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chapter i • introduction •


- 3 -<br />

chapter i • introduction •


By<br />

Giacomo Della Porta (1533 - 1602)<br />

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MARKETING BY METROSTUDIO<br />

- II -


“Ciò che era accaduto nella grande epoca<br />

della Penisola Ellenica accadde di nuovo<br />

nell’Italia del Rinascimento. La liberazione<br />

dalle catene rese gli individui energici e<br />

creativi, producendo una rara fioritura di geni’’<br />

- Bertand Russell<br />

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Table Of Contents<br />

i<br />

introduction<br />

1<br />

ii<br />

location map<br />

11<br />

iii<br />

palazzo albertoni spinola: a history<br />

15<br />

iv<br />

ancestors, saints & heroes<br />

19<br />

v<br />

architecture & art<br />

25<br />

vi<br />

the palazzetto suites<br />

49<br />

elevation map<br />

51<br />

common areas<br />

52<br />

garden suite<br />

62<br />

ambassador suite<br />

72<br />

executive suite<br />

78<br />

exclusive amenities<br />

84<br />

vii<br />

restoration<br />

93<br />

viii<br />

culture & lifestyle<br />

99<br />

ix<br />

conclusion<br />

117<br />

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view of palazzetto designed by giacomo della porta, from piazza capizucchi


view of st. peter’s dome (finished by giacomo della porta) from the interior


chapter i • introduction •<br />

I<br />

introduction<br />

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chapter i • introduction •<br />

Rome:<br />

The World’s<br />

Great Beauty<br />

introduction<br />

History, Culture, Human Genius and beautiful landscape have<br />

united to make Rome one of the important cities in the world.<br />

Founded around 753 BC, it was the center and the most powerful<br />

city of Western Civilization, ruling all the Mediterranean, Northern<br />

Africa, England and parts of the Middle East. It became a worldwide<br />

center of pilgrimage, and later in the Renaissance, as the city became<br />

a major European capital of the arts, education, philosophy and<br />

trade, it became an important crossroads for bankers, artists and<br />

philosophers.<br />

Rome, the Eternal City, today is one of the most important<br />

tourist destinations of the world, due to the vast concentration of<br />

archaeological and art treasures as-well-as the charms of unique<br />

traditions, the beautiful panoramic views and the grandeur of the<br />

magnificent “villas” (parks). Nestled around the City’s significant<br />

resources are plenty of museums, aqueducts, fountains, churches,<br />

palaces, historical buildings, the monuments and ruins of the Roman<br />

Forum, and the Catacombs.<br />

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view of rome from the rooftop terrace looking towards st. peter’s basilica


chapter i • introduction •<br />

Rione Campitelli:<br />

The Neighborhood<br />

introduction<br />

The <strong>Palazzetto</strong> of the Palazzo Albertoni Spinola is located in Rome,<br />

in the historic Rione Campitelli. The small and prestigious size of the<br />

area and, above all, its richness of prominent archaeological sites<br />

and museums, make it one of most desired places to live in Rome.<br />

The coat of arms of the district bears a black head of a dragon against<br />

a white background. The coat of arms is believed to go back to a<br />

medieval legend of an evil monster which in the fourth century was<br />

a threat to the Roman Forum until it was driven out through the<br />

intervention of Pope Sylvester I.<br />

The origin of the name of the district Campitelli, according to local<br />

belief, comes from Capitolium Hill, the highest of the Seven Hills<br />

of Rome which on top of there stood the most important ancient<br />

roman temple (dedicated to the worship of the triad of Jupiter, Juno<br />

and Minerva).<br />

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Within this district is the piazza del Campidoglio (Capitolium) which<br />

is still considered, as it was two millennia ago, to be the geographical<br />

center of Rome, the reference point to count all road distances with<br />

respect to the city.<br />

Additionally, the District of Campitelli, and specifically the<br />

<strong>Palazzetto</strong>, are centrally located between the Coliseum, the Vatican<br />

City, the Spanish Steps, the Tiber River and other significant<br />

historical monuments and locations.<br />

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image of the neighborhood


neighborhood


II<br />

location map<br />

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the view of the altar of fatherland from the rooftop terrace of the palazzetto


