br />
“Louis Theroux’s attempt to get under Scientology’s skin<br />
is a giddy, Pythonesque delight”<br />
THE TELEGRAPH (UK)<br />
Proudly presented by<br />
DOCUMENTARIES<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
77
DIR: TRAVIS WILKERSON<br />
USA/2015/71MINS<br />
MACHINE GUN OR TYPEWRITER?<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SAT 9, 1PM, LUNA<br />
TUE 12, 6.45PM, LUNA<br />
SAT 16, 2.30PM, LUNA<br />
Unclassified 15+<br />
We were first introduced to Travis Wilkerson as a filmmaker<br />
back in the early days of Rev with his fantastic agit-essay on<br />
Cuban revolutionary filmmaker Santiago Alvarez - Accelerated<br />
Underdevelopment: In the Idiom of Santiago Alvarez. Since<br />
then we’ve stayed in touch and now he’s back with this<br />
excellent experimental agit-punk-noir work Machine Gun or<br />
Typewriter?<br />
Using a lot of found footage, lazy and laconic sequences of<br />
urban landscapes, animated graphic insertions and a hushed<br />
voice-over throughout, in this work “The protagonist, who<br />
we only ever see behind (and half obscured by) a microphone,<br />
narrates this idiosyncratic odyssey as the sole operator of a<br />
pirate radio station, using his latest broadcast to appeal to<br />
a former lover, for whom he’s searching in the aftermath of<br />
police crackdowns on Occupy.”<br />
It’s subversive, political, different and with a passing nod to<br />
Alvarez and experimental giant Chris Marker, Machine Gun or<br />
Typewriter? is an experimental feast with great musicality and<br />
very definite cool.<br />
78<br />
DOCUMENTARIES<br />
BOOKINGS: REVELATIONFILMFEST.ORG
DIR: FENTON BAILEY, RANDY<br />
BARBATO<br />
USA,GER/2016/108MINS<br />
MAPPLETHORPE:<br />
LOOK AT THE PICTURES<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SAT 9, 9PM, PARADISO<br />
SUN 10, 6.45PM, SX<br />
THU 14, 9PM, LUNA<br />
SAT 16, 4.45PM, LUNA<br />
C MapplethorpeFilm<br />
L @mapplethorpedoc<br />
mapplethorpefilm.com<br />
As an artist and photographer Robert Mapplethorpe created<br />
works that were stunning in their power. He created numerous<br />
iconographic images; from the portrait of his youthful muse<br />
and collaborator Patti Smith, which appears on the cover of<br />
Horses, through to meticulously crafted photographs of flowers,<br />
and controversial depictions of the gay S&M underground that<br />
caused outrage amongst the religious right of the eighties.<br />
What these works shared was the artist’s complete control of<br />
the photographic image: meticulously lit, perfectly framed, and,<br />
without fail, evocative in their sculptural beauty.<br />
In Mapplethorpe: Look at the Pictures, directors Bailey and<br />
Barbato (whose previous collaborations include directing<br />
Inside Deep Throat and Party Monster and producing Ru-Paul’s<br />
Drag Race ) tell the photographer’s story through interviews<br />
with family, friends, and partners, archive footage and the<br />
photographs themselves.<br />
The film follows the groundbreaking photographer’s life, from his<br />
childhood in Queens to two major retrospectives in Los Angeles,<br />
held years after his death, creating a cinematic portrait of one of<br />
the 20 th centuries’ most important artists.<br />
SUNDANCE 2016<br />
DOCUMENTARIES<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
79
DIR: ROSS LIPMAN<br />
UK, USA/1965 & 2015/130+20MINS<br />
NOTFILM + FILM<br />
DOUBLE BILL<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SUN 10, 4PM, LUNA<br />
MON 11, 6.30PM, SX<br />
SAT 16, 4PM, LUNA<br />
Unclassified 15+<br />
Director Ross Lipman is one of the world’s leading film archivists<br />
and film essayists. Having a fine record in working with hidden<br />
corners of cinema with Notfilm he brings to the fore one of those<br />
hidden and nearly lost moments. Bringing together the worlds<br />
of literature, theatre and cinema Lipman’s exhaustive work is<br />
enlighting in both its style and its content.<br />
Staring the legendary Buster Keaton and written and conceived<br />
by Samuel Beckett, Film was intended as a unique collaboration<br />
between artists and visionaries.<br />
