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Very Contemporary<br />

Network of Contemporary Art venues<br />

in the Meuse-Rhine Euregion


Bureau Europa, CIAP,<br />

ikob, Kunsthaus NRW,<br />

La Châtaigneraie,<br />

Ludwig Forum Aachen,<br />

Leopold-Hoesch-<br />

Museum, Marres,<br />

Museum De Domijnen,<br />

NAK, SCHUNCK*,<br />

SPACE Collection, Van<br />

Eyck & Z33 are part of<br />

Very Contemporary<br />

www.verycontemporary.org


The partners of Very Contemporary<br />

relate to each other through the<br />

language of contemporary art.<br />

Divided into five administrative regions with a total of<br />

3.9 million people, the Meuse-Rhine Euregion comprises<br />

of three countries and languages. This Euregion is not<br />

so much shaped by its political borders, but rather by its<br />

inhabitants, who redefine the borders by living, studying<br />

and working here.<br />

Die Amerikaner. John de Andrea: Dorothy, 1969/70. Ludwig Forum, 2014. Photo: Kristof Vrancken<br />

Due to the geopolitical border situation, a range of<br />

reputable institutions for contemporary art can be found<br />

in the Euregion. These institutions have in common a<br />

peripheral geographical position, situated outside such<br />

traditional cultural centres as Amsterdam, Brussels<br />

or Cologne/Düsseldorf. This has encouraged the<br />

development of an individual and innovative approach<br />

to contemporary art, one that reflects the dynamic and<br />

interwoven history of the tri-border area around Aachen,<br />

Liège and Maastricht, allowing an insight not only into<br />

the local contemporary art scene, but also into European<br />

culture and society.<br />

Very Contemporary, the network currently made up of<br />

14 Euregional contemporary art institutions, emphasizes<br />

the rich possibilities offered through the common<br />

language of art: within the field of contemporary art, the<br />

VC-network reflects on the ways of living together in a<br />

defined space, rethinking Europe on a Euregional scale.<br />

The border region of Belgium,<br />

the Netherlands and Germany<br />

is their training ground.


Very Contemporary is a<br />

tri-national, cross-border network<br />

that organises itself to learn<br />

from each other by exchanging<br />

knowledge.<br />

Within its dynamic<br />

infrastructure tools and<br />

projects are developed<br />

to connect audiences<br />

and link art to other<br />

domains including science,<br />

technology and ecology.<br />

Future Fictions. Neïl Beloufa: Nice seats and projection People's passion, lifestyle, beautiful wine, gigantic glass<br />

towers, all surrounded by water. Z33, 2014. Photo: Kristof Vrancken<br />

Very Contemporary functions as a training ground<br />

where participating institutions meet one another and<br />

learn from each other. The evolving and dynamic network<br />

provides an infrastructure where sustainable synergies<br />

are developed and generated. Through crosslinking<br />

content, marketing and art education, VC reinforces the<br />

institutions and boosts the impact of the various venues,<br />

by communicating their specific qualities and underlining<br />

their strengths.<br />

VC was founded in 2012 when the first VC-brochure<br />

including six initial partners was published on the<br />

occasion of Manifesta 9 in Genk (BE). Since then the<br />

brochure has been published twice-yearly, making the<br />

brochure you're now holding in your hands the ninth to<br />

be distributed on an euregional, national and international<br />

level. Alongside this analog tool, the VC-website<br />

www.verycontemporary.org, the monthly VC-newsletter<br />

and the social media presence of VC informs readers<br />

about current exhibitions and events.


Come Close. Jan Albers: KokusAidAwncArpet, 2012. Leopold-Hoesch-Museum, 2013. Photo: Kristof Vrancken<br />

Very-Contemporary-Weekend<br />

During the Very-Contemporary-Weekend that has already taken<br />

place for the past three years in late autumn, each institution<br />

realises art educational activities in accordance with their<br />

exhibitions, while a connection is offered between the different<br />

venues via Contemporary-Art-Bustours. The CABs offer a practical<br />

solution, since public transportation in the border region<br />

remains quite difficult. But it also goes further and effectively<br />

links audiences to new institutions, since it encourages visiting<br />

new venues on one's own terms and time. By activating crossborder<br />

exchanges, VC strengthens the cultural infrastructure of<br />

the Euregion, with the CAB acting as an already well established<br />

symbol.<br />

On Saturday 12 and Sunday 13 November <strong>2016</strong> you get<br />

a new chance to learn about the current "state of art“ in the<br />

Meuse-Rhine Euregion in just one weekend.<br />

→→<br />

→→<br />

→→<br />

A Contemporary-Art-Bus starts from every city of the<br />

VC-network.<br />

In every CAB fifty places are available on a first-come,<br />

first-served basis.<br />

Pick your Contemporary-Art-Bus on the next page.