13<br />

2<br />

19<br />

Vatican - 15 minutes<br />

18<br />

28<br />

27


4<br />

25<br />

5<br />

22<br />

20<br />

10<br />

23<br />

9<br />

12<br />

17<br />

3<br />

21<br />

24<br />

15<br />

16<br />

26<br />

6<br />

11<br />

14


8<br />

7<br />

1


points of interest<br />

<strong>Palazzetto</strong><br />

1. Colosseum<br />

2. Vatican City<br />

3. Theater of Marcellus<br />

4. Pantheon<br />

5. Eliseo Theater<br />

6. Palatine Museum<br />

7. Brancaccio Theater<br />

8. The Basilica of St. Sylvester<br />

9. Trajan’s Forum<br />

10. Square of Gesú<br />

11. Circus Maximus<br />

12. Altar of the Fatherland<br />

13. Navona Square<br />

14. Baths of Septimius Severus<br />

15. Farnese Gardens<br />

16. Arch of Constantine<br />

17. The Turtle Fountain<br />

18. Theater Argentina<br />

19. Museum of Rome<br />

20. Gloria Pamphilj Gallery<br />

21. Roman Forum<br />

22. St. Mary above Minerva<br />

23. Venezia Square<br />

24. Arch of Titus<br />

25. St. Andrew of Quirinal<br />

26. St. Cecilia in Trastevere<br />

27. Ministry of Cultural Heritage<br />

28. Basilica of St.Mary in Trastevere


III<br />

palazzo albertoni spinola: a history<br />

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chapter ii • palazzo albertoni spinola: a history •<br />

Palazzo<br />

Albertoni Spinola<br />

history<br />

The Albertoni Spinola Palace, with an entrance in Campitelli square at n. 2, is located<br />

in the 10th District of Rione Campitelli. The facade of the Palace, facing the piazza<br />

Campitelli, was built between 1603, and the years immediately following, with some<br />

interventions in late 1616. The work was commissioned by Marquis Baldassarre Paluzzi<br />

Albertoni to Giacomo della Porta (ca. 1540-1602), in an area likely to be rebuilt between<br />

the buildings De Rossi (later Cavalletti) and Capizucchi.<br />

The work of Della Porta involved the project and the construction of the bearing<br />

structures and the internal partitions of the big building, in the years between 1560<br />

and 1580. Partcularly the project, that archiect Rainaldi finished after Della Porta<br />

death, caused:<br />

A) the architectural integration of the new construction into the ancient preexisting<br />

<strong>Palazzetto</strong>, allowing this unit to extend and merge into the new construction<br />

without being able to recognize that you are in one side or in the other part of the<br />

Palazzo;<br />

B) the preservation of direct view of the entry of Santa Maria (which is<br />

the Campitelli Church located in front of the Palazzo Albertoni Spinola) from the<br />

original door of the <strong>Palazzetto</strong>, despite having built the great Palazzo in front of what<br />

pre-existed building. In fact, the entrance gallery of the building forms a diagonal<br />

connection between the square and the inner courtyard;<br />

C) the use of the old roof secret garden of the <strong>Palazzetto</strong> from the first floor of the<br />

Palazzo, making this unit a unique property of its kind.<br />

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chapter ii • palazzo albertoni spinola: a history •<br />

In fact, in 1603 Knight Baldassarre Paluzzi Albertoni requested a permit to build the<br />

new facade, widening the area of the existing property towards the square and aligning<br />

the new wall with the corner of the adjacent Capizucchi palace. In 1616 he required an<br />

additional permit to construct, over the back door of his palace and over the alley, an<br />

archway to allow passage to his “nearest neighbors” who were carrying out further<br />

restructuring at that time (this is the archway built in the back, in the outside of the<br />

building, at the height of the first floor).<br />

The Palace, which remained in the hands of the offspring of the Altieri Family for<br />

more than a century, was elevated with a fourth floor on top of the attic, and was sold<br />

around 1808 by Prince Paluzzo Altieri to a famous Spanish general, Manuel Godoy y<br />

