Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
P A R I S<br />
V E N E Z I A
Becca Cason Thrash<br />
CHAIRMAN<br />
Jean-Luc Martinez<br />
DIRECTOR: MUSÉE DU LOUVRE<br />
Christopher Forbes<br />
CHAIRMAN: AMERICAN FRIENDS OF LOUVRE BOARD<br />
Toto Bergamo Rossi<br />
DIRECTOR: VENETIAN HERITAGE<br />
Valentina Pedroni-Lazzari<br />
PRESIDENT: VENETIAN HERITAGE BOARD<br />
Pierre Durand<br />
CHAIRMAN: VENETIAN HERITAGE BOARD<br />
Requests the pleasure of your company for<br />
a once in a lifetime international experience<br />
that will take guests from<br />
Paris toVenice<br />
benefitting<br />
AMERICAN AND INTERNATIONAL FRIENDS OF THE LOUVRE<br />
&<br />
VENETIAN HERITAGE
SUNDAY, JUNE 18<br />
7-8:00pm<br />
WELCOME TO<br />
Paris<br />
Hotel Ritz<br />
17 Place Vendôme, 75001<br />
The recent and magnificently<br />
renovated Hotel Ritz will host our<br />
guests for a glamorous cocktail<br />
party in the be<strong>au</strong>tifully manicured and<br />
re-landscaped Jardin à la française located<br />
in the heart of the hotel. Guests will<br />
enjoy cocktails alfresco while catching up<br />
with old friends and meeting new ones<br />
as we begin our once in a lifetime week.<br />
Cocktail attire<br />
* Dinner is for guests to arrange on their<br />
own. A list of suggested rest<strong>au</strong>rants in Paris<br />
is provided at the end of the itinerary.
MONDAY, JUNE 19<br />
12 Noon<br />
THE<br />
PICASSO<br />
MUSEUM<br />
Hôtel Salé,<br />
5 Rue de Thorigny, 75003<br />
We are invited to the Picasso<br />
Museum on the day that<br />
it is closed to the public.<br />
The museum, which was closed for<br />
renovation and expansion in 2009,<br />
has reopened at more than double its<br />
original size. Once inside, we will view<br />
over 400 Picasso works encompassing<br />
his career, along with the gemlike<br />
selection of pieces he owned by artists<br />
he loved; Chardin, Degas, Cézanne,<br />
Braque, Matisse and Henri Rousse<strong>au</strong>.<br />
And in a sense, even his own work<br />
here represents a personal choice.<br />
The new design, by architect Jean<br />
Francois Bodin, is basically a magnified<br />
version of the old plan. As the<br />
museum is closed on Mondays, we<br />
will have the rare opportunity to be<br />
in the museum while it is closed<br />
to the public. There will be docents<br />
and guides present.<br />
Casual attire<br />
*Lunch is for guests to arrange on<br />
their own. A list of suggested rest<strong>au</strong>rants<br />
is provided at the end of the<br />
itinerary.
MONDAY, JUNE 19<br />
12 Noon<br />
LOUIS<br />
VUITTON<br />
FOUNDATION<br />
(OPTIONAL)<br />
8 Avenue du Mahatma Gandhi,<br />
Bois de Boulogne, 75116<br />
The Vuitton Foundation is the latest<br />
creation of internationally renowned<br />
architect, Frank Gehry. The<br />
building reveals forms never previously<br />
imagined until today and is considered the<br />
most provocatively designed museum since<br />
Bilbao. The foundation houses the contemporary<br />
art collection of LVMH. The museum<br />
is open on Mondays from 12-6pm.
