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Hidden Treasure Art eMagazine / Spring MARCH 2015

Hidden Treasure Art Magazines and Yearbooks are featuring the latest trends in visual arts over the world, promoting artists and their works and connecting them with vast audience of collectors, curators, exhibitors, art lovers and potential buyers.

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<strong>Hidden</strong> <strong>Treasure</strong> <strong>Art</strong> <strong>eMagazine</strong> is designed to promote and support artists in the UK and abroad. Through the Magazine, artists will be<br />

connected directly with potential buyers and more than 1500 British and another 500 European galleries.<br />

hiddentreasure<br />

<strong>Art</strong> <strong>eMagazine</strong> / <strong>Spring</strong> <strong>2015</strong><br />

Why do<br />

people<br />

like art?<br />

How to submit<br />

images when<br />

entering online<br />

art competitions<br />

Get your<br />

artworks<br />

seen!<br />

Did you<br />

know?<br />

<strong>Art</strong>ists<br />

are<br />

different<br />

<strong>Art</strong> Website<br />

Do you have one?<br />

How to make<br />

money from<br />

your art?<br />

What makes an artwork great?<br />

an article by: Allison Malafronte<br />

HT <strong>Art</strong> Magazine Publishing I March 25 <strong>2015</strong>


Georgia Szollosi Ellis - director and editor<br />

Jurors:<br />

Georgia Szollosi Ellis Painter - director and editor<br />

Mike P. Ellis - art collector and advisor<br />

Zsolt Pinter - graphic designer and painter<br />

Valeria Kovacs - co-editor and curator<br />

Cover: Capt. Stjepko Mamic<br />

St.Peter’s Sails<br />

acrylics on linen canvas<br />

82x65cm<br />

2014<br />

Back: Linda McIntosh<br />

That Spoonful<br />

mixed media on paper<br />

16x16in<br />

<strong>2015</strong><br />

Featured artists:<br />

Anna Hausmann (Paintings, Drawings, Mixed Media)<br />

Bin Feng (Photography, Digital <strong>Art</strong>)<br />

David Crittin (Sculptures, Installations)<br />

Paul Hamanaka (Back Inside)<br />

<strong>Hidden</strong> <strong>Treasure</strong> <strong>Art</strong> <strong>eMagazine</strong> / <strong>Spring</strong> <strong>2015</strong><br />

is published by HT <strong>Art</strong> Magazine Publishing<br />

Promotion and Publication London, UK<br />

www.ht-artmagazine.com info@ht-artmagazine.com<br />

Copyright 2013-<strong>2015</strong> by HT <strong>Art</strong> Magazine Publishing.<br />

All rights reserved. All artists featured in <strong>Hidden</strong> <strong>Treasure</strong> <strong>Art</strong><br />

Magazine Yearbook <strong>2015</strong> retain the copyright for each of<br />

their individual images. All rights reserved. No part of this<br />

book may be reproduced or translated in any form or by any<br />

means, electronic or mechanical, including photocopying,<br />

recording or by any information storage and retrieval system<br />

without written permission from the copyright owners.<br />

2 I<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


“If you hear a voice within you say ‘you<br />

cannot paint,’ then by all means paint,<br />

and that voice will be silenced.”<br />

Vincent Van Gogh<br />

With great pride and an even greater sense of duty and<br />

responsibility we would like to present the first volume of<br />

the <strong>Hidden</strong> <strong>Treasure</strong> <strong>Art</strong> <strong>eMagazine</strong> / <strong>Spring</strong> <strong>2015</strong>.<br />

Our mission is to connect and build a bridge between<br />

artists and art lovers by providing and presenting a<br />

high quality source of visual art and design through our<br />

book, website, magazine and other publications. We<br />

are dedicated to bringing happiness and recognition<br />

to the artists and joy, beauty and satisfaction to the art<br />

lovers let them be collectors, buyers, galleries, curators<br />

or others taking pleasure in art and design.<br />

This idea was embraced by 59 artists from 15 countries<br />

all over the world and this is why we believe that <strong>Hidden</strong><br />

<strong>Treasure</strong> <strong>Art</strong> Magazine Yearbook has so much to offer<br />

both to the <strong>Art</strong>ist and to the Readers.<br />

Georgia Szollosi Ellis<br />

director, editor and curator<br />

Why do people like art?<br />

“Human beings are visual. We react to symbols, colours<br />

and images in certain ways. Can you imagine a world<br />

without symbols? We all use symbols to live and work.<br />

Some we “read”, like the stop sign or the sign for the<br />

ladies or gents toilet - these are universal. Other symbols<br />

of images promote an emotional response - and<br />

art taps into this area. That’s why I love art.... that’s why<br />

people try to paint what makes them feel deeply.... in<br />

the hopes that their emotional response will make others<br />

feel then same way...” (Unknown)<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong><br />

I 3


<strong>Art</strong>ists<br />

Amélie Perron.................................... ....64<br />

Angelo Lotti....................................... ..106<br />

Anna Hausmann............................... ......7<br />

Anne Bate-Williams........................... ....98<br />

Bernard Sabri..................................... ..144<br />

Bin Feng............................................ ..129<br />

C Pat Haley....................................... ....74<br />

Capt. Stjepko Mamic....................... ....38<br />

Carrie Webster.................................. ..138<br />

Chim’s................................................ ....50<br />

Christine Cézanne-Thauss................ ....26<br />

Christopher Voss.............................. ....32<br />

David Crittin...................................... ..136<br />

Donald Roth...................................... ....10<br />

Dufault R. ..............................................94<br />

Ernie L. Fournet.................................. ....48<br />

Evelyn-Nicole Lefevre-Sandt........... ....46<br />

Frédéric Chassériaud....................... ..114<br />

Fu Wenjun.......................................... ..142<br />

Giampietro Cudin............................ ..110<br />

Graehound....................................... ....20<br />

Igor Nelubovich................................ ....44<br />

Ines Siri Trost....................................... ....58<br />

Iryna Lialko......................................... ....99<br />

Jack Gaucher................................... ....54<br />

Julie River........................................... ..108<br />

Kay McFarlane Smith........................ ....90<br />

Laure Donnedieu de Vabres............ ....40<br />

LindaMcIntosh.................................. ....56<br />

Lasserre.............................................. ....85<br />

Leo Deville......................................... ..124<br />

Malo Design............................................. ....11<br />

Marcel Burger.......................................... ....42<br />

Marcio Decker......................................... ....62<br />

Maria Ferrara...........................................<br />

Marian Sava............................................ ..120<br />

Mike DeCesare........................................ ....30<br />

Monika Leonhardt................................... ....68<br />

Nadia Viguier........................................... ....66<br />

Natalia Repina......................................... ....76<br />

Noreen Larinde........................................ ....13<br />

Oenone Hammersley.............................. ....82<br />

Padmini..................................................... ..122<br />

Päivyt Niemeläinen................................. ....36<br />

Paul Hamanaka...................................... ......6<br />

Peggy Wright - Ruby Wings Design....... ....28<br />

Shae White............................................... ..116<br />

Snopix....................................................... ..146<br />

Delpierista77 - Stefania Grasso............... ..140<br />

Susan Emine Kaube................................ ....36<br />

Susanne Titze............................................ ....88<br />

Sussi Hodelart........................................... ....72<br />

Sylvia Kanderal........................................ ....16<br />

Tatiyana Kraevskaya............................... ....28<br />

Thomas B. Howard.................................. ....24<br />

Toni Carlton.............................................. ..104<br />

Tyler J.R. Cannon..................................... ..112<br />

Wei Yan.................................................... ....96<br />

Yi-Cheng Yen.......................................... ....92<br />

Interesting Facts Part 1............................ ....35<br />

Interesting Facts Part 2 .............................148<br />

Why <strong>Art</strong>ists Should Be Paid? ......................126<br />

What Colour is Your Personality? ..............53<br />

What Makes an <strong>Art</strong>work Great? ...............84<br />

4 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Image: Anna Hausmann<br />

Face Meets Africa<br />

acrylic on canvas<br />

80x60 cm<br />

2014<br />

I 5


Paul Hamanaka<br />

www.myartmuseum.com<br />

www.myartmuseum-annex.com<br />

contact: Paul Hamanaka<br />

hama3001@gmail.com<br />

Address: 5543 Devon Street,<br />

Philadelphia, PA 19138, USA<br />

Tel: 215-992-9998<br />

Q.R114/A Letter<br />

mixed media assemblage<br />

69 x 33 x 9 in<br />

2014<br />

Paul Hamanaka is drawn to<br />

visual phenomenon of objects<br />

seeming to disappear<br />

into the space surrounding<br />

them, as if enveloped in<br />

bright light all around. He<br />

perceives these moments<br />

as Qi, or life energy, flowing<br />

in and around everything.<br />

Through his work, recently<br />

he names it as Qi Realism,<br />

6 I<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Q.R115/Blessing<br />

mixed media assemblage<br />

43 x 25 x 10 in<br />

<strong>2015</strong><br />

Hamanaka seeks to grasp the intangible,<br />

indescribable, and invisible<br />

Qi utilizing opposite elements<br />

like, In and Out, Fake and Real,<br />

Painting and Sculpture, Movement<br />

and Stillness, and Yin and Yang. It<br />

is a means to capture the universal<br />

energy that he feels more powerfully<br />

each day.<br />

Q=MC2 +<br />

mixed media assemblage<br />

33 x 38 in<br />

2014<br />

Q.R214/Fire<br />

mixed media assemblage<br />

Size: 29 x 18 x 7 in<br />

Year: 2014<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong><br />

I 7


AnnA Hausmann<br />

www.anna-hausmann.de<br />

contact: Anna Hausmann<br />

anna-hausmann@freenet.de<br />

Germany<br />

Yellow Face<br />

acrylic on canvas<br />

50 x 40 cm<br />

2014<br />

“Life is a work of art.”<br />

As an artist, you have the power<br />

to change something. Perhaps<br />

people to move, to inspire or<br />

to be inspired. Through my art<br />

I want to make certain something<br />

visible in the form of faces,<br />

shape and Points...<br />

Face Meets Africa<br />

acrylic on canvas<br />

80 x 60 cm<br />

2014<br />

8 I<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Friendship<br />

acrylic on canvas<br />

80 x 60 cm<br />

2014<br />

The full-time artist Anna Hausmann was born in 1983 in Russia and came to Germany<br />

at age six. Here she grew up in the wind stream (Ansbach district) which has been<br />

painting since the age of 16 and now lives with her husband and son in the gap.<br />

Their colourful and high-contrast images are acrylic<br />

that certain something visible in the form of faces,<br />

symbols and dots. If you study the works of Anna Hausmann,<br />

cannot verhelen a certain stylistic proximity to<br />

the great Spanish painter, printmaker and sculptor<br />

Pablo Picasso - not be hidden. (18811973). “Picasso is<br />

my biggest role model,” - says Anna.<br />

Anna Hausmann images are line-stressed and inspirational<br />

surrealism. The boundaries between painted<br />

and real object up to the object flow smoothly into<br />

one. The stations have a “modern” in a positive way<br />

and also show echoes of Synthetic Cubism, as he was<br />

found about 1912 to 1916 in the history of art...<br />

Green Face<br />

acrylic on canvas<br />

100 x 50 cm<br />

2014<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong><br />

I 9


Don Roth<br />

www.kool-kats.com<br />

contact: Donald Roth<br />

donkat2@verizon.net<br />

United States<br />

Touring Tabby<br />

acrylic on canvas<br />

18 x 24 in<br />

2003<br />

Southern California artist Don Roth<br />

utilizes his skill as a Draftsman and<br />

Illustrator in a subtle blend of precision<br />

and sensitivity, making his creations<br />

feel almost magical in their<br />

whimsical portrayal of cats and<br />

dogs enjoying “human” activities!<br />

Feline Family Feast<br />

acrylic on canvas<br />

24 x 30 in<br />

2004<br />

Don’s natural art talent blossomed<br />

in college, and while serving in the<br />

Navy as an Illustrator. Ultimately,<br />

the artist found a home for nearly<br />

twenty years as an Industrial Design<br />

Illustrator for the commercial aircraft<br />

industry, where he acquired<br />

his skills with an airbrush creating<br />

extremely detailed renderings of<br />

commercial aircraft interior design<br />

proposals. This skill would distinguish<br />

Don’s fine art from his competition<br />

in his ultimate career as a fine artist.<br />

10 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Currently, Don Roth has had<br />

world-wide success with his<br />

on-going series titled “The<br />

Kool-Kat Kollection”, and is<br />

known as the “Norman Rockwell<br />

of Cats”. His images are<br />

seen on greeting cards and<br />

jigsaw puzzles, and prints of<br />

his work are available on<br />

cruise ship art auctions, and<br />

directly from the artist’s web<br />

site.<br />

Tabby Road<br />

acrylic on canvas<br />

24 x 30 in<br />

2008<br />

Kool-Kat Holmes<br />

acrylic on canvas<br />

24 x 24 in<br />

2013<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 11


Marcel Burger<br />

La Donna<br />

acrylic on 3D canvas<br />

100 x 100 x 4 cm<br />

2014<br />

Marcel Burger (Anna Paulowna<br />

Noord-Holland, 1964) selftaught<br />

artist. Started drawing<br />

and painting in 1984. At the<br />

time, mainly engaged in airbrush.<br />

Won numerous awards<br />

(including trips to Milan and<br />

New York) in the course of time<br />

with this airbrush work. Been a<br />

participant in several exhibitions,<br />

for example Times Square<br />

NY. Nominee of the Florence Biennale<br />

2013 and the Florence<br />

Biennale <strong>2015</strong>.<br />

Little Secret<br />

acrylic on 3D canvas<br />

80 x 100 x 4 cm<br />

2013<br />

www.marcellodesign.nl<br />

contact: Marcel Burger<br />

burger@quicknet.nl<br />

Karekietstraat 4<br />

1761XR Anna Paulowna<br />

The Netherlands<br />

T: + 31 223532770<br />

12 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Shaula’s Child<br />

acrylic on 3D canvas<br />

70 x 100 x 4 cm<br />

2014<br />

In 2012 started painting in<br />

acrylic paint, on canvas. Current<br />

style: colorful, modern,<br />

abstract with the occasional<br />

touch of pop art. The original<br />

designs are characterized by<br />

their own power, simplicity<br />

and balance. Lover of contrasting<br />

and often primary<br />

colors.<br />

From profession graphic designer,<br />

for a cosmetics manufacturer.<br />

Co-responsible for<br />

overall design and appearance<br />

of this company.<br />

The <strong>Art</strong>Curl<br />

acrylic on 3D canvas<br />

70 x 80 x 4 cm<br />

2014<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 13


Päivyt Niemeläinen<br />

Beginning<br />

mixed media<br />

50 x 50cm<br />

2012<br />

First she graduated as a textile artist, then studied at Helsinki University and graduated<br />

as Master of <strong>Art</strong>s (MA). Later she continued fine art studies and developed also<br />

special methods, such as relief painting, and making pictures in a prehistoric way<br />