Alvares de Faria Ríos Sánchez Zarzosa, prince of Paz de Basano (1767-1851). Somewhat<br />

later, the building was handed over to Cardinal Bartolomeo Pacca (1756-1844) who lived<br />

there from time to time at least from 1819. After Pacca’s death, the Palace remained for<br />

fifty years with his grandchildren who rented parts of it out to their acquaintances<br />

including cardinals Giacomo Piccolomini and Giacomo Antonelli.<br />

history<br />

Thereafter, in 1886, the building was sold by the descendants of Pacca to Countess<br />

Carolina Portalupi (1852-1891) who restored it. Subsequently, the Countess left the<br />

Palace to her direct descendants, Genoese Marquis Spinola, Maria Antonietta and<br />

Bonifacio. Maria Antonietta Spinola was later to marry the well-known politician<br />

Mario Cingolani (1883- 1971), while Bonifacio Spinola married his second cousin,<br />

countess Marina Baldeschi (1895-1983)].<br />

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IV<br />

ancestors, saints & heroes<br />

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chapter vii • ownership •<br />

Spinola Family<br />

ancestors<br />

Spinola family is one of the most ancient and important Genoese<br />

families, that dominated the history of Genoa, Italy, during the citystate’s<br />

great period, from the 12th to the 14th century. The Spinolas<br />

furnished many consuls to the aristocratic “consular” commune of<br />

12th century.<br />

The Spinolas distinguished themselves as soldiers, prelates,<br />

ambassadors, saints, heroes and literary persons with family<br />

members connections within the Vatican.<br />

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chapter vii • ownership •<br />

ancestors<br />

tomb of pope benedict xv at st. peter’s basilica<br />

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chapter vii • ownership •<br />

Charles spinola<br />

ancestors<br />

Blessed Charles Spinola (1564 – 10<br />

September 1622), also known as Carlo<br />

Spinola, was a Jesuit missionary<br />

from Genoa, martyred in Japan as a<br />

missionary.<br />

Matilde di canossa<br />

Matilde of Canossa (1046 – 24 july<br />

1115), was a powerful feudal lady<br />

in northern Italy and the chief<br />

Italian supporter of Pope Gregory VII<br />

during the investiture controversy.<br />

In addition, she was one of the few<br />

medieval women to be remembered<br />

for her military accomplishments,<br />

which allowed her dominion over all<br />

the territories north of the church states.<br />

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chapter vii • ownership •<br />

Pope benedict xv<br />

Gianluca spinola<br />

Pope Benedict xv (21 November 1854<br />

– 22 January 1922), born Giacomo<br />

Paolo Giovanni Battista della Chiesa,<br />

cousin of Maria Antonietta Spinola,<br />

was Pope from September 3, 1914<br />

to his death in 1922. His pontificate<br />

was largely overshadowed by World<br />

War I and its political, social, and<br />

humanitarian consequences in Europe.<br />

ancestors<br />

Gianluca Spinola was an Italian<br />

partisan, descended from a noble<br />

family of Genoa, who was shot by<br />

the Germans at the end of World<br />

War II. He volunteered in the<br />

resistance for the liberation of Italy<br />

and attacked overwhelming German<br />

forces at Castel s. Giminiano. He was<br />

surrounded and taken prisoner on<br />

the 2nd of June, and was killed on the<br />

14th of June 1944.<br />

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V<br />

architecture & art<br />

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chapter iii • architecture & art •<br />

The Great Architect<br />

Giacomo Della Porta<br />

architecture<br />

Giacomo Della Porta (c. 1533 – 1602) was one of the most important Italian architects<br />

and sculptors, who worked on many important buildings in Rome including St. Peter’s<br />

