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Hair Trigger 2.0 Issue Three

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<strong>Hair</strong> <strong>Trigger</strong> <strong>2.0</strong>, English & Creative Writing Department, Columbia College<br />

Chicago, 600 South Michigan Avenue, Chicago, IL 60605-1996.<br />

Established in 2016, <strong>Hair</strong> <strong>Trigger</strong> <strong>2.0</strong> is an annually published literary magazine<br />

affiliated with the English & Creative Writing Department at Columbia College<br />

Chicago that welcomes a broad spectrum of fiction and nonfiction.<br />

Submissions<br />

<strong>Hair</strong> <strong>Trigger</strong> <strong>2.0</strong> is currently accepting fiction, creative nonfiction and visual art<br />

submissions on a rolling basis for our second annual issue. We are specifically<br />

looking for stories with an engaging, nontraditional voice that goes beyond<br />

that of a blanket overall storyteller.<br />

Please visit our Submit page at: http://ht20.colum.edu/submit<br />

Acknowledgments<br />

Special thanks to Kenneth Daley, Chair of the English & Creative Writing<br />

Department; Steven Corey, Dean, School of Liberal Arts and Sciences; Stanley<br />

Wearden, Provost; and Dr. Kwang Wu Kim, President of Columbia College<br />

Chicago.<br />

Cover Illustration: Abby Jo Turner. In a city so large. 2017<br />

Cover & Layout Design: Jay Goebel<br />

Copyright ©2018 by Columbia College Chicago.


Celeste Paed<br />

Editor-in-Chief<br />

Grace Smithwick<br />

Managing Editor<br />

Jeff Hoffmann<br />

Assistant Managing Editor<br />

Cora Jacobs<br />

Faculty Advisor<br />

Fiction/Nonfiction/Creative Nonfiction Editors<br />

Courtney Gilmore<br />

Cali Lemus<br />

Zoe Raines<br />

Kristin Rawlings<br />

Reviews Editor<br />

Tom Ronningen<br />

Interviews Editor<br />

Ash Dietrich<br />

Social Media Manager<br />

Bec Ucich<br />

Special Features Editor<br />

Maria Mendoza Cervantes<br />

Typeset<br />

Celeste Paed


Sophia Okugawa Stoller<br />

Life on Mars<br />

Eva Azenaro Acero<br />

Childhood<br />

Aïcha Thiam<br />

Songs, Fitting and Inappropriate<br />

Eva Azenaro Acero<br />

Thursday<br />

Aïcha Thiam<br />

When Shirley Smiled<br />

Eva Azenaro Acero<br />

I Remember<br />

J. Ray Paradiso<br />

Like a Nutcracker<br />

Chris Gavaler<br />

1917: Van Doesburg & Modigliani<br />

1918: Van Doesburg & Modigliani<br />

Ashlee Bond-Richardson<br />

Death Wish<br />

Silas Plum<br />

Cultural Commodity<br />

Sherry Mayle<br />

The Ghost of P. Wanda<br />

11<br />

16<br />

17<br />

19<br />

20<br />

23<br />

24<br />

26<br />

29<br />

34<br />

35<br />

CONTENTS


Abby Jo Turner<br />

In a City So Large<br />

Jessica Powers<br />

Family Pets<br />

Abby Jo Turner<br />

Late Night Treats<br />

Brittney “Shay” Ellis<br />

The Tyger<br />

40<br />

42<br />

49<br />

50<br />

CONTENTS


LETTER OF INTRODUCTION<br />

As a fledgling magazine, we knew that change would be inevitable with<br />

growth. When the newest set of editors sat down in September of last year,<br />

we realized that it was up to us to create a magazine whose mission would<br />

hold true regardless of who ran it. Our parent anthology, <strong>Hair</strong> <strong>Trigger</strong>, was<br />

created to give voices to disenfranchised students who didn't necessarily feel<br />

like they were represented in popular literature. Now in it's 40th year, that<br />

mission still holds true.<br />

Like <strong>Hair</strong> <strong>Trigger</strong>, the publishing industry has stayed fairly consistent<br />

throughout the years, though most, myself included, wouldn't consider this<br />

a good thing. Yes, the technology has updated, stories reach their readers<br />

faster, and storytelling itself is more innovative and creative than ever. But<br />

the industry itself, both editors and publishers, are as traditional as ever.<br />

As an online multimedia magazine, <strong>Hair</strong> <strong>Trigger</strong> <strong>2.0</strong> challenges the status<br />

quo, producing engaging and unconventional stories that cater to everyone,<br />

regardless of genre, race, gender, or sexuality.<br />

The last line of our mission states, "To do so, it starts with content."<br />

In Volume 3 of <strong>Hair</strong> <strong>Trigger</strong> <strong>2.0</strong>, you will find a wide array of prose, comics,<br />

and art. As Marcel Proust, a French novelist, once said, "My destination is no<br />

longer a place, rather a new way of seeing.” Hopefully, the stories in this issue<br />

will make the tiniest difference in how you view the world.<br />

A special thanks to all my editors, Courtney Gilmore, Cali Lemus,<br />

Zoe Raines, Kristin Rawlings, Tom Ronningen, Ash Dietrich, Maria Mendoza<br />

Cervantes; my managing editors Grace Smithwick and Jeff Hoffman; our<br />

faculty advisor, Cora Jacobs; and to you, dear reader, for taking a chance on<br />

something new.<br />

— Celeste Paed, Editor-in-Chief


Life On Mars<br />

Sophia Okugawa-Stoller<br />

MY STRONGEST RECOLLECTION OF HIM IS SITTING BEHIND THE WHEEL OF THE<br />

old Volvo. The radio eternally tuned to some scratchy station that kicked through the<br />

speakers on the doors, vibrating my calf, but he never bothered turning the dial. He chainsmoked<br />

Lucky Strike, the cigarette without a filter and hung his elbow out the window. I can’t<br />

hear his voice. I don’t think he spoke much, but the stale cereal smell, the cigarettes, the<br />

leather from his briefcase in the backseat and the faint musk of sweat when he removed<br />

his hat is as clear as anything. This mixture is what paints the sharpest image of my father<br />

that I may ever have.<br />

At twelve, I was optimistic about life, but mostly for Mother’s sake. My father was one<br />

year into a twenty-year sentence for embezzlement at the time. The police had taken him<br />

from our house, early on a Tuesday morning. I had watched from the bay window as his<br />

silhouette was calmly escorted to the car. Mother stood on the stoop, shouting confused<br />

phrases like:<br />

“Why?” and “what is happening?”<br />

I was kept at an arm’s length from the trial itself, but I often wonder if witnessing<br />

a court of law point its bony finger at my father and yell “guilty” would have been less<br />

damaging than what I did see, which was Mother unravel like a spool of yarn, knotting and<br />

fraying at the edges.<br />

Appearance was the key to everything for Mother. She wouldn’t be caught dead with<br />

a run in her stocking or a wrinkle in her silk dress. She had grown accustom to the lavish<br />

life my father’s criminal endeavors had allowed. Expensive clutches and high heels on<br />

the shelves in her closet looked like artifacts in a museum. I can see Mother now spritzing<br />

herself with Chanel No. 5 and walking through the mist. When she past my bedroom door a<br />

faint whiff of cherries and fresh cut flowers hung in the air. I always knew when Mother had<br />

recently turned the pages in a book—the paper would blow a crisp decadent odor from its<br />

binding or when she wiped her face on a towel—it would soak up the orange rind freshness<br />

of her skin.<br />

“Just let me put my face on,” she used to say as she pulled her silver makeup bag out<br />

and stared one eye at a time into her compact.<br />

After my father was sentenced, she stopped bothering with things like makeup and<br />

roamed our apartment in her housecoat like a ghost. This frightened me much more than<br />

being fatherless. Her skin had aged overnight and her museum of high fashion collected<br />

dust. We were never low on vodka though, which she kept in the freezer, stacked on top of<br />

greying hamburger meat. Food became something of the past. She was weepy and sleepy<br />

11<br />

Sophia Okugawa-Stoller


12<br />

<strong>Hair</strong> <strong>Trigger</strong> <strong>2.0</strong><br />

most of the time. When she took her afternoon nap on the sofa, she became so still, so<br />

lifeless, that her chest ceased its repetition of ups and downs and I would shake her awake<br />

to check that she was still breathing. She would yell and snort, very much alive, but the<br />

panic would set in as soon as she drifted off again, becoming limp in that dead way that<br />

liquor made her sleep.<br />

After my father’s arrest, we talked about him as though he had just left the room and<br />

I imagined him as being one step ahead of us all the time. If I spilled paint on the carpet,<br />

mother might say, “Your father won’t like that,” as if he was just on his way home from work<br />

and could open the door at any moment.<br />

I could convince myself at times that my father was still sitting in the lazy boy in the<br />

living room. As long as I didn’t turn it around, it could be real. I pictured him reading the<br />

paper, resting a cold beer on his knee, letting it make a water ring on his beige slacks. I liked<br />

eating my bologna sandwich at the kitchen counter so that I could stare at that chair. I even<br />

thought I saw it move slightly at times or if I squinted in just the right way I could make out<br />

the top of his head, but when I went to the front door and looked back, it was always empty.<br />

The move to Maine was supposed to be our new start. Mother had applied for a<br />

secretarial job at a dental office, and I was to finish out sixth grade at a new school. We<br />

hadn’t said goodbye to anyone when mother decided to pack up and leave in the middle<br />

of the night. There were no farewells to the town or to the few friends I had made at school.<br />

I told myself that I would write them letters, but I never did.<br />

My first day of sixth grade started with watching throngs of children rush into the<br />

building like ants into a wall. Becoming queasy at the sight, I wanted to turn and run, but<br />

the thought of Mother’s disheartened face was worse than my sour stomach.<br />

“You are a man now; it’s just me and you kid, so you have to be a big boy,” she had<br />

said as she fixed my tie with a forceful grip that morning.<br />

I slunk into the line, picking up my pace. It seemed as if they were all rushing and I<br />

feared that someone might step on my heel if I took a moment to breathe. The halls were<br />

a light turquoise and the sound of lockers slamming made me jump. There was a loud<br />

squeak every so often from someone’s rubber sole twisting on the linoleum floor and the<br />

chorus of laughter and chatter made me feel as if they all had a purpose here, except for<br />

me. The wrinkled piece of paper in my hand with my classroom number on it was shaking<br />

when I heard my name.<br />

“You must be Thomas,” said a woman, who I gathered to be my teacher.<br />

I was unaware that I had been standing in the doorway of her classroom when she<br />

started yelling.<br />

“Everyone, everyone!” she said, but the class continued jabbering.<br />

“This is Thomas Finney, our newest student, I expect you will all welcome Thomas,”<br />

she said with a stern smile.<br />

“Hi Thomas!” the class sang in reluctant unison.<br />

I quickly took the only open seat I saw next to a boy, who was what mother would call<br />

“healthy,” and kept my head down.<br />

“Psst,” he said.