using blood-water and pure pigments. Most of her<br />

works are oil paintings as well aquarelles, mixed media<br />

works and installations. To open new possibilities<br />

in artistic expression she uses many kind of materials,<br />

often straight from the nature to find and touch<br />

hidden miracles existing there. She loves colors, light,<br />

deep, strong colors. She works to find multitude and<br />

variety of expression. Human’s life, stories, music, impressions<br />

of nature, found the secret garden of exist-<br />

Descent<br />

mixed media (installation)<br />

35 x 32 x 32 cm<br />

2009<br />

14 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


www.paivytniemelainen.fi<br />

contact: Päivyt Niemeläinen<br />

pniemelainen@yahoo.com<br />

Et. Hesperiank.30 A 6,<br />

00100 Helsinki<br />

Finland<br />

T: +358(0)407156544<br />

Night Rain<br />

mixed media (installation)<br />

20 x 60 x 70 cm<br />

2013<br />

Red Moon<br />

oil on canvas and board<br />

84 x 231 cm (triptych)<br />

2006<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong><br />

I 15


Sylva Kanderal<br />

www. sylvakanderal.ch<br />

contact: Sylva Kanderal<br />

s.kanderal@bluewin.ch<br />

Zollikerstr. 8, 8702 Zollikon<br />

Switzerland<br />

T: +41 443912628<br />

Sinfonie<br />

oil and collage on canvas<br />

30 x 30 cm<br />

2014<br />

Born in Brno, Czech Republic.<br />

Lives and works in<br />

Switzerland and Florida. It is<br />

the nature and the people<br />

who are in the center of her<br />

work. Whether her paintings<br />

are expressive or figurative<br />

are always full of radiant,<br />

bright colors that create a<br />

harmonious effect. Due to<br />

the brightness and clarity of<br />

the colors she also demonstrated<br />

her approach to life<br />

and environment.<br />

Round and Colorful<br />

oil on canvas<br />

90 x 150 cm<br />

<strong>2015</strong><br />

16 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Scheherezade<br />

oil and collage on canvas<br />

30 x 30 cm<br />

2014<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 17


Sylva Kanderal<br />

Floating Balls<br />

oil on canvas<br />

50 x 150 cm<br />

2013<br />

Pink Flamingo Lake<br />

oil on canvas<br />

70 x 100 cm<br />

2013<br />

18 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Joy, serenity and love are positive emotions<br />

convey her images. She likes to work with<br />

transparent oil colors but can be found at<br />

her works many images in mix media, acrylic,<br />

aerocolour, ink and collage material of<br />

all kinds. She likes when her image can tell<br />

a little story or a joke and inspire emotions<br />

of the viewer.<br />

La Traviata<br />

oil on Canvas<br />

120 x 90 cm<br />

2014<br />

Blue Girl<br />

oil on canvas<br />

40 x 80 cm<br />

2014<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 19


Graehound<br />

Durner’s Chandelier<br />

mixed media on Rives Black<br />

44 x 30 in<br />

2014<br />

www.graehound.com<br />

contact: Graehound<br />

autobot@graehound.com<br />

215 E Douglas Street #313<br />

61701 Bloomington, IL<br />

United States<br />

T: + (1) 3098382982<br />

Suspension<br />

mixed media on Bristol<br />

6.25 x 9 in<br />

2014<br />

20 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Graehound currently works predominantly in<br />

mixed media to create illustrative pieces that<br />

promote nuanced discussion between the<br />

broader concepts of disability and identity. She<br />

has an affinity for detail and enjoys the meditative<br />

quality of both creating and observing<br />

layered imagery. She holds a BFA in Studio <strong>Art</strong><br />

from Northern Illinois University with an emphasis<br />

in Drawing and is currently enrolled in the Interdisciplinary<br />

Studio <strong>Art</strong> Masters programme at<br />

Goddard College.<br />

Seep<br />

mixed media on Bristol<br />

10.75 x 6 in<br />

2014<br />

Lacquerice<br />

mixed media on Bristol<br />

15.75 x 11 in<br />

<strong>2015</strong><br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 21


Graehound<br />

Inside Voice<br />

mixed media on Bristol<br />

13.75 x 11 in<br />

<strong>2015</strong><br />

Perpetually interested in discovering<br />

new formes of expression, Graehound<br />

has been included in national<br />

and international exhibitions and<br />

publications regarding her work in<br />

several different media, particularly<br />

drawing and beadwork.<br />

Sakura<br />

mixed media on Bristol<br />

13.75 x 10.25 in<br />

<strong>2015</strong><br />

22 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Good News<br />

for those who wish to participate<br />

in <strong>Hidden</strong> <strong>Treasure</strong> <strong>Art</strong> Magazine<br />

Yearbook 2016. <strong>Art</strong>ists can decide<br />

until the 30th of October,<br />

<strong>2015</strong> if they like to be included<br />

in <strong>Hidden</strong> <strong>Treasure</strong> <strong>Art</strong> Magazine<br />

Yearbook 2016.<br />

Image: Shae White<br />

Beautiful<br />

acrylic on canvas<br />

24 x 24 in<br />

2014<br />

If you wish to participate in <strong>Hidden</strong><br />

<strong>Treasure</strong> <strong>Art</strong> Magazine Yearbook<br />

2016, the same rules apply<br />

as for the Yearbook <strong>2015</strong> one.<br />

You can chose, whether you<br />

like to be part of our <strong>eMagazine</strong><br />

(with two pages for 55.00 GBP)<br />

and later, if you decide to participate<br />

in the Yearbook 2016,<br />

you can be included without<br />

having to be selected and you<br />

pay less, since the participation<br />

fee for the <strong>eMagazine</strong> is part of<br />

the yearbook fees (Two Books<br />

with 1 page + Post&Packaging,<br />

Handling Fee and Banking Transaction<br />

Fees)<br />

So, you will be part of the <strong>eMagazine</strong><br />

with two full pages, the<br />

eBook (the electronic version of<br />

the Yearbook with one page)<br />

and the paperback format of<br />

<strong>Hidden</strong> <strong>Treasure</strong> <strong>Art</strong> Magazine<br />

Yearbook 2016 (with one page)<br />

also you will receive a Free Membership<br />

in our Online <strong>Art</strong> Gallery<br />

(with two artworks and link to<br />

your website).<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong><br />

I 23


Thomas B. Howard<br />

www.plus.google.com/u/0/+ThomasBHoward/posts<br />

contact: Thomas Bernard Howard<br />

thomas_h@optonline.net<br />

United States<br />

Thomas is an 18 year old traditional /<br />

contemporary artist. He works in miniature<br />

with standard #2 pencil, and has<br />

exhibited in NYC, LA, WA, IA, Miami, NJ,<br />

and Southampton. In addition, his works<br />

are displayed on various internationally<br />

acclaimed websites, as well as showcased<br />

in global museum quality and<br />

exclusive catalogs, such as the International<br />

Contemporary <strong>Art</strong>ists catalog by<br />

Inco<strong>Art</strong>ists, and the <strong>Art</strong>ists To Look Out<br />

For catalog by Starry Night Programs.<br />

Carcass<br />

standard writing pencil on paper<br />

3 x 4 in<br />

2014<br />

Friend of Chief<br />

standard writing pencil on paper<br />

2 x 4 in<br />

<strong>2015</strong><br />

24 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Beach House<br />

standard writing pencil<br />

on paper<br />

4,5 x 9 in<br />

2014<br />

While about his endeavors in the art community, his work was personally commended<br />

by Ivy League institutions such as Princeton University and Columbia University,<br />

and earned a membership in the American <strong>Art</strong>ist Professional League.<br />

As a self-taught artist, it was vital that he surrounded himself with the proper resources<br />

in order to reach a professional level and harness his aptitude for detailed<br />

drawing. With inspirations like Frank Lloyd Wright and Salvidor Dali, he studied in<br />

his own time and painstakingly created his own technique which would allow him<br />

to achieve photorealism in his work. After about 8 years of intensive independent<br />

training he began exhibiting and was recognized for his proficiency despite never<br />

having been conventionally taught in any art school, a few of his pieces in particular<br />

being directly compared to Dali’s “Persistence of Memory”.<br />

Deluxe Cape<br />

standard writing pencil<br />

on paper<br />

4 x 9 in<br />

2014<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 25


Christine Cézanne-Thauss<br />

Christine Cézanne-Thauss was<br />

born in Vienna in 1952, where<br />

she is still living and working.<br />

She is taking part in various of<br />

solo- and group-exhibitions in<br />

Austria and other countries.<br />

The artist also is participating<br />

in works in public.<br />

Profile 1<br />

acrylic on canvas<br />

60 x 60 cm<br />

2014<br />

As a painter her favourite theme is the human<br />

being, especially women. She engages herself<br />

against women-abuse and trafficking in women<br />

and she takes part in art-auctions for refugees as<br />

well. Christine Cézanne-Thauss did a lot of fantastic,<br />

surrealistic art pictures , but also a lot of<br />

nude-paintings. In these she specializes on women<br />

and their role in our society.<br />

www.augenfisch.at<br />

contact: Christine Cézanne-Thauss<br />

cezanne.christi@hotmail.com<br />

Austria<br />

Profile 1<br />

acrylic on canvas<br />

60 x 60 cm<br />

2014<br />

26 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Being together, but staying alone<br />

acrylic on canvas<br />

60 x 80 cm<br />

2013<br />

Fairy tales and myths are also fascinating<br />

the artist. In the last years she is absorbed in<br />

painting a lot of portraits. She tries to show<br />

the variety of feelings being reflected in a<br />

face and she is doing this in a rather bizarre<br />

way. Christine Cézanne-Thauss got several<br />

awards and her paintings are represented<br />

in private and public institutions. She is a<br />

member of IG-Bildende Kunst, International<br />

Association of <strong>Art</strong> to the United Nations Educational,<br />

Scientific and Cultural Organisation,<br />

UNESCO.<br />

Dryads<br />

acrylic on canvas<br />

100 x 70 cm<br />

2013<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 27


Tatiyana Kraevskaya<br />

Amities<br />

oil on canvas<br />

36 x 48 in<br />

2012<br />

www.wisdomoflight.com<br />

contact: Tatiyana Kraevskaya<br />

tk@wisdomoflight.com<br />

United States<br />

Tatiyana Kraevskaya says, “<strong>Art</strong> is a spiritual language I use to communicate with<br />

people, no matter what language they speak. My work is about reaching every<br />

single heart by touching the deepest sanctuaries of the human soul. I invite viewers<br />

of my paintings to feel a<br />

higher awareness of light<br />

and reality.”<br />

She was born in a small<br />

town in Moldova. At age<br />

15, Tatiyana began studying<br />

at an art college.<br />

Red Poppies<br />

oil on canvas<br />

36 x 48 in<br />

2013<br />

28 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Blue Waltz<br />

oil on canvas<br />

36 x 48 in<br />

2013<br />

After graduation four years later, she began working as an art teacher in a school<br />

and then worked as an assistant for an art director in movie productions. Her interest<br />

in movies prompted her to seek education in this field at the national institute of cinematography<br />

(VGIK) in Moscow, Russia, where she studied for six productive years<br />

in the art department. For the next ten years, she designed costumes and sets for<br />

movies and for theaters, gave private art lessons and showed her paintings at art exhibitions.<br />

Tatiyana Kraevskaya immigrated<br />

to the United States, where<br />

she continues to paint and has exhibited<br />

her work at various galleries,<br />

rehabilitation centers and schools.<br />

Her paintings have received numerous<br />

awards, and her paintings are<br />

in a museum and in private art collections.<br />

Rocio<br />

oil on canvas<br />

36 x 48 in<br />

2014<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 29


Moni <strong>Art</strong><br />

Monika Leonhardt<br />

was born near Berlin.<br />

After a long<br />

illness, she had reoriented<br />

herself and<br />

placed painting in<br />

the focus of her life.<br />

In self-paced developments<br />

she first<br />

painted with oil and<br />

watercolour. 2012 then she swapped<br />

to acrylic and mixed media, as well as<br />

she makes experiments with abstract<br />

painting. Her motto is “Every day is<br />

unique” and it is important for you on<br />

capturing certain moods.<br />

www.monika-leonhardt.de<br />

contact: Monika Leonhardt<br />

monikaleonhardt1956@gmail.com<br />

Germany<br />

Deceleration<br />

acrylic on canvas<br />

40 x 40 cm<br />

2014<br />

Evening<br />

acrylic on canvas<br />

40 x 40 cm<br />

<strong>2015</strong><br />

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TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


In The Morning Gray<br />

acrylic on canvas<br />

40 x 40 cm<br />

<strong>2015</strong><br />

Wilderness<br />

acrylic on canvas<br />

40 x 30 cm<br />

2012<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 31


Christopher Voss<br />

Toxin.Grace<br />

mixed media<br />

36 x 36 in<br />

2014<br />

www.vossartstudio.net<br />

contact: Christopher Voss<br />

vossartstudio@gmail.com<br />

United States<br />

Faith.Construct<br />

oil on canvas<br />

24 x 36 in<br />

2014<br />

Christopher Voss’s body of art consists of internal<br />

reflections addressing physical, psychological<br />

and spiritual proximities in relation to the<br />

contemporary home. Voss has most recently<br />

been working in a more direct way as he further<br />

studies the causes and effects of narratives, as<br />

objects act as surrogates for an idea or story<br />

being told. By painting fragmented parts onto<br />

a solid background Voss further dialogs and reflects<br />

on fragments or rejected parts as being<br />

unified onto a permanent ground.<br />

32 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Lost.Found<br />

oil on canvas<br />

30 x 30 in<br />

<strong>2015</strong><br />

The fragmented parts, with anatomical, metaphysical, and psychological<br />

imagery, become interactive and communal thus<br />

creating a sense of cohesive and conflicting narratives, and<br />

recollections. The fragments can be<br />

viewed as parts that have escaped<br />

a tumultuous environment in order to<br />

risk another refuge, a diagrammatical<br />

conversation between the separate<br />

parts, a dialectical or a causal<br />

construction. In these works the<br />

painted tape, for Voss adds a sense<br />

of illusionistic permanence as well as<br />

a fragile impermanence in the work.<br />

These studies were most recently exhibited<br />

at Angelo State University’s<br />

Gallery 193 in San Angelo TX, during<br />

Voss’s “Fragments and Causality”<br />

exhibition.<br />

Nest.Fragility<br />

oil on canvas<br />

24 x 24 in<br />

2014<br />

Voss, a Terminal M.F.A. from Texas<br />

Tech University, is currently an <strong>Art</strong> Instructor,<br />

and works out of his own private<br />

studio, Voss <strong>Art</strong> Studio.<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 33


