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<strong>Summer</strong> <strong>Tour</strong> <strong>2016</strong><br />

Principal Corporate Partner<br />

Principal Venue Partner


Inspiring<br />

At United Technologies, we believe that ideas and inspiration create<br />

opportunities without limits. UTC applauds the European Union<br />

Youth Orchestra for its important role in transcending cultural, social,<br />

economic, religious, and political boundaries in the pursuit of<br />

musical excellence.<br />

To learn more, visit www.naturalleader.com.


Co-Chairmen’s Message<br />

For 40 years the European Union Youth Orchestra has represented<br />

and embodied the highest ideals of European cultural unity and<br />

cooperation. As Europe has grown and expanded its membership,<br />

so has the Orchestra. In its ranks, at its desks, young musicians from<br />

28 nations between the ages of 16 and 26 work, play, learn, make<br />

music, make friendships, gain understanding, grow as musicians and<br />

as people. Which nation they come from only partly relevant, for<br />

they are united by a sense of a shared cultural heritage, a common<br />

cultural vision. Each season they start as 120 individuals; by the end<br />

they are an orchestra, that magical blending of brilliant individual<br />

skills and distinct personalities into a harmonious whole. Just like the<br />

European ideal itself. When the European Union Youth Orchestra<br />

performs, it is the expression of the European dream i n practice<br />

and in reality. It is the finest, most vivid ambassador for a vision.<br />

But the experience does not stop when the players leave. Over 40 years,<br />

several thousand musicians have colonised Europe’s music making.<br />

Many people the ranks of the greatest orchestras of the continent.<br />

Others teach, innovate, explore, inspire. They never forget what they<br />

learned with their fellow colleagues from the EU’s 28 countries.<br />

All of this nearly came to an end earlier this year when we announced<br />

that in the absence of continued core funding from the EU we<br />

would have to cease operations. The resulting outburst of support<br />

for the EUYO internationally was astounding and the EU has now<br />

undertaken to sustain the orchestra both in the short and the long<br />

term. We hope that in practice this will enable the continuation of<br />

the Orchestra. The scale of respect, affection and trust shown to<br />

the Orchestra at this time by the world of the arts was more than<br />

could have been anticipated and places on us a responsibility to<br />

continue to justify the confidence of the EUYO’s many supporters.<br />

Contents<br />

Co-Chairmen’s Message 1<br />

Welcome Message 3<br />

Milestones 4<br />

Tributes 6<br />

Thanks 8<br />

The Future 10<br />

<strong>Summer</strong> <strong>Tour</strong> 12<br />

Conductors 16<br />

Soloists 18<br />

The Orchestra 22<br />

Awards 30<br />

Tutors 33<br />

Honorary Patrons / Committees 36<br />

Partners, Supporters and Friends 38<br />

Governance 40<br />

Photo © Geoff Wilson<br />

Sir John Tusa<br />

Trustee, Co-Chair<br />

Ian Stoutzker CBE<br />

Orchestra Board Chair, Trustee, Co-Chair<br />

EUYO > CO- CHAIRMEN’S MESSAGE<br />

1


Congratulations!<br />

Askonas Holt warmly congratulates the<br />

players and management of the European<br />

Union Youth Orchestra on the occasion<br />

of its 40th anniversary!<br />

At Askonas Holt, we guide the careers of world-class conductors,<br />

instrumentalists and singers, and arrange tours for a prestigious list<br />

of international orchestras, dance and opera companies. We are<br />

thrilled to be working closely with the EUYO on its remarkable<br />

Capital Sounds project.<br />

www.askonasholt.co.uk<br />

Making TOURS Happen<br />

PHOTO © JACQUI J. SZE


Welcome Message<br />

Monday 8 March and Thursday 22 April 1976 were seemingly unremarkable<br />

days. Yet when the cultural history of the EU comes to be written they<br />

could enter the history books, for these were, respectively, the dates<br />

when the European Parliament passed a unanimous resolution to found<br />

the European Community (now Union) Youth Orchestra and when the<br />

European Commission confirmed its official Patronage of the Orchestra.<br />

The scale of achievement of the EUYO in the ensuing years is articulated in<br />

the following pages by tributes from a number of the world’s great artists,<br />

politicians and – surely most profoundly – the players themselves. By any<br />

measure, the EUYO has combined performance excellence with a unique<br />

cultural ambassadorship for the EU, acting as an emblem for the European spirit<br />

of freedom, co-operation and creativity, in Europe and around the globe.<br />

To celebrate this tradition, the Orchestra is launching ‘Capital Sounds’, an<br />

ambitious project to visit all the EU Capital Cities in the coming years with<br />

performances that reflect not only the pan-European nature of the Orchestra,<br />

but also focus on the cultural identities of each country. The Project launches<br />

in Bratislava on 7 August in celebration of Slovakia’s EU Presidency, and<br />

continues this summer to Amsterdam, Berlin, Ljubljana and Warsaw.<br />

Amidst celebration however, it is impossible not to mention the crisis in EU<br />

funding for the EUYO earlier this year that nearly caused its closure, a reminder<br />

that even the most impressive achievements are eternally at risk if they are not<br />

properly safeguarded. We hope very much that a solution to the Orchestra’s<br />

funding from the EU can be found, for as I write discussions are ongoing but<br />

not yet resolved. Should they be resolved, then a question is worth posing:<br />

as the world changes, increasingly complex, progressively more connected,<br />

how can the EUYO best be of service, developing its role as a tangible beacon<br />

of the EU’s finest ideals during such an undeniably testing time for Europe?<br />

For now, though, we welcome you to our summer <strong>2016</strong> anniversary tour.<br />

Marshall Marcus<br />

Chief Executive,<br />

European Union Youth Orchestra<br />

EUYO > WELCOME<br />

3


Milestones<br />

From Amsterdam to Abu Dhabi, New York to Nicosia, Moscow to Mumbai, Seoul to São Paolo<br />

and beyond, the EUYO has performed so far in 4 Continents, 43 countries, 177 cities and 224<br />

venues, including cities in all 28 EU Member States. A regular visitor to many of the world’s<br />

greatest concert halls including the Amsterdam Concertgebouw, the BBC Proms, and the<br />

Edinburgh, Lucerne and Salzburg festivals, the Orchestra’s Principal Venue Partner and most<br />

important home has, since 2014, been at Grafenegg as part of the Grafenegg Festival.<br />

Below are a few of the landmark projects of the first 40 years of the Orchestra.<br />

