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Liaisons au Louvre IV

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P A R I S<br />

V E N E Z I A


Becca Cason Thrash<br />

CHAIRMAN<br />

Jean-Luc Martinez<br />

DIRECTOR: MUSÉE DU LOUVRE<br />

Christopher Forbes<br />

CHAIRMAN: AMERICAN FRIENDS OF LOUVRE BOARD<br />

Toto Bergamo Rossi<br />

DIRECTOR: VENETIAN HERITAGE<br />

Valentina Pedroni-Lazzari<br />

PRESIDENT: VENETIAN HERITAGE BOARD<br />

Pierre Durand<br />

CHAIRMAN: VENETIAN HERITAGE BOARD<br />

Requests the pleasure of your company for<br />

a once in a lifetime international experience<br />

that will take guests from<br />

Paris toVenice<br />

benefitting<br />

AMERICAN AND INTERNATIONAL FRIENDS OF THE LOUVRE<br />

&<br />

VENETIAN HERITAGE


SUNDAY, JUNE 18<br />

7-8:00pm<br />

WELCOME TO<br />

Paris<br />

Hotel Ritz<br />

17 Place Vendôme, 75001<br />

The recent and magnificently<br />

renovated Hotel Ritz will host our<br />

guests for a glamorous cocktail<br />

party in the be<strong>au</strong>tifully manicured and<br />

re-landscaped Jardin à la française located<br />

in the heart of the hotel. Guests will<br />

enjoy cocktails alfresco while catching up<br />

with old friends and meeting new ones<br />

as we begin our once in a lifetime week.<br />

Cocktail attire<br />

* Dinner is for guests to arrange on their<br />

own. A list of suggested rest<strong>au</strong>rants in Paris<br />

is provided at the end of the itinerary.


MONDAY, JUNE 19<br />

12 Noon<br />

THE<br />

PICASSO<br />

MUSEUM<br />

Hôtel Salé,<br />

5 Rue de Thorigny, 75003<br />

We are invited to the Picasso<br />

Museum on the day that<br />

it is closed to the public.<br />

The museum, which was closed for<br />

renovation and expansion in 2009,<br />

has reopened at more than double its<br />

original size. Once inside, we will view<br />

over 400 Picasso works encompassing<br />

his career, along with the gemlike<br />

selection of pieces he owned by artists<br />

he loved; Chardin, Degas, Cézanne,<br />

Braque, Matisse and Henri Rousse<strong>au</strong>.<br />

And in a sense, even his own work<br />

here represents a personal choice.<br />

The new design, by architect Jean<br />

Francois Bodin, is basically a magnified<br />

version of the old plan. As the<br />

museum is closed on Mondays, we<br />

will have the rare opportunity to be<br />

in the museum while it is closed<br />

to the public. There will be docents<br />

and guides present.<br />

Casual attire<br />

*Lunch is for guests to arrange on<br />

their own. A list of suggested rest<strong>au</strong>rants<br />

is provided at the end of the<br />

itinerary.


MONDAY, JUNE 19<br />

12 Noon<br />

LOUIS<br />

VUITTON<br />

FOUNDATION<br />

(OPTIONAL)<br />

8 Avenue du Mahatma Gandhi,<br />

Bois de Boulogne, 75116<br />

The Vuitton Foundation is the latest<br />

creation of internationally renowned<br />

architect, Frank Gehry. The<br />

building reveals forms never previously<br />

imagined until today and is considered the<br />

most provocatively designed museum since<br />

Bilbao. The foundation houses the contemporary<br />

art collection of LVMH. The museum<br />

is open on Mondays from 12-6pm.


