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Downtown Arts Centre<br />

Fall 2009


WELCOME TO OUR FIRST SHOW OF THE 2009/2010 SEASON …<br />

Being Chairman of Hamilton Theatre Inc. presents itself with many challenges<br />

and a lot of surprises along the way. We bring together a diverse collection of<br />

talented people, both on and offstage, to magically produce musicals in order to<br />

transport you away from your everyday activities.<br />

Our job, yours and mine, is to support, encourage, attend and promote local<br />

community theatre to enable our talented people to “strut their stuff”. We thank<br />

our audiences who continue to make this possible.<br />

Enjoy your walk through “the Woods”.<br />

Sharon Reynolds<br />

HTI’S BOARD OF DIRECTORS<br />

Chairman .......................... Sharon Reynolds<br />

1 st Vice-Chair .................... Bethany Charters<br />

2 nd Vice-Chair..................... Wanda Markocki<br />

Treasurer ........................... V. Angela Burley<br />

Director .................................. Cheryl Dobbie<br />

Director ................................. Kathleen Dodd<br />

Director ........................... Charlie Henderson<br />

Director ................................. Dustin Jodway<br />

Recording Secretary ............ Karen Rachner<br />

“You may know what you need, but to get what you want,<br />

better see that you keep what you have.” – The Baker’s Wife<br />

HTI’S DEPARTMENT HEADS<br />

Bingo ................................ Clement Feierabend<br />

Box Office Manager ........................ Matt Moore<br />

Business Manager ................. Sharon Reynolds<br />

Concessions ................................. Toni Forsyth<br />

Costume Rentals ....................... Beryl Harrison<br />

Equipment Rentals .............. Charlie Henderson<br />

Good Word Editor ....................... Brian Gedcke<br />

Membership ................................ Brian Gedcke<br />

Studio Rentals............................. Bob Reynolds<br />

Web <strong>Page</strong> ................................... Brian Gedcke<br />

The use of cameras or any audio or video<br />

recording devices is strictly prohibited. Please<br />

turn off any cell phones, pagers, watch alarms and<br />

other electronic devices that may go off during the<br />

performance.