MONDAY, JUNE 19<br />
7:30pm<br />
PETIT<br />
PALAIS<br />
Avenue Winston Churchill, 75008<br />
The Be<strong>au</strong>x-Arts style Petit Palais, located<br />
directly across from the Grand Palais,<br />
was designed by Charles Gir<strong>au</strong>lt for<br />
the 1900 Exposition Universelle. The museum<br />
is set around an octi-circular courtyard and<br />
garden. It is the permanent home for the city<br />
of Paris’ fine arts collection.<br />
Guests will enjoy cocktails in the museum and<br />
the adjacent courtyard and gardens before<br />
sitting down to an elegant dinner in the historic<br />
palace. Hosted by Van Cleef & Arpels<br />
Cocktail attire
TUESDAY, JUNE 20<br />
12 Noon<br />
MUSÉE DU<br />
LOUVRE<br />
Guests will have the opportunity<br />
to view the refurbished eighteenth-century<br />
decorative art<br />
galleries while the museum is closed<br />
to the public. The exhibition design<br />
was entrusted to Jacques Garcia. The<br />
renovation, which took close to nine<br />
years to complete, houses the <strong>Louvre</strong>’s<br />
collection of royal furniture, decorative<br />
bronzes, rugs, tapestries, gold and silver<br />
ware, porcelain, jewelry and scientific<br />
instruments. Proceeds from <strong>Liaisons</strong><br />
<strong>au</strong> <strong>Louvre</strong> I and II went towards the<br />
funding of this enormous project.<br />
Casual, comfortable shoes
TUESDAY, JUNE 20<br />
7:30pm<br />
LIAISONS<br />
AU<br />
LOUVRE <strong>IV</strong>,<br />
LA GRANDE NUIT<br />
Musée du <strong>Louvre</strong><br />
Guests will enter the<br />
museum into the<br />
Borghese Galleries of the<br />
Greek Etruscan and Roman Antiquities<br />
Department, allowing a<br />
close view of the Venus de Milo and<br />
the newly renovated Winged Victory.<br />
Steps or an elevator will take us<br />
one level down to the recently renovated<br />
medieval moats, but before<br />
entering, we will have the opportunity<br />
to intimately view the historic<br />
Great Sphinx, with its impressively<br />
polished stone surface and incredibly<br />
precise details, including the<br />
inscribed names of three dynasties<br />
pharaohs. The moats, which were<br />
discovered through archaeological<br />
excavations in the mid-1980s, reveal<br />
the ruins of a castle that existed<br />
until the early 16th century, when<br />
its keep was torn down to make way<br />
for the Renaissance palace that is<br />
known today as the Musée du <strong>Louvre</strong>.<br />
Here, bars and drinks will be<br />
in abundance. Guests will discover<br />
the history of the <strong>Louvre</strong> where the<br />
huge and only left foundations of<br />
an original tower reside.
TUESDAY, JUNE 20<br />
7:30pm<br />
LIAISONS<br />
AU<br />
LOUVRE <strong>IV</strong>,<br />
LA GRANDE NUIT<br />
continued<br />
From there, guests will have direct access<br />
to the iconic Pyramid (la rotonde<br />
Sully) where the seated dinner will<br />
be staged. After dinner and a brief <strong>au</strong>ction,<br />
guests will be entertained by a surprise<br />
world-class performer.<br />
After the performance, we will follow the<br />
red carpet outside the Pyramid to the after<br />
party, which will take place in Café Marly,<br />
adjacent to the Pyramid. Dj, dancing; drinks<br />
and bites will be served into the wee hours<br />
of the morning.<br />
High black tie (VERY formal)
Paris<br />
Venice<br />
WEDNESDAY, JUNE 21<br />
Guests make their way to Venice<br />
Paris<br />
Belgium<br />
Germany<br />
Czech Rep.<br />
P<br />
Airlines that fly between Paris and Venice are:<br />
• Air France<br />
• KLM<br />
• Lufthansa<br />
• Alitalia<br />
• Austrian Airlines<br />
• Easy Jet<br />
• Swiss International Airlines<br />
Spain<br />
France<br />
Switzerland<br />
Austria<br />
H<br />
Slovenia<br />
Croati<br />
Venice<br />
Bosn<br />
Italy<br />
*This is a free night, as guests will arrive into Venice at various times of the day and evening.<br />
*Dinner is for guests to arrange on their own. A list of suggested rest<strong>au</strong>rants in Venice is provided<br />
at the end of the itinerary.