<strong>Art</strong>erial.Tree<br />

mixed media on canvas<br />

24 x 24in<br />

2014<br />

34 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Interesting Facts<br />

Part 1<br />

During Renaissance and particularly in 1500s artistic<br />

painting was not considered a suitable occupation<br />

for a gentleman. Since painting involved working with<br />

hands, artists were considered craftsmen and were given<br />

the same social standing as tailors or shoemakers.<br />

The Renaissance masterpiece “The Pieta”<br />

is the only work that Michelangelo<br />

Buonarroti ever signed. He later regretted<br />

what he considered an outburst of<br />

pride and vowed to never sign another<br />

work again. The Pieta is housed at<br />

St. Peter Basilica in Vatican City.<br />

Michelangelo Buonarroti’s father Lodovico was horrified<br />

when he found out that Michelangelo decided to<br />

become an artist. Michelangelo was often beaten by<br />

his father and uncles when he first began to draw. Lodovico<br />

was proud of his ancestry and he worried that<br />

an artist in the family will bring the family a disgrace<br />

(Image on the left: Restorers spot lost self-portrait of Renaissance<br />

master Michelangelo in Vatican fresco).<br />

Leonardo Da Vinci started<br />

painting Mona Lisa in 1504 or<br />

1505 and finished only shortly before he died in<br />

1519. Some reports say that it took him 10 years.<br />

Pablo Picasso was considered a suspect in the<br />

theft of Mona Lisa in 1911. He was arrested<br />

and questioned after his friend Guillaume Apollinaire<br />

pointed a finger at Picasso. Both were<br />

later cleared and released.<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 35


Suzan Emine Kaube<br />

Easter Fire<br />

acrylic on canvas<br />

60 x 50 cm<br />

2001<br />

Born in Istanbul in 1942, Suzan Emine Kaube studied in Istanbul and Hamburg. After<br />

several years as a teacher, she followed her early love for literature and the fine arts.<br />

She published books with poems, reflections and a novel. Her pictures, painted in<br />

oil or acrylic on canvas, have been<br />

exhibited in various European and<br />

Turkish centers. She prefers an abstract,<br />

surreal, postmodern style, her<br />

main themes are environmental and<br />

social problems, which leave their<br />

traces in the artist’s soul. They show<br />

up spontaneously from the subconscious<br />

and find their characteristic,<br />

unique expression in shape and colours.<br />

Compassion<br />

acrylic on canvas<br />

70 x 50 cm<br />

2007<br />

36 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


www.suzaneminekaube.de<br />

contact: Suzan Emine Kaube<br />

suzan.e.kaube@web.de<br />

Germany<br />

Imagine the Future<br />

acrylic on canvas<br />

80 x 60 cm<br />

2004<br />

Evil Eye<br />

acrylic on canvas<br />

70 x 50 cm<br />

2004<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 37


Capt. Stjepko Mamic<br />

Capt. Stjepko Mamic, both a painter and sea captain was<br />

born in 1958 in Dubrovnik, Croatia. His paintings are unique,<br />

bursting with color created with powerful strokes of the palette<br />

knife, full of light and positive energy. He implements an<br />

array of media: oil, acrylic,combining them with glowing effects<br />

and golden leaves. He has perfected the techniques<br />

of contemporary painting at the Academy D’<strong>Art</strong>e Florence,<br />

Italy and Academy du Port Royal in Paris Stjepko is a member<br />

of The Croatian Association of <strong>Art</strong>ists-Dubrovnik and <strong>Art</strong>Nation<br />

International Association.<br />

Triptych Sails<br />

acrylics over golden leaves on linen canvas<br />

80 x 60 cm each<br />

2014<br />

St.Peters Sails<br />

acrylics on linen canvas<br />

82 x 65 cm<br />

2014<br />

38 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


He has exhibited extensively in individually<br />

and with groups around the<br />

globe, Paris, London, Oxford, Berlin,<br />

Sao Paolo, New York, Zurich, Basel,<br />

Shanghai, Rome, Palermo, Florence,<br />

Berlin, Catania e.t.c. His works are in<br />

the holdings of numerous galleries<br />

and private collections worldwide.<br />

He is awarded artist, for his work he<br />

received some of the most prestigious<br />

award, like: “The best <strong>Art</strong>ist in<br />

the world for the stylistic value “ (Eiffel<br />

Tower, Paris), the first Audience<br />

award at European exhibition in Denmark,<br />

“Pour le talent artistique” (European<br />

Biennial Paris), Raffaello Sanzio<br />

Award (Lecce, Italy), Botticelli Award<br />

(Florence, Italy) e.t.c. In <strong>2015</strong> he become<br />

Ambassador of culture in the<br />

world, for human right.<br />

www.artbystjepko.com<br />

www.raguza.net<br />

contact: Capt. Stjepko Mamic<br />

stjepko17@yahoo.com<br />

Croatia<br />

Net<br />

acrylic on linen canvas<br />

100 x 80 cm<br />

2013<br />

Rush Hours<br />

triptych, acrylics on linen canvas<br />

100 x 240 cm<br />

<strong>2015</strong><br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 39


Donnedieu de Vabres<br />

www.lauredonnedieu.com<br />

contact: Donnedieu de Vabres<br />

laure@donnedieu.eu<br />

France<br />

Laure Donnedieu has discovered the bullfighting environment<br />

30 years ago and is interested in it in different<br />

ways. After a first training in various painting workshops,<br />

she were specialized in the bullfighting painting under different<br />

formats: traditional bullfighting, horse bullfighting,<br />

bulls at land at the beginning in a very figurative way.<br />

Then, step by step, she has moved to a more abstractive<br />

technique emphasizing on the moves and lights very typical<br />

from the bullfighting culture. For the last 4 years, Laure<br />

has enlarged her scope of practice and is now painting<br />

cities like Paris or New York by using knife and acrylic techniques.<br />

She is also interest in street art.<br />

From High Line<br />

acrylic & knife<br />

31,5 x 31,5 cm<br />

2014<br />

Cinco Dias 2<br />

collages, acrylic<br />

and ink on canvas<br />

12 x 36 in<br />

2011<br />

40 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Bleu Marine<br />

acrylic & knife<br />

31,5 x 31,5 cm<br />

2014<br />

Feu d’<strong>Art</strong>ifice 2<br />

acrylic & knife<br />

31,5 x 31,5 cm<br />

<strong>2015</strong><br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 41


Marcio Decker<br />

www.deckerfinearts.com<br />

contact: Marcio Decker<br />

marcio@deckerfinearts.com<br />

Brazil<br />

Decker’s abstract optical, mixed media pieces explore<br />

the effects of dimensional expansion on the<br />

canvas’ surfaces using acrylic paint in predominantly<br />

vibrant and contrasting hues, layered compositions<br />

and textures. The process involves optic<br />

and kinetic qualities to augment, enhance and<br />

displace color, texture and light in the works. The<br />

pieces then radiate, glow and move with the viewer.<br />

The process starts with freedom of expression and<br />

movement, flourishing imagination without restrictions<br />

and calculations. A place of contemplation<br />

and inspiration is established. Layers of paint and<br />

textures are overlapped generating dimensions,<br />

compared by the artist to his experiences, and the<br />

final coatings of pigment, glazes or metallic finishes<br />

are carefully applied utilizing fine decision making<br />

and technical skills, developed in the past 25 years,<br />

taking the paintings to a completion. This process<br />

can take many days, weeks, months or years. Lastly,<br />

a glass lens that ends the process and enhances,<br />

illuminates and bends form while concealing<br />

experiences and protecting the painting.<br />

Colliding Elements<br />

mixed media<br />

62 x 32 in<br />

2013<br />

Dynamic Dust<br />

mixed media<br />

19 x 37 in<br />

2013<br />

42 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Notion<br />

mixed media<br />

51 x 51 in<br />

2014<br />

Conception is established from motion, vibrant energy and research of techniques<br />

and materials. Taking abstract expressionism from its traditional genesis, with ingenuity,<br />

entrapping time, experiences and emotions in the frame to manifest a new<br />

world, is how Decker describes his drive to produce. An image never seen before,<br />

the waves of magnified light running across the canvas, the bent forms and textures<br />

and the expressions of the admirers experiencing the results are the fulfillment and<br />

inspiration to evolve.<br />

Perception<br />

mixed media<br />

51 x 51 in<br />

2014<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 43


Igor nelubovich<br />

H 401<br />

acrylic on canvas<br />

145 x 95 cm<br />

2014<br />

www.igornelubovich.com<br />

contact: Igor Nelubovich<br />

nelubovich@mail.ru<br />

Russia<br />

I have always been interested in art, spending hours drawing since early childhood.<br />

I went to <strong>Art</strong> College, but soon realized that the most important thing for me was<br />

to be able to develop my individual style, not focus on learning the specific things<br />

taught there. I work in oil or acrylic on canvas, and am inspired by the world around<br />

me. I create landscapes which sometimes verge on abstraction. I am continually<br />

searching for perfection, not worrying about particular subjects but rather on composing<br />

something that is ‘right’ in an inexplicable sense.<br />

SPB 02<br />

acrylic and<br />

oil on canvas<br />

70 x 112 cm<br />

2013<br />

44 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


V 501<br />

acrilic and oil on canvas<br />

95 x 145 cm<br />

<strong>2015</strong><br />

NU 01<br />

acrilic on canvas<br />

112 x 70 cm<br />

2012<br />

SPB 03<br />

acrilic on canvas<br />

70 x 112<br />

cm<br />

2012<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 45


Evelyn Nicole Lefèvre-Sandt<br />

Abjection<br />

crayon, pencil and<br />

coal on paper<br />

80 x 60 cm<br />

2001<br />

Evelyn Nicole Lefèvre-<br />

Sandt is 45 years old<br />

an married. She’s<br />

painting, since she<br />

was 4 years old an she<br />

learns painting only of<br />

her own. She works on<br />

her paintings always<br />

in the night, so it’s not<br />

surprising, that her<br />

work arise in black and<br />

white. She had many<br />

exhibitions in Germany,<br />

Suisse, Austria, Italy<br />

and France and in the<br />

year 2005 she became<br />

award the European<br />

<strong>Art</strong> Award in Strasbourg and this year, at the 1st of March,<br />

