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<strong>Summer</strong> <strong>Tour</strong> <strong>2016</strong><br />
Principal Corporate Partner<br />
Principal Venue Partner
Inspiring<br />
At United Technologies, we believe that ideas and inspiration create<br />
opportunities without limits. UTC applauds the European Union<br />
Youth Orchestra for its important role in transcending cultural, social,<br />
economic, religious, and political boundaries in the pursuit of<br />
musical excellence.<br />
To learn more, visit www.naturalleader.com.
Co-Chairmen’s Message<br />
For 40 years the European Union Youth Orchestra has represented<br />
and embodied the highest ideals of European cultural unity and<br />
cooperation. As Europe has grown and expanded its membership,<br />
so has the Orchestra. In its ranks, at its desks, young musicians from<br />
28 nations between the ages of 16 and 26 work, play, learn, make<br />
music, make friendships, gain understanding, grow as musicians and<br />
as people. Which nation they come from only partly relevant, for<br />
they are united by a sense of a shared cultural heritage, a common<br />
cultural vision. Each season they start as 120 individuals; by the end<br />
they are an orchestra, that magical blending of brilliant individual<br />
skills and distinct personalities into a harmonious whole. Just like the<br />
European ideal itself. When the European Union Youth Orchestra<br />
performs, it is the expression of the European dream i n practice<br />
and in reality. It is the finest, most vivid ambassador for a vision.<br />
But the experience does not stop when the players leave. Over 40 years,<br />
several thousand musicians have colonised Europe’s music making.<br />
Many people the ranks of the greatest orchestras of the continent.<br />
Others teach, innovate, explore, inspire. They never forget what they<br />
learned with their fellow colleagues from the EU’s 28 countries.<br />
All of this nearly came to an end earlier this year when we announced<br />
that in the absence of continued core funding from the EU we<br />
would have to cease operations. The resulting outburst of support<br />
for the EUYO internationally was astounding and the EU has now<br />
undertaken to sustain the orchestra both in the short and the long<br />
term. We hope that in practice this will enable the continuation of<br />
the Orchestra. The scale of respect, affection and trust shown to<br />
the Orchestra at this time by the world of the arts was more than<br />
could have been anticipated and places on us a responsibility to<br />
continue to justify the confidence of the EUYO’s many supporters.<br />
Contents<br />
Co-Chairmen’s Message 1<br />
Welcome Message 3<br />
Milestones 4<br />
Tributes 6<br />
Thanks 8<br />
The Future 10<br />
<strong>Summer</strong> <strong>Tour</strong> 12<br />
Conductors 16<br />
Soloists 18<br />
The Orchestra 22<br />
Awards 30<br />
Tutors 33<br />
Honorary Patrons / Committees 36<br />
Partners, Supporters and Friends 38<br />
Governance 40<br />
Photo © Geoff Wilson<br />
Sir John Tusa<br />
Trustee, Co-Chair<br />
Ian Stoutzker CBE<br />
Orchestra Board Chair, Trustee, Co-Chair<br />
EUYO > CO- CHAIRMEN’S MESSAGE<br />
1
Congratulations!<br />
Askonas Holt warmly congratulates the<br />
players and management of the European<br />
Union Youth Orchestra on the occasion<br />
of its 40th anniversary!<br />
At Askonas Holt, we guide the careers of world-class conductors,<br />
instrumentalists and singers, and arrange tours for a prestigious list<br />
of international orchestras, dance and opera companies. We are<br />
thrilled to be working closely with the EUYO on its remarkable<br />
Capital Sounds project.<br />
www.askonasholt.co.uk<br />
Making TOURS Happen<br />
PHOTO © JACQUI J. SZE
Welcome Message<br />
Monday 8 March and Thursday 22 April 1976 were seemingly unremarkable<br />
days. Yet when the cultural history of the EU comes to be written they<br />
could enter the history books, for these were, respectively, the dates<br />
when the European Parliament passed a unanimous resolution to found<br />
the European Community (now Union) Youth Orchestra and when the<br />
European Commission confirmed its official Patronage of the Orchestra.<br />
The scale of achievement of the EUYO in the ensuing years is articulated in<br />
the following pages by tributes from a number of the world’s great artists,<br />
politicians and – surely most profoundly – the players themselves. By any<br />
measure, the EUYO has combined performance excellence with a unique<br />
cultural ambassadorship for the EU, acting as an emblem for the European spirit<br />
of freedom, co-operation and creativity, in Europe and around the globe.<br />
To celebrate this tradition, the Orchestra is launching ‘Capital Sounds’, an<br />
ambitious project to visit all the EU Capital Cities in the coming years with<br />
performances that reflect not only the pan-European nature of the Orchestra,<br />
but also focus on the cultural identities of each country. The Project launches<br />
in Bratislava on 7 August in celebration of Slovakia’s EU Presidency, and<br />
continues this summer to Amsterdam, Berlin, Ljubljana and Warsaw.<br />
Amidst celebration however, it is impossible not to mention the crisis in EU<br />
funding for the EUYO earlier this year that nearly caused its closure, a reminder<br />
that even the most impressive achievements are eternally at risk if they are not<br />
properly safeguarded. We hope very much that a solution to the Orchestra’s<br />
funding from the EU can be found, for as I write discussions are ongoing but<br />
not yet resolved. Should they be resolved, then a question is worth posing:<br />
as the world changes, increasingly complex, progressively more connected,<br />
how can the EUYO best be of service, developing its role as a tangible beacon<br />
of the EU’s finest ideals during such an undeniably testing time for Europe?<br />
For now, though, we welcome you to our summer <strong>2016</strong> anniversary tour.<br />
Marshall Marcus<br />
Chief Executive,<br />
European Union Youth Orchestra<br />
EUYO > WELCOME<br />
3
Milestones<br />
From Amsterdam to Abu Dhabi, New York to Nicosia, Moscow to Mumbai, Seoul to São Paolo<br />
and beyond, the EUYO has performed so far in 4 Continents, 43 countries, 177 cities and 224<br />
venues, including cities in all 28 EU Member States. A regular visitor to many of the world’s<br />
greatest concert halls including the Amsterdam Concertgebouw, the BBC Proms, and the<br />
Edinburgh, Lucerne and Salzburg festivals, the Orchestra’s Principal Venue Partner and most<br />
important home has, since 2014, been at Grafenegg as part of the Grafenegg Festival.<br />
Below are a few of the landmark projects of the first 40 years of the Orchestra.<br />
Herbert von Karajan conducting<br />
EUYO in Salzburg 1980<br />
Daniel Barenboim in<br />
rehearsal with EUYO 1981<br />
Leonard Bernstein © Jack Mitchell<br />
and Jessye Norman, Soprano<br />
Mstislav<br />
Rostropovich<br />
1978<br />
Inaugural tour conducted<br />
by Founding Music Director<br />
Claudio Abbado, to<br />
Amsterdam, Bonn, Paris,<br />
Luxembourg, Brussels,<br />
Milan and Rome<br />
1980<br />
Herbert von Karajan conducts<br />
the Orchestra in Salzburg with<br />
soloist Anne-Sophie Mütter<br />
1981<br />
EUYO performs under the<br />
baton of Daniel Barenboim<br />
1982<br />
<strong>Tour</strong> to Mexico<br />
1984<br />
<strong>Tour</strong> to China and Hong Kong<br />
1985<br />
<strong>Summer</strong> <strong>Tour</strong> including<br />
London, Athens, Hiroshima,<br />
Budapest, Vienna, Berlin,<br />
Copenhagen, Amsterdam,<br />
Lucerne, Paris and Vienna<br />
with conductors Claudio<br />
Abbado, Leonard Bernstein<br />
and Eiji Oue, and soloists<br />
Jessye Norman, Karita Mattila,<br />
Christa Ludwig, Barbara<br />
Hendricks and Mi Dori<br />
1987<br />
Concerts in Bari, Rome,<br />
Ravenna, Brussels, Paris,<br />
Dublin, London, Oxford with<br />
conductor James Judd, and<br />
soloists Sir Yehudi Menuhin<br />
and Dmitris Sgouros<br />
1988<br />
<strong>Tour</strong> to USA performing<br />
in New York, Washington<br />
D.C. and Boston<br />
EUYO > MILESTONES<br />
2000<br />
Vladimir Ashkenazy<br />
succeeds Bernard<br />
Haitink as the EUYO’s<br />
Music Director<br />
2004<br />
The Orchestra returns<br />
to Brazil to celebrate<br />
the city of São Paulo’s<br />
450th anniversary<br />
2007<br />
Concerts in Berlin (TV<br />
broadcast concert celebrating<br />
50th Anniversary of the<br />
signing of the Treaty<br />
of Rome), Garmisch-<br />
Partenkirchen, Bolzano,<br />
Zurich, Genova, Bologna,<br />
Astana & Almaty (Kasakhstan)<br />
with Conductor Vladimir<br />
Ashkenazy and soloists<br />
Sir James Galway, Janine<br />
Jansen, Lady Jeanne Galway,<br />
Zsolt-Tihamer Visontay,<br />
Aiman Musakhodzhaeva<br />
and Amir TebenIkhin<br />
2008<br />
<strong>Tour</strong> to Japan,<br />
China and Korea<br />
2010<br />
EUYO performs at<br />
Shanghai Expo<br />
2012<br />
Second tour to USA including<br />
performances at Carnegie<br />
Hall and Kennedy Center<br />
in concerts conducted by<br />
Vladimir Ashkenazy with<br />
soloists Reinhold Friedrich,<br />
Khatia Buniatishvili, Vilde<br />
Frang, Pinchas Zukerman,<br />
Itzhak Perlman, Yefim<br />
Bronfman and Mark Kaplan<br />
4
Claudio Abbado<br />
conducting EUYO 1978<br />
Ravi Shankar<br />
Vladimir Ashkenazy<br />
Bernard Haitink in rehearsal<br />
with EUYO Luxembourg, 1995<br />
Vasily Petrenko,<br />
Chief Conductor EUYO<br />
1989<br />
<strong>Tour</strong> to Rome, Madrid,<br />
London, New Delhi,<br />
Calcutta and Bombay with<br />
conductor Zubin Mehta<br />
and soloist Ravi Shankar<br />
1991<br />
Christmas tour to Berlin,<br />
Moscow, St Petersburg<br />
with conductor Claudio<br />
Abbado and soloists Viktoria<br />
Mullova and Evgeny Kissin<br />
1992<br />
Concerts in Luxembourg,<br />
Copenhagen, Amsterdam,<br />
Luzern, Munich, London,<br />
Epidaurus, Birmingham,<br />
Nice, Rome with conductors<br />
Carlo Maria Giulini and<br />
Mstislav Rostropovich<br />
1994<br />
Concerts in Maastricht,<br />
Moscow, St Petersburg,<br />
Tallinn, Riga, Vilnius with<br />
conductor Vladimir Ashkenazy<br />
and soloist Dimitri Ashkenazy<br />
1994<br />
Bernard Haitink appointed<br />
as the ECYO’s Music Director<br />
succeeding Claudio Abbado<br />
1995<br />
Concerts in Luxembourg,<br />
Montpellier, Baden Baden,<br />
Lubeck, London, Amsterdam,<br />
Santander, Perelada<br />
and Lucerne conducted<br />
by Bernard Haitink and<br />
Mstislav Rostropovich with<br />
soloists Charlotte Margiono<br />
and Martha Argerich<br />
1996<br />
South American tour to<br />
celebrate the Mercosur<br />
Treaty, with conductor<br />
Vladimir Ashkenazy<br />
1998<br />
EUYO performs at the<br />
World Economic Forum<br />
with Iván Fischer<br />
2013<br />
EUYO opens the rebuilt<br />
Pjazza Teatro Rjal in Valetta,<br />
Malta in a concert under the<br />
Patronage of the President<br />
of Malta, and performs in<br />
Skopje, Former Yugoslav<br />
Republic Of Macedonia, as<br />
part of ‘Skopje Remembers’<br />
to mark the 50th anniversary<br />
of the 1963 earthquake<br />
2014<br />
The Orchestra’s Middle<br />
East debut with tour to<br />
Abu Dhabi, and launch<br />
of the European Music<br />
Campus in partnership with<br />
Grafenegg, the Towards 2020<br />
programme, and the Adopt<br />
an Orchestra Programme in<br />
partnership with the Megaron<br />
Thessaloniki. Beginning<br />
of a Global Exchange<br />
programme with Brazilian,<br />
Chinese and US partners<br />
2015<br />
Vasily Petrenko appointed<br />
as Chief Conductor of the<br />
EUYO. Bernard Haitink CH,<br />
KBE, becomes Conductor<br />
Laureate of the EUYO. Debut<br />
of the Orchestra’s first woman<br />
conductor, Xian Zhang<br />
<strong>2016</strong><br />
40th anniversary of the<br />
founding of the Orchestra<br />
with the launch of the<br />
Capital Sounds Project<br />
to take the Orchestra to<br />
performances in all EU<br />
Member State capitals<br />
EUYO > MILESTONES<br />
5
Tributes<br />
“I am proud to congratulate the<br />
European Union Youth Orchestra on<br />
its 40th anniversary. From the very<br />
beginning, a simple but powerful<br />
vision has shaped your great project: a community working<br />
together to achieve peace and social understanding. It is a<br />
vision that is shared by the European Union and its institutions,<br />
and a vision that inspires as much today as it ever has.<br />
We sometimes forget that the European Union, at its<br />
heart, always was and always will be a cultural project.<br />
While our political, economic and social achievements<br />
are most visible, our underlying mission is to negotiate<br />
Europe’s great cultural and linguistic diversity so that<br />
different peoples can live side by side in peace. This is the<br />
work we do every day, and it is something that art and<br />
music instinctively understand. No human organisation<br />
embodies this mission better than an orchestra.<br />
The European Union Youth Orchestra remains one of our<br />
most distinguished ambassadors. Its devotion to musical<br />
excellence is equalled only by its commitment to its young<br />
musicians and their development. In its efforts to promote<br />
education, creativity and understanding among our peoples,<br />
the Orchestra offers a potent symbol of our European Union.<br />
An orchestra that symbolises the best of the European ideals.<br />
The very embodiment of the motto of the European Union:<br />
United in Diversity. ”<br />
Jean-Claude Juncker<br />
President of the European Commission<br />
“As Honorary President of the<br />
European Union Youth Orchestra,<br />
I would like to reiterate my<br />
wholehearted support to your<br />
orchestra on the occasion of your 40th anniversary. The<br />
European Commission, the European Parliament – and<br />
myself personally, we are fully committed to finding the<br />
best solution for your organisation to continue to promote<br />
the positive values of music among the European youth.<br />
On 8th March 1976, a resolution of the European<br />
Parliament created the Orchestra to bring together<br />
talented young musicians. It has since then become<br />
a renowned European Orchestra, representing the<br />
values of the EU and building bridges not just between<br />
musicians, but also between cultures and peoples.<br />
For the audiences which will have the privilege to attend<br />
one or more of your concerts, you truly represent a cultural<br />
ambassador of the European Union. With young musicians<br />
from across the 28 countries of the European Union,<br />
performing together, your orchestra perfectly embodies<br />
the power of being united in diversity. Your search for<br />
harmony in a time when people and countries go out of<br />
tune on our very core principles is rewarding and inspiring.<br />
I would be more than happy to once again have<br />
the opportunity to listen to you and share this<br />
joy with as many Europeans as possible.”<br />
Martin Schulz<br />
President of the European Parliament<br />
EUYO > TRIBUTES<br />
To celebrate this anniversary, your Orchestra plans to visit<br />
many European capitals over the summer. This wonderful<br />
initiative will be an unforgettable experience for the<br />
young talented musicians fortunate enough to join.<br />
6
“For forty years the European Union Youth<br />
Orchestra has united the young generations<br />
of our continent through music. This is<br />
Europe at its best. In hard times like the<br />
ones we are living, the EUYO sends a<br />
powerful message to all the young people<br />
of our continent: your time is now”.<br />
Federica Mogherini<br />
High Representative of the European Union<br />
for Foreign Affairs and Security Policy,<br />
Honorary Patron of the EUYO, <strong>2016</strong><br />
“The European Union Youth Orchestra is<br />
Europe at its best. The young musicians of<br />
the EUYO symbolize the values and ideals<br />
that lie at the heart of Europe – solidarity,<br />
culture diversity, cross-border mobility,<br />
intercultural dialogue and collaboration”.<br />
Androulla Vassiliou<br />
Former EU Commissioner for Education,<br />
Culture, Multilingualism and Youth<br />
“The youth orchestra has been a symbol of<br />
cultural diversity in Europe for 40 years… If<br />
this European Union Youth Orchestra did not<br />
already exist, you’d have to start one now”.<br />
Monika Grütters<br />
Federal Government Commissioner<br />
for Culture and the Media<br />