MONDAY, JUNE 19<br />

7:30pm<br />

PETIT<br />

PALAIS<br />

Avenue Winston Churchill, 75008<br />

The Be<strong>au</strong>x-Arts style Petit Palais, located<br />

directly across from the Grand Palais,<br />

was designed by Charles Gir<strong>au</strong>lt for<br />

the 1900 Exposition Universelle. The museum<br />

is set around an octi-circular courtyard and<br />

garden. It is the permanent home for the city<br />

of Paris’ fine arts collection.<br />

Guests will enjoy cocktails in the museum and<br />

the adjacent courtyard and gardens before<br />

sitting down to an elegant dinner in the historic<br />

palace. Hosted by Van Cleef & Arpels<br />

Cocktail attire


TUESDAY, JUNE 20<br />

12 Noon<br />

MUSÉE DU<br />

LOUVRE<br />

Guests will have the opportunity<br />

to view the refurbished eighteenth-century<br />

decorative art<br />

galleries while the museum is closed<br />

to the public. The exhibition design<br />

was entrusted to Jacques Garcia. The<br />

renovation, which took close to nine<br />

years to complete, houses the <strong>Louvre</strong>’s<br />

collection of royal furniture, decorative<br />

bronzes, rugs, tapestries, gold and silver<br />

ware, porcelain, jewelry and scientific<br />

instruments. Proceeds from <strong>Liaisons</strong><br />

<strong>au</strong> <strong>Louvre</strong> I and II went towards the<br />

funding of this enormous project.<br />

Casual, comfortable shoes


TUESDAY, JUNE 20<br />

7:30pm<br />

LIAISONS<br />

AU<br />

LOUVRE <strong>IV</strong>,<br />

LA GRANDE NUIT<br />

Musée du <strong>Louvre</strong><br />

Guests will enter the<br />

museum into the<br />

Borghese Galleries of the<br />

Greek Etruscan and Roman Antiquities<br />

Department, allowing a<br />

close view of the Venus de Milo and<br />

the newly renovated Winged Victory.<br />

Steps or an elevator will take us<br />

one level down to the recently renovated<br />

medieval moats, but before<br />

entering, we will have the opportunity<br />

to intimately view the historic<br />

Great Sphinx, with its impressively<br />

polished stone surface and incredibly<br />

precise details, including the<br />

inscribed names of three dynasties<br />

pharaohs. The moats, which were<br />

discovered through archaeological<br />

excavations in the mid-1980s, reveal<br />

the ruins of a castle that existed<br />

until the early 16th century, when<br />

its keep was torn down to make way<br />

for the Renaissance palace that is<br />

known today as the Musée du <strong>Louvre</strong>.<br />

Here, bars and drinks will be<br />

in abundance. Guests will discover<br />

the history of the <strong>Louvre</strong> where the<br />

huge and only left foundations of<br />

an original tower reside.


TUESDAY, JUNE 20<br />

7:30pm<br />

LIAISONS<br />

AU<br />

LOUVRE <strong>IV</strong>,<br />

LA GRANDE NUIT<br />

continued<br />

From there, guests will have direct access<br />

to the iconic Pyramid (la rotonde<br />

Sully) where the seated dinner will<br />

be staged. After dinner and a brief <strong>au</strong>ction,<br />

guests will be entertained by a surprise<br />

world-class performer.<br />

After the performance, we will follow the<br />

red carpet outside the Pyramid to the after<br />

party, which will take place in Café Marly,<br />

adjacent to the Pyramid. Dj, dancing; drinks<br />

and bites will be served into the wee hours<br />

of the morning.<br />

High black tie (VERY formal)


Paris<br />

Venice<br />

WEDNESDAY, JUNE 21<br />

Guests make their way to Venice<br />

Paris<br />

Belgium<br />

Germany<br />

Czech Rep.<br />

P<br />

Airlines that fly between Paris and Venice are:<br />

• Air France<br />

• KLM<br />

• Lufthansa<br />

• Alitalia<br />

• Austrian Airlines<br />

• Easy Jet<br />

• Swiss International Airlines<br />

Spain<br />

France<br />

Switzerland<br />

Austria<br />

H<br />

Slovenia<br />

Croati<br />

Venice<br />

Bosn<br />

Italy<br />

*This is a free night, as guests will arrive into Venice at various times of the day and evening.<br />

*Dinner is for guests to arrange on their own. A list of suggested rest<strong>au</strong>rants in Venice is provided<br />

at the end of the itinerary.