she was awarding with the international <strong>Art</strong> Award “SAN-<br />

DRO. BOTTICELLI PRIZE” in Florenz.”. The specialized press,<br />

who wrote about Lefèvre-Sandt’s work seems.<br />

Footrace<br />

crayon, pencil and<br />

coal on paper<br />

80 x 60 cm<br />

2004<br />

www.evelyn-nicole-lefevre.de<br />

contact: Evelyn Nicole Lefèvre-Sandt<br />

evelyn-nicole-lefevre@web.de<br />

Germany<br />

46 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Commitment<br />

crayon, pencil and<br />

coal on paper<br />

80 x 60 cm<br />

2001<br />

“Into her mysterious pictures she shows us a<br />

world without time and space, an behind<br />

the thoughts. She make our dreams illustrate.<br />

And the rhythm changes an that’s<br />

the pressure of sudden. And these sudden<br />

makes the allure of these paintings”<br />

Model<br />

crayon, pencil and<br />

coal on paper<br />

80 x 60 cm<br />

2001<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 47


Ernie L. Fournet<br />

www.elfournet.com<br />

contact: Ernie L. Fournet<br />

fournetkp@bellsouth.net<br />

United States<br />

After Action<br />

graphite on paper<br />

25 x 30 in<br />

2004<br />

Hang<br />

acrylic on canvas<br />

40 x 23 in<br />

2004<br />

Ernie L. Fournet is a contemporary realist from<br />

Acadiana in south Louisiana. He received<br />

his BFA art education from the University of<br />

Louisiana in Lafayette, and his MFA from<br />

Louisiana State University in Baton Rouge,<br />

Louisiana. After a lengthy law enforcement<br />

career with the Baton Rouge and New Iberia<br />

Police Departments, he retired to devote<br />

his undivided effort to visual art.<br />

48 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


The drawings and paintings here<br />

are dedicated to all law enforcement<br />

world-wide, for their untiring<br />

effort to maintain control in chaos.<br />

Fournet’s primary media is freehand<br />

airbrush acrylic and graphite.<br />

Knight Errant with Gas Mask<br />

acrylic on canvas<br />

30 x 24 in<br />

2003<br />

Team Commander<br />

graphite and acrylic on paper<br />

25 x 25 in<br />

2009<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 49


Chim’s<br />

My creative force arose from within and<br />

I perform my activity with respect and<br />

integrity. I’m passionate about my arts<br />

and offer excellent quality products<br />

to my customers. I have participated<br />

in series of international art exhibitions<br />

in Johannesburg South Africa, Malabo<br />

Equatorial Guinea. Liege Belgium, Las<br />

Vegas USA, Shanghai China, and now<br />

painting in studio with universal experiences.<br />

In connection with my Chi, I<br />

create with good disposition of mind<br />

and spirit, revealing my inner splendor<br />

and our environmental beauty, placing<br />

Man and nature in harmony.<br />

Power of the Nature<br />

oil on canvas 3d<br />

244 x 250 cm<br />

2012<br />

www.chimsheritagefineart.com<br />

contact: Chima Ogbonnaya<br />

chima@chimsheritagefineart.com<br />

Gabon<br />

Mother and Child<br />

acrylic on canvas 3d<br />

88 x 126 cm<br />

2011<br />

50 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


<strong>Art</strong>ist Portrait<br />

Chim’s Blessing the Nature<br />

oil on canvas 3d<br />

100 x 100 cm<br />

<strong>2015</strong><br />

Prince Charles, Presi.<br />

Ali Bongo Ondimba,<br />

Prof. Lee White<br />

Nature Protection Actors<br />

oil on canvas 3d<br />

130 x 170 cm<br />

2012<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 51


Chim’s<br />

I am Chima Ogbonnaya,<br />

a self-taught artist, born<br />

on 13-08-1966 in Obuohia<br />

Ibere Abia State Nigeria.<br />

Son of Mr. Samuel Mmadudobeonu<br />

Ogbonnaya and<br />

Mrs. Margret Njiole Ogbonnaya.<br />

I schooled at<br />

Obuohia Ibere Community<br />

School and passed my First<br />

School Leaving Certificate<br />

in 1981.I came to Gabon in<br />

1983 and was trained as a<br />

professional barber. In 1985<br />

my artistic mission arose<br />

and I pursued my Destiny.<br />

In 1989 I established my<br />

workshop as Chim’s Heritage<br />

Fine <strong>Art</strong>. My workshop<br />

is specialized in creating:<br />

Portraits, Nature, Elephant<br />

World, Abstracts, Spiritual<br />

Paintings and Family Museum.<br />

A working space where<br />

you can buy your favorite<br />

paintings and place the order<br />

of your choice.<br />

King of the Forest<br />

oil on canvas 3d<br />

122 x 250 cm<br />

2012<br />

52 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


What colour is your personality?<br />

Red, yellow, orange and blue which one is your favorite? Different colors<br />

represent key personality traits. Fill your life with colour and joy!<br />

Live Well, Be Well!<br />

Red relates to physicality.<br />

Orange reflects the need for community.<br />

Yellow is logic.<br />

The colour Green represents love and security.<br />

Blue stands for inner peace.<br />

Indigo stands for intuition.<br />

Purple and Violet are for harmony in life and humanitarian service.<br />

Pink stands for love.<br />

Turquoise helps you create your life on your own terms.<br />

Laure Donnedieu de Vabres<br />

Ah Barcelone!<br />

Collages acrylique<br />

31,5 x 23,6 in<br />

2012<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 53


Jack Gaucher<br />

www.gaucherjack.magix.net/public<br />

contact: Jack Gaucher<br />

gaucher.jack@hotmail.fr<br />

France<br />

Jack Gaucher is a self-taught painter and sculptor.<br />

He has been painting for many years and started to<br />

sculpture later with different materials and then used<br />

stainless steel which brings luminosity to his works. Enjoying<br />

precious metals, he likes to hammer and chisel<br />

stainless steel which he adds to his sculptures, as well<br />

as his paintings uniting oil and acrylic paints with stainless<br />

steel while varying the different technical ways.<br />

Inspired by light and nature, fascinated by the terrestrial<br />

phenomena of flowing lava and melting metal<br />

he paints the cosmos from the big bang theory and<br />

magma.<br />

Aigle<br />

stainless steel<br />

40 cm<br />

2014<br />

Chouette<br />

stainless steel<br />

30cm<br />

<strong>2015</strong><br />

54 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


We find in his paintings<br />

a powerful atmosphere<br />

with warm color,<br />

his cosmic dreams and<br />

his vision of his inside<br />

world. He searches<br />

for his own language<br />

through his art. Painting<br />

and sculpture is today<br />

the path that he<br />

took in the transition of<br />

a man to the light and<br />

reality.<br />

He gives volume and<br />

movement, transparency<br />

and brightness,<br />

all plunges us into a<br />

paradise of colours.<br />

Coulée de lave<br />

oil and stainless steel on wood<br />

80 x 80 cm<br />

<strong>2015</strong><br />

Métal en mouvement<br />

oil, acrylic and stainless steel<br />

on wood<br />

120 x 50 cm<br />

<strong>2015</strong><br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 55


Linda Ruscio<br />

Linda is an award-winning visual<br />

artist with a Bachelor of Fine <strong>Art</strong>s<br />

degree from Guelph University.<br />

She has worked in numerous media<br />

although is currently exploring<br />

mixed media collage. Her background<br />

in printmaking, photography<br />

and graphic design provide<br />

the backbone to her experimental<br />

approach with various materials,<br />

which are fed through her printer<br />

onto washi (japanese hand-made<br />

paper). Resurrected drawings,<br />

paintings and monoprints are cut,<br />

pasted and layered with typography<br />

onto fine art paper or wood,<br />

creating new stories and playful<br />

comments on life for the viewer to<br />

discover.<br />

That Spoonful<br />

mixed media collage on paper<br />

16 x 16 in<br />

<strong>2015</strong><br />

www.lindaruscio.com<br />

contact: Linda McIntosh<br />

linda@ruscio.ca<br />

Canada<br />

Soul Surfacing<br />

mixed media collage on paper<br />

12 x 19 in<br />

2014<br />

56 I<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Nothing to Wear<br />

mixed media collage on paper<br />

16 x 20 in<br />

2014<br />

Air Horse<br />

mixed media collage on paper<br />

16 x 20 in<br />

<strong>2015</strong><br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 57


Ines Siri Trost<br />

www.atelier-2.net<br />

www.inestrost.de<br />

contact: Ines Siri Trost<br />

kunst@inestrost.de<br />

Germany<br />

Angel of Grace II.<br />

oil on a rusty iron plate<br />

40 x 40 cm<br />

applied on a wooden case<br />

60x60 cm<br />

2014<br />

Ines Siri Trost was born in Berlin in 1967. Today she lives in Wetter/Ruhr. In her work as a<br />

freelancing woman artist she puts the main emphasis on:<br />

• Painting<br />

• Building up means of communication to the spiritual world by making art<br />

• Exhibitions and giving lectures/teaching art in different countries since 1991<br />

As a painter she has learned to perceive<br />

fields of vibration of beings and places<br />

and to make them visible in colour and<br />

form. The paintings which arise from that,<br />

give a visual imprint in the material of her<br />

communication with the spiritual.<br />

Untitled<br />

oil on cardboard<br />

20 x 20 cm<br />

2014<br />

58 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


They show moments of<br />

non material processes,<br />

of evolution and of energy<br />

fields and realms.<br />

Painting to Ines Siri Trost<br />

is meditation, is prayer<br />

and giving her thanks to<br />

creation. It is all about<br />

building up means of<br />

communication to the<br />

spiritual world.<br />

Energy Field<br />

oil on canvas<br />

80 x 80 cm<br />

2014<br />

Places of study where the<br />

academy of Fine <strong>Art</strong>s in<br />

Hamburg, and various other<br />

<strong>Art</strong> Colleges in London<br />

and in Switzerland. Since<br />

2014 her work is presented<br />

by the <strong>Art</strong>odrome Gallery<br />

in Berlin, which also takes<br />

her work to international<br />

<strong>Art</strong> fairs, and by the ICA, International<br />

Contemporary<br />

<strong>Art</strong>ists, New York. Many of<br />

her paintings found their<br />

way into public <strong>Art</strong> collections.<br />

Untitled<br />

oil on cardboard<br />

20 x 20cm<br />

2014<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 59


Peggy Wright, Ruby Wings Designs<br />

www.rubywings.com<br />

contact: Peggy Wright<br />

pwright@rubywings.com<br />

United States<br />

Garland of Daisies<br />

mixed media textile<br />

13 x 15 in<br />

2014<br />

I create with acrylic paints, fabrics,<br />

and threads using freehand machine<br />

stitching and hand stitching. While<br />

I have worked in other art media, I<br />

have found that I need to work with<br />

materials that sustain my sense of<br />

touch. I need to see, feel, and manipulate<br />

fabric and thread to remain<br />

content.<br />

Gladiolus<br />

mixed media textile<br />

14 x 14 in<br />

2014<br />

When I make art, I get lost in the surface<br />

of fabric, using hue, texture, and<br />

form to explore the world. I think the<br />

sense of touch is a lost sense in western<br />

society, and I work to create a tactile<br />

surface that invites the viewer to look<br />

more closely.<br />

60 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Serpentine 2<br />

mixed media textile<br />

14 x 14 in<br />

<strong>2015</strong><br />

I grew up in Wilmington, Delaware but moved to St. Paul, Minnesota over 40 years<br />

ago. I love the easy access to nature here because it is a favorite subject of mine.<br />

When I observe nature, I find extravagant pattern and captivating detail. Interaction<br />

with nature provides me with refuge from the discordant notes in the world.<br />

A relationship with the natural<br />

world inherently incorporates<br />

the transformative experience,<br />

the touch of the metaphysical,<br />

and a vision of the possible.<br />

Whether I am creating my art<br />

or walking in the woods, I need<br />

contact with nature to live.<br />

Hibiscus<br />

mixed media textile<br />

18 x 18 in<br />

2014<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 61


Maria Ferrara<br />

www.ferrara.webartgallery.it<br />

contact: Ferrara Maria<br />

ferraramaria@hotmail.com<br />

Italy<br />

M. Ferrara was born in San Pier<br />

Niceto (Messina), she shows<br />

ever since a very young age<br />

a marked inclination for artistic<br />

activities. At present she<br />

resides in Rome, after a long<br />

permanence abroad, first in<br />

Lausanne(Switzerland) and<br />

afterwards in London where<br />

she attends courses on creative<br />

techniques , coming to a<br />

passion for painting.<br />

Lightness<br />

(Leggerezza)<br />

oil on canvas<br />

8o x 60 cm<br />

2011<br />

In Rome she attends a School<br />

of <strong>Art</strong> and focuses her activity<br />

on figurative painting, having a<br />

preference for oil painting.<br />

Lights over the Tiber<br />

(Luci sul Tevere)<br />

oil on canvas<br />

70 x 90 cm<br />

2011<br />

62 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Her works’ collection becomes more and more diverse throughout the years and<br />

she matures a predisposition on the use of strong and determined chromatic colours.<br />

Her whole work finds favor with the public interest, which leads to her participation<br />

in several collective and personal art exhibitions.<br />

Abstract<br />

(Astrazioni)<br />

oil on canvas<br />

80 x 60 cm<br />

2011<br />

Lights on the city<br />

( Luci sulla città)<br />

oil on canvas<br />

80 x 60 cm<br />

2011<br />

“From a first analysis of Maria Ferrara’s art works, the observer is suddenly struck by<br />

the extraordinary and enviable sense of composition. A way of painting that is truly<br />

dreamy, so poetically profound and intense to the point that it reaches a quite<br />

engaging result; a kind of painting which runs along the lines of imagination, defining<br />

natural scenarios with her extremely secure way of expressing herself. A colour<br />

spread without repentances, dense and soft but at the same time brilliant, through<br />

which the painter is able to produce unforeseen and unexpected shades, within<br />

which she completely conveys herself and her truly sensitive soul, as the refined and<br />

creative artist that she is.”- Simone Fappanni, <strong>Art</strong> critic.<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 63


Amélie Perron<br />

Close to Shore<br />

mixed media on canvas<br />

20 x 16 in<br />

<strong>2015</strong><br />

www.amelieperronart.com<br />

contact: Amélie Perron<br />

ame1086@hotmail.com<br />

Canada<br />

Land by Land<br />

acrylic and mixed media<br />

on canvas<br />

24 x 36 in<br />

2014<br />

I am a Montreal-based Canadian<br />

artist with two passions;<br />

abstract painting and television.<br />

I’ve decided to share my<br />

art with the world and demonstrate<br />

how I assimilate both<br />

passions into one canvas. The<br />

art of television is all about storytelling,<br />

and that is exactly<br />

what I create in an abstract<br />

biosphere. I am curious about<br />

the world, about topics and<br />

stories that affect and evoke us<br />

as human beings. I mostly focus<br />

on acrylics and mixed media<br />

while producing art that individuals<br />

can not only relate to<br />

but find their own story within.<br />

64 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Alive<br />

acrylic and mixed media<br />

on canvas<br />

9 x 12 in<br />

<strong>2015</strong><br />

Mme<br />

acrylic on canvas<br />

36 x 30 in<br />

<strong>2015</strong><br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 65


noreen larinde<br />

Los Angeles 2<br />

oil on linen<br />

18 x 24 in<br />

2014<br />

www.noreen-fine-artist.com<br />

contact: Noreen Larinde<br />

noreenl@earthlink.net<br />

744 Haverford Avenue<br />

Pacific Palisades<br />

CA 90272<br />

United States<br />

In front of a segment of the Gehry-designed Disney Concert Hall in downtown Los<br />

Angeles, California, are two women, one floats in the upper right, while the second<br />

below at the left parades in front of a segment of the angel-themed sand-blasted<br />

windows of the new Catholic Cathedral nearby . A white semifore is placed in the<br />

center of the composition, creating a static counterbalance to the implied movement<br />

of the images.<br />

66 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong><br />

Los Angeles 1<br />

oil on linen<br />

24 x 18 in<br />

2014<br />

The backdrop is the Gehry-designed<br />

Disney Concert Hall in<br />

downtown Los Angeles, California.<br />

Also there are the sand-blasted<br />

windows showing floating<br />

angels of the new Catholic<br />

Cathedral nearby. In the front<br />

parade two confident women,<br />

while a third extends her arms<br />

out in a gesture of insecurity.


Noreen Larinde is a feminist painter and fine art<br />

photographer, who is also an art historian with<br />

a specialty in East Asian culture. She finds inspiration<br />

in Japanese Zen drama, which considers<br />

Woman knowable only through the subjectivity<br />

of the arts. For the Zen Buddhist life is constant<br />

change, thus Woman is always becoming<br />

transforming herself into higher spiritual states.<br />

Dream<br />

oil on linen<br />

36 x 48 in<br />

2014<br />

An image of a woman floats in the midst of<br />

greatly enlarged zucchini blossoms. In the upper<br />

left is another female image, an alter-ego.<br />

To convey this is her paintings,<br />

she utilizes an architectural element,<br />

a building experienced<br />

in her frequent travels. This reference<br />

to a specific location is<br />

equivalent to the stage of Noh<br />

(Zen) Drama on which the transformation<br />

take place. Often in<br />

the paintings there is a flower<br />

which expresses Woman as a<br />

part of nature, irresistibly beautiful<br />

in herself, and also fleeting<br />

while at the same time powerful<br />

in that she controls her own<br />

destiny.<br />

Bilbao<br />

oil on linen<br />

35 x 42 in<br />

2014<br />

With the backdrop of the Gehry-designed Bilbao<br />

Museum in Spain, a woman dances exuberantly.<br />

In front there is a red flower.<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 67


Nadia Viguier<br />

“One sees only with the heart, the essential is<br />

invisible to the eyes.” - Antoine de St. Exupèry<br />

www.nadia-viguier.artblog.fr<br />

contact: Nadia Viguier<br />

nviguier@hotmail.com<br />

France<br />

The Courthhouse Steps<br />

acrylic on canvas<br />

40 x 40 cm<br />

2011<br />

Colored Dyke<br />

Anglet Beach Brittany<br />

acrylic on canvas<br />

30 x4 0 cm<br />

2011<br />

68 I<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


The Thinning,<br />

Brittany<br />

acrylic on canvas<br />

70 x 50 cm<br />

2011<br />

Some works of Nadia<br />

Viguier give birth to<br />

allowing access not<br />

at her most intimate<br />

secret but the most<br />

intimate secret. It is<br />

to what the artist unkowinglly<br />

will. There<br />

is (and despite the idea of maternity) something about the “Carmelite” because<br />

loneliness calls for violent communion.<br />

The <strong>Art</strong>ist - by sudden abstraction of reality - looking for a form to the shape of<br />

everything she brings out even thought it may seem strange since nothing in her is of<br />

the order of the simple demonstration of evidence. Emerges a form of enjoyment of<br />

the order of a pagan spirituality. A huge tide or a geyser springs from the earth. This<br />

is due to the fire (for color) and the telluric. This is no longer satisfied the kingdom of<br />

shadows.<br />

The artist goes currents, sometimes stairs of unknown where they lead. How to overcome<br />

this wave or this ascent? Somehow the artist releases us from the ground. We<br />

slip into such images, we become accomplices “innocent” (or not).<br />

Remain traces, wastelands.<br />

The moon or<br />

the sun takes us away<br />

from the slumber.<br />

Light opens the literary<br />

sense inexpressible. A<br />

powerful blast through<br />

space. - Jean-Paul<br />

Gavard-Perret<br />

The Traveller<br />

Egypt<br />

pastels on paper<br />

28 x 37 cm<br />

2009<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 69


Nadia Viguier<br />

Strasbourg Cathedral<br />

acrylic on canvas<br />

40 x 40 cm<br />

2010<br />

The Cry of the Earth, I.,<br />

oil on canvas<br />

60 x 80 cm<br />

2014<br />

70 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Approaching Galleries<br />