I looked around.<br />

“Yes?”<br />

“Is it true that your dad’s in prison?” he asked with the emotionless effect that less<br />

brighter children often have. My heart skipped a beat and rose like a stone in my throat.<br />

I could feel ears perk up as the other children awaited my reply. The teacher was blindly<br />

going over the lesson plan for the day with white chalk on the green board. I was utterly<br />

unprepared for this and what happened next was like a reflex. The same as when the doctor<br />

had tapped my knee with that strange rubber triangle and my leg kicked him in the groin<br />

involuntarily, but instead it was words that flung out in front of me.<br />

“No, he’s an astronaut,” I said.<br />

I couldn’t believe my own gall. The boy looked at me confused and suspicious.<br />

“Oh really, ’cause I hear . . .” he began, but I cut him off.<br />

“You heard wrong! He is on a secret NASA mission. I’m not even supposed to say<br />

anything,” I said, digging into my spontaneous lie even further and yet again shocking myself.<br />

It was as if someone were pulling the strings above me, moving my mouth. I heard<br />

whispers, but kept my eyes forward, pretending not to notice. I stared at the teacher’s<br />

back and felt my face growing hot pink with embarrassment. The bell rang and I ran to the<br />

bathroom. I barely got the stall door closed before the waterworks began, uncontrollably<br />

like a sneeze. I heard the bathroom door open.<br />

“Hey new kid! You in here?” a voice said.<br />

I quickly wiped my face on my blazer sleeve and slowly opened the door to find a birdfaced<br />

boy with two other boys behind him standing by the sink.<br />

“So is that stuff true? What Rudy asked you in class? Is your dad really an astronaut?”<br />

he asked.<br />

“Yah,” I said a bit downtrodden, waiting for the axe to fall.<br />

I thought the boy might test me on my lie, ask me for proof and surely my life would be<br />

over before it had ever even begun, but he just nodded to his friends with his chin up and<br />

said.<br />

“Wow, that’s so cool,”<br />

Over the next few weeks my ingenious lie grew a little at a time and by the fall kids<br />

were crowding around me at lunch to hear the latest adventures of my dad, the astronaut.<br />

I came up with more and more detail to my story and tried to cover all my bases by telling<br />

them to keep it secret. I said the information was of the highest clearance and could put my<br />

father’s life in danger if any of it got out. My father, well the astronaut version of him, went<br />

from being on a secret mission to inventing a new form of space travel that could make a<br />

person invisible. He sometimes came to visit me, but only for an hour or so before he had<br />

to go back to save the earth from a meteor that was always headed straight for us. I even<br />

said that a rock from my driveway was a moonstone he had given me. I just kept answering<br />

the questions as fast as they came and was even starting to enjoy myself. I was pleased<br />

with my ability to captivate my audience, to widen their eyes. When I told them of how my<br />

father had clung to the side of the shuttle when a piece of debris had knocked into it, my<br />

classmates had gasped and I swelled with pride.<br />

13<br />

Sophia Okugawa-Stoller


14<br />

<strong>Hair</strong> <strong>Trigger</strong> <strong>2.0</strong><br />

By the time Christmas rolled around, it was common knowledge at my school that<br />

my father would be sending me proof of life on Mars, so while I opened a pair of wool socks<br />

Mother had given me I was busy thinking of what to come up with before the start of school<br />

again. I noticed a small package wrapped in brown paper under the tree. I tore it open and<br />

inside found a small stuffed animal that could neither be called a bunny nor a mouse, but<br />

something in-between.<br />

“Open the card,” my mother encouraged, seeing my expression at the out of date gift.<br />

I opened the manila envelope, a drawing of a generic Christmas tree on the front.<br />

Inside read:<br />

“Merry Christmas kid, love Dad,”<br />

I stared blankly at the words, wondering why he had given me a little kid’s toy when I<br />

am not a little kid anymore. I couldn’t picture the person who had written the note and for a<br />

moment, felt I might cry, but then it came to me, the most wonderful idea.<br />

“It’s perfect!” I said, and jumped up to hug Mother.<br />

“Well, I’m glad you like it sweetheart,” she said, almost spilling her vodka cranberry<br />

on the couch.<br />

That night I tiptoed into the kitchen and rummaged through the cabinets, not knowing<br />

exactly what I was looking for until I found a honey jar. I scrubbed the label off with soap and<br />

warm water in the bathroom sink. With markers I began scribbling on the stuffed animal<br />

in black, turning its innocent white fur into a greyish mess. I then pushed the tiny creature<br />

deep into the honey jar with my thumb, letting it slowly be engulfed by the thick bubbling<br />

gold like I imagined the dinosaurs in the tar pits, frozen in their last positions. I licked my<br />

fingers when I was done and placed it on my dresser to settle. Peering through the glass,<br />

I was satisfied that it passed for one of those anatomy jars that hold a floating body part<br />

that you might see in the background of a scary film. The honey had disguised the stuffed<br />

animals fluffy, cheap fur into something more sinister. It had transformed it into proof of<br />

life on Mars. I hid it under my bed the rest of Christmas break and shoved it inside my book<br />

bag the morning of the first day back to school.<br />

Walking through the halls that day, I was utterly pleased with myself. I had created<br />

something wonderful. I might even have believed that I was an astronaut’s son, that I did<br />

have proof of life on Mars nestled between my notebooks. When the time came for the<br />

big reveal, after the first bell, I reached into the recesses of my bag for the jar. I must have<br />

forgotten to tighten the lid; it must have turned upside down from the bumpy morning bus<br />

ride because when I pulled it out, there on the linoleum floor next to the lockers, in a circle<br />

of kids, a gooey, honey-soaked stuffed animal plopped out.<br />

“Oh my god!” one kid screamed, and for a moment everyone backed away as if it were<br />

alive, until on further inspection, someone yelled.<br />

“It’s just a stuffed animal, you guys!” and my heart sank into my shoes, sliding<br />

underneath my heels to hide.<br />

I didn’t know what to do. I couldn’t come back from this. My life was over. I tried to<br />

think of something to save myself, but before I could, a teacher walked over.<br />

“Thomas, is this yours?” she asked pointing with her long finger, but I could only look


at her gold buckled loafers. The sticky piece of fluff was face up on the tile with its cute glass<br />

eyes staring at me, beaten and exposed, much like myself.<br />

“Yes ma’am” I said, with my head still down.<br />

“Come with me,” she said sympathetically, and the room erupted into laughter as she<br />

walked me away with a hand on my shoulder. After a talk about the consequences of lying,<br />

she called my mother. I believed I was being punished, but I think she was trying to spare<br />

me an afternoon of torment.<br />

I waited for Mother on a wooden bench outside the principal’s office. When she came,<br />

we sat in the car for a moment, me with my shoulders hunched over from shame. She<br />

started the engine and we drove in silence. At a stoplight her blinker clicked its monotonous<br />

note over and over.<br />

“Thomas, tell me more about your father?” she asked.<br />

“I don’t want to talk about it,” I said, thinking she was patronizing me.<br />

“No really, just tell me a nice story about your father . . . the astronaut,” she said<br />

tentatively. I could see that her eyes were clouded as she stared out the front windshield. So<br />

I told her. I told her what I had told all the kids at school. How brave and kind and thoughtful<br />

he was. How he was always thinking of us while he was busy saving the world from the next<br />

great disaster. She smiled, but never looked at me.<br />

“Your father is a good man Thomas,” she said. I didn’t know which father she was<br />

referring to.<br />

“Tell me more, will he explore wormholes next you think?” she said, in a desperately<br />

hopeful tone. I looked at Mother, at her quaffed hair and her painted nails. She was almost<br />

her old self again. Her eyes, outlined with thick black liner were filling with water and my<br />

heart raced. I wanted so badly to keep the tears from overflowing and ruining her makeup<br />

so I said,<br />

“Yah maybe he will.”<br />

15<br />

Sophia Okugawa-Stoller


Songs, Fitting and Inappropriate<br />

Aïcha Thiam<br />

YANN WOKE UP IN THE UNFAMILIAR ROOM, WITH THE SONG STILL IN HIS HEAD.<br />

He had been humming it in his dream, which he was already starting to forget. Feist’s<br />

“Bittersweet Memories,” rather fittingly. In contrast, something loud and abrasive was<br />

presently blaring from the deck above him, but the partygoers were either too euphoric to<br />

care, or his mood had gone too sour to salvage. A few hours must have gone by; through<br />

the wide window on his left, the moon had since risen. The milky half-light, visible in slivers<br />

under the curtains, striped the room black and pastel-blue, dappled with soft red halos<br />

where string lanterns had been hung outside.<br />

He had told them all that he was seasick (he had, in fact, been sailing with his father<br />

every summer since he was six years old, but they couldn’t know that. She most certainly<br />

could not). It hadn’t been the first lie that day, and it would probably not be the last, if he<br />

intended to keep the peace. His brother James had given him a look, and Yann had stared<br />

back, hard, daring him to contradict him in front of everyone. Let me have this. The only<br />

reason I’m here, in the first place, is because of you. He needed, for the sake of his own<br />

sanity, to get as far as humanly possible from the deck where most of the raucous guests<br />

were gathered. Everyone was having such fun. It was unbearable. Ironically, once he had<br />

effectively shut himself away in the small, elegant cabin, silence enveloping him like a quilt,<br />

he had truly begun to feel ill. Presently, Yann felt worse still, and was starting to accept that<br />

it had nothing to do with the gentle sway-lurch of the cruise ship.<br />

In the right corner of the room, something—someone—shifted, and he recoiled slightly.<br />

She was sitting on the arm of the cream settee, eyeing him as if she simultaneously wanted<br />

and feared being there. She was bright-eyed, flushed, a would-be smile flitting on and off<br />

her lips. A thought trickled in and he tried to stem it, aware of the callousness of it. Then he<br />

remembered that he didn’t have to be nice to, or care about her. Has she been drinking?<br />

“I didn’t mean to wake you,” she breathed, eyes darting between him and the door. “I<br />

was wondering where you had disappeared to.”<br />

“Well. Here I am,” Yann said, looking her straight in the face. You have your mother’s<br />

bold, insolent look, his father would often tell him growing up, but never unkindly. The times<br />

had really changed; the woman before Yann looked anything but insolent, let alone bold.<br />

The silence stretched between them. Outside the cabin, the lights flickered as guests<br />

sashayed and staggered by, arms linked merrily, their voices distant, as if from another<br />

world. From inside the room however, silhouetted against the red glare of the lanterns,<br />

their shadows were stern, ghostly. Overhead, the first haunting bars of The Doors’ “People<br />

Are Strange” began, to drunken hoots from the partygoers; Yann pulled himself from his<br />

17<br />

Aïcha Thiam


18<br />

<strong>Hair</strong> <strong>Trigger</strong> <strong>2.0</strong><br />

reverie. What an inappropriate song for the occasion. He studied her again. Half crouched,<br />

half-standing, she now seemed to be deeply regretting having come. Out of old habit, he<br />

glanced at her forearms; her veins were blue lightning bolts, flecked here and there with<br />

fading blemishes and discolorations.<br />

“Are you having fun?” she finally blurted, almost desperately.<br />

“I should be asking you that,” Yann shrugged. “It’s your wedding.”<br />

She saw an opening, and lunged for it, effusively.<br />

“Oh Yann, I know you’ve all just met, but you are going to love Samuel. Simply love him.<br />

He rides horses, just like you used to, I know you are going to get right along. Ah, and he treats<br />

me so well! I have never been so happy in my life, I finally feel like I matter, like I am valued—<br />

not that . . . not that your father wasn’t . . . not to say that. . . ." She faltered under his gaze, and<br />

when she spoke again, her voice was deliberate, contrite. “I would love for the four of us, you<br />

and James and Samuel and I, to spend some time together moving forward. I really would. I<br />

want to know about your life, what you’ve been up to, make up for lost years. . . .”<br />

Yann had felt a savage, cruel pleasure at her flustered ramblings, but it had all but<br />

evanesced. That which had been threatening to erupt inside of him all evening was coming<br />

to the surface in deep, roiling waves.<br />

“Wendy.” He made a point to call her by her name. “I think you misunderstand why<br />

I’m here. I am, believe it or not, genuinely happy you finally got your life together, and I<br />

actually have forgiven you. But I haven’t forgotten what James was too young to remember.<br />

I’m only here because of him, and because he wanted the both of us to be present for you<br />

on your special day, which is more than you have ever done for him—for us.” And then, like<br />

an afterthought, knowing full well how petty he would sound, he added: “And by the way,<br />

I haven’t been on a horse in almost twenty years, but you wouldn’t know that, of course.”<br />

She stood as if electrocuted, her eyes shinier still, the grin now rigid on her face.<br />

“Do feel better sweetheart. Let me know if there’s anything I can do for you.”<br />

“No. Nothing whatsoever.” Yann turned his head toward the window until he heard<br />

the door close softly behind her. He clenched his jaw, and picked at a hangnail, the way he<br />

used to as a child, when pain helped him stay present. Somewhere above, he heard the<br />

unmistakable roar of his brother’s laugh. Sweet, charming, mild-mannered James. At least<br />

one of them was having fun.<br />

Leaning back into the pillows, Yann hum-whispered distractedly, people are strange<br />

when you’re a stranger, faces look ugly when you’re alone, women seem wicked when<br />

you’re unwanted. . . . There was no getting this one out of his head anytime soon.