“Pre-eminent cultural ambassadors for the EU”<br />
Herman van Rompuy<br />
Former President of the European Council<br />
“This is Europe at its best: openness and<br />
readiness to listen and embrace others’<br />
ideas to better chart the future.”<br />
“…undoubtedly one of the most successful<br />
and loved European co-operation projects”.<br />
José Manuel Durão Barroso<br />
Former President of the European Commission<br />
“As the EU prepares for its historic<br />
enlargement eastwards, the Youth Orchestra<br />
can proudly say it has blazed the way”.<br />
Hans-Gert Pöttering (2003)<br />
Former President of the European<br />
Parliament and current Chairman of<br />
the Konrad Adenauer Foundation<br />
“…the remarkable European Union Youth<br />
Orchestra enlisting musicians from 15<br />
European nations. By their art these orchestras<br />
greatly contribute to strengthening mutual<br />
understanding among peoples and to the<br />
construction of the common European home”.<br />
Boris Yeltsin (1997)<br />
Former first President of the Russian Federation<br />
“I am delighted to learn that the ECYO is<br />
touring Europe and India as part of the<br />
birth centenary celebrations of Jawaharlal<br />
Nehru. This is a befitting tribute to one who<br />
had tremendous faith in the capabilities<br />
of youth. I extend a warm welcome<br />
to the ECYO on its tour of India”.<br />
Rajiv Gandhi (1989)<br />
Former Prime Minister of India<br />
“For over a decade, you have remained<br />
committed to enhancing the considerable<br />
talents of young musicians, while serving<br />
as an important symbol of European<br />
unity and cooperation. I commend you as<br />
ambassadors of goodwill who bring delight<br />
to audiences the world over. Through<br />
your inspiring performances, you enhance<br />
our love and appreciation of music”.<br />
Ronald Reagan (1988)<br />
Former President of the United States of America<br />
“[The ECYO] proves that our cultural<br />
differences – far from presenting an obstacle –<br />
brings common riches, creativity and success”.<br />
Jacques Delors (1985)<br />
Former President of the European Commission<br />
“The Youth Orchestra perfectly fulfils its task.<br />
It carries with it, from one frontier to another,<br />
the hope of unity and a promise of friendship”.<br />
Jacques Chirac (1986)<br />
Former President of France, former<br />
Prime Minister of France<br />
“The ECYO sets an example to us all<br />
by demonstrating what harmony<br />
amongst nations can achieve”.<br />
Margaret Thatcher (1985)<br />
Former Prime Minister of the United Kingdom<br />
“The EUYO is of huge importance to the<br />
European Union, bringing together talented<br />
young people from all 28 member states in<br />
order to create an orchestra of the highest<br />
artistic level. The EUYO promotes political and<br />
cultural collaboration, and is a powerful symbol<br />
of everything that the EU strives to attain”.<br />
Vasily Petrenko<br />
Chief Conductor, EUYO<br />
For 40 years the European Union Youth<br />
Orchestra has been the very definition of<br />
excellence and commitment, consistently<br />
proving the value of bringing together young<br />
people from diverse European cultures”.<br />
Bernard Haitink<br />
Conductor Laureate, EUYO<br />
“Since its inception in 1976, the EUYO has<br />
been one of the world’s most prestigious<br />
orchestras and brings together the most<br />
talented young musicians from all 28 EU<br />
member states to create a unique orchestra.<br />
The impressive music educational aspect is<br />
nevertheless secondary to the symbolism<br />
of this unique EU cultural institution, where<br />
the idea of a peaceful and united Europe is<br />
lived out and made tangible to the public”.<br />
Sir Simon Rattle, Martin<br />
Hoffman, Ulrich Knorzer,<br />
Knut Weber Berlin Philharmonic Orchestra<br />
“The Orchestra is a symbol of coming<br />
together that is important for everyone”.<br />
Gianandrea Noseda, Music Director, Teatro<br />
Regio Torino, Music Director Designate National<br />
Symphony Orchestra Washington DC, Chief Guest<br />
Conductor Designate London Symphony Orchestra<br />
“For 40 years, thousands of the best musicians<br />
In Europe played in this wonderful orchestra<br />
conducted by all the greatest conductors and<br />
soloists. We learned, we shared and enjoyed<br />
music all together. This orchestra is a symbol<br />
of what the European Union should be”.<br />
Renaud Capuçon<br />
Violinist, Artistic Director Aix-en-Provence<br />
and Sommets Musicaux de Gstaad Festivals<br />
“The EUYO is one of the most proactive<br />
bodies in shaping and defining orchestral<br />
and musical life in the 21st century… For 40<br />
years the EUYO has encapsulated European<br />
values in a unique and powerful structure,<br />
across all member states, demonstrating<br />
and developing excellence in a holistic and<br />
progressive way, looking at the artistic and<br />
social power of music to transform lives”.<br />
Directors and Secretariat of the<br />
European Concert Hall Organisation<br />
“The EUYO inspires beyond the boundaries<br />
of Europe. The very existence of the<br />
New World Symphony is a product<br />
of one of those inspirations”.<br />
Michael Tilson Thomas, Artistic Director,<br />
Howard Herring, President and CEO<br />
New World Symphony, Miami, USA<br />
“… Among those superb projects that<br />
inspired us over the years to develop<br />
our own musical institutions, the EUYO<br />
is the best example in the world of<br />
commitment to the future generations and<br />
excellence in training young musicians”.<br />
Marcelo Lope<br />
Executive Director, Osesp Foundation,<br />
Orquestra Sinfônica do Estado de São Paulo, Brazil<br />
“Of all the institutions of the European<br />
Union this is surely the most profoundly<br />
successful. My experiences both playing in and<br />
listening to the EUYO were transformative:<br />
there is no way one can be involved in<br />
the orchestra without developing a deep<br />
love not only for the music and culture<br />
of Europe but for its people as well”.<br />
Alec Frank-Gemmill<br />
Principal Horn Scottish Chamber Orchestra<br />
“Where else is there such a strong voice<br />
for the EU – a large community of people<br />
travelling the continent as 28 nations, working<br />
in absolute harmony together? Isn’t this<br />
everything that the EU should stand for?”<br />
Emily Davis<br />
Concertmaster EUYO, Principal First Violin,<br />
City of Birmingham Symphony Orchestra<br />
EUYO > TRIBUTES<br />
7
Thanks<br />
EUYO > THANKS<br />
8<br />
To Joy Bryer for selflessly<br />
promoting an ideal<br />
The European Community Youth Orchestra (later to become<br />
the EUYO) was founded in 1976 by Joy Bryer and Lionel<br />
Bryer, together with Sir Edward Heath and Founding Music<br />
Director Claudio Abbado. The aim was to create an Orchestra<br />
which would represent the European ideal of a community<br />
working together to achieve peace and social understanding,<br />
whilst providing an invaluable professional development<br />
experience for young orchestral musicians at the highest<br />
levels of excellence.<br />
Joy Bryer has been recognised all over Europe for her work,<br />
which has impacted on the lives of thousands of Europe’s<br />
musicians. Amongst her accolades, she has received the<br />
Chevalier des Arts et des Lettres (from the French Government)<br />
1996, the Officer de l’Ordre Grand-Ducal de la Couronne de<br />
Chêne (from the Luxembourgish Government) 1997, a medal<br />
of honour from President Gil Robles (European Parliament)<br />
1998 and the Comandante della Repubblica Italiana in 2004.<br />
Joy’s commitment to the education of Europe’s finest<br />
young musicians, to their scholarship, and to their continued<br />
professional development has set her apart from others.<br />
Wherever she goes she takes with her an impassioned belief<br />
in the importance of investing in Europe’s youth. She believes<br />
in and advocates for access to culture as a fundamental<br />
human right, and lobbies governments and institutions to<br />
create the social and economic conditions for this right to be<br />
enjoyed by all. If the EUYO has achieved anything in its first<br />
40 years, it is through her inspiration, her drive and her vision.<br />
At this critical moment the entire organisation salutes her.<br />
To our Artistic Leaders<br />
The Orchestra's reputation for artistic excellence derives<br />
in major part from the work of its Music Directors and<br />
Chief Conductor. The legendary work of Founding Music<br />
Director Claudio Abbado established a benchmark in not<br />
only performance excellence but also orchestral spirit which<br />
endures to the present. Between the 1990s and 2015 this<br />
tradition was continued by Music Directors Bernard Haitink<br />
and Vladimir Ashkenazy with extraordinary musicianship,<br />
skill and generosity. Today, Vasily Petrenko as Chief<br />
Conductor, and Bernard Haitink as Conductor Laureate,<br />
lead the Orchestra and are developing its artistic tradition<br />
as it looks towards 2020 and to the next decades of its<br />
existence. Together with the Orchestra's other conductors<br />
and soloists – in recent years including notable names<br />
such as Gianandrea Noseda and Itzhak Perlman – and the<br />
Orchestra's Tutors, they are the artistic engine of the EUYO.
To our Residency Partners, and in<br />
particular Grafenegg, our Principal<br />
Venue Partner and <strong>Summer</strong> Home<br />
Every Orchestra needs a home, and the EUYO, particularly<br />
because of the huge hinterland of its players, is no<br />
exception. Over the years the Orchestra has gathered<br />
to rehearse in many places – Bolzano, Interlaken,<br />
Luxembourg, Thessaloniki, to name but a handful of such<br />
locations. But one location and one festival has emerged<br />
in the last few years to play the most significant role of<br />
any venue in supporting us, and that is Grafenegg.<br />
We give particular thanks to Ian Stoutzker, Rudolf<br />
Buchbinder and Tassilo Metternich for help in developing<br />
the European Music Campus. Without their vision,<br />
commitment and determination the Orchestra would<br />
be in a far less fortunate position than it currently is.<br />
To the 28 EU Member States and<br />
The European Union’s institutions<br />
We thank the Heads of State, Prime Ministers, and Ministers<br />
of Culture of all 28 EU Member States, as well as their<br />
grant giving bodies and National Associate Partners,<br />
without whom our performances would not be possible.<br />
We would also like to thank the Presidents of the European<br />
Commission, the Presidents of the European Parliament<br />
and all the other EU leaders who have shown support<br />
during the 40 years of the Orchestra’s existence.<br />
To all the Orchestra’s Supporters<br />
down the years, particularly UTC,<br />
our Principal Corporate Partner<br />
We would like to thank all of our supporters, a number of<br />
whom wish to remain anonymous, who have donated to<br />
our organisation since its foundation. These donations, of<br />
varying dimension, are incredibly important to the success<br />
of the Orchestra. UTC have sponsored the EUYO for two<br />
years, a staunch supporter of developing young people<br />
and an active contributor to our programme of activities.<br />
We thank each and every one of our supporters for<br />
investing in Europe’s next generation of musical leaders.<br />
To our players<br />
An orchestra is its players. We have been fortunate to work<br />
for many years with Europe’s brilliant emerging talent.<br />
Each year, our musicians never fail to perform to exacting<br />
standards of excellence whilst retaining their dynamism,<br />
commitment and energy. We learn so much from them, and<br />
are proud to work alongside these 28 different nationalities.<br />
To our staff<br />
Finally, we would like to thank our hard-working and<br />
committed staff. This has been a testing year, and the<br />
future still remains uncertain for many. Yet, each day<br />
these individuals give so much of themselves to support<br />
the future of European classical music through the work<br />
of the Orchestra. The EUYO is fortunate to have such<br />
an exceptional group of people, and regardless of the<br />
future, the EUYO’s team will have been a most significant<br />
contributor to its endurance through challenging times.<br />
EUYO > THANKS<br />
9
The Future<br />
“an orchestra united by a sense of shared cultural heritage<br />
EUYO > THE FUTURE<br />
10<br />
It is a give<br />
n that the<br />
21st century has brought major changes<br />
and fresh challeng<br />
es to cultural organisations worldwide,<br />
and that the pace of this tran<br />
a sformationo<br />
will intensify in the<br />
future. Increasingly, the best orchestral work connects with<br />
broad, diverse audiences as much as conventional<br />
concert<br />
goers, delivering events<br />
for a huge, almost bewildering<br />
vari<br />
ety of local, national and global communities.<br />
In this context reinvigoration<br />
and adaptation is required<br />
by arts organisations in order to thrive rather than<br />
simply<br />
survive.<br />
During the first 37 years of the EUYO’s life,<br />
under the inspirational leadership of Joy Bryer an<br />
d an<br />
extraordinary group of Music<br />
Directors beginnin ng with<br />
Claudio Abbado, the Orches<br />
tra established an unrivalled<br />
reputation<br />
as a European<br />
training orches<br />
tra.<br />
That trad<br />
ition<br />
speaks<br />
for<br />
itsel<br />
f. But<br />
now<br />
the<br />
challenge<br />
is to take that<br />
tradition forward an<br />
d – wi<br />
thout in any<br />
way<br />
losing it – add<br />
to it with<br />
innovation,<br />
making work<br />
that re<br />
sponds<br />
not only<br />
to the diver<br />
sifica<br />
cation<br />
of audiences referr<br />
ed to ab<br />
ove,<br />
but also<br />
to the new forms of entre<br />
preneurship that<br />
Europe’s current<br />
economic landscape now requires.<br />
In response to these<br />
challenges,<br />
since<br />
2013 the European<br />
Un<br />
ion Youth Orch<br />
estra has been focusing on four<br />
aven<br />
ues of development: a rene<br />
wal of its<br />
leadership<br />
an<br />
d governance, a new Ch<br />
ief Conductor and Conduc<br />
tor<br />
Laur<br />
eate as part<br />
of a re<br />
newed focus on artistic standards,<br />
a new home at the Grafen<br />
egg Festival, and for the first<br />
time in its history, multi-year pr<br />
ojects providing longterm<br />
vehicles for development,<br />
including the Towards<br />
2020<br />
0 programme and the<br />
Capital Sounds project<br />
.<br />
The Towards 2020<br />
0 ( T2<br />
020) 0 programme is designed to<br />
skill talented<br />
young<br />
musicians<br />
from all the EU’s count<br />
ries<br />
to engage with a broad range<br />
of 21<br />
st century aud<br />
iences,<br />
combining conventi<br />
onal<br />
orchestral trai<br />
ning and innovatory<br />
projects. At T2020’s0 hear<br />
t is a Par<br />
tnership of 11 org<br />
anisationsns<br />
from 10 EU count<br />
ries, and more than 35 additional Associate<br />
Pa<br />
rtners<br />
from 4 continents, including all EU member states.<br />
In<br />
dividual T2020 in<br />
itiatives are many and<br />
varied,<br />
including<br />
The European<br />
Music<br />
Campus at Grafenegg, Adopt an<br />
Orchestra in Thessaloniki,<br />
i, the<br />
Spazio<br />
Klassik<br />
mobile music<br />
space in Bolzano, and a new urban music programme<br />
developed with<br />
the<br />
BOZAR<br />
in Brussels. Th<br />
ere are new<br />
training programmes for alumni<br />
teachers,<br />
the developing<br />
of youth orchestras in Cyprus, Greece, e, Malta<br />
and<br />
Slovakia, a<br />
Global Exchang<br />
e Prog<br />
ramme,<br />
new<br />
concert formats, a new<br />
digital plat<br />
atform, and employab<br />
ility programmes for<br />
areas<br />
of high EU youth unemploym<br />
ent in Portugal and Romania.<br />
a.<br />
This verit<br />
able ‘laboratory’ signifiies a collective<br />
determination to create a model for sustainable<br />
employ<br />
ment<br />
and<br />
aud<br />
ience developmen<br />
t with<br />
in class<br />
ical<br />
music that can also serve as best prac<br />
tice for<br />
other
Photo © Sebastian Philipp<br />
and common cultural vision, all in pursuit of excellence”<br />
sectors. From 2014–15 T2020 0 was co-funded by the EU’s<br />