NotFilm tells the story of the production of Film, exploring the<br />
creative collaboration that drew in figures including Grove Press’s<br />
Barney Rossett and director Alan Schneider (best known for<br />
directing Beckett’s works on stage).<br />
With incredible access to archive materials – from outtakes to<br />
recordings of production meetings – the evocative, fascinating<br />
cinematic essay NotFilm explores the nature of collaboration,<br />
film and the philosophical nature of the work.<br />
Following NotFilm, Revelation is proud to be screening Film, to<br />
enable audiences to see Schneider, Beckett and Keaton’s work.<br />
80<br />
DOCUMENTARIES<br />
BOOKINGS: REVELATIONFILMFEST.ORG
DIR:PENNY LANE<br />
USA/2016/79MINS<br />
NUTS!<br />
AUSTRALIAN PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SAT 9, 3PM, PARADISO<br />
TUE 12, 6.45PM, PARADISO<br />
FRI 15, 6.45PM, SX<br />
Unclassified 15+<br />
C NutsTheFilm<br />
L @nutsthefilm<br />
nutsthefilm.com<br />
Nuts! tells the almost unbelievable story of Dr John Romulus<br />
Brinkley, a depression-era ‘visionary’ who built his empire on<br />
a combination of border radio and goat testicle transplants<br />
(which consisted of transplanting slices of goat testicles into<br />
human males in order to cure impotence). Somehow he<br />
invented everything from junk mail to the infomercial, and was<br />
almost the Governor of Kansas.<br />
Through a combination of animation, archive footage and<br />
interviews, director Penny Lane offers an insight not just into<br />
one man but into the birth of the modern era, medicine and<br />
quacks, and the potential of mass media.<br />
Lovingly animated and a joy to watch, Nuts! is an exploration<br />
and celebration of a different era, of a world that is familiar yet<br />
somehow uncanny.<br />
“A ridiculously enjoyable ode to old, weird America”<br />
THE GUARDIAN<br />
SUNDANCE 2016: JURY AWARD<br />
FOR EDITING<br />
DOCUMENTARIES<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
81
DIR: ROBERTO MINERVINI<br />
FRANCE, ITALY /2015/92MINS<br />
THE OTHER SIDE<br />
AUSTRALIAN PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SAT 9, 3.20PM, SX<br />
SUN 17, 3PM, LUNA<br />
C oktafilm<br />
oktafilm.it/en/project/louisiana/<br />
OFFICIAL SELECTION: CANNES<br />
ITALIAN NATIONAL SYNDICATE<br />
OF FILM JOURNALISTS: BEST DOC<br />
MONTREAL INTERNATIONAL<br />
DOCUMENTARY FILM <strong>FESTIVAL</strong>:<br />
BEST CINEMATOGRAPHY<br />
PUSAN INTERNATIONAL FILM<br />
<strong>FESTIVAL</strong>: BEST CINEPHILE<br />
Premiering at Cannes, 2015, The Other Side isn’t for the faint of<br />
heart. The film offers a harrowing-yet-poignant portrait of rural<br />
Louisiana.<br />
This beautifully lensed documentary chronicles a world of drugs<br />
and guns, of anti-government militia prepping for the end-times,<br />
and of drug users struggling to make a buck.<br />
These appear to be hard lives, but under Minervini’s careful<br />
direction a more complex picture emerges. His vérité filmmaking<br />
style offering his subjects the space to breathe and their stories<br />
the opportunity to slowly unfold.<br />
This is not easy viewing, and there are no pleas for sympathy,<br />
but there is no judgement either, instead The Other Side offers a<br />
portrait of those who are forgotten by the world.<br />
Winning awards at the Pusan International Film Festival, Montreal<br />
International Documentary Festival, Seville European Film<br />
Festival, St Petersburg Message to Man Film Festival, amongst<br />
others, the film has been described by Variety as a “beautifully<br />
disquieting immersion in Louisiana lives.” The Other Side will stay<br />
with the viewer long after the credits have rolled.<br />
SEVILLE EUROPEAN<br />
FILM <strong>FESTIVAL</strong>: BEST<br />
CINEMATOGRAPHY AND BEST<br />
DIRECTOR<br />
ST PETERSBURG MESSAGE TO<br />
MAN FILM <strong>FESTIVAL</strong>: STUDENT<br />
JURY PRIZE<br />
82<br />
DOCUMENTARIES<br />
BOOKINGS: REVELATIONFILMFEST.ORG
DIR: TYLER HUBBY<br />
USA/2016/90MINS<br />
TONY CONRAD:<br />
COMPLETELY IN THE PRESENT<br />
AUSTRALIAN PREMIERE<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SAT 9, 11.15AM, LUNA<br />