presents …<br />

Book by James Lapine<br />

Music and Lyrics by Stephen Sondheim<br />

Directed and Choreographed by Sharon Reynolds<br />

Produced by Richelle Tavernier-Clements<br />

Musical Direction by Michael Domet<br />

Costumes Designed by Beryl Harrison<br />

Set Designed by Lynne Jamieson<br />

November 13, 14, 15, 20, 21 & 22, 2009<br />

Downtown Arts Centre<br />

INTO THE WOODS is produced by arrangement with,<br />

and the music and dialogue furnished by<br />

MUSIC THEATRE INTERNATIONAL, New York City, New York


CAST IN ALPHABETICAL ORDER<br />

Miriam Abbey (Cinderella) - Miriam is very excited to<br />

be involved in HTI’s production of Into the Woods after<br />

studying Theatre at York University for four years.<br />

Some of her favourite roles include Briar-Rose in<br />

Sleeping Beauty (GPHS) and Snow White in Snow<br />

White (PLT). It has been a joy to work with such an<br />

amazing group of people to create this show. Enjoy!<br />

Hailey Balaz (Little Red Ridinghood) - Hailey is very<br />

excited to be doing her first show with HTI and to be<br />

working with such a great cast, including, of course, her<br />

dad. Her previous roles include Mary in The Secret<br />

Garden (Drury Lane), and Belle in Beauty and the<br />

Beast. Hailey wishes to thank her family and friends for<br />

their love and support.<br />

Joe Balaz (Mysterious Man) - Joe is pleased to be<br />

working with HTI again, and with his “Little Red”. Joe’s<br />

previous roles with HTI include Man #1 in I Love You,<br />

You're Perfect, Now Change, and Schultz in Cabaret.<br />

Other roles include Dr. Craven in Secret Garden (Drury<br />

Lane and WEST), Billy Flynn in Chicago (Meadowvale),<br />

Pirate King in Pirates of Penzance (Meadowvale),<br />

Richard in Moon over Buffalo (TAP), Charlie in Death of<br />

a Salesman (Village Theatre), Judas in Jesus Christ<br />

Superstar (Drury Lane) and many, many more!<br />

Thanks, as always, to Sue and Nick for their love and<br />

support.<br />

Christopher Bee (Baker) - Chris graduated in<br />

December 2007 with a Bachelor of Arts in Music from<br />

Grand Valley State University (Michigan) and has<br />

played leading roles in various operas and musicals,<br />

including Hair (George Berger 2007) and Jesus Christ<br />

Superstar (Judas 2003 & Jesus 2005). His first “role”<br />

with HTI was as the Vocal Director for the Fall 2008<br />

production of Jekyll & Hyde. He has also recently been<br />

elected Assistant Director for the Canadian Orpheus<br />

Male Choir and hopes one day to teach music. This<br />

performance is dedicated to his three daughters and his<br />

new wife, Nicole.<br />

Nicole Bee (Snow White) - Nicole is very happy to be<br />

back with HTI, after performing in Jekyll & Hyde last<br />

fall. Previous credits include Arrivals and Departures,<br />

Sing On (MacNab Theatre), Everyman and Hair<br />

(CYT). She would like to thank the cast and crew for<br />

making Into the Woods such a wonderful<br />

experience. Special thanks to her family for their love<br />

and support, especially Chris, for always treating her<br />

like a princess!<br />

Julie Buffett (Giant) - Julie is happy to join the cast of<br />

Into the Woods. She made her stage debut last<br />

summer in The Shooting Star Theatre Company’s<br />

production of Baby: The Musical. Julie has worked<br />

behind the scenes at HTI for Once Upon A Mattress,<br />

My Fair Lady, A Funny Thing Happened on the Way to<br />

the Forum, Anything Goes, and South Pacific. Thank<br />

you to family and friends for their support and<br />

encouragement.<br />

V. Angela Burley (Jack’s Mother) - Angela is thrilled to<br />

be performing with such an amazingly talented cast in<br />

one of her favourite musicals of all time. Angela’s<br />

onstage credits with HTI include last year’s Jekyll &<br />

Hyde (Ensemble), Stage To Screen (Ensemble), Once<br />

Upon A Mattress (Lady Rowena), La Cage aux Folles<br />