Herbert von Karajan conducting<br />

EUYO in Salzburg 1980<br />

Daniel Barenboim in<br />

rehearsal with EUYO 1981<br />

Leonard Bernstein © Jack Mitchell<br />

and Jessye Norman, Soprano<br />

Mstislav<br />

Rostropovich<br />

1978<br />

Inaugural tour conducted<br />

by Founding Music Director<br />

Claudio Abbado, to<br />

Amsterdam, Bonn, Paris,<br />

Luxembourg, Brussels,<br />

Milan and Rome<br />

1980<br />

Herbert von Karajan conducts<br />

the Orchestra in Salzburg with<br />

soloist Anne-Sophie Mütter<br />

1981<br />

EUYO performs under the<br />

baton of Daniel Barenboim<br />

1982<br />

<strong>Tour</strong> to Mexico<br />

1984<br />

<strong>Tour</strong> to China and Hong Kong<br />

1985<br />

<strong>Summer</strong> <strong>Tour</strong> including<br />

London, Athens, Hiroshima,<br />

Budapest, Vienna, Berlin,<br />

Copenhagen, Amsterdam,<br />

Lucerne, Paris and Vienna<br />

with conductors Claudio<br />

Abbado, Leonard Bernstein<br />

and Eiji Oue, and soloists<br />

Jessye Norman, Karita Mattila,<br />

Christa Ludwig, Barbara<br />

Hendricks and Mi Dori<br />

1987<br />

Concerts in Bari, Rome,<br />

Ravenna, Brussels, Paris,<br />

Dublin, London, Oxford with<br />

conductor James Judd, and<br />

soloists Sir Yehudi Menuhin<br />

and Dmitris Sgouros<br />

1988<br />

<strong>Tour</strong> to USA performing<br />

in New York, Washington<br />

D.C. and Boston<br />

EUYO > MILESTONES<br />

2000<br />

Vladimir Ashkenazy<br />

succeeds Bernard<br />

Haitink as the EUYO’s<br />

Music Director<br />

2004<br />

The Orchestra returns<br />

to Brazil to celebrate<br />

the city of São Paulo’s<br />

450th anniversary<br />

2007<br />

Concerts in Berlin (TV<br />

broadcast concert celebrating<br />

50th Anniversary of the<br />

signing of the Treaty<br />

of Rome), Garmisch-<br />

Partenkirchen, Bolzano,<br />

Zurich, Genova, Bologna,<br />

Astana & Almaty (Kasakhstan)<br />

with Conductor Vladimir<br />

Ashkenazy and soloists<br />

Sir James Galway, Janine<br />

Jansen, Lady Jeanne Galway,<br />

Zsolt-Tihamer Visontay,<br />

Aiman Musakhodzhaeva<br />

and Amir TebenIkhin<br />

2008<br />

<strong>Tour</strong> to Japan,<br />

China and Korea<br />

2010<br />

EUYO performs at<br />

Shanghai Expo<br />

2012<br />

Second tour to USA including<br />

performances at Carnegie<br />

Hall and Kennedy Center<br />

in concerts conducted by<br />

Vladimir Ashkenazy with<br />

soloists Reinhold Friedrich,<br />

Khatia Buniatishvili, Vilde<br />

Frang, Pinchas Zukerman,<br />

Itzhak Perlman, Yefim<br />

Bronfman and Mark Kaplan<br />

4


Claudio Abbado<br />

conducting EUYO 1978<br />

Ravi Shankar<br />

Vladimir Ashkenazy<br />

Bernard Haitink in rehearsal<br />

with EUYO Luxembourg, 1995<br />

Vasily Petrenko,<br />

Chief Conductor EUYO<br />

1989<br />

<strong>Tour</strong> to Rome, Madrid,<br />

London, New Delhi,<br />

Calcutta and Bombay with<br />

conductor Zubin Mehta<br />

and soloist Ravi Shankar<br />

1991<br />

Christmas tour to Berlin,<br />

Moscow, St Petersburg<br />

with conductor Claudio<br />

Abbado and soloists Viktoria<br />

Mullova and Evgeny Kissin<br />

1992<br />

Concerts in Luxembourg,<br />

Copenhagen, Amsterdam,<br />

Luzern, Munich, London,<br />

Epidaurus, Birmingham,<br />

Nice, Rome with conductors<br />

Carlo Maria Giulini and<br />

Mstislav Rostropovich<br />

1994<br />

Concerts in Maastricht,<br />

Moscow, St Petersburg,<br />

Tallinn, Riga, Vilnius with<br />

conductor Vladimir Ashkenazy<br />

and soloist Dimitri Ashkenazy<br />

1994<br />

Bernard Haitink appointed<br />

as the ECYO’s Music Director<br />

succeeding Claudio Abbado<br />

1995<br />

Concerts in Luxembourg,<br />

Montpellier, Baden Baden,<br />

Lubeck, London, Amsterdam,<br />

Santander, Perelada<br />

and Lucerne conducted<br />

by Bernard Haitink and<br />

Mstislav Rostropovich with<br />

soloists Charlotte Margiono<br />

and Martha Argerich<br />

1996<br />

South American tour to<br />

celebrate the Mercosur<br />

Treaty, with conductor<br />

Vladimir Ashkenazy<br />

1998<br />

EUYO performs at the<br />

World Economic Forum<br />

with Iván Fischer<br />

2013<br />

EUYO opens the rebuilt<br />

Pjazza Teatro Rjal in Valetta,<br />

Malta in a concert under the<br />

Patronage of the President<br />

of Malta, and performs in<br />

Skopje, Former Yugoslav<br />

Republic Of Macedonia, as<br />

part of ‘Skopje Remembers’<br />

to mark the 50th anniversary<br />

of the 1963 earthquake<br />

2014<br />

The Orchestra’s Middle<br />

East debut with tour to<br />

Abu Dhabi, and launch<br />

of the European Music<br />

Campus in partnership with<br />

Grafenegg, the Towards 2020<br />

programme, and the Adopt<br />

an Orchestra Programme in<br />

partnership with the Megaron<br />

Thessaloniki. Beginning<br />

of a Global Exchange<br />

programme with Brazilian,<br />

Chinese and US partners<br />

2015<br />

Vasily Petrenko appointed<br />

as Chief Conductor of the<br />

EUYO. Bernard Haitink CH,<br />

KBE, becomes Conductor<br />

Laureate of the EUYO. Debut<br />

of the Orchestra’s first woman<br />

conductor, Xian Zhang<br />

<strong>2016</strong><br />

40th anniversary of the<br />

founding of the Orchestra<br />

with the launch of the<br />

Capital Sounds Project<br />

to take the Orchestra to<br />

performances in all EU<br />

Member State capitals<br />

EUYO > MILESTONES<br />

5


Tributes<br />

“I am proud to congratulate the<br />

European Union Youth Orchestra on<br />

its 40th anniversary. From the very<br />

beginning, a simple but powerful<br />

vision has shaped your great project: a community working<br />

together to achieve peace and social understanding. It is a<br />

vision that is shared by the European Union and its institutions,<br />

and a vision that inspires as much today as it ever has.<br />

We sometimes forget that the European Union, at its<br />

heart, always was and always will be a cultural project.<br />

While our political, economic and social achievements<br />

are most visible, our underlying mission is to negotiate<br />

Europe’s great cultural and linguistic diversity so that<br />

different peoples can live side by side in peace. This is the<br />

work we do every day, and it is something that art and<br />

music instinctively understand. No human organisation<br />

embodies this mission better than an orchestra.<br />

The European Union Youth Orchestra remains one of our<br />

most distinguished ambassadors. Its devotion to musical<br />

excellence is equalled only by its commitment to its young<br />

musicians and their development. In its efforts to promote<br />

education, creativity and understanding among our peoples,<br />

the Orchestra offers a potent symbol of our European Union.<br />

An orchestra that symbolises the best of the European ideals.<br />

The very embodiment of the motto of the European Union:<br />

United in Diversity. ”<br />

Jean-Claude Juncker<br />

President of the European Commission<br />

“As Honorary President of the<br />

European Union Youth Orchestra,<br />

I would like to reiterate my<br />

wholehearted support to your<br />

orchestra on the occasion of your 40th anniversary. The<br />

European Commission, the European Parliament – and<br />

myself personally, we are fully committed to finding the<br />

best solution for your organisation to continue to promote<br />

the positive values of music among the European youth.<br />

On 8th March 1976, a resolution of the European<br />

Parliament created the Orchestra to bring together<br />

talented young musicians. It has since then become<br />

a renowned European Orchestra, representing the<br />

values of the EU and building bridges not just between<br />

musicians, but also between cultures and peoples.<br />

For the audiences which will have the privilege to attend<br />

one or more of your concerts, you truly represent a cultural<br />

ambassador of the European Union. With young musicians<br />

from across the 28 countries of the European Union,<br />

performing together, your orchestra perfectly embodies<br />

the power of being united in diversity. Your search for<br />

harmony in a time when people and countries go out of<br />

tune on our very core principles is rewarding and inspiring.<br />

I would be more than happy to once again have<br />

the opportunity to listen to you and share this<br />

joy with as many Europeans as possible.”<br />

Martin Schulz<br />

President of the European Parliament<br />

EUYO > TRIBUTES<br />

To celebrate this anniversary, your Orchestra plans to visit<br />

many European capitals over the summer. This wonderful<br />

initiative will be an unforgettable experience for the<br />

young talented musicians fortunate enough to join.<br />

6


“For forty years the European Union Youth<br />

Orchestra has united the young generations<br />

of our continent through music. This is<br />

Europe at its best. In hard times like the<br />

ones we are living, the EUYO sends a<br />

powerful message to all the young people<br />

of our continent: your time is now”.<br />

Federica Mogherini<br />

High Representative of the European Union<br />

for Foreign Affairs and Security Policy,<br />

Honorary Patron of the EUYO, <strong>2016</strong><br />

“The European Union Youth Orchestra is<br />

Europe at its best. The young musicians of<br />

the EUYO symbolize the values and ideals<br />

that lie at the heart of Europe – solidarity,<br />

culture diversity, cross-border mobility,<br />

intercultural dialogue and collaboration”.<br />

Androulla Vassiliou<br />

Former EU Commissioner for Education,<br />

Culture, Multilingualism and Youth<br />

“The youth orchestra has been a symbol of<br />

cultural diversity in Europe for 40 years… If<br />

this European Union Youth Orchestra did not<br />

already exist, you’d have to start one now”.<br />

Monika Grütters<br />

Federal Government Commissioner<br />

for Culture and the Media<br />

“Pre-eminent cultural ambassadors for the EU”<br />

Herman van Rompuy<br />

Former President of the European Council<br />

“This is Europe at its best: openness and<br />

readiness to listen and embrace others’<br />

ideas to better chart the future.”<br />

“…undoubtedly one of the most successful<br />

and loved European co-operation projects”.<br />

José Manuel Durão Barroso<br />

Former President of the European Commission<br />

“As the EU prepares for its historic<br />

enlargement eastwards, the Youth Orchestra<br />

can proudly say it has blazed the way”.<br />

Hans-Gert Pöttering (2003)<br />

Former President of the European<br />

Parliament and current Chairman of<br />

the Konrad Adenauer Foundation<br />

“…the remarkable European Union Youth<br />

Orchestra enlisting musicians from 15<br />

European nations. By their art these orchestras<br />

greatly contribute to strengthening mutual<br />

understanding among peoples and to the<br />

construction of the common European home”.<br />

Boris Yeltsin (1997)<br />

Former first President of the Russian Federation<br />

“I am delighted to learn that the ECYO is<br />

touring Europe and India as part of the<br />

birth centenary celebrations of Jawaharlal<br />

Nehru. This is a befitting tribute to one who<br />

had tremendous faith in the capabilities<br />

of youth. I extend a warm welcome<br />

to the ECYO on its tour of India”.<br />

Rajiv Gandhi (1989)<br />

Former Prime Minister of India<br />

“For over a decade, you have remained<br />

committed to enhancing the considerable<br />

talents of young musicians, while serving<br />

as an important symbol of European<br />

unity and cooperation. I commend you as<br />

ambassadors of goodwill who bring delight<br />

to audiences the world over. Through<br />

your inspiring performances, you enhance<br />

our love and appreciation of music”.<br />

Ronald Reagan (1988)<br />

Former President of the United States of America<br />

“[The ECYO] proves that our cultural<br />

differences – far from presenting an obstacle –<br />

brings common riches, creativity and success”.<br />

Jacques Delors (1985)<br />

Former President of the European Commission<br />

“The Youth Orchestra perfectly fulfils its task.<br />

It carries with it, from one frontier to another,<br />

the hope of unity and a promise of friendship”.<br />

Jacques Chirac (1986)<br />

Former President of France, former<br />

Prime Minister of France<br />

“The ECYO sets an example to us all<br />

by demonstrating what harmony<br />

amongst nations can achieve”.<br />

Margaret Thatcher (1985)<br />

Former Prime Minister of the United Kingdom<br />

“The EUYO is of huge importance to the<br />

European Union, bringing together talented<br />

young people from all 28 member states in<br />

order to create an orchestra of the highest<br />

artistic level. The EUYO promotes political and<br />

cultural collaboration, and is a powerful symbol<br />

of everything that the EU strives to attain”.<br />

Vasily Petrenko<br />

Chief Conductor, EUYO<br />

For 40 years the European Union Youth<br />

Orchestra has been the very definition of<br />

excellence and commitment, consistently<br />

proving the value of bringing together young<br />

people from diverse European cultures”.<br />

Bernard Haitink<br />

Conductor Laureate, EUYO<br />

“Since its inception in 1976, the EUYO has<br />

been one of the world’s most prestigious<br />

orchestras and brings together the most<br />

talented young musicians from all 28 EU<br />

member states to create a unique orchestra.<br />

The impressive music educational aspect is<br />

nevertheless secondary to the symbolism<br />

of this unique EU cultural institution, where<br />

the idea of a peaceful and united Europe is<br />

lived out and made tangible to the public”.<br />

Sir Simon Rattle, Martin<br />

Hoffman, Ulrich Knorzer,<br />

Knut Weber Berlin Philharmonic Orchestra<br />

“The Orchestra is a symbol of coming<br />

together that is important for everyone”.<br />

Gianandrea Noseda, Music Director, Teatro<br />

Regio Torino, Music Director Designate National<br />

Symphony Orchestra Washington DC, Chief Guest<br />

Conductor Designate London Symphony Orchestra<br />

“For 40 years, thousands of the best musicians<br />

In Europe played in this wonderful orchestra<br />

conducted by all the greatest conductors and<br />

soloists. We learned, we shared and enjoyed<br />

music all together. This orchestra is a symbol<br />

of what the European Union should be”.<br />

Renaud Capuçon<br />

Violinist, Artistic Director Aix-en-Provence<br />

and Sommets Musicaux de Gstaad Festivals<br />

“The EUYO is one of the most proactive<br />

bodies in shaping and defining orchestral<br />

and musical life in the 21st century… For 40<br />

years the EUYO has encapsulated European<br />

values in a unique and powerful structure,<br />

across all member states, demonstrating<br />

and developing excellence in a holistic and<br />

progressive way, looking at the artistic and<br />

social power of music to transform lives”.<br />

Directors and Secretariat of the<br />

European Concert Hall Organisation<br />

“The EUYO inspires beyond the boundaries<br />

of Europe. The very existence of the<br />

New World Symphony is a product<br />

of one of those inspirations”.<br />

Michael Tilson Thomas, Artistic Director,<br />

Howard Herring, President and CEO<br />

New World Symphony, Miami, USA<br />

“… Among those superb projects that<br />

inspired us over the years to develop<br />

our own musical institutions, the EUYO<br />

is the best example in the world of<br />

commitment to the future generations and<br />

excellence in training young musicians”.<br />

Marcelo Lope<br />

Executive Director, Osesp Foundation,<br />

Orquestra Sinfônica do Estado de São Paulo, Brazil<br />

“Of all the institutions of the European<br />

Union this is surely the most profoundly<br />

successful. My experiences both playing in and<br />

listening to the EUYO were transformative:<br />

there is no way one can be involved in<br />

the orchestra without developing a deep<br />

love not only for the music and culture<br />

of Europe but for its people as well”.<br />

Alec Frank-Gemmill<br />

Principal Horn Scottish Chamber Orchestra<br />

“Where else is there such a strong voice<br />

for the EU – a large community of people<br />

travelling the continent as 28 nations, working<br />

in absolute harmony together? Isn’t this<br />

everything that the EU should stand for?”<br />

Emily Davis<br />

Concertmaster EUYO, Principal First Violin,<br />

City of Birmingham Symphony Orchestra<br />

EUYO > TRIBUTES<br />

7


Thanks<br />

EUYO > THANKS<br />

8<br />

To Joy Bryer for selflessly<br />

promoting an ideal<br />

The European Community Youth Orchestra (later to become<br />

the EUYO) was founded in 1976 by Joy Bryer and Lionel<br />

Bryer, together with Sir Edward Heath and Founding Music<br />

Director Claudio Abbado. The aim was to create an Orchestra<br />

which would represent the European ideal of a community<br />

working together to achieve peace and social understanding,<br />

whilst providing an invaluable professional development<br />

experience for young orchestral musicians at the highest<br />

levels of excellence.<br />

Joy Bryer has been recognised all over Europe for her work,<br />

which has impacted on the lives of thousands of Europe’s<br />

musicians. Amongst her accolades, she has received the<br />

Chevalier des Arts et des Lettres (from the French Government)<br />

1996, the Officer de l’Ordre Grand-Ducal de la Couronne de<br />

Chêne (from the Luxembourgish Government) 1997, a medal<br />

of honour from President Gil Robles (European Parliament)<br />

1998 and the Comandante della Repubblica Italiana in 2004.<br />

Joy’s commitment to the education of Europe’s finest<br />

young musicians, to their scholarship, and to their continued<br />

professional development has set her apart from others.<br />

Wherever she goes she takes with her an impassioned belief<br />

in the importance of investing in Europe’s youth. She believes<br />

in and advocates for access to culture as a fundamental<br />

human right, and lobbies governments and institutions to<br />

create the social and economic conditions for this right to be<br />

enjoyed by all. If the EUYO has achieved anything in its first<br />

40 years, it is through her inspiration, her drive and her vision.<br />

At this critical moment the entire organisation salutes her.<br />

To our Artistic Leaders<br />

The Orchestra's reputation for artistic excellence derives<br />

in major part from the work of its Music Directors and<br />

Chief Conductor. The legendary work of Founding Music<br />

Director Claudio Abbado established a benchmark in not<br />

only performance excellence but also orchestral spirit which<br />

endures to the present. Between the 1990s and 2015 this<br />

tradition was continued by Music Directors Bernard Haitink<br />

and Vladimir Ashkenazy with extraordinary musicianship,<br />

skill and generosity. Today, Vasily Petrenko as Chief<br />

Conductor, and Bernard Haitink as Conductor Laureate,<br />

lead the Orchestra and are developing its artistic tradition<br />

as it looks towards 2020 and to the next decades of its<br />

existence. Together with the Orchestra's other conductors<br />

and soloists – in recent years including notable names<br />

such as Gianandrea Noseda and Itzhak Perlman – and the<br />

Orchestra's Tutors, they are the artistic engine of the EUYO.