THU 14, 8.45PM, LUNA<br />
SUN 17, 2.50PM, LUNA<br />
C TonyConradMovie<br />
L @tonyconradmovie<br />
tonyconradmovie.com<br />
A central figure in twentieth-century avant-garde culture Tony<br />
Conrad’s biography can be traced through music, cinema and<br />
visual art.<br />
Playing with, among others, John Cale and La Monte Young<br />
he developed Just Intonation and Minimalism, he played a<br />
pivotal role in the formation of the Velvet Underground, and<br />
collaborated with German cult group Faust.<br />
Conrad also directed the groundbreaking experimental film<br />
Flicker and worked on the soundtrack for the legendary<br />
underground movie Flaming Creatures.<br />
Equally at home with public access television, working as an<br />
artist, collaborating with musicians and inspiring students,<br />
Conrad’s influence extended throughout the worlds of music,<br />
art and film.<br />
Filming Conrad since the 1990s, Tyler Hubby’s debut<br />
documentary feature, completed shortly before Conrad’s<br />
death earlier this year, combines archive and interviews to offer<br />
a fascinating portrait of the inspirational artist.<br />
Proudly presented by<br />
DOCUMENTARIES<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
83
DIR: JOSH KRIEGMAN,<br />
ELYSE STEINBERG<br />
USA/2016/96MINS<br />
WEINER<br />
M T W T F S S<br />
7 8 9 10<br />
11 12 13 14 15 16 17<br />
SAT 9, 12.40PM, LUNA<br />
SUN 17, 1.15PM, SX<br />
To win tickets to the special<br />
screening on Saturday 9<br />
July, listen to 720 ABC<br />
Perth on air, online or via<br />
the ABC Radio app<br />
Classified M<br />
SUNDANCE FILM <strong>FESTIVAL</strong> 2016:<br />
GRAND JURY PRIZE<br />
The Grand Jury Documentary Prize winner at this year’s<br />
Sundance Film Festival, Weiner offers a fascinating, edge-of-theseat<br />
behind-the-scenes view of disgraced Congressman<br />
Anthony Weiner.<br />
The cut and thrust of political life is central to Weiner’s life, and,<br />
despite resigning from Congress in 2011 as the result of a sexting<br />
scandal, two-years later he decides to run for mayor of New York.<br />
But then another scandal breaks…<br />
Fly-on-the-wall documentary Weiner follows the campaign, but<br />
this rapidly expands into an exploration of family, devotion,<br />
loyalty, and the pitfalls of digital media. The results are a movie<br />
described by Variety as “a rollicking and never-dull insiders’ view<br />
of a political campaign.”<br />
Weiner unfolds at quite the most frenetic pace and just when<br />
you think things couldn’t go any more off the rails, the heat is<br />
turned up just that little more for him and us. For the viewer it<br />
reaches excruciating levels of tension - and not without subtantial<br />
humour. But amped to 11 throughout there’s simply no stopping<br />
this man - whatever wreckage he may leave in his wake.<br />
By turns funny, absurd and tragic, and always fascinating, Weiner<br />
is essential viewing.<br />
Proudly presented by<br />
84<br />
DOCUMENTARIES<br />
BOOKINGS: REVELATIONFILMFEST.ORG
WINTER<br />
ARTS<br />
<strong>FESTIVAL</strong><br />
UNIQUE. THRILLING. UNEXPECTED.<br />
1 JUNE – 31 AUGUST VISITPERTHCITY.COM<br />
Immerse yourself in Perth’s biggest<br />
winter festival with over 130 events.<br />
FEATURES<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
85
The City of Fremantle is a<br />
proud supporter of Revelation<br />
International Film Festival.<br />
If you have an exciting community or arts idea or<br />
event, consider applying for one of our grants.<br />
Rounds close the end of July and February annually.<br />
For more information visit:<br />
fremantle.wa.gov.au/grants<br />
Artwork by Nemco Uno - Sherrie Wilson Projects<br />
...ranked first in the country for skills development<br />
and top in WA for overall education quality, student<br />
satisfaction and full-time employment.<br />
– The West Australian, 11 May 2016<br />
T H E U N I V E R S I T Y O F<br />
NOTRE DAME<br />
A U S T R A L I A<br />
PERFORMING WELL FROM THE WEST END TO BROADWAY<br />
A university as<br />
unique as you.<br />
Notre Dame.<br />
Skills<br />
development<br />
#1 in Australia<br />