(Babette), Red, Hot & Cole (Elsa Maxwell), Hats Off To<br />

Gershwin, Me and My Girl, Company, and The<br />

Unsinkable Molly Brown. Other performance credits<br />

include Mother Superior in Tony & Tina’s Swinging<br />

Safari, Mary in Cotton Patch Gospel (New Faces); and<br />

The Most Happy Fella (Etobicoke Musical Productions).<br />

Love and thanks to Mom, Dad and all my family for their<br />

unending love and support, and to Kenny, Jackson,<br />

Christopher, Kirsten, Leina & Noah for constantly<br />

reminding me what is truly important in life.<br />

Bethany Charters (Baker’s Wife) - There is nowhere<br />

Bethany would rather be than under the hot stage lights<br />

(except with her babies). Bethany is thrilled to be doing<br />

her fifth show with HTI, and to once again be able to<br />

work under the amazing direction and musical direction<br />

of Sharon Reynolds and Michael Domet. Bethany has<br />

been performing on stage for over twenty years in such<br />

roles as Audrey in Little Shop of Horrors, Mme.<br />

Thénardier in Les Misérables, Jeannie in Hair, and<br />

many more. Bethany would like to thank the amazing<br />

production team, her kick butt cast members, and, most<br />

of all, her wonderful loving family. oh..and.. 13WYDE<br />

ROCKS!!<br />

Eric Charters (Cinderella’s Prince) - Eric recently<br />

completed a successful run at HTI in the title role of<br />

Jekyll & Hyde, and is honoured to have the chance to<br />

return for this production of Into the Woods. He would<br />

like to send a shout out to Milky White, with whom he<br />

worked nine years ago as Jack in the Drury Lane<br />

production. Other stage credits include Les Misérables<br />

(Javert), Grease (Sonny), Footloose (Chuck), Godspell<br />

(John/Judas), and concert versions of Les Misérables<br />

(Valjean), Jesus Christ Superstar (Judas), and Hair<br />

(Claude). Love, thanks, and admiration to Bethany<br />

(nice to be on stage together again) and thanks to all<br />

our friends and family for much support, and to the Lord<br />

Jesus Christ for, well, everything. Outside of the<br />

Woods, Eric is the very proud father of Christopher and<br />

Abigail (love you two!). “A little nonsense now and then<br />

is cherished by the wisest men.” - Willy Wonka<br />

James Clemenger (Cinderella’s Father) - James<br />

caught the theatre bug many years ago in Colombia<br />

when he was drafted to play Arthur in a production of<br />

Camelot. From then on he joined every show he could<br />

get into: playing cards in The Odd Couple, carrying a<br />

spear in Henry IV, half a dozen jobs in Guys & Dolls, El<br />

Gallo in The Fantastiks and Petrucchio in Kiss Me Kate.<br />

The theatre played matchmaker too, bringing James<br />

together with Beth, who is professionally trained in<br />

theatre. After moving to Canada, James and Beth took<br />

a few years away from the stage while raising children,<br />

returning to begin discovering Hamilton’s amazing<br />

theatre community. In the last few years, James has<br />

enjoyed participating in Oklahoma!, Guys & Dolls, My<br />

Fair Lady (Alfred Doolittle), The Sound of Music, and<br />

H.M.S. Pinafore. James is really glad to get to work<br />

with such a talented cast and crew here with HTI.<br />

Joe Couture (Wolf) - After a long absence from theatre,<br />

Joe is excited to be back onstage with such a talented<br />

cast and crew. Some favourite roles include Mr.<br />

Tumnus in The Lion, the Witch and the Wardrobe, with<br />

both Dundas Little Theatre and Theatre Aquarius,<br />

Bobby in Cabaret with Hamilton Theatre Inc., and two<br />

different productions of A Chorus Line; as Mark with<br />

Hamilton Theatre Inc. and Paul with the Tivoli Theatre.<br />

Joe would like to thank his family for their support, Chris<br />

for the help, HTI and Sharon for this wonderful<br />

opportunity. Joe hopes you all enjoy this journey Into<br />

the Woods, well … I wish!