To our Residency Partners, and in<br />

particular Grafenegg, our Principal<br />

Venue Partner and <strong>Summer</strong> Home<br />

Every Orchestra needs a home, and the EUYO, particularly<br />

because of the huge hinterland of its players, is no<br />

exception. Over the years the Orchestra has gathered<br />

to rehearse in many places – Bolzano, Interlaken,<br />

Luxembourg, Thessaloniki, to name but a handful of such<br />

locations. But one location and one festival has emerged<br />

in the last few years to play the most significant role of<br />

any venue in supporting us, and that is Grafenegg.<br />

We give particular thanks to Ian Stoutzker, Rudolf<br />

Buchbinder and Tassilo Metternich for help in developing<br />

the European Music Campus. Without their vision,<br />

commitment and determination the Orchestra would<br />

be in a far less fortunate position than it currently is.<br />

To the 28 EU Member States and<br />

The European Union’s institutions<br />

We thank the Heads of State, Prime Ministers, and Ministers<br />

of Culture of all 28 EU Member States, as well as their<br />

grant giving bodies and National Associate Partners,<br />

without whom our performances would not be possible.<br />

We would also like to thank the Presidents of the European<br />

Commission, the Presidents of the European Parliament<br />

and all the other EU leaders who have shown support<br />

during the 40 years of the Orchestra’s existence.<br />

To all the Orchestra’s Supporters<br />

down the years, particularly UTC,<br />

our Principal Corporate Partner<br />

We would like to thank all of our supporters, a number of<br />

whom wish to remain anonymous, who have donated to<br />

our organisation since its foundation. These donations, of<br />

varying dimension, are incredibly important to the success<br />

of the Orchestra. UTC have sponsored the EUYO for two<br />

years, a staunch supporter of developing young people<br />

and an active contributor to our programme of activities.<br />

We thank each and every one of our supporters for<br />

investing in Europe’s next generation of musical leaders.<br />

To our players<br />

An orchestra is its players. We have been fortunate to work<br />

for many years with Europe’s brilliant emerging talent.<br />

Each year, our musicians never fail to perform to exacting<br />

standards of excellence whilst retaining their dynamism,<br />

commitment and energy. We learn so much from them, and<br />

are proud to work alongside these 28 different nationalities.<br />

To our staff<br />

Finally, we would like to thank our hard-working and<br />

committed staff. This has been a testing year, and the<br />

future still remains uncertain for many. Yet, each day<br />

these individuals give so much of themselves to support<br />

the future of European classical music through the work<br />

of the Orchestra. The EUYO is fortunate to have such<br />

an exceptional group of people, and regardless of the<br />

future, the EUYO’s team will have been a most significant<br />

contributor to its endurance through challenging times.<br />

EUYO > THANKS<br />

9


The Future<br />

“an orchestra united by a sense of shared cultural heritage<br />

EUYO > THE FUTURE<br />

10<br />

It is a give<br />

n that the<br />

21st century has brought major changes<br />

and fresh challeng<br />

es to cultural organisations worldwide,<br />

and that the pace of this tran<br />

a sformationo<br />

will intensify in the<br />

future. Increasingly, the best orchestral work connects with<br />

broad, diverse audiences as much as conventional<br />

concert<br />

goers, delivering events<br />

for a huge, almost bewildering<br />

vari<br />

ety of local, national and global communities.<br />

In this context reinvigoration<br />

and adaptation is required<br />

by arts organisations in order to thrive rather than<br />

simply<br />

survive.<br />

During the first 37 years of the EUYO’s life,<br />

under the inspirational leadership of Joy Bryer an<br />

d an<br />

extraordinary group of Music<br />

Directors beginnin ng with<br />

Claudio Abbado, the Orches<br />

tra established an unrivalled<br />

reputation<br />

as a European<br />

training orches<br />

tra.<br />

That trad<br />

ition<br />

speaks<br />

for<br />

itsel<br />

f. But<br />

now<br />

the<br />

challenge<br />

is to take that<br />

tradition forward an<br />

d – wi<br />

thout in any<br />

way<br />

losing it – add<br />

to it with<br />

innovation,<br />

making work<br />

that re<br />

sponds<br />

not only<br />

to the diver<br />

sifica<br />

cation<br />

of audiences referr<br />

ed to ab<br />

ove,<br />

but also<br />

to the new forms of entre<br />

preneurship that<br />

Europe’s current<br />

economic landscape now requires.<br />

In response to these<br />

challenges,<br />

since<br />

2013 the European<br />

Un<br />

ion Youth Orch<br />

estra has been focusing on four<br />

aven<br />

ues of development: a rene<br />

wal of its<br />

leadership<br />

an<br />

d governance, a new Ch<br />

ief Conductor and Conduc<br />

tor<br />

Laur<br />

eate as part<br />

of a re<br />

newed focus on artistic standards,<br />

a new home at the Grafen<br />

egg Festival, and for the first<br />

time in its history, multi-year pr<br />

ojects providing longterm<br />

vehicles for development,<br />

including the Towards<br />

2020<br />

0 programme and the<br />

Capital Sounds project<br />

.<br />

The Towards 2020<br />

0 ( T2<br />

020) 0 programme is designed to<br />

skill talented<br />

young<br />

musicians<br />

from all the EU’s count<br />

ries<br />

to engage with a broad range<br />

of 21<br />

st century aud<br />

iences,<br />

combining conventi<br />

onal<br />

orchestral trai<br />

ning and innovatory<br />

projects. At T2020’s0 hear<br />

t is a Par<br />

tnership of 11 org<br />

anisationsns<br />

from 10 EU count<br />

ries, and more than 35 additional Associate<br />

Pa<br />

rtners<br />

from 4 continents, including all EU member states.<br />

In<br />

dividual T2020 in<br />

itiatives are many and<br />

varied,<br />

including<br />

The European<br />

Music<br />

Campus at Grafenegg, Adopt an<br />

Orchestra in Thessaloniki,<br />

i, the<br />

Spazio<br />

Klassik<br />

mobile music<br />

space in Bolzano, and a new urban music programme<br />

developed with<br />

the<br />

BOZAR<br />

in Brussels. Th<br />

ere are new<br />

training programmes for alumni<br />

teachers,<br />

the developing<br />

of youth orchestras in Cyprus, Greece, e, Malta<br />

and<br />

Slovakia, a<br />

Global Exchang<br />

e Prog<br />

ramme,<br />

new<br />

concert formats, a new<br />

digital plat<br />

atform, and employab<br />

ility programmes for<br />

areas<br />

of high EU youth unemploym<br />

ent in Portugal and Romania.<br />

a.<br />

This verit<br />

able ‘laboratory’ signifiies a collective<br />

determination to create a model for sustainable<br />

employ<br />

ment<br />

and<br />

aud<br />

ience developmen<br />

t with<br />

in class<br />

ical<br />

music that can also serve as best prac<br />

tice for<br />

other


Photo © Sebastian Philipp<br />

and common cultural vision, all in pursuit of excellence”<br />

sectors. From 2014–15 T2020 0 was co-funded by the EU’s<br />

Creative Europe Programme. Stable future funding for<br />

T20200<br />

is no<br />

w a key obje<br />

ctive for the Programme.<br />

Capital So<br />

unds<br />

is another project<br />

that is planned<br />

to<br />

weave into the<br />

future programme of the<br />

Orchestra. A<br />

series of concerts<br />

in all EU capitals will<br />

celebrate the<br />

EUYO’s<br />

anniversary through the<br />

prism of the nations<br />

from<br />

whom the EUYO’s players<br />

come, and without whom<br />

it would not<br />

exist. Each performance<br />

will include a key<br />

note<br />

speech by a significant<br />

figure of that country, and<br />

performances by young people – separately curated<br />

in each co<br />

untry – wi<br />

ll refllect the musical<br />

tradi<br />

tion of<br />

that<br />

country. The Capital Sounds<br />

project is presented<br />

in<br />

association with<br />

the<br />

music agency Askonas Holt, and is being<br />

developed jointly with<br />

the EUYO’s networ<br />

k of 28 National<br />

Associat<br />

e Partnersrs and<br />

28 grant giving organisations.<br />

None of th<br />

is work will be possible without<br />

som<br />

e ma<br />

jor<br />

supporters, including the 28 EU member<br />

statet s, our<br />

Principal Corpor<br />

ate Partner UTC and our Prin<br />

cipal<br />

Ve<br />

nue Partner Grafenegg.<br />

g. And<br />

as we develop<br />

our<br />

relationship<br />

with the EU, there are addition<br />

al objectives<br />

when<br />

considering the<br />

future. They are alluded to<br />

in that question<br />

posed<br />

in the opening pa<br />

ges of this<br />

brochure: ‘as the world changes, increasingly comp<br />

lex,<br />

prog<br />

ressively more<br />

connected, how can the EUYO best be<br />

of servi<br />

ce, developing its<br />

role as an EU ambassador during<br />

such<br />

an undeniably testing time for Europe?’<br />

As a starter, the EU is providing so<br />

me of its own answers<br />

to such qu<br />

estions, as a glimpse at rec<br />

ent EU initiatives<br />

shows. The announcement by High Representative Federica<br />

Mogherini of a strategy to put culture<br />

at the heart of<br />

external<br />

relations, Co<br />

mmissioners Ansip and Oettinger’s<br />

work on onli<br />

ne digital platforms, and the announcement of<br />

2018 as European<br />

Cultural He<br />

ritage<br />

Year are all exampl<br />

es<br />

of interesting signposts. The critical<br />

question is only how<br />

to ensure that<br />

the<br />

Orchestra<br />

is able<br />

to engage with the<br />

right peop<br />

le at the right level with<br />

in the European Union,<br />

an ent<br />

ity which is, after al<br />

l, as complex as it is idealistic.<br />

But st<br />

epping back for a mo<br />

ment, and notwithstanding all<br />

of the<br />

above, there is one<br />

fundamental that must<br />

surely be<br />

the key driver<br />

of the EU<br />

YO’s<br />

fut<br />

ure, and<br />

that is the founding<br />

pr<br />

inciple that<br />

createded it forty years ago: the<br />

bringing together<br />

of the<br />

most talented young mus<br />

icians from all the countries<br />

of the<br />

EU in an orchestra united<br />

by a sense of shared<br />

cultural<br />

heritag<br />

e and common<br />

cultural vision, all in pursuit<br />

of excellence. As Helmut Kohl poin<br />

te<br />

d ou<br />

t in the 1980s, the<br />

Orchestr<br />

a is a ‘microcosm’ of the EU, an<br />

d on<br />

e of the most<br />

tangible metapho<br />

rs<br />

for Europe itself. And that, surely, is<br />

the Orchestra’ a’s future. Now,<br />

working with the EU, we have<br />

to<br />

find out,<br />

if an<br />

and how,<br />

tha<br />

t future can<br />

become a real<br />

ity.<br />

EUYO > THE FUTURE<br />

11


<strong>Summer</strong> <strong>Tour</strong><br />

European Music Campus, Grafenegg<br />

EUYO’s Principal Venue Partner<br />

EUYO > SUMMER TOUR<br />

12<br />

Friday 22 July, 19:00 – 21:00<br />

Reitschule<br />

Music Lab 1<br />

Knowing Conducting,<br />

Knowing Orchestras<br />

Monday 25 July, 14:30 – 16:30<br />

Reitschule<br />

Music Lab 2<br />

Supreme Symphonists:<br />

exploring Bruckner and Mahler<br />

Saturday 30 July, 11:00 – 12:30<br />

Auditorium<br />

Open Rehearsal<br />

Conducting Workshop<br />

with Peter Stark, Conductor<br />

Talk with Tom Service<br />

The EUYO in rehearsal, featuring music from the summer concerts<br />

Saturday 30 July, 14:30 – 16:30<br />

Schloss Grafenegg<br />

Music Gallery<br />

Mahler’s Contemporaries<br />

Virtuosity Continued<br />

From the Manuscripts<br />

Monday 1 August, 14:30 – 17:30<br />

Reitschule<br />

Music Lab 3<br />

The Digital Musician<br />

Wednesday 3 August, 19:00 – 21:00<br />

Reitschule<br />

Music Lab 4<br />

Auditioning: How To<br />

Programme your own concert<br />

from 3 trails of chamber music<br />

performed throughout the<br />

rooms of Schloss Grafenegg<br />

Workshop with Charlotte<br />

Hamilton (EUYO) and<br />

John Kieser (New World<br />

Symphony, Miami)<br />

Workshop with members from<br />

Europe’s leading orchestras<br />

Thursday 4 August, 16:15 – 17:30<br />

Side by Side Session<br />

European Union Youth Orchestra<br />

and the European Music Campus<br />

Orchestra (EMCO) join forces in<br />

a large - scale Mahler Workshop<br />

Mahler Blumine<br />

Mahler Symphony<br />

No.1 in D major Titan,<br />

4th movement<br />

Saturday 6 August, 17:30<br />

Schlosshof<br />

Prelude Concert:<br />

European Music Campus Orchestra<br />

Peter Stark<br />

conductor<br />

Saturday 6 August, 19:00<br />

Reitschule<br />

Pre – Concert Talk<br />

With Alexander Moore<br />

Glass Company for<br />

String Orchestra<br />

Schubert Symphony<br />

No. 3 in D major<br />

Mahler Blumine<br />

Saturday 6 August, 20:00<br />

Wolkenturm<br />

EUYO Concert: Mahler Meets Glass<br />

Vasily Petrenko<br />

conductor<br />

Katia and Marielle Labèque<br />

piano<br />

Saturday 6 August, 22:30<br />

Reitschule<br />

Late Night Session<br />

Glass Double Piano<br />

Concerto<br />

Mahler Symphony No.1<br />

in D major Titan<br />

Informal music and conversation with the players of the EUYO,<br />

EMCO and their guests


Bratislava<br />

Capital Sounds<br />

Sunday 7 August, 19:00<br />

Slovak Radio Concert Hall<br />

Cultural <strong>Summer</strong> and<br />

Castle Festival Bratislava <strong>2016</strong><br />

Opening address<br />

Mrs Alžbeta Rajterová<br />

Vasily Petrenko<br />

conductor<br />

Katia and Marielle<br />

Labèque<br />

piano<br />

Rajter Suite Miniature*<br />

Mozart Concerto<br />

No.10 in E – flat major<br />

for Two Pianos<br />

Mahler Symphony No.1<br />

in D major Titan<br />

*National Guest Performers<br />

Slovenský Mládežnícky<br />

Orchester<br />

Vienna<br />

Monday 8 August, 19:00<br />

MuseumsQuartier<br />

EUYO Close – up<br />

Peter Stark<br />

conductor<br />

Mahler Symphony No.1<br />

in D major Titan, 2nd<br />

and 4th movements<br />

Experience the players of the EUYO close up in a free<br />

informal performance in the open spaces of Vienna’s<br />

MuseumsQuartierIncluding a number of first come first serve<br />

special orchestral ‘listening chairs’ allowing audiences a unique<br />

opportunity to listen up close to the players of the Orchestra<br />

Ljubljana<br />

Capital Sounds<br />

Thursday 11 August, 20:00<br />

Slovenska filharmonija<br />

Ljubljana Festival<br />

Wrocław<br />

Saturday 13 August, 19:00<br />

NMF Wrocław Philharmonic<br />

European City of Culture Concert<br />

Opening address Mitja<br />

Bervar, President of the<br />

National Council of the<br />

Republic of Slovenia<br />

Vasily Petrenko<br />

conductor<br />

Julian Rachlin<br />

violin<br />

Mozart Concerto<br />

No. 10 in E – flat major<br />

for Two Pianos<br />

Mozart Violin Concerto<br />

No. 3 in G major<br />

Mahler Symphony No.1<br />

in D major Titan<br />

*National Guest Performers<br />

Duo Scaramouche piano<br />

Vasily Petrenko<br />

conductor<br />

Lortzing Der Pole und<br />

sein Kind – Overture<br />

Introduced from the stage<br />

by Polish EUYO musicians<br />

Mahler Symphony No.1<br />

in D major Titan<br />

EUYO > SUMMER TOUR<br />

13


Warsaw<br />

Capital Sounds<br />

Monday 15 August, 20:00<br />

Warsaw Philharmonic Concert Hall<br />

Chopin and His Europe 12th<br />

International Music Festival<br />

Opening address<br />

Dr Artur Szklener,<br />

Director of Fryderyk<br />

Chopin Institute<br />

Vasily Petrenko<br />

conductor<br />

Katia and Marielle Labèque<br />

piano<br />

Panufnik A Procession<br />

for Peace*<br />

Lortzing Der Pole und<br />

sein Kind – Overture<br />

Mozart Concerto No. 10 in<br />

E – flat major for Two Pianos<br />

Mahler Symphony No.1<br />

in D major Titan<br />

*National Guest Performers<br />

I,Culture Orchestra with EUYO<br />

Berlin<br />

Capital Sounds<br />

Wednesday 17 August, 20:00<br />

Konzerthaus<br />

Young Euro Classic<br />

Opening address<br />

Monika Grütters, Federal<br />

Government Commissioner<br />

for Culture and the Media<br />

Vasily Petrenko<br />

conductor<br />

Katia and Marielle Labèque<br />

piano<br />

Bartók String Quartet No.<br />

5, 4th movement Finale*<br />

Mozart Concerto No. 10 in<br />

E – flat major for Two Pianos<br />

Mahler Symphony No.1<br />

in D major Titan<br />

*National Guest Performers<br />

Vision String Quartet<br />

Photo © Klaus Vyhnalek<br />

Grafenegg<br />

Bolzano<br />

Friday 19 August, 20:00<br />

Wolkenturm<br />

EUYO Alumni at Grafenegg Festival<br />

Friday 19 August, 20:30<br />

Teatro Comunale – Stadttheater<br />

Bolzano Festival Bozen<br />

EUYO > SUMMER TOUR<br />

Yutaka Sado conductor<br />

Tonkünstler – Orchester<br />

Niederösterreich and<br />

EUYO Alumni orchestra<br />

Camilla Nylund soprano<br />

Elena Zhidkova mezzosoprano<br />

Klaus Florian Vogt tenor<br />

René Pape bass<br />

Wiener Singverein choir<br />

Jost Fanfare<br />

world premiere<br />

Beethoven Overture<br />

to Coriolan<br />

Jost An die Hoffnung<br />

after Beethoven op.<br />

94 world premiere<br />

Beethoven Symphony<br />

No. 9 in D minor<br />

24 EUYO Alumni perform with<br />

the Tonkünstler – Orchester<br />

Niederösterreich to<br />

celebrate Grafenegg<br />

Festival’s 10th Anniversary<br />

Vasily Petrenko<br />

conductor<br />

Katia and Marielle Labèque<br />

piano<br />

Mozart Concerto<br />

No. 10 in E – flat major<br />

for Two Pianos<br />

Mahler Symphony<br />

No.1 in D major Titan<br />

14


Alpbach<br />

Bolzano<br />

Sunday 21 August, 12:30<br />

Congress Centre<br />

European Forum Alpbach<br />

Thursday 25 August, 20:30<br />

Teatro Comunale – Stadttheater<br />

Bolzano Festival Bozen<br />

Piazza Walther<br />

Details to be advertised via the<br />

Orchestra’s social media channels<br />

Spazio Klassik<br />

David Watkin<br />

conductor<br />

European<br />

Anthem<br />

Mahler<br />

Symphony No.1<br />

in D major Titan<br />

The concert marks<br />

the inauguration of<br />

the new Congress<br />

Centre Alpbach<br />

Bernard Haitink<br />

conductor<br />

Lorenza Borrani<br />

violin<br />

Paul Watkins<br />

cello<br />

Kai Frömbgen<br />

oboe<br />

Haydn Sinfonia<br />

Concertante in<br />

B-flat major<br />

Bruckner<br />

Symphony No.<br />

7 in E major<br />