Contemporary–Art–Bus<br />

→→<br />

Choose from which city you want to start and find<br />

out where your CAB will bring you to!<br />

→→<br />

Registration is possible from the 1st of October <strong>2016</strong><br />

on www.verycontemporary.org<br />

SATURDAY 12 NOVEMBER <strong>2016</strong><br />

SUNDAY 13 NOVEMBER <strong>2016</strong><br />

cab start venues<br />

cab start venues<br />

1 Aachen<br />

10:15<br />

→ Museum De Domijnen → Marres → Bureau Europa →<br />

La Châtagneraie<br />

11 Aachen<br />

10:15<br />

→ Leopold-Hoesch-Museum → SCHUNCK* →<br />

SPACE Collection<br />

2 Düren<br />

10:15<br />

→ Ludwig Forum → NAK → Marres → Van Eyck<br />

12 Düren<br />

10:15<br />

→ Kunsthaus NRW → Z33 → CIAP<br />

3 Eupen<br />

09:30<br />

→ Museum De Domijnen → Marres → Bureau Europa →<br />

La Châtagneraie<br />

13 Eupen<br />

09:30<br />

→ Leopold-Hoesch-Museum → SCHUNCK* →<br />

SPACE Collection<br />

4 Flémalle<br />

09:30<br />

→ CIAP → Z33 → Museum De Domijnen →<br />

Bureau Europa<br />

14 Flémalle<br />

09:45<br />

→ ikob → Ludwig Forum → Leopold-Hoesch-Museum<br />

5 Hasselt<br />

09:30<br />

→ La Châtagneraie → Bureau Europa → Van Eyck →<br />

NAK<br />

15 Hasselt<br />

10:00<br />

→ SCHUNCK* → Leopold-Hoesch-Museum → ikob<br />

6 Heerlen<br />

10:15<br />

→ Marres → Van Eyck → CIAP → Z33<br />

16 Heerlen<br />

10:45<br />

→ SPACE Collection → ikob → Kunsthaus NRW<br />

7 Kornelimünster<br />

10:00<br />

→ Museum De Domijnen → Marres → Bureau Europa →<br />

La Châtagneraie<br />

17 Kornelimünster<br />

10:00<br />

→ Leopold-Hoesch-Museum → SCHUNCK* →<br />

SPACE Collection<br />

8 Liège<br />

10:00<br />

→ CIAP → Z33 → Museum De Domijnen →<br />

Bureau Europa<br />

18 Liège<br />

10:15<br />

→ ikob → Ludwig Forum → Leopold-Hoesch-Museum<br />

9 Maastricht<br />

10:30<br />

→ La Châtagneraie → Ludwig Forum → NAK →<br />

Museum De Domijnen<br />

19 Maastricht<br />

10:00<br />

→ SPACE Collection → Kunsthaus NRW → SCHUNCK*<br />

10 Sittard<br />

09:45<br />

→ Marres → Van Eyck → CIAP → Z33<br />

20 Sittard<br />

10:15<br />

→ SPACE Collection → ikob → Kunsthaus NRW


Very Contemporary contributes<br />

to the development of the Meuse-<br />

Rhine Euregion as an international<br />

centre of expertise in the field of<br />

contemporary art.<br />

The partners of VC are currently working on a cooperative<br />

art manifestation that will function as a catalyst to establish<br />

innovative strategies for sustainable, cross-border cultural<br />

planning and organisation in the Meuse-Rhine Euregion in the<br />

long run.<br />

→<br />

Eventually, the VC-network will be transformed from a distinct<br />

network of contemporary art venues to a finely-woven and more<br />

complex sphere, by multiplying and assembling the connections<br />

of art to science, technology and ecology, with the aim to<br />

maintain and expand the network, continue with research and<br />

exchange activities carried out in the past. A sphere, that will<br />

resonate on an international level, since its inner identity will be<br />

directly linked to the quality of its external connections, posing<br />

the question whether a European identity can be formulated via<br />

a cultural vehicle.<br />

Alongside the tools that have already been implemented, several<br />

stepping stones will be set out towards functioning together as a<br />

non-hierarchical sphere with art as its interdisciplinary link:<br />

On Thursday 10 November <strong>2016</strong> the first VC-conference will<br />

take place, to which you are warmly invited.<br />

So, stay tuned for more information via the website<br />

www.verycontemporary.org<br />

and facebook www.facebook.com/verycontemporaryart<br />

Installation view. Adolf Luther: Hänge-Linsen, 1980 (top). Günther Uecker: Nagelskulptur, 1967 (floor).<br />

Leopold-Hoesch-Museum, 2003. Both works ©VG Bild-Kunst, Bonn <strong>2016</strong>. Foto: Arno Roncada


Belgium The Netherlands Very Contemporary<br />

Germany<br />

SITTARD<br />

50 min<br />

30 min<br />

HASSELT<br />

35 min<br />

30 min<br />

HEERLEN<br />

25 min<br />

35 min<br />

MAASTRICHT<br />

30 min<br />

40 min<br />

30 min<br />

20 min<br />

AACHEN<br />

20 min<br />

30 min<br />

35 min<br />

DÜREN<br />

50 min<br />

30 min<br />

KORNELIMÜNSTER<br />

30 min<br />

15 min<br />

FLÉMALLE<br />

LIÈGE<br />

30 min<br />

EUPEN<br />

The Meuse-Rhine Euregion<br />

Intercity travel time by car


Bureau Europa<br />

01.09.<strong>2016</strong><br />

01.10.<strong>2016</strong><br />

→<br />

BRONZE-GREEN OAK WOOD*<br />

From Landscape to Back Garden<br />

An exhibition on observing and depicting nature –<br />

from landscape to garden, and bio-utopia to monoculture.<br />

Opening on 1 September, nature lovers, designers, experts<br />

and the audience are invited to province images, stories,<br />

objects until the show is complete on 1 October: an experiment<br />

in crowd-sourced content of the exhibition!<br />

open<br />

Bureau Europa<br />

Timmerfabriek<br />

Boschstraat 9<br />

6211 AS Maastricht (The Netherlands)<br />

+31 43 3503020<br />

info@bureau-europa.nl<br />

www.bureau-europa.nl<br />

Wednesday → Sunday 11:00 → 17:00<br />

07.10.<strong>2016</strong><br />

09.10.<strong>2016</strong><br />

22.10.<strong>2016</strong><br />

22.01.2017<br />

This exhibition is organised in collaboration with the<br />

Centre for Environmental and Nature Education<br />

(Centrum voor Natuur en Milieu Educatie – CNME).<br />

(*) title of anthem of the Province of Limburg<br />

→<br />

DUTCH DANCE FESTIVAL<br />

Nightwalking, world of the deafblind<br />

Interdisciplinary installation (film, dance, art,<br />

theatre) exploring human, space and deaf-blind relations.<br />

By MICH Foundation, ICKAmsterdam, Ellen Blom and<br />

Marcel Prins, Sandra den Ouden, Dr Saskia Damen, and<br />

Koninklijke Kentalis and Bartiméus health centres.<br />

→<br />

MAASPARADOX<br />

Common culture in times of climate change<br />

Maasparadox is a research-based exhibition that<br />

shows the effects of climate change in the Maas region<br />

in the coming decades. Artists, designers and locals are<br />

invited to share stories and works that explore how this<br />

will change and affect our daily lives.<br />

Curators: Han Dijk and Ruben Pater. Artists among<br />

others: Maider Lopez, Ursula Biemann, Unknown Fields<br />

Division, Klaas Burger, Roderik Rotting and Koos Buist.<br />

Bureau Europa is a cultural institute, that presents exhibitions, lectures, workshops<br />

and other activities in architecture, urbanism and design. We aim to advance<br />

knowledge production and talent development in design and architecture while also<br />

engaging with a broad audience on the subject of understanding of their designed<br />

environment. We articulate these ambitions through cultural projects at our institute<br />

and in public domain. We focus primarily on a contemporary and social agenda of the<br />

Maas-Rhine Euroregion and Europe as a whole.