Creative Europe Programme. Stable future funding for<br />
T20200<br />
is no<br />
w a key obje<br />
ctive for the Programme.<br />
Capital So<br />
unds<br />
is another project<br />
that is planned<br />
to<br />
weave into the<br />
future programme of the<br />
Orchestra. A<br />
series of concerts<br />
in all EU capitals will<br />
celebrate the<br />
EUYO’s<br />
anniversary through the<br />
prism of the nations<br />
from<br />
whom the EUYO’s players<br />
come, and without whom<br />
it would not<br />
exist. Each performance<br />
will include a key<br />
note<br />
speech by a significant<br />
figure of that country, and<br />
performances by young people – separately curated<br />
in each co<br />
untry – wi<br />
ll refllect the musical<br />
tradi<br />
tion of<br />
that<br />
country. The Capital Sounds<br />
project is presented<br />
in<br />
association with<br />
the<br />
music agency Askonas Holt, and is being<br />
developed jointly with<br />
the EUYO’s networ<br />
k of 28 National<br />
Associat<br />
e Partnersrs and<br />
28 grant giving organisations.<br />
None of th<br />
is work will be possible without<br />
som<br />
e ma<br />
jor<br />
supporters, including the 28 EU member<br />
statet s, our<br />
Principal Corpor<br />
ate Partner UTC and our Prin<br />
cipal<br />
Ve<br />
nue Partner Grafenegg.<br />
g. And<br />
as we develop<br />
our<br />
relationship<br />
with the EU, there are addition<br />
al objectives<br />
when<br />
considering the<br />
future. They are alluded to<br />
in that question<br />
posed<br />
in the opening pa<br />
ges of this<br />
brochure: ‘as the world changes, increasingly comp<br />
lex,<br />
prog<br />
ressively more<br />
connected, how can the EUYO best be<br />
of servi<br />
ce, developing its<br />
role as an EU ambassador during<br />
such<br />
an undeniably testing time for Europe?’<br />
As a starter, the EU is providing so<br />
me of its own answers<br />
to such qu<br />
estions, as a glimpse at rec<br />
ent EU initiatives<br />
shows. The announcement by High Representative Federica<br />
Mogherini of a strategy to put culture<br />
at the heart of<br />
external<br />
relations, Co<br />
mmissioners Ansip and Oettinger’s<br />
work on onli<br />
ne digital platforms, and the announcement of<br />
2018 as European<br />
Cultural He<br />
ritage<br />
Year are all exampl<br />
es<br />
of interesting signposts. The critical<br />
question is only how<br />
to ensure that<br />
the<br />
Orchestra<br />
is able<br />
to engage with the<br />
right peop<br />
le at the right level with<br />
in the European Union,<br />
an ent<br />
ity which is, after al<br />
l, as complex as it is idealistic.<br />
But st<br />
epping back for a mo<br />
ment, and notwithstanding all<br />
of the<br />
above, there is one<br />
fundamental that must<br />
surely be<br />
the key driver<br />
of the EU<br />
YO’s<br />
fut<br />
ure, and<br />
that is the founding<br />
pr<br />
inciple that<br />
createded it forty years ago: the<br />
bringing together<br />
of the<br />
most talented young mus<br />
icians from all the countries<br />
of the<br />
EU in an orchestra united<br />
by a sense of shared<br />
cultural<br />
heritag<br />
e and common<br />
cultural vision, all in pursuit<br />
of excellence. As Helmut Kohl poin<br />
te<br />
d ou<br />
t in the 1980s, the<br />
Orchestr<br />
a is a ‘microcosm’ of the EU, an<br />
d on<br />
e of the most<br />
tangible metapho<br />
rs<br />
for Europe itself. And that, surely, is<br />
the Orchestra’ a’s future. Now,<br />
working with the EU, we have<br />
to<br />
find out,<br />
if an<br />
and how,<br />
tha<br />
t future can<br />
become a real<br />
ity.<br />
EUYO > THE FUTURE<br />
11
<strong>Summer</strong> <strong>Tour</strong><br />
European Music Campus, Grafenegg<br />
EUYO’s Principal Venue Partner<br />
EUYO > SUMMER TOUR<br />
12<br />
Friday 22 July, 19:00 – 21:00<br />
Reitschule<br />
Music Lab 1<br />
Knowing Conducting,<br />
Knowing Orchestras<br />
Monday 25 July, 14:30 – 16:30<br />
Reitschule<br />
Music Lab 2<br />
Supreme Symphonists:<br />
exploring Bruckner and Mahler<br />
Saturday 30 July, 11:00 – 12:30<br />
Auditorium<br />
Open Rehearsal<br />
Conducting Workshop<br />
with Peter Stark, Conductor<br />
Talk with Tom Service<br />
The EUYO in rehearsal, featuring music from the summer concerts<br />
Saturday 30 July, 14:30 – 16:30<br />
Schloss Grafenegg<br />
Music Gallery<br />
Mahler’s Contemporaries<br />
Virtuosity Continued<br />
From the Manuscripts<br />
Monday 1 August, 14:30 – 17:30<br />
Reitschule<br />
Music Lab 3<br />
The Digital Musician<br />
Wednesday 3 August, 19:00 – 21:00<br />
Reitschule<br />
Music Lab 4<br />
Auditioning: How To<br />
Programme your own concert<br />
from 3 trails of chamber music<br />
performed throughout the<br />
rooms of Schloss Grafenegg<br />
Workshop with Charlotte<br />
Hamilton (EUYO) and<br />
John Kieser (New World<br />
Symphony, Miami)<br />
Workshop with members from<br />
Europe’s leading orchestras<br />
Thursday 4 August, 16:15 – 17:30<br />
Side by Side Session<br />
European Union Youth Orchestra<br />
and the European Music Campus<br />
Orchestra (EMCO) join forces in<br />
a large - scale Mahler Workshop<br />
Mahler Blumine<br />
Mahler Symphony<br />
No.1 in D major Titan,<br />
4th movement<br />
Saturday 6 August, 17:30<br />
Schlosshof<br />
Prelude Concert:<br />
European Music Campus Orchestra<br />
Peter Stark<br />
conductor<br />
Saturday 6 August, 19:00<br />
Reitschule<br />
Pre – Concert Talk<br />
With Alexander Moore<br />
Glass Company for<br />
String Orchestra<br />
Schubert Symphony<br />
No. 3 in D major<br />
Mahler Blumine<br />
Saturday 6 August, 20:00<br />
Wolkenturm<br />
EUYO Concert: Mahler Meets Glass<br />
Vasily Petrenko<br />
conductor<br />
Katia and Marielle Labèque<br />
piano<br />
Saturday 6 August, 22:30<br />
Reitschule<br />
Late Night Session<br />
Glass Double Piano<br />
Concerto<br />
Mahler Symphony No.1<br />
in D major Titan<br />
Informal music and conversation with the players of the EUYO,<br />
EMCO and their guests
Bratislava<br />
Capital Sounds<br />
Sunday 7 August, 19:00<br />
Slovak Radio Concert Hall<br />
Cultural <strong>Summer</strong> and<br />
Castle Festival Bratislava <strong>2016</strong><br />
Opening address<br />
Mrs Alžbeta Rajterová<br />
Vasily Petrenko<br />
conductor<br />
Katia and Marielle<br />
Labèque<br />
piano<br />
Rajter Suite Miniature*<br />
Mozart Concerto<br />
No.10 in E – flat major<br />
for Two Pianos<br />
Mahler Symphony No.1<br />
in D major Titan<br />
*National Guest Performers<br />
Slovenský Mládežnícky<br />
Orchester<br />
Vienna<br />
Monday 8 August, 19:00<br />
MuseumsQuartier<br />
EUYO Close – up<br />
Peter Stark<br />
conductor<br />
Mahler Symphony No.1<br />
in D major Titan, 2nd<br />
and 4th movements<br />
Experience the players of the EUYO close up in a free<br />
informal performance in the open spaces of Vienna’s<br />
MuseumsQuartierIncluding a number of first come first serve<br />
special orchestral ‘listening chairs’ allowing audiences a unique<br />
opportunity to listen up close to the players of the Orchestra<br />
Ljubljana<br />
Capital Sounds<br />
Thursday 11 August, 20:00<br />
Slovenska filharmonija<br />
Ljubljana Festival<br />
Wrocław<br />
Saturday 13 August, 19:00<br />
NMF Wrocław Philharmonic<br />
European City of Culture Concert<br />
Opening address Mitja<br />
Bervar, President of the<br />
National Council of the<br />
Republic of Slovenia<br />
Vasily Petrenko<br />
conductor<br />
Julian Rachlin<br />
violin<br />
Mozart Concerto<br />
No. 10 in E – flat major<br />
for Two Pianos<br />
Mozart Violin Concerto<br />
No. 3 in G major<br />
Mahler Symphony No.1<br />
in D major Titan<br />
*National Guest Performers<br />
Duo Scaramouche piano<br />
Vasily Petrenko<br />
conductor<br />
Lortzing Der Pole und<br />
sein Kind – Overture<br />
Introduced from the stage<br />
by Polish EUYO musicians<br />
Mahler Symphony No.1<br />
in D major Titan<br />
EUYO > SUMMER TOUR<br />
13
Warsaw<br />
Capital Sounds<br />
Monday 15 August, 20:00<br />
Warsaw Philharmonic Concert Hall<br />
Chopin and His Europe 12th<br />
International Music Festival<br />
Opening address<br />
Dr Artur Szklener,<br />
Director of Fryderyk<br />
Chopin Institute<br />
Vasily Petrenko<br />
conductor<br />
Katia and Marielle Labèque<br />
piano<br />
Panufnik A Procession<br />
for Peace*<br />
Lortzing Der Pole und<br />
sein Kind – Overture<br />
Mozart Concerto No. 10 in<br />
E – flat major for Two Pianos<br />
Mahler Symphony No.1<br />
in D major Titan<br />
*National Guest Performers<br />
I,Culture Orchestra with EUYO<br />
Berlin<br />
Capital Sounds<br />
Wednesday 17 August, 20:00<br />
Konzerthaus<br />
Young Euro Classic<br />
Opening address<br />
Monika Grütters, Federal<br />
Government Commissioner<br />
for Culture and the Media<br />
Vasily Petrenko<br />
conductor<br />
Katia and Marielle Labèque<br />
piano<br />
Bartók String Quartet No.<br />
5, 4th movement Finale*<br />
Mozart Concerto No. 10 in<br />
E – flat major for Two Pianos<br />
Mahler Symphony No.1<br />
in D major Titan<br />
*National Guest Performers<br />
Vision String Quartet<br />
Photo © Klaus Vyhnalek<br />
Grafenegg<br />
Bolzano<br />
Friday 19 August, 20:00<br />
Wolkenturm<br />
EUYO Alumni at Grafenegg Festival<br />
Friday 19 August, 20:30<br />
Teatro Comunale – Stadttheater<br />
Bolzano Festival Bozen<br />
EUYO > SUMMER TOUR<br />
Yutaka Sado conductor<br />
Tonkünstler – Orchester<br />
Niederösterreich and<br />
EUYO Alumni orchestra<br />
Camilla Nylund soprano<br />
Elena Zhidkova mezzosoprano<br />
Klaus Florian Vogt tenor<br />
René Pape bass<br />
Wiener Singverein choir<br />
Jost Fanfare<br />
world premiere<br />
Beethoven Overture<br />
to Coriolan<br />
Jost An die Hoffnung<br />
after Beethoven op.<br />
94 world premiere<br />
Beethoven Symphony<br />
No. 9 in D minor<br />
24 EUYO Alumni perform with<br />
the Tonkünstler – Orchester<br />
Niederösterreich to<br />
celebrate Grafenegg<br />
Festival’s 10th Anniversary<br />
Vasily Petrenko<br />
conductor<br />
Katia and Marielle Labèque<br />
piano<br />
Mozart Concerto<br />
No. 10 in E – flat major<br />
for Two Pianos<br />
Mahler Symphony<br />
No.1 in D major Titan<br />
14
Alpbach<br />
Bolzano<br />
Sunday 21 August, 12:30<br />
Congress Centre<br />
European Forum Alpbach<br />
Thursday 25 August, 20:30<br />
Teatro Comunale – Stadttheater<br />
Bolzano Festival Bozen<br />
Piazza Walther<br />
Details to be advertised via the<br />
Orchestra’s social media channels<br />
Spazio Klassik<br />
David Watkin<br />
conductor<br />
European<br />
Anthem<br />
Mahler<br />
Symphony No.1<br />
in D major Titan<br />
The concert marks<br />
the inauguration of<br />
the new Congress<br />
Centre Alpbach<br />
Bernard Haitink<br />
conductor<br />
Lorenza Borrani<br />
violin<br />
Paul Watkins<br />
cello<br />
Kai Frömbgen<br />
oboe<br />
Haydn Sinfonia<br />
Concertante in<br />
B-flat major<br />
Bruckner<br />
Symphony No.<br />
7 in E major<br />
A performance space to encourage<br />
audiences new to classical music<br />
Free event<br />
By invitation only<br />
Stefan Schweigert<br />
bassoon<br />
Grafenegg<br />
EUYO’s Principal Venue Partner<br />
Amsterdam<br />
Capital Sounds<br />
Saturday 27 August, 16:30<br />
Schlosshoff<br />
Prelude Concert:<br />
Musicians of the EUYO<br />
Emily Davis<br />
violin<br />
Charlotte MacClure<br />
violin<br />
Clément Holvoet<br />
viola<br />
Samuel Espinosa<br />
viola<br />
Dana de Vries<br />
cello<br />
Bruckner<br />
String Quintet<br />
in F major<br />
Saturday 27 August, 18:00<br />
Reitschule<br />
Pre – concert Talk<br />
With Ursula Magnes<br />
Saturday 27 August, 19:30<br />
Wolkenturm<br />
Grafenegg Festival<br />
Bernard Haitink<br />
conductor<br />
Lorenza Borrani<br />
violin<br />
Paul Watkins<br />
cello<br />
Kai Frömbgen<br />
oboe<br />
Stefan Schweigert<br />
bassoon<br />
Haydn<br />
Sinfonia<br />
Concertante in<br />
B-flat major<br />
Bruckner<br />
Symphony No.<br />
7 in E major<br />
Saturday 27 August, 22:30<br />
Reitschule<br />
Late Night Session<br />
Informal music and conversation with<br />
the players of the EUYO and guests<br />
Monday 29 August, 20:00<br />
The Royal Concertgebouw<br />
Robeco <strong>Summer</strong>Nights<br />
Bernard Haitink<br />
conductor<br />
Lorenza Borrani<br />
violin<br />
Paul Watkins<br />
cello<br />
Kai Frömbgen<br />
oboe<br />
Stefan Schweigert<br />
bassoon<br />
By invitation only<br />
Haydn Sinfonia<br />
Concertante in<br />
B-flat major<br />
Bruckner Symphony<br />
No. 7 in E major<br />
Address by<br />
Geert Mak<br />
National Guest<br />
Performers The<br />
Leerorkest with<br />
EUYO alumni<br />
EUYO > SUMMER TOUR<br />
15
Vasily<br />
Petrenko<br />
Conductor<br />
Photo © Tarlova<br />
EUYO > CONDUCTORS<br />
16<br />
Vasily Petrenko is one of today’s most sought-after<br />
dynamic, young conductors. Petrenko was born in 1976<br />
and began his music education at the St Petersburg Capella<br />
Boys Music School. He then studied at the St Petersburg<br />
Conservatoire and participated in masterclasses with<br />
such major figures as Ilya Musin, Mariss Jansons, and Yuri<br />
Temirkanov. Following considerable success in a number<br />
of international conducting competitions including the<br />
Fourth Prokofiev Conducting Competition in St Petersburg,<br />
and First Prize in the Sixth Cadaques International<br />
Conducting Competition in Spain. Following this, he was<br />
appointed Chief Conductor of the St Petersburg State<br />
Academic Symphony Orchestra from 2004 to 2007.<br />
To add to his list of positions, the 2015/16 season marks his<br />
appointment as Chief Conductor of the European Union<br />
Youth Orchestra, and Principal Guest Conductor of the State<br />
Academic Symphony Orchestra of Russia (Svetlanov Symphony<br />
Orchestra). He maintains his role as Chief Conductor of the<br />
Oslo Philharmonic Orchestra (appointed in 2013/14), Chief<br />
Conductor of the Royal Liverpool Philharmonic Orchestra<br />
and Principal Guest Conductor of the Mikhailovsky Theatre,<br />
where he began his career as Resident Conductor from 1994<br />
to 1997. Petrenko also served as Principal Conductor of the<br />
National Youth Orchestra of Great Britain from 2009-2013.<br />
Petrenko has worked with many of the world’s most<br />
prestigious orchestras; recent highlights include Petrenko’s<br />
first summer tour with the EUYO as Chief Conductor,<br />
a UK <strong>Tour</strong> with the Oslo Philharmonic Orchestra, and<br />
return visits to the Rundfunk Sinfonieorchester Berlin,<br />
Netherlands Radio Philharmonic, Orchestre Philharmonique<br />
de Radio France, Accademia Nazionale di Santa Cecilia,<br />
and Vienna Symphony Orchestra in Europe and further<br />
afield with orchestras in the US and Canada.<br />
With over thirty operas in his repertoire, Petrenko made his<br />
operatic debuts in 2010 at Glyndebourne Festival Opera<br />
(Macbeth) and the Opera de Paris (Eugene Onegin). In recent<br />
seasons he has also conducted Pique Dame at Hamburg State<br />
Opera, Boris Godunov at the National Reisopera, Eugene<br />
Onegin, La Bohème and Carmen at the Mikhailovsky Theatre<br />
and the Zurich Opera, Tosca and Parsifal with the Royal<br />
Liverpool Philharmonic, and Der Fliegende Holländer with<br />
the Oslo Philharmonic and at the Mikhailovsky Theatre.<br />
Petrenko is an established recording artist, recently<br />
completing a Shostakovich symphony cycle for Naxos<br />
Records with the Royal Liverpool Philharmonic Orchestra<br />
(collated as a boxset in the autumn of 2015), which has<br />
garnered worldwide acclaim. He achieved significant success<br />
with his recording of Tchaikovsky’s piano concertos and<br />
Manfred Symphony, which won the 2009 Gramophone<br />
Award for Best Orchestral Recording. Petrenko and the<br />
Oslo Philharmonic Orchestra recently embarked upon<br />
recording the full cycle of Scriabin symphonies.<br />
In October 2007 Vasily Petrenko was named Young Artist of<br />
the Year at the annual Gramophone Awards, and in 2010 he<br />
won the Male Artist of the Year at the Classical Brit Awards.<br />
He is only the second person to have been awarded Honorary<br />
Doctorates by both the University of Liverpool and Liverpool<br />
Hope University (in 2009), and an Honorary Fellowship of<br />
the Liverpool John Moores University (in 2012), awards<br />
which recognise the immense impact he has had on the<br />
Royal Liverpool Philharmonic and the city’s cultural scene.