Basilica. He was born at Porlezza, Lombardy, and died in Rome.<br />

Della Porta was influenced by and collaborated with Michelangelo, and Giacomo Barozzi<br />

da Vignola, his teacher of architecture. After 1563 he carried out Michelangelo’s plans<br />

for the rebuilding of the Campidoglio or Capitoline Hill’s open spaces by completing<br />

the facade and steps of Palazzo Senatorio, and the Cordonata Capitolina (the ramped<br />

steps up to the piazza del Campidoglio).<br />

After the death of Vignola in 1573, Della Porta continued the construction of il Gesù,<br />

the mother church of the Jesuit order, and in 1584 modified its façade after his own<br />

designs.<br />

From 1573 he was in charge of the ongoing construction of St. Peter’s Basilica, and later,<br />

in collaboration with Domenico Fontana, completed Michelangelo’s dome between<br />

1588-1590.<br />

The genial imprint of Giacomo della Porta on the project of Palazzo Albertoni Spinola<br />

is revealed firstly through the integration of the two units that enables the ancient<br />

<strong>Palazzetto</strong> to extend into the new construction seamlessly; second in the creation of<br />

view perspective from the entrance of the ancient building to Santa Maria in Campitelli<br />

Church, through the diagonal trend in the new courtyard of Palazzo and third with<br />

the enjoyment of the <strong>Palazzetto</strong> secret garden even from the new Palazzo first floor.<br />

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view of the monumental stairs


example of the palazzetto’s workmanship showing mouldings, metal works, marble floor and hand-crafted door against the monument


al stairs


chapter iii • architecture & art •<br />

Plaster Lions<br />

architecture<br />

Lion motifs are scattered throughout the property,<br />

and are prominently featured over many doorways and thresholds<br />

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chapter iii • architecture & art •<br />

Mouldings<br />

architecture<br />

Beautiful sculptural mouldings line the ceilings of the palace<br />

with floral and maritime motifs<br />

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chapter iii • architecture & art •<br />

Metal Works<br />

architecture<br />

Exquisitely crafted iron and bronze works can be found<br />

everywhere inside and outside the property<br />

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chapter iii • architecture & art •<br />

Flooring<br />

architecture<br />

Glass mosaics, marble, stone, and wood create gorgeous flooring<br />

surfaces in every room and space of the palace<br />

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chapter iii • architecture & art •<br />

Sculptures<br />

In the Palace, there is still a small collection of six portrayed sculpted<br />

heads, one in the entrance hall past the courtyard and the other<br />

five over the stairs, which were part of the collection of the Paluzzi<br />

Albertoni family, collectors of ancient artwork.<br />

art<br />

In the 1600s, the Paluzzi Albertoni pieces were merged with the<br />

remarkable Altieri collection, enriching the family mansion and<br />

other properties including villas on the Esquilino and at Porta Salaria.<br />

The busts currently residing in the Albertoni Spinola palace include<br />

two ancient marble heads, one of a young woman and one of<br />

Antinous (mended in part); another ancient marble head, a Priest<br />

of Isis (reworked in the Renaissance era as a portrait of Publius<br />

Cornelius Scipio Africanus); two marble portraits reconstructed<br />

during the Renaissance era, one of Julius Caesar and another<br />

probably of Hesiod or Zeno of Elea; and a plaster cast of the head<br />

of Julius Caesar taken from the statue preserved in the senatorial<br />

palace on the Capitoline Hill.<br />

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marble bust of publius scipio africanus in the palazzetto


chapter iii • architecture & art •<br />

Marble Bust<br />

art<br />

Bust of a priest of Isis reworked<br />

as “Publius Scipio Africanus”<br />

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chapter iii • architecture & art •<br />

Marble Bust<br />

art<br />

Greek poet Hesiod<br />

or philosopher Zeno of Elea.<br />

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chapter iii • architecture & art •<br />

Marble Bust<br />

art<br />

Bust of Antinous<br />

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chapter iii • architecture & art •<br />

Marble Bust<br />

art<br />

Bust of Julius Caesar<br />

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chapter iii • architecture & art •<br />

Frescoes<br />

There are numerous frescoes located throughout the <strong>Palazzetto</strong>.<br />

art<br />

One is located in the Little Chapel, one is located at the Management<br />

Office within the common area and two are located in the amenities<br />

areas of the Ambassador and Executive suites.<br />

The significance of these art pieces make this property unique and<br />

one of a kind.<br />

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detail of the fresco of the little chapel, located within the palazzetto


chapter iii • architecture & art •<br />

Little Chapel Fresco<br />

art<br />

Different perspective views of the unique art painting of the Little Chapel.<br />