CIAP<br />

Rossella Biscotti, Acquired Nationality, 2014, courtesy the artist and Wilfriend Lentz Rotterdam<br />

29.06.<strong>2016</strong> → SOFT STRUCTURES – TEXTILE TURNS<br />

02.10.<strong>2016</strong> Textiles are important in the contemporary art<br />

world, perhaps as never before. The current shifts or turns<br />

in the use of textiles deal less with material aspects of<br />

the medium than with the temporal folds of concepts,<br />

metaphors, societies and economies. Textiles – ‘soft structures’<br />

– have played an important role in economical and<br />

colonial history. As markers of trade they have intervened<br />

in the ‘hard structures’ of capital and politics, and they<br />

have initiated fundamental changes on social and economic<br />

levels. Textiles tell stories of commerce, of labour, of<br />

capitalism, of digital and social networks.<br />

Curator: Evelien Bracke<br />

Artists: Rossella Biscotti (IT), Sarah Browne (IE), Hana<br />

Miletic (BE/HR), Emilie Pallard (FR) & Niels Heymans<br />

(NL), Judith Raum (DE), Remco Torenbosch (NL), Vincent<br />

Vulsma (NL)<br />

26.10.<strong>2016</strong><br />

08.01.2017<br />

→ DRAWING IS THINKING, THINKING IS MOVING<br />

Drawing is Thinking, Thinking is Moving’, a group<br />

show investigating the role of drawings in the genesis of<br />

images. It questions the relevance, range and meaning of<br />

the often made analogies between drawing and thinking.<br />

01.09.<strong>2016</strong><br />

02.10.<strong>2016</strong><br />

→ THE CABINET - WILLIAM LUDWIG LUTGENS<br />

'The Cabinet' gives emerging artist the opportunity<br />

to present their work at CIAP for one month. A new Cabinet<br />

opens every first Thursday of the month.<br />

open<br />

CIAP<br />

Lombaardstraat 23<br />

3500 Hasselt (Belgium)<br />

+32 11 22 53 21<br />

info@ciap.be<br />

www.ciap.be<br />

Wednesday → Friday 11:00 → 18:00<br />

Saturday → Sunday 13:00 → 17:00<br />

CIAP is an independent association for contemporary art. CIAP was founded in<br />

1976 and its operating methods are very comparable to the German model of the<br />

Kunstverein, a model that is not well known in Flanders. CIAP aims to respond to the<br />

local art scene in a 2-way direction, on the one hand by presenting form within the<br />

local context towards a larger (eu)regional public and on the other hand by boosting<br />

the local artists, art-professionals and public by showing innovative international<br />

artistic developments.


ikob<br />

Jean Guillaume Ferrée - les lancumes lamplir, 1974-2005, (c) Dirk Dietrich Hennig<br />

10.08.<strong>2016</strong><br />

20.11.<strong>2016</strong><br />

10.08.<strong>2016</strong><br />

20.11.<strong>2016</strong><br />

→<br />

DIRK DIETRICH HENNIG<br />

JAMAIS-VU – JEAN GUILLAUME FERRÉE<br />

ikob - Museum of Contemporary Art in Eupen<br />

presents the unjustly forgotten œuvre of Jean Guillaume<br />

Ferrée (1926-1974). The discovery of this artist, who<br />

worked within the vivid circles of FLUXUS and Nouveau<br />

Realisme, would have been an art historical sensation<br />

and the visitors would have met one of the most dazzling<br />

artists of the 20th century - if - but only if - this artist<br />

had been living in reality. In fact, he is an invention of the<br />

German artist Dirk Dietrich Hennig, who invented life,<br />

works and reception of Jean Guillaume Ferrée with all its<br />

tiny little details.<br />

→<br />

ROGER GREISCH<br />

99 YEARS – 99 COLOURS<br />

Roger Greisch who would have been aged 99 this<br />

year is one of the best known and most popular painters<br />

in East Belgium. His art is until today marked by the presence<br />

of colours which he used to make both abstract and<br />

figurative works while cultivating a language of colour of<br />

his own.<br />

open<br />

ikob<br />

Museum für Zeitgenössische Kunst<br />

Rotenberg 12 B<br />

4700 Eupen (Belgium)<br />

+32 87 56 01 10<br />

info@ikob.be<br />

www.ikob.be<br />

Wednesday → Sunday 13:00 → 18:00<br />

2017<br />

→ For 2017 ikob – Museum of Contemporary<br />

Art announces a theme for its exhibition program:<br />

RESSENTIMENTS. Ressentiments – resentment/s in<br />

English – will be elaborated in political terms as well as<br />

in terms of aesthetics, i.e. artistic practices. It is of course<br />

a topic especially relevant to today's society. Yet the focus<br />

is less on aspects of racism and discrimination but on<br />

resentment as a common denominator in interpersonal<br />

relations.<br />

The ikob – Museum of Contemporary Art in Eupen is located in the German- speaking<br />

part of Belgium, close to the German and the Dutch border. Its program focuses<br />

on emerging and leading contemporary art through the constitution of a significant<br />

collection (in progress) and temporary exhibitions (in dialogue). Functioning as a<br />

discursive platform for contemporary art with its multidisciplinary and thematic<br />

exhibition program and concerned with critical and socio-political issues, the ikob<br />

attempts to reflect the matter of the frontier.


Kunsthaus NRW Kornelimünster<br />

YouandMe, a photography project by Katja Stuke and Oliver Sieber, 2014, © The artists<br />

08.10.<strong>2016</strong> → COLLECTION WITH LOSE ENDS: IDENTITIES<br />

24.09.2017 The new presentation of the collection follows the<br />

theme of identity, identities of territories, of personalities,<br />

of languages and the state of NRW. With works by<br />

Heinrich Campendonk, Bernd and Hilla Becher, Max<br />

Ernst, Manuel Graf, Andreas Gursky, Mischa Kuball,<br />

Ewald Mataré, Walter Ophey, Albert Renger-Patzsch,<br />

Gerhard Richter, Christian Rohlfs, Eberhard Viegener,<br />

Johannes Wohnseifer.<br />

08.10.<strong>2016</strong><br />

22.01.2017<br />

→ YOUANDME<br />

A photography project by Katja Stuke and Oliver<br />

Sieber between Bosnia, Germany and the US.<br />

08.10.<strong>2016</strong><br />

22.01.2017<br />

→ PLUS QUE MOI – JOSEFINE REISCH<br />

Painted Cuts for a Country Star, a Collector, a<br />

Doctor and a former Revolutionist.<br />

open<br />

Kunsthaus NRW Kornelimünster<br />

Abteigarten 6<br />

52076 Aachen (Germany)<br />

+49 2408 6492<br />

info@kunsthaus.nrw.de<br />

www.kunsthaus.nrw.de<br />

Thursday → Saturday 14:00 → 18:00<br />

Sunday & Public Holidays 12:00 → 18:00<br />

The exhibition program of the Kunsthaus NRW Kornelimünster offers an insight into<br />

North Rhine-Westphalia’s current and future art scene. Since 1948, North Rhine-Westphalia<br />

has been purchasing works by young artists to support them. Today, the collection<br />

numbers 4000 works, documenting the history of North Rhine-Westphalia’s art to<br />

the immediate present day. The collection is hosted in the baroque palace building of<br />

the old Abbey of Kornelimünster.