Bernard<br />
Haitink<br />
Conductor<br />
Photo © Todd Rosenburg<br />
Bernard Haitink’s conducting career began 62 years<br />
ago with the Radio Philharmonic Orchestra in his native<br />
Holland. He went on to be Chief Conductor of the<br />
Concertgebouw Orchestra for 27 years, as well as Music<br />
Director of Glyndebourne Festival Opera, The Royal<br />
Opera, Covent Garden, and Principal Conductor of the<br />
London Philharmonic, the Staatskapelle Dresden and the<br />
Chicago Symphony Orchestra. He is Patron of the Radio<br />
Philharmonic, and Conductor Emeritus of the Boston<br />
Symphony, as well as an honorary member of both the Berlin<br />
Philharmonic and the Chamber Orchestra of Europe.<br />
The 2015/16 season began with concerts at The Barbican<br />
with the London Symphony Orchestra, followed by a tour<br />
to Japan. Other engagements during the 2015/16 season<br />
included a Schumann cycle with the Chamber Orchestra of<br />
Europe in Amsterdam, Lugano and Vienna, his debut with the<br />
orchestra and chorus of La Scala, Milan, and performances in<br />
the US with the Boston Symphony, New York Philharmonic<br />
and Chicago Symphony orchestras. During the summer <strong>2016</strong><br />
Festival season he will celebrate the 50th Anniversary of his<br />
first appearance at both the BBC Proms and the Lucerne<br />
Festival. He marks these anniversaries with performances<br />
with the London Symphony Orchestra at The Proms, and with<br />
the Lucerne Festival Orchestra and the Chamber Orchestra<br />
of Europe at the Lucerne Festival. He also tours with the<br />
European Union Youth Orchestra, of which he is Conductor<br />
Laureate, celebrating the 40th anniversary of their creation.<br />
He is committed to the development of young musical talent,<br />
and as well as his annual Conducting Masterclass at the<br />
Lucerne Easter Festival he gave conducting classes this season<br />
at the Hochschule der Kunst, Zurich, and the Juilliard School.<br />
Bernard Haitink has an extensive discography for Phillips,<br />
Decca and EMI, as well as the many new live recording<br />
labels established by orchestras themselves in recent years,<br />
such as the London Symphony, Chicago Symphony and<br />
Bayerischer Rundfunk. He has received many awards and<br />
honours in recognition of his services to music, including<br />
several honorary doctorates, an honorary knighthood and<br />
Companion of Honour in the United Kingdom, and the<br />
House Order of Orange-Nassau in the Netherlands.<br />
EUYO > CONDUCTORS<br />
17
Soloists<br />
Photo © Umberto Nicoletti<br />
Katia and Marielle Labèque<br />
Piano<br />
EUYO > SOLOISTS<br />
18<br />
Katia and Marielle Labèque are sibling pianists renowned<br />
for their ensemble of synchronicity and energy. Their<br />
musical ambitions started at an early age and they rose<br />
to international fame with their contemporary rendition<br />
of Gershwin’s Rhapsody in Blue (one of the first gold<br />
records in classical music) and have since developed<br />
a stunning career with performances worldwide.<br />
They are regular guests with the most prestigious orchestras<br />
such as the Berlin Philharmonic, Bayerischer Rundfunk, Boston<br />
Symphony, Chicago Symphony, Cleveland Orchestra, Leipzig<br />
Gewandhaus, London Symphony, London Philharmonic, Los<br />
Angeles Philharmonic, Filarmonia della Scala, Philadelphia<br />
Orchestra, Dresden Staatskapelle and Vienna Philharmonic,<br />
under the direction of Semyon Bychkov, Lionel Bringuier,<br />
Sir Colin Davis, Gustavo Dudamel, Charles Dutoit, Sir John<br />
Eliot Gardiner, Miguel Harth-Bedoya, Kristjan Järvi, Paavo<br />
Järvi, Zubin Mehta, Seiji Ozawa, Antonio Pappano, Georges<br />
Prêtre, Sir Simon Rattle, Esa-Pekka Salonen, Leonard<br />
Slatkin, Michael Tilson Thomas and Jaap van Zweden.<br />
They have appeared with Baroque music ensembles such as<br />
The English Baroque Soloists with Sir John Eliot Gardiner,<br />
Il Giardino Armonico with Giovanni Antonini, Musica<br />
Antica with Reinhard Goebel and Venice Baroque with<br />
Andrea Marcon, and recently toured with the Orchestra<br />
of the Age of Enlightenment & Sir Simon Rattle.<br />
Katia and Marielle have had the privilege of working<br />
with many composers including Thomas Adès, Louis<br />
Andriessen, Luciano Berio, Pierre Boulez, Philip Glass,<br />
Osvaldo Golijov, György Ligeti, and Olivier Messiaen.<br />
The Labèques play in festivals and renowned venues<br />
worldwide including the Vienna Musikverein, Hamburg<br />
Musikhalle, Munich Philharmonie, Carnegie Hall, Royal Festival<br />
Hall, La Scala, Berlin Philharmonie, Blossom, Hollywood Bowl,<br />
Lucerne, BBC Proms, Ravinia, Tanglewood and Salzburg. A<br />
record audience of more than 33,000 attended a gala concert<br />
with the Berlin Philharmonic conducted by Sir Simon Rattle<br />
at Berlin’s Waldbühne, now available on DVD (EuroArts).<br />
For their own label, KML recordings, they have just<br />
released Sisters with a selection of musical pieces<br />
from their personal and professional lives.<br />
In May 2015 the show « Love Stories » with the new<br />
piece Star-Cross’d Lovers, written by David Chalmin,<br />
was premiered at the Paris Philharmonie. This original<br />
composition for two pianos, electric guitar and drums is<br />
based on the Shakespearean drama Romeo and Juliet. The<br />
choreography for 7 dancers was created by world-renowned<br />
break-dancer Yaman Okur (Madonna, Cirque du Soleil).<br />
They will present this show again in Paris in June <strong>2016</strong> at<br />
Chatelet, and they will tour in July and October <strong>2016</strong>.<br />
On the 26th May 2015, they gave the world premiere<br />
of Philip Glass’s new Concerto written for them, in Los<br />
Angeles at Walt Disney Hall with Los Angeles Philharmonic<br />
Orchestra under the direction of Gustavo Dudamel.
Photo © Wesely Julia<br />
Julian Rachlin<br />
Violin<br />
Julian Rachlin is one of the most exciting and respected<br />
violinists of our time. Over the last 27 years, he has<br />
been captivating audiences around the world with his<br />
distinctively rich sound, superb musicianship and outstanding<br />
interpretations. He has established close relationships with<br />
many of the most prestigious conductors and orchestras.<br />
Always willing to expand his musical horizons, Julian is<br />
also praised as a viola player and conductor. For 12 years,<br />
Julian has been leading the internationally renowned<br />
“Julian Rachlin & Friends” festival in Dubrovnik, Croatia,<br />
a platform for creative and vibrant projects with leading<br />
musicians and actors. Besides delighting his audiences with<br />
his musical performances, Julian is also receiving recognition<br />
as a young philanthropist for his charity work as a UNICEF<br />
Goodwill Ambassador and his educational outreach.<br />
In the 2015/16 season, Mr. Rachlin opened the seasons of<br />
the La Scala Philharmonic Orchestra with Riccardo Chailly,<br />
and of the Orchestra della Svizzera Italiana with Vladimir<br />
Ashkenazy. He then toured Europe and North America with<br />
the Orchestre National de France and Daniele Gatti as the<br />
orche stra’s 2015/16 Artist in Residence. Other highlights<br />
include performances at the Lucerne Festival with the<br />
Bayerischer Rundfunk Symphony Orchestra and Mariss Jansons,<br />
and at the Edinburgh Festival with the Leipzig Gewandhaus<br />
Orchestra and Herbert Blomstedt. Forthcoming engagements<br />
include concerts with the Israel Philharmonic and Gianandrea<br />
Noseda, the Munich Philharmonic and Zubin Mehta, the St.<br />
Petersburg Philharmonic and Yuri Temirkanov as well as North<br />
America tour with the China Philharmonic and Long Yu.<br />
As conductor, Mr. Rachlin performs his first season as<br />
Principal Guest Conductor of the Royal Northern Sinfonia<br />
and conducts, among others, the Dusseldorf Symphony,<br />
Israel Philharmonic and Prague Philharmonia. Julian Rachlin’s<br />
return engagements as conductor include collaborations<br />
with the English Chamber Orchestra, Orchestra della Svizzera<br />
Italiana, Camerata Salzburg, Royal Liverpool Philharmonic and<br />
Slovenian Philharmonic. In the coming season, he will make<br />
his conducting debut with the State Academic Symphony<br />
Orchestra of Russia, Luxembourg Philharmonic, Trondheim<br />
Symphony, Strasbourg Philharmonic and China Philharmonic.<br />
In recital and chamber music, he is heard this season<br />
with Itamar Golan, Evgeny Kissin and Mischa Maisky.<br />
Born in Lithuania in 1974, Julian immigrated to Vienna in 1978.<br />
He studied violin with Boris Kuschnir at the Vienna Conservatory,<br />
and with Pinchas Zukerman. After winning the “Young Musician<br />
of the Year” Award at the Eurovision Competition in 1988,<br />
he became the youngest soloist ever to play with the Vienna<br />
Philharmonic, making his debut under Riccardo Muti. At the<br />
recommendation of Mariss Jansons, Julian Rachlin has been<br />
studying conducting with Sophie Rachlin. Since September 1999,<br />
he has been on the violin faculty at the Konservatorium Wien<br />
University. His recordings for Sony Classical, Warner Classics and<br />
Deutsche Grammophon have all been met with great acclaim.<br />
Julian Rachlin plays the 1704 “ex Liebig” Stradivari, on<br />
loan to him courtesy of the Dkfm. Angelika Prokopp<br />
Privatstiftung, and a 1791 Lorenzo Storioni viola. His<br />
strings are kindly sponsored by Thomastik-Infeld.<br />
EUYO > SOLOISTS<br />
19
EUYO > SOLOISTS<br />
Photo © Nina Large<br />
20<br />
Lorenza Borrani<br />
Violin<br />
The Florentine violinist Lorenza Borrani has been a leader<br />
of the Chamber Orchestra of Europe since 2007. She<br />
has performed as director, concert master, soloist and<br />
chamber musician in the most important concert halls and<br />
seasons in Europe and around the world, including, in the<br />
last two years, The Berlin Philharmonie, The Edinburgh<br />
Festival, Aldeburgh Festival, Styriarte Graz, Citè de la<br />
Musique in Paris, London’s Southbank Centre, The Koln<br />
Philarmonie, and the Amsterdam Concertgebouw.<br />
From 2005 she has played with Orchestra<br />
Mozart, with whom she performed as a soloist<br />
under the direction of Claudio Abbado.<br />
As well as an international career as a soloist under the<br />
direction of conductors including Yuri Harohnovich,<br />
Emmanuel Krivine, Yannick Nézet-Séguin and Claudio<br />
Abbado, she has also worked with notable chamber musicians<br />
including Isabelle Faust, Janine Jansen, Hélène Grimaud,<br />
Daniel Hope, the Emmerson Quartet, András Schiff, Pierre-<br />
Laurent Aimard, Irina Schnittke, Tabea Zimmermann, Mario<br />
Brunello, Christian Tetzlaff, and Pavel Gililov. Lorenza<br />
also teaches at the Scuola di Musica di Fiesole, where<br />
she originally studied under the guidance of Piero Farulli,<br />
Alina Company, Zinaida Gilels and Pavel Vernikov.<br />
In 2007 she founded the Spira Mirabilis<br />
Project (www.spiramirabilis.com)<br />
Lorenza plays on a Santo Serafino violin (1745),<br />
courtesy of the Fondazione ProCanale di Milano.<br />
Paul Watkins<br />
Cellist<br />
Paul Watkins, an alumnus of the EUYO (1988 – 1989), enjoys a<br />
distinguished career both as a cellist and as a conductor, and in<br />
the 2009–10 season became the first ever Music Director of the<br />
English Chamber Orchestra. As solo cellist he performs regularly<br />
with all the major British orchestras including the London<br />
Philharmonic, Royal Philharmonic, London’s Philharmonia,<br />
and City of Birmingham Symphony. Outside the UK he has<br />
performed with the Netherlands Philharmonic, Melbourne<br />
Symphony, Konzerthausorchester Berlin, and the RAI National<br />
Symphony Orchestra of Turin. Recent highlights include his<br />
debut at Carnegie Hall performing Brahms’ Double Concerto<br />
with Daniel Hope, and appearances with the Royal Flemish<br />
Philharmonic, City of Birmingham Symphony, Philharmonia,<br />
and Hong Kong Philharmonic Orchestra. He also premiered<br />
(and was the dedicatee of) Mark-Anthony Turnage’s new<br />
concerto with the Royal Flemish, Tampere, and Royal Liverpool<br />
Philharmonic Orchestras and the Gewandhausorchester Leipzig.<br />
A dedicated chamber musician, he was a member of the Nash<br />
Ensemble from 1997 to 2013, and joined the Emerson String<br />
Quartet in 2013. He has given solo recitals at the Wigmore Hall,<br />
Amsterdam Concertgebouw, South Bank Centre, Manchester’s<br />
Bridgewater Hall, and Queens Hall in Edinburgh. In 2009 he<br />
signed an exclusive contract with Chandos Records. Recent<br />
releases include the Delius, Elgar, and Lutoslawski concertos,<br />
and discs of British and American music for cello and piano.<br />
In 2014 he was appointed artistic director of the Great Lakes<br />
Music Festival of Detroit. Mr. Watkins plays a cello made by<br />
Domenico Montagnana and Matteo Goffriller in Venice, c.1730.