A performance space to encourage<br />

audiences new to classical music<br />

Free event<br />

By invitation only<br />

Stefan Schweigert<br />

bassoon<br />

Grafenegg<br />

EUYO’s Principal Venue Partner<br />

Amsterdam<br />

Capital Sounds<br />

Saturday 27 August, 16:30<br />

Schlosshoff<br />

Prelude Concert:<br />

Musicians of the EUYO<br />

Emily Davis<br />

violin<br />

Charlotte MacClure<br />

violin<br />

Clément Holvoet<br />

viola<br />

Samuel Espinosa<br />

viola<br />

Dana de Vries<br />

cello<br />

Bruckner<br />

String Quintet<br />

in F major<br />

Saturday 27 August, 18:00<br />

Reitschule<br />

Pre – concert Talk<br />

With Ursula Magnes<br />

Saturday 27 August, 19:30<br />

Wolkenturm<br />

Grafenegg Festival<br />

Bernard Haitink<br />

conductor<br />

Lorenza Borrani<br />

violin<br />

Paul Watkins<br />

cello<br />

Kai Frömbgen<br />

oboe<br />

Stefan Schweigert<br />

bassoon<br />

Haydn<br />

Sinfonia<br />

Concertante in<br />

B-flat major<br />

Bruckner<br />

Symphony No.<br />

7 in E major<br />

Saturday 27 August, 22:30<br />

Reitschule<br />

Late Night Session<br />

Informal music and conversation with<br />

the players of the EUYO and guests<br />

Monday 29 August, 20:00<br />

The Royal Concertgebouw<br />

Robeco <strong>Summer</strong>Nights<br />

Bernard Haitink<br />

conductor<br />

Lorenza Borrani<br />

violin<br />

Paul Watkins<br />

cello<br />

Kai Frömbgen<br />

oboe<br />

Stefan Schweigert<br />

bassoon<br />

By invitation only<br />

Haydn Sinfonia<br />

Concertante in<br />

B-flat major<br />

Bruckner Symphony<br />

No. 7 in E major<br />

Address by<br />

Geert Mak<br />

National Guest<br />

Performers The<br />

Leerorkest with<br />

EUYO alumni<br />

EUYO > SUMMER TOUR<br />

15


Vasily<br />

Petrenko<br />

Conductor<br />

Photo © Tarlova<br />

EUYO > CONDUCTORS<br />

16<br />

Vasily Petrenko is one of today’s most sought-after<br />

dynamic, young conductors. Petrenko was born in 1976<br />

and began his music education at the St Petersburg Capella<br />

Boys Music School. He then studied at the St Petersburg<br />

Conservatoire and participated in masterclasses with<br />

such major figures as Ilya Musin, Mariss Jansons, and Yuri<br />

Temirkanov. Following considerable success in a number<br />

of international conducting competitions including the<br />

Fourth Prokofiev Conducting Competition in St Petersburg,<br />

and First Prize in the Sixth Cadaques International<br />

Conducting Competition in Spain. Following this, he was<br />

appointed Chief Conductor of the St Petersburg State<br />

Academic Symphony Orchestra from 2004 to 2007.<br />

To add to his list of positions, the 2015/16 season marks his<br />

appointment as Chief Conductor of the European Union<br />

Youth Orchestra, and Principal Guest Conductor of the State<br />

Academic Symphony Orchestra of Russia (Svetlanov Symphony<br />

Orchestra). He maintains his role as Chief Conductor of the<br />

Oslo Philharmonic Orchestra (appointed in 2013/14), Chief<br />

Conductor of the Royal Liverpool Philharmonic Orchestra<br />

and Principal Guest Conductor of the Mikhailovsky Theatre,<br />

where he began his career as Resident Conductor from 1994<br />

to 1997. Petrenko also served as Principal Conductor of the<br />

National Youth Orchestra of Great Britain from 2009-2013.<br />

Petrenko has worked with many of the world’s most<br />

prestigious orchestras; recent highlights include Petrenko’s<br />

first summer tour with the EUYO as Chief Conductor,<br />

a UK <strong>Tour</strong> with the Oslo Philharmonic Orchestra, and<br />

return visits to the Rundfunk Sinfonieorchester Berlin,<br />

Netherlands Radio Philharmonic, Orchestre Philharmonique<br />

de Radio France, Accademia Nazionale di Santa Cecilia,<br />

and Vienna Symphony Orchestra in Europe and further<br />

afield with orchestras in the US and Canada.<br />

With over thirty operas in his repertoire, Petrenko made his<br />

operatic debuts in 2010 at Glyndebourne Festival Opera<br />

(Macbeth) and the Opera de Paris (Eugene Onegin). In recent<br />

seasons he has also conducted Pique Dame at Hamburg State<br />

Opera, Boris Godunov at the National Reisopera, Eugene<br />

Onegin, La Bohème and Carmen at the Mikhailovsky Theatre<br />

and the Zurich Opera, Tosca and Parsifal with the Royal<br />

Liverpool Philharmonic, and Der Fliegende Holländer with<br />

the Oslo Philharmonic and at the Mikhailovsky Theatre.<br />

Petrenko is an established recording artist, recently<br />

completing a Shostakovich symphony cycle for Naxos<br />

Records with the Royal Liverpool Philharmonic Orchestra<br />

(collated as a boxset in the autumn of 2015), which has<br />

garnered worldwide acclaim. He achieved significant success<br />

with his recording of Tchaikovsky’s piano concertos and<br />

Manfred Symphony, which won the 2009 Gramophone<br />

Award for Best Orchestral Recording. Petrenko and the<br />

Oslo Philharmonic Orchestra recently embarked upon<br />

recording the full cycle of Scriabin symphonies.<br />

In October 2007 Vasily Petrenko was named Young Artist of<br />

the Year at the annual Gramophone Awards, and in 2010 he<br />

won the Male Artist of the Year at the Classical Brit Awards.<br />

He is only the second person to have been awarded Honorary<br />

Doctorates by both the University of Liverpool and Liverpool<br />

Hope University (in 2009), and an Honorary Fellowship of<br />

the Liverpool John Moores University (in 2012), awards<br />

which recognise the immense impact he has had on the<br />

Royal Liverpool Philharmonic and the city’s cultural scene.


Bernard<br />

Haitink<br />

Conductor<br />

Photo © Todd Rosenburg<br />

Bernard Haitink’s conducting career began 62 years<br />

ago with the Radio Philharmonic Orchestra in his native<br />

Holland. He went on to be Chief Conductor of the<br />

Concertgebouw Orchestra for 27 years, as well as Music<br />

Director of Glyndebourne Festival Opera, The Royal<br />

Opera, Covent Garden, and Principal Conductor of the<br />

London Philharmonic, the Staatskapelle Dresden and the<br />

Chicago Symphony Orchestra. He is Patron of the Radio<br />

Philharmonic, and Conductor Emeritus of the Boston<br />

Symphony, as well as an honorary member of both the Berlin<br />

Philharmonic and the Chamber Orchestra of Europe.<br />

The 2015/16 season began with concerts at The Barbican<br />

with the London Symphony Orchestra, followed by a tour<br />

to Japan. Other engagements during the 2015/16 season<br />

included a Schumann cycle with the Chamber Orchestra of<br />

Europe in Amsterdam, Lugano and Vienna, his debut with the<br />

orchestra and chorus of La Scala, Milan, and performances in<br />

the US with the Boston Symphony, New York Philharmonic<br />

and Chicago Symphony orchestras. During the summer <strong>2016</strong><br />

Festival season he will celebrate the 50th Anniversary of his<br />

first appearance at both the BBC Proms and the Lucerne<br />

Festival. He marks these anniversaries with performances<br />

with the London Symphony Orchestra at The Proms, and with<br />

the Lucerne Festival Orchestra and the Chamber Orchestra<br />

of Europe at the Lucerne Festival. He also tours with the<br />

European Union Youth Orchestra, of which he is Conductor<br />

Laureate, celebrating the 40th anniversary of their creation.<br />

He is committed to the development of young musical talent,<br />

and as well as his annual Conducting Masterclass at the<br />

Lucerne Easter Festival he gave conducting classes this season<br />

at the Hochschule der Kunst, Zurich, and the Juilliard School.<br />

Bernard Haitink has an extensive discography for Phillips,<br />

Decca and EMI, as well as the many new live recording<br />

labels established by orchestras themselves in recent years,<br />

such as the London Symphony, Chicago Symphony and<br />

Bayerischer Rundfunk. He has received many awards and<br />

honours in recognition of his services to music, including<br />

several honorary doctorates, an honorary knighthood and<br />

Companion of Honour in the United Kingdom, and the<br />

House Order of Orange-Nassau in the Netherlands.<br />

EUYO > CONDUCTORS<br />

17


Soloists<br />

Photo © Umberto Nicoletti<br />

Katia and Marielle Labèque<br />

Piano<br />

EUYO > SOLOISTS<br />

18<br />

Katia and Marielle Labèque are sibling pianists renowned<br />

for their ensemble of synchronicity and energy. Their<br />

musical ambitions started at an early age and they rose<br />

to international fame with their contemporary rendition<br />

of Gershwin’s Rhapsody in Blue (one of the first gold<br />

records in classical music) and have since developed<br />

a stunning career with performances worldwide.<br />

They are regular guests with the most prestigious orchestras<br />

such as the Berlin Philharmonic, Bayerischer Rundfunk, Boston<br />

Symphony, Chicago Symphony, Cleveland Orchestra, Leipzig<br />

Gewandhaus, London Symphony, London Philharmonic, Los<br />

Angeles Philharmonic, Filarmonia della Scala, Philadelphia<br />

Orchestra, Dresden Staatskapelle and Vienna Philharmonic,<br />

under the direction of Semyon Bychkov, Lionel Bringuier,<br />

Sir Colin Davis, Gustavo Dudamel, Charles Dutoit, Sir John<br />

Eliot Gardiner, Miguel Harth-Bedoya, Kristjan Järvi, Paavo<br />

Järvi, Zubin Mehta, Seiji Ozawa, Antonio Pappano, Georges<br />

Prêtre, Sir Simon Rattle, Esa-Pekka Salonen, Leonard<br />

Slatkin, Michael Tilson Thomas and Jaap van Zweden.<br />

They have appeared with Baroque music ensembles such as<br />

The English Baroque Soloists with Sir John Eliot Gardiner,<br />

Il Giardino Armonico with Giovanni Antonini, Musica<br />

Antica with Reinhard Goebel and Venice Baroque with<br />

Andrea Marcon, and recently toured with the Orchestra<br />

of the Age of Enlightenment & Sir Simon Rattle.<br />

Katia and Marielle have had the privilege of working<br />

with many composers including Thomas Adès, Louis<br />

Andriessen, Luciano Berio, Pierre Boulez, Philip Glass,<br />

Osvaldo Golijov, György Ligeti, and Olivier Messiaen.<br />

The Labèques play in festivals and renowned venues<br />

worldwide including the Vienna Musikverein, Hamburg<br />

Musikhalle, Munich Philharmonie, Carnegie Hall, Royal Festival<br />

Hall, La Scala, Berlin Philharmonie, Blossom, Hollywood Bowl,<br />

Lucerne, BBC Proms, Ravinia, Tanglewood and Salzburg. A<br />

record audience of more than 33,000 attended a gala concert<br />

with the Berlin Philharmonic conducted by Sir Simon Rattle<br />

at Berlin’s Waldbühne, now available on DVD (EuroArts).<br />

For their own label, KML recordings, they have just<br />

released Sisters with a selection of musical pieces<br />

from their personal and professional lives.<br />

In May 2015 the show « Love Stories » with the new<br />

piece Star-Cross’d Lovers, written by David Chalmin,<br />

was premiered at the Paris Philharmonie. This original<br />

composition for two pianos, electric guitar and drums is<br />

based on the Shakespearean drama Romeo and Juliet. The<br />

choreography for 7 dancers was created by world-renowned<br />

break-dancer Yaman Okur (Madonna, Cirque du Soleil).<br />

They will present this show again in Paris in June <strong>2016</strong> at<br />

Chatelet, and they will tour in July and October <strong>2016</strong>.<br />

On the 26th May 2015, they gave the world premiere<br />

of Philip Glass’s new Concerto written for them, in Los<br />

Angeles at Walt Disney Hall with Los Angeles Philharmonic<br />

Orchestra under the direction of Gustavo Dudamel.


Photo © Wesely Julia<br />

Julian Rachlin<br />

Violin<br />

Julian Rachlin is one of the most exciting and respected<br />

violinists of our time. Over the last 27 years, he has<br />

been captivating audiences around the world with his<br />

distinctively rich sound, superb musicianship and outstanding<br />

interpretations. He has established close relationships with<br />

many of the most prestigious conductors and orchestras.<br />

Always willing to expand his musical horizons, Julian is<br />

also praised as a viola player and conductor. For 12 years,<br />

Julian has been leading the internationally renowned<br />

“Julian Rachlin & Friends” festival in Dubrovnik, Croatia,<br />

a platform for creative and vibrant projects with leading<br />

musicians and actors. Besides delighting his audiences with<br />

his musical performances, Julian is also receiving recognition<br />

as a young philanthropist for his charity work as a UNICEF<br />

Goodwill Ambassador and his educational outreach.<br />

In the 2015/16 season, Mr. Rachlin opened the seasons of<br />

the La Scala Philharmonic Orchestra with Riccardo Chailly,<br />

and of the Orchestra della Svizzera Italiana with Vladimir<br />

Ashkenazy. He then toured Europe and North America with<br />

the Orchestre National de France and Daniele Gatti as the<br />

orche stra’s 2015/16 Artist in Residence. Other highlights<br />

include performances at the Lucerne Festival with the<br />

Bayerischer Rundfunk Symphony Orchestra and Mariss Jansons,<br />

and at the Edinburgh Festival with the Leipzig Gewandhaus<br />

Orchestra and Herbert Blomstedt. Forthcoming engagements<br />

include concerts with the Israel Philharmonic and Gianandrea<br />

Noseda, the Munich Philharmonic and Zubin Mehta, the St.<br />

Petersburg Philharmonic and Yuri Temirkanov as well as North<br />

America tour with the China Philharmonic and Long Yu.<br />

As conductor, Mr. Rachlin performs his first season as<br />

Principal Guest Conductor of the Royal Northern Sinfonia<br />

and conducts, among others, the Dusseldorf Symphony,<br />

Israel Philharmonic and Prague Philharmonia. Julian Rachlin’s<br />

return engagements as conductor include collaborations<br />

with the English Chamber Orchestra, Orchestra della Svizzera<br />

Italiana, Camerata Salzburg, Royal Liverpool Philharmonic and<br />

Slovenian Philharmonic. In the coming season, he will make<br />

his conducting debut with the State Academic Symphony<br />

Orchestra of Russia, Luxembourg Philharmonic, Trondheim<br />

Symphony, Strasbourg Philharmonic and China Philharmonic.<br />

In recital and chamber music, he is heard this season<br />

with Itamar Golan, Evgeny Kissin and Mischa Maisky.<br />

Born in Lithuania in 1974, Julian immigrated to Vienna in 1978.<br />

He studied violin with Boris Kuschnir at the Vienna Conservatory,<br />

and with Pinchas Zukerman. After winning the “Young Musician<br />

of the Year” Award at the Eurovision Competition in 1988,<br />

he became the youngest soloist ever to play with the Vienna<br />

Philharmonic, making his debut under Riccardo Muti. At the<br />

recommendation of Mariss Jansons, Julian Rachlin has been<br />

studying conducting with Sophie Rachlin. Since September 1999,<br />

he has been on the violin faculty at the Konservatorium Wien<br />

University. His recordings for Sony Classical, Warner Classics and<br />

Deutsche Grammophon have all been met with great acclaim.<br />

Julian Rachlin plays the 1704 “ex Liebig” Stradivari, on<br />

loan to him courtesy of the Dkfm. Angelika Prokopp<br />

Privatstiftung, and a 1791 Lorenzo Storioni viola. His<br />

strings are kindly sponsored by Thomastik-Infeld.<br />

EUYO > SOLOISTS<br />

19


EUYO > SOLOISTS<br />

Photo © Nina Large<br />

20<br />

Lorenza Borrani<br />

Violin<br />

The Florentine violinist Lorenza Borrani has been a leader<br />

of the Chamber Orchestra of Europe since 2007. She<br />

has performed as director, concert master, soloist and<br />

chamber musician in the most important concert halls and<br />

seasons in Europe and around the world, including, in the<br />

last two years, The Berlin Philharmonie, The Edinburgh<br />

Festival, Aldeburgh Festival, Styriarte Graz, Citè de la<br />

Musique in Paris, London’s Southbank Centre, The Koln<br />

Philarmonie, and the Amsterdam Concertgebouw.<br />

From 2005 she has played with Orchestra<br />

Mozart, with whom she performed as a soloist<br />

under the direction of Claudio Abbado.<br />

As well as an international career as a soloist under the<br />

direction of conductors including Yuri Harohnovich,<br />

Emmanuel Krivine, Yannick Nézet-Séguin and Claudio<br />

Abbado, she has also worked with notable chamber musicians<br />

including Isabelle Faust, Janine Jansen, Hélène Grimaud,<br />

Daniel Hope, the Emmerson Quartet, András Schiff, Pierre-<br />

Laurent Aimard, Irina Schnittke, Tabea Zimmermann, Mario<br />

Brunello, Christian Tetzlaff, and Pavel Gililov. Lorenza<br />

also teaches at the Scuola di Musica di Fiesole, where<br />

she originally studied under the guidance of Piero Farulli,<br />

Alina Company, Zinaida Gilels and Pavel Vernikov.<br />

In 2007 she founded the Spira Mirabilis<br />

Project (www.spiramirabilis.com)<br />

Lorenza plays on a Santo Serafino violin (1745),<br />

courtesy of the Fondazione ProCanale di Milano.<br />

Paul Watkins<br />

Cellist<br />

Paul Watkins, an alumnus of the EUYO (1988 – 1989), enjoys a<br />

distinguished career both as a cellist and as a conductor, and in<br />

the 2009–10 season became the first ever Music Director of the<br />

English Chamber Orchestra. As solo cellist he performs regularly<br />

with all the major British orchestras including the London<br />

Philharmonic, Royal Philharmonic, London’s Philharmonia,<br />

and City of Birmingham Symphony. Outside the UK he has<br />

performed with the Netherlands Philharmonic, Melbourne<br />

Symphony, Konzerthausorchester Berlin, and the RAI National<br />

Symphony Orchestra of Turin. Recent highlights include his<br />

debut at Carnegie Hall performing Brahms’ Double Concerto<br />

with Daniel Hope, and appearances with the Royal Flemish<br />

Philharmonic, City of Birmingham Symphony, Philharmonia,<br />

and Hong Kong Philharmonic Orchestra. He also premiered<br />

(and was the dedicatee of) Mark-Anthony Turnage’s new<br />

concerto with the Royal Flemish, Tampere, and Royal Liverpool<br />

Philharmonic Orchestras and the Gewandhausorchester Leipzig.<br />

A dedicated chamber musician, he was a member of the Nash<br />

Ensemble from 1997 to 2013, and joined the Emerson String<br />

Quartet in 2013. He has given solo recitals at the Wigmore Hall,<br />

Amsterdam Concertgebouw, South Bank Centre, Manchester’s<br />

Bridgewater Hall, and Queens Hall in Edinburgh. In 2009 he<br />

signed an exclusive contract with Chandos Records. Recent<br />

releases include the Delius, Elgar, and Lutoslawski concertos,<br />

and discs of British and American music for cello and piano.<br />

In 2014 he was appointed artistic director of the Great Lakes<br />

Music Festival of Detroit. Mr. Watkins plays a cello made by<br />

Domenico Montagnana and Matteo Goffriller in Venice, c.1730.


