2–9 November The Future of Memory
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curated programs<br />
<strong>The</strong> <strong>Future</strong> <strong>of</strong> Holocaust <strong>Memory</strong><br />
<strong>The</strong> personal testimonies <strong>of</strong> Holocaust survivors have been foundational<br />
to Holocaust research and memorial culture. However,<br />
with the passing <strong>of</strong> time as fewer and fewer survivors remain<br />
among us, Holocaust scholarship, which relies on the transmission<br />
<strong>of</strong> personal and collective narratives <strong>of</strong> the Holocaust, must<br />
adapt in new and innovative ways.<br />
Around the world, wherever Holocaust survivors immigrated,<br />
they leave behind written, audio, and video testimonies. <strong>The</strong>se<br />
sources have ensured the transmission <strong>of</strong> their testimony to their<br />
children and grandchildren, researchers, students and teachers.<br />
As our global society transitions to a new era <strong>of</strong> Holocaust testimony,<br />
those who are not survivors or their descendants increasingly<br />
play a critical role in the transmission <strong>of</strong> the history and<br />
memory <strong>of</strong> the Holocaust. <strong>The</strong> Neuberger’s panel <strong>of</strong> distinguished<br />
experts will discuss the potential opportunities and challenges<br />
facing the future <strong>of</strong> Holocaust testimony.<br />
Panelists include Karen Jungblut, who as Director <strong>of</strong> Collections at USC Shoah<br />
Foundation, oversees USC Shoah Foundation’s New Dimensions in Testimony<br />
initiative, a project that enables people to have “virtual conversations” with<br />
Holocaust survivors long into the future; and Holocaust survivor Pinchas Gutter,<br />
one <strong>of</strong> the primary participants in New Dimensions in Testimony; Alice Herscovitch,<br />
Executive Director, Montreal Holocaust Memorial Centre, co-originator<br />
with the Neuberger HEC <strong>of</strong> the Canadian Collection partnership with USC Shoah<br />
Foundation Visual History Archive, recently launched in Toronto and Montreal;<br />
Jody Spiegel, Director <strong>of</strong> the Azrieli Foundation’s Holocaust Survivor Memoirs<br />
Program, working to make the collections <strong>of</strong> survivor stories accessible in media<br />
beyond print; and moderated and chaired by Pr<strong>of</strong>essor Anna Shternshis,<br />
Director, Anne Tanenbaum Centre for Jewish Studies, and Al and Malka Green<br />
Associate Pr<strong>of</strong>essor in Yiddish Studies at the University <strong>of</strong> Toronto.<br />
Generously co-sponsored by Joyce & Aaron Rifkind.<br />
Monday, 7 <strong>November</strong> | 4:00 PM<br />
Anne Tanenbaum Centre for Jewish<br />
Studies | University <strong>of</strong> Toronto<br />
Jackman Hall | 170 St. George Street | Room 100<br />
Toronto | 416–978–1624<br />
Son <strong>of</strong> Saul<br />
This film follows Saul Auslander, a Jewish Hungarian<br />
prisoner working as a Sonderkommando at one <strong>of</strong> the<br />
Auschwitz crematoria who, over the span <strong>of</strong> two days<br />
in 1944, attempts to bury the corpse <strong>of</strong> a boy he takes<br />
for his son. In one final desperate act <strong>of</strong> morality, Saul<br />
pursues the impossible task <strong>of</strong> giving the boy a ritual<br />
burial, salvaging the body and finding a rabbi to recite<br />
the Mourner’s Kaddish (2015, Hungarian with English<br />
subtitles, 107 minutes).<br />
Winner <strong>of</strong> the Palm D’Or at Cannes Film Festival and Best Foreign Film<br />
at the 2015 Oscars, Son <strong>of</strong> Saul is a haunting addition to the pantheon<br />
<strong>of</strong> Holocaust films. Its stark realism and tight focus on Saul’s face as<br />
he goes about his tasks allows the audience glimpses <strong>of</strong> the horrors<br />
implied through sound and background. <strong>The</strong> result is one <strong>of</strong> the most<br />
realistic depictions <strong>of</strong> the Holocaust on film, leaving a lasting impression<br />
on the viewer. Featuring special guest, László Rajk, Production<br />
Designer, <strong>of</strong> Son <strong>of</strong> Saul.<br />
Pre-registration required. Call 416–631–5689 or online at<br />
holocausteducationweek.com. Limit 4 tickets per family.<br />
Generously co-sponsored by the Consulate General <strong>of</strong> Hungary in<br />
Toronto and by the Brown and Lindenberg families.<br />
Monday, 7 <strong>November</strong> | 7:30 PM<br />
Cineplex Cinemas Empress Walk<br />
5095 Yonge Street | 3RD floor<br />
Toronto | 416–847–0218<br />
Son <strong>of</strong> Saul image courtesy <strong>of</strong> Hungarian National Film Fund.<br />
For program changes visit:<br />
holocausteducationweek.com<br />
or call 416–631–5689.<br />
22 Neuberger Holocaust Education Week