The entrance to the Chapel is through a door located off the spiral staircase<br />

which leads to the Rooftop Terrace.<br />

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chapter iii • architecture & art •<br />

art<br />

- 41 -


chapter iii • architecture & art •<br />

Dome Fresco<br />

art<br />

The Dome Fresco located on the ceiling within the common areas of the <strong>Palazzetto</strong><br />

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chapter iii • architecture & art •<br />

Dome Fresco<br />

art<br />

- 43 -


chapter iii • architecture & art •<br />

Gym Fresco<br />

art<br />

Ceiling Frescos located within the Exclusive Amenities of the Ambassador and<br />

Executive Suite, at the first floor of the <strong>Palazzetto</strong><br />

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chapter iii • architecture & art •<br />

Gym Fresco<br />

art<br />

Ceiling Frescos located within the Exclusive Amenities of the Ambassador and<br />

Executive Suite, at the first floor of the <strong>Palazzetto</strong><br />

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stunning view from the rooftop terrace


chapter iv • location map & lifestyle •<br />

VI<br />

palazzetto suites<br />

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Rooftop<br />

Second/Mezzanine Floor<br />

First Floor<br />

Ground Floor<br />

common areas<br />

garden suite<br />

ambassador suite<br />

executive suite<br />

rooftop terrace (exclusive amenity)<br />

exclusive amenities


Elevation Map<br />

& Connections<br />

The masterpiece of architectural integration<br />

by Giacomo della Porta<br />

Three independent, luxury suites each equipped with fitness,<br />

wellness, and relaxation areas. The three residences will be equipped<br />

with shared security services, an office and a movie theatre for<br />

private screenings.<br />

Although the suites have shared common amenities, they are still<br />

independent. They may be accessed by different entrances, either<br />

through the main monumental staircase, or from Capizucchi alley<br />

via from Capizucchi square, or from the entrance hall on the ground<br />

floor of the Palazzo using the spiral staircase that starts right at that<br />

entrance.<br />

On the Ground Floor of the <strong>Palazzetto</strong> you have shared Common<br />

Areas: the office, theater, concierge, security and private parking.<br />

Also on the ground floor are the private gym and wellness of the<br />

Garden Suite, private gym and wellness of the Ambassador and<br />

Executive Suites.<br />

The Garden Suite is located on the first floor of the <strong>Palazzetto</strong>. The<br />

entrance is on the first landing area of the monumental staircase.<br />

The private service entrance is located on the ground floor off the<br />

Capizucchi alley.<br />

The Ambassador and Executive Suites are located on the second/<br />

mezzanine floor. The entrances are on the second landing of the<br />

monumental staircase but are separate from each other. The private<br />

service entrance is off the spiral staircase originating from the<br />

ground floor.<br />

The rooftop Terrace is located on the roof of the <strong>Palazzetto</strong>, and it is<br />

considered an exclusive amenity for the Ambassador and Executive<br />

Suite.<br />

- 51 -


common areas<br />

- 52 -


the view perspective on santa maria in campitelli church from palazzetto doorway


common areas<br />

Private Entrance: A motor-vehicle entry way is located on the ground floor, an access from Capizucchi square.<br />

This large space is 114 m2 (1,227 sq. ft.). It consists of a central space connected to the services with marble floors,<br />

vaulted ceilings and a beautiful double wood entry door.<br />

Entertainment Area: This area is 92 m2 (990 sq. ft.) includes a Theater, Lounge and a Game Area. It is located on<br />

the ground floor with two entry doors from the entrance hall. The lower level of the Entertainment area has<br />

three additional rooms with a bathroom.<br />

Management Office: A stunning frescoed ground floor unit with a single entry door from the entrance hall. This<br />

unit has 32 m2 (344 sq. f.t). It is a single room with a recently restored fresco at the center of the ceiling and has<br />