Photo © Susanne Diesner<br />

Kai Frömbgen<br />

Clarinet<br />

Born in Koblenz in 1977, Kai had his first oboe lesson at<br />

the Luxemburg Conservatoire with Norbert Mattern. He<br />

received the first prize of the federal competition “Jugend<br />

musiziert” three times, in 1991, 1993 and 1995. After<br />

passing his A-levels, he started studying with Professor<br />

Christian Wetzel at the School of Music and Drama<br />

“Felix Mendelssohn-Bartholdy” in Leipzig. He received<br />

scholarships from the Foundation of the German People,<br />

the Villa Musica and the Richard Wagner Society.<br />

Kai played in the European Union Youth Orchestra for two<br />

years, in 1998 and 1999. In 1999, he was offered the principal<br />

oboe position in the Staatsphilharmonie Rheinland-Pfalz<br />

and he then became the principal oboe of the Bamberger<br />

Symphonikern – Bayerische Staatsphilharmonie in 2003.<br />

Kai is a keen chamber musician and performs with Frank-<br />

Peter Zimmermann, Christian Zacharias, Mirijam Contzen,<br />

Christoph Eschenbach and the wind ensemble Sabine<br />

Meyer. In 2005, 2006 and 2007, he was the principal<br />

oboe of the Lucerne Festival Orchestra, directed by<br />

Claudio Abbado. Kai Frömbgen became a member of<br />

the Chamber Orchestra of Europe in January 2012.<br />

Stefan Schweigert<br />

Bassoon<br />

Stefan Schweigert, born in Kaiserslautern in 1962, started<br />

playing the bassoon in the age of 10 as a pupil of Alfred<br />

Rinderspacher. From 1981 he studied at the Musikhochschule<br />

Hannover with Klaus Thunemann. Since 1985 he has<br />

been Principal Bassoon of the Berliner Philharmoniker.<br />

He has appeared as a soloist with his orchestra, and<br />

also with other ensembles including Camerata Bern.<br />

He is a member of András Schiff’s ‘Cappella Andrea<br />

Barca’ and has worked on a number of occasions with the<br />

Chamber Orchestra of Europe and participated in Gidon<br />

Kremer’s Chamber Music Festival at Lockenhaus several<br />

times. For many years he played in Sabine Meyers wind<br />

ensemble, the Scharoun Ensemble Berlin and with different<br />

chamber music groups of the Berliner Philharmoniker.<br />

Schweigert has taught at the Berliner Philharmoniker’s<br />

Orchestra Academy since 1987 and at the<br />

Musikhochschule Freiburg from 2004 to 2006.<br />

In 2012 Kai was appointed Professor at the Musikhochschule<br />

in Saarbrücken and since 2014, he has also been a Professor<br />

at the Robert Schumann Hochschule in Düsseldorf.<br />

EUYO > SOLOISTS<br />

21


The Orchestra<br />

CONCERT<br />

MASTER<br />

Emily Davis<br />

BRITISH<br />

David Pablo<br />

Bellido Herrero<br />

SPANISH<br />

Koninklijk Conservatorium<br />

Den Haag<br />

Yoana Ducros<br />

FRENCH<br />

Royal Academy of<br />

Music, London<br />

Caspar Horsch<br />

DUTCH<br />

Conservatorium<br />

van Amsterdam<br />

Mireille Kovac<br />

FRENCH<br />

Conservatoire Royal<br />

de Bruxelles<br />

Royal Academy of<br />

Music, London<br />

VIOLIN<br />

Sara Colombi<br />

ITALIAN<br />

Elisabeth<br />

Gansch<br />

AUSTRIAN<br />

Gema<br />

Jurado Blanca<br />

SPANISH<br />

Anna<br />

Karolina<br />

Kuk<br />

Josefina<br />

Alcaide<br />

MUK-Musik und Kunst<br />

Privatuniversität<br />

der Stadt Wien<br />

Kunstuniversität Graz /<br />

Universität für<br />

Musik und darstellende<br />

Kunst Wien<br />

Conservatorio Superior<br />

de Música de Castilla<br />

y León, Salamanca<br />

POLISH<br />

Akademia Muzyczna im. Karola<br />

Szymanowskiego w Katowicach<br />

PORTUGUESE<br />

Conservatorium van Amsterdam<br />

Marina<br />

Arrufat Grau<br />

SPANISH<br />

Eleonora<br />

Consta<br />

BRITISH<br />

Royal College of Music, London<br />

Samuel<br />

García García<br />

SPANISH<br />

Hochschule für Musik und<br />

Theater ‘Félix Mendelssohn<br />

Bartholdy’, Leipzig<br />

Tobias Kausel<br />

AUSTRIAN<br />

Kunstuniversität Graz<br />

Elias Lassfolk<br />

FINNISH<br />

Sibelius-Akatemia, Helsinki<br />

Kunstuniversität Graz<br />

EUYO > THE ORCHESTRA<br />

Kristin Baird<br />

AMERICAN<br />

New World Symphony, Miami<br />

Global Exchange Guest<br />

Siobhán Doyle<br />

IRISH<br />

Royal Northern College<br />

of Music, Manchester<br />

Rosa Hartley<br />

BRITISH<br />

Royal College of Music, London<br />

Amalie<br />

Kjældgaard<br />

DANISH<br />

Universität für Musik und<br />

darstellende Kunst Wien<br />

Alexander<br />

Lesch<br />

GERMAN<br />

Hochschule für Musik und<br />

Theater ‘Félix Mendelssohn<br />

Bartholdy’, Leipzig<br />

22


VIOLA<br />

David<br />

López Ibañez<br />

SPANISH<br />

Royal College of Music, London<br />

Emma Oldfield<br />

BRITISH<br />

Royal College of Music, London<br />

Magdalena<br />

Sammer<br />

AUSTRIAN<br />

Universität für Musik und<br />

darstellende Kunst Wien<br />

Anastasia Vaina<br />

GREEK<br />

Royal Academy of<br />

Music, London<br />

Theodor<br />

Andreescu<br />

ROMANIAN<br />

Universitatea Națională de<br />

Muzică din București<br />

Charlotte<br />

MacClure<br />

BRITISH<br />

Royal Welsh College of<br />

Music and Drama, Cardiff<br />

Colm O’Reilly<br />

IRISH<br />

Royal Academy of<br />

Music, London<br />

Paula Sanz<br />

Alasà<br />

SPANISH<br />

Royal College of Music, London<br />

Herlinde<br />

Verjans<br />

BELGIAN<br />

Koninklijk Conservatorium<br />

Antwerpen<br />

León van<br />

den Berg<br />

DUTCH<br />

Conservatoire National<br />

Supérieur de Musique<br />

et de Danse de Paris<br />

Özge Özerbek<br />

Jacqueline<br />

Martens<br />

BRITISH<br />

Royal College of Music, London<br />

CYPRIOT<br />

Dokuz Eylül Üniversitesi State<br />

Conservatory, İzmir, Turkey<br />

Emma van<br />

Schoonhoven<br />

DUTCH<br />

Universität der Künste Berlin<br />

Hannah Visser<br />

DUTCH<br />

Hochschule für Musik Freiburg<br />

Ariadna<br />

Boiso Reinoso<br />

SPANISH<br />

Conservatorium van Amsterdam<br />

Jakub<br />

Przybycień<br />

Kaia Voitka<br />

Kosma Műller<br />

POLISH<br />

POLISH<br />

Hochschule der Künste Bern<br />

Minadora<br />

Šernaitė<br />

ESTONIAN<br />

Sibelius-Akatemia, Helsinki<br />

Akademia Muzyczna<br />

im. Ignacego Jana<br />

Paderewskiego w Poznaniu<br />

LITHUANIAN<br />

Lietuvos Muzikos ir<br />

Teatro Akademija<br />

Aurora Cano<br />

Soto<br />

SPANISH<br />

Conservatorium van Amsterdam<br />

EUYO > THE ORCHESTRA<br />

23


CELLO<br />

Samuel<br />

Espinosa<br />

SPANISH<br />

Hochschule für Musik “Carl<br />

Maria von Weber” Dresden /<br />

Royal College of Music, London<br />

Raphaela<br />

Pachner<br />

AUSTRIAN<br />

Anton Bruckner<br />

Privatuniversität, Linz<br />

Guillem<br />

Selfa Oliver<br />

SPANISH<br />

Hochschule für Musik<br />

und Tanz Köln<br />

Valerie Fritz<br />

AUSTRIAN<br />

Universität Mozarteum<br />

Salzburg<br />

Tonka<br />

Javorović<br />

CROATIAN<br />

Muzička akademija<br />

Sveučilišta u Zagrebu<br />

Clément<br />

Holvoet<br />

BELGIAN<br />

Arts² École supérieure des<br />

Arts, Brussels / École Normale<br />

de Musique de Paris<br />

Nina Poskin<br />

BELGIAN<br />

Royal College of Music, London<br />

Sofia Silva<br />

Sousa<br />

PORTUGUESE<br />

Royal Academy of<br />

Music, London<br />

Côme Giraudon<br />

FRENCH<br />

Conservatoire à Rayonnement<br />

Régional de Paris<br />

Johannes<br />

König<br />

GERMAN<br />

Hochschule für Musik<br />

und Theater München<br />

Ilina Ilieva<br />

BULGARIAN<br />

National School of Music<br />

“Lyubomir Pipkov”, Sofia<br />

Morag<br />

Robertson<br />

BRITISH<br />

Royal College of Music, London<br />

Anna<br />

Tarnowska<br />

POLISH<br />

Akademia Muzyczna im.<br />

Karola Szymanowskiego w<br />

Katowicach / Universitetet<br />

i Stavanger, Norway<br />

Hilary E. Glen<br />

AMERICAN<br />

New World Symphony, Miami<br />

Global Exchange Guest<br />

Anna Maria<br />

Litvinenko<br />

AMERICAN<br />

The Juilliard School, New York /<br />

Royal College of Music, London<br />

Global Exchange Guest,<br />

Sphinx Organization<br />

Alma Möller<br />

SWEDISH<br />

Koninklijk Conservatorium<br />

Brussel<br />

Wiktor Rudzik<br />

POLISH<br />

Akademia Muzyczna<br />

im. Ignacego Jana<br />

Paderewskiego w Poznaniu<br />

Šimon Truszka<br />

SLOVAKIAN<br />

Konzervatórium Košice<br />

Lucy Hoile<br />

BRITISH<br />

Royal Northern College<br />

of Music, Manchester<br />

Guilherme<br />

Nardelli<br />

Monegatto<br />

BRAZILIAN<br />

EUYO > THE ORCHESTRA<br />

Indiana University Jacobs<br />

School of Music<br />

Global Exchange Guest,<br />

Sphinx Organization<br />

24


Sinéad<br />

O’Halloran<br />

IRISH<br />

Robert Schumann Hochschule<br />

für Musik, Düsseldorf<br />

Anik<br />

Schwall<br />

LUXEMBOURGISH<br />

Zürcher Hochschule der<br />

Künste (Zürich, Schweiz)<br />

Domingos<br />

Freire de<br />

Andrade<br />

Romana Ribeiro<br />

PORTUGUESE<br />

Escuela Superior de Música<br />

Reina Sofía, Madrid<br />

Salvador<br />

Morera Ortells<br />

SPANISH<br />

Escola Superior de<br />

Música de Catalunya<br />

Victor Savca<br />

ROMANIAN<br />

Universitatea Națională<br />

de Muzică din București<br />

Evaldas Petkus<br />

LITHUANIAN<br />

Lietuvos Muzikos ir<br />

Teatro Akademija<br />

Dana<br />

de Vries<br />

DUTCH<br />

Christoph Haaß<br />

GERMAN<br />

Lilas Réglat<br />

FRENCH<br />

Conservatoire National<br />

Supérieur de Musique<br />

et de Danse de Paris<br />

Regina Udod<br />

ESTONIAN<br />

Eesti Muusika – ja<br />

Teatriakadeemia<br />

Conservatoire National<br />

Supérieur de Musique<br />

et de Danse de Paris<br />

Hochschule für Musik<br />

Franz Liszt Weimar<br />

Vilém Petras<br />

CZECH<br />

Akademie múzických<br />

umění v Praze<br />

Klara<br />

Wincor<br />

AUSTRIAN<br />

Iikka Järvi<br />

FINNISH<br />

Sibelius-Akatemia, Helsinki<br />

Rui Pedro<br />

Rodrigues<br />

PORTUGUESE<br />

Hochschule für Musik<br />

Hanns Eisler Berlin<br />

Luzia Vieira<br />

PORTUGUESE<br />

Hochschule für Musik<br />

und Theater Hamburg<br />

Universität für Musik und<br />

darstellende Kunst Wien<br />

DOUBLE<br />

BASS<br />

Veerle<br />

Schutjens<br />

DUTCH<br />

Conservatorium van Amsterdam<br />

Sofía Bianchi<br />

Maestre<br />

SPANISH<br />

Escuela Superior de Música<br />

Reina Sofía, Madrid<br />

Lucía Mateo<br />

Calvo<br />

SPANISH<br />

Conservatorio Superior<br />

de Música de Castilla<br />

y León, Salamanca<br />

Andreu<br />

Sanjuan Albado<br />

SPANISH<br />

Escuela Superior de Música<br />

Reina Sofía, Madrid<br />

EUYO > THE ORCHESTRA<br />

25


FLUTE<br />

OBOE<br />

CLARINET<br />

BASSOON<br />

Jacob Bagby<br />

Géraldine<br />

Clément<br />

Mercedes<br />

Guzmán<br />

Marten Altrov<br />

ESTONIAN<br />

Javier Biosca<br />

Bas<br />

BRITISH<br />

Royal College of Music, London<br />

BELGIAN<br />

Koninklijk Conservatorium<br />

Brussel<br />

SPANISH<br />