Venice<br />

THURSDAY, JUNE 22<br />

AND FRIDAY, JUNE 23<br />

Day Visits<br />

11am-2pm and again 4pm-6pm<br />

VENICE<br />

Please be mindful that some of the<br />

venues and private homes in Venice<br />

are diminutive compared to the vast<br />

spaces of Paris, therefore visits to private<br />

palazzos will be staggered.<br />

Guests will have access to some of the most<br />

exquisite homes in Venice. Guests can also<br />

visit the Jewish Museum and Synagogues in<br />

the Venetian Ghetto, see Venetian Heritage<br />

restorations of some of Venice’s most important<br />

landmarks or tour the biannual 57th<br />

international Biennale of Contemporary Art<br />

(which will have opened three weeks prior).<br />

There will be docents and guides for our<br />

guests who can come and go at their leisure<br />

but during the above allocated times.<br />

Casual, comfortable shoes<br />

*On both days, lunch is for guests to<br />

arrange on their own. A list of suggested<br />

rest<strong>au</strong>rants in Venice is provided<br />

at the end of the itinerary.


THURSDAY, JUNE 22<br />

(EVENING) 9pm<br />

PALAZZO<br />

REZZONICO<br />

Dorsoduro, 3136, 30123<br />

This magnificent palace, which is now a museum<br />

that houses treasures of the Venetian<br />

eighteenth century, was designed in 1649<br />

by one of the greatest Italian baroque architects,<br />

Baldassare Longhena, and was completed in<br />

1751 by the highly esteemed and eclectic architect,<br />

Giorgio Massari. Upon its completion, the<br />

most important Venetian painters were commissioned<br />

to decorate it. The ceiling frescoes were<br />

created by Giambattista Crosato and the trompe<br />

l’oeil painter, Pietro Visconti. After decades of<br />

being passed from one influential Italian family<br />

to the next, Palazzo Rezzonico was sold to the<br />

Venice Town Council in 1935 and was adapted<br />

to serve as the museum of 18th century Venice.<br />

Masterpieces include works by Canaletto, Longhi,<br />

and Tiepolo. The museum rarely allows dinners<br />

in the palazzo however, thanks to the relationship<br />

between Venetian Heritage and the Civic Museum<br />

of Venice Foundation, our guests will be allowed<br />

to have cocktails and a be<strong>au</strong>tiful seated dinner<br />

amidst the magnificent chandeliers, sculptures,<br />

tapestries, porcelains and pictures.<br />

Cocktail, white dinner jackets suggested


ay<br />

options<br />

11am-2pm and again<br />

4pm-6pm<br />

THURSDAY, JUNE 22<br />

AND FRIDAY, JUNE 23<br />

PALAZZETTO<br />

ALVISI GAGGIA<br />

The Gaggia Home is formed by three<br />

buildings of different periods, the oldest<br />

of which dates back to the first<br />

half of the seventeenth century. Important<br />

renovations carried out in the 1920’s, such<br />

as the staircase, the stucco decorations of<br />

the main floor interior and the lovely flooring,<br />

coupled with the choice of furnishings<br />

and objects still kept in the home, give this<br />

residence extreme elegance. The magnificent<br />

dining room, where a fabulous 1760’s dinner<br />

service by Cozzi is displayed on one of the<br />

walls, is the setting for stimulating and elegant<br />

dinner parties with international guests<br />

who have ties to the world of art. Everything<br />

is perfect in Chiari Gaggia’s home, from the<br />

delicate lighting of each room to the excellent<br />

dishes served on eighteenth-century china.<br />

*Andrea and Nancy Chiari Gaggia will kindly provide<br />

refreshments.