It’s one thing being an established and<br />

famous artist, where all you have to do<br />

is paint the pictures and hand them<br />

over to an agent, then show up for the<br />

preview evening. It’s another to be at<br />

the beginning of your career as an artist.<br />

Most of us have to plan our own shows,<br />

as I have done over the last few years,<br />

and there is a lot of work involved if<br />

you want to get the most out of your<br />

art exhibition. I was fortunate in that I<br />

worked as a gallery assistant for artist<br />

Nerys Johnson when I was at Durham<br />

University, and assisted her with preparing<br />

for her shows. Even though she<br />

was an established artist, there was still<br />

a lot to be done.<br />

After you have planned an exhibition<br />

of your work, you will see that the commission<br />

galleries request is well worth<br />

the effort they put in!<br />

Restaurants might be a good place to<br />

start, it works for both the restaurant in<br />

terms of attracting customers, and the<br />

artist. It is also a good place to get over<br />

your ‘art exhibition anxiety’ in a far less<br />

intimidating atmosphere than a public<br />

gallery. They charge no commission,<br />

but you have to do the work yourself…<br />

from the hanging to the promotion<br />

and subsequent sales. So, it is from this<br />

perspective that I write.<br />

In the Beginning: Your First <strong>Art</strong> Exhibition<br />

First of all, you must secure your ‘gallery<br />

space’. I had my first solo art exhibition<br />

at Pizza Express in Darlington, UK.<br />

As a corporation, they have a huge<br />

commitment to the arts, in particular<br />

local artists. Their restaurants are often<br />

designed as galleries themselves, and<br />

they know that their customers really<br />

appreciate the ever-changing work<br />

on their walls. To be continued...<br />

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Sussi Hodel<br />

www.hodelart.ch<br />

contact: Sussi Hodel<br />

info@hodelart.ch<br />

Switzerland<br />

Hahaa<br />

oil on canvas<br />

120 x 100 cm<br />

2013<br />

Her paintings are characterized<br />

by the fine structures and a very<br />

personal touch of color. It is her<br />

play with color that makes the<br />

perception of figures and concrete<br />

forms creating a vivid impression.<br />

The game with the situations<br />

and colors in the works is<br />

often concise striking and gives<br />

each room a unique atmosphere<br />

and presence.<br />

Her main goal is to express feelings,<br />

reduced to parts of the<br />

face and at same time not forgetting<br />

about the beauty of<br />

the depicted faces. Sussi Hodel<br />

has exhibited in various venues<br />

around Switzerland, Italy, France<br />

and Germany.<br />

Blue Smile Not Blue<br />

oil on canvas<br />

120 x 80 cm<br />

2014<br />

72 I<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Hmmm!<br />

oil on canvas<br />

130 x 60 cm<br />

2011<br />

Mmmpf<br />

oil on canvas<br />

100 x 100 cm<br />

2012<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong><br />

I 73


C Pat Haley<br />

www.cpathaleyart.com<br />

contact: Charles Patrick Haley<br />

pathaleyart@msn.com<br />

United States<br />

Siesta<br />

acrylic on canvas<br />

100 x 150 cm<br />

2012<br />

Musica del Voladores<br />

acrylic on canvas<br />

100 x 150 cm<br />

2014<br />

Ayudeme<br />

acrylic on canvas<br />

36 x 48 in<br />

2011<br />

74 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


The Paintings of Pat Haley reflect the<br />

Culture, Colors and Zest for LIFE of the<br />

Mexican people. While in Mexico,<br />

walking through the streets, riding<br />

the buses, attending cultural events<br />

or just sitting in the plazas, he is able<br />

to experiences daily life of the local<br />

people. Using his camera’s eye,<br />

he selects and captures an array of<br />

visual elements that are refined, extracted<br />

or amplified and then combined<br />

into a composite to become<br />

the focus of his final paintings.<br />

Mujer Mayor en Rebozo<br />

acrylic on canvas<br />

24 x 36 in<br />

2011<br />

Vista del Mundo<br />

de mi Caballo<br />

acrylic on canvas<br />

48 x 36 in<br />

2010<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 75


Natalia Repina<br />

www.nataliarepina.com<br />

contact: Natalia Repina<br />

info@nataliarepina.com<br />

Italy<br />

Flamenco Dolls<br />

oil on canvas<br />

100,5 x 80,5 cm<br />

2012<br />

The paintings of artist Natalia Repina<br />

combine the wonder of magical<br />

realism with her love for the light<br />

and movement of the Impressionists<br />

to create a truly moving art form.<br />

Drawn from childhood memories,<br />

lasting impressions, and the living<br />

breathing world around her, her images<br />

are sentient, transforming common<br />

landscapes and moments in<br />

time into vortexes of human emotion<br />

that magically transport the viewer<br />

into an unknown world of sentiment<br />

and memory.<br />

Ligurian Seafront<br />

Near Noli<br />

soft pastel on paper<br />

35 x 50 cm<br />

2012<br />

76 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Portraits, Figurative Composition, Seascapes of<br />

Mediterranean zones is the favorite subject of artist.<br />

Oil painting and pastel painting is the technique favorite<br />

by Natalia Repina Natalia Repina was born in<br />

St. Petersburg, Russia, in 1967.She graduated from<br />

S.Petersburg Academy of Fine <strong>Art</strong>s in1991. China,<br />

Denmark, Finland, France, Germany, Italy and USA<br />

are among the Countries where she has been exhibiting.<br />

Repina now lives and works in Italy.<br />

Saxophonist<br />

soft pastel on paper<br />

55 x 75 cm<br />

2013<br />

Mother and Child<br />

soft pastel on paper<br />

70 x 50 cm<br />

2012<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 77


malo design<br />

Little Monsters<br />

acrylic on canvas<br />

structure pastes<br />

50 x 70 cm<br />

2014<br />

www.malo-design.de<br />

contact: Marleen Lorek<br />

malodesign@icloud.com<br />

Germany<br />

Marleen Lorek works mostly with acrylic paints and a wide variety of structural pastes.<br />

However, the passion towards experimental expression drives her search for new materials.<br />

She was born in 1981 in eastern Germany where she still lives and works. In<br />

2014/<strong>2015</strong> Marleen was published in the “International Contemporary <strong>Art</strong>ists Volume<br />

IX” featuring four of her art works.<br />

Untitled<br />

acrylic on canvas<br />

80 x 60 cm<br />

2014<br />

78 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Her works of art are saturated<br />

by their spatial and<br />

colorful floating designs.<br />

Through painting she has<br />

found another level of creativity<br />

which perfectly balances<br />

out her regular work<br />

as a lighting designer for<br />

rock concerts, gala events<br />

and touring productions<br />

for a different musicians.<br />

She loves these opposites<br />

in her life and would not<br />

give up any of them.<br />

My Milky Way<br />

acrylic, mixed media on canvas<br />

80 x 80 cm<br />

2014<br />

Golden Satellite<br />

acrylic on canvas<br />

structure pastes<br />

80 x 100 cm<br />

2013<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 79


malo design<br />

Sky Blue<br />

acrylic on canvas,<br />

structure pastes<br />

60 x 40 cm<br />

2014<br />

80 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


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Oenone Hammersley<br />

www.oenonehammersleycontemporaryart.com<br />

contact: Oenone Hammersley<br />

oenone.hammersley@yahoo.com<br />

Alexandria, VA<br />

United States<br />

T.: +(1) 703 838 0393<br />

Bluebell Wood<br />

oil on canvas with seeds<br />

42 x 32 in<br />

2013<br />

Colour and light are used to emphasize<br />

a vanishing world of wildlife and wilderness<br />

that implores one to take notice,<br />

appreciate the rare and raw beauty<br />

about us, and allow our imagination to<br />

roam about the abstract compositions<br />

symbolizing the unsettled and unsettling<br />

world where man alters nature.<br />

Oenone Hammersley was born in England<br />

and studied Theater Design at<br />

Wimbledon College of <strong>Art</strong> followed by<br />

print making at the City Literary Institute<br />

in London. In the 1970’s Oenone worked<br />

for many years making scenery at the<br />

Royal Opera House, The National Theater<br />

and Shepperton Studios.<br />

82 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong><br />

Deep Forest<br />

oil on canvas<br />

40 x 28 in<br />

2012


Oenone became deeply committed and involved with conservation of wildlife and<br />

wilderness in particular rain forest conservation following her travels to rain forests all<br />

over the world in the 1980’s. Oenone exhibited her paintings from her trips to raise<br />

money and awareness for conservation.<br />

In 1993 Oenone married a US Foreign Service diplomat and they lived in Africa for<br />

many years, followed by Greece then Australia. In the early years Oenone’s focus<br />

was to depict detailed paintings in watercolour and gouache of animals and birds<br />

to show the beauty of wildlife in all its glory and colour. Recently Oenone has been<br />

working in oils on canvas producing semi-abstract paintings with natural themes in<br />

bolder larger more powerful work.<br />

Oenone has been exhibiting her work regularly since 1980. She is a member of the<br />

National Association of Women <strong>Art</strong>ists and her paintings have won awards in Washington<br />

D.C and Florida.<br />

Museum and private acquisitions<br />

of Oenone’s work include The Shell<br />

Museum on Crete, the private collection<br />

of the Guggenheim families<br />

and H.R.H. Princess Fatima Bint<br />

Mubarak of the UAE.<br />

Rice Paddies China<br />

oil on canvas<br />

30 x 40 in<br />

2014<br />

Rice Terraces China<br />

oil on canvas<br />

30 x 40 in<br />

2014<br />

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What makes an artwork great?<br />

After contemplating what it is about certain artworks and artists that remain relevant<br />

over time, There are three main considerations:<br />

Motivation: The purpose for creating; connection to the subject; the intentional<br />

concept, message, or emotion that the artist is passionate about capturing.<br />

Execution: Technical proficiency; ability and confidence in the various principles<br />

of art so that the concept, message, or emotion comes through skillfully and convincingly.<br />

Expression: A unique style; the heart and soul of the artist; where we see his/her<br />

hand and feel what he or she was feeling; that “it” factor of the work that takes you<br />

to the time and place of the artist who created it and lets you become lost in the<br />

moment conveyed.<br />

Image: Capt. Stjepco Mamic: Net / acrylic on linen canvas / 100 x 80 cm / 2013<br />

In short, great art comes from great artists. Because, more than anything, the end<br />

product is a direct reflection of the mind, heart, soul, and life experience of the one<br />

creating it. When artists think and feel deeply, respect the responsibility that goes<br />

with their calling, and have a genuine connection to and interest in their subject<br />

matter, they are on their way to greatness. And if their motivation, execution, and<br />

expression are operating at high levels of skill and sincerity, great paintings can naturally<br />

occur.<br />

Allison Malafronte<br />

senior editor of American <strong>Art</strong>ist<br />

84 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Lasserre<br />

www.clothildelasserre.com<br />

contact: Clothilde Lasserre<br />

clothildelasserre@gmail.com<br />

France<br />

Hommes en devenir<br />

oil on painting<br />

100 x 80 cm<br />

2014<br />

Clothilde’s painting is the result of an<br />

unusual career within the world of contemporary<br />

art. She did not come to<br />

painting by accident but by necessity.<br />

L’appât<br />

oil on painting<br />

60 x 120 cm<br />

<strong>2015</strong><br />

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Lasserre<br />

Mouvement d’espoir<br />

oil on painting<br />

150 x 120 cm<br />

2014<br />

By painting, she found a way of expressing and sharing her perception of the world,<br />

her exaltations and her anxieties. Her art is a sort of testimony of the challenge of<br />

living together whilst trying to be unique. This is brightly evidenced in her various<br />

crowd scenes. She portrays crowds of individuals drowned in an alienating mass;<br />

yet through her palette of colors she is able to express the rich diversity of each individual,<br />

of each soul. However her work is not so much preoccupied by masses than<br />

by the fragility which leads us to abandon our individuality in an attempt to fit in. Oil<br />

and color create urban scenes in which our attention is first drawn to this recurrent<br />

crowd before we have come to a more nuanced view of the portraits.<br />

86 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Nous, vous, eux<br />

oil on painting<br />

100 x 100 cm<br />

2014<br />

Théorie du hasard<br />

oil on painting<br />

100 x 100 cm<br />

<strong>2015</strong><br />

Her paintings succeed<br />

in establishing a connection<br />

with the viewer;<br />

our own hidden fears<br />

are eventually brought<br />

to life on the canvas.<br />

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Susanne Titze<br />

www.susanne-titze.de<br />

contact: Susanne Titze<br />

info@susanne-titze.de<br />

Germany<br />

Internal Power<br />

acrylic on canvas<br />

66 x 66 cm<br />

2014<br />

King Forever – Michael Jackson<br />

acrylic on canvas<br />

92 x 130 cm<br />

2010<br />

Susanne Titze lives and works as a<br />

freelance artist in Nuremberg. Her father,<br />

the famous german actor Günter<br />

Strack, encouraged her creativity since<br />

her early childhood and gave her the<br />

ability of empathizing with other persons.<br />

This is a very important aspect of<br />

her work, as her paintings and plastic<br />

arts originate from deep inside, describing<br />

processes of becoming as well as of<br />

reshaping and recreating life.<br />

88 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Mystic<br />

bronze<br />

60 cm<br />

2009<br />

During origination, emotions are revealed,<br />

processed, transmuted and<br />

released. The artist calls these artworks<br />

spiritual art. Within it, she feels, hears,<br />

sees and builds colors and shapes so<br />

to speak “with all senses”. The powerful<br />

bright colors and swinging shapes in her<br />

artworks are characterized by optimism,<br />

lust for life and vitality. Thus, sensations,<br />

life themes and inner transformations of<br />

persons, situations and occurrences are<br />

expressed in a unique, very vivid way.<br />

Unfold<br />

bronze<br />

30 cm<br />

2013<br />

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Kay McFarlane Smith<br />

www.kaymcfarlanesmith.com<br />

contact: Kay McFarlane Smith<br />

kaymcfarlanesmith@gmail.com<br />

Australia<br />

Kimberley Floodplain<br />

oil on canvas<br />

100 x 75 cm<br />

<strong>2015</strong><br />

Lavender Bay<br />

Sydney Harbour<br />

watercolour<br />

75 x 54 cm<br />

2007<br />

90 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Ord River Gorge<br />

oil on canvas<br />

120 x 90 cm<br />

2014<br />

Kay McFarlane Smith is an award winning<br />

Australian living on the east coast of NSW.<br />

Working primarily in oil and watercolour<br />

media, she gains inspiration from her travels,<br />

which have taken her through more<br />

than through 30 countries across America<br />

Europe and Asia. Kay is passionate about<br />

painting and strives to capture the essence<br />

of her subjects through an intuitive, impressionist<br />

style. Currently she has been working<br />

on a series of paintings inspired by the<br />

Australian outback as well as the coastal<br />

landscape where she lives.<br />

Sandstone Saltbush and Savanna<br />

oil on canvas<br />

100 x 75 cm<br />

2012<br />

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Yi-Cheng Yen<br />

www.goo.gl/2ByPOe<br />

contact: Yi-Cheng Yen<br />

grayyen@gmail.com<br />

Taiwan<br />

Waving Coast<br />

oil on canvas<br />

162 x 130 cm<br />

2014<br />

LiWu Riverside with Blossoms<br />

oil on canvas<br />

116,5 x 91 cm<br />

2012<br />

I started to learn painting twenty<br />

years ago when I was a high school<br />

student. I have been living in Taipei<br />

city, Taiwan. I always enjoyed the<br />

natural beauty of Taipei which is<br />

absolutely a great resource of my<br />

painting creations. I found that I<br />

am interested in oil painting when<br />

I studied in Visual <strong>Art</strong> in Shih Chien<br />

University because this technique<br />

creates many layers and represents<br />

the natural beauty very well.<br />

92 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Good Memory<br />

WaiMu Mountain<br />

Coast<br />

oil on canvas<br />

41 x 27 cm<br />

2014<br />

After graduating from Shih Chien University, I worked for several companies as a<br />

web designer and printing material designer. But I never give up on oil painting because<br />