Escuela Superior de Música<br />

Reina Sofía, Madrid<br />

Eesti Muusika – ja<br />

Teatriakadeemia<br />

SPANISH<br />

Escuela Superior de Música<br />

Reina Sofía, Madrid<br />

Flávio Barbosa<br />

Emma Halnan<br />

BRITISH<br />

Royal Academy of<br />

Music, London<br />

Micha<br />

Häußermann<br />

GERMAN<br />

Universität der Künste Berlin<br />

Benjamin<br />

Christ<br />

FRENCH<br />

Conservatoire National<br />

Supérieur de Musique<br />

et Danse de Lyon<br />

Nikolaj<br />

Vestmar<br />

Henriques<br />

DANISH<br />

PORTUGUESE<br />

Zürcher Hochschule der Künste<br />

Staatliche Hochschule für<br />

Musik und Darstellende<br />

Kunst Mannheim<br />

Anna Drysdale<br />

BRITISH<br />

Royal Academy of<br />

Music, London<br />

Tommaso<br />

Pratola<br />

ITALIAN<br />

Haute École de Musique<br />

de Genève<br />

Alex Hilton<br />

BRITISH<br />

Royal Academy of<br />

Music, London<br />

Daniel Roscia<br />

ITALIAN<br />

Conservatorio di Musica<br />

F.A. Bonporti di Trento<br />

Mihael Mitev<br />

SLOVENIAN<br />

Akademija za glasbo, Ljubljana<br />

HORN<br />

Oliver Johnson<br />

BRITISH<br />

Guildhall School of Music<br />

and Drama, London<br />

EUYO > THE ORCHESTRA<br />

Marek<br />

Szymański<br />

POLISH<br />

Koninklijk Conservatorium<br />

Antwerpen / Akademia<br />

Muzyczna im. Karola<br />

Lipińskiego we Wrocławiu<br />

Antonio<br />

J. Juárez<br />

SPANISH<br />

Staatliche Hochschule für<br />

Musik und Darstellende<br />

Kunst Mannheim<br />

Timo Tromp<br />

DUTCH<br />

Hochschule für Musik, Theater<br />

und Medien Hannover<br />

Joel Ashford<br />

BRITISH<br />

Royal College of Music, London<br />

Sophia Keiler<br />

AUSTRIAN<br />

Musikhochschule Stuttgart<br />

26


TROMBONE<br />

TUBA<br />

Jonathan<br />

Maloney<br />

BRITISH<br />

Royal Northern College of<br />

Music, Manchester / Royal<br />

College of Music, London<br />

Tom Griffiths<br />

BRITISH<br />

Royal College of Music, London<br />

Alejandro<br />

García Sánchez<br />

SPANISH<br />

Conservatorium van Amsterdam<br />

Jonathan<br />

Borksand<br />

Hanke<br />

DANISH<br />

Gyula Lajhó<br />

HUNGARIAN<br />

Liszt Ferenc Zeneművészeti<br />

Egyetem, Budapest<br />

Det Kongelige Danske<br />

Musikkonservatorium,<br />

København<br />

Carles Pérez<br />

i Esteve<br />

SPANISH<br />

Escuela Superior de Música<br />

Reina Sofía, Madrid<br />

Carlos Leite<br />

PORTUGUESE<br />

Escola Superior de Música,<br />

Artes e Espectáculo, Porto<br />

José Luna<br />

Agudo<br />

SPANISH<br />

Musikene: Centro Superior<br />

de Música del País<br />

Vasco, San Sebastián<br />

PERCUSSION<br />

Camille Bialas<br />

Nikolai Jakob<br />

Petersen<br />

DANISH<br />

Det Kongelige Danske<br />

Musikkonservatorium,<br />

København<br />

HARP<br />

FRENCH<br />

Matilda Lloyd<br />

Det Kongelige Danske<br />

Musikkonservatorium,<br />

København<br />

BRITISH<br />

Franci Šuštar<br />

SLOVENIAN<br />

Akademija za glasbo, Ljubljana<br />

TRUMPET<br />

Trinity College, Cambridge<br />

University<br />

Nejc<br />

Zahrastnik<br />

Andrew McCoy<br />

BRITISH<br />

Guildhall School of Music<br />

and Drama, London<br />

BASS<br />

TROMBONE<br />

Ulf Breuer<br />

GERMAN<br />

Hochschule für Musik<br />

und Theater München<br />

Héloïse de<br />

Jenlis<br />

FRENCH<br />

Conservatoire Royal<br />

de Bruxelles<br />

KEYBOARD<br />

SLOVENIAN<br />

Akademija za glasbo, Ljubljana<br />

Carolina Alves<br />

PORTUGUESE<br />

Hochschule für Musik und<br />

Theater ‘Félix Mendelssohn<br />

Bartholdy’, Leipzig<br />

Alexander<br />

Kelly<br />

BRITISH<br />

Royal Academy of<br />

Music, London<br />

Jonathan<br />

Jakshøj<br />

DANISH<br />

Det Kongelige Danske<br />

Musikkonservatorium,<br />

København<br />

Maria Inês<br />

Costa<br />

PORTUGUESE<br />

Royal College of Music, London<br />

EUYO > THE ORCHESTRA<br />

27


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Leverhulme <strong>Summer</strong> School<br />

VIOLIN<br />

CELLO<br />

FLUTE<br />

PERCUSSION<br />

Juliette<br />

Beauchamp<br />

FRENCH<br />

Elia Moffa<br />

ITALIAN<br />

Universität Mozarteum Salzburg<br />

Violeta<br />

de los Ángeles<br />

Gil García<br />

Themistoklis<br />

Kandalepas<br />

GREEK<br />

Conservatoire de Lyon<br />

SPANISH<br />

Codarts, Hogeschool Voor<br />

de Kunsten, Rotterdam<br />

Music School of Thessaloniki<br />

/ Synchronous Conservatory<br />

of Thessaloniki<br />

HORN<br />

Maria Malakouna<br />

CYPRIOT<br />

Cyprus Youth Symphony School<br />

Alexios Tassis<br />

GREEK<br />

Peter-Cornelius-Konservatorium<br />

der Stadt Mainz<br />

DOUBLE BASS<br />

Joel<br />

Ashford<br />

BRITISH<br />

Royal College of Music, London<br />

Davide<br />

Tonetti<br />

ITALIAN<br />

Conservatorio Statale di Musica<br />

“Giuseppe Verdi”, Turin / Accademia<br />

Nazionale di Santa Cecilia, Rome<br />

Andreas<br />

Zinonos<br />

CYPRIOT<br />

Lyceum of Ethnomartyras<br />

Kyprianos, Nicosia<br />

Sofía Bianchi<br />

Maestre<br />

SPANISH<br />

Escuela Superior de Música<br />

Reina Sofía, Madrid<br />

European Music Campus Orchestra (EMCO)<br />

CONCERT<br />

MASTER<br />

Martina Miedl<br />

AUSTRIAN<br />

VIOLIN<br />

Wiktoria<br />

Borkowska<br />

POLISH<br />

Samuel Cutajar<br />

MALTESE<br />

Elisabeth Drach<br />

AUSTRIAN<br />

Eva Ferguson<br />

SLOVAK/USA<br />

Wolfram<br />

Freysmuth<br />

AUSTRIAN<br />

Justyna Grudzień<br />

POLISH<br />

Susanne Isenberg<br />

AUSTRIAN<br />

Martyna<br />

Kaszkowiak<br />

POLISH<br />

Maria Malakouna<br />

CYPRIOT<br />

Maciej Mancewicz<br />

POLISH<br />

Kaja Michałowicz<br />

POLISH<br />

Antonia Mihalca<br />

ROMANIAN<br />

Soobin Park<br />

KOREAN<br />

Liliana<br />

Popdimitrova<br />

BULGARIAN<br />

Andreas Zinonos<br />

CYPRIOT<br />

VIOLA<br />

Peter Čižmár<br />

SLOVAK<br />

Antonina<br />

Kucharska<br />

POLISH<br />

Juhee Lee<br />

KOREAN<br />

Valentina<br />

Andreea Pancă<br />

ROMANIAN<br />

Tomasz Rosiński<br />

POLISH<br />

Ada Torge<br />

ROMANIAN<br />

CELLO<br />

Mateusz<br />

Błaszczak<br />

POLISH<br />

Lucija Pejković<br />

CROATIAN<br />

Elīza Sestule<br />

LATVIAN<br />

Alexios Tassis<br />

GREEK<br />

FLUTE<br />

Rebeka Pethő<br />

HUNGARIAN<br />

Marta Sesar<br />

CROATIAN<br />

OBOE<br />

Deyan Ivanov<br />

BULGARIAN<br />

CLARINET<br />

Michael Cutajar<br />

MALTESE<br />

Karolina<br />

Krajewska<br />

POLISH<br />

BASSOON<br />

Maria Frankowska<br />

POLISH<br />

Georg Langer<br />

AUSTRIAN<br />

HORN<br />

Andrei<br />

Aiordăchioei<br />

ROMANIAN<br />

TRUMPET<br />

Isaac Lucas<br />

MALTESE<br />

Rafal Poremba<br />

POLISH<br />

PERCUSSION<br />

Boris Boudinov<br />

BULGARIAN<br />

EUYO > LEVERHULME & EMCO<br />

29


Awards<br />

Each season the European Union Youth Orchestra gives three or more players one of its<br />

Awards, which reward a variety of skills ranging from musicianship to the creation of an<br />

atmosphere of harmony and understanding.<br />

If you would like to sponsor an Award, create an Award in memory of someone who<br />

shared the Orchestra’s values, or know of a Corporation that would be honoured to put<br />

their organisation’s name to an Award, please do not hesitate to get in touch with our<br />

Development and Communications Manager, Charlotte Hamilton at charlotte@euyo.eu<br />

or by telephone: 0044 79668 88917<br />

The Ian Stoutzker Award<br />

Generously offered by the Orchestra’s Co-Chairman and Orchestra Board Chairman Ian Stoutzker, CBE, this will provide one<br />

or more musicians with an award for performance excellence and embodying the EUYO spirit of cultural understanding,<br />

cooperation and harmony.<br />

As a young man Mr. Stoutzker trained at the Royal College of Music under Albert Sammons, before eventually choosing a new<br />

path at the London School of Economics. It has been said of him, ‘Perhaps no musician has ever done so much for music after<br />

choosing a new career.’ The Orchestra is delighted to benefit from his remarkable commitment and generous guidance.<br />

The award for the 2015–<strong>2016</strong> season was given to our Austrian cellist, Klara Wincor and our Portuguese horn player,<br />

Flávio Barbosa.<br />

Klara Wincor<br />

Austrian, Cello<br />

Co-Recipient of The Ian<br />

Stoutzker Award<br />

“Playing with the EUYO is something different. Not just because<br />

the individual level of playing is almost frighteningly high, but<br />

because of the energy which comes with it. I had the most<br />

emotional concerts of my life with the EUYO and also the most<br />

physically exhausting and at the same time elating concerts.<br />

Being the recipient of The Ian Stoutzker Award this year is a<br />

great honour and I couldn't be happier about it, as it is a sign<br />

of support and trust in me. I am very lucky to currently have a<br />

good instrument on loan, so I decided to use the Award when I<br />

need to travel with my cello, to cover the cost for an extra seat<br />

when flying. This will enable me to travel to masterclasses and<br />

auditions which I would not consider attending otherwise.”<br />

Flávio Barbosa<br />

Portuguese, Horn<br />

Co-Recipient of The Ian<br />

Stoutzker Award<br />

“Playing in the EUYO in the last summer tour was<br />

more than a simple youth orchestra experience.<br />

The high artistic and human level of my colleagues,<br />

tutors and conductors was one of the most important<br />

achievements of my life. Besides the amazing musical<br />

experience, sharing a month with so many wonderful<br />

cultures gave me a new perspective on the world.<br />

Feeling all energy and will of playing together was very<br />

important for my musical and human development.<br />

Being awarded The Ian Stoutzker Award was very<br />

important for me, and a recognition of my effort. This<br />

prize gave me the opportunity to continue my studies<br />

in Zürich, a very important goal in my life.<br />

EUYO > AWARDS<br />

I would like to thank all tutors, staff and colleagues<br />

for all the teachings, sharing and the help that make<br />

me a better musician and a better human being.”<br />

30


The Aleksandar<br />

Pavlović Award<br />

Set up in 2008 with a generous donation from the<br />

Orchestra’s Co-founders Lionel and Joy Bryer, the award<br />

is a tribute to Aleksandar Pavlović, the long-standing<br />

and former Artistic Director of the International Youth<br />

Foundation and violin tutor to the European Union Youth<br />

Orchestra. He is Professor Emeritus at the Faculty of<br />

Music, University of Arts in Belgrade and Visiting Professor<br />

at the Royal Academy of Music in London. He has also<br />

led master classes in the USA, Greece and the UK.<br />

The Aleksandar Pavlović Award was presented<br />

at the end of the 2015 <strong>Summer</strong> <strong>Tour</strong> to Nikolaj<br />