La Châtaigneraie<br />

BOVY Olivier<br />

17.09.<strong>2016</strong> → ARTS & METALS<br />

16.10.<strong>2016</strong> Nicolas KOZAKIS (B) - Raoul VANEIGEM (F) -<br />

Chantal HARDY (B) - Alain DE CLERCK (B) - Paul GEES<br />

(B) - Stief DESMET (B) - Frans DAELS (B).<br />

The <strong>2016</strong> edition of “Arts & Metals - contemporary trilogy”<br />

invites sculptural artists working with metal. Thanks<br />

to their artistic approach, they will create works marked<br />

by questioning and poetry.<br />

29.10.<strong>2016</strong><br />

09.12.<strong>2016</strong><br />

→<br />

DOMINIQUE CASTRONOVO AND<br />

BERNARD SECONDINI<br />

La Châtaigneraie offers a "carte blanche" to these<br />

two artists who produce together video works for many<br />

years. Dominique Castronovo is also a professor at the<br />

Academy of Fine Arts in Liege (E.S.A.V.L.).<br />

open<br />

Centre wallon d’art contemporain<br />

La Châtaigneraie<br />

Chaussée de Ramioul 19<br />

4400 Flémalle (Belgium)<br />

+32 4 275 33 30<br />

chataigneraie@cwac.be<br />

www.cwac.be<br />

Tuesday 14:00 → 17:00<br />

Wednesday 14:00 → 18:00<br />

Friday → Sunday 14:00 → 18:00<br />

Set up in 1979, La Châtaigneraie occupies a small manor house (1830-1840) bordered<br />

by age-old chestnut trees. Exhibitions range from a retrospective of a historical nature<br />

to the most contemporary expression, passing through all the techniques. In this way,<br />

La Châtaigneraie confirms its vocation as a place for promoting artists as well as the<br />

wish to create a place for meetings and awareness. The Centre publishes historical<br />

works and monographs.


Leopold-Hoesch-Museum Düren<br />

open<br />

Leopold-Hoesch-Museum<br />

& Papiermuseum Düren<br />

Hoeschplatz 1<br />

52349 Düren (Germany)<br />

+49 2421 252561<br />

museum@dueren.de<br />

www.leopoldhoeschmuseum.de<br />

Tuesday → Sunday 10:00 → 17:00<br />

Thursday 10:00 → 19:00<br />

Installation view, Gregor Schneider, Marienstrasse, 2010, Leopold-Hoesch-Museum & Papiermuseum Düren © VG Bild-Kunst Bonn <strong>2016</strong><br />

04.09.<strong>2016</strong><br />

20.11.<strong>2016</strong><br />

PRIZE-WINNER AND SCHOLARSHIP-HOLDERS OF<br />

THE GÜNTHER PEILL FOUNDATION 2014–<strong>2016</strong><br />

We are pleased to present international artists from<br />

the current grant program of the Günther Peill Foundation,<br />

with works especially conceived for this autumn’s<br />

show. Elfgen and Hamadeh’s exhibitions will be accompanied<br />

by a catalogue.<br />

− Haris Epaminonda. VOL.XVIII<br />

− Robert Elfgen. Strandspaziergang<br />

− Rana Hamadeh. The Sleepwalkers<br />

04.09.<strong>2016</strong> → GÜNTHER PEILL FOUNDATION 1986–<strong>2016</strong><br />

20.11.<strong>2016</strong> Carola Peill (1907–1992) and Günther Peill<br />

(1908–1974) were important collectors and patrons of<br />

Düren. Founded in 1986, the Günther Peill Foundation is<br />

dedicated to promoting young artists. Celebrating its 30th<br />

anniversary, the Leopold-Hoesch-Museum presents an<br />

overview of the past three decades, including works by<br />

Saâdane Afif, Leni Hoffmann and Gregor Schneider.<br />

04.12.<strong>2016</strong><br />

19.03.2017<br />

→<br />

→<br />

UNSERE WERTE? PROVENIENZFORSCHUNG IM<br />

DIALOG: LEOPOLD-HOESCH-MUSEUM UND DAS<br />

WALLRAF<br />

Together with the Wallraf-Richartz-Museum in<br />

Cologne, the Leopold-Hoesch-Museum will present a joint<br />

exhibition dealing with provenance research. With the<br />

Washington Principles of 1998, a pledge was made to seek<br />

solutions for restituting works found to have been confiscated<br />

through persecution under the National Socialist<br />

regime. The results of this research project are brought<br />

together in this year’s winter exhibition.<br />

Founded in 1905, the Leopold-Hoesch-Museum and its new extension, completed in<br />

2010 by the architect Peter Kulka, features collections of modern works, including<br />

examples of ZERO and Concrete Art from the Hubertus Schoeller Foundation and<br />

contemporary positions from the Günter Peill Foundation. United under a dual museum<br />

concept, the Leopold-Hoesch-Museum and the Papiermuseum Düren have formed<br />

a globally-oriented platform for showcasing contemporary art in the 21st century and<br />

the cultural history of paper in form of interdisciplinary exhibitions.