Miriam<br />

Abbey<br />

Hailey<br />

Balaz<br />

Joe<br />

Balaz<br />

Christopher<br />

Bee<br />

Nicole<br />

Bee<br />

Julie<br />

Buffett<br />

V. Angela<br />

Burley<br />

Bethany<br />

Charters<br />

Eric<br />

Charters<br />

James<br />

Clemenger<br />

Joe<br />

Couture<br />

Kathleen<br />

Dodd<br />

Luke<br />

Fillion<br />

Sheila<br />

Flis<br />

Matt<br />

Hodgson<br />

Steph<br />

Lewis<br />

Matt<br />

Moore<br />

Brianne<br />

McNeely<br />

Stacy<br />

Milford<br />

Joshua<br />

Oliver<br />

Jennifer<br />

Watson<br />

Brenda<br />

Ziemann


Kathleen Dodd (Cinderella’s Stepmother) - Kathleen<br />

has lived in the Hamilton area for almost three years. In<br />

her hometown of Sacramento, California, she was<br />

involved in theatre for many years, including three<br />

different productions each of Godspell (Sonia/Robin/<br />

Robin), A Funny Thing Happened on the Way to the<br />

Forum (Gymnasia), and Joseph and the Amazing Technicolor<br />

® Dreamcoat (Jacob’s Wife/Ensemble), plus a<br />

two year stint in 6 Women with Brain Death (The Studio<br />

Theatre). Here in Canada, she has appeared in South<br />

Pacific and Stage to Screen (HTI), The Secret Garden<br />

and H.M.S. Pinafore (Drury Lane), as well as Baby<br />

(Shooting Star Theatre Company) and 6 Women with<br />

Brain Death (McMaster Summer Drama Festival). This<br />

is her second production of Into the Woods (California<br />

State University, Sacramento).<br />

Luke Fillion (Steward) – Luke has appeared with Hamilton<br />

Theatre Inc. in Hot Mikado (Pooh-Bah), South<br />

Pacific (Stewpot), Anything Goes (Photographer) and<br />

My Fair Lady (Cockney #3). Film and television credits<br />

include A Separate Peace, Monk, Eleventh Hour, and<br />

Queer as Folk. In addition to being a professional<br />

photographer, Luke enjoys singing Bass in the Brenda<br />

Uchimaru Singers, and is the creator/key performer of<br />

the Candlelight Concert Series. He would like to thank<br />

Sharon, Richelle, the cast and crew for this fun journey<br />

into the woods. For more information about Luke,<br />

please visit www.lukefillion.com.<br />

Sheila Flis (Witch) - Growing up in Hamilton, Sheila led<br />

a rather sheltered life, so she turned to musical theatre<br />

to fulfill her secret longing to be naughty. Most of the<br />

characters that she has portrayed have bad reputations<br />

for one thing or another. These have included Miss<br />

Hannigan in Annie (DLTP), Ado Annie in Oklahoma!<br />

(DLTP), Queen Aggravain in Once Upon A Mattress<br />

(DLTP & HTI), Meg Brockie in Brigadoon (DLTP) and<br />

now, the Witch in this fine production of Into the Woods.<br />

Her favourite role to date, ironically, is Sister Mary<br />

Amnesia, who, even if she had led a naughty life before<br />

becoming a nun, she would not have remembered it.<br />

Sheila sends out a special thank you to her fellow thespian<br />

and husband, Greg, for his love and support.<br />

Matt Hodgson (Rapunzel’s Prince) - This is Matt’s sixth<br />

production with HTI. Previous credits include Cabaret,<br />

My Fair Lady, Anything Goes, South Pacific and Hot<br />

Mikado. Many thanks to HTI for the fun, supportive,<br />

professional environment that helps me learn, improve<br />

and conquer the fear of public singing! A new experience<br />

yet again; besting seasonal sickness and this<br />

wonderful pandemic while preparing for a live performance.<br />

Thanks to the cast for getting through it in spite<br />

of not having a full cast until opening night. Who'd have<br />

thought - Sharon was right?! Way to go Cara, for patiently<br />

getting through your first experience of theatre<br />

life. As always, thanks Mom, Dad, MHSA&R.<br />

Steph Lewis (Sleeping Beauty) - Steph is delighted to<br />

be working alongside such a talented cast in this season’s<br />

production of Into the Woods. Previous shows<br />

with Hamilton Theatre: Hot Mikado (Ensemble), South<br />

Pacific (Ensign Maggie McLean/Ensemble), My Fair<br />

Lady (Flower Girl/Ensemble). Other theatre credits<br />

include As You Like It Or What You Will (Rosalind) and<br />

Julius Caesar (Ensemble), both with Stratford Shakespeare<br />

School. She also performed in various other<br />

recitals and plays with the former Sundance Studios.<br />

Steph regrets that this will be her last performance with<br />

HTI for the next few years, as she heads off to university<br />

in September.<br />

Brianne McNeely (Lucinda) - Brianne is pleased to be<br />

making her musical theatre debut as an adult with HTI.<br />

Having been a member of the Acadia University Vocal<br />

Ensemble for four years, Brianne graduated and ended<br />

up teaching in China, where she directed English-<br />

Language choirs for her students. For five years she<br />

has been enjoying the exciting (albeit smaller) stage<br />

that is her classroom at the elementary school where<br />

she is a music teacher. Other experiences include<br />

winning a bronze medal in women’s barbershop with<br />

the International Champion North Metro Chorus, and a<br />

brief but exhilarating role as Dorothy in The Wizard of<br />

Oz…when she was ten.<br />

Stacy Milford (Florinda) - Stacy is delighted to finally<br />

play a villain, and in one of her favourite musicals! New<br />

to HTI, she has performed for many years with community<br />

theatres in Simcoe, Brantford, Hamilton, Guelph<br />

and Windsor; favourites include Titanic, Laurey in Oklahoma!,<br />

Alice in Flowers for Algernon, Susan in Company<br />

and Carrie in Carousel. Stacy holds a BA in music<br />

and anthropology, and an MA in cultural anthropology,<br />