travertine floors.<br />

T<br />

4 F<br />

3 F<br />

2 F / M<br />

1 F<br />

G<br />

private<br />

entrance


theater<br />

Piazza Capizucchi<br />

entertainment<br />

area<br />

business<br />

office<br />

Piazza Campitelli


the monumental stairs


view of the private entrance from piazza capizucchi


entrance to the business office


lobby of the private entrance


fresco on the cieling of the business office


theater room in the entrainment area


garden suite<br />

- 62 -


main door of the garden suite


ma<br />

bed<br />

garden suite<br />

A prestigious Garden suite is on the first floor of the <strong>Palazzetto</strong> with entrances on the first floor of the monumental staircase,<br />

staircase.<br />

The first level consists of an entrance hall, three living rooms, a dining room, three bedrooms, three bathrooms and a hallwa<br />

central fireplace which is covered, on its outer part, with pinewood.<br />

The lush garden is a total of over 177.65 m2 (1912 sqft).<br />

The ceilings of the entrance are made of walnut wood, painted in light green and cream colors. The ceiling is decorated with<br />

Capizucchi square, are made of walnut and maple with cornices adorned with embossed inlay imitations of roses and golden c<br />

passage room.<br />

The intermediate level is between the first floor and the ground floor. The intermediate level consists of the kitchen, a workin<br />

Finally, there is a pantry room on the ground floor with a small bathroom and another utility room where there is an access to<br />

The photos of the rooms have been photo altered to show new interior design concepts.<br />

T<br />

4 F<br />

3 F<br />

2 F / M<br />

H= 3.63<br />

wellness<br />

room<br />

1 F<br />

Ground Level (G) ˇ<br />

G<br />

H= 3.00<br />

gym<br />

bedroom<br />

bathroom<br />

living<br />

room<br />

lounge<br />

dining<br />

room<br />

garden<br />

kitchen<br />

Intermediate Level (Betw


and a separate private service entrance from Capizucchi alley. The suite extends over three levels connected by a circular<br />

y. The garden is accessed from the living room, the dining room, and from the lower level kitchen. The living room has a<br />

simple relief patterns. The ceilings of the living rooms and the large bedroom with floor to ceiling windows, overlooking<br />

oats-of-arms. The hallway, on the other hand, has a false ceiling, which hides a decoration similar to the one present in the<br />

g room, a utility bedroom, a pantry and a closet.<br />

the Gym and the Wellness area.<br />

Piazza Capizucchi<br />

ster<br />

room<br />

closet<br />

entrance<br />

Piazza Campitelli<br />

een Ground Floor & First Floor) ˆ


entrance of the garden suite from the interior


one of the unique ceilings of the garden suite


view of secret garden


dining room of the garden suite


detail of the ceramic base-relief in the garden


garden suite gym


ambassador suite<br />

- 72 -


main entrance of the ambassador suite


ambassador suite<br />

The stately Ambassador Suite is located on the second floor of the <strong>Palazzetto</strong>. The main entrance is on the second landing of the m<br />

The Ambassador Suite consists of 325.75 m2 (3506 sq. ft.) and 70 m2 (753 sq. ft.) of terraces and balconies. The terrace above<br />

Additionally, there is a small two-person balcony overlooking the garden.<br />

As you enter the suite there is an entrance hall, a lounge, a dining room and a study, a full bath and another half bath. From the e<br />

overlooking both Capizucchi Square and Delfini Street).<br />

The sleeping area consists of three bedrooms one being a master, and two bathrooms. A wooden staircase leads from the maste<br />

Behind the main entrance, through a bright gallery, with iron cover and opaque glass, there is access to the service area and th<br />

From the kitchen through a door there is access to the spiral staircase that leads to the rooftop terrace with the adjoining attic.<br />

The ceilings of the representative rooms are coffered in a simple manner, without the usual painted decorations with light gree<br />

with the same light green and cream colors.<br />

The photos of the rooms have been photo altered to show new interior design concepts.<br />