Vestmar Henriques. Now on his fourth EUYO<br />

tour, Nikolaj has been a dedicated and exemplary<br />

member of the Orchestra since <strong>Summer</strong> 2014.<br />

The award is presented annually.<br />

The Lionel Bryer<br />

Memorial Fund Award<br />

Created in 2011, the Lionel Bryer Memorial Fund Award, is<br />

designed to support a young musician who has demonstrated<br />

huge musical talent and potential, but whose development<br />

and career would benefit greatly from financial assistance.<br />

Lionel Bryer was a highly successful London dental surgeon<br />

who, inspired by a love of music and the desire to foster good<br />

relations with other countries by educating young people in<br />

their cultures, co-founded the International Youth Foundation<br />

along with his wife, Joy. Through it they also co-founded<br />

the Aberdeen International Youth Festival and the European<br />

Community Youth Orchestra (now the European Union<br />

Youth Orchestra). Originally from South Africa, Lionel was a<br />

talented violinist and sportsman, as well as a Rhodes Scholar.<br />

The award is presented annually and in the<br />

summer of 2015, was awarded to Danish<br />

trumpeter, Victor Koch Jensen.<br />

Nikolaj Vestmar<br />

Henriques<br />

Danish, Bassoon<br />

Recipient of The<br />

Aleksandar Pavlović Award<br />

“One of the most unique things I discovered through playing<br />

with the EUYO is that there are so many ways to play well.<br />

Even though we are from different countries and are taught<br />

differently, we can all learn from each other. It gives you the<br />

opportunity to be the musician that you want to be. No one<br />

expects you to play a certain way, they expect to hear YOU<br />

play, and I find the orchestra very unique in that way. This<br />

enables us all to grow as musicians within the Orchestra.<br />

I feel extremely lucky and very grateful to be chosen to receive<br />

this award. Many people who have been awarded this prize<br />

before, are people that I admire personally and professionally.<br />

It motivates me to continue to pour all my energy and soul<br />

into my work on the bassoon. I'll use the money that I've<br />

received for a complete overhaul of my instrument.”<br />

Victor Koch Jensen<br />

Danish, Trumpet<br />

Recipient of The Lionel Bryer<br />

Memorial Fund Award<br />

“Receiving the Lionel Bryer Memorial Fund Award marks<br />

an absolute highlight of my time with the EUYO.<br />

To be awarded this special prize is a tremendously<br />

generous financial boost, that gives me the possibility<br />

to go for lessons as well as auditions abroad.<br />

Looking back on my time with the Orchestra, I can't believe<br />

how many extraordinary friends I have met, how many epic<br />

and tear-provoking concerts we've played, and how strong<br />

the bonds we have tied in doing so. The EUYO creates a<br />

vital stepping stone for young musicians like myself, and I<br />

simply cannot imagine where I would have been without<br />

it, not just as a musician, but also as a human being.<br />

Mr. & Mrs. Bryer started something truly unique<br />

when they founded this orchestra, and I'm extremely<br />

grateful that I got to be a part of it.”<br />

EUYO > AWARDS<br />

31


European Union Youth Orchestra<br />

Gustav Mahler Jugendorchester<br />

Orchestra Haydn Orchester<br />

European Union Baroque Orchestra<br />

Matthias Pintscher<br />

Katia & Marielle Labèque<br />

Philippe Jordan<br />

Vasily Petrenko<br />

Jordi Savall<br />

Leo McFall<br />

Christian Gerhaher<br />

Bernard Haitink<br />

Grigory Sokolov<br />

Thomas Demenga<br />

Nicholas Angelich<br />

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Tutors<br />

Dr Peter Stark<br />

Rehearsal Director<br />

One of the finest teachers of conducting<br />

and orchestral trainers in the world.<br />

His work with young musicians is renowned. He has taught<br />

over five hundred individual students and has decades of<br />

experience working with young orchestras. Whilst Professor<br />

of Conducting at the Royal College of Music, London, his<br />

work also takes him all over the world; in the last year<br />

masterclasses in the conservatoires of St Petersburg and<br />

Beijing and concerts in China, Norway and the Middle East.<br />

Lorenza Borrani<br />

Violin 1<br />

Lorenza has been leader of the Chamber<br />

Orchestra of Europe since 2007. She<br />

has been director, concert master, soloist and chamber<br />

musician in the most important concert halls and seasons<br />

in Europe and worldwide. As well as an international career<br />

as a soloist under the direction of conductors including Yuri<br />

Harohnovich, Emmanuel Krivine, Yannick Nézet-Séguin and<br />

Claudio Abbado, she has also worked with notable chamber<br />

musicians. Lorenza teaches at the Scuola di Musica di Fiesole<br />

and in 2007, she founded the Spira Mirabilis Project.<br />

Oliver Kipp<br />

Violin 2<br />

An EUYO player from 1987 – 1993,<br />

Principal 2nd violin of the NDR Radio<br />

Philharmonic since 1998 and member of the “Hyperion<br />

Trio”. Founded in 1999, the Trio boasts an outstanding<br />

reputation in Germany and the international music world,<br />

performing an extraordinarily broad repertoire.<br />

Roger Benedict<br />

Viola<br />

Roger Benedict is Principal Viola of the<br />

Sydney Symphony Orchestra and Artistic<br />

Director of the orchestra’s highly regarded orchestra academy,<br />

alongside his work as a Professor at the Sydney Conservatorium.<br />

He was formerly Principal Viola of the Philharmonia in London<br />

and a Professor at the Royal Northern College of Music.<br />

He is also active as a conductor and appears regularly with<br />

major orchestras in Australasia, and with emerging artists<br />

of the National Youth Orchestra of Great Britain (NYO),<br />

Southbank Sinfonia and the Australian Youth Orchestra.<br />

Gregor Horsch<br />

Cello<br />

Gregor Horsch was appointed<br />

first Principal cellist of the Royal<br />

Concertgebouw Orchestra in 1997. He combines this position<br />

with a career as a soloist and chamber musician. He has been<br />

a teacher at the conservatories of The Hague, Amsterdam and<br />

at the RNCM in Manchester and since 2009 he is Professor<br />

at the Robert Schumann Hochschule in Düsseldorf.<br />

Wies de Boevé<br />

Double Bass<br />

Sub-Principal Double Bass of the<br />

Symphonieorchester des Bayerischen<br />

Rundfunks and regular guest player with the Berlin<br />

Philharmonic, the Royal Concertgebouw Orchestra<br />

Amsterdam and the Staatskapelle Berlin, among others.<br />

Wies won many international music competitions and was<br />

most recently awarded with the first prize at the Deutscher<br />

Musikwettbewerb, being the first bass player ever to<br />

win this competition. He studied with Duncan McTier,<br />

Janne Saksala, Božo Paradžik, Esko Laine and Matthew<br />

McDonald and was an EUYO player from 2007 – 2008.<br />

Rien de Reede<br />

Woodwind<br />

Rien de Reede was a flautist in the<br />

Concertgebouw Orchestra for thirty-seven<br />

years. Besides this he taught flute at the Royal Conservatory<br />

for almost the same length of time. As Head of Chamber<br />

Music in this school and as an Artistic Programmer for the<br />

Chamber Music Series for the members of the Concertgebouw<br />

Orchestra he was able to express his love and interest<br />

in this field, searching for programmatic innovation.<br />

Peter Gane<br />

Lower Brass<br />

One of Britain’s leading brass specialists,<br />

Peter is founder and former president<br />

of the British Trombone Association and has a long-standing<br />

association with the NYO and the EUYO where he has been<br />

a Professor of trombone since 1977 and 1984 respectively.<br />

He has taken masterclasses and workshops in many<br />

conservatoires and professional groups across Europe and<br />

the USA. He was presented with the Neill Humfield Award<br />

for excellence in trombone teaching by the International<br />

EUYO > TUTORS<br />

33


Trombone Association (1996) and the British Trombone<br />

Society’s outstanding contribution award (2013). A Professor<br />

at the Guildhall School since 1971, he later was elected<br />

a Fellow of the School and was Head of Wind, Brass and<br />

Percussion from 1988 – 2008. He still contributes to the<br />

specialist brass and wind programmes. Peter is Artistic<br />

Adviser to the Combret Music Festival, Aveyron, France.<br />

Jeff Bryant<br />

Horn<br />

Jeff was Principal and Solo Horn with<br />

the London Symphony and Royal<br />

Philharmonic Orchestras with whom he recorded the Mozart<br />

concerti and the Britten Serenade. He is Professor of Horn<br />

at the Royal College of Music, London. Jeff also tutors the<br />

horn section of ICULTURE Orchestra, based in Poland.<br />

John Miller<br />

Trumpet<br />

Head of the School of Wind, Brass and<br />

Percussion, Royal Northern College<br />

of Music, Manchester. Prior to joining the RNCM in 1999,<br />

John worked extensively in London as a member of the<br />

Philharmonia Orchestra from 1977 to 1994, and as a freelance<br />

musician working regularly with prestigious ensembles such as<br />

the London Sinfonietta and the Philip Jones Brass Ensemble.<br />

John is a founder member of the Wallace Collection brass<br />

ensemble with which he continues to perform and record.<br />

Sam Walton<br />

Percussion<br />

Sam Walton performs with many of<br />

the UK’s finest orchestras. He is Co-<br />

Principal Percussion in the London Symphony Orchestra<br />

and Principal Percussion in the John Wilson Orchestra. He<br />

is a member of the Colin Currie Group, and has recorded<br />

extensively for film and television. He is a Professor<br />

at the Royal College of Music and the Guildhall.<br />

Adelheid Blovsky-Miller<br />

Harp<br />

Former Professor of Harp at<br />

the University of Music and<br />

Performing Arts in Vienna, former harpist at the<br />

Vienna State Opera Orchestra. Artistic Director of the<br />

International Harp Competition ‘Franz Josef Reinl’.<br />

European Music Campus Orchestra<br />

Conductor and Tutors<br />

Chloe Vansoeterstede<br />

Rehearsal Conductor<br />

Graduating from the Royal Academy<br />

of Music (RAM), London as a viola<br />

player (2014), Chloe then studied conducting at the Royal<br />

Northern College of Music. She studies with Clark Rundell,<br />

Mark Heron, and assists at the BBC Philharmonic, Royal<br />

Liverpool Philharmonic and the Hallé. Chloe is a RAM<br />

Fellow with the Stella Quartet and created the chamber<br />

orchestra, Arch Sinfonia (2012). She has conducted the<br />

United Strings of Europe chamber orchestra and recorded<br />

with the Solingen Orchester in Germany and Rotterdam.<br />

Chloe has performed with the EUYO, the Pacific Music<br />

Festival and the Aurora Orchestra for their BBC Proms.<br />

Lara Sullivan<br />

Violin 1<br />

Lara graduated from the Royal<br />

Academy of Music (RAM) in 2014,<br />

completing her master’s degree with Maurice Hasson.<br />

A member of the EUYO 2009-2014, she now plays with<br />

Spira Mirabilis, Camerata Ireland as well as ensembles in<br />

London. Lara is a chamber fellow at the RAM with the<br />

Stella Quartet, which enjoys a busy outreach and recital<br />

season with the Open Academy department and Wigmore<br />

Hall. As an EUYO alumni tutor, she has worked closely<br />

with the EMCO and the Malta Youth Orchestra. Lara<br />

currently teaches at the junior department of the RAM.<br />

EUYO > TUTORS<br />

34


Anne Hopfmüller<br />

Violin 2<br />

Anne was a member of the EUYO from<br />

2010–2013. She studied performance<br />

and pedagogy in Vienna and Graz before moving to London,<br />

where she graduated from the Royal Academy of Music<br />

with distinction in 2014. She has since enjoyed playing<br />

frequently with orchestras in the UK and Austria such as<br />

Welsh National Opera, BBC Concert Orchestra, RSO Wien<br />

and European Union Chamber Orchestra, covering opera,<br />

symphonic repertoire and chamber music. Anne is also an<br />

enthusiastic teacher and has recently moved back to Vienna.<br />

Sofie van der Schalie<br />

Viola<br />

Sofie studied at the Conservatory of<br />

Amsterdam with Marjolein Dispa and<br />

was co-principal of the EUYO 2011 – 2014. She has been<br />

successful in competitions such as the Princess Christina<br />

Conours (1st prize) and the National Viola Competition<br />

(finalist). She currently plays with Dutch orchestras:<br />

The Royal Concertgebouw Orchestra, the Chamber<br />

Orchestra of the Concertgebouw, the Radio Philharmonic<br />

Orchestra, and the Netherlands Philharmonic Orchestra.<br />

Sofie teaches violin and viola at the Music and Dance<br />

school in Amstelveen. In the season 2015/<strong>2016</strong> Sofie is<br />

an Acadamist at the Royal Concertgebouw Orchestra.<br />

Andrei Mihailescu<br />

Double Bass<br />

Principal double bass of the EUYO<br />

2009 – 2013, Andrei graduated from<br />

the Royal Academy of Music (RAM), London, studying with<br />

Duncan Mctier, Graham Mitchell, and Chi-chi Nwanoku.<br />

Andrei is a master’s student at the HMT Munich, studying<br />

with Nabil Shehata and collaborates with the Chamber<br />

Orchestra of Europe, Budapest Festival Orchestra, Deutsches<br />

Symphonie Orchestra Berlin, the Orchestra of the Age of<br />

Enlightenment, London Sinfonietta and Spira Mirabilis,<br />

amongst others. He has appeared as a soloist at the Grafenegg<br />

Musikfest and the George Enescu Festival. Andrei teaches<br />

double bass at the RAM, EMC and Malta Youth Orchestra.<br />

Magnus Koch Jensen<br />

Woodwind<br />

Magnus won the position as Principal<br />

bassoonist with Det Kongelige<br />

Kapel in 2012. Besides his job he has played in most of<br />

the Danish orchestras, but also in NDR Elbphilharmonie<br />

Orchestra and at the Hamburg State Opera. Magnus is<br />

co-founder of the award winning wind quintet “Carl Nielsen-<br />

Kvintetten” with whom he is making an effort to promote<br />

the wonderful music of the Danish national composer,<br />

Carl Nielsen. He was a member of the EUYO from 2010-<br />

2012 and remains a big supporter of the Orchestra.<br />

Romain Lapeyre<br />

Cello<br />

Romain graduated with a master’s<br />

degree from the Royal Academy of<br />

Music, studying with David Strange. Principal cellist of the<br />

EUYO 2010 – 2014, He was recipient of the Zara Nelsova<br />

Award, Harold Craxton Prize, Herbert Walenn Prize and the<br />

Lionel Bryer Memorial Fund Award. Romain has worked<br />

closely with the EMCO, the Malta Youth Orchestra and<br />

the Sistema Europe Youth Orchestra. A member of the<br />

Bastide Piano Trio, he is Principal cello of the Chamber<br />

Orchestra of Toulouse and teaches music in Paris.<br />

Katy Woolley<br />

Brass<br />

Katy was appointed Principal horn in<br />

the Philharmonia Orchestra (where she<br />

has also appeared as soloist) and has forged a formidable<br />

reputation performing the most demanding horn parts<br />

for the world’s top conductors. Katy has studied with<br />

Sue Dent, Simon Rayner and in Berlin with Christian-<br />

Friedrich Dallmann. She graduated from the Royal College<br />

of Music and was awarded the Tagore Gold Medal by<br />

HRH Prince Charles. Katy was Principal horn in the EUYO<br />

and is now a Professor at the Royal Academy of Music<br />

and Trinity Laban Conservatoire of Music and Dance.<br />

EUYO > TUTORS<br />

35


Honorary Patrons<br />

European Parliament<br />

President of the European Parliament,<br />

Honorary President of the EUYO<br />

Martin Schulz<br />

European Commission<br />

President of the European Commission,<br />

Head of the Honorary Patrons<br />

Jean-Claude Juncker<br />

European Commission<br />

High Representative of the European<br />

Union for Foreign Affairs and Security<br />

Policy and Vice-President of the European<br />

Commision, Honorary Patron<br />

Federica Mogherini<br />

European Committee of the Regions<br />

President of the European Committee<br />

of the Regions, Honorary Patron<br />

Markku Markkula<br />

Heads of State / Heads of Government<br />

Austria<br />

Federal President<br />

Alexander Van der Bellen<br />

Federal Chancellor<br />

Christian Kern<br />

Belgium<br />

HM King Philippe<br />

Prime Minister<br />

Charles Michel<br />

Bulgaria<br />

President<br />

Rosen Plevneliev<br />

Prime Minister<br />

Boyko Borisov<br />

roatia<br />

ent<br />

da Grabar-Kitarović<br />

Minister<br />

Tihomir Orešković<br />

Cyprus<br />

President<br />

Nicos Anastasiades<br />

Czech Republic<br />

President<br />

Miloš Zeman<br />

Prime Minister<br />

Bohuslav Sobotka<br />

Denmark<br />

HM Queen Margrethe II<br />

Prime Minister<br />

Lars Løkke Rasmussen<br />

Estonia<br />

President<br />

Toomas Hendrik Ilves<br />

Prime Minister<br />

Taavi Rõivas<br />

Finland<br />

President<br />

Sauli Niinistö<br />

Prime Minister<br />

Juha Sipilä<br />

France<br />

President<br />

François Hollande<br />

Prime Minister<br />

Manuel Valls<br />

Germany<br />

Federal President<br />

Joachim Gauck<br />

Federal Chancellor<br />

Angela Merkel<br />

Greece<br />

President<br />

Prokopios Pavlopoulos<br />

Prime Minister<br />

Alexis Tsipras<br />

Hungary<br />

President<br />

János Áder<br />

Prime Minister<br />

Viktor Orbán<br />

Ireland<br />

President<br />

Michael D. Higgins<br />

Taoiseach<br />

Enda Kenny<br />

Italy<br />

President<br />

Sergio Mattarella<br />

Prime Minister<br />

Matteo Renzi<br />

Latvia<br />

President<br />

Raimonds Vējonis<br />

Prime Minister<br />

Māris Kučinskis<br />

