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Leaving São Paulo<br />
a video and fotonovela<br />
Valerie LeBlanc and Daniel H. Dugas<br />
BBE
Attribution-NonCommercial-NoDerivatives<br />
4.0 International<br />
You are free to:<br />
Share — copy and redistribute the material in any medium or format The licensor cannot revoke these<br />
freedoms as long as you follow the license terms.<br />
Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were<br />
made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses<br />
you or your use.<br />
NonCommercial — You may not use the material for commercial purposes.<br />
NoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified<br />
material.<br />
No additional restrictions — You may not apply legal terms or technological measures that legally restrict<br />
others from doing anything the license permits.<br />
Any of the above conditions can be waived if permission is obtained from the copyright holder(s). Nothing<br />
in this license impairs or restricts the author’s moral rights.<br />
National Library of Canada Cataloguing in Publication Data.<br />
Dugas, Daniel H.<br />
LeBlanc, Valerie<br />
ISBN 978-0-9952531-0-0<br />
Leaving São Paulo<br />
by Valerie LeBlanc and Daniel H. Dugas<br />
Version .5 / July 20, 2016<br />
Published by Basic Bruegel Editions<br />
Moncton, NB Canada<br />
www.basicbruegel.com<br />
BBE<br />
ABOUT<br />
Leaving São Paulo, the video<br />
While the editing process of video / film is often used to speed up the<br />
time perspective in relation to a particular storyline (basically, the story<br />
has to be told within the standard ninety minutes), the editing of Leaving<br />
São Paulo offers the viewer chances to meditate upon the irony of travel<br />
deadlines and the meaning of cultural exposure during a very condensed<br />
journey.<br />
Scribbled notes have been organized by date and interspaced over 20<br />
minutes of running time. The footage has been significantly slowed to<br />
allow the viewer time and space to take in more than could be experienced<br />
in a real time taxi ride from downtown São Paulo to the airport. Color<br />
treatment references both the exotic visual cityscape and retrospective<br />
travel postcards available in downtown newsstands. The slowed musical<br />
score becomes a meditative drone.<br />
Leaving São Paulo, the fotonovella<br />
Laying out photo stills from the video with the texts over top is another<br />
way of slowing the passage of time. It allows chances to savor the words<br />
and images.<br />
VL / DHD<br />
July 19, 2016<br />
leavingsaopauloblog.wordpress.com
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