Graduate<br />
employment<br />
rate<br />
#1 in WA<br />
NOW SHOWING AT NOTREDAME.EDU.AU/QILT
SHORTS<br />
87
ABE & IKE<br />
DIR: CHRISTIAN LONG & JUSTIN LONG/USA/2016/11MINS<br />
Based on the Old Testament story of Abraham and<br />
Isaac, in 2016, the father and son work through their<br />
daddy issues...<br />
Screens with Pikadero<br />
AUSTRALIAN PREMIERE<br />
AISLING<br />
DIR: ALEXANDER GIBLIN/AUS/2015/17MINS<br />
When an ageing mercenary is mislead into killing a<br />
young girl, he exacts revenge on the woman who hired<br />
him.<br />
Screens with Kidnap Capital<br />
WORLD PREMIERE<br />
WORLD PREMIERE<br />
THE ARMS OF THE VENUS DE MILO<br />
DIR: ANDRÉAS GIANNOPOULOS/AUS/2016/13MINS<br />
A lonely sculptor locks himself away to start work on his<br />
first masterpiece, only to find himself on the fringes of<br />
an alien invasion.<br />
Screens with Art of the Prank<br />
BRAINLESS KILLERS<br />
DIR: REN THACKHAM/AUS/2015/18MINS<br />
Two journalists venture into the zombie inhabited town<br />
of Zombridge, a functioning town within the wider<br />
community of Australia, to interview the mayor. They<br />
find a story more worthy of telling but have to get out<br />
alive first.<br />
Screens with A Night of Horror<br />
COLORADO<br />
DIR: CHAD PETER/USA/2016/16MINS<br />
A young woman spends time on the road coming to<br />
terms with herself and the death of her father. A really<br />
very lovely road trip through the backroads of the US.<br />
Screens with Bridgend<br />
WORLD PREMIERE<br />
DAMAGE CONTROL<br />
DIR: SAMUEL BARTLETT/AUS/2015/5MINS<br />
It’s a dark, still night outside the pharmacy. Just<br />
another quiet shift for the two employees inside. A<br />
car pulls up out the front and a man hurriedly walks in<br />
to do some shopping. The clerk is instantly suspicious<br />
of his edgy behaviour and dishevelled appearance.<br />
He can’t be up to any good.<br />
Screens with Baskin<br />
AUSTRALIAN PREMIERE<br />
88<br />
SHORTS<br />
BOOKINGS: REVELATIONFILMFEST.ORG
AUSTRALIAN PREMIERE<br />
HOW DEEP CAN I GO?<br />
DIR: KAI SMYTHE/AUS/2015/5MINS<br />
The Hairy Soul Man returns with a 100% completely<br />
unsound all singing, all dancing and all imaginative art<br />
direction with ode to one man’s question of how far can<br />
he push his love...<br />
Screens with Eat That Question<br />
THE IMMACULATE MISCONCEPTION<br />
DIR: MICHAEL GEOGHEGAN/UK/2015/25MINS<br />
What if the second coming of Christ was to happen in<br />
the suburbs of Belfast in a dysfunctional family and with<br />
a daughter who’s best known for not perhaps doing<br />
precisely the right thing?<br />
Screens with Little Sister<br />
I REMEMBER YOU<br />
DIR: RAMON SAMSON/AUS/2015/5MINS.<br />
Jonathan, an elderly father with Alzheimers, lives his life<br />
trapped inside his own head, watching the world go by<br />
without him – he has lost the ability to communicate or<br />
control his body, but still retains a mental awareness of<br />
his surroundings. When his estranged son comes to visit<br />
him Jonathan desperately calls out asking him to stay.<br />
Screens with Patrick’s Day<br />
WORLD PREMIERE<br />
LAST WORDS<br />
DIR: LUCAS JATOBA & ANDREW GOLDIE/AUS/2016/15MINS<br />
Last Words tells the true stories of 8 convicts on<br />
death row and their last statements just before being<br />
executed by the state.“If you kill the murderer, the<br />
quantity of murderers will not change.” – Winston<br />
Churchill. Last Words is a film about regret,<br />
forgiveness and compassion.<br />
Screens with All Things Ablaze<br />
AUSTRALIAN PREMIERE<br />
THE MERMAID<br />
DIR: THOMAZ LABANCA/AUS/2015/16MINS<br />
A fishing crew lands the ultimate catch: A mermaid.<br />
Captive and sold to the highest bidder, she is left in the<br />
care of a boy who takes it upon himself to return her<br />
to sea. Throughout her journey, we are exposed to the<br />
best and worst of the human condition.<br />
Screens with Heart of A Dog<br />
WORLD PREMIERE<br />
OPHELIA<br />
DIR: ANTHONY GARLAND/USA/2016/8MINS<br />
A job interview takes an ominous turn as Ophelia’s<br />
insecurities manifest and she battles her way through a<br />