Photo © Susanne Diesner<br />
Kai Frömbgen<br />
Clarinet<br />
Born in Koblenz in 1977, Kai had his first oboe lesson at<br />
the Luxemburg Conservatoire with Norbert Mattern. He<br />
received the first prize of the federal competition “Jugend<br />
musiziert” three times, in 1991, 1993 and 1995. After<br />
passing his A-levels, he started studying with Professor<br />
Christian Wetzel at the School of Music and Drama<br />
“Felix Mendelssohn-Bartholdy” in Leipzig. He received<br />
scholarships from the Foundation of the German People,<br />
the Villa Musica and the Richard Wagner Society.<br />
Kai played in the European Union Youth Orchestra for two<br />
years, in 1998 and 1999. In 1999, he was offered the principal<br />
oboe position in the Staatsphilharmonie Rheinland-Pfalz<br />
and he then became the principal oboe of the Bamberger<br />
Symphonikern – Bayerische Staatsphilharmonie in 2003.<br />
Kai is a keen chamber musician and performs with Frank-<br />
Peter Zimmermann, Christian Zacharias, Mirijam Contzen,<br />
Christoph Eschenbach and the wind ensemble Sabine<br />
Meyer. In 2005, 2006 and 2007, he was the principal<br />
oboe of the Lucerne Festival Orchestra, directed by<br />
Claudio Abbado. Kai Frömbgen became a member of<br />
the Chamber Orchestra of Europe in January 2012.<br />
Stefan Schweigert<br />
Bassoon<br />
Stefan Schweigert, born in Kaiserslautern in 1962, started<br />
playing the bassoon in the age of 10 as a pupil of Alfred<br />
Rinderspacher. From 1981 he studied at the Musikhochschule<br />
Hannover with Klaus Thunemann. Since 1985 he has<br />
been Principal Bassoon of the Berliner Philharmoniker.<br />
He has appeared as a soloist with his orchestra, and<br />
also with other ensembles including Camerata Bern.<br />
He is a member of András Schiff’s ‘Cappella Andrea<br />
Barca’ and has worked on a number of occasions with the<br />
Chamber Orchestra of Europe and participated in Gidon<br />
Kremer’s Chamber Music Festival at Lockenhaus several<br />
times. For many years he played in Sabine Meyers wind<br />
ensemble, the Scharoun Ensemble Berlin and with different<br />
chamber music groups of the Berliner Philharmoniker.<br />
Schweigert has taught at the Berliner Philharmoniker’s<br />
Orchestra Academy since 1987 and at the<br />
Musikhochschule Freiburg from 2004 to 2006.<br />
In 2012 Kai was appointed Professor at the Musikhochschule<br />
in Saarbrücken and since 2014, he has also been a Professor<br />
at the Robert Schumann Hochschule in Düsseldorf.<br />
EUYO > SOLOISTS<br />
21
The Orchestra<br />
CONCERT<br />
MASTER<br />
Emily Davis<br />
BRITISH<br />
David Pablo<br />
Bellido Herrero<br />
SPANISH<br />
Koninklijk Conservatorium<br />
Den Haag<br />
Yoana Ducros<br />
FRENCH<br />
Royal Academy of<br />
Music, London<br />
Caspar Horsch<br />
DUTCH<br />
Conservatorium<br />
van Amsterdam<br />
Mireille Kovac<br />
FRENCH<br />
Conservatoire Royal<br />
de Bruxelles<br />
Royal Academy of<br />
Music, London<br />
VIOLIN<br />
Sara Colombi<br />
ITALIAN<br />
Elisabeth<br />
Gansch<br />
AUSTRIAN<br />
Gema<br />
Jurado Blanca<br />
SPANISH<br />
Anna<br />
Karolina<br />
Kuk<br />
Josefina<br />
Alcaide<br />
MUK-Musik und Kunst<br />
Privatuniversität<br />
der Stadt Wien<br />
Kunstuniversität Graz /<br />
Universität für<br />
Musik und darstellende<br />
Kunst Wien<br />
Conservatorio Superior<br />
de Música de Castilla<br />
y León, Salamanca<br />
POLISH<br />
Akademia Muzyczna im. Karola<br />
Szymanowskiego w Katowicach<br />
PORTUGUESE<br />
Conservatorium van Amsterdam<br />
Marina<br />
Arrufat Grau<br />
SPANISH<br />
Eleonora<br />
Consta<br />
BRITISH<br />
Royal College of Music, London<br />
Samuel<br />
García García<br />
SPANISH<br />
Hochschule für Musik und<br />
Theater ‘Félix Mendelssohn<br />
Bartholdy’, Leipzig<br />
Tobias Kausel<br />
AUSTRIAN<br />
Kunstuniversität Graz<br />
Elias Lassfolk<br />
FINNISH<br />
Sibelius-Akatemia, Helsinki<br />
Kunstuniversität Graz<br />
EUYO > THE ORCHESTRA<br />
Kristin Baird<br />
AMERICAN<br />
New World Symphony, Miami<br />
Global Exchange Guest<br />
Siobhán Doyle<br />
IRISH<br />
Royal Northern College<br />
of Music, Manchester<br />
Rosa Hartley<br />
BRITISH<br />
Royal College of Music, London<br />
Amalie<br />
Kjældgaard<br />
DANISH<br />
Universität für Musik und<br />
darstellende Kunst Wien<br />
Alexander<br />
Lesch<br />
GERMAN<br />
Hochschule für Musik und<br />
Theater ‘Félix Mendelssohn<br />
Bartholdy’, Leipzig<br />
22
VIOLA<br />
David<br />
López Ibañez<br />
SPANISH<br />
Royal College of Music, London<br />
Emma Oldfield<br />
BRITISH<br />
Royal College of Music, London<br />
Magdalena<br />
Sammer<br />
AUSTRIAN<br />
Universität für Musik und<br />
darstellende Kunst Wien<br />
Anastasia Vaina<br />
GREEK<br />
Royal Academy of<br />
Music, London<br />
Theodor<br />
Andreescu<br />
ROMANIAN<br />
Universitatea Națională de<br />
Muzică din București<br />
Charlotte<br />
MacClure<br />
BRITISH<br />
Royal Welsh College of<br />
Music and Drama, Cardiff<br />
Colm O’Reilly<br />
IRISH<br />
Royal Academy of<br />
Music, London<br />
Paula Sanz<br />
Alasà<br />
SPANISH<br />
Royal College of Music, London<br />
Herlinde<br />
Verjans<br />
BELGIAN<br />
Koninklijk Conservatorium<br />
Antwerpen<br />
León van<br />
den Berg<br />
DUTCH<br />
Conservatoire National<br />
Supérieur de Musique<br />
et de Danse de Paris<br />
Özge Özerbek<br />
Jacqueline<br />
Martens<br />
BRITISH<br />
Royal College of Music, London<br />
CYPRIOT<br />
Dokuz Eylül Üniversitesi State<br />
Conservatory, İzmir, Turkey<br />
Emma van<br />
Schoonhoven<br />
DUTCH<br />
Universität der Künste Berlin<br />
Hannah Visser<br />
DUTCH<br />
Hochschule für Musik Freiburg<br />
Ariadna<br />
Boiso Reinoso<br />
SPANISH<br />
Conservatorium van Amsterdam<br />
Jakub<br />
Przybycień<br />
Kaia Voitka<br />
Kosma Műller<br />
POLISH<br />
POLISH<br />
Hochschule der Künste Bern<br />
Minadora<br />
Šernaitė<br />
ESTONIAN<br />
Sibelius-Akatemia, Helsinki<br />
Akademia Muzyczna<br />
im. Ignacego Jana<br />
Paderewskiego w Poznaniu<br />
LITHUANIAN<br />
Lietuvos Muzikos ir<br />
Teatro Akademija<br />
Aurora Cano<br />
Soto<br />
SPANISH<br />
Conservatorium van Amsterdam<br />
EUYO > THE ORCHESTRA<br />
23
CELLO<br />
Samuel<br />
Espinosa<br />
SPANISH<br />
Hochschule für Musik “Carl<br />
Maria von Weber” Dresden /<br />
Royal College of Music, London<br />
Raphaela<br />
Pachner<br />
AUSTRIAN<br />
Anton Bruckner<br />
Privatuniversität, Linz<br />
Guillem<br />
Selfa Oliver<br />
SPANISH<br />
Hochschule für Musik<br />
und Tanz Köln<br />
Valerie Fritz<br />
AUSTRIAN<br />
Universität Mozarteum<br />
Salzburg<br />
Tonka<br />
Javorović<br />
CROATIAN<br />
Muzička akademija<br />
Sveučilišta u Zagrebu<br />
Clément<br />
Holvoet<br />
BELGIAN<br />
Arts² École supérieure des<br />
Arts, Brussels / École Normale<br />
de Musique de Paris<br />
Nina Poskin<br />
BELGIAN<br />
Royal College of Music, London<br />
Sofia Silva<br />
Sousa<br />
PORTUGUESE<br />
Royal Academy of<br />
Music, London<br />
Côme Giraudon<br />
FRENCH<br />
Conservatoire à Rayonnement<br />
Régional de Paris<br />
Johannes<br />
König<br />
GERMAN<br />
Hochschule für Musik<br />
und Theater München<br />
Ilina Ilieva<br />
BULGARIAN<br />
National School of Music<br />
“Lyubomir Pipkov”, Sofia<br />
Morag<br />
Robertson<br />
BRITISH<br />
Royal College of Music, London<br />
Anna<br />
Tarnowska<br />
POLISH<br />
Akademia Muzyczna im.<br />
Karola Szymanowskiego w<br />
Katowicach / Universitetet<br />
i Stavanger, Norway<br />
Hilary E. Glen<br />
AMERICAN<br />
New World Symphony, Miami<br />
Global Exchange Guest<br />
Anna Maria<br />
Litvinenko<br />
AMERICAN<br />
The Juilliard School, New York /<br />
Royal College of Music, London<br />
Global Exchange Guest,<br />
Sphinx Organization<br />
Alma Möller<br />
SWEDISH<br />
Koninklijk Conservatorium<br />
Brussel<br />
Wiktor Rudzik<br />
POLISH<br />
Akademia Muzyczna<br />
im. Ignacego Jana<br />
Paderewskiego w Poznaniu<br />
Šimon Truszka<br />
SLOVAKIAN<br />
Konzervatórium Košice<br />
Lucy Hoile<br />
BRITISH<br />
Royal Northern College<br />
of Music, Manchester<br />
Guilherme<br />
Nardelli<br />
Monegatto<br />
BRAZILIAN<br />
EUYO > THE ORCHESTRA<br />
Indiana University Jacobs<br />
School of Music<br />
Global Exchange Guest,<br />
Sphinx Organization<br />
24
Sinéad<br />
O’Halloran<br />
IRISH<br />
Robert Schumann Hochschule<br />
für Musik, Düsseldorf<br />
Anik<br />
Schwall<br />
LUXEMBOURGISH<br />
Zürcher Hochschule der<br />
Künste (Zürich, Schweiz)<br />
Domingos<br />
Freire de<br />
Andrade<br />
Romana Ribeiro<br />
PORTUGUESE<br />
Escuela Superior de Música<br />
Reina Sofía, Madrid<br />
Salvador<br />
Morera Ortells<br />
SPANISH<br />
Escola Superior de<br />
Música de Catalunya<br />
Victor Savca<br />
ROMANIAN<br />
Universitatea Națională<br />
de Muzică din București<br />
Evaldas Petkus<br />
LITHUANIAN<br />
Lietuvos Muzikos ir<br />
Teatro Akademija<br />
Dana<br />
de Vries<br />
DUTCH<br />
Christoph Haaß<br />
GERMAN<br />
Lilas Réglat<br />
FRENCH<br />
Conservatoire National<br />
Supérieur de Musique<br />
et de Danse de Paris<br />
Regina Udod<br />
ESTONIAN<br />
Eesti Muusika – ja<br />
Teatriakadeemia<br />
Conservatoire National<br />
Supérieur de Musique<br />
et de Danse de Paris<br />
Hochschule für Musik<br />
Franz Liszt Weimar<br />
Vilém Petras<br />
CZECH<br />
Akademie múzických<br />
umění v Praze<br />
Klara<br />
Wincor<br />
AUSTRIAN<br />
Iikka Järvi<br />
FINNISH<br />
Sibelius-Akatemia, Helsinki<br />
Rui Pedro<br />
Rodrigues<br />
PORTUGUESE<br />
Hochschule für Musik<br />
Hanns Eisler Berlin<br />
Luzia Vieira<br />
PORTUGUESE<br />
Hochschule für Musik<br />
und Theater Hamburg<br />
Universität für Musik und<br />
darstellende Kunst Wien<br />
DOUBLE<br />
BASS<br />
Veerle<br />
Schutjens<br />
DUTCH<br />
Conservatorium van Amsterdam<br />
Sofía Bianchi<br />
Maestre<br />
SPANISH<br />
Escuela Superior de Música<br />
Reina Sofía, Madrid<br />
Lucía Mateo<br />
Calvo<br />
SPANISH<br />
Conservatorio Superior<br />
de Música de Castilla<br />
y León, Salamanca<br />
Andreu<br />
Sanjuan Albado<br />
SPANISH<br />
Escuela Superior de Música<br />
Reina Sofía, Madrid<br />
EUYO > THE ORCHESTRA<br />
25
FLUTE<br />
OBOE<br />
CLARINET<br />
BASSOON<br />
Jacob Bagby<br />
Géraldine<br />
Clément<br />
Mercedes<br />
Guzmán<br />
Marten Altrov<br />
ESTONIAN<br />
Javier Biosca<br />
Bas<br />
BRITISH<br />
Royal College of Music, London<br />
BELGIAN<br />
Koninklijk Conservatorium<br />
Brussel<br />
SPANISH<br />
Escuela Superior de Música<br />
Reina Sofía, Madrid<br />
Eesti Muusika – ja<br />
Teatriakadeemia<br />
SPANISH<br />
Escuela Superior de Música<br />
Reina Sofía, Madrid<br />
Flávio Barbosa<br />
Emma Halnan<br />
BRITISH<br />
Royal Academy of<br />
Music, London<br />
Micha<br />
Häußermann<br />
GERMAN<br />
Universität der Künste Berlin<br />
Benjamin<br />
Christ<br />
FRENCH<br />
Conservatoire National<br />
Supérieur de Musique<br />
et Danse de Lyon<br />
Nikolaj<br />
Vestmar<br />
Henriques<br />
DANISH<br />
PORTUGUESE<br />
Zürcher Hochschule der Künste<br />
Staatliche Hochschule für<br />
Musik und Darstellende<br />
Kunst Mannheim<br />
Anna Drysdale<br />
BRITISH<br />
Royal Academy of<br />
Music, London<br />
Tommaso<br />
Pratola<br />
ITALIAN<br />
Haute École de Musique<br />
de Genève<br />
Alex Hilton<br />
BRITISH<br />
Royal Academy of<br />
Music, London<br />
Daniel Roscia<br />
ITALIAN<br />
Conservatorio di Musica<br />
F.A. Bonporti di Trento<br />
Mihael Mitev<br />
SLOVENIAN<br />
Akademija za glasbo, Ljubljana<br />
HORN<br />
Oliver Johnson<br />
BRITISH<br />
Guildhall School of Music<br />
and Drama, London<br />
EUYO > THE ORCHESTRA<br />
Marek<br />
Szymański<br />
POLISH<br />
Koninklijk Conservatorium<br />
Antwerpen / Akademia<br />
Muzyczna im. Karola<br />
Lipińskiego we Wrocławiu<br />
Antonio<br />
J. Juárez<br />
SPANISH<br />
Staatliche Hochschule für<br />
Musik und Darstellende<br />
Kunst Mannheim<br />
Timo Tromp<br />
DUTCH<br />
Hochschule für Musik, Theater<br />
und Medien Hannover<br />
Joel Ashford<br />
BRITISH<br />
Royal College of Music, London<br />
Sophia Keiler<br />
AUSTRIAN<br />
Musikhochschule Stuttgart<br />
26
TROMBONE<br />
TUBA<br />
Jonathan<br />
Maloney<br />
BRITISH<br />
Royal Northern College of<br />
Music, Manchester / Royal<br />
College of Music, London<br />
Tom Griffiths<br />
BRITISH<br />
Royal College of Music, London<br />
Alejandro<br />
García Sánchez<br />
SPANISH<br />
Conservatorium van Amsterdam<br />
Jonathan<br />
Borksand<br />
Hanke<br />
DANISH<br />
Gyula Lajhó<br />
HUNGARIAN<br />
Liszt Ferenc Zeneművészeti<br />
Egyetem, Budapest<br />
Det Kongelige Danske<br />
Musikkonservatorium,<br />
København<br />
Carles Pérez<br />
i Esteve<br />
SPANISH<br />
Escuela Superior de Música<br />
Reina Sofía, Madrid<br />
Carlos Leite<br />
PORTUGUESE<br />
Escola Superior de Música,<br />
Artes e Espectáculo, Porto<br />
José Luna<br />
Agudo<br />
SPANISH<br />
Musikene: Centro Superior<br />
de Música del País<br />
Vasco, San Sebastián<br />
PERCUSSION<br />
Camille Bialas<br />
Nikolai Jakob<br />
Petersen<br />
DANISH<br />
Det Kongelige Danske<br />
Musikkonservatorium,<br />
København<br />
HARP<br />
FRENCH<br />
Matilda Lloyd<br />
Det Kongelige Danske<br />
Musikkonservatorium,<br />
København<br />
BRITISH<br />
Franci Šuštar<br />
SLOVENIAN<br />
Akademija za glasbo, Ljubljana<br />
TRUMPET<br />
Trinity College, Cambridge<br />
University<br />
Nejc<br />
Zahrastnik<br />
Andrew McCoy<br />
BRITISH<br />
Guildhall School of Music<br />
and Drama, London<br />
BASS<br />
TROMBONE<br />
Ulf Breuer<br />
GERMAN<br />
Hochschule für Musik<br />
und Theater München<br />
Héloïse de<br />
Jenlis<br />
FRENCH<br />
Conservatoire Royal<br />
de Bruxelles<br />
KEYBOARD<br />
SLOVENIAN<br />
Akademija za glasbo, Ljubljana<br />
Carolina Alves<br />
PORTUGUESE<br />
Hochschule für Musik und<br />
Theater ‘Félix Mendelssohn<br />
Bartholdy’, Leipzig<br />
Alexander<br />
Kelly<br />
BRITISH<br />