Venice<br />
THURSDAY, JUNE 22<br />
AND FRIDAY, JUNE 23<br />
Day Visits<br />
11am-2pm and again 4pm-6pm<br />
VENICE<br />
Please be mindful that some of the<br />
venues and private homes in Venice<br />
are diminutive compared to the vast<br />
spaces of Paris, therefore visits to private<br />
palazzos will be staggered.<br />
Guests will have access to some of the most<br />
exquisite homes in Venice. Guests can also<br />
visit the Jewish Museum and Synagogues in<br />
the Venetian Ghetto, see Venetian Heritage<br />
restorations of some of Venice’s most important<br />
landmarks or tour the biannual 57th<br />
international Biennale of Contemporary Art<br />
(which will have opened three weeks prior).<br />
There will be docents and guides for our<br />
guests who can come and go at their leisure<br />
but during the above allocated times.<br />
Casual, comfortable shoes<br />
*On both days, lunch is for guests to<br />
arrange on their own. A list of suggested<br />
rest<strong>au</strong>rants in Venice is provided<br />
at the end of the itinerary.
THURSDAY, JUNE 22<br />
(EVENING) 9pm<br />
PALAZZO<br />
REZZONICO<br />
Dorsoduro, 3136, 30123<br />
This magnificent palace, which is now a museum<br />
that houses treasures of the Venetian<br />
eighteenth century, was designed in 1649<br />
by one of the greatest Italian baroque architects,<br />
Baldassare Longhena, and was completed in<br />
1751 by the highly esteemed and eclectic architect,<br />
Giorgio Massari. Upon its completion, the<br />
most important Venetian painters were commissioned<br />
to decorate it. The ceiling frescoes were<br />
created by Giambattista Crosato and the trompe<br />
l’oeil painter, Pietro Visconti. After decades of<br />
being passed from one influential Italian family<br />
to the next, Palazzo Rezzonico was sold to the<br />
Venice Town Council in 1935 and was adapted<br />
to serve as the museum of 18th century Venice.<br />
Masterpieces include works by Canaletto, Longhi,<br />
and Tiepolo. The museum rarely allows dinners<br />
in the palazzo however, thanks to the relationship<br />
between Venetian Heritage and the Civic Museum<br />
of Venice Foundation, our guests will be allowed<br />
to have cocktails and a be<strong>au</strong>tiful seated dinner<br />
amidst the magnificent chandeliers, sculptures,<br />
tapestries, porcelains and pictures.<br />
Cocktail, white dinner jackets suggested
ay<br />
options<br />
11am-2pm and again<br />
4pm-6pm<br />
THURSDAY, JUNE 22<br />
AND FRIDAY, JUNE 23<br />
PALAZZETTO<br />
ALVISI GAGGIA<br />
The Gaggia Home is formed by three<br />
buildings of different periods, the oldest<br />
of which dates back to the first<br />
half of the seventeenth century. Important<br />
renovations carried out in the 1920’s, such<br />
as the staircase, the stucco decorations of<br />
the main floor interior and the lovely flooring,<br />
coupled with the choice of furnishings<br />
and objects still kept in the home, give this<br />
residence extreme elegance. The magnificent<br />
dining room, where a fabulous 1760’s dinner<br />
service by Cozzi is displayed on one of the<br />
walls, is the setting for stimulating and elegant<br />
dinner parties with international guests<br />
who have ties to the world of art. Everything<br />
is perfect in Chiari Gaggia’s home, from the<br />
delicate lighting of each room to the excellent<br />
dishes served on eighteenth-century china.<br />
*Andrea and Nancy Chiari Gaggia will kindly provide<br />
refreshments.