frightening exchange with her inquirers, culminating in a<br />
showdown with her inner self.<br />
Screens with Der Bunker<br />
AUSTRALIAN PREMIERE<br />
SHORTS<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
89
PASSION OF V<br />
DIR: DAVID SEOK HOON BOO/SOUTH KOREA/2016/39MINS<br />
Hoon dreams of imminent danger that is about to<br />
happen on Earth. In that same dream, Hoon meets<br />
a member of ‘Guardians of the Earth.’ The guardian<br />
appoints Hoon to be the pilot of the legendary hero<br />
‘Robot Taekwon V.’ Now Hoon must head to the<br />
National Assembly building to awaken Taekwon V and<br />
save the earth.<br />
Screens with Atmo HorroX<br />
WORLD PREMIERE<br />
RIVER<br />
DIR: STEPHANIE MAXWELL/USA/2015/10MINS<br />
River presents a unique perspective on the exquisite<br />
beauty that is present in infinite abundance when one<br />
focuses attention on the intimate motions of river water<br />
and its animated reflections and refractions of sunlight<br />
and sky.<br />
Screens with Ettrick<br />
AUSTRALIAN PREMIERE<br />
TEST<br />
DIR: JAY LIFTON/USA/2014/10MINS<br />
A seemingly unremarkable man spends a day taking<br />
a bizarre test at a mysterious facility. Through his day<br />
he interacts with the odd, detached employees of the<br />
facility, guiding him from section to section, obscuring<br />
the intentions or duration of the test.<br />
Screens with Aaaaaaaah!<br />
AUSTRALIAN PREMIERE<br />
WORLD PREMIERE<br />
THE WORST ALIEN IN THE WORLD<br />
DIR: ANTHONY FRITH/AUS/2015/7MINS<br />
The Worst Alien in the World is the final episode of<br />
a sitcom that’s long run past its prime. Facing down<br />
the last few hours of humanity, Albert confronts his<br />
adulterous wife and kicks out his golf loving alien<br />
stepson so he can take command of his destiny once<br />
and for all.<br />
Screens with Dude Bro Party Massacre III<br />
UPSIDE DOWN FEELING<br />
DIR: EDDIE WHITE/AUS/2015/10MINS<br />
Arthur, a young boy with a wild imagination, develops<br />
a preoccupation with death and disease and begins<br />
to explore mortality in the vivid images he sees in the<br />
movies and through a strange visitor from the past.<br />
Screens with Mad<br />
CLARE<br />
DIR: TONY LAWRENCE/AUS/2015/18MINS<br />
A girl finds herself in a strange place where she is<br />
confronted by desire. Shot using 5 different Super<br />
8mm film stocks and utilising homemade revolving<br />
light devices and speed.<br />
Screens with A Crackup at the Race Riots<br />
90<br />
SHORTS<br />
BOOKINGS: REVELATIONFILMFEST.ORG
SHORTS<br />
BOOKINGS: REVELATIONFILMFEST.ORG<br />
91
DIRECTOR<br />
NORTH METRO GRADUATE<br />
PRODUCER<br />
NORTH METRO GRADUATE<br />
CINEMATOGRAPHER<br />
NORTH METRO GRADUATE<br />
NORTHMETROTAFE.WA.EDU.AU
Handcrafted Jewellery I Engagement Rings I Wedding Bands I Custom Commissions I Argyle Pink Diamond Select Atelier<br />
www.rohanjewellery.com | Shop 2/162 Oxford Street | Leederville | 08 9242 1155 | design@rohanjewellery.com
CREDITS<br />
BOARD<br />
Ian Hale (Chair)<br />
Rebecca Matthews<br />
Claire McCarthy<br />
Ken Kelso<br />
Richard Skead<br />
Richard Sowada<br />
DEEP AND PERSONAL THANKS TO<br />
Ian Booth, Neta Gill and everyone at ScreenWest;<br />
Roslyn & Miller Sargeant; Keith Smith; Paul Tonta;<br />
Leederville Connect; Steve & Elouise & Daniel Worner;<br />
Leigh, Selena & Lauren McDonald; Hawthorn Hub;<br />
Aiden Thomas, David Revill & creatives at Nth Metro<br />
TAFE; everybody who submitted a film or suggested<br />
a title; all of our dedicated volunteers; Ian & Jasmine<br />
at The Backlot Perth; Lauren McDonough; Rebecca<br />
Matthews; Paul Timos; The Mike Kelley Foundation<br />
for the Arts; PICA; Dale Fairbairn and Richard Harris at<br />
Screen Australia; everyone who has ever worked with<br />
and for the event; Pete Collins; Ingrid, Tony, Candice,<br />
Sim, Jess, Morten and Toni and the whole Luna crew;<br />
everyone who has been so patient with us.<br />
CREDITS<br />
Festival Director:<br />
Richard Sowada<br />
Program Director:<br />
Jack Sargeant<br />
General Manager &<br />
Communications Director:<br />
Suzanne Worner<br />
Marketing & Partnerships Director:<br />