When Shirley Smiled<br />

Aïcha Thiam<br />

20<br />

<strong>Hair</strong> <strong>Trigger</strong> <strong>2.0</strong><br />

I HAD STARTED TO REGRET THIS, MUCH SOONER THAN ANTICIPATED. EVERY<br />

time I heard the clatter-splash of the pool water, my senses were jarred and I was alight<br />

with panic again; it took all of five minutes, every time, to convince myself that I was fine.<br />

Everything was fine. The children were fine. Their peals of laughter echoed throughout the<br />

streamer-and-balloon decked lawn, as they chased, pushed, and launched themselves on<br />

each other, with the energy only a gaggle of wild five year olds could muster. When their<br />

parents had left them at my doorstep, I had expected them to change their mind, having<br />

somehow sensed how utterly terrified and inexperienced I was.<br />

Nothing would go awry as long as I watched them—her—closely.<br />

A light touch on my shoulder made me start. Elliot smiled down warmly at me; before<br />

he could say a word however, a cry of delight erupted from one of the children, bell-like in<br />

the distance.<br />

“Uncle Elliot!”<br />

A little girl climbed out of the pool with alarming speed. Elliot chuckled as she locked<br />

her hands around his forearm; he lifted her, dangling her as if she were a mere garland, her<br />

dark curls bouncing prettily. In my arms, our kitten Dinah started to tremble.<br />

“Happy birthday darling,” Elliot laughed. She vaulted back toward the other children<br />

as soon as he lowered her. Elliot sat on the wicker chair beside me.<br />

“Five years old already,” he said, in fond disbelief. A pause, then he added “she seems<br />

to be having the time of her life.” When I still did not respond, Elliot’s tone became more<br />

emphatic. “This is good, Violet. You did good.”<br />

My gaze followed my daughter as she swam. When Shirley smiled, her entire face<br />

wrinkled, her grey-blue eyes, those eyes that gave her away, disappearing into the folds. It<br />

was dazzling, and it was disquieting.<br />

“I didn’t even know she had friends,” I said quietly.<br />

“Violet, children are like magnets toward one another at that age. Their lives couldn’t<br />

be less complicated. Of course, she has friends.”<br />

That’s not what I meant. My gaze rested on the children again, their heads bobbing<br />

in the pool like colorful apples. They were playing a variation of tag, giggling and splashing<br />

each other, but never too closely, never too comfortably, giving Shirley a wide berth, as<br />

if they too, instinctively, knew what I felt. There’s something wrong with my daughter, I<br />

thought for the umpteenth time, and the admittance was chased with the familiar, bonedeep<br />

shame.<br />

As if our trains of thought had been analogous, Dinah’s paws tightened on my


forearm. The kitten’s eyes were almost slits, but I saw that they were also trained in the<br />

direction of the pool.<br />

I knew Elliot would be considerate enough to not tell me that I worried too much, as<br />

others so dismissively did. He knew only too well that it was worse than that. He had never<br />

judged me when I had been unable to hold my own daughter, after she was born. He had<br />

sat with me as I cried, on cold bathroom tiles, when my husband was away and I was alone,<br />

yet again, in a too-big house. It was Elliot who had brought me to the doctor where I’d finally<br />

had a name to associate with my despair: they had called it postpartum depression, an<br />

entire life’s anguish summarized into two reductive words. Elliot knew me better than I<br />

knew myself; it was the upside—or downside—of being twins.<br />

Would he be so quick to defend me, however, if I told him how often, throughout the<br />

years, I had turned the baby monitor off, unbeknownst to my husband, wishing that the<br />

night would take my daughter from me? If I confessed about the times when I had driven<br />

away, having left her on park swings with false promises of candy when I returned? Would<br />

he be so condoning in regard to my sanity if I told him that sometimes, my daughter did not<br />

look like my husband, nor did she look like me? That I recoiled from her as much as she did<br />

me, some days, as if we were oil and water—that is to say fundamentally irreconcilable?<br />

Would he be so understanding if he knew how all day, even as I watched her angelic<br />

face plunge in and out of the water, an awful, wretched part of me had been praying in<br />

tandem let her drown, let her drown, let her drown?<br />

Silence unfurled between Elliot and I, a ribbon of words we were always on the edge of<br />

saying, but could never quite bother to. I recalled other birthdays, quieter ones, worse ones,<br />

so many years ago. I remembered mornings spent playing under kitchen tables, he and I,<br />

pretending that we were not, in fact, hiding from a more exacting kind of horror, and I knew<br />

he remembered them too; and while Elliot had always been more skilled at perching his<br />

neuroses on shelves so far up even he could not reach them, I did not think it a coincidence<br />

that having children and a family of his own had always been a hard, solid pass.<br />

I had stunned us both twice: once, when I had chosen to get married, and again, when<br />

I’d had Shirley. Elliot had called it “brave,” laughing in a way that did not quite reach his<br />

eyes. I had not felt very brave in the last few years; I had not felt very brave just yesterday,<br />

in fact, after I’d admonished Shirley for plucking the poor canary’s feathers. I’d retreated<br />

into the kitchen, and Shirley had stood where I left her, her eyes on me, flashing in and out<br />

of view as the kitchen doors swung inward and out. She could have been smiling. I had not<br />

been sure.<br />

I looked at Elliot, who was looking at Shirley. The veil that sometimes came over his<br />

expression was hovering again, and I yearned to ask him whether he could sense it too,<br />

that which I couldn’t quite place. It was like trying to thumb a page in a book which kept<br />

fluttering by. Like carrying water with my small, brittle palm. Instead, I heard myself ask the<br />

other one, the question that was always ready on my tongue.<br />

“Elliot, do you think I’m turning into her? Into Mom?”<br />

“Violet.” He said my name gently, a million tendernesses carried in that word. “You<br />

need to stop doing this to yourself. You’re not a bad mother. Not even close.”<br />

21<br />

Aïcha Thiam


Then what is wrong with my daughter? If it’s not me, it surely must be her. It was like<br />

a mantra in my head. Her own father must have felt it, too. It was either that, or he could<br />

sense just how much I had lost my mind, and preferred to be away, far away, from it all.<br />

As if in response, Shirley swam to the edge of the pool, and reached for a pair of<br />

goggles she had abandoned earlier. The kitten began to tremble again in my arms. Our<br />

eyes met, brown to dazzling blue-grey, and for a fragment of an instant, gone were the hints<br />

of the cherubic smiles, the cloying laughs, the saccharine display she put on for everyone<br />

but me.<br />

And then, just as quickly, the moment had passed.<br />

22<br />

<strong>Hair</strong> <strong>Trigger</strong> <strong>2.0</strong>


Like a Nutcracker<br />

J. Ray Paradiso<br />

24<br />

<strong>Hair</strong> <strong>Trigger</strong> <strong>2.0</strong><br />

PAR TO PERK: YOU CALLED ME PAR FOR PARADISO; I CALLED YOU PERK FOR<br />

Perkins. Do you recall when, where, how or especially why we met? Was it in fifth grade<br />

at St. Vincent’s with Sr. Francis Xavier, who kept me after school every day? I thought she<br />

hated me; you said, “Shit head, she likes you!” We didn’t match up, did we? I mean, you<br />

lived in Quiche Lorraine River Forest; I lived on the pasta side of North Avenue. Your friends<br />

were consonant-crispy Clark, Wendt and Kent; mine were vowel-weary Guerrero, Ippolito<br />

and Allegretti. You swam with a future Olympian at the Butterfield Country Club; I played<br />

wiffle ball with a butcher’s son in the alley. You wore black-on-black SFA – shirt, tie, sweater,<br />

belt, pants, socks, shoes – long before black became, Is-there-another-color? I wore a<br />

string tie over long-sleeve Sears, Roebuck & Co.’s shirts: alternating MWF blue, TR pink.<br />

In our class photo, I’m flinching in the left corner of the room; you’re posturing with that<br />

wise-ass, foxy-sly, smirk on your tilted face as if you, and only you, knew how to spell Des<br />

Moines; how to smoke Camels and talk dirty, in tandem; and how to unclip Dianne Tatalia’s<br />

bra with one hand in the dark. Your skin was Angel Gabriel; mine was Coppini’s Olio Extra<br />

Vergine di Oliva. The tone of your voice was clipped, a gulp away from swallowing a mouth<br />

full of marbles. Mine was late-Bridgeport like “Terdy terd n Wells.” Your Mother’s kitchen<br />

smelled like baked cinnamon apples; ours like lasagna and meat balls or liver and onions.<br />

Your parents were Mr. and Mrs. Chic Cosmopolitan; I lived with my always-in-bed-by-10pm<br />

Gram and Gramp, 1-step from immigration.<br />

Par to Perk: I h-h-honor r-r-rolled all through Fenwick High School; you dared Mr.<br />

Ludwig to pimp you in Freshman Algebra. L-o-s-e-r, your parents UPSd you like a box of<br />

small pox to Georgetown Prep in vanity-plate Garrett Park, Maryland, to get your shit<br />

together. During breaks and vacations, we exchanged dueling “ass holes,” dip shits” and<br />

“douche bags” before and after you “musted” me to wear Bass Weejuns never avec socks,<br />

to say “tautologically redundant” and to read the Kama Sutra. In the summer of ’62, you<br />

invited me to spend a month at your Grandparents’ cattle ranch in Culbertson, Nebraska.<br />

We rode horses, drove jeeps, played ping pong, went swimming and convoyed a sporting<br />

goods dealer to buy a (Did we really need a mahogany Chris Craft?) speed boat in Grand<br />

Lake, Colorado. Your Grandfather (You called him Peepaw; his pals called him Mr. Kool<br />

Aid for the drink he invented and banned from his home.) advised us only once, “Don’t<br />

run the cattle, boys.” And, do you remember that Fourth of July, when he Mark IVd us into<br />

town to buy fireworks at the general store? When the store’s owner said, “Sorry, boys,<br />

fireworks are illegal in Nebraska,” you replied, “But, my grandfather sent us here.” “Who’s<br />

your grandfather?” she asked before loading all-we-could-carry shopping bags chuck full of


fireworks, no charge. What she said next, those seven prized words, wins a “Spoken Word”<br />

Grammy Award in my book, “Ivan Perkins? he’ll turn off my water!”<br />

Par to Perk: You majored in International Relations at pate de foie gras Georgetown<br />

University, two years before pro forma Mr. President, William Jefferson Clinton. I majored<br />

in English at meatloaf Providence College, a few years after Boss Daley’s kid, Richie. Your<br />

new friends’ names were princely like Courtney Babcock III and Raphael de la Cristo (I’ll<br />

conserve space.) Colon. Mine were more Federal Hill like Joey Cerilli, Bobby Davignon and<br />

Brian Serault. We met over St. Patrick’s Day weekend in NYC. Remember TVs flying from<br />

windows, twisting with Joey Dee at the Peppermint Lounge and that insanely jealous dude<br />

at the Roosevelt Hotel, dressed in a long black robe like the 17th Century French Jesuit<br />

missionary, Father Jacques Marquette, hatcheting guest room doors, desperately seeking<br />

his girlfriend? Do you recall, (How could you forget?) that night we raced to Lake Geneva<br />

in your souped-up, candy apple, Bonneville convertible and those gas station yah-whos,<br />

who challenged you to drag? We barely survived the (Sorry, forgot to warn you!) dead end<br />

in the middle of Cornapolis. Commanding a death-defying, starboard, 2-wheely at the “T”<br />

in the road, you one-uped Capt. James Lawrence’s “Don’t give up the ship,” screaming in<br />

your best, affected, ancient Latin, psycho-babble: Carpe diem; Audaces fortuna iuvat; Veni,<br />

vedi, vici. Then, for an encore, you electric-shocked me like my first sciatic kiss, announcing<br />

you’re applying to Marine OCS: necessary experience for a career in politics, “guaranteed,”<br />

you punched, when you run for office from Eponymous County, Nebraska.<br />

Par to Perk: It’s December of ’67, and I meet you at high noon in The Store, a seeand-be<br />

seen bar at the SW corner of State and Maple in Chicago. Like a Nutcracker I<br />

saw just last week at Neiman Marcus on The Magnificent Mile, you’re posing in your U.S.<br />

