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Introduction<br />
<strong>The</strong> flashes <strong>of</strong> light were glimmering in <strong>the</strong> evening at Red Rocks Amphi<strong>the</strong>atre<br />
in <strong>the</strong> Rockies outside <strong>of</strong> Denver. <strong>The</strong> screams echoed through <strong>the</strong><br />
rocks and <strong>the</strong> canyons as <strong>the</strong> moon and stars lit up <strong>the</strong> night. On <strong>the</strong> stage,<br />
<strong>the</strong> boys were finishing <strong>the</strong>ir thirty-one minutes <strong>of</strong> vocal electricity. But<br />
what you can never forget in this natural stage <strong>of</strong> drama is <strong>the</strong> eyes <strong>of</strong> <strong>the</strong><br />
boys and girls in <strong>the</strong> audience, especially <strong>the</strong> girls. <strong>The</strong>ir eyes were usually<br />
fixed on one <strong>of</strong> <strong>the</strong> boys, but <strong>the</strong>y never blinked. Tears would roll down <strong>the</strong>ir<br />
faces, tears <strong>of</strong> joy and love. <strong>The</strong> appeal <strong>of</strong> <strong>the</strong> boys, mixing with <strong>the</strong> power<br />
<strong>of</strong> <strong>the</strong> music, transformed <strong>the</strong> people sitting in <strong>the</strong> seats into silent lovers,<br />
<strong>the</strong>ir dreams <strong>of</strong> true connection with <strong>the</strong> Fabs so real; and <strong>the</strong> ones who<br />
were <strong>the</strong>re will never forget <strong>the</strong> stories.<br />
For this reporter, watching <strong>the</strong> crowd night after night at sixty-six<br />
concerts over two years was an unmatched social experience. But <strong>the</strong> real<br />
grit <strong>of</strong> traveling in <strong>the</strong> airplanes and <strong>the</strong> cars, and sleeping doors away from<br />
<strong>the</strong> <strong>Beatles</strong>, was discovering what <strong>the</strong>y were all about.<br />
Mere mortals? Yes. Entertaining? Beyond anything I had ever<br />
witnessed. Intriguing? Absolutely. But <strong>the</strong> way I witnessed <strong>the</strong>m went<br />
beyond <strong>the</strong> silly headlines <strong>of</strong> “mop-tops” and <strong>the</strong> Fab Four. Because along<br />
with just a few o<strong>the</strong>rs in <strong>the</strong> narrow confines <strong>of</strong> a scary airplane, its turboprop<br />
motors keeping me up late at night, I discovered <strong>the</strong> real people<br />
behind <strong>the</strong> mask <strong>of</strong> stereotypes.<br />
<strong>The</strong>re was devilish and unpredictable John, crushing mashed potatoes<br />
and peas into my hair. <strong>The</strong> threat <strong>of</strong> ice cubes down <strong>the</strong> back <strong>of</strong> my shirt<br />
was always present. But <strong>the</strong> most dangerous man on <strong>the</strong> plane was young<br />
Paul, only four months older than me, propping up a pillow, ready for an<br />
intense pillow flight that sometimes ended in a flight <strong>of</strong> fea<strong>the</strong>rs across<br />
<strong>the</strong> aisle. Ringo was quieter, but he was funny as he bounced up and down<br />
<strong>the</strong> aisles. George, who hated flying, looked at me during an emergency<br />
landing in Portland, Oregon, and yelled out, “Larry, remember it’s <strong>Beatles</strong><br />
and children first!”<br />
<strong>The</strong>y were lovely people, famous but not yet reclusive and fed up with<br />
fame. <strong>The</strong>y cared about <strong>the</strong> people surrounding <strong>the</strong>m, checking on <strong>the</strong><br />
supporting acts (who, after all, were <strong>of</strong>ten shouted down by <strong>the</strong> crowds,<br />
8 SOME FUN TONIGHT