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Hair Trigger 2.0 Issue One

Hair Trigger 2.0 Inaugural Issue

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excerpt from Poison and Antidote, “TROUBLED RECOGNITIONS”<br />

Lee Foust<br />

Lee puts the round key into the bike lock, unhooks it, draws the lock out of its resting place—<br />

hanging from the back of the moped by the short sissy bar—and slides it through the spokes of<br />

the front wheel and around a pole of the painter’s scaffolding. The moped belongs to his<br />

girlfriend Betty; he should have returned it to her a while back. After locking the bike to the steel<br />

pole, he reaches over the seat and turns off the gas flow. Betty never remembers to do that, and<br />

he remembers only sometimes.<br />

Finished with the chore, Lee raises his head, his face splashed a spectral white from the<br />

streetlights along Geary Street, and looks up at the scaffolding; the metal poles are humming<br />

softly in the cold wind that’s blowing in from the ocean, down through the avenues of the Sunset<br />

and Richmond districts, up over Cathedral Hill, and swirls around down here in the Polk Street<br />

gulch. The metal frames of the scaffolding are crosshatched with wooden planks and the dusty<br />

framework stands up against the façade of the building next door to the bar where Lee’s meeting<br />

the rest of the band. The boards are worn, splintered, spotted with drippings of white paint. It<br />

reminds him of the scaffolding that had stood in front of the house where he and Betty had lived<br />

together. All that fall their landlord—who’d moved into the basement flat of the building,<br />

nullifying the rent control—had been repairing their building out in the Western Addition. When<br />

he’d finished he raised their rent and they’d had to move.<br />

Walking toward the bar now, the Edinburgh Castle, Lee looks up the street for his friends.<br />

They’re all coming in Adrian’s car and it’ll take ‘em a while to find a parking space. Lee has come<br />

on ahead to get the fish and chips ordered before the place stops serving food, at ten. There’s no<br />

sign of them yet.<br />

He pushes the swinging doors and goes in, turns the corner skirting the tiny Scottish<br />

souvenir shop, and walks into the bar proper. The space is bigger inside than you’d imagine from<br />

looking at the door on the street, and dark—thick wooden booths line the wall opposite the bar, <br />

" 26 | <strong>Hair</strong> <strong>Trigger</strong> <strong>2.0</strong>

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