and hopes to finally earn a useful degree by beginning<br />

her Master of Social Work next fall. She has also<br />

done some commercial, television and film work, and<br />

spends her free time learning tap and ballroom dancing.<br />

Thanks to a fantastic cast and crew for an amazing<br />

opportunity!<br />

Matt Moore (Narrator) – This is Matt’s first onstage<br />

production with HTI, having directed our productions of<br />

Jekyll & Hyde and Urinetown: The Musical. Previous<br />

stage credits include Mothra in Godzilla (McMaster),<br />

Matt in The Complete Works of William Shakespeare<br />

(Abridged) (Black Box Fire), Frank in Reality Inc.<br />

(McMaster), Charlemagne in Pippin, Bardolph/<br />

Burgundy in Henry V (McMaster) and Jacques in As<br />

You Like It (MTC). Matt would like to thank his family<br />

and friends for their constant love, support and understanding.<br />

Joshua Oliver (Jack) – Currently attending secondary<br />

school, Joshua is happy to be making his community<br />

theatre debut with Hamilton Theatre Inc. in this production<br />

of Into the Woods. This past spring, he appeared<br />

as Jack in the ArtSmart production of Into the Woods,<br />

presented at Hill Park Secondary School. He also<br />

appeared as Reuben in Joseph and the Amazing Technicolor<br />

® Dreamcoat (Hill Park S.S.). He is very excited<br />

about this production, and wants to thank all of his<br />

fellow cast members for the enjoyable experience!<br />

Jennifer Watson (Rapunzel) – Into the Woods is Jennifer’s<br />

first performance with HTI; however, Jennifer is not<br />

new to the stage, as she has been performing in musical<br />

theatre since the age of 12. She was recently seen<br />

in Theatre Ancaster’s production of Beauty and the<br />

Beast. Jennifer would like to thank the directing team<br />

for making her a part of this very special show, and is<br />

looking forward to future productions with HTI.<br />

Brenda Ziemann (Cinderella’s Mother, Little Red’s<br />

Grandmother) - Brenda is thrilled to be going Into the<br />

Woods with this awesome cast. This is Brenda’s 20 th<br />

show, including plays, musicals and opera. Some of<br />

her favourite roles have been Duchess of Plaza-Toro in<br />

The Gondoliers, Narrator in Joseph and the Amazing<br />

Technicolor ® Dreamcoat, and Belinda in Dido & Aeneas.<br />

When Brenda is not on stage, she’s singing in<br />

local choirs, reading voraciously and teaching at Peter<br />

Pan Preschool. However, her favourite pastime is playing<br />

with her three kids -- you girls rock!


MUSICAL NUMBERS<br />

Act One<br />

Prologue: Into the Woods .......................................................................................... Narrator & Company<br />

Greens, Greens .................................................................................................................................. Witch<br />

Cinderella at the Grave .......................................................................... Cinderella & Cinderella’s Mother<br />

Hello, Little Girl ............................................................................................. Wolf & Little Red Ridinghood<br />

I Guess This Is Goodbye ...................................................................................................................... Jack<br />

Maybe They're Magic ..............................................................................................................Baker’s Wife<br />

Our Little World ............................................................................................................... Witch & Rapunzel<br />

I Know Things Now................................................................................................... Little Red Ridinghood<br />

A Very Nice Prince ............................................................................................ Cinderella & Baker’s Wife<br />

First Midnight ............................................................................................................................... Company<br />

Giants in the Sky .................................................................................................................................. Jack<br />

Agony .......................................................................................... Cinderella’s Prince & Rapunzel’s Prince<br />

A Very Nice Prince (reprise).............................................................................. Cinderella & Baker’s Wife<br />

It Takes Two ............................................................................................................. Baker & Baker’s Wife<br />

Stay With Me .................................................................................................................. Rapunzel & Witch<br />

On the Steps of the Palace ......................................................................................................... Cinderella<br />

Ever After ..........................................................................Narrator, Witch, Florinda, Lucinda & Company<br />

- One 15-Minute Intermission -<br />

Act Two<br />

Prologue: So Happy .................................................................................................. Narrator & Company<br />

Agony (reprise) ........................................................................... Cinderella’s Prince & Rapunzel’s Prince<br />

Witch’s Lament ................................................................................................................................... Witch<br />

Any Moment ......................................................................................... Cinderella’s Prince & Baker’s Wife<br />