Royal Academy of<br />
Music, London<br />
Jonathan<br />
Jakshøj<br />
DANISH<br />
Det Kongelige Danske<br />
Musikkonservatorium,<br />
København<br />
Maria Inês<br />
Costa<br />
PORTUGUESE<br />
Royal College of Music, London<br />
EUYO > THE ORCHESTRA<br />
27
granitdesign.eu Photo: Annette Fischer<br />
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Leverhulme <strong>Summer</strong> School<br />
VIOLIN<br />
CELLO<br />
FLUTE<br />
PERCUSSION<br />
Juliette<br />
Beauchamp<br />
FRENCH<br />
Elia Moffa<br />
ITALIAN<br />
Universität Mozarteum Salzburg<br />
Violeta<br />
de los Ángeles<br />
Gil García<br />
Themistoklis<br />
Kandalepas<br />
GREEK<br />
Conservatoire de Lyon<br />
SPANISH<br />
Codarts, Hogeschool Voor<br />
de Kunsten, Rotterdam<br />
Music School of Thessaloniki<br />
/ Synchronous Conservatory<br />
of Thessaloniki<br />
HORN<br />
Maria Malakouna<br />
CYPRIOT<br />
Cyprus Youth Symphony School<br />
Alexios Tassis<br />
GREEK<br />
Peter-Cornelius-Konservatorium<br />
der Stadt Mainz<br />
DOUBLE BASS<br />
Joel<br />
Ashford<br />
BRITISH<br />
Royal College of Music, London<br />
Davide<br />
Tonetti<br />
ITALIAN<br />
Conservatorio Statale di Musica<br />
“Giuseppe Verdi”, Turin / Accademia<br />
Nazionale di Santa Cecilia, Rome<br />
Andreas<br />
Zinonos<br />
CYPRIOT<br />
Lyceum of Ethnomartyras<br />
Kyprianos, Nicosia<br />
Sofía Bianchi<br />
Maestre<br />
SPANISH<br />
Escuela Superior de Música<br />
Reina Sofía, Madrid<br />
European Music Campus Orchestra (EMCO)<br />
CONCERT<br />
MASTER<br />
Martina Miedl<br />
AUSTRIAN<br />
VIOLIN<br />
Wiktoria<br />
Borkowska<br />
POLISH<br />
Samuel Cutajar<br />
MALTESE<br />
Elisabeth Drach<br />
AUSTRIAN<br />
Eva Ferguson<br />
SLOVAK/USA<br />
Wolfram<br />
Freysmuth<br />
AUSTRIAN<br />
Justyna Grudzień<br />
POLISH<br />
Susanne Isenberg<br />
AUSTRIAN<br />
Martyna<br />
Kaszkowiak<br />
POLISH<br />
Maria Malakouna<br />
CYPRIOT<br />
Maciej Mancewicz<br />
POLISH<br />
Kaja Michałowicz<br />
POLISH<br />
Antonia Mihalca<br />
ROMANIAN<br />
Soobin Park<br />
KOREAN<br />
Liliana<br />
Popdimitrova<br />
BULGARIAN<br />
Andreas Zinonos<br />
CYPRIOT<br />
VIOLA<br />
Peter Čižmár<br />
SLOVAK<br />
Antonina<br />
Kucharska<br />
POLISH<br />
Juhee Lee<br />
KOREAN<br />
Valentina<br />
Andreea Pancă<br />
ROMANIAN<br />
Tomasz Rosiński<br />
POLISH<br />
Ada Torge<br />
ROMANIAN<br />
CELLO<br />
Mateusz<br />
Błaszczak<br />
POLISH<br />
Lucija Pejković<br />
CROATIAN<br />
Elīza Sestule<br />
LATVIAN<br />
Alexios Tassis<br />
GREEK<br />
FLUTE<br />
Rebeka Pethő<br />
HUNGARIAN<br />
Marta Sesar<br />
CROATIAN<br />
OBOE<br />
Deyan Ivanov<br />
BULGARIAN<br />
CLARINET<br />
Michael Cutajar<br />
MALTESE<br />
Karolina<br />
Krajewska<br />
POLISH<br />
BASSOON<br />
Maria Frankowska<br />
POLISH<br />
Georg Langer<br />
AUSTRIAN<br />
HORN<br />
Andrei<br />
Aiordăchioei<br />
ROMANIAN<br />
TRUMPET<br />
Isaac Lucas<br />
MALTESE<br />
Rafal Poremba<br />
POLISH<br />
PERCUSSION<br />
Boris Boudinov<br />
BULGARIAN<br />
EUYO > LEVERHULME & EMCO<br />
29
Awards<br />
Each season the European Union Youth Orchestra gives three or more players one of its<br />
Awards, which reward a variety of skills ranging from musicianship to the creation of an<br />
atmosphere of harmony and understanding.<br />
If you would like to sponsor an Award, create an Award in memory of someone who<br />
shared the Orchestra’s values, or know of a Corporation that would be honoured to put<br />
their organisation’s name to an Award, please do not hesitate to get in touch with our<br />
Development and Communications Manager, Charlotte Hamilton at charlotte@euyo.eu<br />
or by telephone: 0044 79668 88917<br />
The Ian Stoutzker Award<br />
Generously offered by the Orchestra’s Co-Chairman and Orchestra Board Chairman Ian Stoutzker, CBE, this will provide one<br />
or more musicians with an award for performance excellence and embodying the EUYO spirit of cultural understanding,<br />
cooperation and harmony.<br />
As a young man Mr. Stoutzker trained at the Royal College of Music under Albert Sammons, before eventually choosing a new<br />
path at the London School of Economics. It has been said of him, ‘Perhaps no musician has ever done so much for music after<br />
choosing a new career.’ The Orchestra is delighted to benefit from his remarkable commitment and generous guidance.<br />
The award for the 2015–<strong>2016</strong> season was given to our Austrian cellist, Klara Wincor and our Portuguese horn player,<br />
Flávio Barbosa.<br />
Klara Wincor<br />
Austrian, Cello<br />
Co-Recipient of The Ian<br />
Stoutzker Award<br />
“Playing with the EUYO is something different. Not just because<br />
the individual level of playing is almost frighteningly high, but<br />
because of the energy which comes with it. I had the most<br />
emotional concerts of my life with the EUYO and also the most<br />
physically exhausting and at the same time elating concerts.<br />
Being the recipient of The Ian Stoutzker Award this year is a<br />
great honour and I couldn't be happier about it, as it is a sign<br />
of support and trust in me. I am very lucky to currently have a<br />
good instrument on loan, so I decided to use the Award when I<br />
need to travel with my cello, to cover the cost for an extra seat<br />
when flying. This will enable me to travel to masterclasses and<br />
auditions which I would not consider attending otherwise.”<br />
Flávio Barbosa<br />
Portuguese, Horn<br />
Co-Recipient of The Ian<br />
Stoutzker Award<br />
“Playing in the EUYO in the last summer tour was<br />
more than a simple youth orchestra experience.<br />
The high artistic and human level of my colleagues,<br />
tutors and conductors was one of the most important<br />
achievements of my life. Besides the amazing musical<br />
experience, sharing a month with so many wonderful<br />
cultures gave me a new perspective on the world.<br />
Feeling all energy and will of playing together was very<br />
important for my musical and human development.<br />
Being awarded The Ian Stoutzker Award was very<br />
important for me, and a recognition of my effort. This<br />
prize gave me the opportunity to continue my studies<br />
in Zürich, a very important goal in my life.<br />
EUYO > AWARDS<br />
I would like to thank all tutors, staff and colleagues<br />
for all the teachings, sharing and the help that make<br />
me a better musician and a better human being.”<br />
30
The Aleksandar<br />
Pavlović Award<br />
Set up in 2008 with a generous donation from the<br />
Orchestra’s Co-founders Lionel and Joy Bryer, the award<br />
is a tribute to Aleksandar Pavlović, the long-standing<br />
and former Artistic Director of the International Youth<br />
Foundation and violin tutor to the European Union Youth<br />
Orchestra. He is Professor Emeritus at the Faculty of<br />
Music, University of Arts in Belgrade and Visiting Professor<br />
at the Royal Academy of Music in London. He has also<br />
led master classes in the USA, Greece and the UK.<br />
The Aleksandar Pavlović Award was presented<br />
at the end of the 2015 <strong>Summer</strong> <strong>Tour</strong> to Nikolaj<br />
Vestmar Henriques. Now on his fourth EUYO<br />
tour, Nikolaj has been a dedicated and exemplary<br />
member of the Orchestra since <strong>Summer</strong> 2014.<br />
The award is presented annually.<br />
The Lionel Bryer<br />
Memorial Fund Award<br />
Created in 2011, the Lionel Bryer Memorial Fund Award, is<br />
designed to support a young musician who has demonstrated<br />
huge musical talent and potential, but whose development<br />
and career would benefit greatly from financial assistance.<br />
Lionel Bryer was a highly successful London dental surgeon<br />
who, inspired by a love of music and the desire to foster good<br />
relations with other countries by educating young people in<br />
their cultures, co-founded the International Youth Foundation<br />
along with his wife, Joy. Through it they also co-founded<br />
the Aberdeen International Youth Festival and the European<br />
Community Youth Orchestra (now the European Union<br />
Youth Orchestra). Originally from South Africa, Lionel was a<br />
talented violinist and sportsman, as well as a Rhodes Scholar.<br />
The award is presented annually and in the<br />
summer of 2015, was awarded to Danish<br />
trumpeter, Victor Koch Jensen.<br />
Nikolaj Vestmar<br />
Henriques<br />
Danish, Bassoon<br />
Recipient of The<br />
Aleksandar Pavlović Award<br />
“One of the most unique things I discovered through playing<br />
with the EUYO is that there are so many ways to play well.<br />
Even though we are from different countries and are taught<br />
differently, we can all learn from each other. It gives you the<br />
opportunity to be the musician that you want to be. No one<br />
expects you to play a certain way, they expect to hear YOU<br />
play, and I find the orchestra very unique in that way. This<br />
enables us all to grow as musicians within the Orchestra.<br />
I feel extremely lucky and very grateful to be chosen to receive<br />
this award. Many people who have been awarded this prize<br />
before, are people that I admire personally and professionally.<br />
It motivates me to continue to pour all my energy and soul<br />
into my work on the bassoon. I'll use the money that I've<br />
received for a complete overhaul of my instrument.”<br />
Victor Koch Jensen<br />
Danish, Trumpet<br />
Recipient of The Lionel Bryer<br />
Memorial Fund Award<br />
“Receiving the Lionel Bryer Memorial Fund Award marks<br />
an absolute highlight of my time with the EUYO.<br />
To be awarded this special prize is a tremendously<br />
generous financial boost, that gives me the possibility<br />
to go for lessons as well as auditions abroad.<br />
Looking back on my time with the Orchestra, I can't believe<br />
how many extraordinary friends I have met, how many epic<br />
and tear-provoking concerts we've played, and how strong<br />
the bonds we have tied in doing so. The EUYO creates a<br />
vital stepping stone for young musicians like myself, and I<br />
simply cannot imagine where I would have been without<br />
it, not just as a musician, but also as a human being.<br />
Mr. & Mrs. Bryer started something truly unique<br />
when they founded this orchestra, and I'm extremely<br />
grateful that I got to be a part of it.”<br />
EUYO > AWARDS<br />
31
European Union Youth Orchestra<br />
Gustav Mahler Jugendorchester<br />
Orchestra Haydn Orchester<br />
European Union Baroque Orchestra<br />
Matthias Pintscher<br />
Katia & Marielle Labèque<br />
Philippe Jordan<br />
Vasily Petrenko<br />
Jordi Savall<br />
Leo McFall<br />
Christian Gerhaher<br />
Bernard Haitink<br />
Grigory Sokolov<br />
Thomas Demenga<br />
Nicholas Angelich<br />
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Tutors<br />
Dr Peter Stark<br />
Rehearsal Director<br />
One of the finest teachers of conducting<br />
and orchestral trainers in the world.<br />
His work with young musicians is renowned. He has taught<br />
over five hundred individual students and has decades of<br />
experience working with young orchestras. Whilst Professor<br />
of Conducting at the Royal College of Music, London, his<br />
work also takes him all over the world; in the last year<br />
masterclasses in the conservatoires of St Petersburg and<br />
Beijing and concerts in China, Norway and the Middle East.<br />
Lorenza Borrani<br />
Violin 1<br />
Lorenza has been leader of the Chamber<br />
Orchestra of Europe since 2007. She<br />
has been director, concert master, soloist and chamber<br />
musician in the most important concert halls and seasons<br />
in Europe and worldwide. As well as an international career<br />
as a soloist under the direction of conductors including Yuri<br />
Harohnovich, Emmanuel Krivine, Yannick Nézet-Séguin and<br />
Claudio Abbado, she has also worked with notable chamber<br />
musicians. Lorenza teaches at the Scuola di Musica di Fiesole<br />
and in 2007, she founded the Spira Mirabilis Project.<br />
Oliver Kipp<br />
Violin 2<br />
An EUYO player from 1987 – 1993,<br />
Principal 2nd violin of the NDR Radio<br />
Philharmonic since 1998 and member of the “Hyperion<br />
Trio”. Founded in 1999, the Trio boasts an outstanding<br />
reputation in Germany and the international music world,<br />
performing an extraordinarily broad repertoire.<br />
Roger Benedict<br />
Viola<br />
Roger Benedict is Principal Viola of the<br />
Sydney Symphony Orchestra and Artistic<br />
Director of the orchestra’s highly regarded orchestra academy,<br />
alongside his work as a Professor at the Sydney Conservatorium.<br />
He was formerly Principal Viola of the Philharmonia in London<br />
and a Professor at the Royal Northern College of Music.<br />
He is also active as a conductor and appears regularly with<br />
major orchestras in Australasia, and with emerging artists<br />
of the National Youth Orchestra of Great Britain (NYO),<br />
Southbank Sinfonia and the Australian Youth Orchestra.<br />
Gregor Horsch<br />
Cello<br />
Gregor Horsch was appointed<br />
first Principal cellist of the Royal<br />
Concertgebouw Orchestra in 1997. He combines this position<br />
with a career as a soloist and chamber musician. He has been<br />
a teacher at the conservatories of The Hague, Amsterdam and<br />
at the RNCM in Manchester and since 2009 he is Professor<br />
at the Robert Schumann Hochschule in Düsseldorf.<br />
Wies de Boevé<br />
Double Bass<br />
Sub-Principal Double Bass of the<br />
Symphonieorchester des Bayerischen<br />
Rundfunks and regular guest player with the Berlin<br />
Philharmonic, the Royal Concertgebouw Orchestra<br />
Amsterdam and the Staatskapelle Berlin, among others.<br />
Wies won many international music competitions and was<br />
most recently awarded with the first prize at the Deutscher<br />
Musikwettbewerb, being the first bass player ever to<br />
win this competition. He studied with Duncan McTier,<br />
Janne Saksala, Božo Paradžik, Esko Laine and Matthew<br />
McDonald and was an EUYO player from 2007 – 2008.<br />
Rien de Reede<br />
Woodwind<br />