I have a lot of passion for oil painting. I also had my very first personal painting<br />

exhibition in 2007. After working for companies for several years, I decided to quit<br />

the job and started my own painting studio in 2007, since I can focus on painting full<br />

time and also share my knowledge and passion with my students.<br />

I 93<br />

Rising Wave<br />

by the Wind<br />

oil on canvas<br />

53 x 45,5 cm<br />

2014<br />

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Dufault R.<br />

Abstraction 452 (The City)<br />

mixed media<br />

36 x 48 in<br />

2014<br />

Being caught in the magic of abstraction<br />

Rollande Dufault likes to work with<br />

the components that generate a state of<br />

mind which invites the viewer to expand<br />

its own dimension and creativity.<br />

www.galeriedufault.ca<br />

contact: Rollande Dufault<br />

dufaultrm@hotmail.com<br />

Canada<br />

Abstraction 455 (Space)<br />

mixed media<br />

30 x 30 in<br />

2014<br />

94 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


With Bachelor degrees in both Fine<br />

<strong>Art</strong>s and History of <strong>Art</strong>, she is a Canadian<br />

professional artist recipient<br />

of numerous awards. She has<br />

been active in promoting contemporary<br />

art in Canada, Spain, Belgium,<br />

Italy, France, Rumania, The<br />

United-States and in Brazil. In 2011,<br />

she was selected by the prestigious<br />

“Société nationale des Beaux-<strong>Art</strong>s<br />

de Paris” to participate as a member<br />

of the Canadian delegation<br />

at the annual Salon SNBA held at<br />

the “Carrousel du Louvre’’. In July<br />

2012, she was awarded a bronze<br />

medal in Rumania. She exhibited<br />

at the Red Dot <strong>Art</strong> Show in Miami,<br />

<strong>Art</strong> Expo New York, the Southern<br />

Nevada Museum of fine art in Las<br />

Vegas, in Rio de Janeiro Brazil…<br />

Abstraction 516 (Square)<br />

mixed media<br />

24 x 36 in<br />

2014<br />

In 2013, she won a gold medal<br />

in Rome Italy and another one in<br />

Spain last year. This February, she<br />

was chosen as one of the top two<br />

artists in the “Conscious Creation<br />

<strong>Art</strong> Contest of Vivid <strong>Art</strong>s Network<br />

<strong>2015</strong>” to win the Vivid <strong>Art</strong>s Excellence<br />

Award which will be presented<br />

in Ferrara, Italy in August.<br />

Rollande Dufault is listed in the “Biennial<br />

Guide to Canadian <strong>Art</strong>ists in<br />

Galleries” published by <strong>Art</strong> Magazine,<br />

in the “International Contemporary<br />

<strong>Art</strong> Masters”: Volume VI &<br />

IX, (Word Wide <strong>Art</strong> Books, California),<br />

in ATIM’s Top 60 Masters of<br />

Contemporary <strong>Art</strong> 2013- 2014 and<br />

<strong>2015</strong>, (<strong>Art</strong> Tour International) and<br />

in Show the Bola (<strong>Art</strong> of the of the<br />

World).<br />

Abstraction 427 (Priority)<br />

mixed media<br />

30 x 36 in<br />

2012<br />

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Wei Yan<br />

Yellow dream<br />

Chinese ink<br />

12 x 16 in<br />

<strong>2015</strong><br />

Wei Yan was born in Beijing, China, late 60s. At the year of 1995, Wei Yan’s art studio<br />

was founded. The art works have been in many exhibitions in Canada and China.<br />

Collected by people or enterprises from North America, China, Australia, and France.<br />

Many of his students have enrolled into different art schools in North America. He has<br />

been as the member of Portrait society of America he’s also a member of Portrait<br />

society of Canada, Society of Canadian <strong>Art</strong>ists.<br />

Education:<br />

1991 Bachelor of Fine <strong>Art</strong>:<br />

Capital Normal University in<br />

Beijing, China<br />

1994 Seneca College<br />

Toronto Ontario<br />

Awaken<br />

Chinese ink<br />

12 x 16 in<br />

<strong>2015</strong><br />

96 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Waterside<br />

Chinese ink<br />

16 x 18 in<br />

<strong>2015</strong><br />

He describes his art as the following<br />

paragraph: “Please do<br />

not ask whether I am a realism<br />

painter or an abstract painter,<br />

I like them both. I use oil paint<br />

when I want to, but sometimes<br />

I like using traditional Chinese<br />

brush to create my art. My<br />

works about “era through”,<br />

about cultural differences and<br />

the relations between human<br />

and nature. I’m trying to not<br />

only let people understand<br />

more about my art, but also offer<br />

a range of soothing, restorative<br />

and positive energy with<br />

my painting.”<br />

Face Time 2<br />

oil on canvas<br />

24 x 36 in<br />

2014<br />

www.yansart.ca<br />

contact: Wei Yan<br />

yuran527@yahoo.ca<br />

Canada<br />

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Anne Bate-Williams<br />

The Bay<br />

mixed media<br />

5 x 50 cm<br />

2007<br />

Anne spent most of her adult life fully occupied as a mother and a primary school<br />

teacher with a responsibility for art in the curriculum but always anticipating and<br />

hoping this ‘time’ would come into fruition. She works organically, using mixed media<br />

to develop a piece which will grow out of her experience of place, inspiration<br />

might come from a building, ruin or natural surroundings anything that sparks a<br />

sense of discovery...<br />

www.annebatewilliams.co.uk<br />

contact: Anne Bate-Williams<br />

annebatewilliams@yahoo.co.uk<br />

United Kingdom<br />

98 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong><br />

Rome<br />

mixed media<br />

13,1 x 31,9 cm<br />

2014


Iryna Lialko<br />

www.lialko.com.ua<br />

contact: Iryna Lialko<br />

irensoliss@gmail.com<br />

Ukraine<br />

T.: +1865 696 1689<br />

Iryna Lialko was born in Central Ukraine in 1981. Graduated<br />

from high school and art school in 1996. At the<br />

age of 15 she went to the College of <strong>Art</strong>s, studied<br />

painting, graphic design, history of the fine arts, and<br />

other disciplines. Outstanding training and graphic<br />

talent resulted in a special grant to study art from the<br />

President of Ukraine.<br />

At 19, in the year 2000, she went to the Ukrainian National Academy of Visual <strong>Art</strong>s and<br />

Architecture in Kiev until 2006. Studied in the graphics department. Studied various<br />

graphic techniques - such as etching, linoleum cutting, lithography, tree engraving,<br />

silk-screen print-ing, and other graphic techniques. For four years studied the technology<br />

of manual book creation and book illustration; including binding and cutting.<br />

Studied oil, acrylic, water color, and other painting forms.<br />

Metaphysics of Life<br />

ink on paper<br />

55 x 65 cm<br />

1998<br />

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Iryna Lialko<br />

In 2004 in parallel with academic<br />

training, began<br />

working in the sphere of<br />

interior design and murals.<br />

Created murals in<br />

Ukraine, Europe. First international<br />

art competition<br />

of exlibris was in Poland<br />

in 1993; awarded<br />

prizes for excellence. In<br />

1997, at 16, first participated<br />

in professional art<br />

exhibitions.<br />

In 2005 began working as<br />

a professional photographer.<br />

From 2010, until<br />

now is engaged in perfor-mance/show<br />

business.<br />

Creates live shows<br />

involving drawing with<br />

sand and speed painting.<br />

Creates hand crafted<br />

costumes for stage<br />

shows.<br />

Indigo Meditation<br />

acrylic on paper<br />

50 x 90 cm<br />

2008<br />

100 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Awakening<br />

Forces of<br />

Been Seeds<br />

oil on canvas<br />

100 x 100 cm<br />

2010<br />

She has visited and performed in 30 countries, has participated<br />

in art exhibitions and competitions of painting and photography.<br />

While in these various countries, studied the culture and the traditions<br />

of these countries in order to increase knowledge and understanding,<br />

and enable more creative and diverse art.<br />

<strong>Art</strong> works are located in private collections of people from many<br />

countries. Since 2014 is working and residing in the United States.<br />

Is working in large and small graphic and picturesque forms, such<br />

as mu-rals and exlibris. Excellent in creating digital graphics and<br />

using classical techniques. Constantly exper-imenting with innovative<br />

techniques.<br />

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Iryna Lialko<br />

<strong>Art</strong>work on the Top Right<br />

Loneliness<br />

acrylic on paper<br />

18 x 28 cm<br />

1999<br />

Red Tears Fly Up<br />

oil on canvas<br />

160 x 160 cm<br />

<strong>2015</strong><br />

<strong>Art</strong>work on the Bottom Right<br />

The Wing of Colors of Dawn<br />

ink on paper<br />

65 x 90 cm<br />

2013<br />

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Toni Carlton<br />

www.tonicarltonart.com<br />

contact: Toni Carlton<br />

carltongallery@carltongallery.com<br />

United States<br />

I am committed to co-creating<br />

heartfelt expressions<br />

of life’s journey. My<br />

paintings combined with<br />

mixed media collage incorporate<br />

images from my<br />

personal life experiences,<br />

a love of dance, written<br />

messages, calligraphy and<br />

photographic images from my travels to<br />

Jamaica, Europe, Peru, Mexico, Belize,<br />

Hawaii and most recently India. I am inspired<br />

by different cultures, expressions<br />

of movement, heart connections and<br />

spiritual awareness. Calligraphy in various<br />

languages along with the texture I create<br />

as a fiber artist adds a three dimensional<br />

element to my paintings.<br />

The Guardian<br />

mixed media<br />

30 x 24 in<br />

2011<br />

Prayers of Peace<br />

acrylic, handwoven fibers<br />

mixed media on canvas<br />

30 x 48 in<br />

2014<br />

Most of my artwork represents<br />

deeper levels of<br />

feminine awakening by<br />

encoding multiple layers of<br />

images that trigger memories<br />

of ancient and present<br />

wisdom. In some of my<br />

recent compositions, the<br />

combination of calligraphic<br />

and Asian symbols, ancient<br />

text and sacred sites<br />

helps create a deeper level<br />

of resonance. I create<br />

my work to remind one to<br />

embrace the connection<br />

to all relations.<br />

104 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


The expressions in the work come from the<br />

subconscious, the heart space and from<br />

within, rather than from a plan to create a<br />

specific image. Using movement, meditation<br />

and healing sounds as a prompt to begin the<br />

paintings, the artwork expresses the connection<br />

to the Divine Feminine and Mothering<br />

Peace. Through many layers of multiple media,<br />

writing in graphite, hand-woven fibers,<br />

painting and transfer images, I am revisiting<br />

my spiritual journey as an artist using creative<br />

expressions.<br />

Healing Voices<br />

acrylic, mixed media on canvas<br />

36 x 24 in<br />

2014<br />

My hope is that my original creations<br />

open our hearts and touch<br />

our souls to inspire and lift our spirits.<br />

I will continue along a theme<br />

that speaks to people’s hearts and<br />

touches them in ways that are<br />

healing and helpful in developing<br />

an understanding of our interconnectedness.<br />

Heart and Soul<br />

acrylic, mixed media on canvas<br />

24 x 18 in<br />

2014<br />

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Angelo Lotti<br />

www.clubpittori.it/schede.php?id=2702<br />

contact: Angelo Lotti<br />

lottiangeloart@libero.it<br />

Italy<br />

T.: +39 3388804677<br />

The Reflection<br />

of Regrets<br />

oil on canvas<br />

45 x 55 cm<br />

2011<br />

Angelo Lotti was born in Brindisi in 1991,<br />

lives in Carovigno, in Salento. Graduated<br />

at the Agricultural Institute, currently<br />

a student at the Faculty of Architecture<br />

of Bari. Passionate about all things in the<br />

world, and especially the art of nature<br />

in all its shapes and forms, is also known<br />

as a sculptor.<br />

Harmony in Lilac,<br />

Green and White<br />

oil on board<br />

35 x 55 cm<br />

2014<br />

106 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Modernity<br />

- The Scream Persists<br />

oil on canvas<br />

40 x 50 cm<br />

2012<br />

In 2012 he created a collection of<br />

poems written in different years. Selftaught<br />

in everything, even in the<br />

painting, which is always looking for<br />

different paths and personal, which<br />

reveal important topics such as the<br />

great themes of modernity, nature<br />

and above all the different human<br />

feelings. As media he uses everything<br />

from canvas to the plywood, fibreboard<br />

or boards, composing the<br />

work in a very short or very long depending<br />

on how the composition of<br />

the work requires. Its production is visible<br />

on the Internet, and every year<br />

during the summer sets in the rooms<br />

of the castle of his city or in the streets<br />

of the historic center, in addition to<br />

several exhibitions of national and international<br />

level.<br />

The Persistence<br />

of the <strong>Art</strong><br />

oil on canvas<br />

and cardboard<br />

80 x 60 cm<br />

<strong>2015</strong><br />

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Julie River<br />

www.julieriver.be<br />

contact: Julie River<br />

julieriver.art@gmail.com<br />

Belgium<br />

A Venise<br />

watercolour and ink on paper<br />

25 x 35 cm<br />

2012<br />

“In her Brussels Studio, that artist loves<br />

to mix China ink and waters colours,<br />

feather and brush in concert. In that<br />

technique error does not forgive, the<br />

indelible stroke becomes a challenge<br />

that she finds amusing. In her peaceful<br />

gardens, she affirms her fantasy, in representing<br />

strange personages, often<br />

insects that she acts like actors on the<br />

stage. The wood, the trees, the leaves<br />

become the decor and the curtains”.<br />

Julie River 2012<br />

En Piste<br />

watercolour<br />

and ink on paper<br />

30 x 40 cm<br />

2012<br />

108 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


“The watercolours are worked in<br />

a non-conformist way, often with<br />

five or six layers, very meticulous<br />

work. In tone splashes of colour<br />

the artist juggles with the strokes<br />

of the feather, with rhythm, movements,<br />

and dynamism. Transported<br />

by the delicacy of the stroke,<br />

the insect himself becomes a comedian<br />

or a minstrel. And finally<br />

this strange world takes us to respect<br />

the differences. In feat, it<br />

means respect of the other, Love<br />

of Live, in all shapes and form”.<br />

N-P Louise, 2012<br />

Vers La Lumière<br />

watercolour<br />

and ink on paper<br />

25 x 35 cm<br />

2013<br />

Sous Le Soleil<br />

De Saturne<br />

watercolour<br />

and ink on paper<br />

25 x 30 cm<br />

2014<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 109


Giampietro Cudin<br />

Caos<br />

mixed technique and acrylic<br />

100 x 80 cm<br />

2012<br />

www.cudin.it<br />

contact: Giampietro Cudin<br />

cudinilmaestro@gmail.com<br />

Italy<br />

Positive, full of interest and always looking<br />

to the future, these words to define<br />

Cudin. He has studied Architecture in<br />

Canada and Psychology in Italy, painter,<br />

sculptor, elegant engraver, gentle<br />

and generous person, with great passion<br />

for poetry. The artist has always lived the<br />

art 360°, his artistic work is an ongoing<br />

process of analysis and comparison of<br />

the works from the past to the contemporary,<br />

between the contingent reality<br />

and conceptualism.<br />

110 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


He follows his emotions, exploring original languages<br />

to become spokesman for the complex<br />

of today’s man feelings. Not infrequently<br />

the reality itself enters into his paintings,<br />

through elements that the painter collects over<br />

time and in different moments of his life. They<br />

become part of his work, interfacing with a<br />

painting technique always strongly expressive,<br />

airline tickets and bus tickets, newspaper clippings<br />

and pieces of posters, papers and writings,<br />

the artist brings its back from his numerous<br />

trips in different countries world and put them<br />

in his artworks. He collects pieces of life, which<br />

he then transform into a paint. Signs that art<br />

saves and turns into memories and emotions.<br />

Messenger<br />

mixed technique and acrylic<br />

100 x 70 cm<br />

2013<br />

Animals<br />

mixed technique and acrylic<br />

50 x 50 cm<br />

<strong>2015</strong><br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 111