Ludwig Forum Aachen<br />

Mies van der Rohe, Resor House, 1937-1941. Copyright <strong>2016</strong>. MoMA, New York, Scala, Florence.<br />

28.10.<strong>2016</strong> → MIES VAN DER ROHE. THE MoMA COLLAGES<br />

12.02.2017 A vast number of collages and photomontages by<br />

the Aachen born artist will be shown for the first time.<br />

They illustrate in a fascinating way his design principles<br />

and at the same time constitute an autonomous body of<br />

work. Influenced by Dada, Constructivism, and De Stijl,<br />

Mies applied new techniques to visualize his artistic ideas.<br />

These references, as well as contemporary positions will<br />

play a vital role in the exhibition. In addition there is an<br />

extensive framework program.<br />

09.10.<strong>2016</strong><br />

27.11.<strong>2016</strong><br />

→<br />

PERSPECTIVE 04<br />

TIMO SEBER – GO<br />

For the exhibition series “perspective” the research<br />

project Plattform Aachen at Ludwig Forum invites young<br />

artists from the Meuse-Rhine region. Timo Seber (*1984,<br />

Cologne) combines objects, graphics and text to visualize<br />

phenomena from online gaming and internet culture.<br />

Especially for the Ludwig Forum he develops a site-specific<br />

work.<br />

open<br />

Ludwig Forum Aachen<br />

Jülicher Str. 97-109<br />

52070 Aachen (Germany)<br />

+49 241 1807 104<br />

info@ludwigforum.de<br />

www.ludwigforum.de<br />

Tuesday → Friday 12:00 → 18:00<br />

Thursday 12:00 → 20:00<br />

Saturday → Sunday 11:00 → 18:00<br />

09.10.<strong>2016</strong> → ZEITSPRUNG – KUNSTORTE IN AACHEN SEIT 1964<br />

12.02.2017 The research project Plattform Aachen invites you<br />

on an exploration tour through the city of Aachen. The<br />

exhibition accompanies the launch of the interactive map<br />

“Zeitsprung” that shows places where important exhibitions,<br />

actions and events of contemporary art since the first<br />

Fluxus action in 1964 took place.<br />

The Ludwig Forum Aachen is a multi-genre house for international contemporary art.<br />

It bases on the art collection of Peter and Irene Ludwig that comprises key works of<br />

American Pop Art, Photo Realism and European art from the beginning 1960s to the<br />

present. This is the starting point for an attractive exhibition program. Art education<br />

offers many activities and guided tours for all ages and types of groups, available in<br />

Dutch, French and English. Contact Karl-Heinz Jeiter +49 241 1807 115, Email Karl-<br />

Heinz.Jeiter@mail.aachen.de


Marres<br />

Mircea Cantor, Tracking Happiness, 2009, super 16mm transfer<br />

25.09.<strong>2016</strong> → THE MEASURE OF OUR TRAVELING FEET<br />

27.11.<strong>2016</strong> The exhibition The Measure of our Traveling Feet,<br />

provides a running commentary on the social and cultural<br />

significance of migration. What does the world on the<br />

other side of the border offer? In what way changes travelling<br />

the past and identities?<br />

Participating artists include: Paulien Oltheten, Zsófia<br />

Szemző, Tudor Bratu, Shilpa Gupta, Société Réaliste and<br />

Wouter Osterholt, Mounira Al Solh.<br />

Curators: Laura Mudde and Claire van Els.<br />

14.12.<strong>2016</strong> → MARRES CURRENTS #4<br />

12.02.2017 Marres Currents #4 is the fourth episode of the<br />

annual exhibition series titled Marres Currents. With this<br />

series, Marres presents recent graduates from art academies<br />

in the Southern Netherlands, Belgium and Germany.<br />

While offering emerging artists and curators a platform,<br />

Marres also aims to build an international infrastructure<br />

for talent development. Curated by Barbara Cueto and Bas<br />

Hendrikx.<br />

open<br />

Marres<br />

House for Contemporary Culture<br />

Capucijnenstraat 98<br />

6211 RT Maastricht (The Netherlands)<br />

+31 43 327 0207<br />

info@marres.org<br />

www.marres.org<br />

Tuesday → Sunday 12:00 → 17:00<br />

Marres is a house for contemporary culture in Maastricht. Marres initiates and shows<br />

a variety of contemporary artistic practices with a strong emphasis on the senses. It<br />

works with visual artists, perfume makers, composers, herbalists, memory experts and<br />

cooks. In Marres, artists sing the landscape, draw taste, let us feel music, and touch<br />

our minds. In addition to exhibition spaces, Marres offers its visitors also a restaurant<br />

(Marres Kitchen) and a beautiful garden.


Museum De Domijnen<br />

London Calling<br />

04.09.<strong>2016</strong> → COLLECTION IN ACTION<br />

04.12.<strong>2016</strong> The first exhibition of contemporary art De<br />

Domijnen in the new Ligne building will be a retrospective<br />

(a selection) of the complete Sittard-Geleen collection<br />

which consists more than 1.100 pieces from the last<br />

decades from names as Marijke van Warmerdam, Norbert<br />

Fiddlers, Joan van Barneveld, Suchan Kinoshita, Liza May<br />

Post, Pipilotti Rist, The Yes Men, Basia Irland and many<br />

others. It will be a very interactive set up in which art is<br />

unpacked and unrevealed by employees and visitors.<br />

Visitors can advise about the set-up of the exhibition.<br />

Art will be restored live in the hall. Artists are asked<br />

to comment, reflect and discuss their ‘old’ art with the<br />

visors. What is actual or what has changed. Also there are<br />

meetings, workshops etc. in the exhibition area. Amateur<br />

artists will be asked to reflect on the exhibition by making<br />

their own pieces. The exhibition will be built around one<br />

central piece which will be exchanged three times in the<br />

period:<br />

− from 4th September – London Calling from Jota<br />

Castro about democracy and freedom (of speech)<br />

− from 2nd October – Iceberg & Palm Trees from<br />

Mark Dion about nature, ecology and sustainability<br />

− from 6th November – Breaking & Fixing from<br />

Serge Onnen about new perspectives and<br />

worldviews.<br />

open<br />

Hedendaagse Kunst De Domijnen<br />

Ligne 2<br />

6131 MT Sittard (The Netherlands)<br />

+31 46 4513460<br />

balie.museum@dedomijnen.nl<br />

www.dedomijnen.nl<br />

Tuesday → Sunday 11:00 → 17:00<br />

The museum contemporary (modern) art of De Domijnen is as off 4th September<br />

located in the new complex Ligne in Sittard-Geleen. This new architectural landmark<br />

consists of two buildings which houses Zuyd HS, residents of Daelzicht, the new<br />

library of De Domijnen in a joint venture with Zuyd HS, a cinema for art house films<br />

and the new museum. There are also offices, apartments and shops for various retail<br />

concepts. See for further information: www.ligne-sittard.nl


NAK<br />

11.09.<strong>2016</strong> → PRIZE FOR YOUNG ART <strong>2016</strong><br />

16.10.<strong>2016</strong> In <strong>2016</strong> NAK and STAWAG Stadtwerke Aachen<br />