THURSDAY, JUNE 22<br />
AND FRIDAY, JUNE 23<br />
11am-2pm and again<br />
4pm-6pm<br />
PALAZZO<br />
GRADENIGO<br />
The origins of this palazzo<br />
go back to the middle of<br />
the sixteenth century and<br />
to one of the oldest and most illustrious<br />
patrician Venetian families,<br />
the Gradenigo’s. The estate<br />
is famous for its collections of<br />
paintings, for its rich library and<br />
especially for its garden, which<br />
until 1992 was the city’s largest.<br />
In the late nineteenth century,<br />
the famous and scandalous novel,<br />
The Flame, was set amid the<br />
shrubbery of Gradenigo Park.<br />
At almost the same time, Henry<br />
James set The Aspern Papers in<br />
the adjoining garden. The wing<br />
of the first main floor, overlooking<br />
the Rio Marin, was recently<br />
restored by the current owner<br />
and decorated with stucco and<br />
frescoes of different periods. The<br />
walls of the entrance and dining<br />
room are a triumph of the art of<br />
Venetian stuccowork circa 1730.<br />
The yellow salon features a lovely<br />
ceiling frescoed by Giacomo<br />
Guarana, depicting the triumph<br />
of Flora, which was rediscovered<br />
during recent restoration<br />
work. Other rooms are decorated<br />
with frescoes by Bevilacqua and<br />
Borsato.<br />
*Toto Bergamo Rossi, director of<br />
Venetian Heritage, will open his<br />
Palazzo and secret garden for<br />
our guests.
THURSDAY, JUNE 22<br />
AND FRIDAY, JUNE 23<br />
11am-2pm and again<br />
4pm-6pm<br />
PALAZZO<br />
GIUSTINIAN<br />
RECANATI<br />
One of the oldest<br />
chronicled Venetian<br />
noble houses,<br />
the Giustinian family,<br />
descends directly from<br />
Emperor Justinian. The<br />
family has produced numerous<br />
procuratores,<br />
captains, ambassadors,<br />
cardinals and a doge of the<br />
Republic of Venice. Palazzo<br />
Giustinian was built in<br />
the mid-fourteenth century<br />
with a sole main floor,<br />
even though it occupies<br />
the entire area running<br />
from Fondamenta della<br />
Zattere to the Rio di Ognissanti<br />
or “one block” as<br />
most would say. In 1712<br />
Giacomo Giustinian married<br />
L<strong>au</strong>ra Recanati, the<br />
last descendant of a rich<br />
and illustrious patrician<br />
family, from whom he<br />
inherited important collections<br />
of artwork that<br />
can still be admired in<br />
the magnificent dwelling<br />
today. At the beginning<br />
of the nineteenth century,<br />
architect Antonio Diedo<br />
designed the new wing of<br />
the palazzo with a curious<br />
neoclassical exedra that<br />
separates the romantic<br />
garden from the canal.<br />
*Enrico Falck, owner of the<br />
palazzo will be present to<br />
answer any questions and<br />
will happily show us his<br />
amazing Palazzo.
THURSDAY, JUNE 22 AND<br />
FRIDAY, JUNE 23<br />
11am-2pm and again<br />
4pm-6pm<br />
THE<br />
JEWISH<br />
MUSEUMS<br />
AND SYNAGOGUES<br />
OF THE VENETIAN<br />
GHETTO<br />
The presence of Jews in<br />
the region that was to<br />
become the Venetian republic<br />
is documented from as<br />
early as the first century of the<br />
vernacular era. According to the<br />
tradition they arrived in Venice,<br />
a great trading center between<br />
East and West, towards the beginning<br />
of the eleventh century.<br />
The Republic required the<br />
Jews to live in an area of the city<br />
where the foundries, known in<br />
Venetian as “geti” had been situated<br />
in ancient times, to wear<br />
a sign of identification and to<br />
manage the city’s pawnshops.<br />
The first Jews to comply with<br />
the decree were the Ashkenazim<br />
from mid-eastern Europe.<br />
Their pronunciation mangled<br />
the Venetian term “geto” into<br />
“ghetto”, creating the word still<br />
used today to indicate various<br />
places of segregation.<br />
Known as “Scole”, the synagogues<br />
of the Venetian ghetto<br />
were constructed between the<br />
early-sixteenth and mid-seventeenth<br />
centuries.<br />
Each represented a different<br />
ethnic group that had settled<br />
here permanently and obtained<br />
a guarantee of religious freedom.<br />
These synagogues have<br />