Tyler J R Cannon<br />

Always Looking for a Shock<br />

lithographic drawing with monotype<br />

11 x 14 in<br />

2013<br />

www.tjrcannon.com<br />

contact: Tyler John Rutger Cannon<br />

tjrcannon@gmail.com<br />

Canada<br />

Tyler Cannon is a Vancouver based visual<br />

artist, working primarily in print media and<br />

drawing. Cannon’s mother began teaching<br />

him to draw and paint at an early age, focusing<br />

on wildlife and people.<br />

In 2009 his formal training began at North Island<br />

College in Courtenay, British Columbia.<br />

After completing a fine art diploma at NIC<br />

he continued on to Nova Scotia College of<br />

<strong>Art</strong> and Design in Halifax, Nova Scotia. At<br />

NSCAD he completed a BFA Major in Interdisciplinary<br />

Fine <strong>Art</strong> with a Minor in <strong>Art</strong> History<br />

focusing primarily in printmaking.<br />

Generators for<br />

Fear of Night<br />

colour lithograph<br />

with monotype<br />

31 x 23 in<br />

2014<br />

112 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Monod Anatomy<br />

lithographic drawing<br />

and etching as digital<br />

composite<br />

30 x 22 in<br />

2013<br />

Cannon’s current work revolves around his ongoing narrative project called Singleton’s<br />

Epic. Cannon creates characters, bodies and systems within his other world<br />

which interact and live within a strange psychological economy or ecosystem. The<br />

central character of the narrative are the singletons, strange human like figures who<br />

loaf around the environment focused mainly on hedonistic pleasures.<br />

Currently Cannon is attending a Student<br />

Scholarship Residency at Malaspina Printmakers<br />

in Vancouver. His Newest work is<br />

in various states of completion which is<br />

tracked on his website and blog. Thematically<br />

the newest images orient around imaging<br />

states of the Singletons, enmeshed<br />

within their machine world as productive<br />

cogs, complicit, victims and rowdy fools.<br />

Despot Love<br />

viscosity print<br />

14 x 18 in<br />

2014<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 113


Chassériaud Frédéric<br />

www.libertart31.pagesperso-orange.fr<br />

contact: Chassériaud Frédéric<br />

libertart31@orange.fr<br />

France<br />

The Human Robot<br />

A robot is a Human who<br />

does not take the time to think<br />

linen and oil painting<br />

paint brush and knife<br />

60 x 92 cm<br />

<strong>2015</strong><br />

The Family<br />

The sharing of your life with all your<br />

environment creates the family<br />

linen and oil painting<br />

knife<br />

80 x 100 cm<br />

<strong>2015</strong><br />

114 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


The artistic activities, painting<br />

and writing, offer wings to<br />

my soul. I cannot live without<br />

these artistic activities which<br />

share my thoughts with others<br />

people. With these wings,<br />

I do not see the human frontiers<br />

which are the fears of the<br />

human’s ego. The freedom<br />

is the acceptation of others<br />

thoughts which create the<br />

only wealth of the human<br />

when you share them. With<br />

this richness, the Human has<br />

not harms but the joy to live in<br />

an human environment.<br />

Human is his own Home<br />

The Human Being creates<br />

that he is with his thoughts<br />

linen and oil painting<br />

paint brush and knife<br />

46 x 60 cm<br />

2010<br />

The Contemplation<br />

All that exists, lives to be<br />

a human fruit<br />

linen and oil painting<br />

knife<br />

72 x 100 cm<br />

<strong>2015</strong><br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 115


Shae White<br />

www.jeinshaewhite.com<br />

contact: Jein Shae White<br />

shaew2@gmail.com<br />

United States<br />

Kaleidoscope Lady<br />

acrylic on canvas<br />

24 x 30 in<br />

2013<br />

Some Kind of Wonderful<br />

acrylic on canvas<br />

24 x 30 in<br />

2014<br />

Born in China, adopted at an<br />

early age and raised in the United<br />

States, Shae White brings both<br />

cultures alive in each of her canvases.<br />

Each painting tells so much<br />

about her and where she came<br />

from. Self-taught at an early age,<br />

she learned the most important<br />

values: the freedom to explore,<br />

to create, and best of all, to try.<br />

116 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


“I feel I have more freedom<br />

to try different ways<br />

to open my mind and<br />

grow every day in ways<br />

that inspire me to be<br />

better,” - Shae White<br />

The Boy I Love<br />

acrylic on canvas<br />

24 x 30 in<br />

2014<br />

Shae ignores the rules so she<br />

can express her thoughts in<br />

her own way. Her work isn’t<br />

abstract, surreal or cubism.<br />

It’s a synergy of all those<br />

and more. She refers to this<br />

style as “Geometrism.”<br />

Natural<br />

acrylic on canvas<br />

24 x 24 in<br />

2014<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 117


Be a part of<br />

hiddentreasure<br />

<strong>Art</strong> <strong>eMagazine</strong> / Summer <strong>2015</strong><br />

Eligibility<br />

<strong>Art</strong>ists who are above 18 years old can submit their work for selection. All artworks<br />

must have been created by the submitting artists, who must have legal ownership<br />

and must be the sole owners of the copyright. All media and techniques of visual<br />

art can be submitted for review, such as painting, photography, sculpture, installations<br />

and digital art, etc.<br />

Entry Information<br />

<strong>Art</strong>ists who are interested in showing their work in <strong>Hidden</strong> <strong>Treasure</strong> <strong>Art</strong> <strong>eMagazine</strong> /<br />

Summer <strong>2015</strong> must send their images and biography to:<br />

submission@ht-artmagazine.com<br />

• Images of 6-8 artworks (minimum 1Mb images (300dpi) including details of the<br />

works, such as title, size, medium and the year of creation,<br />

• A short biography or description of artistic interests (maximum of 200 words, in<br />

the third person, in English, not a CV),<br />

• A profile picture, possibly portrait (minimum 400Kb images),<br />

• A website address.<br />

Media Accepted<br />

Painting, mixed media, decorative art, design, caricature, sketching, drawing, collage,<br />

sculpture, pottery, digital art, 3D art, photography, installations, print, graffiti,<br />

street art and custom painting.<br />

Cost<br />

£ 55.00 for 2 pages (or if you wish, you can pay in different currencies: $100.00 or<br />

€80.00 included tax. Banking transaction fees apply and must be paid by the artist).<br />

Additional pages £25.00 each (or in USD=$50.00 / in EUR=€40.00). Please, apply with<br />

this Submission Form.<br />

Deadline<br />

15th June, <strong>2015</strong>​- The <strong>eMagazine</strong> will be published at the end of June.<br />

118 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Sculptures<br />

Installations<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 119


Marian Sava<br />

Amapola<br />

black belgian marble<br />

56 x 17 x 18 cm<br />

2009<br />

www.mariansava.com<br />

contact: Marian Sava<br />

savamarian@gmail.com<br />

Belgium<br />

“Marian Sava” makes the stone sing”<br />

He received his artistic education at the<br />

Royal Academy of Fine <strong>Art</strong>s of Bruxelles.<br />

When looking at his works, one word comes<br />

to mind ‘Emotion’, because one experiences<br />

a great pleasure, produced by the creative<br />

impulses of the artist, which are marked<br />

by the seal of extreme sensitivity. Marian<br />

Sava approaches the abstract art in his very<br />

nuanced manner, without ever falling on<br />

the side of pure and hard abstraction. He<br />

passes smoothly, from the strict image of a<br />

subject to the creation of new unexpected<br />

forms (...)<br />

Collette Bertot, <strong>Art</strong> Critic, Brussels 23 02 2008<br />

120 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong><br />

Messenger<br />

white marble<br />

72 x 37 x 8 cm<br />

2013


Flight of Day<br />

black belgian marble<br />

73 x 27 x 6 cm<br />

2008<br />

Amapola<br />

For the eye’s delight, in the<br />

summer, colored parasols invade<br />

fields and the roadsides<br />

… these are the poppies!<br />

Light of Day<br />

“Vibrations of the wings of insects,<br />

the day and the night”.<br />

A true rehersal in miniature, with<br />

an end unpredictable when<br />

you look carefully the vibration<br />

of insects’s wings<br />

Burning Bush<br />

“Myth and reality in the history<br />

of humanity”. The burning Bush<br />

is, in the biblical tradition, the<br />

revelation of the Angel of the<br />

God inside a Bush that burned<br />

without ever burn on Mount Sinai.<br />

Here, God sends Moses deliver<br />

his people from slavery and<br />

gives him the tablets of the law<br />

with the ten commandments,<br />

carved in stone by the fire.<br />

Burning Bush<br />

white marble<br />

63 x 47 x 7 cm<br />

2002<br />

Messenger<br />

Birds were always used to carry<br />

messages. Benefiting from their<br />

aerodynamic shape in their<br />

flight, one watches them, high<br />

above, in an imaginary form.<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 121


Padmini<br />

London based Andrea Peng was born in 1983 in Argentina<br />

to Taiwanese parents. Her work has been influenced by the<br />

search for her identity and explores mixed cultural associations<br />

and the nature of human existence. She has always<br />

been fascinated by unseen details, looking at things from the<br />

inside out in order to discover a sense in between.<br />

www.andreapengprops.tumblr.com<br />

contact: Andrea Peng<br />

andreapengprops@gmail.com<br />

United Kingdom<br />

122 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


She is a versatile prop maker with a distinctive approach<br />

who is fully comfortable combining conceptual and practical<br />

realization. Andrea has a keen interest, and active<br />

involvement, in organizing various alternative art, music,<br />

and social projects. Culturally and politically aware these<br />

activities feed her practice. Currently in her final year at<br />

RCSSD, Andrea works as a freelance prop maker on various<br />

projects including for Pinewood Creative, Kimatica<br />

Studios, Mantaray Props, and artist Tom Price.<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 123


Leo Deville<br />

Ishka’s Moment<br />

ceramic and<br />

mixed media<br />

26x19x12 cm<br />

2014<br />

www.leodeville.co.uk<br />

contact: Leo Deville<br />

hello@leodeville.co.uk<br />

United Kingdom<br />

Birdeyes<br />

ceramic and<br />

mixed media<br />

32x17x6 cm<br />

2013<br />

Leo creates ceramic faces, figures, sculptures<br />

and jewellery that sometimes include<br />

coloured wires, textiles, beads and paint.<br />

When she has a black biro in her hand she<br />

produces surreal black & white illustrations<br />

and also paints in oils & acrylics. She started<br />

working spontaneously with the black biro<br />

drawings, which took her on subconscious<br />

journeys to a world far more interesting than<br />

the physical normality.<br />

124 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


She now lets her ceramics evolve<br />

and loves this process as she’s constantly<br />

intrigued to view where her<br />

mind has taken her. Leo’s eyes, ears<br />

and mind are forever open to new<br />

ideas and influences.<br />

Fuzzy Dreads<br />

ceramic and<br />

mixed media<br />

23x24x8 cm<br />

2012<br />

Spirit ‘G’<br />

ceramic and<br />

mixed media<br />

16x33x7 cm<br />

2013<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 125


Why <strong>Art</strong>ists Should Be Paid for<br />

Their <strong>Art</strong>work?<br />

“<strong>Art</strong>ists shouldn’t be paid for their art.<br />

Getting paid prevents them from creating<br />

really good stuff.” - I read somewhere<br />

online.<br />

I want to make three points about <strong>Art</strong>,<br />

Contribution and Money with this article:<br />

Your art is a contribution to society.<br />

It brings joy, it solves problems, and it<br />

makes this world a better place.<br />

Being paid allows you to make that contribution<br />

to society.<br />

Your contribution expands in relation to the amount of time you put into it. More<br />

hours means expanded contribution to this world with your God-given talent.<br />

“<strong>Art</strong>ists are better off working a job they hate and then painting in their spare time.”<br />

This is the problem I have with that:<br />

No one should work a job they hate. You were put on this earth with talents and you<br />

are meant to do that which you are good at and what you love! The world is missing<br />

out on your contribution. The less an artist creates, the less they grow. It requires hours<br />

upon hours to hone your craft.<br />

Charging for your artwork enables you to make a contribution to the world with your<br />

art. It allows you to develop your style and to get better and better at what you do.<br />

As long as we are stuck in a money based system, I find it an outright insult to all hardworking<br />

artists to say they shouldn’t be paid for what they do. It’s just a crazy notion<br />

that this one, single profession should work for free! (While everyone else gets paid.)<br />

126 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Image: Bin Feng<br />

Pin Man - A Space Odyssey #6<br />

digital C print<br />

36 × 64 in<br />

2014<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 127


“Creativity is just connecting things. When you ask creative<br />

people how they did something, they feel a little guilty<br />

because they didn’t really do it, they just saw something. It<br />

seemed obvious to them after a while.”<br />

Steve Jobs<br />

128 I<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


in feng<br />

www.binand.com<br />

contact: Bin Feng<br />

mashed7th@gmail.com<br />

United States<br />

American Dream -<br />

Approaching the Whitetail<br />

digital C Print<br />

40 × 60 in<br />

<strong>2015</strong><br />

THE AMERICAN DREAM<br />

photo series continues<br />

to explore the idea of<br />

“American Dream”.<br />

American Dream -<br />

Backyard 7am<br />

digital C Print<br />

40 × 60 in<br />

<strong>2015</strong><br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 129