THURSDAY, JUNE 22<br />

AND FRIDAY, JUNE 23<br />

11am-2pm and again<br />

4pm-6pm<br />

PALAZZO<br />

GRADENIGO<br />

The origins of this palazzo<br />

go back to the middle of<br />

the sixteenth century and<br />

to one of the oldest and most illustrious<br />

patrician Venetian families,<br />

the Gradenigo’s. The estate<br />

is famous for its collections of<br />

paintings, for its rich library and<br />

especially for its garden, which<br />

until 1992 was the city’s largest.<br />

In the late nineteenth century,<br />

the famous and scandalous novel,<br />

The Flame, was set amid the<br />

shrubbery of Gradenigo Park.<br />

At almost the same time, Henry<br />

James set The Aspern Papers in<br />

the adjoining garden. The wing<br />

of the first main floor, overlooking<br />

the Rio Marin, was recently<br />

restored by the current owner<br />

and decorated with stucco and<br />

frescoes of different periods. The<br />

walls of the entrance and dining<br />

room are a triumph of the art of<br />

Venetian stuccowork circa 1730.<br />

The yellow salon features a lovely<br />

ceiling frescoed by Giacomo<br />

Guarana, depicting the triumph<br />

of Flora, which was rediscovered<br />

during recent restoration<br />

work. Other rooms are decorated<br />

with frescoes by Bevilacqua and<br />

Borsato.<br />

*Toto Bergamo Rossi, director of<br />

Venetian Heritage, will open his<br />

Palazzo and secret garden for<br />

our guests.


THURSDAY, JUNE 22<br />

AND FRIDAY, JUNE 23<br />

11am-2pm and again<br />

4pm-6pm<br />

PALAZZO<br />

GIUSTINIAN<br />

RECANATI<br />

One of the oldest<br />

chronicled Venetian<br />

noble houses,<br />

the Giustinian family,<br />

descends directly from<br />

Emperor Justinian. The<br />

family has produced numerous<br />

procuratores,<br />

captains, ambassadors,<br />

cardinals and a doge of the<br />

Republic of Venice. Palazzo<br />

Giustinian was built in<br />

the mid-fourteenth century<br />

with a sole main floor,<br />

even though it occupies<br />

the entire area running<br />

from Fondamenta della<br />

Zattere to the Rio di Ognissanti<br />

or “one block” as<br />

most would say. In 1712<br />

Giacomo Giustinian married<br />

L<strong>au</strong>ra Recanati, the<br />

last descendant of a rich<br />

and illustrious patrician<br />

family, from whom he<br />

inherited important collections<br />

of artwork that<br />

can still be admired in<br />

the magnificent dwelling<br />

today. At the beginning<br />

of the nineteenth century,<br />

architect Antonio Diedo<br />

designed the new wing of<br />

the palazzo with a curious<br />

neoclassical exedra that<br />

separates the romantic<br />

garden from the canal.<br />

*Enrico Falck, owner of the<br />

palazzo will be present to<br />

answer any questions and<br />

will happily show us his<br />

amazing Palazzo.