Rien de Reede was a flautist in the<br />
Concertgebouw Orchestra for thirty-seven<br />
years. Besides this he taught flute at the Royal Conservatory<br />
for almost the same length of time. As Head of Chamber<br />
Music in this school and as an Artistic Programmer for the<br />
Chamber Music Series for the members of the Concertgebouw<br />
Orchestra he was able to express his love and interest<br />
in this field, searching for programmatic innovation.<br />
Peter Gane<br />
Lower Brass<br />
One of Britain’s leading brass specialists,<br />
Peter is founder and former president<br />
of the British Trombone Association and has a long-standing<br />
association with the NYO and the EUYO where he has been<br />
a Professor of trombone since 1977 and 1984 respectively.<br />
He has taken masterclasses and workshops in many<br />
conservatoires and professional groups across Europe and<br />
the USA. He was presented with the Neill Humfield Award<br />
for excellence in trombone teaching by the International<br />
EUYO > TUTORS<br />
33
Trombone Association (1996) and the British Trombone<br />
Society’s outstanding contribution award (2013). A Professor<br />
at the Guildhall School since 1971, he later was elected<br />
a Fellow of the School and was Head of Wind, Brass and<br />
Percussion from 1988 – 2008. He still contributes to the<br />
specialist brass and wind programmes. Peter is Artistic<br />
Adviser to the Combret Music Festival, Aveyron, France.<br />
Jeff Bryant<br />
Horn<br />
Jeff was Principal and Solo Horn with<br />
the London Symphony and Royal<br />
Philharmonic Orchestras with whom he recorded the Mozart<br />
concerti and the Britten Serenade. He is Professor of Horn<br />
at the Royal College of Music, London. Jeff also tutors the<br />
horn section of ICULTURE Orchestra, based in Poland.<br />
John Miller<br />
Trumpet<br />
Head of the School of Wind, Brass and<br />
Percussion, Royal Northern College<br />
of Music, Manchester. Prior to joining the RNCM in 1999,<br />
John worked extensively in London as a member of the<br />
Philharmonia Orchestra from 1977 to 1994, and as a freelance<br />
musician working regularly with prestigious ensembles such as<br />
the London Sinfonietta and the Philip Jones Brass Ensemble.<br />
John is a founder member of the Wallace Collection brass<br />
ensemble with which he continues to perform and record.<br />
Sam Walton<br />
Percussion<br />
Sam Walton performs with many of<br />
the UK’s finest orchestras. He is Co-<br />
Principal Percussion in the London Symphony Orchestra<br />
and Principal Percussion in the John Wilson Orchestra. He<br />
is a member of the Colin Currie Group, and has recorded<br />
extensively for film and television. He is a Professor<br />
at the Royal College of Music and the Guildhall.<br />
Adelheid Blovsky-Miller<br />
Harp<br />
Former Professor of Harp at<br />
the University of Music and<br />
Performing Arts in Vienna, former harpist at the<br />
Vienna State Opera Orchestra. Artistic Director of the<br />
International Harp Competition ‘Franz Josef Reinl’.<br />
European Music Campus Orchestra<br />
Conductor and Tutors<br />
Chloe Vansoeterstede<br />
Rehearsal Conductor<br />
Graduating from the Royal Academy<br />
of Music (RAM), London as a viola<br />
player (2014), Chloe then studied conducting at the Royal<br />
Northern College of Music. She studies with Clark Rundell,<br />
Mark Heron, and assists at the BBC Philharmonic, Royal<br />
Liverpool Philharmonic and the Hallé. Chloe is a RAM<br />
Fellow with the Stella Quartet and created the chamber<br />
orchestra, Arch Sinfonia (2012). She has conducted the<br />
United Strings of Europe chamber orchestra and recorded<br />
with the Solingen Orchester in Germany and Rotterdam.<br />
Chloe has performed with the EUYO, the Pacific Music<br />
Festival and the Aurora Orchestra for their BBC Proms.<br />
Lara Sullivan<br />
Violin 1<br />
Lara graduated from the Royal<br />
Academy of Music (RAM) in 2014,<br />
completing her master’s degree with Maurice Hasson.<br />
A member of the EUYO 2009-2014, she now plays with<br />
Spira Mirabilis, Camerata Ireland as well as ensembles in<br />
London. Lara is a chamber fellow at the RAM with the<br />
Stella Quartet, which enjoys a busy outreach and recital<br />
season with the Open Academy department and Wigmore<br />
Hall. As an EUYO alumni tutor, she has worked closely<br />
with the EMCO and the Malta Youth Orchestra. Lara<br />
currently teaches at the junior department of the RAM.<br />
EUYO > TUTORS<br />
34
Anne Hopfmüller<br />
Violin 2<br />
Anne was a member of the EUYO from<br />
2010–2013. She studied performance<br />
and pedagogy in Vienna and Graz before moving to London,<br />
where she graduated from the Royal Academy of Music<br />
with distinction in 2014. She has since enjoyed playing<br />
frequently with orchestras in the UK and Austria such as<br />
Welsh National Opera, BBC Concert Orchestra, RSO Wien<br />
and European Union Chamber Orchestra, covering opera,<br />
symphonic repertoire and chamber music. Anne is also an<br />
enthusiastic teacher and has recently moved back to Vienna.<br />
Sofie van der Schalie<br />
Viola<br />
Sofie studied at the Conservatory of<br />
Amsterdam with Marjolein Dispa and<br />
was co-principal of the EUYO 2011 – 2014. She has been<br />
successful in competitions such as the Princess Christina<br />
Conours (1st prize) and the National Viola Competition<br />
(finalist). She currently plays with Dutch orchestras:<br />
The Royal Concertgebouw Orchestra, the Chamber<br />
Orchestra of the Concertgebouw, the Radio Philharmonic<br />
Orchestra, and the Netherlands Philharmonic Orchestra.<br />
Sofie teaches violin and viola at the Music and Dance<br />
school in Amstelveen. In the season 2015/<strong>2016</strong> Sofie is<br />
an Acadamist at the Royal Concertgebouw Orchestra.<br />
Andrei Mihailescu<br />
Double Bass<br />
Principal double bass of the EUYO<br />
2009 – 2013, Andrei graduated from<br />
the Royal Academy of Music (RAM), London, studying with<br />
Duncan Mctier, Graham Mitchell, and Chi-chi Nwanoku.<br />
Andrei is a master’s student at the HMT Munich, studying<br />
with Nabil Shehata and collaborates with the Chamber<br />
Orchestra of Europe, Budapest Festival Orchestra, Deutsches<br />
Symphonie Orchestra Berlin, the Orchestra of the Age of<br />
Enlightenment, London Sinfonietta and Spira Mirabilis,<br />
amongst others. He has appeared as a soloist at the Grafenegg<br />
Musikfest and the George Enescu Festival. Andrei teaches<br />
double bass at the RAM, EMC and Malta Youth Orchestra.<br />
Magnus Koch Jensen<br />
Woodwind<br />
Magnus won the position as Principal<br />
bassoonist with Det Kongelige<br />
Kapel in 2012. Besides his job he has played in most of<br />
the Danish orchestras, but also in NDR Elbphilharmonie<br />
Orchestra and at the Hamburg State Opera. Magnus is<br />
co-founder of the award winning wind quintet “Carl Nielsen-<br />
Kvintetten” with whom he is making an effort to promote<br />
the wonderful music of the Danish national composer,<br />
Carl Nielsen. He was a member of the EUYO from 2010-<br />
2012 and remains a big supporter of the Orchestra.<br />
Romain Lapeyre<br />
Cello<br />
Romain graduated with a master’s<br />
degree from the Royal Academy of<br />
Music, studying with David Strange. Principal cellist of the<br />
EUYO 2010 – 2014, He was recipient of the Zara Nelsova<br />
Award, Harold Craxton Prize, Herbert Walenn Prize and the<br />
Lionel Bryer Memorial Fund Award. Romain has worked<br />
closely with the EMCO, the Malta Youth Orchestra and<br />
the Sistema Europe Youth Orchestra. A member of the<br />
Bastide Piano Trio, he is Principal cello of the Chamber<br />
Orchestra of Toulouse and teaches music in Paris.<br />
Katy Woolley<br />
Brass<br />
Katy was appointed Principal horn in<br />
the Philharmonia Orchestra (where she<br />
has also appeared as soloist) and has forged a formidable<br />
reputation performing the most demanding horn parts<br />
for the world’s top conductors. Katy has studied with<br />
Sue Dent, Simon Rayner and in Berlin with Christian-<br />
Friedrich Dallmann. She graduated from the Royal College<br />
of Music and was awarded the Tagore Gold Medal by<br />
HRH Prince Charles. Katy was Principal horn in the EUYO<br />
and is now a Professor at the Royal Academy of Music<br />
and Trinity Laban Conservatoire of Music and Dance.<br />
EUYO > TUTORS<br />
35
Honorary Patrons<br />
European Parliament<br />
President of the European Parliament,<br />
Honorary President of the EUYO<br />
Martin Schulz<br />
European Commission<br />
President of the European Commission,<br />
Head of the Honorary Patrons<br />
Jean-Claude Juncker<br />
European Commission<br />
High Representative of the European<br />
Union for Foreign Affairs and Security<br />
Policy and Vice-President of the European<br />
Commision, Honorary Patron<br />
Federica Mogherini<br />
European Committee of the Regions<br />
President of the European Committee<br />
of the Regions, Honorary Patron<br />
Markku Markkula<br />
Heads of State / Heads of Government<br />
Austria<br />
Federal President<br />
Alexander Van der Bellen<br />
Federal Chancellor<br />
Christian Kern<br />
Belgium<br />
HM King Philippe<br />
Prime Minister<br />
Charles Michel<br />
Bulgaria<br />
President<br />
Rosen Plevneliev<br />
Prime Minister<br />
Boyko Borisov<br />
roatia<br />
ent<br />
da Grabar-Kitarović<br />
Minister<br />
Tihomir Orešković<br />
Cyprus<br />
President<br />
Nicos Anastasiades<br />
Czech Republic<br />
President<br />
Miloš Zeman<br />
Prime Minister<br />
Bohuslav Sobotka<br />
Denmark<br />
HM Queen Margrethe II<br />
Prime Minister<br />
Lars Løkke Rasmussen<br />
Estonia<br />
President<br />
Toomas Hendrik Ilves<br />
Prime Minister<br />
Taavi Rõivas<br />
Finland<br />
President<br />
Sauli Niinistö<br />
Prime Minister<br />
Juha Sipilä<br />
France<br />
President<br />
François Hollande<br />
Prime Minister<br />
Manuel Valls<br />
Germany<br />
Federal President<br />
Joachim Gauck<br />
Federal Chancellor<br />
Angela Merkel<br />
Greece<br />
President<br />
Prokopios Pavlopoulos<br />
Prime Minister<br />
Alexis Tsipras<br />
Hungary<br />
President<br />
János Áder<br />
Prime Minister<br />
Viktor Orbán<br />
Ireland<br />
President<br />
Michael D. Higgins<br />
Taoiseach<br />
Enda Kenny<br />
Italy<br />
President<br />
Sergio Mattarella<br />
Prime Minister<br />
Matteo Renzi<br />
Latvia<br />
President<br />
Raimonds Vējonis<br />
Prime Minister<br />
Māris Kučinskis<br />
Lithuania<br />
President<br />
Dalia Grybauskaitė<br />
Prime Minister<br />
Algirdas Butkevičius<br />
Luxembourg<br />
HRH Grand Duke Henri<br />
Prime Minister<br />
Xavier Bettel<br />
Malta<br />
ident<br />
rie Louise<br />
eiro Preca<br />
Prime Minister<br />
Joseph Muscat<br />
Netherlands<br />
HRH Princess Beatrix<br />
Prime Minister<br />
Mark Rutte<br />
Poland<br />
President<br />
uda<br />
r<br />
dło<br />
Portugal<br />
President<br />
Marcelo Rebelo de Sousa<br />
Prime Minister<br />
António Costa<br />
Romania<br />
President<br />
Klaus Iohannis<br />
Prime Minister<br />
Dacian Ciolos<br />
Slovakia<br />
President<br />
Andrej Kiska<br />
Prime Minister<br />
Robert Fico<br />
Slovenia<br />
President<br />
Borut Pahor<br />
Prime Minister<br />
Miro Cerar<br />
pain<br />
HM King Felipe VI<br />
Prime Minister<br />
Mariano Rajoy Brey<br />
Sweden<br />
HM King Carl XVI Gustaf<br />
Prime Minister<br />
Stefan Löfven<br />
United Kingdom<br />
HM Queen Elizabeth II<br />
Prime Minister<br />
David Cameron<br />
Honorary Committees<br />
Austria<br />
Cyprus<br />
France<br />
Italy<br />
Poland<br />
Spain<br />
EUYO > HONORARY PATRONS / COMMITTEES<br />
36<br />
Thomas Drozda<br />
Federal Minister for Arts<br />
and Culture, Constitutional<br />
Affairs and Media<br />
Sebastian Kurz<br />
Federal Minister for Europe,<br />
Integration and Foreign Affairs<br />
Sonja Hammerschmid<br />
Federal Minister for<br />
Education and Women<br />
Belgium<br />
Sven Gatz<br />
Flemish Minister for<br />
Culture, the Media, Youth<br />
and Brussels Affairs<br />
Joëlle Milquet<br />
Vice Minister President of the<br />
French-speaking Community<br />
and Minister responsible<br />
for education, culture and<br />
childhood for the Frenchspeaking<br />
Community<br />
Isabelle Weykmans<br />
Minister for Culture,<br />
Employment and <strong>Tour</strong>ism<br />
Didier Reynders<br />
Deputy Prime Minister and<br />
Minister of Foregin Affairs<br />
and European Affairs<br />
Bulgaria<br />
Daniel Pavolv Mitov<br />
Minister of Foreign Affairs<br />
Vezhdi Letif Rashidov<br />
Minister of Culture<br />
Croatia<br />
Predrag Šustar<br />
Minister of Science,<br />
Education and Sports<br />
Zlatko Hasanbegović<br />
Minister of Culture<br />
Miro Kovač<br />
Minister of Foreign and<br />
European Affairs<br />
Ioannis Kasoulides<br />
Minister of Foreign Affairs<br />
Costas Kadis<br />
Minister of Education and Culture<br />
Czech Republic<br />
Lubomír Zaorálek<br />
Foreign Minister<br />
Kateřina Valachová<br />
Minister for Education,<br />
Youth and Sport<br />
Petr Drulák<br />
Deputy Minister of<br />
Foreign Affairs<br />
Denmark<br />
Bertel Haarder<br />
Minister of Culture<br />
Kristian Jensen<br />
Minister for Foreign Affairs<br />
Estonia<br />
Marina Kaljurand<br />
Minister of Foreign Affairs<br />
Indrek Saar<br />
Minister of Culture<br />
Jürgen Ligi<br />
Minister of Education<br />
and Research<br />
Finland<br />
Sanni Grahn-Laasonen<br />
Minister of Culture and Education<br />
Timo Soini<br />
Minister for Foreign Affairs<br />
Lenita Toivakka<br />
Minister for Foreign Trade<br />
and Development<br />
Jean-Marc Ayrault<br />
Foreign Minister<br />
Audrey Azoulay<br />
Minister of Culture and<br />
Communication<br />
Germany<br />
Monika Grütters<br />
Federal Government<br />
Commissioner for Culture<br />
and the Media<br />
Manuela Schwesig<br />
Federal Minister of Family<br />
Affairs, Senior Citizens,<br />
Women and Youth<br />
Frank-Walter Steinmeier<br />
Federal Minister for<br />
