Vividh 2016: Multiple Expressions of Indian Art
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S H RAZA<br />
S. H. Raza (1922- <strong>2016</strong>) full name Syed Haider Raza was born in Madhya Pradesh. He studied<br />
painting at the School <strong>of</strong> <strong>Art</strong> in Nagpur and Mumbai's Sir JJ School <strong>of</strong> <strong>Art</strong>. One <strong>of</strong> the greatest<br />
icons <strong>of</strong> Contemporary <strong>Indian</strong> <strong>Art</strong> and a founder member <strong>of</strong> the Progressive <strong>Art</strong>ists Group, Raza<br />
as he was popularly known, moved to Paris in 1950 to study at Ecole Nationale des Beaux-<strong>Art</strong>s<br />
with a French Government scholarship. And Paris became his home for several decades before<br />
he shifted his base to Delhi. Raza's oeuvre is marked for its spiritual essence, its myriad colours<br />
and abstraction. The vague suggestions <strong>of</strong> a landscape <strong>of</strong> his childhood amidst rustic rural<br />
ambience <strong>of</strong> MP that can be seen in his early works, began to fade away and became subtle as the<br />
artist turned inward. The rendezvous with simple elementary geometric forms, symbols and<br />
metaphors including 'Bindu' i.e. a dot or circle appeared in luminous reds, blues and other<br />
colours in his canvases rotating around a focal point <strong>of</strong>ten symbolic <strong>of</strong> male-female polarity<br />
bordering on the tantric. The legendary artist successfully retained the energy and spirit <strong>of</strong> the<br />
land <strong>of</strong> his birth, and added to it a technical finesse resulting from his Western training and<br />
exposure. Raza contributed to several cultural trusts and initiatives in India and France that<br />
continue to support promising young artists to showcase their work internationally. His own<br />
work has been exhibited in countless individual and group shows including the International<br />
Biennales at Venice, Sao Paolo, Manton and Triennale India. Awards conferred on him included<br />
the Prix de la Critique in Paris, the Kalidas Samman by the government <strong>of</strong> Madhya Pradesh and<br />
the Lalit Kala Ratna and Padma Shri by the President <strong>of</strong> India. His work is held in important<br />
<strong>Indian</strong> and international public and private collections including the National Gallery <strong>of</strong><br />
Modern <strong>Art</strong>, Jehangir <strong>Art</strong> Gallery Mumbai and Bharat Bhavan Bhopal.<br />
SATISH GUJRAL<br />
Born 1925 at Jhelum in Punjab, Satish Gujral studied at Mayo School <strong>of</strong> <strong>Art</strong> in Lahore followed<br />
by further study at JJ School <strong>of</strong> <strong>Art</strong> in Bombay at a time when it was under the influential surge<br />
<strong>of</strong> Progressive <strong>Art</strong>ists Group. A fellowship in South America at an early stage in his career left a<br />
deep impression on the artist's mind though he has resiliently retained his own style to give<br />
<strong>Indian</strong> modernism his individual touch and iconography. Satish Gujral is a versatile artist and a<br />
living legend in the art scene <strong>of</strong> post independence India. His early years <strong>of</strong> solitude due to a<br />
hearing impairment together with the trauma <strong>of</strong> India's partition were reflected in his initial<br />
figurative work that <strong>of</strong>ten featured people burdened by the tough circumstances <strong>of</strong> their life.<br />
The experimental nature and emotive quality <strong>of</strong> his work in sculptures, paintings, collages and<br />
murals are the distinctive features <strong>of</strong> Satish Gujral's amazing creative array. His play with<br />
material and form ranges from ordinary people occupied in their routine work to iconic themes<br />
and figures, in paintings or sculptures in ceramics, burnt wood or other material. His