Marine Officer’s dress red-white-blue, a preview of rigor mortis, refusing to sit and wrinkle<br />

your new duds, SHOW OFF. When that candy-ass, Bob Dylan wannabe, bartender wants to<br />

card you, I wanna tear his fuckin’ heartless heart out. But, you’re cool, SFA cool, Peepaw<br />

cool, Georgetown cool, NYC cool, officer-and-a-gentleman-cool: Perk cool. “Semper fi, Matha-fucker,”<br />

I hear you thinkin’ as you stick your freshly-minted, U.S.-Marine- 2bar- Officerphoto-ID<br />

in Walt Whitman’s sorry-ass face. Drinks up, you tell me OCS stories. “I left my<br />

weapon in the wrong place just once,” you confess. “Slept with it, standing in my locker<br />

for three nights, straight.” “Getting shot doesn’t hurt; you don’t feel it,” you swear, and I<br />

wanna swear, “Perk, you’re fuckin’ brain-washed,” but don’t. “I’m shipping out for Nam<br />

next month,” you boast. “Win the war. Come home. Get into politics. Hey, I’m not, like,<br />

gung ho, but military service is required for what I wanna do.” Hugs reserved for Moms and<br />

sissies, we shake hands, about face, stroll to our wheels, wave Adios, muse home.<br />

Perk to Par: Like a Nutcracker? You’re the nutcracker, you chicken shit draft dodger.<br />

Sorry, 2-A occupational deferment, same difference, dork! I gave you Christmas presents<br />

from Brooks Brothers. You gave me grief every metre (It’s 3.28 feet, dummy!) of my trek<br />

from St. Vincent’s to Fenwick to Nebraska to Georgetown to NYC to Lake Geneva to Chicago<br />

to you-name-it and back. Challenging my logic. Questioning my sources. Doubting my<br />

what ever. And, I won’t forget your horror show on our neighbor’s back lawn with What’s<br />

her name? at my sister’s at-home wedding. What the fuck were you smokin’? And, oh,<br />

25<br />

J. Ray Paradiso


my Mother never forgave you for ditching my funeral. She got your Mass card, but do you<br />

really think we’d buy your shit about having to take a draft physical on the same day in<br />

cheesey, beer-and-a-brat Mil-VAU-kee? I understand you dreamed about “bestmaning”<br />

at my wedding in the Grand Ballroom at NYC’s Plaza Hotel. In your dreams, shit head,<br />

and, Y-e-s, my dream bride IS Miss World. Hey, I didn’t major in International Relations for<br />

nothin’. Ok, I saw you at our Memorial Wall in D.C., fake-soldiering to Panel 36E Line 81,<br />

solemnly making a pencil rubbing “Donald Dean Perkins Jr.” over Optima (Dig it?) typeface,<br />

gravely trudging away - head stiff, face wet - like you were First Communion, God-spelled<br />

to have known me. And, I feel you hugging me from earth and wind and fire and water,<br />

often. And, I know I’ll be remembered, Perk forever, for as long as you tell and write our<br />

stories and for as long as all those who hear, read and tell your stories, and for as long as all<br />

those who hear, read and tell their stories, ad infinitum. Ergo, stop whining, dip shit! Now,<br />

for your penance, un-ancient Latin this, Philistine: Quam celerime, rare avis, nihil obstat.<br />

Imprimatur. Donec iterum conveniant, scribere ius, meus amicus. Scribere ius. Oh, mea<br />

culpa, I forgot, you probably can’t translate it. So, here, I’ll do it for you, Par usual: “As quickly<br />

as possible, rare bird, let nothing stand in the way. Let it be printed. Until we meet again,<br />

write right, my friend. Write right.”<br />

26<br />

<strong>Hair</strong> <strong>Trigger</strong> <strong>2.0</strong>


Death Wish<br />

Ashlee Bond-Richardson<br />

ELDRIAN’S HOUSE HAD MONSTERS IN IT.<br />

They grew in his mother’s womb like parasites. The little monsters leeched all the<br />

warmth and love from Alana and left him and his other mom with the bitter, rotten remains.<br />

His mothers’ favorite thing to do was scream at each other, now because of those leeches.<br />

They were at it again in the living room. Eldrian watched from the corner with one tiny hand<br />

balled into a fist and the other holding a glass bowl of fruit. His face was red. His heart was<br />

pounding. The monsters were still growing.<br />

“We both wanted this!” shouted Alana. “We talked about it for ages! Just because now<br />

we’ve got three on the way and I didn’t do it your way. . . .”<br />

“Oh, you mean like sleeping with the first guy you saw at the bar? That’s not what I<br />

had in mind.” Hazelle crossed her arms and glared at her wife.<br />

“You know that’s not what I did!” Alana threw up her hands. Her nightshirt rose and<br />

her stomach poked out.<br />

“STOP!”<br />

A deafening crash split the air as shards of glass flew in all directions. Both women<br />

froze and spun where they stood. Eldrian stood in the middle of the floor, glass and fruit all<br />

around him. “ENOUGH!” he shouted again, right eye twitching. The color drained from his<br />

mothers’ faces. “I don’t want any more fighting! Just get rid of them!”<br />

“Get rid of who?” Hazelle’s voice was quiet, suppressed with the weight of her stepson’s<br />

fury.<br />

“THE MONSTERS!” Eldrian pointed at Alana’s stomach and kicked a glass shard away<br />

from him. “Just get rid of them! I don’t want any siblings! Siblings are stupid and I like being<br />

alone. I used to like being your only kid before you went and got three monsters inside you!<br />

Just stop fighting. I’m sick of it!”<br />

“Honey, you don’t mean that—”<br />

“Yes, I do! I hope some other monster, or fairy, or something comes and takes them<br />

away!” He stomped down on a grapefruit. It squished and oozed under his shoe. Alana<br />

rubbed her stomach and frowned.<br />

“Why don’t we go to bed?” Hazelle said. Her tone was light and laced with worry.<br />

“Everyone is a little tense. Some sleep would do us good.”<br />

“Whatever,” Eldrian said. He turned and stalked out of the room, up the stairs, and into<br />

his bedroom. The boy slammed his door shut and threw himself onto his fairy bedsheets.<br />

He shoved his face into his pillow and screamed, kicking his feet against the bed. Eldrian<br />

screamed and screamed until his throat was sore.<br />

29<br />

Ashlee Bond-Richardson


He sat up and wriggled his way under the comforter, then turned and stared out the<br />

window. It gave him a clear view of the backyard and night sky. When he couldn’t sleep,<br />

he watched the yard for signs of rabbits. But not tonight. The yard was silent. Maybe they<br />

heard him screaming and ran away.<br />

Eldrian fell asleep before either of his mothers came up to say goodnight.<br />

30<br />

<strong>Hair</strong> <strong>Trigger</strong> <strong>2.0</strong><br />

Tap.<br />

He stirred in his sleep.<br />

Tap.<br />

He opened his eyes.<br />

Tap.<br />

He watched a rock hit his window.<br />

Eldrian yawned and sat up in bed. His eyes went wide. A woman stood in the yard,<br />

illuminated by moonlight. She wore an emerald green dress and had raven hair that spread<br />

down her back. He stared at her, transfixed, and watched as she beckoned him. What did<br />

she want with him? A tickle wound its way up the back of his neck and he shivered. She<br />

beckoned him again, more urgent this time. Against his better judgement, he got up and<br />

tiptoed out of his room. He kept as quiet as he could until he was at the back door. Eldrian<br />

opened it a smidge and poked his head out. The woman beckoned him again.<br />

He went outside, feet shuffling across the grass. When he at last stood before her and<br />

saw her up close, he recoiled. The woman was skin and bone. Her joints stuck out, taut<br />

against her dry and peeling skin. Her legs were sticks and her face was pallid. Her eyes<br />

were sunken in, dead and lifeless.<br />

“What is your name, child?” she rasped. Her voice shook as she shook.<br />

“My name is Eldrian. I live here. Who are you?”<br />

“Call me Miss.” Miss extended a frail hand to Eldrian, who shook it with two fingers.<br />

“Why are you in my backyard?” he asked her and crossed his arms. Didn’t this woman<br />

know it was rude to sneak into people’s yards?<br />

“I am here to grant you a wish, my dear. I visit all unhappy children and grant them<br />

one wish. Is there something you want, Eldrian, more than anything else in this world?” She<br />

leaned closer to him. “There is something I want more than anything else on earth.”<br />

“What do you want?” His chest fluttered.<br />

“I want food.” Her eyes bulged at the word and her breathing picked up. “Do you know<br />

how long it’s been since I fed?”<br />

“A long time, I’m guessing.” He stared at her bony legs and grimaced.<br />

“Longer than you can imagine. I’m . . . I’m . . .” She put her lips next to his ear and<br />

whispered, “starving.” The word spread through him like a chill. It crept up his bones and<br />

sent a shiver through his spine. “Can you help me with that?”<br />

“I think there’s some leftover fruit salad,” he told her, his voice quiet and unsure. His<br />

heart beat fast in his chest. Miss gave a dry laugh that turned into a fit of coughing.<br />

“Yes, that will do. Fruit for me and a wish for you. What does your heart desire?”


“I want my moms back. The nice ones who bought me candy and tucked me into bed.<br />

And . . .” He leaned in close this time and his voice dropped to a whisper. “Get rid of the<br />

monsters. I don’t want any siblings.”<br />

Miss grinned and revealed a row of rotten teeth. “That, dear child, is a wish I can<br />

grant. Now, turn around. Close your eyes.” She took a step back and he turned and faced<br />

the house.<br />

“Why do I need to turn around?” he asked her.<br />

“I don’t want you to be scared, Eldrian. Now, count to five. When you’re done, I want<br />

you to go back to your room and go to sleep. Don’t turn around, not even for a peek.<br />

Understand?”<br />

“Yes, Miss.” Eldrian closed his eyes as tight as he could and put his hands over them<br />

for good measure. His stomach did flip flops and his heart was in his throat. His hands<br />

shook with nerves and excitement. Would he really wake up tomorrow and be an only child?<br />

“Count out loud for me, Eldrian.”<br />

He nodded. “One.”<br />

The sound of ripping clothing filled the air. Miss gave a strangled hiss from behind<br />

him.<br />

“Two.”<br />

A gust of wind almost knocked him over and he gasped. The flapping sound of<br />

something huge and wide followed. . . .<br />

“<strong>Three</strong> . . .”<br />

Flesh tore and separated. Bones snapped and cracked. He heard each and every<br />

sound and winced. A gurgling sound came from Miss’s mouth.<br />

“F-Four,” Eldrian whimpered.<br />

A triumphant cry split the night sky and Eldrian felt something soar into the air above<br />

him. He heard the flapping of wings and felt something hot drip onto his forehead. He<br />

waited a moment and then . . .<br />

“Five.”<br />

Silence.<br />

Eldrian opened his eyes. His entire body shook. He reached and ran his fingers over<br />

his forehead. When he pulled them back, they were covered in blood. Black blood. His<br />

heart skipped a beat as he wiped his forehead and fingers off with the inside of his shirt.<br />

No evidence means it never happened. He didn’t see anything. He didn’t hear anything.<br />

He didn’t—<br />

There were dark pools of blood on the ground.<br />

He froze, staring. Should he go inside? Miss did say go straight to bed. His wish might<br />

not be granted if he disobeyed. . . . But there was blood in his yard. And it led into the house. . . .<br />