Mimi McDonald<br />
Festival Coordinator:<br />
Kylie Brown<br />
Print Traffic Coordinator:<br />
Felix Burrows<br />
Social Media Coordinator:<br />
Luke Caporn, Bianca Kartawiria<br />
Event Design:<br />
Tee Ken Ng, Katie Burgess<br />
FOLLOW<br />
AUSTRALIA<br />
ON FACEBOOK<br />
FACEBOOK.COM/VICEAUSTRALIA<br />
94<br />
DIRECTOR’S PICKS / CREDITS
SIENAS<br />
OF LEEDERVILLE<br />
RISORANE PIERIA AFFE<br />
115 Oxford Street<br />
Leederville<br />
PHONE: 9444 8844<br />
FAX: 9444 1779<br />
www.sienas.com.au<br />
OPEN 7 DAYS TIL LATE 149 SCARBOROUGH BEACH RD, MT HAWTHORN / PH: 9201 0271 / WWW.DIABOLIKBOOKS.COM.AU<br />
95
PROUD PARTNER OF<br />
REVELATION<br />
FILM <strong>FESTIVAL</strong><br />
MonDAY<br />
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to ThURSDAY<br />
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: 4pm<br />
WEEK<br />
tILL late<br />
FriDAY : 2pm TILL midnight / SatURDAY : 12pm TILL 1am<br />
FOR LUNCH AND DINNER FROM 11:30AM<br />
SunDAY : 12pm to 10pm<br />
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What<br />
are you<br />
going as?<br />
97
<strong>FESTIVAL</strong> SCHEDULE<br />
All sessions are classified 18+ unless otherwise indicated.<br />
Seating is sometimes limited. Early purchase and arrival is always recommended.<br />
98<br />
LUNA LEEDERVILLE<br />
CINEMA 1<br />
THURSDAY 7 TH JULY<br />
7.00pm<br />
FRIDAY 8 TH JULY<br />
5.15pm<br />
7.00pm<br />
9.00pm<br />
11.15pm<br />
Demolition<br />
SATURDAY 9 TH JULY<br />
11.00am<br />
12.40pm<br />
2.30pm<br />
4.40pm<br />
6.30pm<br />
9.00pm<br />
11.00pm<br />
SUNDAY 10 TH JULY<br />
11.00am<br />
12.15pm<br />
1.45pm<br />
5.00pm<br />
7.00pm<br />
9.00pm<br />
Jim Henson: Behind<br />
the Seams<br />
Eat That Question<br />
High-Rise<br />
Baskin<br />
Jim Henson: His<br />
Sesame Street Story<br />
Weiner<br />
All Things Ablaze<br />
Heart Of A Dog<br />
Suburra<br />
Louis Theroux: My<br />
Scientology Movie<br />
A Night Of Horror<br />
Jim Henson:<br />
Commercials and<br />
Experiments<br />
Dead Slow Ahead<br />
Human<br />
Janis<br />
Fresh Dressed<br />
The Love Witch<br />
MONDAY 11 TH JULY<br />
7.00pm<br />
9.00pm<br />
Land Of The<br />
Enlightened<br />
Art Of The Prank<br />
TUESDAY 12 TH JULY<br />
7.00pm<br />
9.00pm<br />
Indigenous<br />
Showcase<br />
Der Bunker<br />
WEDNESDAY 13 TH JULY<br />
7.00pm<br />
9.00pm<br />
Demolition<br />
Bridgend<br />
<strong>FESTIVAL</strong> SCHEDULE<br />
THURSDAY 14 TH JULY<br />
4.45pm<br />
7.00pm<br />
9.00pm<br />
FRIDAY 15 TH JULY<br />
4.45pm<br />
7.00pm<br />
9.00pm<br />
10.50pm<br />
The Dark Crystal<br />
Get Your Shorts On!<br />
Mapplethorpe: Look<br />
At The Pictures<br />
Jim Henson: In<br />
Performance<br />
Janis<br />
Wacken 3D<br />
Baskin<br />
SATURDAY 16 TH JULY<br />
10.20am<br />
12.30pm<br />
2.30pm<br />
4.45pm<br />
7.00pm<br />
9.00pm<br />
11.00pm<br />
SUNDAY 17 TH JULY<br />
12.45pm<br />
3.00pm<br />
5.00pm<br />
7.00pm<br />
9.00pm<br />
Labyrinth<br />
Paths Of The Soul<br />
The Whispering Star<br />
Mapplethorpe: Look<br />
At The Pictures<br />
The Banksy Job<br />
Swiss Army Man<br />
High-Rise<br />
All Things Ablaze<br />
The Other Side<br />
Don’t Blink: Robert<br />
Frank<br />
Eat That Question<br />
Revel8<br />
LUNA LEEDERVILLE<br />
CINEMA 4*<br />
*Limited seating, Admit 1 tickets not valid<br />
FRIDAY 8 TH JULY<br />
6.45pm<br />
8.45pm<br />
10.30pm<br />
SATURDAY 9 TH JULY<br />
11.15am<br />
1.00pm<br />
2.40pm<br />
5.00pm<br />
6.45pm<br />
8.45pm<br />
All the Time In The<br />
World<br />
Mad<br />
Little Sister<br />
Tony Conrad<br />
Machine Gun Or<br />
Typewriter?<br />
Kidnap Capital<br />
Invention<br />
Fursonas<br />
Atmo HorroX<br />
SUNDAY 10 TH JULY<br />
10.45am<br />
12.20pm<br />
2.15pm<br />
4.00pm<br />
6.45pm<br />
8.45pm<br />
MONDAY 11 TH JULY<br />
6.45pm<br />
8.45pm<br />
Ettrick<br />
All The Time In The<br />
World<br />
Somebody’s Mother<br />
NotFilm<br />
Experimental<br />
Showcase<br />
Atmo HorroX<br />
Aaaaaaaah!<br />
A Night of Horror<br />
TUESDAY 12 TH JULY<br />
6.45pm<br />
8.45pm<br />
Machine Gun Or<br />
Typewriter?<br />
Patrick’s Day<br />
WEDNESDAY 13 TH JULY<br />
6.45pm<br />
