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2–9 November The Future of Memory

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curated programs<br />

<strong>The</strong> <strong>Future</strong> <strong>of</strong> Holocaust <strong>Memory</strong><br />

<strong>The</strong> personal testimonies <strong>of</strong> Holocaust survivors have been foundational<br />

to Holocaust research and memorial culture. However,<br />

with the passing <strong>of</strong> time as fewer and fewer survivors remain<br />

among us, Holocaust scholarship, which relies on the transmission<br />

<strong>of</strong> personal and collective narratives <strong>of</strong> the Holocaust, must<br />

adapt in new and innovative ways.<br />

Around the world, wherever Holocaust survivors immigrated,<br />

they leave behind written, audio, and video testimonies. <strong>The</strong>se<br />

sources have ensured the transmission <strong>of</strong> their testimony to their<br />

children and grandchildren, researchers, students and teachers.<br />

As our global society transitions to a new era <strong>of</strong> Holocaust testimony,<br />

those who are not survivors or their descendants increasingly<br />

play a critical role in the transmission <strong>of</strong> the history and<br />

memory <strong>of</strong> the Holocaust. <strong>The</strong> Neuberger’s panel <strong>of</strong> distinguished<br />

experts will discuss the potential opportunities and challenges<br />

facing the future <strong>of</strong> Holocaust testimony.<br />

Panelists include Karen Jungblut, who as Director <strong>of</strong> Collections at USC Shoah<br />

Foundation, oversees USC Shoah Foundation’s New Dimensions in Testimony<br />

initiative, a project that enables people to have “virtual conversations” with<br />

Holocaust survivors long into the future; and Holocaust survivor Pinchas Gutter,<br />

one <strong>of</strong> the primary participants in New Dimensions in Testimony; Alice Herscovitch,<br />

Executive Director, Montreal Holocaust Memorial Centre, co-originator<br />

with the Neuberger HEC <strong>of</strong> the Canadian Collection partnership with USC Shoah<br />

Foundation Visual History Archive, recently launched in Toronto and Montreal;<br />

Jody Spiegel, Director <strong>of</strong> the Azrieli Foundation’s Holocaust Survivor Memoirs<br />

Program, working to make the collections <strong>of</strong> survivor stories accessible in media<br />

beyond print; and moderated and chaired by Pr<strong>of</strong>essor Anna Shternshis,<br />

Director, Anne Tanenbaum Centre for Jewish Studies, and Al and Malka Green<br />

Associate Pr<strong>of</strong>essor in Yiddish Studies at the University <strong>of</strong> Toronto.<br />

Generously co-sponsored by Joyce & Aaron Rifkind.<br />

Monday, 7 <strong>November</strong> | 4:00 PM<br />

Anne Tanenbaum Centre for Jewish<br />

Studies | University <strong>of</strong> Toronto<br />

Jackman Hall | 170 St. George Street | Room 100<br />

Toronto | 416–978–1624<br />

Son <strong>of</strong> Saul<br />

This film follows Saul Auslander, a Jewish Hungarian<br />

prisoner working as a Sonderkommando at one <strong>of</strong> the<br />

Auschwitz crematoria who, over the span <strong>of</strong> two days<br />

in 1944, attempts to bury the corpse <strong>of</strong> a boy he takes<br />

for his son. In one final desperate act <strong>of</strong> morality, Saul<br />

pursues the impossible task <strong>of</strong> giving the boy a ritual<br />

burial, salvaging the body and finding a rabbi to recite<br />

the Mourner’s Kaddish (2015, Hungarian with English<br />

subtitles, 107 minutes).<br />

Winner <strong>of</strong> the Palm D’Or at Cannes Film Festival and Best Foreign Film<br />

at the 2015 Oscars, Son <strong>of</strong> Saul is a haunting addition to the pantheon<br />

<strong>of</strong> Holocaust films. Its stark realism and tight focus on Saul’s face as<br />

he goes about his tasks allows the audience glimpses <strong>of</strong> the horrors<br />

implied through sound and background. <strong>The</strong> result is one <strong>of</strong> the most<br />

realistic depictions <strong>of</strong> the Holocaust on film, leaving a lasting impression<br />

on the viewer. Featuring special guest, László Rajk, Production<br />

Designer, <strong>of</strong> Son <strong>of</strong> Saul.<br />

Pre-registration required. Call 416–631–5689 or online at<br />

holocausteducationweek.com. Limit 4 tickets per family.<br />

Generously co-sponsored by the Consulate General <strong>of</strong> Hungary in<br />

Toronto and by the Brown and Lindenberg families.<br />

Monday, 7 <strong>November</strong> | 7:30 PM<br />

Cineplex Cinemas Empress Walk<br />

5095 Yonge Street | 3RD floor<br />

Toronto | 416–847–0218<br />

Son <strong>of</strong> Saul image courtesy <strong>of</strong> Hungarian National Film Fund.<br />

For program changes visit:<br />

holocausteducationweek.com<br />

or call 416–631–5689.<br />

22 Neuberger Holocaust Education Week

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