T<br />

4 F<br />

3 F<br />

2 F / M<br />

1 F<br />

terrace<br />

G<br />

master<br />

bedroom<br />

bathroom<br />

bedroom<br />

bedroom<br />

lo


onumental staircase. An alternative is the spiral staircase that starts in the entrance hall of the ground floor of the Palazzo.<br />

the master bedroom covers 41.9 m2 (451 sq. ft.) with a lovely view of the neighborhood and the Altar of the Fatherland.<br />

ntrance hall, and three steps to the left, there is a passageway to the sleeping area (preceded by a hallway that has windows<br />

r bedroom to an adjoining terrace overlooking with a lovely view of the neighborhood and the Altar of the Fatherland.<br />

e kitchen.<br />

n and cream colors. The floors are made of nailed oak parquet laid in a herringbone pattern. The coffered doors are painted<br />

Upper Level ˆ<br />

Piazza Capizucchi<br />

dining<br />

room<br />

living<br />

room<br />

bathroom<br />

bedroom<br />

unge<br />

entrance<br />

& studio<br />

kitchen<br />

Piazza Campitelli<br />

bathroom


entrance & studio of the ambassador suite


living room of the ambassador suite


dining room of the ambassador suite


executive suite<br />

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main entrance of the executive suite


executive suite<br />

The charming Executive Suite is located on the mezzanine level of the <strong>Palazzetto</strong>. Its entrance is off the second landing of the<br />

the ground floor of the Palazzo. The executive suite extends over 159.79 m2 (1719 sq. ft.). The entrance opens to the gallery, buil<br />

The gallery leads to the living and dining room. There are two bedrooms, with elegant and spacious built-in closets, adjacen<br />

windows overlooking Piazza Campitelli.<br />

From the hall between the bathrooms, there is access to the staircase that leads to the rooftop terrace and the little chapel.<br />

The two bathrooms are covered with travertine, and there is a unique iron beam supporting the ceiling of the building that is p<br />

The photos of the rooms have been photo altered to show new interior design concepts.<br />

T<br />

4 F<br />

3 F<br />

2 F / M<br />

1 F<br />

G


monumental staircase. There is another entrance from the spiral staircase that starts in the entrance hall of<br />

t with sheet brick wall and supported by six brackets of masonry.<br />

t to the living room and dining room as-well-as 2 bathrooms. The living room and both bedrooms feature<br />

art of the architecture design in the living room and was installed during the renovation work.<br />

Piazza Capizucchi<br />

bathroom<br />

bathroom<br />

master<br />

bedroom<br />

bedroom<br />

Piazza Campitelli<br />

entrancekitchen<br />

living<br />

& dining room


master bedroom of the executive suite


living room of the executive suite


hallway of the executive suite


exclusive amenities<br />

of the ambassador & executive suites<br />

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the gym


Exclusive Amenities<br />

of ambassador & executive suites<br />

The Ambassador and the Executive suites share exclusive Amenities.<br />

They consist of a stunning rooftop Terrace with an attic room on the<br />

same level, a Little Chapel, and a Gym and Wellness area.<br />

The Rooftop Terrace has a 360 degree breathtaking view of the main<br />

monuments over Rome, such as the Altar of the Fatherland, the<br />

Dome of St. Peter, the Mouth of Truth and many others.<br />

The Gym and the Wellness area of the Ambassador and Executive<br />

suites is located at the ground floor of the <strong>Palazzetto</strong>, with two entry<br />

doors from the entrance hall and one private access from the spiral<br />

staircase. The floors are Venetian-style terrazzo, and the ceilings are<br />

decorated by frescoes.<br />

Ground Floor<br />

Rooftop


the spa


the stunning rooftop terrace


view of st. peter’s basilica from the rooftop terrace


kitchen at the attic of the rooftop terrace<br />

attic of the rooftop terrace


little chapel


VII<br />

restoration<br />

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chapter vi • restoration •<br />

restoration<br />

The fresco in the little chapel was brought back to life<br />

by experts of archival art restoration.<br />

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chapter vi • restoration •<br />

restoration<br />

The facade of the <strong>Palazzetto</strong> underwent a painstaking<br />

restoration process to return it to its original magnificence.<br />

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chapter vi • restoration •<br />

restoration<br />

The moulded ceilings of the Ambassador Suite were<br />

expertly treated to recover their bright colors.<br />

- 96 -


chapter vi • restoration •<br />

restoration<br />

The frescos and mouldings on the ceilings of the gymnasium<br />

were rescued from deterioration and restored to their original stunning beauty.<br />

