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Press-release_Les-Commandos-Percu

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B.P.M. Bombs per Minute<br />

Is destruction a creation?<br />

As an answer to the violence of the world, ‘Bombs per Minute’ attempts to drown the audience in noise and rage with the intention<br />

of reaching peace and silence in the end. A delightful show, a great moment of crushing pyrotechnics.<br />

A clock ticks. Bells toll. Fireworks erupt into the night sky in a continuous, hypnotic flow. The tempo quickens and a torrent of light and<br />

sound is unleashed - a furious and beautiful explosion of energy that sets your pulse racing. As well as being a jaw-dropping display of<br />

pyrotechnic skill, this beautiful choreographed show questions the relationship between violence and creation, and asks us where can<br />

we look to find peace in an increasingly angry world.<br />

BPM in Perth Australie<br />

Reportage in Strasbourg<br />

Technical rider (pdf)<br />

Night-time - outdoor<br />

Duration : 35 min<br />

Duration : several thousand people<br />

« The audience electrified by so much energy spread<br />

out asks for more, a truly heroic performance.»<br />

THE GUARDIAN<br />

(c) MIAIvana Batev<br />

• An apocalyptic opening scene :<br />

The first part of the show starts with a visual and sonorous countdown:<br />

the fireworks clock. The audience feels as if the show has always been<br />

there. With a ticking rhythm, the pyrotechnic effects rise into the sky in<br />

a continuous and hypnotic flow. Hypnotic bells build the pressure. The<br />

tempo goes up minute by minute and leads to an apocalyptic opening<br />

scene.<br />

• The music pulsates a communicative heat :<br />

The second part of the show consists of a series of short but effective<br />

scenes in which the four percussionists turn fire into rhythm and vice<br />

versa. They answer to the crackers (the soloist fire), they make bursting<br />

bangs with the rhythm of sticks, a wha wha pedal of fire plays with<br />

crackling sparks, cymbals explode in the musicians/vulcanologists’ faces.<br />

Violence is only an appearance. The music beats an infectious heat.<br />

The final part confirms that all the fury is a cathartic moment full of<br />

exultation. All this is just a game, the cry of children making fun of an<br />

angry game. After the breaking of sounds and blinding lights, a strange<br />

calm befalls.<br />

• • • REFERENCES : Perth International Arts Festival (AUS)<br />

• Festival Chalon dans la Rue in Chalon sur Saône (FR) • Fest’Arts in<br />

Libourne (FR) • Stockton International Riverside Festival (UK) • Exposition<br />

Internationale Zaragoza (ES) • Ansan Street Arts Festival à Ansansi (KS) •<br />

Festival Internacional de las Artes de Salamanca (ES) • Festival Z’ArtsUp in<br />

Béthune (FR) • Festival des Arts dans la Rue in Strasbourg (FR) • <strong>Les</strong> Contre-<br />

Plongées de l’Eté in Clermont Ferrand (FR) • Festival de rue de Ramonville<br />

(FR) • Sorties de Bain in Granville (FR) • • •<br />

(c) M. Le Fournier

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