THURSDAY, JUNE 22 AND<br />

FRIDAY, JUNE 23<br />

11am-2pm and again<br />

4pm-6pm<br />

THE<br />

JEWISH<br />

MUSEUMS<br />

AND SYNAGOGUES<br />

OF THE VENETIAN<br />

GHETTO<br />

The presence of Jews in<br />

the region that was to<br />

become the Venetian republic<br />

is documented from as<br />

early as the first century of the<br />

vernacular era. According to the<br />

tradition they arrived in Venice,<br />

a great trading center between<br />

East and West, towards the beginning<br />

of the eleventh century.<br />

The Republic required the<br />

Jews to live in an area of the city<br />

where the foundries, known in<br />

Venetian as “geti” had been situated<br />

in ancient times, to wear<br />

a sign of identification and to<br />

manage the city’s pawnshops.<br />

The first Jews to comply with<br />

the decree were the Ashkenazim<br />

from mid-eastern Europe.<br />

Their pronunciation mangled<br />

the Venetian term “geto” into<br />

“ghetto”, creating the word still<br />

used today to indicate various<br />

places of segregation.<br />

Known as “Scole”, the synagogues<br />

of the Venetian ghetto<br />

were constructed between the<br />

early-sixteenth and mid-seventeenth<br />

centuries.<br />

Each represented a different<br />

ethnic group that had settled<br />

here permanently and obtained<br />

a guarantee of religious freedom.<br />

These synagogues have<br />

been preserved over time and<br />

testify to the importance of the<br />

Venetian ghetto.<br />

The unusual tall buildings found<br />

here were divided into floors of<br />

sub-standard height, demonstrating<br />

how the density of the<br />

population had increased over<br />

the years. What was Europe’s<br />

first ghetto is now a lively and<br />

popular district of the city where<br />

the religious and administrative<br />

institutions of the Jewish Community<br />

and its five synagogues


THURSDAY, JUNE 22<br />

AND FRIDAY, JUNE 23<br />

11am-2pm and again<br />

4pm-6pm<br />

Venetian Heritage restorations of some<br />

of Venice’s most important landmarks:<br />

GALLERIE<br />

DELL’<br />

ACCADEMIA<br />

MUSEUM<br />

(SAMSUNG & VENETIAN HERITAGE WING)<br />

The Museo delle Gallerie<br />

dell’Accademia occupies<br />

the old Scuola and former<br />

church of Santa Maria della<br />

Carità and the monastery annex<br />

of the Canonici Lateranensi. It<br />

was opened in 1807, modeled<br />

after the <strong>Louvre</strong>. The collection<br />

was enriched over the course of<br />

the nineteenth century by some<br />

important bequests and public<br />

purchases. It is now the temple<br />

of Veneto painting. The display<br />

space in the museum has now<br />

been doubled thanks to the recent<br />

acquisition of the ground<br />

floor, occupied until a few years<br />

ago by the Accademia di Belle<br />

Arti. The partnership between<br />

Samsung, world leader in digital<br />

technology, and Venetian<br />

Heritage allowed the five rooms<br />

in the new “Grandi Gallerie” to<br />

be furnished. The rooms house<br />

new displays on the ground floor,<br />

which include extraordinary<br />

works of art, some of which have<br />

never been shown to the public<br />

bec<strong>au</strong>se of a lack of space. This<br />

work has equipped the Gallerie<br />

dell’Accademia with the most<br />

innovative technology enabling<br />

it to propose new models for<br />

museum education and allowing<br />

visitors to discover its treasures,<br />

to better understand the history<br />

of the place, the artists and the<br />

paintings that this treasure chest<br />

conserves and to study the links<br />

of the works to the region and<br />

their provenance.


THURSDAY, JUNE 22<br />

AND FRIDAY, JUNE 23<br />

11am-2pm and again<br />

4pm-6pm<br />

ARCH<strong>IV</strong>IO<br />

DI STATO<br />

FORMER FRANCISCAN<br />

CONVENT<br />

Tradition has it that<br />

St. Francis himself founded<br />

the convent. Over the centuries,<br />

the convent/complex underwent<br />

various transformations and enlargements.<br />

The two monumental cloisters<br />

bear witness to the importance of the<br />

role of the Franciscans in the city. The<br />

first, built in the sixteenth century,<br />

is enclosed by an arcade with round<br />

arches and surmounted by a terrace<br />

embellished with an imposing balustrade.<br />

Not everyone knows of the<br />

existence of the monumental Frari<br />

cloister, which can only be visited<br />

by request. The State Archives were<br />

established in 1815 and conserve<br />

70km of document shelves relating to<br />

the entire history of the Republic of<br />

Venice from its origins to the modern<br />

period.


THURSDAY, JUNE 22<br />

AND FRIDAY, JUNE 23<br />

11am-2pm and again 4pm-6pm<br />

SCUOLA DALMATA<br />

The Scuola Dalmata di San Giorgio e Trifone<br />

was born like other brotherhoods to unite<br />

Dalmatians residing in Venice. The Scuola<br />

originated in Venice in 1451, after the Venetians<br />

conquered Dalmatia in 1420. A relic of Saint George<br />

(one of the three patron saints of Dalmatia together<br />

with Saint Jerome and Trifone) is preserved inside<br />

on the main altar. On the ground floor, you can see<br />

a series of panels depicting the stories of the patron<br />

saints of the Confraternity painted by Vittore<br />

Carpaccio. The Confraternity is one of those rare religious<br />

institutions that, notwithstanding Napoleonic<br />

suppression decrees, that managed to remain intact<br />

with all its artistic heritage.<br />

* It should be noted that Venetian Heritage<br />

intends to restore the paintings of Vittore Carpaccio.


