Press-release_Les-Commandos-Percu
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B.P.M. Bombs per Minute<br />
Is destruction a creation?<br />
As an answer to the violence of the world, ‘Bombs per Minute’ attempts to drown the audience in noise and rage with the intention<br />
of reaching peace and silence in the end. A delightful show, a great moment of crushing pyrotechnics.<br />
A clock ticks. Bells toll. Fireworks erupt into the night sky in a continuous, hypnotic flow. The tempo quickens and a torrent of light and<br />
sound is unleashed - a furious and beautiful explosion of energy that sets your pulse racing. As well as being a jaw-dropping display of<br />
pyrotechnic skill, this beautiful choreographed show questions the relationship between violence and creation, and asks us where can<br />
we look to find peace in an increasingly angry world.<br />
BPM in Perth Australie<br />
Reportage in Strasbourg<br />
Technical rider (pdf)<br />
Night-time - outdoor<br />
Duration : 35 min<br />
Duration : several thousand people<br />
« The audience electrified by so much energy spread<br />
out asks for more, a truly heroic performance.»<br />
THE GUARDIAN<br />
(c) MIAIvana Batev<br />
• An apocalyptic opening scene :<br />
The first part of the show starts with a visual and sonorous countdown:<br />
the fireworks clock. The audience feels as if the show has always been<br />
there. With a ticking rhythm, the pyrotechnic effects rise into the sky in<br />
a continuous and hypnotic flow. Hypnotic bells build the pressure. The<br />
tempo goes up minute by minute and leads to an apocalyptic opening<br />
scene.<br />
• The music pulsates a communicative heat :<br />
The second part of the show consists of a series of short but effective<br />
scenes in which the four percussionists turn fire into rhythm and vice<br />
versa. They answer to the crackers (the soloist fire), they make bursting<br />
bangs with the rhythm of sticks, a wha wha pedal of fire plays with<br />
crackling sparks, cymbals explode in the musicians/vulcanologists’ faces.<br />
Violence is only an appearance. The music beats an infectious heat.<br />
The final part confirms that all the fury is a cathartic moment full of<br />
exultation. All this is just a game, the cry of children making fun of an<br />
angry game. After the breaking of sounds and blinding lights, a strange<br />
calm befalls.<br />
• • • REFERENCES : Perth International Arts Festival (AUS)<br />
• Festival Chalon dans la Rue in Chalon sur Saône (FR) • Fest’Arts in<br />
Libourne (FR) • Stockton International Riverside Festival (UK) • Exposition<br />
Internationale Zaragoza (ES) • Ansan Street Arts Festival à Ansansi (KS) •<br />
Festival Internacional de las Artes de Salamanca (ES) • Festival Z’ArtsUp in<br />
Béthune (FR) • Festival des Arts dans la Rue in Strasbourg (FR) • <strong>Les</strong> Contre-<br />
Plongées de l’Eté in Clermont Ferrand (FR) • Festival de rue de Ramonville<br />
(FR) • Sorties de Bain in Granville (FR) • • •<br />
(c) M. Le Fournier