Bin Feng<br />

American Dream - Starring Jackie Chan<br />

and John Cusack, Dragon Blade<br />

3D IMAX will be released in February <strong>2015</strong><br />

digital C print<br />

40 × 60 in<br />

<strong>2015</strong><br />

American Dream - The Visitor<br />

digital C print<br />

40 × 60 in<br />

<strong>2015</strong><br />

THE AMERICAN DREAM photo series<br />

continues to explore the idea of<br />

“American Dream” from an eastern<br />

male gaze. By staging the moment<br />

of daily life, the artist performs as an<br />

actor and jumps between the fiction<br />

and reality, which essentially conveys<br />

the notion of the history of a man is<br />

mobilized by images.<br />

130 IHIDDEN<br />

TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


American Dream - The Male Gaze<br />

digital C print<br />

40 × 60 in<br />

<strong>2015</strong><br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 131


in feng<br />

Pin Man - A Space Odyssey #4<br />

digital C print<br />

40 × 60 in<br />

2014 Pin Man - A Space Odyssey #6<br />

digital C print<br />

36 × 64 in<br />

2014<br />

132 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Pin Man - A Space Odyssey #2<br />

digital C print<br />

36 × 64 in<br />

2014<br />

PIN MAN - A SPACE ODYSSEY photo series shows him heading off to space to spread<br />

word of this new currency to other planets and cultures, hoping to find a more receptive<br />

audience around which he can call “home”. By expressing a plethora of<br />

ideas regarding simulation, cultural capital, currency, popularity and fabrication in<br />

various art forms, Pin Man - A Space Odyssey offers a sophisticated and complex<br />

look at the value placed on people and objects in today’s media-saturated, highly<br />

simulated age.<br />

Pin Man - A Space Odyssey #1<br />

digital C print<br />

36 × 64 in<br />

2014<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 133


Mike DeCesare<br />

www.ProPhotoNorthwest.com<br />

contact: Mike DeCesare<br />

Mike@ProPhotoNorthwest.com<br />

United States<br />

Alpine Falls<br />

photograph<br />

16 x 20 in<br />

2014<br />

Mike DeCesare: Photography is my first language. My home<br />

is the Pacific Northwest where rugged, natural beauty and<br />

individuality have inspired and shaped my photography.<br />

My landscapes are not meant to chronicle what is, but<br />

rather to share my passion for nature with those who feel<br />

the same joy for the world we live in and accountability for<br />

the world we will pass on.<br />

Tye River Winter Run<br />

photograph<br />

16 x 20 in<br />

2014<br />

134 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Bryce Canyon First Light<br />

photograph<br />

16 x 20 in<br />

<strong>2015</strong><br />

Forest Road<br />

photograph<br />

16 x 20 in<br />

2012<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 135


david crittin<br />

www.davidcrittin.com<br />

contact: David Crittin<br />

david.crittin@hotmail.com<br />

Euloz 11<br />

CH-1926 Fully<br />

Switzerland<br />

T: +41 78 800 75 03<br />

“I try to give an account of the<br />

transcendent quality of nature<br />

and its function as a messenger<br />

of a ‘sense of infinity.”<br />

David Crittin’s work is the<br />

expression of a contemplation.<br />

The composition of<br />

landscape in circle unfolds<br />

the mystery of the World:<br />

no beginning, no end; no<br />

quantifiable space, therefore,<br />

no time. It brings us<br />

back to fundamental existentialist<br />

questions, between<br />

finiteness and infinity.<br />

The circular landscapes<br />

are built after the classical<br />

plan of an architecture of<br />

the spirit, with a progressive<br />

densification of the sacred,<br />

of which the archetype in<br />

our culture would be Solomon’s<br />

Temple: outside–enclosure–sanctuary-Holy<br />

of<br />

holies.<br />

Paris doesn’t exist<br />

Numeric photography collage under<br />

acrylic block – jesmonite base<br />

137 x 112 x 50 cm<br />

2012<br />

Composition with center beyond #1<br />

Numeric photography collage under matte diasec<br />

100 x 100 cm<br />

2008<br />

136 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Gate of silence<br />

Numeric photography<br />

collage on aluminum –<br />

poplar wood base and<br />

sitting block<br />

180 x 170 x 50 cm<br />

2012<br />

In the pictorial field, we note the<br />

Mandalas, sacred images used<br />

in the East to induce a deeper<br />

degree of knowledge through a<br />

reading going from the periphery<br />

to the center. This is precisely one<br />

way to read these images. Starting<br />

from the periphery, the observer<br />

can contemplate the unity<br />

of the World, which is a reflection<br />

of his own unity. Subsequently, he<br />

is brought to the center where<br />

it seems to be nothing left. Nature,<br />

space and time have disappeared.<br />

But the observer remains,<br />

facing himself: a consciousness<br />

beyond this World of shapes and<br />

definitions.<br />

Composition with center beyond #9<br />

Numeric photography collage under matte diasec<br />

100 x 100 cm<br />

2010<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 137


carrie webster<br />

Facing your Demons with Kindness<br />

digitally enhanced photograph<br />

limited edition signed print<br />

up to 40 x 40 in<br />

2014<br />

www.artfolio.com.au<br />

contact: Carrie Webster<br />

carrie@artfolio.com.au<br />

Australia<br />

Carrie Webster works and lives in<br />

Sydney, Australia. Her recent work<br />

has been selected as finalist art<br />

work in a number of international<br />

online photographic & art competitions,<br />

and she was selected to participate<br />

in the prestigious Head On<br />

Photography Festival in May 2014. A<br />

solo exhibition of Carrie’s work was<br />

exhibited at the Angel Restaurant<br />

in Freshwater, Sydney, in April 2014,<br />

and her latest solo exhibition which<br />

is a re-imagining of the Chinese Horoscope<br />

animals mostly transforming<br />

fruit and vegetables into animals<br />

was held in February <strong>2015</strong>.<br />

Own Little World<br />

digitally enhanced photograph<br />

limited edition signed print<br />

up to 40 x 40 in<br />

2014<br />

138 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Let the Healing Begin<br />

digitally enhanced photograph<br />

limited edition signed print<br />

up to 40 x 40 in<br />

2014<br />

Carrie currently works part-time as a UX specialist in IT. She completed a Bachelor of<br />

Visual <strong>Art</strong>s at COFA in her early twenties, and evolved into the field of graphic and<br />

web design. She also has a Masters degree in Information Architecture. Along the<br />

way, she has always been creating and working on personal art projects in parallel<br />

with her professional life. Carrie has always had a passion for creating, and has<br />

experimented with many different mediums, such as painting, drawing, animation,<br />

video, lino prints, and of course, her current obsession, photography. Carrie plans to<br />

quit her day job when she becomes rich and famous :)<br />

Royal Portrait<br />

digitally enhanced photograph<br />

limited edition signed print<br />

up to 40 x 40 in<br />

2014<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 139


delpierista77<br />

www.stefaniagrasso.it<br />

contact: Stefania Grasso<br />

aktis.a@alice.it<br />

Italy<br />

S.Cristoforo Paintings<br />

Of G.Ferrari,<br />

Chiesa S.Cristoforo<br />

Vercelli<br />

photography<br />

3000 x 2008<br />

2010<br />

Stefania Grasso was born in Vercelli Italy in1977. She started to photograph in 1990.<br />

She loves mainly mountain and sea landscapes and to capture the most beautiful<br />

artworks in Italy. She gained prices in Italy, Vietnam, Michigan ad a finalist in various<br />

photocontests. Her favorite themes are travel photography, nature, landscapes<br />

and arts with photos of churches and monuments.<br />

Ilaria Del Carretto,<br />

Duomo Di Lucca<br />

photography<br />

3000 x 1987<br />

<strong>2015</strong><br />

140 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Altare Piccolomini,<br />

Duomo Di Siena<br />

photography<br />

3000 x 1987<br />

2013<br />

She also loves to create some photobooks to exhibit during<br />

cultural and naturalistic events. She has gained some prices<br />

in contests related To nature and arts. and several covers<br />

for travel rewievs. Some of her portfolios have been selected<br />

by CNN in the section report and by the review N-photography.<br />

Actually she experiments HDR photography.<br />

Villa D’este, Tivoli (Roma) photography, 3000 x 2008, 2012<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 141


Fu Wenjun<br />

Nepotism<br />

conceptual photography<br />

140 x 175 cm<br />

<strong>2015</strong><br />

Fu Wenjun, Chinese important<br />

conceptual photography<br />

artist, talks about history<br />

of art; it’s not a means,<br />

but the main goal. He<br />

therefore analyses some<br />

aspects which are meant<br />

to express a timeless concept.<br />

In this way, the expression<br />

of every artwork<br />

becomes a thesis with no<br />

possibility of anti-thesis, full<br />

of proofs which we find<br />

again many times in history,<br />

western and oriental, to<br />

remember that history is repeating<br />

itself and that the<br />

mankind as a whole has<br />

similarities beyond geo-cultural<br />

position.<br />

Life is Simple<br />

conceptual photography<br />

140 x 175 cm<br />

<strong>2015</strong><br />

Among the Clouds<br />

conceptual photography<br />

140 x 175 cm<br />

<strong>2015</strong><br />

142 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


www.fuwenjun.com<br />

contact: Fu Wenjun<br />

China<br />

350 B.C.<br />

conceptual photography<br />

140 x 175 cm<br />

<strong>2015</strong><br />

Drift Away<br />

conceptual photography<br />

140 x 175 cm<br />

<strong>2015</strong><br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 143


Bernard Sabri<br />

www.art-photo.fr<br />

contact: Bernard Sabri<br />

Bernard_sabri@hotmail.com<br />

France<br />

Network<br />

inkjet mounted on dibond<br />

40 x 30 cm<br />

2003<br />

The original picture was a<br />

view of the garden of the<br />

castle of Sceaux situated in<br />

the south suburb of Paris.<br />

What Bernard searches most in his artistic expression is to create an image worked in<br />

a modern style, rather surrealist; an artwork which provokes, by the symphony of its<br />

colors and the originality of its composition, strong emotions as a sign of successful<br />

communion with the visitor. His works are based exclusively on computer processed<br />

digital photography.<br />

Printing is on various supports<br />

such as fine art paper,<br />

laminated wood,<br />

plastic, aluminum or canvas.<br />

Paris, Montmartre<br />

inkjet mounted on dibond<br />

40 x 28 cm<br />

2005<br />

Solitary painter, an early<br />

Sunday morning on the<br />

“Place du Tertre”.<br />

144 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Bernard Sabri explores photography<br />

by modern techniques<br />

in order to make “you”<br />

share his emotions of the universe<br />

of Digital-<strong>Art</strong>; where the<br />

Virtual and the Real merge;<br />

through works expressing his<br />

profound sensitivity to this new<br />

form of Contemporary <strong>Art</strong>. The<br />

happy marriage of photography<br />

and informatics, which<br />

gave birth to “Digital-Photography”<br />

and thus opened a new<br />

era of “Digital-<strong>Art</strong>”, allowed<br />

Bernard to get out of the initial<br />

frame of traditional photography<br />

to enjoy the freedom of<br />

digital art, an art representing<br />

well our “High-Tech” Epoch. He<br />

uses the virtual brushes of today’s<br />

digital tools to create a<br />

modern work of art.<br />

Paris, Eiffel Tower<br />

inkjet mounted on dibond<br />

42 x 60 cm<br />

2005<br />

Seine Bank and Eiffel Tower seen<br />

from Notre-Dame Cathedral.<br />

Paris<br />

Statue of Liberty<br />

inkjet mounted on dibond<br />

40 x 28 cm<br />

2005<br />

The statue of liberty no<br />

longer turns its back on the<br />

Eiffel Tower, it welcomes<br />

her henceforth. The original<br />

statue looks to the East while<br />

the one on the picture looks<br />

to the West.<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 145


SNOPIX<br />

www.snopix.co.uk<br />

contact: Peter Higgins<br />

snopixx@hotmail.com<br />

United Kingdom<br />

The Escape<br />

digital photo image<br />

2009<br />

Creator Peter “Snopix” Higgins had no idea<br />

when he set off on his creative journey in 1976<br />

that it would turn into a life time addiction/<br />

adventure. For him it was a positive way to<br />

use the spare time he had then, rather than<br />

just fritter it away doing nothing.<br />

So now in <strong>2015</strong> as he comes up to celebrate<br />

almost 40 years of creating. He has been honoured<br />

to receive the Sandro Botticelli prize<br />

for the original stylistic search. Something he<br />

could have never dreamed of when he purchased<br />

his first pencils and drawing pad in<br />

Amsterdam, all that time ago.<br />

Vision C<br />

digital photo image<br />

2011<br />

146 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Creativity for me, has become<br />

like an intravenous drug being<br />

pumped into my vein. Addicting<br />

my very life! My very soul!<br />

Taking me on what I can best<br />

describe as, the ultimate adventure<br />

of my life time exploring<br />

the very depths of my own<br />

mind. Even now after almost 4<br />

decades of creating my own<br />

original images, I still get the<br />

same buzz. Through drawing,<br />

painting, photography, Photoshop,<br />

illustrator and now culminating<br />

with my first venture as<br />

an author with the novella “ILL<br />

BE DAMMED” (Available at Amazon.co.uk)<br />

the story of when I<br />

first had the idea to try to express<br />

myself through creativity.<br />

Masquerade<br />

digital photo image<br />

2009<br />

Kallide A In<br />

digital photo image<br />

2012<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 147


Interesting Facts<br />

Part 2<br />

Natural Ultramarine was as valuable as gold during Renaissance costing<br />

per ounce more than half the annual rent of a good size studio in<br />

Florence. It was considered one of the three purest colors beside gold<br />

and vermillion and a reflection of God’s glory. Because of its high cost<br />

it was reserved by artists for the most revered subjects such as robes of<br />

Madonna and Christ.<br />

Linseed oil, the most popular of all oils for painting, comes from the flax<br />

seed a common fiber crop. The linen, a popular oil painting support, is<br />

made from the flax plant.<br />

Pablo Picasso was baptized Pablo Diego José Fransisco de Paula Juan<br />

Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad<br />

Martyr Patricio Clito Ruiz y Picasso. The name contains 23 words and<br />

honors various saints and relatives.<br />

Vincent Van Gogh produced more than 2000 works during his life time:<br />

approx 900 paintings and 1100 drawings and sketches. Although he<br />

is now considered one of the greatest artists of all times he was undervalued<br />

and only sold one painting during his life time.<br />

Leonardo Da Vinci was left handed and his personal notes were written<br />

in mirror writing starting from the right side of the page to the left.<br />

148 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


Paul Hamanaka<br />

Q.R114/A Letter<br />

mixed media assemblage<br />

69 x 33 x 9 in<br />

2014<br />

HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong> I 149


Image:<br />

Marian Sava<br />

Final<br />

black belgian marble<br />

24 x 45 x 13 cm<br />

2012<br />

Get your artworks seen!<br />

Don’t disregard eyes and ears close to home. In your town or neighborhood? Is<br />

there a coffee shop or bookstore you love? Is it frequented by a lot of like-minded<br />

people?<br />

If so, take the opportunity and ask the owner or manager to display your paintings<br />

or drawings. You get publicity and they get their walls decorated for free, and you<br />

get to tap into a community you are already in sync with.<br />

Who are the top ten people whom you would love to get your artworks in front of?<br />

Make a list and email them. Tracking them down on the worldwide web should be<br />

easy enough, and you get the opportunity to make a presentation of your work to<br />

the people you respect and admire on your own terms - no filter and no middleman<br />

to work around.<br />

150 I HIDDEN TREASURE ART eMAGAZINE / <strong>Spring</strong> <strong>2015</strong>


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hiddentreasure<br />

<strong>Art</strong> <strong>eMagazine</strong> / <strong>Spring</strong> <strong>2015</strong><br />

Linda McIntosh<br />

That Spoonful<br />

mixed media on paper<br />

16x16in<br />

<strong>2015</strong>

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