Eldrian made a split-second decision and walked forward. He didn’t stop to think<br />

about where he was going—he just walked. He closed the back door as he entered the<br />

house. Eldrian climbed the stairs and stepped around the dark stains in the beige carpet.<br />

He never looked behind him to see the pair of legs imbedded into the dirt.<br />

A soft fluttering noise greeted him at the top of the stairs. He paused and listened<br />

31<br />

Ashlee Bond-Richardson


32<br />

<strong>Hair</strong> <strong>Trigger</strong> <strong>2.0</strong><br />

hard. It came from his mothers’ bedroom. Just a peek, he thought. Just a peek and then I’ll<br />

go to bed. . . . He walked over and pushed open the door.<br />

There, hovering above his mother, was a grotesque human torso with bat-like wings.<br />

Intestines and nerves dangled from the bottom. They glided over the cream sheets and<br />

left tiny red streaks as the creature swayed. Her raven hair was matted with blood. Miss.<br />

Eldrian felt himself go cold and weak with terror. Her back was to him and he heard a<br />

sucking sound. She shifted to the left and he saw her face.<br />

His mother’s stomach was a sea of red. It was split down the middle and Miss’s hands<br />

were deep inside. He watched, frozen, as she pulled out something glistening and shriveled<br />

and plopped it into her mouth. She stuck her wet hands back inside and fished around.<br />

Soft squishing sounds filled the room and a nauseous pit welled up in his stomach. She<br />

was feeding on his unborn siblings.<br />

Eldrian watched her pulled out the last fetus and suck it down her throat. She licked<br />

each of her fingers, then ran one down the edge of the cut on his mother’s stomach. It<br />

began to stitch itself together until all that remained was the smeared blood. Miss pulled<br />

down Alana’s shirt and opened the drawer of her bedside table. She pulled out a hand<br />

mirror and held it up to her face.<br />

“Still rotten,” she said, eyes on her teeth. Her voice was stronger and sweeter, but her<br />

teeth were still brown and yellow. “Still hungry. . . .” She was no longer skin and bone. Her<br />

limbs had filled out and her skin was a soft pink color. Her eyes had life in them and her face<br />

wasn’t sunken in. If he hadn’t been so terrified, he might have found her pretty.<br />

Eldrian tried to clear his throat, but it came out as a cry.<br />

Miss dropped the mirror on the floor and turned around. Her wings hit the bedside<br />

lamp and sent it clattering against the wall. “I thought I told you to go to bed.” Eldrian tried<br />

to speak, but his voice seemed to have dried up. His hands shook and sweat rolled down<br />

his back.<br />

“I . . . uh . . . I . . . Wh-Where’s my o-other mom?” His teeth clattered together. He felt<br />

weak in the knees.<br />

“There.” Miss pointed at the floor by the bed. He glanced over and saw Hazelle passed<br />

out on the floor. She looked pale, but unharmed. “She passed out when I came in. Hasn’t<br />

woken since.” She chuckled and he gagged.<br />

“Were y-you just . . .”<br />

“Eating your monsters? Yes. They tasted better than I’d hoped. Don’t worry, your<br />

mother didn’t feel a thing. She’s in an enchanted sleep.”<br />

Puke pooled in his mouth and he swallowed it.<br />

“But do you see my teeth?” Miss flapped herself closer to him and he felt like he might<br />

pass out. She bared her teeth for him and he caught the scent of rot and flesh. “They’re still<br />

rotten and I can’t have that. So who’s your favorite mother?”<br />

The question came out of nowhere and caught him off guard. “What are you talking<br />

about?”<br />

“Who’s your favorite mother?” Miss flapped backward and hovered between Hazelle<br />

and the bed. “Choose.”


“I can’t do that! I love them both!”<br />

“Choose!”<br />

“Why do I have to choose?”<br />

“If you don’t, I will, and you won’t like that. So pick. Who has the better heart?”<br />

“I’m not picking.” Somewhere amongst the fear, he found his will. “I won’t pick.”<br />

“Then off to your room. It’s way past your bed time.”<br />

“I’m not leaving you here with my moms!”<br />

Miss flew towards him and Eldrian screamed. He squeezed his eyes shut, but no pain<br />

came. When he opened them, Miss’s face was inches from his. “If you don’t do as I say, I’ll<br />

stick your siblings back where they belong.” Her voice was only a whisper, but it was the<br />

deadliest sound he’d ever heard. “They’ll become worse monsters than you feared and<br />

your mothers will never smile again. Do you want that?”<br />

“No.”<br />

“Then go. Sleep and all will be well.”<br />

Miss pushed him backwards and he fell into the hallway. She grabbed the door and<br />

he scrambled to his feet. “Wait! You asked which heart was better. Why?”<br />

Miss smiled. “Goodnight, Eldrian.” She shut the door.<br />

Eldrian didn’t remember how he got back to his room. He didn’t remember getting<br />

into bed, or pulling the sheets over his head. There was only the lull of sleep, the pounding<br />

of his heart, and the dream of Alana giving him candy, and Hazelle tucking him into bed.<br />

33<br />

Ashlee Bond-Richardson


The Ghost of P. Wanda<br />

Sherry Mayle<br />

MOM LOVED TO TELL THE STORY ABOUT HOW SHE ALMOST KILLED DAD.<br />

“I grabbed that butcher knife and I told him, ‘You whore mongerin’ sonofabitch, you<br />

take one more step and I’ll show you your guts! If you try to sleep tonight, I’ll cut your heart<br />

out and leave you lay!’”<br />

What started this specific quarrel isn’t important because Mom and Dad could make<br />

a fistfight out of anything: holidays, grocery shopping, the TV contrast setting; when I was<br />

twelve, they fought over gravy.<br />

The gravy fight started one Sunday dinner when Dad decided he’d rather complain<br />

about the gravy than eat it. He made a face and yelled, “This gravy is sour as owl shit!”<br />

His mother, who came to dinner five times a week despite every indication Mom would<br />

prefer she do otherwise, snickered and agreed the gravy tasted “worse than usual.” Mom<br />

told them both to kiss her “rosy, red ass” and to fix their own dinner if they didn’t like hers.<br />

Dad shook his head at Grandma, then said, “She just put in too much bakin’ powders<br />

and won’t admit it.”<br />

I sat on the couch beside him with a plate of mashed potatoes in my lap as Mom<br />

got up from her seat, a large wooden rocking chair that creaked under its own weight, and<br />

flipped it across the room so that it landed upside down at my grandmother’s feet.<br />

As Grandma grabbed her pocketbook and fled, Mom bent inches from Dad’s nose<br />

and shouted, “Bakin’ powders? You don’t put no bakin’ powders in gravy! What do you<br />

know about cookin’ anyway! You can’t even wash a dish!”<br />

With her index finger still pointed at Dad, Mom turned to me and began her onewoman<br />

show to which I already k ;new the lines: “Sherry Marie, as God be my witness, your<br />

whore monger of a dad let the dogs lick the dishes clean that night he had pissy Wanda in<br />

my bed! While I was out of town, burying my dead mother!”<br />

Pissy Wanda was an old friend of the family whose last name was never said. Her<br />

given name had been prefixed with “pissy” because of her tendency to pee herself when<br />

she drank, which was often. My parents had last seen her twenty years before I was born.<br />

This hadn’t stopped Mom from including her in every argument with Dad since, so I still felt<br />

as though I knew her on a first name basis—first name Pissy, last name Wanda.<br />

While Mom and Dad’s fights could begin over anything, they always ended with Dad<br />

being called a whore monger because of Mom’s superhuman ability to take any topic and<br />

relate it back to her primary grievance: Dad supposedly slept with Wanda while Mom was<br />

out of town, burying her dead mother. Mom always stressed the dead part as if Dad’s<br />

infidelity would have been less offensive had she been burying her mother alive.<br />

35<br />

Sherry Mayle


For decades, Pissy Wanda was as much a part of my parents’ marriage as either one<br />

of them. Even after the woman gave in and died, Mom still brought her up, dragging her<br />

body into arguments as if she’d just shown up that morning demanding my father be given<br />

to her.<br />

36<br />

<strong>Hair</strong> <strong>Trigger</strong> <strong>2.0</strong><br />

It’s 9pm and my fiancé, Aaron, still isn’t home from work. He has a demanding job in Silicon<br />

Valley that requires a lot of hours and a lot of passion. Either that, or he’s having an affair,<br />

which I hear requires the same.<br />

Sometimes I smell his jacket when he comes through the door. I’m sniffing not only for<br />

another woman’s perfume, but even a whiff of hotel shampoo—anything that’ll confirm my<br />

baseless suspicion that he’s been naked, sweating on top of someone else, and re-clothed<br />

since I last kissed him goodbye at 8am this morning. So I hug him a bit too long because I<br />

missed him so much, but also because I’m sniffing, and did I catch a hint of vanilla?<br />

Only whores wear vanilla. Mom never said this, but I wish she had so I could blame<br />

her for it. The voice in my head began impersonating her from a young age. By now, my<br />

impression is nearly identical, so perfect that I can’t tell who’s impersonating who.<br />

I had a boyfriend in high school. He was out of my league but didn’t know it because<br />

I’d just lost fifty pounds and was taking my time about gaining it back. Mom warned me<br />

often to be nice to him, always adding, “Or he’ll find somebody who will!”<br />

I mocked her and then became convinced he was cheating on me within a month. I<br />

had no evidence, just an inevitable dread I was happy calling women’s intuition. I’d tie up<br />

the phone line every night, crying and begging him to tell me the truth, to just admit that he<br />

wanted someone who wasn’t me.<br />

“Why are you so jaded, Sherry?” Mom would plead. “You’re only fifteen! Nobody’s hurt<br />

you the way I been hurt! I pity the day someone really breaks your heart, baby girl. They’ll<br />

have to put you away!”<br />

After five years, this boyfriend did break my heart. He left me for someone else,<br />

someone who hadn’t choked him in fits of paranoia or gave him a black eye he’d had to<br />

tell his friends was from a car door. Mom was right; I nearly did have to be put away. I drove<br />

to his house drunk before I was old enough to drink. I broke in and crawled into his bed.<br />

I sobbed and wallowed and tore at his sheets because he wasn’t there, and I knew that<br />

meant he was with her.<br />

Sitting on my couch now, I glare at the door as if I can will Aaron and lifelong fidelity<br />

to walk through it. I strip a hangnail off my thumb with my teeth and it stings because I’ve<br />

hit the quick. I try to watch television, but all my favorite protagonists are climbing into bed<br />

with their best friend’s wife or their married business partner. Aaron messages me and says<br />

he’ll be home soon. I feel relieved before I consider how good he is at covering for himself,<br />

always checking in so that I don’t get too suspicious.<br />

If only Dad had been so smooth.