THURSDAY, JUNE 22<br />

AND FRIDAY, JUNE 23<br />

11am-2pm and again 4pm-6pm<br />

57TH BIENNALE<br />

INTERNATIONAL ART EXHIBITION<br />

The Biennale is based at the Giardini, a<br />

park which includes a large exhibition hall<br />

as well as permanent national pavilions,<br />

which are the property of the individual countries.<br />

The number of countries represented continues to<br />

grow. The Rose Art Museum at Brandeis University,<br />

in cooperation with the US Department of States<br />

Bure<strong>au</strong> of Educational and Cultural Affairs, will<br />

present Mark Bradford as the representative for<br />

the United States.<br />

Casual, comfortable shoes


FRIDAY, JUNE 23<br />

9 pm<br />

LA DOLCE VITA<br />

THE MASKED BALL<br />

Scuola Grande Della Misericordia<br />

Cannaregio, 3599<br />

Our final Notte will be held in the recently<br />

restored Scuola Grande Della Misericordia.<br />

This multi-century old structure,<br />

which is recognized as the most important<br />

social institution in the Republic of Venice, was<br />

closed for nearly 100 years until it was restored<br />

by the city of Venice and reopened for private<br />

use only this past May. Guests will arrive by<br />

way of the Grand Canal (book water taxis<br />

through hotels or a special list will be provided<br />

in advance of the trip). The evening will consist<br />

of a fabulous masked affair with cocktails and<br />

music before guests are seated for a glorious<br />

dinner. There will be a surprise performance<br />

at dinners end! After a brief <strong>au</strong>ction, guests<br />

will descend the stairs for the after party with<br />

dj and dancing.<br />

*Venetian masked balls are indeed a sui<br />

generis art form. Think formal but fantasy,<br />

splendor and exotic while creating your attire.<br />

Masks, headpieces, feathers, pearls, jewels;<br />

even baroque. Guests will contribute greatly<br />

to the décor of the evening and to the general<br />

atmosphere. We urge you to comply with the<br />

attire request.


Saturday, June 24<br />

Au revoir and arrivederci!<br />

The program has ended and guests are free to stay in Venice,<br />

travel to other places in Europe or make their way home.<br />

We are extremely grateful to our sponsors, hosts and outstanding<br />

donors for their overwhelming generosity.<br />

Proceeds from Paris to Venice will be divided between The American<br />

and International Friends of the <strong>Louvre</strong> and Venetian Heritage.<br />

For the <strong>Louvre</strong>, funds will go towards the restoration of the apartment of<br />

Anne of Austria,<br />

mother of Louis X<strong>IV</strong> and the <strong>Louvre</strong>’s efforts to make the museum<br />

more accessible to all. The Dowager Queen’s former suite is being<br />

refurbished to house the <strong>Louvre</strong>’s unparalleled<br />

collection of Etruscan art.<br />

For Venice, funds will help to restore:<br />

Gallerie dell’Accademia 2nd Wing<br />

The State Museo delle Gallerie dell’Accademia was opened in 1807, modelled after<br />

the <strong>Louvre</strong>. The collection was enriched over the course of the nineteenth century<br />

by some important bequests and public purchases. It is now the temple of Veneto<br />

paintings. Venetian Heritage with the support of Samsung, completed the first five<br />

rooms in the new “Grandi Gallerie”. The second wing is in need of furnishing,<br />

renovation and the restoration of 66 old master paintings among them by Tiepolo,<br />

Sebastiano Ricci and Piazzetta, never before seen to be permanently displayed.<br />

*An early response sheet is included as well.<br />

For questions, feel free to email: beccacasonthrash@gmail.com

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