Foreign Affairs<br />
Greece<br />
Aristeidis Mpaltas<br />
Minister of Culture and Sports<br />
Athanasia<br />
Anagnostopoulou<br />
Deputy Minister for Education,<br />
Research and Religious Affairs<br />
Nikos Kotzias<br />
Minister of Foreign Affairs<br />
Hungary<br />
Péter Szijjártó<br />
Minister of Foreign<br />
Affairs and Trade<br />
Zoltán Balog<br />
Minister of Human Capacities<br />
Ireland<br />
Heather Humphreys<br />
Minister for Arts, Heritage<br />
and the Gaeltacht<br />
Charles Flanagan<br />
Minister for Foreign<br />
Affairs and Trade<br />
Paschal Donohoe<br />
Minister for Transport,<br />
<strong>Tour</strong>ism and Sport<br />
Paolo Gentiloni<br />
Minister of Foreign Affairs and<br />
International Cooperation<br />
Dario Franceschini<br />
Minister of Heritage and<br />
Cultural Activities and <strong>Tour</strong>ism<br />
Latvia<br />
Dace Melbārde<br />
Minister of Culture<br />
Edgards Rinkěvičs<br />
Minister for Foreign Affairs<br />
Lithuania<br />
Šarūnas Birutis<br />
Minister of Culture<br />
Linas Antanas<br />
Linkevičius<br />
Minister of Foreign Affairs<br />
Luxembourg<br />
Xavier Bettel<br />
Prime Minister, Minister<br />
of Culture<br />
Guy Arendt<br />
Secretary of State for Culture<br />
Jean Asselborn<br />
Minister for Foreign Affairs<br />
Malta<br />
Owen Bonnici<br />
Minister for Justice, Culture<br />
and Local Government<br />
Evarist Bartolo<br />
Minister for Education<br />
and Employment<br />
Netherlands<br />
Bert Koenders<br />
Minister of Foreign Affairs<br />
Jet Bussemaker<br />
Minister for Education,<br />
Culture and Science<br />
Witold Waszczykowski<br />
Minister of Foreign Affairs<br />
prof. dr hab. Piotr Gliński<br />
Deputy Prime Minister, Minister<br />
of Culture and National Heritage<br />
Portugal<br />
Miguel Honrado<br />
Secretary of State for Culture<br />
Luís Filipe de Castro<br />
Mendes<br />
Minister of Culture<br />
Augusto Santos Silva<br />
Minister of Foreign Affairs<br />
Romania<br />
Lazăr Comănescu<br />
Minister of Foreign Affairs<br />
Aura Carmen Răducu<br />
Minister of European Funds<br />
Vlad Alexandrescu<br />
Minister of Culture<br />
Slovakia<br />
Miroslav Lajčák<br />
Minister of Foreign Affairs<br />
Marek Mad’arič<br />
Minister of Culture<br />
Slovenia<br />
Tone Peršak<br />
Minister of Culture<br />
Karl Erjavec<br />
Minister for Foreign Affairs<br />
Iñigo Méndez<br />
de Vigo y Montojo<br />
Minister of Education,<br />
Culture and Sports<br />
José Manuel García-<br />
Margallo y Marfil<br />
Minister of Foreign Affairs<br />
and Cooperation<br />
Sweden<br />
Margot Wallström<br />
Minister for Foreign Affairs<br />
Alice Bah Kuhnke<br />
Minister of Culture<br />
and Democracy<br />
United Kingdom<br />
Philip Hammond<br />
Secretary of State for Foreign<br />
and Commonwealth Affairs<br />
John Whittingdale<br />
Secretary of State for<br />
Culture, Media and Sport<br />
David Lidington<br />
Minister for Europe<br />
Ed Vaizey<br />
Minister of State for Culture<br />
and the Digital Economy<br />
Baroness Rawlings of<br />
Burnham Westgate
National Associates<br />
Austria<br />
Wiener Jeunesse Orchester<br />
Renate Böck<br />
Estonia<br />
Eesti Muusika – ja Teatriakadeemia<br />
Kai Kiiv<br />
Latvia<br />
Jāzepa Vītola Latvijas Mūzikas akadēmija<br />
Maija Sīpola<br />
gal<br />
l das Artes<br />
Carlos Moura-Carvalho<br />
Belgium<br />
BOZAR<br />
Ulrich Hauschild<br />
garia<br />
School of Music Lyubomir Pipkov<br />
hi Arnaoudov<br />
atia<br />
Jeunesses Musicales Croatia<br />
Mira Surjak<br />
Cyprus<br />
Cyprus Symphony Orchestra Foundation (CSOF)<br />
Egly Pantelakis<br />
Board President<br />
Czech Republic<br />
ARS/KONCERT, / spol. s. ro.<br />
Lenka Šimečková<br />
Denmark<br />
Det Kongelige Danske Musikkonservatorium<br />
Jakob Errboe Holtze<br />
Finland<br />
Sibelius-Akatemia<br />
Anna Rombach<br />
France<br />
Orchestre Français des Jeunes<br />
Pierre Barrois<br />
Germany<br />
Hochschule für Musik Hanns Eisler Berlin<br />
Prof. Robert Ehrlich<br />
Greece<br />
Thessaloniki Concert Hall<br />
George-Emmanuel Lazaridis<br />
Hungary<br />
Kreatív Európa Nonprofit Kft.<br />
Gábor Mondik<br />
Ireland<br />
National Youth Orchestra of Ireland<br />
Carol-Ann McKenna<br />
Italy<br />
RAI<br />
Mihaela Liliana Schefer<br />
Lithuania<br />
Lietuvos muzikos ir teatro akademija<br />
Giedrė Antanavičienė<br />
Mindaugas Kazlauskas<br />
Interim Contact<br />
Luxembourg<br />
Ministère de la Culture<br />
Marco Battistella<br />
Malta<br />
Philharmonic Orchestra<br />
a Blanco<br />
Netherlands<br />
NJO<br />
Miranda van Drie<br />
Poland<br />
Department of Artistic Schools<br />
and Cultural Education, Ministry of<br />
Culture and National Heritage<br />
Eliza Kujan<br />
Romania<br />
Romanian Cultural Institute (RCI)<br />
Irina Iacob<br />
Slovakia<br />
Music Centre Slovakia<br />
Igor Valentovič<br />
Slovenia<br />
a, Department of<br />
uction<br />
ak<br />
Subdireccion General de Musica y Danza,<br />
Ministerio de Educación, Cultura y Deporte<br />
José Rodriguez del Pino<br />
Sweden<br />
Academy of Music<br />
and Drama, University of Gothenburg<br />
Tobias Granmo<br />
United Kingdom<br />
National Youth Orchestra of Great Britain<br />
Sarah Alexander<br />
Capital Sounds – National Guest Performers<br />
Capital Sounds – National Guest Speakers<br />
Bratislava<br />
Slovensky Mládežnícky<br />
Orchester<br />
An orchestra of the finest young<br />
musicians in Slovakia aged 16-28<br />
years, being formed as Slovakia’s<br />
national youth orchestra by Music<br />
Centre Slovakia, with the assistance<br />
and inspiration of the EUYO.<br />
Ljublijana<br />
Duo Scaramouche<br />
Duo Scaramouche, Neža Koželj<br />
and Nadja Rus, are an acclaimed<br />
Slovenian piano duo taught by<br />
Professor Miha Haas. Neža Koželj<br />
and Nadja Rus are students of<br />
Professor Hinko Haas at the<br />
Academy of music in Ljubljana and<br />
have studied extensively abroad.<br />
They have twice been gold medal<br />
and first prize winners in the<br />
Slovenian state competition.<br />
Warsaw<br />
I, Culture Orchestra<br />
I, CULTURE Orchestra consists<br />
of outstanding young musicians<br />
from Poland and the Eastern<br />
Partnership countries. Formed<br />
in 2011 by the Adam Mickiewicz<br />
Institute – a state founded cultural<br />
institution dedicated to promote<br />
Polish culture worldwide, the<br />
Orchestra exists to use the act<br />
of performing music to bring<br />
together people from these<br />
countries. By rehearsing and<br />
performing together these young<br />
musicians communicate and learn<br />
to trust each other in ways that<br />
resonate beyond the concert hall.<br />
Berlin<br />
Vision String Quartet<br />
Founded in 2012, this is a unique<br />
quartet that plays original<br />
compositions and arrangements of<br />
many different styles, as well as the<br />
conventional, classical literature.<br />
The quartet won the <strong>2016</strong><br />
Mendelssohn Prize and comprises<br />
Jakob Encke (violin), Daniel Stoll<br />
(violin), Leonard Disselhorst<br />
(cello) and Sander Stuart (viola).<br />
Amsterdam<br />
The Leerorkest<br />
The Leerorkest is an innovative<br />
music education programme in<br />
which every child gets the chance<br />
to learn a musical instrument at<br />
school. The Stichting Leerorkest<br />
(Leerorkest Foundation)<br />
provides the organisational<br />
and pedagogical structure for<br />
the Leerorkest orchestras in<br />
Amsterdam and in several other<br />
cities in Holland and Belgium. As<br />
of <strong>2016</strong> there were 36 orchestras<br />
active in Amsterdam, involving<br />
18 primary schools and 3 high<br />
schools from all across the city.<br />
Bratislava –<br />
Mrs Alžbeta Rajterová<br />
Widow of composer and conductor<br />
Ľudovít Rajter, whose Suite<br />
Miniature shall be the opening<br />
piece of the EUYO concert<br />
and a champion of the Arts.<br />
Ljubljana –<br />
Mitja Bervar,<br />
President of the<br />
National Council of the<br />
Republic of Slovenia<br />
Warsaw –<br />
Dr Artur Szklener,<br />
Director of the Fryderyk<br />
Chopin Institute<br />
Since 1997 Artur Szklener<br />
has taught at the Institute of<br />
Musicology of the Jagiellonian<br />
University and since 2001<br />
has been associated with the<br />
Fryderyk Chopin Institute in<br />
Warsaw as Research Program<br />
Coordinator, Deputy Director<br />
for Research and Publishing,<br />
and since 2012, its Director.<br />
Berlin<br />
Federal Government<br />
Commissioner for<br />
Culture and Media,<br />
Monika Grütters<br />
The Federal Government<br />
Commissioner for Culture<br />
and Media, a member of the<br />
Parliament of the Federal Republic<br />
of Germany, and Chairman of<br />
the Committee for Culture and<br />
Media from 2009 until 2013.<br />
Amsterdam<br />
Geert Mak<br />
Geert Mak is a Dutch journalist<br />
and a non-fiction writer in the field<br />
of history. His ten books about<br />
Amsterdam, Netherlands and<br />
Europe have earned him great<br />
popularity. Geert Mak participates<br />
actively in Dutch public debate, as<br />
a staunch defender of the values<br />
of an open and tolerant society.<br />
EUYO > NATIONAL ASSOCIATES<br />
37
Partners, supporters<br />
and friends<br />
The European Union Youth Orchestra wishes to thank the 28 EU Member States, as well as its<br />
residency hosts, Principal Corporate Partner, other corporate collaborators, trusts, foundations<br />
and individuals, whose support is invaluable in helping the Orchestra achieve its mission.<br />
apple<br />
REPUBLIC OF SLOVENIA<br />
MINISTRY OF CULTURE<br />
EUYO > PARTNERS, SUPPORTERS AND FRIENDS<br />
38<br />
Principal Corporate Partner<br />
Principal Venue Partner
Residency<br />
Partner<br />
Global<br />
Associates<br />
Orchestra Associate Partners<br />
Network Associate Partners<br />
Trusts / Foundations<br />
Friends of the EUYO<br />
Angus Allnatt Charitable Foundation<br />
Bellinger-Donnay Charitable Trust<br />
Kirby Laing Foundation<br />
The Lynn Foundation<br />
Modiano Charitable Trust<br />
The Samuel Gardner Memorial Trust<br />
Maestro Vladimir Ashkenazy<br />
Sir Harold and Lady Atcherley<br />
Tania Bryer<br />
Dirk Engelmann<br />
Friends of Clumber Studios<br />
Peter and Cynthia Hardy<br />
Maestro Gianandrea Noseda<br />
Dr Onno Ruding<br />
Claude Wasserstein<br />
Dame Mary Archer<br />
Fred and Marianne Emery<br />
Derek Gleeson<br />
Dr Eckhart von Hahn<br />
David Heald Edna Laird<br />
Franz Mikorey<br />
Argirios Vainas<br />
Nicola Wallis<br />
Rien de Reede<br />
Stefania Cora<br />
David Ramos<br />
Clara de la Torre<br />
Henry Wickens<br />
William Palmer<br />
Lianne Hackett<br />
Marko Kassenaar<br />
Peter Ahrens<br />
Michele Sanzo<br />
Colin Currie (percussion instruments)<br />
The EUYO would also like to thank those<br />
organisation and individuals who wish to<br />
remain anonymous<br />
EUYO > PARTNERS, SUPPORTERS AND FRIENDS<br />
39
Governance<br />
Trustees, Board<br />
and Management<br />
CO-FOUNDER<br />
& PRESIDENT<br />
Joy Bryer<br />
TRUSTEES<br />
Co-Chairman<br />
Ian Stoutzker CBE<br />
ORCHESTRA BOARD<br />
Chair<br />
Ian Stoutzker CBE<br />
EXECUTIVE<br />
Chief Executive<br />
Marshall Marcus<br />
Librarian & IT Manager<br />
Chris Turner<br />
TOURING STAFF<br />
<strong>Tour</strong> Manager<br />
Colin Window<br />
CHIEF CONDUCTOR<br />
Vasily Petrenko<br />
CONDUCTOR<br />
LAUREATE<br />
Bernard Haitink CH,KBE<br />
FOUNDING MUSIC<br />
DIRECTOR<br />
Claudio Abbado<br />
Sir John Tusa<br />
Lesley King-Lewis<br />
Anthony Sargent CBE<br />
Martijn Sanders<br />
Ilaria Borletti Buitoni<br />
Trustee Emeritus<br />
Robert Albert<br />
Sir John Tusa<br />
Anthony Sargent CBE<br />
Martijn Sanders<br />
Marshall Marcus<br />
ADVISORY BOARD<br />
Chair<br />
Étienne Davignon<br />
Tassilo<br />
Metternich-Sándor<br />
Executive &<br />
Finance Manager<br />
Riitta Hirvonen<br />
Development &<br />
Communications Manager<br />
Charlotte Hamilton<br />
Projects &<br />
Orchestra Manager<br />
Christina Hemmer<br />
Development Officer<br />
Marianne Wright<br />
Partnership Coordinator,<br />
Towards 2020<br />
Nicolas Klimis<br />
Executive Assistant<br />
Carol Cristiani<br />
Bookkeeper<br />
Mei-Mei Siew<br />
Stage Management<br />
Zoe Fagg<br />
Transport Manager<br />
Max van Duuren<br />
Nurse<br />
Christine Phelps<br />
Communications Assistant<br />
Charlotte Pearce<br />
Keep in touch<br />
EUYO<br />
@euyotweets<br />
EUYOVideo<br />
EUYO > GOVERNANCE<br />
www.euyo.eu<br />
40
Bright Days.<br />
Unplugged Nights.<br />
Music Lovers Welcome<br />
Autumn <strong>2016</strong>: Renovated Conference Spaces<br />
189 Rooms | 2 Restaurants | Bar | Wellness Center<br />
www.fourpointsbolzano.it #fourpointsbolzano<br />
matthias.perathoner@fourpointsbolzano.it<br />
+39 0471 1950000
THE BEST<br />
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of the new student flute range from Yamaha.<br />
Building on over 35 years of flute-making<br />
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Why Yamaha: better build quality, improved<br />
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FIND OUT MORE AT YAMAHA.COM
simple.more.buscharter<br />
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info@domanegg.it www.domanegg.it<br />
BUS CHARTER<br />
LIMO & MINI BUS SERVICE
For forty years the EUYO has united the<br />
most talented young musicians from<br />
the EU’s member states in an orchestra<br />
that transcends social, economic<br />
and political boundaries in pursuit<br />
of the highest levels of orchestral<br />
playing, artistic excellence and cultural<br />
understanding, aiming, in the process,<br />
to provide an example for Europe.<br />
We thank the Heads of State, Prime<br />
Ministers and Ministers of Culture of<br />
all 28 EU Member States, the President<br />
of the European Commission, the<br />
President of the European Parliament<br />
and the High Representative of<br />
the Union for Foreign Affairs and<br />
Security Policy, without whom our<br />
performances would not be possible.