My first memory of Mom and Dad fighting over another woman happened when I was six<br />

years old after a liquor-fueled wedding reception on New Year’s Eve of 1997. We’re headed<br />

home in Mom’s Chevy Caprice, and I’m buckled between her and Dad in the front seat. Dad<br />

has one arm in the backseat and won’t stop squirming. Mom threatens, “Quit it right now,<br />

you sonofabitch, or I’ll run this whole car up a telephone pole!”<br />

I hear squealing from behind. My older sister by seventeen years is wedged in the<br />

backseat between her best friend of the same age and our cousin who’s visiting from Ohio.<br />

My sister’s friend is the screamer, and I can feel her legs kicking the back of my seat as<br />

she attempts to squirm away from Dad’s claw hand. My cousin, a large man who within a<br />

few years will announce he’s lending his booming voice to ministering the word of God, is<br />

so drunk he can barely hold himself up. Now he jerks his head up and calls for everyone<br />

to stop crowding him because Mom has placed a leftover cake in his lap for safekeeping.<br />

“I can’t, he’s grabbin’ my knees!” the friend squeals. “Make him quit! Make him quit!”<br />

Dad grabbed everyone’s knees. As soon as he came home from work, before he even<br />

put down his lunch pail, he would grin and pinch the knee of whoever had been stupid<br />

enough to sit closest to the door. He’d dig two large fingers into each side and tickle until<br />

his victim hollered or my mother called him a dunce and made him stop. Mom always<br />

apologized, then politely explained to company that Dad was an idiot, someone who’d<br />

rather get a reaction than eat when he was hungry.<br />

But that night in the car, amid high-pitched giggles, the smell of whiskey breath,<br />

and her six-year-old whining that she’s uncomfortable because Daddy won’t sit still, Mom<br />

doesn’t look at her husband and see an ornery kid oblivious to social cues. Maybe she<br />

sees a sloppy drunk; maybe she’s watching a man who without inhibitions is willing to put<br />

his hands on a girl young enough to be his daughter; maybe she flashes back to twenty<br />

years before when it was Pissy Wanda who was in the backseat, giggling and flirting and<br />

drunkenly pissing herself.<br />

Mom suddenly reaches across me with one arm. I squint into the darkness to try<br />

and follow what she’s doing. Dad cries out, then twists her arm, forcing her to release the<br />

handful of his fleshy belly she’d been wringing.<br />

We all make it home in one piece except for the cake; it’s upside down in my sister’s<br />

lap. Mom is rabid, but we all file inside as if she isn’t threatening to knock Dad’s brains out<br />

all over the sidewalk. As we pretend to sleep, the shouting continues from their room.<br />

“If you wanted her so bad, why didn’t you just climb her ass on the dance floor?” Mom<br />

screams. “Like you did with Pissy Wanda when you had her here! . . . You lyin’ bastard!<br />

Cletus saw you and Conley with her on the front porch! . . . Well I don’t care if Cletus is crazy,<br />

he wouldn’t lie to me! You probably passed her back and forth all night! . . . I oughta just<br />

take Sherry and leave! That’s what I oughta do!”<br />

But it’s Dad who’s leaving. He announces he needs to buy snuff and heads for the<br />

door without pants. My older brother jumps out of bed and yells that he’s too drunk to<br />

drive. My sister agrees, saying she’s sure he’ll die if he gets in the car. I cry and grab his<br />

leg, but Mom says to get away from him. My brother is tackling him. Now they’re wrestling<br />

through the house, and someone’s flailing—breaks the porcelain nativity scene Mom puts<br />

37<br />

Sherry Mayle


out every year for Christmas. Mom hasn’t noticed yet because she’s on her back in the<br />

kitchen, kicking and wailing and praying for the good Lord to take her away.<br />

Our cousin stumbles out from a bedroom. Unlike my siblings, he didn’t grow up with<br />

Punch and Judy, so he threatens to call the cops. Dad abandons his journey to the tobacco<br />

store and passes out. Mom cries herself to sleep, and everyone else beds down with one<br />

eye open.<br />

In the morning, I remember Mom sobbing over the nativity scene’s broken pieces. At<br />

times, she was so loud I thought if her lord had any mercy at all, for her or for the rest of us,<br />

he would come take her away. But he left her there, and he left Dad too, plucking his guitar<br />

on the porch as if nothing had happened, which left me to count the days after the fight as<br />

if they held more importance than the days before, as if I thought being able to guess when<br />

holy hell was due to break loose might save me from it.<br />

For years, I kept count of the days between fights, and for years, Mom kept putting out<br />

that nativity scene with the fractured pieces—broken, but not broken enough to throw out.<br />

38<br />

<strong>Hair</strong> <strong>Trigger</strong> <strong>2.0</strong><br />

Aaron is typing, and the sound is like hammers. He says he’s working, but I fantasize about<br />

who he could be messaging instead. Maybe that whore he was involved with in college who<br />

I like to say is older than my mother? Maybe his girlfriend from high school whose prom<br />

picture his mother still displays in her kitchen? Or maybe she’ll be a brand new whore, a<br />

leggy redhead from his marketing department whom I haven’t even met.<br />

The possibility that in fact there is no whore, that maybe he is just working and I’m<br />

suffering from a paranoid delusion brought on from years of observing and then re-enacting<br />

dysfunction, also pops in, but I never let it stay for long because what if he is? The best thing<br />

about paranoia is that I’ll always be able to say I saw her coming.<br />

I don’t know if Dad slept with Wanda. What I do know is that Mom’s only source on the matter<br />

was an unmedicated schizophrenic named Cletus who had only a casual relationship with<br />

reality. I’ve tried to use his diagnosis to exonerate Dad during trials held only in my head,<br />

but it never works. Mom is a convincing character witness, and she’s certain the word of<br />

a man who lived next door in a shed is still more reliable than my whore monger of a Dad.<br />

I’ve never asked Mom why she kept making the same accusation just to hear Dad<br />

deny it year after year. Maybe she had her own doubts and wanted Dad to say some<br />

combination of words that would prove his innocence once and for all. That’s what I wanted.<br />

I watched a lot of Full House as a kid, and in that show, the twenty-two minute plot<br />

always resolved with a long talk about everyone’s feelings while soft violins played on a track<br />

underneath. Each character understood and accepted everyone else’s stated motivations,<br />

there were never any arguments over semantics or misremembered events, and no one<br />

ever screamed, “Fuck you, I’m taking Michelle and leaving!”<br />

As a child, I think I was waiting for Mom and Dad’s sitcom ending. I was sure if they<br />

would just sit down across from one another at our rickety kitchen table, they’d soon realize


it had all been a misunderstanding, that Cletus had only thought he’d seen Pissy Wanda<br />

when in fact Dad had been holding a red-headed mop that reeked of gin and urine.<br />

One evening, my paranoia climbs up onto my face. Just home from work, Aaron sees it<br />

leering at him and asks, “What’s wrong?”<br />

I glare at him and insist, “Nothing. I’m fine.”<br />

He doesn’t take the bait, and asks me again. This makes me more determined than<br />

ever to have a fight so I say, “I’m pretty sure you’re not at work when you say you are. . . .”<br />

I lose my nerve and the rest comes out slow and low, like I’m confessing to having just wet<br />

myself. “And I’m pretty sure you’re having an affair.”<br />

His color gets pale and his jaw hangs, and for the briefest instant, I think, “Aha! I<br />

caught the sonofabitch!”<br />

But then he reaches for me and hugs me tight, squeezing me so hard that tears shoot<br />

out like toothpaste. He whispers in my ear, “Why would you ever think something like that?”<br />

Every faucet in my face opens up, and a mixture of salty snot pours out and gets<br />

absorbed by the shoulder of his jacket. I start blubbering about the back-flips my mind<br />

has been doing to prove everything he says is a lie. I tell him about ancient history, about<br />

Mom and Dad and Pissy Wanda. I tell him I’m being split in two because I know he isn’t<br />

with anyone else, and yet I can’t stop seeing it, that I know my parent’s relationship isn’t<br />

ours, and yet I can’t shake the feeling we’re enemies. I know the right story up here, I say,<br />

tapping my temples, but there’s a different story being told in a body that remembers being<br />

six years old, two feet tall, and made of glass.<br />

“I’ll help you,” he says. He takes my round face between his hands and promises,<br />

“We’re always in this together. We help each other no matter what, and whatever I can do<br />

to show you that this isn’t real, to help you get past this, I’ll do it. We’ll talk about it as many<br />

times as you need to see that we aren’t them—we’re a team.”<br />

Danny Tanner in the flesh couldn’t have given a better answer. All that’s missing is the<br />

climactic swell of sitcom violins, and yet, the part of me that counts days and prepares for<br />

the worst ending wonders if he’ll still feel so certain in five years, or ten, when my paranoia<br />

has proven stubborn and stale, and I’m just a wife with an unsexy hang-up bearing no<br />

resemblance to the cool girl persona I sold him on when we met.<br />

I don’t say this out loud because to ask for absolute certainty, forever and ever, would<br />

be childish. There’s no team of writers ensuring we get a happy ending or a season finale in<br />

Disneyland. There’s only the two of us, doing our best to build a story together, to keep each<br />

other from getting hit by a bus, and to remind one another that growth requires letting go<br />

of what came first. Moving forward is throwing out the broken story in favor of one where I<br />

don’t know the ending; moving forward is trusting that we might create a new story without<br />

butcher knives or dead mistresses.<br />

39<br />

Sherry Mayle


Family Pets<br />

Jessica Powers<br />

42<br />

<strong>Hair</strong> <strong>Trigger</strong> <strong>2.0</strong><br />

MY FAMILY—MY MOM AND I, ANYWAY—ARE NOTORIOUS FOR HAVING ODD<br />

pets and exotic animals. My grandma, on the other hand, is notorious for hating all pets.<br />

My mom and I joke about catch phrases for my grandma: “Remember to spay, neuter, and<br />

euthanize all your pets!”<br />

Our first cat was Dusty. She was a gray, petite little barn cat who ended up being the<br />

mother of many a kitten. If you have ever seen Meerkat Manor on Animal Planet, she was<br />

the Flower of our fifteen-acre property. I’m not sure how many litters she had but I know that<br />

at one point we had seventeen cats. Most of these cats lived exclusively outside; some of<br />

them came from out of the woods rather than out of Dusty’s womb.<br />

Wherever the cats came from, I loved them. I was five years old when my mom got<br />

me an electric, battery-powered Barbie Jeep. It was pink and plastic and wonderful. I was<br />

never very good at turning, and so my approach to navigation was to go as far as possible<br />

straight ahead, and then scream until my mom would come to turn me and my Jeep. She<br />

was always sure to face me in the direction with the longest stretch of open space. To go<br />

with my Barbie Jeep, I had a Barbie backpack. It was in this backpack that I would sneak<br />

kittens into the house. I would bolt out the door of our ranch-style home with bare feet and<br />

across the gravel driveway—not feeling the piercing of my callouses.<br />

I would find a kitten, any kitten, milling about the grass, lying in the sun the way cats<br />

always do. Then I would find another kitten, and another. I would pick them up and put them<br />

in my Barbie backpack. Here I will admit that my five-year-old self was a little inhumane<br />

while shoving their tiny kitten heads into the bag, zipping it up to make sure they would stay<br />

inside. After my rounds of kitten-napping, I would hop in my Barbie Jeep and drive as close<br />

as I could to the house—always driving in a straight line, of course.<br />

All I really wanted was to take the kittens inside and play with them. I felt bad that they<br />

couldn’t come in, so I tried my best to get new kittens each time, giving each of them a taste<br />

of the inside.<br />

I would run across the kitchen into my room, Barbie backpack close in hand, trying<br />

to be as sneaky as possible. This was always hard, considering my family spends most of<br />

their time hanging out in the kitchen, and a little girl running across a wooden floor with a<br />

meowing backpack is not exactly sneaky.<br />

My mom always caught me.<br />

“Jessie, do you have a kitty in there?” she’d say.<br />

My grandma would look at me and then at my mom, looking like a cartoon villain,<br />

ready to cast a spell on any cat that entered her home. It’s my personal belief that my mom


would have let me have all the kittens I ever wanted, maybe even let them live in my room,<br />

if it hadn’t been for my grandma.<br />

“No, Momma.” I would say, looking down at the ground, holding the moving backpack<br />

close to my chest.<br />

“Are you sure?” she would ask again.<br />

I would twiddle my thumbs and try not to look at her.<br />

“Can I see what’s inside?”<br />

I would hand her the backpack with a frown and she would unzip the small backpack<br />

to find two or three kitten heads eagerly poking out, finally free from my holding.<br />

I don’t remember ever successfully sneaking a kitten into my room.<br />

I do remember a farm which is firmly grounded in my childhood. This farm was owned<br />

by Sue and Ralph. My mom and Sue were best friends because their two older boys were<br />

also best friends, graduated high school together, and served in the Marine Corps for five<br />

years together. When Ryan and Kenny were still in Iraq, my mom and Sue found comfort in<br />

one another. On these days, my brothers, Seth and Nick, and I would play in the corn crib.<br />

