BUZZ Magazine, July 2016
Tampa Bay Music News: This month we feature an article on the Drum Circles happening in Tampa Bay; A new venue with live music just opened in St. Petersburg; How do deal with your sound guy; CD Reviews and MORE!
Tampa Bay Music News: This month we feature an article on the Drum Circles happening in Tampa Bay; A new venue with live music just opened in St. Petersburg; How do deal with your sound guy; CD Reviews and MORE!
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American Song Box - What Is and Never Was<br />
CD Review by Phil Traynor<br />
The recording, mixing and mastering took place at the<br />
very well-equipped Springs Theater Arts and Recording<br />
in northern Tampa. Engineer John Zumwalt Stephan<br />
(noted in the Tampa Bay area for his many recordings of<br />
the Florida Orchestra and the Master Chorale of Tampa<br />
Bay and many regional and national acts) gave the band<br />
a very warm and accessible sound. I personally found the<br />
drums to be a bit up front in the mix, and I might have<br />
liked a little more clarity and separation between the<br />
piano and guitar to give them more of their own spaces<br />
in the mix; but the overall sound is very clean and organic,<br />
with just enough polish for a smooth, professional<br />
sheen.<br />
The moment the new CD from Tampa Bay based<br />
American Song Box starts, you’re transported to a<br />
comfortable and familiar place. The opening<br />
strains of “Play With Love” are jaunty and easygoing; it<br />
feels very much like a Randy Newman tune both vocally<br />
and instrumentally. This folksy rural character continues<br />
throughout the 10-song disc, with a consistently blended<br />
sound and with earnest, emotional songwriting demonstrated<br />
on every piece.<br />
The band’s acoustic full-band folk/Americana sound is a<br />
well-rehearsed one that shows their length of service<br />
together. Founded in 2011 by Scranton PA native Todd<br />
Murphy and RJ Kerker, who met at open mics in Tampa,<br />
the sound is fleshed out by the percussion of Chris Evans<br />
who rounds out the core trio; and the CD is aided by<br />
Clifton Roesch on bass, Angelique Van Dorpe on violin,<br />
and a purported “Eloquent Barbarian” on harmonica.<br />
Murphy’s guitar and Kerker’s piano lay a smooth and<br />
well-arranged chordal bed, and the rest of the supporting<br />
cast add tasteful touches throughout. The solo work<br />
from the harmonica, violin, and piano are all melodic,<br />
passionate, and musical. Murphy’s gravelly baritone is<br />
full of interest, warmth, and character; emphasizing<br />
emotion and expression.<br />
Standout pieces for me include the aforementioned<br />
“Play With Love”, the haunting “The Art of Self Undoing”,<br />
the gently entreating “One Hand on the Plow” and<br />
“What Is and Never Was” (all penned by Murphy); as<br />
well as the aching final cut “Forever Isn’t Enough Time”,<br />
Kerker’s lone compositional contribution. That said,<br />
there are no real holes from a songwriting perspective,<br />
and the album has a solid, logical, and pleasing flow. I<br />
suspect that American Song Box is even better experienced<br />
live; as this type of music is usually keener in the<br />
heat of the moment - I imagine Murphy to be a powerful<br />
performer in front of an audience, feeding off the emotion<br />
of the crowd.<br />
American Song Box has played most recently at prominent<br />
gigs like this year’s Orange Blossom Jamboree,<br />
Heatwave, and at the <strong>2016</strong> WMNF Americana Fest. They<br />
have an engagement this <strong>July</strong> 10 th at the Taste of Plant<br />
City, and a variety of performances through the Bay area<br />
this year, where you can obtain your own copy of What<br />
Is and Never Was.<br />
https://www.reverbnation.com/amersongbox<br />
https://www.facebook.com/americansongbox/<br />
8 / BAY<strong>BUZZ</strong>.ORG / JULY <strong>2016</strong>