Lithuania<br />

President<br />

Dalia Grybauskaitė<br />

Prime Minister<br />

Algirdas Butkevičius<br />

Luxembourg<br />

HRH Grand Duke Henri<br />

Prime Minister<br />

Xavier Bettel<br />

Malta<br />

ident<br />

rie Louise<br />

eiro Preca<br />

Prime Minister<br />

Joseph Muscat<br />

Netherlands<br />

HRH Princess Beatrix<br />

Prime Minister<br />

Mark Rutte<br />

Poland<br />

President<br />

uda<br />

r<br />

dło<br />

Portugal<br />

President<br />

Marcelo Rebelo de Sousa<br />

Prime Minister<br />

António Costa<br />

Romania<br />

President<br />

Klaus Iohannis<br />

Prime Minister<br />

Dacian Ciolos<br />

Slovakia<br />

President<br />

Andrej Kiska<br />

Prime Minister<br />

Robert Fico<br />

Slovenia<br />

President<br />

Borut Pahor<br />

Prime Minister<br />

Miro Cerar<br />

pain<br />

HM King Felipe VI<br />

Prime Minister<br />

Mariano Rajoy Brey<br />

Sweden<br />

HM King Carl XVI Gustaf<br />

Prime Minister<br />

Stefan Löfven<br />

United Kingdom<br />

HM Queen Elizabeth II<br />

Prime Minister<br />

David Cameron<br />

Honorary Committees<br />

Austria<br />

Cyprus<br />

France<br />

Italy<br />

Poland<br />

Spain<br />

EUYO > HONORARY PATRONS / COMMITTEES<br />

36<br />

Thomas Drozda<br />

Federal Minister for Arts<br />

and Culture, Constitutional<br />

Affairs and Media<br />

Sebastian Kurz<br />

Federal Minister for Europe,<br />

Integration and Foreign Affairs<br />

Sonja Hammerschmid<br />

Federal Minister for<br />

Education and Women<br />

Belgium<br />

Sven Gatz<br />

Flemish Minister for<br />

Culture, the Media, Youth<br />

and Brussels Affairs<br />

Joëlle Milquet<br />

Vice Minister President of the<br />

French-speaking Community<br />

and Minister responsible<br />

for education, culture and<br />

childhood for the Frenchspeaking<br />

Community<br />

Isabelle Weykmans<br />

Minister for Culture,<br />

Employment and <strong>Tour</strong>ism<br />

Didier Reynders<br />

Deputy Prime Minister and<br />

Minister of Foregin Affairs<br />

and European Affairs<br />

Bulgaria<br />

Daniel Pavolv Mitov<br />

Minister of Foreign Affairs<br />

Vezhdi Letif Rashidov<br />

Minister of Culture<br />

Croatia<br />

Predrag Šustar<br />

Minister of Science,<br />

Education and Sports<br />

Zlatko Hasanbegović<br />

Minister of Culture<br />

Miro Kovač<br />

Minister of Foreign and<br />

European Affairs<br />

Ioannis Kasoulides<br />

Minister of Foreign Affairs<br />

Costas Kadis<br />

Minister of Education and Culture<br />

Czech Republic<br />

Lubomír Zaorálek<br />

Foreign Minister<br />

Kateřina Valachová<br />

Minister for Education,<br />

Youth and Sport<br />

Petr Drulák<br />

Deputy Minister of<br />

Foreign Affairs<br />

Denmark<br />

Bertel Haarder<br />

Minister of Culture<br />

Kristian Jensen<br />

Minister for Foreign Affairs<br />

Estonia<br />

Marina Kaljurand<br />

Minister of Foreign Affairs<br />

Indrek Saar<br />

Minister of Culture<br />

Jürgen Ligi<br />

Minister of Education<br />

and Research<br />

Finland<br />

Sanni Grahn-Laasonen<br />

Minister of Culture and Education<br />

Timo Soini<br />

Minister for Foreign Affairs<br />

Lenita Toivakka<br />

Minister for Foreign Trade<br />

and Development<br />

Jean-Marc Ayrault<br />

Foreign Minister<br />

Audrey Azoulay<br />

Minister of Culture and<br />

Communication<br />

Germany<br />

Monika Grütters<br />

Federal Government<br />

Commissioner for Culture<br />

and the Media<br />

Manuela Schwesig<br />

Federal Minister of Family<br />

Affairs, Senior Citizens,<br />

Women and Youth<br />

Frank-Walter Steinmeier<br />

Federal Minister for<br />

Foreign Affairs<br />

Greece<br />

Aristeidis Mpaltas<br />

Minister of Culture and Sports<br />

Athanasia<br />

Anagnostopoulou<br />

Deputy Minister for Education,<br />

Research and Religious Affairs<br />

Nikos Kotzias<br />

Minister of Foreign Affairs<br />

Hungary<br />

Péter Szijjártó<br />

Minister of Foreign<br />

Affairs and Trade<br />

Zoltán Balog<br />

Minister of Human Capacities<br />

Ireland<br />

Heather Humphreys<br />

Minister for Arts, Heritage<br />

and the Gaeltacht<br />

Charles Flanagan<br />

Minister for Foreign<br />

Affairs and Trade<br />

Paschal Donohoe<br />

Minister for Transport,<br />

<strong>Tour</strong>ism and Sport<br />

Paolo Gentiloni<br />

Minister of Foreign Affairs and<br />

International Cooperation<br />

Dario Franceschini<br />

Minister of Heritage and<br />

Cultural Activities and <strong>Tour</strong>ism<br />

Latvia<br />

Dace Melbārde<br />

Minister of Culture<br />

Edgards Rinkěvičs<br />

Minister for Foreign Affairs<br />

Lithuania<br />

Šarūnas Birutis<br />

Minister of Culture<br />

Linas Antanas<br />

Linkevičius<br />

Minister of Foreign Affairs<br />

Luxembourg<br />

Xavier Bettel<br />

Prime Minister, Minister<br />

of Culture<br />

Guy Arendt<br />

Secretary of State for Culture<br />

Jean Asselborn<br />

Minister for Foreign Affairs<br />

Malta<br />

Owen Bonnici<br />

Minister for Justice, Culture<br />

and Local Government<br />

Evarist Bartolo<br />

Minister for Education<br />

and Employment<br />

Netherlands<br />

Bert Koenders<br />

Minister of Foreign Affairs<br />

Jet Bussemaker<br />

Minister for Education,<br />

Culture and Science<br />

Witold Waszczykowski<br />

Minister of Foreign Affairs<br />

prof. dr hab. Piotr Gliński<br />

Deputy Prime Minister, Minister<br />

of Culture and National Heritage<br />

Portugal<br />

Miguel Honrado<br />

Secretary of State for Culture<br />

Luís Filipe de Castro<br />

Mendes<br />

Minister of Culture<br />

Augusto Santos Silva<br />

Minister of Foreign Affairs<br />

Romania<br />

Lazăr Comănescu<br />

Minister of Foreign Affairs<br />

Aura Carmen Răducu<br />

Minister of European Funds<br />

Vlad Alexandrescu<br />

Minister of Culture<br />

Slovakia<br />

Miroslav Lajčák<br />

Minister of Foreign Affairs<br />

Marek Mad’arič<br />

Minister of Culture<br />

Slovenia<br />

Tone Peršak<br />

Minister of Culture<br />

Karl Erjavec<br />

Minister for Foreign Affairs<br />

Iñigo Méndez<br />

de Vigo y Montojo<br />

Minister of Education,<br />

Culture and Sports<br />

José Manuel García-<br />

Margallo y Marfil<br />

Minister of Foreign Affairs<br />

and Cooperation<br />

Sweden<br />

Margot Wallström<br />

Minister for Foreign Affairs<br />

Alice Bah Kuhnke<br />

Minister of Culture<br />

and Democracy<br />

United Kingdom<br />

Philip Hammond<br />

Secretary of State for Foreign<br />

and Commonwealth Affairs<br />

John Whittingdale<br />

Secretary of State for<br />

Culture, Media and Sport<br />

David Lidington<br />

Minister for Europe<br />

Ed Vaizey<br />

Minister of State for Culture<br />

and the Digital Economy<br />

Baroness Rawlings of<br />

Burnham Westgate


National Associates<br />

Austria<br />

Wiener Jeunesse Orchester<br />

Renate Böck<br />

Estonia<br />

Eesti Muusika – ja Teatriakadeemia<br />

Kai Kiiv<br />

Latvia<br />

Jāzepa Vītola Latvijas Mūzikas akadēmija<br />

Maija Sīpola<br />

gal<br />

l das Artes<br />

Carlos Moura-Carvalho<br />

Belgium<br />

BOZAR<br />

Ulrich Hauschild<br />

garia<br />

School of Music Lyubomir Pipkov<br />

hi Arnaoudov<br />

atia<br />

Jeunesses Musicales Croatia<br />

Mira Surjak<br />

Cyprus<br />

Cyprus Symphony Orchestra Foundation (CSOF)<br />

Egly Pantelakis<br />

Board President<br />

Czech Republic<br />

ARS/KONCERT, / spol. s. ro.<br />

Lenka Šimečková<br />

Denmark<br />

Det Kongelige Danske Musikkonservatorium<br />

Jakob Errboe Holtze<br />

Finland<br />

Sibelius-Akatemia<br />

Anna Rombach<br />

France<br />

Orchestre Français des Jeunes<br />

Pierre Barrois<br />

Germany<br />

Hochschule für Musik Hanns Eisler Berlin<br />

Prof. Robert Ehrlich<br />

Greece<br />

Thessaloniki Concert Hall<br />

George-Emmanuel Lazaridis<br />

Hungary<br />

Kreatív Európa Nonprofit Kft.<br />

Gábor Mondik<br />

Ireland<br />

National Youth Orchestra of Ireland<br />

Carol-Ann McKenna<br />

Italy<br />

RAI<br />

Mihaela Liliana Schefer<br />

Lithuania<br />

Lietuvos muzikos ir teatro akademija<br />

Giedrė Antanavičienė<br />

Mindaugas Kazlauskas<br />

Interim Contact<br />

Luxembourg<br />

Ministère de la Culture<br />

Marco Battistella<br />

Malta<br />

Philharmonic Orchestra<br />

a Blanco<br />

Netherlands<br />

NJO<br />

Miranda van Drie<br />

Poland<br />

Department of Artistic Schools<br />

and Cultural Education, Ministry of<br />

Culture and National Heritage<br />

Eliza Kujan<br />

Romania<br />

Romanian Cultural Institute (RCI)<br />

Irina Iacob<br />

Slovakia<br />

Music Centre Slovakia<br />

Igor Valentovič<br />

Slovenia<br />

a, Department of<br />

uction<br />

ak<br />

Subdireccion General de Musica y Danza,<br />

Ministerio de Educación, Cultura y Deporte<br />

José Rodriguez del Pino<br />

Sweden<br />

Academy of Music<br />

and Drama, University of Gothenburg<br />

Tobias Granmo<br />

United Kingdom<br />

National Youth Orchestra of Great Britain<br />

Sarah Alexander<br />

Capital Sounds – National Guest Performers<br />

Capital Sounds – National Guest Speakers<br />

Bratislava<br />

Slovensky Mládežnícky<br />

Orchester<br />

An orchestra of the finest young<br />

musicians in Slovakia aged 16-28<br />

years, being formed as Slovakia’s<br />

national youth orchestra by Music<br />

Centre Slovakia, with the assistance<br />

and inspiration of the EUYO.<br />

Ljublijana<br />

Duo Scaramouche<br />

Duo Scaramouche, Neža Koželj<br />

and Nadja Rus, are an acclaimed<br />

Slovenian piano duo taught by<br />

Professor Miha Haas. Neža Koželj<br />

and Nadja Rus are students of<br />

Professor Hinko Haas at the<br />

Academy of music in Ljubljana and<br />

have studied extensively abroad.<br />

They have twice been gold medal<br />

and first prize winners in the<br />

Slovenian state competition.<br />

Warsaw<br />

I, Culture Orchestra<br />

I, CULTURE Orchestra consists<br />

of outstanding young musicians<br />

from Poland and the Eastern<br />

Partnership countries. Formed<br />

in 2011 by the Adam Mickiewicz<br />

Institute – a state founded cultural<br />

institution dedicated to promote<br />

Polish culture worldwide, the<br />

Orchestra exists to use the act<br />

of performing music to bring<br />

together people from these<br />

countries. By rehearsing and<br />

performing together these young<br />

musicians communicate and learn<br />

to trust each other in ways that<br />

resonate beyond the concert hall.<br />

Berlin<br />

Vision String Quartet<br />

Founded in 2012, this is a unique<br />

quartet that plays original<br />

compositions and arrangements of<br />

many different styles, as well as the<br />

conventional, classical literature.<br />

The quartet won the <strong>2016</strong><br />

Mendelssohn Prize and comprises<br />

Jakob Encke (violin), Daniel Stoll<br />

(violin), Leonard Disselhorst<br />

(cello) and Sander Stuart (viola).<br />

Amsterdam<br />

The Leerorkest<br />

The Leerorkest is an innovative<br />

music education programme in<br />

which every child gets the chance<br />

to learn a musical instrument at<br />

school. The Stichting Leerorkest<br />

(Leerorkest Foundation)<br />

provides the organisational<br />

and pedagogical structure for<br />

the Leerorkest orchestras in<br />

Amsterdam and in several other<br />

cities in Holland and Belgium. As<br />

of <strong>2016</strong> there were 36 orchestras<br />

active in Amsterdam, involving<br />

18 primary schools and 3 high<br />

schools from all across the city.<br />

Bratislava –<br />

Mrs Alžbeta Rajterová<br />

Widow of composer and conductor<br />

Ľudovít Rajter, whose Suite<br />

Miniature shall be the opening<br />

piece of the EUYO concert<br />

and a champion of the Arts.<br />

Ljubljana –<br />

Mitja Bervar,<br />

President of the<br />

National Council of the<br />

Republic of Slovenia<br />

Warsaw –<br />

Dr Artur Szklener,<br />

Director of the Fryderyk<br />

Chopin Institute<br />

Since 1997 Artur Szklener<br />

has taught at the Institute of<br />

Musicology of the Jagiellonian<br />

University and since 2001<br />

has been associated with the<br />

Fryderyk Chopin Institute in<br />

Warsaw as Research Program<br />

Coordinator, Deputy Director<br />

for Research and Publishing,<br />

and since 2012, its Director.<br />

Berlin<br />

Federal Government<br />

Commissioner for<br />

Culture and Media,<br />

Monika Grütters<br />

The Federal Government<br />

Commissioner for Culture<br />

and Media, a member of the<br />

Parliament of the Federal Republic<br />

of Germany, and Chairman of<br />

the Committee for Culture and<br />

Media from 2009 until 2013.<br />

Amsterdam<br />

Geert Mak<br />

Geert Mak is a Dutch journalist<br />

and a non-fiction writer in the field<br />

of history. His ten books about<br />

Amsterdam, Netherlands and<br />

Europe have earned him great<br />

popularity. Geert Mak participates<br />

actively in Dutch public debate, as<br />

a staunch defender of the values<br />

of an open and tolerant society.<br />

EUYO > NATIONAL ASSOCIATES<br />

37


Partners, supporters<br />

and friends<br />

The European Union Youth Orchestra wishes to thank the 28 EU Member States, as well as its<br />

residency hosts, Principal Corporate Partner, other corporate collaborators, trusts, foundations<br />

and individuals, whose support is invaluable in helping the Orchestra achieve its mission.<br />

apple<br />

REPUBLIC OF SLOVENIA<br />

MINISTRY OF CULTURE<br />

EUYO > PARTNERS, SUPPORTERS AND FRIENDS<br />

38<br />

Principal Corporate Partner<br />

Principal Venue Partner


Residency<br />

Partner<br />

Global<br />

Associates<br />

Orchestra Associate Partners<br />

Network Associate Partners<br />

Trusts / Foundations<br />

Friends of the EUYO<br />

Angus Allnatt Charitable Foundation<br />

Bellinger-Donnay Charitable Trust<br />

Kirby Laing Foundation<br />

The Lynn Foundation<br />

Modiano Charitable Trust<br />

The Samuel Gardner Memorial Trust<br />

Maestro Vladimir Ashkenazy<br />

Sir Harold and Lady Atcherley<br />

Tania Bryer<br />

Dirk Engelmann<br />

Friends of Clumber Studios<br />

Peter and Cynthia Hardy<br />

Maestro Gianandrea Noseda<br />

Dr Onno Ruding<br />

Claude Wasserstein<br />

Dame Mary Archer<br />

Fred and Marianne Emery<br />

Derek Gleeson<br />

Dr Eckhart von Hahn<br />

David Heald Edna Laird<br />

Franz Mikorey<br />

Argirios Vainas<br />

Nicola Wallis<br />

Rien de Reede<br />

Stefania Cora<br />

David Ramos<br />

Clara de la Torre<br />

Henry Wickens<br />

William Palmer<br />

Lianne Hackett<br />

Marko Kassenaar<br />

Peter Ahrens<br />

Michele Sanzo<br />

Colin Currie (percussion instruments)<br />

The EUYO would also like to thank those<br />

organisation and individuals who wish to<br />

remain anonymous<br />

EUYO > PARTNERS, SUPPORTERS AND FRIENDS<br />

39


Governance<br />

Trustees, Board<br />

and Management<br />

CO-FOUNDER<br />

& PRESIDENT<br />

Joy Bryer<br />

TRUSTEES<br />

Co-Chairman<br />

Ian Stoutzker CBE<br />

ORCHESTRA BOARD<br />

Chair<br />

Ian Stoutzker CBE<br />

EXECUTIVE<br />

Chief Executive<br />

Marshall Marcus<br />

Librarian & IT Manager<br />

Chris Turner<br />

TOURING STAFF<br />

<strong>Tour</strong> Manager<br />

Colin Window<br />

CHIEF CONDUCTOR<br />

Vasily Petrenko<br />

CONDUCTOR<br />

LAUREATE<br />

Bernard Haitink CH,KBE<br />

FOUNDING MUSIC<br />

DIRECTOR<br />

Claudio Abbado<br />

Sir John Tusa<br />

Lesley King-Lewis<br />

Anthony Sargent CBE<br />

Martijn Sanders<br />

Ilaria Borletti Buitoni<br />

Trustee Emeritus<br />

Robert Albert<br />

Sir John Tusa<br />

Anthony Sargent CBE<br />

Martijn Sanders<br />

Marshall Marcus<br />

ADVISORY BOARD<br />

Chair<br />

Étienne Davignon<br />

Tassilo<br />

Metternich-Sándor<br />

Executive &<br />

Finance Manager<br />

Riitta Hirvonen<br />

Development &<br />

Communications Manager<br />

Charlotte Hamilton<br />

Projects &<br />

Orchestra Manager<br />

Christina Hemmer<br />

Development Officer<br />

Marianne Wright<br />

Partnership Coordinator,<br />

Towards 2020<br />

Nicolas Klimis<br />

Executive Assistant<br />

Carol Cristiani<br />

Bookkeeper<br />

Mei-Mei Siew<br />

Stage Management<br />

Zoe Fagg<br />

Transport Manager<br />

Max van Duuren<br />

Nurse<br />

Christine Phelps<br />

Communications Assistant<br />

Charlotte Pearce<br />

Keep in touch<br />

EUYO<br />

@euyotweets<br />

EUYOVideo<br />

EUYO > GOVERNANCE<br />

www.euyo.eu<br />

40


Bright Days.<br />

Unplugged Nights.<br />

Music Lovers Welcome<br />

Autumn <strong>2016</strong>: Renovated Conference Spaces<br />

189 Rooms | 2 Restaurants | Bar | Wellness Center<br />

www.fourpointsbolzano.it #fourpointsbolzano<br />

matthias.perathoner@fourpointsbolzano.it<br />

+39 0471 1950000


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For forty years the EUYO has united the<br />

most talented young musicians from<br />

the EU’s member states in an orchestra<br />

that transcends social, economic<br />

and political boundaries in pursuit<br />

of the highest levels of orchestral<br />

playing, artistic excellence and cultural<br />

understanding, aiming, in the process,<br />

to provide an example for Europe.<br />

We thank the Heads of State, Prime<br />

Ministers and Ministers of Culture of<br />

all 28 EU Member States, the President<br />

of the European Commission, the<br />

President of the European Parliament<br />

and the High Representative of<br />

the Union for Foreign Affairs and<br />

Security Policy, without whom our<br />

performances would not be possible.

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