8.45pm<br />
Chemsex<br />
Dude Bro Party<br />
Massacre III<br />
THURSDAY 14 TH JULY<br />
6.45pm<br />
8.45pm<br />
Mad<br />
Tony Conrad<br />
FRIDAY 15 TH JULY<br />
5.45pm<br />
7.30pm<br />
10.20pm<br />
Fursonas<br />
Atmo HorroX<br />
The Love Witch<br />
SATURDAY 16 TH JULY<br />
11.15am<br />
12.45pm<br />
2.30pm<br />
4.00pm<br />
6.45pm<br />
8.45pm<br />
10.30pm<br />
SUNDAY 17 TH JULY<br />
11.15am<br />
1.15pm<br />
2.50pm<br />
4.40pm<br />
6.30pm<br />
8.45pm<br />
Ettrick<br />
Somebody’s Mother<br />
Machine Gun Or<br />
Typewriter?<br />
NotFilm<br />
Fursonas<br />
Aaaaaaaah!<br />
Dude Bro Party<br />
Massacre III<br />
A Crackup At The<br />
Race Riots<br />
Experimental<br />
Showcase<br />
Tony Conrad<br />
Art of the Prank<br />
Little Sister<br />
Kidnap Capital
<strong>FESTIVAL</strong> SCHEDULE<br />
LUNA PARADISO<br />
FRIDAY 8 TH JULY<br />
6.45pm<br />
8.45pm<br />
Boi Neon<br />
Time For Love<br />
SATURDAY 9 TH JULY<br />
12.45pm<br />
3.00pm<br />
4.40pm<br />
6.45pm<br />
9.00pm<br />
SUNDAY 10 TH JULY<br />
1.15pm<br />
3.00pm<br />
4.50pm<br />
6.45pm<br />
8.45pm<br />
Little Sister<br />
Nuts!<br />
The Man Who<br />
Became A Horse<br />
Pikadero<br />
Mapplethorpe: Look<br />
At The Pictures<br />
I Am Diego<br />
Maradona<br />
Invention<br />
Guarani<br />
Nahid<br />
Chemsex<br />
MONDAY 11 TH JULY<br />
6.45pm<br />
8.45pm<br />
Avalanche<br />
Horizontes<br />
TUESDAY 12 TH JULY<br />
6.45pm<br />
8.45pm<br />
Nuts!<br />
A Crackup At The<br />
Race Riots<br />
WEDNESDAY 13 TH JULY<br />
6.45pm<br />
8.45pm<br />
I Am Diego<br />
Maradona<br />
Risk of Acid Rain<br />
THURSDAY 14 TH JULY<br />
6.45pm<br />
8.45pm<br />
FRIDAY 15 TH JULY<br />
6.45pm<br />
8.50pm<br />
Avalanche<br />
The Whispering Star<br />
The Man Who<br />
Became A Horse<br />
Mad<br />
SATURDAY 16 TH JULY<br />
1.30pm<br />
3.30pm<br />
5.15pm<br />
6.45pm<br />
8.45pm<br />
Land Of The<br />
Enlightened<br />
A Time For Love<br />
Horizontes<br />
Heart Of A Dog<br />
Fresh Dressed<br />
SUNDAY 17 TH JULY<br />
12.45pm<br />
3.15pm<br />
5.20pm<br />
6.45pm<br />
8.45pm<br />
LUNA SX<br />
FRIDAY 8 TH JULY<br />
6.45pm<br />
8.45pm<br />
Bridgend<br />
Risk Of Acid Rain<br />
Guarani<br />
Nahid<br />
Der Bunker<br />
Aaaaaaaah!<br />
Fresh Dressed<br />
SATURDAY 9 TH JULY<br />
1.45pm<br />
3.20pm<br />
5.15pm<br />
6.45pm<br />
8.45pm<br />
SUNDAY 10 TH JULY<br />
12.45pm<br />
2.30pm<br />
4.30pm<br />
6.45pm<br />
8.50pm<br />
Jim Henson: In<br />
Performance<br />
The Other Side<br />
Jim Henson:<br />
Commercials and<br />
Experiments<br />
Don’t Blink: Robert<br />
Frank<br />
Eat That Question<br />
MONDAY 11 TH JULY<br />
6.30pm<br />
9.15pm<br />
Jim Henson: His<br />
Sesame Street Story<br />
The Art of the Prank<br />
Labyrinth<br />
Mapplethorpe: Look<br />
At The Pictures<br />
Pikadero<br />
NotFilm + Film<br />
Janis<br />
TUESDAY 12 TH JULY<br />
6.45pm<br />
8.45pm<br />
Paths Of The Soul<br />
Kidnap Capital<br />
WEDNESDAY 13 TH JULY<br />
6.45pm<br />
8.45pm<br />
Jim Henson: Behind<br />
The Seams<br />
High-Rise<br />
THURSDAY 14 TH JULY<br />
6.45pm<br />
8.45pm<br />
All Things Ablaze<br />
Swiss Army Man<br />
FRIDAY 15 TH JULY<br />
6.45pm<br />
8.45pm<br />
Nuts!<br />
Suburra<br />
SATURDAY 16 TH JULY<br />
12.45pm<br />
2.40pm<br />
4.45pm<br />
6.45pm<br />
8.45pm<br />
SUNDAY 17 TH JULY<br />
1.15pm<br />
3.00pm<br />
6.20pm<br />
8.45pm<br />
All The Time In The<br />
World<br />
Patrick’s Day<br />
Dark Crystal<br />
Dead Slow Ahead<br />
Louis Theroux: My<br />
Scientology Movie<br />
Weiner<br />
Human<br />
The Love Witch<br />
The Banksy Job<br />
STATE LIBRARY<br />
THEATRE<br />
MON 11 – FRI 15 JULY (FREE)<br />
10am<br />
2pm<br />
Jim Henson’s Tales<br />
From Muppetland<br />
Muppet Musical<br />
Moments<br />
WEDNESDAY 13 TH JULY<br />
4pm<br />
Media Perspectives<br />
Student Film<br />
Screening<br />
<strong>FESTIVAL</strong> SCHEDULE 99<br />
99
TICKET & VENUE INFORMATION<br />
VENUES & ENQUIRIES<br />
LUNA LEEDERVILLE<br />
155 Oxford Street, Leederville 9444 4056<br />
CINEMA PARADISO<br />
164 James Street, Northbridge 9227 1771<br />
LUNA ON SX<br />
13 Essex Street, Fremantle 9430 5999<br />