AG announce the Prize for Young Art for the third time.<br />

The Prize for Young Art is specially aimed at young artists<br />

from the Meuse-Rhine Euregion. This year the prize is<br />

awarded to Johann Arens and Carolin Lange, whose work<br />

is presented in the exhibition.<br />

30.10.<strong>2016</strong><br />

27.11.<strong>2016</strong><br />

→<br />

KATHRIN SONNTAG / REFERENCE - ARBEITEN IM<br />

KONTEXT MIES VAN DER ROHE<br />

This year's Twodo project is realized by artist Kathrin<br />

Sonntag. Her Twodo project will be presented in the<br />

lower floor of the NAK, whereas the upper floor contains<br />

a laboratory and experimental space dedicated to the work<br />

of architect Mies van der Rohe.<br />

04.12.<strong>2016</strong><br />

09.12.<strong>2016</strong><br />

→ BENEFIT AUCTION <strong>2016</strong><br />

The benefit auction assembles a vast range of wellknown<br />

and newly discovered contemporary artists.<br />

15.01.2017<br />

05.03.2017<br />

→ TBA<br />

The first exhibition for 2017 will be announced on<br />

the website of the NAK in due time.<br />

open<br />

NAK. Neuer Aachener Kunstverein<br />

Passstrasse 29<br />

52070 Aachen (Germany)<br />

+49 241 503255<br />

info@neueraachenerkunstverein.de<br />

www.neueraachenerkunstverein.de<br />

Tuesday → Sunday 14:00 → 18:00<br />

NAK Neuer Aachener Kunstverein is one of the youngest institutions of its kind in<br />

Germany; a private non-profit association for contemporary art in the tradition of<br />

the German Kunstverein model. NAK was founded in 1986 as a late echo of the 1964<br />

Fluxus festival, with Joseph Beuys and Wolf Vostell as centre protagonists at the local<br />

university in Aachen. The spirit of this moment has since been source of commitment<br />

to contemporary art.


SCHUNCK*<br />

28.08.<strong>2016</strong><br />

27.11.<strong>2016</strong><br />

→ SPIELEREI; KUNST OM MEE TE SPELEN<br />

SPIELEREI shows historic and contemporary,<br />

interactive art in the context of the international artists<br />

cooperative GRAV (Groupe de Recherche d’Art Visuel,<br />

1960-1968), centered around the physical interaction<br />

between audience and artwork.<br />

11.12.<strong>2016</strong><br />

19.03.2017<br />

→ PARKSTAD LIMBURG PRIJS<br />

The Parkstad Limburg Prize – for young visual<br />

artists with a professional arts training and an artistic<br />

relationship with Dutch or Belgian Limburg - will be<br />

awarded on 10 December. The nominees will exhibit their<br />

works in the SCHUNCK* museum for modern arts.<br />

14.11.<strong>2016</strong><br />

16.12.<strong>2016</strong><br />

→ EUROPEAN ARCHITECTURE PRICE (EAP)<br />

The annual European Architecture Price exhibit for<br />

the best graduate work of an architecture academy of the<br />

Euregion, is for the 26th time organized by SCHUNCK*.<br />

The traveling exhibition takes in <strong>2016</strong> place in Liege.<br />

open<br />

SCHUNCK*<br />

Bongerd 18<br />

6411 JM Heerlen (The Netherlands)<br />

+31 45 5772200<br />

info@schunck.nl<br />

www.schunck.nl<br />

Tuesday → Sunday 11:00 → 17:00<br />

SCHUNCK*, situated in Heerlen at the heart of the Euregion, is a multidisciplinary<br />

institute devoted to contemporary visual art, architecture, music, literature and<br />

film - and all imaginable crossovers between the disciplines – manifested by means of<br />

presentations, collections and educational projects. A modern public library and music<br />

school also rank amongst the amenities at SCHUNCK*, both working in modern-day<br />

fashion to promote reading enjoyment and musical learning. SCHUNCK* is housed in<br />

the historic Glaspaleis, the “glass palace” built by architect Frits Peutz in 1935.


SPACE Collection<br />

photo: x.delory<br />

20.08.<strong>2016</strong><br />

16.10.<strong>2016</strong><br />

→ CHARLOTTE LAGRO. PERDU À PEPINSTER<br />

In the context of BIP (Biennale de l'Image Possible),<br />

this show is built around a video showing a group of<br />

neuroscientific researchers dropped in a forest with the<br />

mission of returning home. Wider open hours:<br />

Thursday → Saturday 14:00 → 19:00<br />

Sunday 14:00 → 18:00<br />

10.11.<strong>2016</strong><br />

21.01.2017<br />

→ EVA L'HOEST<br />

Eva L'Hoest has a sculptural approach to video art.<br />

Through various documentation strategies, she explores<br />

movement in still frames. The artist tests our perception<br />

by contrasting the organic with the virtual world.<br />

11.02.2017<br />

25.03.2017<br />

→<br />

PASCAL BERNIER AND DAMIEN DE LEPELEIRE<br />

open<br />

SPACE Collection<br />

En Féronstrée 116<br />

4000 Liège (Belgium)<br />

+32 485 56 63 90<br />

info@space-collection.org<br />

www.space-collection.org<br />

Wednesday → Saturday 15:00 → 17:30<br />

or by appointment<br />

Launched in 2002 by artist Alain De Clerck, SPACE Collection is building a network<br />

of European cities linked by a transborder collection of contemporary art. The works<br />

are acquired thanks to interactive sculptures. In Liege and Maastricht, the two first<br />

culture machines already allowed to buy 90 works. Situated in the historical center,<br />

the exhibition space takes place in an old apartment recognized as a place to experiment.<br />

The art center welcomes regularly events, lectures and shows.