- 97 -


chapter iv • location map & lifestyle •<br />

- 98 -


chapter iv • location map & lifestyle •<br />

VIII<br />

culture & lifestyle<br />

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culture<br />

Vatican City<br />

Within Vatican City there are cultural sites such as St. Peter’s<br />

Basilica, the Sistine Chapel, and the Vatican Museums. They<br />

feature some of the world’s most famous paintings and sculptures.<br />

- 100 -


Museums<br />

culture<br />

Rome was a major world center of the Renaissance, second only to<br />

Florence, and was profoundly affected by this amazing period of<br />

art and enlightenment. The Capitoline Museums are a group of<br />

art and archeological museums in Piazza del Campidoglio.<br />

- 102 -


detail of a sculpture at the capitoline museums


History<br />

culture<br />

The Coliseum, also known as the Flavian Amphitheater is an<br />

elliptical amphitheater in the center of the city of Rome, Italy.<br />

Built of concrete and stone, it is the largest amphitheater ever<br />

built and is still considered today to be one of the world’s greatest<br />

works of architecture and engineering.<br />

- 104 -


lifestyle<br />

Parks & Villas<br />

Public parks and nature reserves cover a large area in Rome,<br />

and the city has one of the largest areas of green space among<br />

European capitals. The most notable part of this green space is<br />

represented by the large number of villas and landscaped gardens<br />

created by the Italian aristocracy.<br />

- 106 -


view of the lake at villa borghese


lifestyle<br />

Gastronomy<br />

Rome became a major epicurean center during the ancient<br />

Age. Ancient Roman cuisine was highly influenced by Ancient<br />

Greek culture, and later, the empire’s enormous expansion exposed<br />

Romans to many new, provincial culinary habits and cooking<br />

techniques.<br />

- 108 -


lifestyle<br />

Fashion<br />

Rome is also widely recognized as a world fashion capital.<br />

Major luxury fashion houses and jewelry chains have luxury<br />

boutiques in Rome, primarily along its prestigious and upscale<br />

Via dei Condotti.<br />

- 110 -


chapter iv • location map & lifestyle •<br />

lifestyle<br />

Italian Open<br />

The Italian Open is an annual tennis tournament held in Rome. It<br />

is one of the most prestigious red clay tennis tournaments in the<br />

world after the French Open, with the men’s competition being an<br />

ATP World Tour Masters 1000 event on the Association of Tennis<br />

Professionals (ATP) tour, and the women’s competition being a<br />

Premier 5 event on the Women’s Tennis Association (WTA) tour.<br />

- 112 -


Piazza Di Siena<br />

lifestyle<br />

Rome’s famous international horse show remains unchanged<br />

as does its role of excellence in the world of show jumping. The<br />

event, with its Nations Cup now, is attended by the best riders in<br />

the world ranks.<br />

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- 116 -


IX<br />

conclusion<br />

- 117 -


Conclusion<br />

conclusion<br />

Generation after generation, the power and prestige of Rome<br />

endures. It remains ageless in its beauty and majesty, enchanting<br />

all who walk through her streets, gather among her monuments,<br />

or encounter her charm. Even the ruins left by ancient civilizations<br />

cannot spoil her youth… earning her the name of The Eternal City.<br />

The <strong>Palazzetto</strong> inside the Palazzo Albertoni Spinola bears witness<br />

to it all and is nothing less than a front-row seat to the wonders of<br />

the city on the seven hills. Only the sons and daughters of Apollo<br />

would have been granted such access to Rome, with the seclusion<br />

and privacy reserved for gods of the Roman pantheon. Steps away<br />

from where Caesar decided the fate of his gladiators, and a stone’s<br />

throw from the seat of the Pope, the <strong>Palazzetto</strong> is at the very center<br />

of history… and invites you to leave your own mark on time itself.<br />

- 118 -


- 119 -<br />

conclusion


sunset view of st.peter’s basilica from the rooftop terrace


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