BUZZ Magazine, July 2016
Tampa Bay Music News: This month we feature an article on the Drum Circles happening in Tampa Bay; A new venue with live music just opened in St. Petersburg; How do deal with your sound guy; CD Reviews and MORE!
Tampa Bay Music News: This month we feature an article on the Drum Circles happening in Tampa Bay; A new venue with live music just opened in St. Petersburg; How do deal with your sound guy; CD Reviews and MORE!
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“Tzigani” by The Craic: CD Review<br />
With drums roaring out of my speakers spitting<br />
fire, a firehouse alarm of bagpipes and shouts<br />
from an excited crowd, the melody of the first<br />
song on The Craic’s (“The Crack’s”) latest cd Tzigani<br />
transported this listener to a time of homemade war<br />
paint, Scottish clan kilts, swinging sporran and probably<br />
too much mead. The only thing missing was a turkey leg<br />
hoisted in the air as the warrior/mead drinker stood with<br />
arms akimbo and brandished it against his or her foe.<br />
“Join the Fray” continued the theme with bagpipes held<br />
aloft in the forefront and gorgeous rhythmic and powerful<br />
rock-like drumming. “Someday, any day one fine day<br />
to break away. Someday, any day one fine day to join the<br />
fray,” voices chanted. Whereof is this fray of which they<br />
speak? It was such a rousing tune I’d love to find it and<br />
join them on their quest.<br />
The third song, “Ushti Ushti Baba”, began with long,<br />
languid lines I’ve seldom heard played by a bagpipe.<br />
Gorgeous, actually. Not punchy like the previous two<br />
songs; then the violin and drum joined in to bring an<br />
almost mythic, foreign yet classical Scheherazade-like<br />
melody to the forefront. Do you remember Scheherazade<br />
from your middle school education? She was that<br />
legendary queen and the storyteller of the Arabian classic,<br />
One Thousand and One Nights. I could almost smell<br />
the incense and feel the intrigue in the shadows.<br />
The rest of the fine and rousing tunes on this cd harkened<br />
back to the live show I saw the band perform at<br />
Gulfport a few months ago. I confess; my favorite song is<br />
“Step It Out Mary” because I love the story and also the<br />
conviction with which it is delivered.<br />
If you can see The Craic live, go! They are highly passionate<br />
and entertaining, as well as wonderful storytellers.<br />
If you are not able to catch them live anytime soon buy<br />
this cd as it is a close second in entertainment value,<br />
historical throwbackness (is that even a word??) and<br />
vigor! As in very vigorous drumming, piping, violin(-ing)<br />
and singing. I found myself dancing in my chair and<br />
trying to remember where I packed my veils and leather<br />
stomp boots …<br />
14 / BAY<strong>BUZZ</strong>.ORG / JULY <strong>2016</strong><br />
Recorded and produced in 2015 by Daniel O’Ryan and<br />
mastered by Aaron “Kailan” Berman, the band’s members<br />
are Daniel O'Ryan, Tonya The Norse, Leon Cecili<br />
Martin and Arnoldo Colina.<br />
About The Craic (from their Facebook page):<br />
The CRAIC is a 4-piece, themed drama & musical act<br />
using heavy percussion and medieval bagpipes. Many<br />
various styles of drumming and percussions compliment<br />
haunting "old style" pipes and vocals. The CRAIC is modeled<br />
after traditional medieval / renaissance theater and<br />
music yet also incorporates percussion techniques of<br />
Japanese Taiko, West African Djembe and Australian<br />
Aboriginal. The piping is modeled after traditional central<br />
European medieval styles, yet with a modern intense<br />
approach similar to that of a rock band.<br />
The CRAIC also uses various pots ‘n pans and swords ‘n<br />
daggers as alternative percussion instruments. Full skits<br />
are performed using these "instruments" in a heavy<br />
percussive and tribal way. The CRAIC has been likened to<br />
medieval versions of STOMP and Blue Man Group.<br />
Visit Craic on Facebook