been preserved over time and<br />
testify to the importance of the<br />
Venetian ghetto.<br />
The unusual tall buildings found<br />
here were divided into floors of<br />
sub-standard height, demonstrating<br />
how the density of the<br />
population had increased over<br />
the years. What was Europe’s<br />
first ghetto is now a lively and<br />
popular district of the city where<br />
the religious and administrative<br />
institutions of the Jewish Community<br />
and its five synagogues
THURSDAY, JUNE 22<br />
AND FRIDAY, JUNE 23<br />
11am-2pm and again<br />
4pm-6pm<br />
Venetian Heritage restorations of some<br />
of Venice’s most important landmarks:<br />
GALLERIE<br />
DELL’<br />
ACCADEMIA<br />
MUSEUM<br />
(SAMSUNG & VENETIAN HERITAGE WING)<br />
The Museo delle Gallerie<br />
dell’Accademia occupies<br />
the old Scuola and former<br />
church of Santa Maria della<br />
Carità and the monastery annex<br />
of the Canonici Lateranensi. It<br />
was opened in 1807, modeled<br />
after the <strong>Louvre</strong>. The collection<br />
was enriched over the course of<br />
the nineteenth century by some<br />
important bequests and public<br />
purchases. It is now the temple<br />
of Veneto painting. The display<br />
space in the museum has now<br />
been doubled thanks to the recent<br />
acquisition of the ground<br />
floor, occupied until a few years<br />
ago by the Accademia di Belle<br />
Arti. The partnership between<br />
Samsung, world leader in digital<br />
technology, and Venetian<br />
Heritage allowed the five rooms<br />
in the new “Grandi Gallerie” to<br />
be furnished. The rooms house<br />
new displays on the ground floor,<br />
which include extraordinary<br />
works of art, some of which have<br />
never been shown to the public<br />
bec<strong>au</strong>se of a lack of space. This<br />
work has equipped the Gallerie<br />
dell’Accademia with the most<br />
innovative technology enabling<br />
it to propose new models for<br />
museum education and allowing<br />
visitors to discover its treasures,<br />
to better understand the history<br />
of the place, the artists and the<br />
paintings that this treasure chest<br />
conserves and to study the links<br />
of the works to the region and<br />
their provenance.
THURSDAY, JUNE 22<br />
AND FRIDAY, JUNE 23<br />
11am-2pm and again<br />
4pm-6pm<br />
ARCH<strong>IV</strong>IO<br />
DI STATO<br />
FORMER FRANCISCAN<br />
CONVENT<br />
Tradition has it that<br />
St. Francis himself founded<br />
the convent. Over the centuries,<br />
the convent/complex underwent<br />
various transformations and enlargements.<br />
The two monumental cloisters<br />
bear witness to the importance of the<br />
role of the Franciscans in the city. The<br />
first, built in the sixteenth century,<br />
is enclosed by an arcade with round<br />
arches and surmounted by a terrace<br />
embellished with an imposing balustrade.<br />
Not everyone knows of the<br />
existence of the monumental Frari<br />
cloister, which can only be visited<br />
by request. The State Archives were<br />
established in 1815 and conserve<br />
70km of document shelves relating to<br />
the entire history of the Republic of<br />
Venice from its origins to the modern<br />
period.
THURSDAY, JUNE 22<br />
AND FRIDAY, JUNE 23<br />
11am-2pm and again 4pm-6pm<br />
SCUOLA DALMATA<br />
The Scuola Dalmata di San Giorgio e Trifone<br />
was born like other brotherhoods to unite<br />
Dalmatians residing in Venice. The Scuola<br />
originated in Venice in 1451, after the Venetians<br />
conquered Dalmatia in 1420. A relic of Saint George<br />
(one of the three patron saints of Dalmatia together<br />
with Saint Jerome and Trifone) is preserved inside<br />
on the main altar. On the ground floor, you can see<br />
a series of panels depicting the stories of the patron<br />
saints of the Confraternity painted by Vittore<br />
Carpaccio. The Confraternity is one of those rare religious<br />
institutions that, notwithstanding Napoleonic<br />
suppression decrees, that managed to remain intact<br />
with all its artistic heritage.<br />
* It should be noted that Venetian Heritage<br />
intends to restore the paintings of Vittore Carpaccio.