Moments in the Woods............................................................................................................Baker’s Wife<br />

Your Fault ........................................................... Jack, Baker, Cinderella, Little Red Ridinghood & Witch<br />

Last Midnight ...................................................................................................................................... Witch<br />

No More .............................................................................................................. Baker & Mysterious Man<br />

No One Is Alone ............................................................ Cinderella, Little Red Ridinghood, Jack & Baker<br />

Finale: Children Will Listen............................................................................................. Witch & Company<br />

“Careful the things you say, children will listen. Careful the<br />

things you do, children will see. And learn.” – The Witch<br />

BACKGROUND<br />

As a very young man [Stephen] Sondheim attempted, unsuccessfully, to musicalize Mary Poppins. Almost forty<br />

years later he and [James] Lapine discovered fertile ground for their imaginations by creating an original tale of<br />

their own in which the [Baker’s and Baker’s Wife’s] quests propel them into the more familiar world of such classic<br />

fairy tales as Cinderella, Jack and the Beanstalk, Rapunzel, and Little Red Ridinghood. Influenced by the theories<br />

of Carl Jung and by the insights of Bruno Bettelheim, whose work on the significance of fairy tales, The<br />

Uses of Enchantment, explores the darker Freudian ramifications of these stories, Sondheim and<br />

Lapine evolved a musical that manages to be delightful, melodic, and entertaining as well as<br />

intellectually astute and psychologically complex.<br />

The themes that unite these disparate stories concern the difficulties of achieving<br />

maturity, the complex relationship between parent and child, and ultimately the<br />

necessity of recognizing human interdependence. Like a contemporary brothers<br />

Grimm, Sondheim and Lapine weave a magical fabric of witches, giants, and spells<br />

but never allow the audience to forget the serious thematic underpinnings of the work.<br />

Into the Woods enjoyed a gradual evolutionary birth. Beginning as a reading at<br />

Playwrights Horizons, the work went through three workshop readings in New<br />

York, and a tryout in San Diego, before opening on Broadway to generally<br />

favorable reviews and garnering for Sondheim yet another Tony Award for<br />

best music and lyrics. As with all of Sondheim’s work, neither critics nor public<br />

were unanimous in their response, but judging from the general tenor of the<br />

reviews and the enthusiastic approbation at the Tony Awards ceremony,<br />

Sondheim has finally gained the respect of all. He is universally acknowledged to<br />

be the foremost American exponent of his chosen art form and is accorded a kind<br />

of awe not generally associated with either the musical or with other living artists. -<br />