We would climb up piles of stiff ears of corn, the white light of the afternoon sun breaking<br />

through the cracks of the wooden boards which housed all the maize. Once we would get<br />

to the top, we would slide down to the bottom, riding the corn like Hawaiian surfers in the<br />

Pacific Ocean. Our bodies would get covered in chalky dust.<br />

There were many animals on Sue’s farm, my favorites being the goats and baby cows.<br />

My least favorites were the resident turkey who terrified me, and the hissing ducks. I am still<br />

not sure to this day what kind of ducks they were, but let me tell you, they were ugly.<br />

It looked as if the ducks were diseased; their beaks were misshapen and discolored.<br />

Their feathers were always ruffled as if in a constant state of frustration. I always thought I<br />

was funny, coming up with pointless punchlines about ugly ducks.<br />

One day, Sue was telling my mom about how she had too many kids running around—kids<br />

are what baby goats are called. My mom, being the woman that she is, jumped at the<br />

chance to take in a new pet.<br />

We named him Wiliker. He was only a month or two old when we brought him back to<br />

our little ranch house in the woods. He had brown fur with subtle black markings around his<br />

eyes and feet, and a black stripe running along his back. Wiliker was a chipper little thing,<br />

bouncing on his hooves all around our yard. He even bounced on our family vehicles—this<br />

was an act of goat vandalism in my grandma’s eyes. Wiliker almost gave my grandma a<br />

heart attack on several occasions.<br />

Once, when my yuppie uncle Brent came over for Easter, I distinctly remember hearing<br />

his voice yelling “GOAT! GET OFF MY CAR!” Brent was a polished and clean man with no<br />

real country living under his belt.<br />

43<br />

Jessica Powers


Wiliker had to be an outside pet, despite my burning desire to stick him in my backpack, the<br />

same way I did with the kittens. Our cats were mostly outdoor pets as well, but we made our<br />

closed-in porch as homey for them as possible. In the winter, we had electric space heaters<br />

and heated water bowls to keep them from freezing. There were even many comfortable<br />

surfaces on which the cats slept, including an old, tattered, Mickey Mouse stroller which I<br />

once used as an infant.<br />

Wiliker was an extrovert, always hanging out with the dogs and the cats. He spent<br />

most of his time on the porch with them. Sometimes I wondered if he thought he was a cat<br />

because he sure acted like one. He would curl up at night with the cats in the baby stroller.<br />

When we sat around a campfire, he would jump up on the bench beside me or my mom and<br />

curl into our laps like a sleepy cat.<br />

There came a time when Wiliker was too big to pretend to be a cat. Instead he started<br />

sleeping below the stroller, and although the ground was cold and hard, the cats still slept<br />

next to him.<br />

44<br />

<strong>Hair</strong> <strong>Trigger</strong> <strong>2.0</strong><br />

Chickens have always been my least favorite pet to have. We went through many batches of<br />

chickens and ducks, and although we never slaughtered and ate them, we did collect their<br />

eggs. I think that’s all chickens are really good for: eggs.<br />

We only ever had seven to ten chickens at most, and those numbers would deplete<br />

even more when winter came. Sometimes we would find dead chickens scattered in our<br />

yard, leftovers from a coyote’s feast. The few chickens we had never produced enough<br />

eggs for our needs. We supplemented their fresh, multicolored eggs with perfectly white,<br />

raindrop eggs from supermarkets. It is true that eggs straight from the chicken’s ass tasted<br />

better, so they had that going for them, but not much else.<br />

When I was in middle school, we had a rooster named Gonzo, later known as Cock the<br />

Hammer. Gonzo was an angry chicken. We were never quite sure what it was that made<br />

him so mad. My mom had a theory that he saw my stepdad, Adam, chop another chicken’s<br />

head off, and vowed never to trust humans again.<br />

In our defense, that was the only chicken we ever killed, and it was because she had<br />

gotten bit by something and her wound was infected. There had been maggots crawling in<br />

and out of the bald, torn, and fleshy part of her body, right above her leg, behind her wing.<br />

She was suffering, so Adam got ahold of her and put her head atop a log, took his axe, and<br />

cut right through her feathers, scaly chicken skin, and vertebrae.<br />

After her head had been separated from the rest of her body, we saw the legend of<br />

a chicken running around with its head cut off come to life. The fat, maggot-filled corpse<br />

jumped from the log and ran around aimlessly for a moment before collapsing in the dewy<br />

spring grass. Some other chickens had been witness to this, including Gonzo. Gonzo was<br />

the leader of the flock and that’s why I think he took it to heart the most.<br />

After that, Gonzo was never the same. Me and my two brothers, Nick and Seth, walked


up our quarter-mile-long driveway to wait for the bus. Gonzo took to chasing the three of us<br />

down the driveway every morning.<br />

There is a creek which runs through the property and cuts the driveway in half; at first,<br />

Gonzo would not cross the bridge which connected the two parts. We would go outside every<br />

morning and sprint as fast as our small strides would take us. Nick and I were only eleven<br />

and twelve, while Seth was only five, just entering kindergarten. Gonzo would wait near the<br />

house for us to come out. The three of us would peek our heads outside the door and see<br />

him standing near the tree in the front of the house—the tree in which all the chickens slept.<br />

We would huff and puff our way across the bridge until we would leave Gonzo in the dust. It<br />

became sort of like a game: who could outrun the ruthless rooster the fastest.<br />

It was all fun and games, until one day Gonzo was not afraid, and he got the guts to<br />

cross the bridge. His pronged feet scrapped across the wood of the bridge along with our<br />

squeaky sneakers. The three of us looked behind and let out sounds of terror. The angry<br />

chicken was charging at full speed ahead. Seth was the weak link and lagged behind me<br />

and Nick. Gonzo approached the smallest of us fast, his head bowed low, making his body<br />

more aerodynamic with every step.<br />

Seth was only a few feet tall and Gonzo used this to his advantage. The chicken flung<br />

out his wings and raised himself in the air. It only took a few seconds before he was atop<br />

Seth’s head. It looked as if Seth had special ordered a new hat from a taxidermist, except<br />

for the fact that the hat was pecking at his scalp furiously. Seth let out cries, his face turning<br />

red as a cranberry, and his hands flaying above his head, trying to expel the chicken.<br />

Me and Nick stopped hot in our tracks, looking at one another, not knowing what<br />

to do. Gonzo was relentless, his beak poking small holes in the skin of Seth’s head. I<br />

instinctually called for my mom, until I realized she was too far away. There was a stick<br />

long enough to put some distance between me and the fighting chicken, and I carefully<br />

picked it up and took a step toward my baby brother. I closed my eyes for only a moment<br />

as I moved the stick swiftly across the space above Seth’s head. I heard a sound that is<br />

hard to describe leave Gonzo’s beak as he fell to the ground. Seth looked at me with red<br />

puffy eyes.<br />

“C’mon we gotta go! I see the bus!” we heard Nick shout from behind us.<br />

I held out my hand and Seth took it as we ran. “Thanks, Jessie.” Seth looked so much<br />

like he did when he was a baby in that moment, quickly wiping the water from his eyes with<br />

his stained sweatshirt sleeve.<br />

45<br />

Jessica Powers<br />

There is an animal auction somewhere along the border of Indiana and Illinois which my<br />

family frequented when I was young. My stepdad always dreaded whenever my mom would<br />

drag him to the musty, dirty place. There were rows of warehouses which contained animals,<br />

and when the animal auction was not the main event, they contained various motor bikes.<br />

The place was filled with hillbillies; people that wore boots covered in shit, ripped overalls,<br />

and worn baseball hats bent to fit the wearer’s head perfectly, stained gray with sweat from<br />

years previous.


46<br />

<strong>Hair</strong> <strong>Trigger</strong> <strong>2.0</strong><br />

Most of these people were grimy old farmer men, looking for livestock. Then there<br />

was my mom. I think she came here to save the animals, to give them a proper home not<br />

made for slaughter or abuse. She was the raven-haired beauty looking for pets in a sea of<br />

cruel farmers. Once, she bought eight bunnies for twenty-five dollars just because I wanted<br />

one. And when the auctioneer bumped up the lot mid-bid, she didn’t back out—she wanted<br />

one bunny so to hell with it, why not take them all?<br />

This is a distant memory for me, but I will never forget The Robot Peacock Man. The<br />

Robot Peacock Man had smoked far too many cigarettes in his life and he had a hole in<br />

his esophagus which connected with a device that he held in his hand to help him speak.<br />

I remember holding my mom’s hand and looking up at the strange man, perplexed by the<br />

way he could talk without moving his mouth entirely. I stared at his throat, fascinated—was<br />

I encountering a real life robot?<br />

“What can I do ya for, ma’am?” an electronic voice creaked out from the device in his<br />

hand.<br />

My mother felt me staring at the man and nudged me, “Stop it, Jessie, you’re being<br />

rude.”<br />

“It’s alright, ma’am, all the kids love it.” The Robot Peacock Man looked down at me,<br />

his little black device still pressed into the hole in his throat, and smiled a smile with several<br />

gaps down at me. I tried to smile back; tried to be polite, but I hid my face in my mother’s<br />

coat. She patted my head kindly and spoke to The Robot Peacock Man, “I was just curious<br />

to see what you’re selling. I noticed the white peacock over there and thought he was<br />

beautiful.”<br />

“Ahh, you have exotic taste I see. Well, sadly that boy is taken right there, sold ‘im soon<br />

as I got here.” His voice reminded me of a video game.<br />

I looked up at my mom and saw her disappointment. She really wanted to find<br />

something different today, an animal she never experienced before.<br />

“I do have this guy right here, if you’re interested.” The Robot Peacock Man pointed<br />

to a traditional-looking peacock with short tail-feathers.<br />

My mom looked down at me and we both looked at the classical peacock.<br />

“How much?”<br />

The man smiled his broken smile once again, as if his dark plans had come to fruition<br />

at last.<br />

“I’ll give it to you for $300.” His robot voice moved up and down.<br />

“$250.” My mom was good at this sort of thing.<br />

“$275.” The man smirked.<br />

“$250 or I’m out.”<br />

“Okay, deal.”<br />

My mom proceeded to ask a lot of questions about what caring for a peacock entails.<br />

They have very similar needs to that of a chicken and the man said that they fly like one too.<br />

Not to worry, they would only ever get a few feet off the ground, if at all.<br />

We named the peacock Pete. Not exactly a clever name, I know, but it fit. For the first<br />

few weeks, we kept Pete in our barn. We could tell he was a scared bird and wanted him


to get to know us. We brought him food and water every morning and night, and soon he<br />

started to come closer and closer to us as we approached. His feathers grew longer and<br />

more vivid everyday, stretching three or five feet behind him. We were excited to see the<br />

first time he would spread his feathers. My mom began making plans to get a peahen so<br />

that they could have peachicks and we could have a whole family of exotic birds roaming<br />

around our farm.<br />

A few weeks after we brought Pete home and he had been living in our barn, my mom let<br />

him outside. She put his food and water outside and made a door for him to get in and out.<br />

Pete seemed happy with this set up for a few weeks, going in and out as he pleased, always<br />

returning to his shelter at night.<br />

It was summer and it was hot. We had our annual Fourth of July gathering and<br />

everyone had “oooh’ed” and “awww’ed” at Pete. He was magnificent. Such a rareness as<br />

his could not be found in places like Illinois. Our family relished in the sight of him every<br />

morning.<br />

One morning, he did not come outside—did not come out even when food was<br />

presented. My mom was worried and so she went out looking. Pete was not in the barn.<br />

Pete was not in the yard. My mom couldn’t help but look up. And sure enough, there he<br />

was, at least 100 feet up a tall, thick oak tree. She stood out there for a while, just staring.<br />

I watched her from our kitchen window; her hands were on her round hips. She brought<br />

one hand above the bill of her baseball cap as an extension of its shield against the sun.<br />