THURSDAY, JUNE 22<br />
AND FRIDAY, JUNE 23<br />
11am-2pm and again 4pm-6pm<br />
57TH BIENNALE<br />
INTERNATIONAL ART EXHIBITION<br />
The Biennale is based at the Giardini, a<br />
park which includes a large exhibition hall<br />
as well as permanent national pavilions,<br />
which are the property of the individual countries.<br />
The number of countries represented continues to<br />
grow. The Rose Art Museum at Brandeis University,<br />
in cooperation with the US Department of States<br />
Bure<strong>au</strong> of Educational and Cultural Affairs, will<br />
present Mark Bradford as the representative for<br />
the United States.<br />
Casual, comfortable shoes
FRIDAY, JUNE 23<br />
9 pm<br />
LA DOLCE VITA<br />
THE MASKED BALL<br />
Scuola Grande Della Misericordia<br />
Cannaregio, 3599<br />
Our final Notte will be held in the recently<br />
restored Scuola Grande Della Misericordia.<br />
This multi-century old structure,<br />
which is recognized as the most important<br />
social institution in the Republic of Venice, was<br />
closed for nearly 100 years until it was restored<br />
by the city of Venice and reopened for private<br />
use only this past May. Guests will arrive by<br />
way of the Grand Canal (book water taxis<br />
through hotels or a special list will be provided<br />
in advance of the trip). The evening will consist<br />
of a fabulous masked affair with cocktails and<br />
music before guests are seated for a glorious<br />
dinner. There will be a surprise performance<br />
at dinners end! After a brief <strong>au</strong>ction, guests<br />
will descend the stairs for the after party with<br />
dj and dancing.<br />
*Venetian masked balls are indeed a sui<br />
generis art form. Think formal but fantasy,<br />
splendor and exotic while creating your attire.<br />
Masks, headpieces, feathers, pearls, jewels;<br />
even baroque. Guests will contribute greatly<br />
to the décor of the evening and to the general<br />
atmosphere. We urge you to comply with the<br />
attire request.
Saturday, June 24<br />
Au revoir and arrivederci!<br />
The program has ended and guests are free to stay in Venice,<br />
travel to other places in Europe or make their way home.<br />
We are extremely grateful to our sponsors, hosts and outstanding<br />
donors for their overwhelming generosity.<br />
Proceeds from Paris to Venice will be divided between The American<br />
and International Friends of the <strong>Louvre</strong> and Venetian Heritage.<br />
For the <strong>Louvre</strong>, funds will go towards the restoration of the apartment of<br />
Anne of Austria,<br />
mother of Louis X<strong>IV</strong> and the <strong>Louvre</strong>’s efforts to make the museum<br />
more accessible to all. The Dowager Queen’s former suite is being<br />
refurbished to house the <strong>Louvre</strong>’s unparalleled<br />
collection of Etruscan art.<br />
For Venice, funds will help to restore:<br />
Gallerie dell’Accademia 2nd Wing<br />
The State Museo delle Gallerie dell’Accademia was opened in 1807, modelled after<br />
the <strong>Louvre</strong>. The collection was enriched over the course of the nineteenth century<br />
by some important bequests and public purchases. It is now the temple of Veneto<br />
paintings. Venetian Heritage with the support of Samsung, completed the first five<br />
rooms in the new “Grandi Gallerie”. The second wing is in need of furnishing,<br />
renovation and the restoration of 66 old master paintings among them by Tiepolo,<br />
Sebastiano Ricci and Piazzetta, never before seen to be permanently displayed.<br />
*An early response sheet is included as well.<br />
For questions, feel free to email: beccacasonthrash@gmail.com