Van Eyck<br />

Bardhi Haliti. Photo Werner Mantz Lab<br />

10.03.2017 → OPEN STUDIOS<br />

11.03.2017 During the Van Eyck Open Studios the participating<br />

artists, designers, curators, photographers, architects<br />

and writers will be presenting the results of their residency<br />

- which comprises both individual and collaborative<br />

work - in their studios, the exhibition spaces, and other<br />

areas of the Van Eyck.<br />

ALL YEAR<br />

→ The Van Eyck organizes throughout the year several<br />

exhibitions, connected to the programme of the<br />

academy and its (former) participants. During the Wednesday<br />

night presentations, participants present themselves<br />

and their work. The Van Eyck regularly invites guests<br />

(artists, museum directors, curators, designers, writers,<br />

poets) for a talk about their work and practice and organizes<br />

master classes, meetings and conferences.<br />

open<br />

Van Eyck<br />

Multiform Institute for fine art,<br />

design and reflection<br />

Academieplein 1<br />

6211 KM Maastricht (The Netherlands)<br />

+31 43 3503737<br />

info@janvaneyck.nl<br />

www.janvaneyck.nl<br />

Monday → Friday 09:00 → 18:00<br />

The Van Eyck is a multiform institute for fine art, design and reflection. International<br />

artists, designers, curators, photographers, architects, landscape architects, critics<br />

and writers stay for one year at the academy to work on their projects. The Van<br />

Eyck also offers a public programme of exhibitions, presentations and lectures. The<br />

well-equipped labs (wood, metal, printing, photography/new media and a library) and<br />

the café-restaurant are open to everyone. Follow the Van Eyck progamme on www.<br />

janvaneyck.nl, Facebook, Twitter.


Z33<br />

photo: kristof vrancken<br />

01.10.<strong>2016</strong> → MANUFACTUUR 3.0<br />

08.01.<strong>2016</strong> Digital revolutions, ecological awareness and<br />

shifts in the fields of work and labour encourage us to<br />

rethink the traditional industrial production model.<br />

MANUFACTUUR 3.0 brings designers and artists together<br />

to work around alternative production scenarios. The exhibition<br />

functions as a production platform, continuously<br />

in progress. This dynamic exhibition shows the changing<br />

role of the designer and artist as active producers in a<br />

city. With amongst others: Atelier NL, Andrea de Chirico,<br />

Ben Hagenaars & Pablo Calderon, Jesse Howard, Eugenia<br />

Morpurgo, Rotor, Kristof Vrancken.<br />

MANUFACTUUR 3.0 is part of the multidisciplinary arts<br />

festival City Triennial Hasselt-Genk called TRADEMARKS.<br />

www.stadstriennale.be<br />

30.10.<strong>2016</strong> → TOEGEPAST 21: THE MATTER OF FACTS<br />

29.01.2017 Z33 presents Toegepast: a mentored trajectory for<br />

young design talent. For the twenty-first time, Z33 partner<br />

Cultuurplatform Design, offered promising newly graduated<br />

designers the opportunity to further develop their<br />

vision and create new work. The results are on show in<br />

Z33. With: Philippe Breels, Teis De Greve, Dries Depoorter,<br />

Matilde Everaert, William Ludwig Lutgens and Julie Van<br />

den Meutter.<br />

open<br />

Z33 – House for contemporary art<br />

Zuivelmarkt 33<br />

3500 Hasselt (Belgium)<br />

+32 11 29 59 60<br />

info@z33.be<br />

www.z33.be<br />

Tuesday → Sunday 10:00 → 17:00<br />

& Public Holidays<br />

Z33 is a house for contemporary art. Z33 creates projects and exhibitions which<br />

encourage the visitor to take a different look at everyday life. It is a unique laboratory<br />

and a meeting space for experiments and innovation that makes ground breaking<br />

exhibitions featuring contemporary art and design. Z33 also develops collaborative<br />

projects and art in public space. You can visit Z33 at the beguinage of Hasselt. Z33<br />

is heading for exciting times with the start of renovation and construction work to<br />

enlarge the House for contemporary art. The main building, Vleugel '58 (Wing '58),<br />

will be closed, but exhibitions continue to place at the beguinage site. Z33 will also<br />

continue to work on projects outside its own walls.


