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Leaving São Paulo<br />

a video and fotonovela<br />

Valerie LeBlanc and Daniel H. Dugas<br />

BBE


Attribution-NonCommercial-NoDerivatives<br />

4.0 International<br />

You are free to:<br />

Share — copy and redistribute the material in any medium or format The licensor cannot revoke these<br />

freedoms as long as you follow the license terms.<br />

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were<br />

made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses<br />

you or your use.<br />

NonCommercial — You may not use the material for commercial purposes.<br />

NoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified<br />

material.<br />

No additional restrictions — You may not apply legal terms or technological measures that legally restrict<br />

others from doing anything the license permits.<br />

Any of the above conditions can be waived if permission is obtained from the copyright holder(s). Nothing<br />

in this license impairs or restricts the author’s moral rights.<br />

National Library of Canada Cataloguing in Publication Data.<br />

Dugas, Daniel H.<br />

LeBlanc, Valerie<br />

ISBN 978-0-9952531-0-0<br />

Leaving São Paulo<br />

by Valerie LeBlanc and Daniel H. Dugas<br />

Version .5 / July 20, 2016<br />

Published by Basic Bruegel Editions<br />

Moncton, NB Canada<br />

www.basicbruegel.com<br />

BBE<br />

ABOUT<br />

Leaving São Paulo, the video<br />

While the editing process of video / film is often used to speed up the<br />

time perspective in relation to a particular storyline (basically, the story<br />

has to be told within the standard ninety minutes), the editing of Leaving<br />

São Paulo offers the viewer chances to meditate upon the irony of travel<br />

deadlines and the meaning of cultural exposure during a very condensed<br />

journey.<br />

Scribbled notes have been organized by date and interspaced over 20<br />

minutes of running time. The footage has been significantly slowed to<br />

allow the viewer time and space to take in more than could be experienced<br />

in a real time taxi ride from downtown São Paulo to the airport. Color<br />

treatment references both the exotic visual cityscape and retrospective<br />

travel postcards available in downtown newsstands. The slowed musical<br />

score becomes a meditative drone.<br />

Leaving São Paulo, the fotonovella<br />

Laying out photo stills from the video with the texts over top is another<br />

way of slowing the passage of time. It allows chances to savor the words<br />

and images.<br />

VL / DHD<br />

July 19, 2016<br />

leavingsaopauloblog.wordpress.com


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