PERTH INSTITUTE OF<br />
CONTEMPORARY ARTS (PICA)<br />
51 James St, Perth 9228 6300<br />
HEATH LEDGER THEATRE,<br />
STATE THEATRE CENTRE OF WA<br />
174-176 William Street, Perth<br />
THE BACKLOT PERTH<br />
21 Simpson Street, West Perth 9227 1837<br />
STATE LIBRARY OF WESTERN AUSTRALIA<br />
25 Francis Street, Perth 9427 3111<br />
NORTH METROPOLITAN TAFE<br />
Cnr Oxford & Richmond Streets, Leederville<br />
(Revelation Academic)<br />
30 Aberdeen St, Northbridge (ATOM seminar)<br />
BILL BAR AND BITES<br />
742 Newcastle St, Leederville<br />
BABUSHKA<br />
742 Newcastle St, Leederville<br />
THE SOUP KITCHEN<br />
TBS (to be surprised!)<br />
#perthsoupnazi<br />
EDITH COWAN UNIVERSITY<br />
2 Bradford St, Mt Lawley<br />
GENERAL ENQUIRIES:<br />
admin@revelationfilmfest.org<br />
PURCHASING ONLINE*<br />
revelationfilmfest.org or lunapalace.com.au<br />
Before and during the festival: advance ticket<br />
and pass purchases from lunapalace.com.au<br />
*Counter tickets for specific titles are only available at specific<br />
venues<br />
TERMS & CONDITIONS<br />
All tickets are unreserved<br />
General admission applies, so be early!<br />
Unless purchasing online, tickets for individual films<br />
must be purchased at the relevant screening venue<br />
Passes do not guarantee entry to sold-out sessions<br />
unless you redeem your tickets early from that venue.<br />
All sessions are classified 18+ unless otherwise<br />
indicated<br />
Sessions in Luna cinemas 3+4 have limited seating so<br />
do book early!<br />
TICKETS*<br />
SINGLE ADMISSION:<br />
$18.50 Full<br />
$15 Concession<br />
$13.50 Members<br />
OPENING NIGHT FILM + PARTY:<br />
$50 Full<br />
$40 Concession<br />
*3D films additional $3 charge<br />
PASSES<br />
Passes are valid at all screenings except<br />
Opening Night, WASAs, Revelation Academic,<br />
and Super8 Masterclass.Tickets from passes<br />
must be redeemed at the venue box office.<br />
Gold pass includes Opening Night. Not valid<br />
for multiple tickets for a single film from the<br />
same pass...it’s one ticket per pass.<br />
GOLD PASS: $200 (that’s $3 per film) Valid for<br />
all films, including Opening Night. Excludes<br />
WASAs, Revelation Academic and Super8<br />
Masterclass<br />
MINI 6 PASS: $85 (over $110 value) Valid for<br />
6 films. Excludes Opening Night, WASAs,<br />
Revelation Academic and Super8 Masterclass<br />
CONNECT 4 PASS: $60 (Over $70 value)<br />
Valid for 4 films. Excludes Opening Night,<br />
WASAs, Revelation Academic and Super8<br />
Masterclass<br />
MEMBERSHIP<br />
$250 available at revelationfilmfest.org<br />
100<br />
TICKET & VENUE INFORMATION
REVELATION PARTNERS<br />
The Revelation Perth International Film Festival proudly present their partners for 2016.<br />
We’re immensely grateful for their wonderful support so please support them where you can.<br />
Cinemascope Gold<br />
Widescreen Silver<br />
Supporting<br />
PARTNERS<br />
101
International films across<br />
Perth, thanks to you<br />
Lotterywest is proud to support Australia’s<br />
leading independent film event, the<br />
Revelation Perth International Film Festival.<br />
The screen community is an important<br />
creative industry in Western Australia<br />
and Lotterywest is proud to support the<br />
development and production of local<br />
stories through ScreenWest.<br />
Every time you play Lotterywest Games,<br />
a third of what you spend goes back to<br />
the WA community through our grants,<br />
allowing us to continue supporting the<br />
local community.<br />
lotterywest.wa.gov.au<br />
Lotterywest<br />
Games<br />
Lotterywest<br />
Grants<br />
Play Responsibly gamblinghelponline.org.au 1800 858 858
GUZMAN Y GOMEZ PRESENTS<br />
PERTH'S<br />
FRESHEST<br />
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NACHOS<br />
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BURRITOS<br />
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WINNER<br />
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GUZMAN Y GOMEZ ARE PROUD SUPPORTERS OF REVELATION PERTH INTERNATIONAL FILM <strong>FESTIVAL</strong><br />
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