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Queen Street News Toronto

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Theatre: A Madhouse Dramedy 2012 <strong>Toronto</strong> Fringe Festival<br />

The evening heat is sweltering as I<br />

take my seat at the Vladimir<br />

Institute at 620 Spadina for the<br />

23rd annual fringe festival . Happy<br />

for the air conditioning and stirred<br />

to curiosity by the gentle piano<br />

music and the two actors on stage<br />

each casually reading the<br />

newspaper, the mood is set as I<br />

appreciatively take a seat.<br />

Suddenly a phone rings. The<br />

actors look up. The curtains close.<br />

Laughter from the audience<br />

follows and the mood is set, and<br />

so begins “A Madhouse Dramedy”,<br />

a bizarre play that is humorously<br />

cryptic and about a whole lot of<br />

nothing and everything. A quirky,<br />

fast paced dramatic comedy it is<br />

about three people whose lives are<br />

intertwined in more ways than<br />

one, and also their psychiatrist,<br />

whom is lying dead on the floor.<br />

Dorian, the “Alpha Male”, played<br />

by Alexander Offord, is sexually<br />

frustrated and in a forced<br />

marriage with Joanna, played by<br />

Nicole Wilson. Then there is<br />

Taylor, played by the Ichabod<br />

Crane esque Graeme Black<br />

Robinson.<br />

Taylor is the afterthought of<br />

Dorian and Joanna, living with<br />

them because he is Dorians<br />

brother and seemingly his<br />

responsibility. It was starting to<br />

become clear as to why it is called<br />

A Madhouse Dramedy.<br />

These three seriously need the<br />

help of a therapist. Hence Mildred,<br />

the dead psychiatrist played by<br />

Genevieve Trottier. Her role is not<br />

only that of a corpse, but also has<br />

the bearer of wisdom as she<br />

delves into the psyche of each<br />

character, allowing the audience<br />

an insight as to why these three<br />

became her clients in the first<br />

place.<br />

A Madhouse Dramedy is the type<br />

of play that requires<br />

concentration. It is written in a<br />

sort of double speak and on top of<br />

that, the play unravels backwards,<br />

from the actual event of the<br />

psychiatrist ending up dead to<br />

what led these characters to be in<br />

group therapy and what caused<br />

the events that followed. Once one<br />

gets past the jargon it is actually<br />

quite an interesting concept, and<br />

deeper than what I originally<br />

anticipated. The fact that the<br />

audience has to follow closely to<br />

get what each character means is<br />

sort of refreshing in the 21st<br />

century, a time where everything<br />

is instantaneous and information<br />

is always at our fingertips. The<br />

fact that the audience was<br />

required to stay focused enough to<br />

catch the point of all of it is right<br />

up my alley.<br />

Not entirely a laugh-out-loud type<br />

of funny but witty and intelligent,<br />

A Madhouse Dramedy is not only<br />

eccentric but has a real message<br />

about seizing the day and living<br />

your life for you and to the fullest.<br />

torontotheater-reviews.com is printed in five local papers. : Jen Allard<br />

cabbagetownnews.com - stclairmagazine.com - bloornews.com - collegestreetnews.com - danforthmagazine.com - queenstreetnews.com Page 28

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