Agenda<br />

OCTOBER <strong>2016</strong><br />

01.10.<strong>2016</strong> MANUFACTUUR 3.0 – Opening Z33<br />

03 –<br />

31.10.<strong>2016</strong><br />

05.10.<strong>2016</strong><br />

18:00<br />

06.10.<strong>2016</strong><br />

19:00<br />

08.10.<strong>2016</strong><br />

18:00<br />

08.10.<strong>2016</strong><br />

19:00<br />

08.10.<strong>2016</strong><br />

19:00<br />

20.10.<strong>2016</strong><br />

19:30<br />

27.10.<strong>2016</strong><br />

19:00<br />

28.10.<strong>2016</strong><br />

18:30<br />

28 –<br />

30.10.<strong>2016</strong><br />

KIPPENBERGER CHALLENGE in the<br />

Pierre Kamp Lab - Presentation<br />

JAMAIS-VU - JEAN-GUILLAUME FERRÉE<br />

- Guided Tour<br />

MUSEUMSDIALOGE - Prof. Klaus Kozel:<br />

Das Peill-Forum - Talk<br />

PREIS FÜR JUNGE KUNST: Carolin<br />

Lange - Artist Talk<br />

PERSPEKTIVE 04: Timo Seber -<br />

Opening<br />

ZEITSPRUNG: Kunstorte in Aachen seit<br />

1964 - Opening<br />

FILMLOGE: Arteholic - Film<br />

THE MOMA COLLAGES: Mies van der<br />

Rohe - Opening<br />

Dominique Castronovo and Bernard<br />

Secondini – Opening<br />

DADA-FESTIVAL - Event<br />

Van Eyck<br />

ikob<br />

Leopold-Hoesch-<br />

Museum<br />

NAK<br />

Ludwig Forum<br />

Aachen<br />

Ludwig Forum<br />

Aachen<br />

Leopold-Hoesch-<br />

Museum<br />

Ludwig Forum<br />

Aachen<br />

La Châtaigneraie<br />

Ludwig Forum<br />

Aachen<br />

29.10.<strong>2016</strong><br />

19:00<br />

29.10.<strong>2016</strong><br />

19:30<br />

NOVEMBER <strong>2016</strong><br />

02.11.<strong>2016</strong><br />

18:00<br />

REFERENCE - ARBEITEN IM KONTEXT<br />

MIES VAN DER ROHE: Kathrin Sonntag<br />

- Opening<br />

Toegepast 21 – Opening<br />

JAMAIS-VU - JEAN-GUILLAUME FERRÉE<br />

- Guided Tour<br />

08.11.<strong>2016</strong> Presentation by Mark Mieras: De<br />

spelende mens<br />

NAK<br />

Z33<br />

ikob<br />

SCHUNCK*<br />

10.11.<strong>2016</strong> VERY-CONTEMPORARY-CONFERENCE Maastricht<br />

12 +<br />

13.11.<strong>2016</strong><br />

12.11.<strong>2016</strong><br />

20:00<br />

20.11.<strong>2016</strong><br />

15:00<br />

VERY-CONTEMPORARY-WEEKEND<br />

EUROPEAN PRIZE for ARCHITECTURE:<br />

Awards Ceremony - Event<br />

JAMAIS-VU - JEAN-GUILLAUME FERRÉE<br />

- Director's Tour<br />

25.11.<strong>2016</strong> RISO CONFERENCE organized by the<br />

Charles Nypels Lab for printing and<br />

publishing - Event<br />

25.11.<strong>2016</strong><br />

11:00<br />

Push and Pull Symposium<br />

All venues<br />

SCHUNCK*/ESA<br />

Saint Luc, Liège<br />

ikob<br />

Van Eyck<br />

SCHUNCK*


Agenda<br />

DECEMBER <strong>2016</strong><br />

JANUARY 2017<br />

02 –<br />

03.12.<strong>2016</strong><br />

03.12.<strong>2016</strong><br />

19:00<br />

08.12.<strong>2016</strong><br />

19:00<br />

COLLAGE/ MONTAGE. MIES VAN DER<br />

ROHE AND THE VISUALITY OF ARCHI-<br />

TECTURE - Symposium<br />

BENEFIT AUCTION <strong>2016</strong> - Opening<br />

MUSEUMSDIALOGE - Dr. Kai Artinger:<br />

Unsere Werte? - Talk<br />

Ludwig Forum<br />

Aachen<br />

NAK<br />

Leopold-Hoesch-<br />

Museum<br />

14.01.2017<br />

19:00<br />

20 –<br />

21.01.2017<br />

26.01.2017<br />

19:00<br />

TBA. - Opening<br />

LEARNING FROM MIES - Symposium<br />

MUSEUMSDIALOGE - Dr. Ulrich Weitz<br />

- Talk<br />

NAK<br />

Ludwig Forum<br />

Aachen<br />

Leopold-Hoesch-<br />

Museum<br />

08.12.<strong>2016</strong> BENEFIT AUCTION <strong>2016</strong> - Guided<br />

tours<br />

10.12.<strong>2016</strong><br />

19:00<br />

BENEFIT AUCTION <strong>2016</strong> - Auction<br />

NAK<br />

NAK<br />

MARCH 2017<br />

10 –<br />

11.03.2017<br />

OPEN STUDIOS<br />

Van Eyck<br />

10.12.<strong>2016</strong><br />

18:00<br />

15.12.<strong>2016</strong><br />

19:30<br />

FÊTE DE LA LUMIÈRE - Event<br />

FILMLOGE - Monuments Men:<br />

Ungewöhnliche Helden - Film<br />

La Châtaigneraie<br />

Leopold-Hoesch-<br />

Museum


Regular events<br />

WEDNESDAYS<br />

SATURDAYS<br />

Every Wednesday, 15:30 → 17:30<br />

Lufonauten – for kids<br />

Every Wednesday, 17:30<br />

Presentations by Van Eyck participants<br />

Ludwig Forum<br />

Aachen<br />

Van Eyck<br />

Every last Saturday of the month, 14:00 → 15:30<br />

Comiciade Workshop - open workshop with comic<br />

artist – free admission<br />

SUNDAYS<br />

Ludwig Forum<br />

Aachen<br />

Every first Wednesday of the month, 18:00<br />

Public Guided Tour – free admission<br />

Every last Wednesday of the month, 15:00<br />

GOLDEN CLUB – Senior citizens get together to talk<br />

about art over coffee and cake.<br />

ikob<br />

Leopold-Hoesch-<br />

Museum<br />

Every Sunday, 15:00<br />

Guided Tour – on demand in English or Dutch<br />

Every Sunday, 15:00 → 16:00<br />

Child Care – open creative program for children<br />

and teens<br />

Ludwig Forum<br />

Aachen<br />

Ludwig Forum<br />

Aachen<br />

THURSDAYS<br />

Every Thursday, 15:30 → 17:30<br />

Lufonauten – for kids<br />

Every Thursday, 18:30 → 20:00<br />

Extended Thursday – with free guided tours, lectures,<br />

artist talks etc.<br />

Ludwig Forum<br />

Aachen<br />

Ludwig Forum<br />

Aachen<br />

Every first Sunday of the month, 15:00 → 16:00<br />

Guided Tour – on demand in English<br />

Every last Sunday of the month, 13:00<br />

Guided Tour – free admission<br />

Leopold-Hoesch-<br />

Museum<br />

SCHUNCK*<br />

Every first Thursday of the month, 18:30<br />

Opening HET KABINET hosted by the CIAP Young Art<br />

Club (CYAC)<br />

CIAP<br />

Every 3rd Thursday of the month, 19:30<br />

Movie Night<br />

Leopold-Hoesch-<br />

Museum


art<br />

does not need a common<br />

language,<br />

it is international<br />

in itself.<br />

The association of fourteen institutions in the Meuse-Rhine<br />

Region is as contemporary as the art they present. Within a<br />

radius of 100 km, the border region of Belgium, Germany<br />

and the Netherlands offers a wide variety of exhibitions<br />

and events, many of which can be visited in one day. The<br />

venues each have a highly individual approach and present<br />

art in the most appealing way: direct and inspirational,<br />

reflective and atmospheric. This brochure wants to increase<br />

the awareness of what this region has to offer in terms<br />

of visual arts. It is published twice a year and gives an<br />

overview of exhibitions and events.<br />

Get a regular update on exhibition openings, lectures<br />

and guided tours on:<br />

www.verycontemporary.org<br />

www.facebook.com/verycontemporaryart<br />

We are looking forward to hearing from you under:<br />

info@verycontemporary.org<br />

supported by the ministry of north rhine-westphalia and the province of limburg – printed by kliemo<br />

(cover photo) Catalyst. Marcel Berlanger: Black Sheep. ikob, 2015. Photo: Kristof Vrancken<br />

(editing) Miriam Elebe, ikob (graphic design) Niek Kosten<br />

(project management) Marie-Claire Krell – info@verycontemporary.org


www.verycontemporary.org<br />

october <strong>2016</strong> → march 2017

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