She squinted up at the bird, high in the tree, his turquoise and iridescent feathers catching<br />

sunlight and gleaming down at her.<br />

“Well that guy was a lying fucking bastard wasn’t he?” She slammed the door behind<br />

her.<br />

“Who was, baby doll?” Adam approached from inside their bedroom.<br />

“The fucking peacock guy. It’s in the goddamn tree.”<br />

Adam looked outside, and all he could say was, “Oh shit.”<br />

“How the fuck am I supposed to get this fucking peacock down from this fucking tree?”<br />

For the next several days, this was my mother’s task. She attempted to become the<br />

peacock whisperer, to no avail. For the first few days, she tried putting Pete’s food at the<br />

base of the tree. She saw him come down once or twice but she didn’t want to scare him<br />

away completely, so she watched as he flew back up into the tree, his supposedly flightless<br />

wings strong, and confident.<br />

Eventually he began to fly from tree to tree and that’s when my mom took real action.<br />

She made sure that she was fully stocked on Busch Light, and with a beer in hand, she<br />

gathered an old volleyball net.<br />

My mom woke up early each morning for three days straight, drank her beer, and<br />

tried to catch a peacock with a volleyball net. She was a hunter prowling for prey, but each<br />

night she came back empty handed—if you don’t count the beer and the volleyball net.<br />

After three days, she gave up. And at some point, our beautiful bird disappeared.<br />

47<br />

Jessica Powers


A few weeks later, we got word of a peacock near the border of Indiana and Illinois,<br />

the place that we bought the bird from. My mom’s theory was that The Robot Peacock Man<br />

trained the birds to fly back to him, so he could sell them over and over again. This seemed<br />

like a solid theory until several months later when we noticed that there was not only one,<br />

but two peacocks living in our neighborhood. My theory was that Pete had come back and<br />

brought his brother. My mom thought the neighbors were copying our choice of pets.<br />

Either way, to this day, there are still two peacocks that roam around our yard and<br />

those of our neighbors. They are owned by no one in particular, a pair of peacocks which<br />

live outside the laws of petdom.<br />

48<br />

<strong>Hair</strong> <strong>Trigger</strong> <strong>2.0</strong>


The Tyger<br />

Brittney “Shay” Ellis<br />

“Do not blame God for having created the tiger, but thank<br />

Him for not having given it wings.”<br />

—Indian proverb<br />

Tyger, Tyger, burning bright,<br />

In the forests of the night;<br />

What immortal hand or eye,<br />

Could frame thy fearful symmetry?<br />

—William Blake Songs of Experience<br />

50<br />

<strong>Hair</strong> <strong>Trigger</strong> <strong>2.0</strong><br />

THERE WAS AN EERIE SILENCE THAT HUNG OVER THE MUGGY JUNGLE. THE<br />

dense, heavy foliage was a predator all on its own, encroaching menacingly upon the<br />

nightlife that had stirred once the sun had set. The quiet signs of life that had once been<br />

humming, chirring, droning, pulsing—everything had come to an abrupt halt, the hush<br />

falling over everything like a smothering thick blanket. Now it was silent out of dread and<br />

trepidation, all quivering in anticipation, waiting, waiting. Only the balm of the first light of<br />

day could sooth them from their sudden fears, for the night was dark and full of terror. Even<br />

the whisper of the wind and the quiver of the earth seemed to be holding their collective<br />

breaths as well, waiting for the danger to pass. Only the moon dared to move, and it did so,<br />

trekking slowly through the sky. It climbed higher and higher to its zenith, a cold white sliver<br />

of coin that was content in its absolute distance from the world it overlooked.<br />

The stillness was disrupted by the appearance of a dainty, long-legged spotted<br />

deer. Her tiny frame wobbled on unsteady, rickety legs as she moved at a pained pace.<br />

Her right hind leg shook and trembled, thin rivulets of red staining her otherwise pristine<br />

hide. She was alone and tired, distress making her heart pound frantically away in her<br />

heaving chest. Like a frightened tiny bird, it fluttered frantically and pounded heavily<br />

against her ribs. The strained hush all around betrayed her into a false sense of calm<br />

and rest. She heard and saw nothing of her pursuer, and it lulled her to take a moment<br />

to slow her pace. Her ears flicked to and fro as she limped on, delicately choosing her<br />

steps with care.<br />

Her injured limb pawed gingerly at the ground as she pushed onward, her nostrils<br />

flaring and catching scents of reassuring familiarity: fresh water, damp earth, fresh and<br />

rotting foliage all intermingling into a strangely alluring perfume. Then came the musk of<br />

those she had lost not that long ago. Her herd. They were close. She could reunite with


them. There was strength in numbers and she could rest amongst them.<br />

She wouldn’t truly be able to relax until she has returned to them. Fear was toxic<br />

and it still held her in its grips. The pain in her leg reminded her of that and she could<br />

still feel the agony of ghostly claws raking across her hide. The reminder prompted her to<br />

continue moving forward, toward the familiar and welcoming scent of her herd mates.<br />

Exhaustion had already been creeping up on her, but her brief respite allowed it to<br />

catch up and settle to make its home in her bones. Every step was heavy and sluggish,<br />

and sent pain racing up her injured limb, making her whimper and huff as she continued<br />

her arduous trek. Her body trembled from the exertion of remaining tense and ready to<br />

bolt, but she was so tired, oh so very tired indeed. She wanted to rest, here and now,<br />

sheltered amongst the foliage, but she had come so far, too far to give up in her quest to<br />

find her herd. She must make it back, she had to. Even in this nightmare scape of tricks<br />

and darkness, she had to press on. Only the bone-white glow of the moon’s light lancing<br />

through the undergrowth gave her a vague sense of comfort and hope. It helped her see in<br />

the perpetual blackness of the night.<br />

And yet, darkness made her shiver uncontrollably as the shadows continued to play<br />

tricks on her eyes, and she found herself jumping at every rustle, quiver, and disturbance<br />

around her. The night was dark and full of terrors, but not as black as the fur of her attacker.<br />

He was darkness incarnate, it seemed like, a beastly monster with a mad fire in his<br />

eyes. . . .<br />

The doe snapped her fair little head up at a frightful concussive noise intruding the<br />

quietness, her heart set to beating at a hundred miles an hour in fright. She was frozen,<br />

her body quivering with tension, her legs locked and chest heaving. Her stillness cost her<br />

precious seconds, her focus remaining on the wrong place. She began to move, too little<br />

too late, much too late. A mass of shadows descended upon her, a silent phantom of fury,<br />

fur and fangs. She screamed and kicked, struggling to fight back, but her strength was<br />

waning quickly, and she was so much weaker than this monster biting and clawing into her<br />

hide. Her pain grew a thousand-fold when it sliced into her neck, crushing her throat and<br />

severing her artery. She could feel the warmth of her blood trickling down her slender neck,<br />

her struggling began to slow, her frantic heart crawled.<br />

The weight of a mountain crushed her and sent her sprawling underneath, too tired,<br />

too weak to resist. The doe choked on her whimpers, her every breathe a struggle. Her<br />

captor, her killer, snorted against her fur, adjusting his hold on her. She could hear and feel<br />

the heavy rumble of his voice reverberating back into her. Her eyes rolled in her skull and<br />

she briefly caught a glimpse of her tormentor.<br />

His face was as black as the night around them, but it was his eyes that captured<br />

her, stilling her already slowing heart. Like liquid gold, they burned with passion, with fire,<br />

but with a madness and bloodlust that could never be slaked with just her blood alone. She<br />

could see that she would not be enough, no one creature ever would be. He would always<br />

want more. The doe tried to tear away, yet it was already too late. He had his fangs deep in<br />

her throat and all she did was tear it apart. With a twist and a crunch, her world went black<br />

and she knew no more.<br />

51<br />

Brittney “Shay” Ellis


The black beast waited, patient and calm, as the doe’s body stilled and the sound<br />

of her heart stopped completely. The regal creature lifted his head at last, gently prying his<br />

jaws open and licked his lips as he stared down at his prize. A little torn, a little damaged—<br />

but perfectly good meat to be had. His fur was black as the night, and the stripes hidden<br />

in his pelt were darker still. His frame was heavy, muscled, powerful. The tiger flicked his<br />

tail, his ears slowly rotating atop his head, the left first and then the other. He inhaled<br />

deeply, the scent of his fresh kill intoxicating. The tiger licked his chops in anticipation. The<br />

moonlight caught his eyes and they gleamed white in the soft luminescent glow. He purred<br />

deeply, pleased at his catch as he turned his head to stare into the deep jungle and he<br />

stopped. . . .<br />

And then he looked right at me.<br />

52<br />

<strong>Hair</strong> <strong>Trigger</strong> <strong>2.0</strong>


Eva Azenaro Acero is an artist, illustrator, and writer based in Chicago. They have been<br />

drawing since childhood, their work developing into a rumination on the collective trauma<br />

of marginalized groups and the search for identity. Their work can be found online<br />

at evaazenaroacero.com and on instagram @birdlets.<br />

Ashlee Bond-Richardson is a graduating senior at Columbia College Chicago majoring in<br />

Television Writing & Producing, with a concentration in story. Their work has been previously<br />

published in the lab review. Post-graduation, Ashlee plans on attending graduate school in<br />

Boston pursuing a career in book publishing.<br />

Brittney “Shay” Ellis is a Californian native who served eight years in the Marine Corps,<br />

is happily married with two kids, and has five cats to boot. She now attends Columbia<br />

College with a major geared toward animation and a minor toward creative writing. She<br />

hopes to one day work for either a movie company such as Dreamworks or Disney, or<br />

perhaps a game company like Naughty Dog or Ubisoft.<br />

Chris Gavaler is an assistant professor of English at Washington and Lee University, where<br />

he teaches fiction, creative writing, and comics. He has published two novels, Pretend<br />

I’m Not Here (HarperCollins 2002) and School for Tricksters (Southern Methodist 2011),<br />

and two books on comics, On the Origin of Superheroes (Iowa 2015) and Superhero<br />

Comics (Bloomsbury 2017).<br />

Sherry Mayle hails from West Virginia but now lives in Oakland, California. During the day,<br />

she pretends to be an adult at her adult-sounding job while at night, she writes about her<br />

mother and then hyperventilates about what her mother might think were she to ever read<br />

any of it. Most recently, she’s been published in The Rumpus - check out Black Ops for<br />

Jesus. You can be her 8th follower on twitter @ContraryJezebel<br />

Chicago’s J. Ray Paradiso is a recovering academic in the process of refreshing himself as<br />

an EXperiMENTAL writer and a street photographer. Slick Lit Magazine, Quail Bell Magazine<br />

and Dime Show Review have recently published his writing. His photography has been<br />

widely published both in print and online.<br />

CONTRIBUTORS<br />

Through assemblages of defunct currency, discarded photographs, and long-forgotten<br />

illustrations, Silas Plum challenges the idea of objective vs subjective value. He believes<br />

strongly in the tired old maxim that the true value of an object is more than the sum of its<br />

parts, that the gut is a truth-teller, and that the Aristotelian notion of learning-by-doing is<br />

the best teacher around. Judge his worth at silasplum.com.<br />

Jessica Powers is a Chicago native. She is currently attending Columbia College Chicago<br />

for her Bachelor’s degree in Fiction. This is her first published work.<br />

Sophia Okugawa-Stoller was born and raised in Charlottesville, Virginia and is new to the<br />

Chicago area. She began her creative journey through song writing and has expanded to<br />

fiction and short stories since pursuing her bachelors at Columbia College.


Aïcha Thiam is a recent transfer to the Fiction Department of Columbia College Chicago.<br />

She is a musician, artist and writer originally from Washington D.C. Some of her film<br />

reviews can be found on l’ARgot, an online French-language magazine based in Montréal;<br />

additionally, one of her works has appeared in Columbia College Chicago’s the lab review,<br />

and another was featured in Heartbeat Literary Journal.<br />

Abby Jo Turner is a cartoonist and illustrator currently based in Chicago. Her style focuses<br />

on clean line work, shapes, and honest storytelling that is inspired by her own life<br />

experiences.<br />

CONTRIBUTORS


55<br />

Author

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