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Powys Society Newsletter 88

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of building portraits of others, including artists such as Ray Klimek (‘For Ray Klimek:<br />

Photographer’) who Out of the dust brings to light / tyre tracks, footprints, cloud, /<br />

landscapes in flux ... — then he captures ... a wheelbarrow / beside a drainage channel,<br />

/ dull red, but an ember against dust-grey slopes. I welcomed what I took to be William<br />

Carlos Williams’s red wheelbarrow making an unforeseen appearance here.<br />

Gerard Casey is the subject of ‘An Unfinished Portrait’ ... with the presence / of<br />

the family around you. // Will and Gertrude in their paintings ... Theodore and John<br />

Cowper in their books. // Mary and Lucy everywhere ... Gerard comes over as a<br />

strong but quiet man ... suddenly, stunning the room / with a sermon ... and also as<br />

the thoughtful man walking on Chesil Beach / scattering ashes ...<br />

Among the poems of the Scattered Light section are brief encounters with the<br />

natural world. In ‘Butterfly Extravaganza’ we read that when the day begins / to turn,<br />

spinning / scattering light / red pearl brimstone green ... it is all ... a blur, illegible.<br />

And poems here often have as much to do with wind and rain as light – e.g. witness<br />

the effects of ‘Barleyfield Wind’ as Ripple, / current, eddies, / whirlpool, a pattern<br />

created / and in one movement unmade ... There are also shifts of emphases which<br />

lead to unexpected encounters – this for instance is where we find the poet’s unique<br />

interpretation of the Orpheus myth:<br />

The truth is,<br />

after the bold descent,<br />

the song calling,<br />

echoing,<br />

he was absorbed<br />

into the ground.<br />

Eurydice,<br />

tendrils twined<br />

around him,<br />

climbed up<br />

the ladder of his bones.<br />

(‘Orpheus’)<br />

In God’s Houses <strong>Powys</strong>ians will discover (if they didn’t already know) that Jeremy<br />

Hooker has sat where Theodore sat in St Peter and St Paul, Mappowder — A place<br />

where a man / might hide himself from the world and where His tomb is a stone book,<br />

/ the last enigmatic page / given over to grass. For me, however, the most moving of<br />

the God’s Houses poems is ‘Holy Rood, Southampton’ destroyed by enemy bombing<br />

37

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