- Joanne Gordon, Art Isn't Easy : The Theater of Stephen Sondheim


PRODUCTION TEAM<br />

Michael Domet (Musical Director/Piano) - Michael is<br />

excited about this production of Into the Woods, and<br />

knows you will be too! Having joined the cast in midrehearsal,<br />

he is impressed with the talent of this group of<br />

singers. An educator in Peel, Michael has an extensive<br />

background in theatre including 50 productions and<br />

most recently was involved in composing and recording<br />

music for Holmes on Homes: New Orleans. Additionally,<br />

he has conducted the Peel Honour Choir at the Living<br />

Arts Centre, and focuses much of his attention on the<br />

fine work of his grade eight music students, which<br />

includes their current production of Into the Woods,<br />

which Michael is stage-directing.<br />

Beryl Harrison (Costume Designer & Supervisor) - “I<br />

only like designing pretty shows with lots of bows and<br />

lace”, says Beryl and has she ever designed some<br />

“pretty” shows over the years. Beryl’s first HTI show was<br />

One More Time (HTI’s 25 th Anniversary show). The first<br />

show she designed for HTI was Annie Get Your Gun, in<br />

1985, and she went on to win the Best Costume design<br />

award that year. Beryl’s award winning designs have<br />

been showcased in numerous HTI productions.<br />

Standouts have been 42nd Street, Meet Me In St. Louis<br />

and The Secret Garden. Beryl won an “Inky” Award in<br />

1988. Other companies and shows Beryl has designed<br />

for include Victor/Victoria and Brigadoon for Drury Lane<br />

Productions, and The Women, Heyday and Over the<br />

River and Through the Woods for the Players’ Guild of<br />

Hamilton.<br />

Charlie Henderson (Vocals) - Charlie is currently in his<br />

fourth year of the music performance program at the<br />

University of Toronto. Charlie has served as musical<br />

director, vocal director, vocal coach, rehearsal pianist,<br />

pit musician and sound designer/operator for numerous<br />

productions, including Into the Woods (HWDSB Art<br />

Smart), South Pacific (HTI), ShAIDS of Grey (Cure<br />

Canada), Urinetown: The Musical (HTI), Hair (MMT) and<br />

Pippin (MMT). Outside of the theatre, Charlie is active<br />

as a brass musician, holding positions with Symphony<br />

Hamilton, the University of Toronto Wind Ensemble and<br />

his brass quintet, Boyz II Brass.<br />

Courtney Hubley (Stage Manager) - This is Courtney’s<br />

first show with HTI. Courtney was professionally trained<br />

through Algonquin College’s Theatre Arts program in<br />

Ottawa and is happy to have been able to use her skills<br />

to assist HTI in bringing you this wonderful show.<br />

Special thanks to all the cast and crew for making this<br />

such an amazing experience and to her Patrick for his<br />

unwavering support throughout this process.<br />

“If the end is right it justifies<br />

the beans.” - The Baker’s Wife<br />

Lynne Jamieson (Set Designer) - Lynne is very familiar<br />

to local audiences as a percussionist in musical<br />

productions throughout the area. She has also been<br />

involved behind the scenes in almost all areas of<br />

theatre, be it as Producer, Musical Director, Set<br />

Designer, Lighting Designer, Puppet Maker or doing any<br />

job needing to be done.<br />

Karen Rachner (Script Assistant) - Karen has worked<br />

backstage for several HTI productions, including Once<br />

Upon A Mattress (Script Assistant), Sugar Babies (Stage<br />

Manager), Pippin (Properties), Joseph and the Amazing<br />

Technicolor ® Dreamcoat (Script Assistant, Dresser), My<br />

Fair Lady (Script Assistant) and Hot Mikado (Script<br />

Assistant).<br />

Bob Reynolds (Set Coordinator) - Bob has been a<br />

member of HTI since 1958. Bob has worn numerous<br />

hats, both onstage and backstage, with HTI over the<br />

years. Bob’s favourite onstage roles with HTI include<br />

Nathan in Guys and Dolls (1988) and the King in Once<br />

Upon A Mattress (1976). Some of Bob’s backstage<br />

credits with HTI include 42nd Street (Stage Manager),<br />

Barnum (Stage Manager), My Fair Lady (Stage<br />

Manager), and I Love You, You’re Perfect, Now Change<br />

(Sets & Lighting Designer). Bob sat on HTI’s Board for<br />

17 years, four years of which he served as Chairman.<br />

Sharon Reynolds (Director/Choreographer) - Previous<br />

directorial credits include Hot Mikado, South Pacific,<br />

Anything Goes, My Fair Lady, Sugar Babies, Little Shop<br />

Of Horrors, Jerry’s Girls, She Loves Me, and Nunsense,<br />

just to name a few. Singing and dancing her way<br />

through more than 150 musicals, some of Sharon’s<br />

onstage credits include Chicago (Velma Kelly), Sweet<br />

Charity (Nickie), Company (Joanne), Follies (Phyllis),<br />

Nunsense (Sister Hubert), Sugar Babies (Prima Donna),<br />

My Favorite Year (Alice), Gypsy (Gypsy), Dames at Sea<br />

(Mona), 42nd Street (Annie) and The Pajama Game<br />

(Gladys). Sharon has also worked professionally in<br />

various dinner theatres throughout Hamilton and<br />

Toronto. Sharon has won numerous awards and<br />

accolades, along with the prestigious honour of a<br />

Hamilton Spectator Community Service award for her<br />

undying loyalty and dedication to local theatre. She now<br />

uses her vast knowledge of musical theatre; hoping to<br />

train, encourage and nurture the talents of the next<br />

generation of local theatre performers. Sharon is living<br />

proof that “time flies when you're having fun”.<br />

Richelle Tavernier-Clements (Producer) – Richelle has<br />

been a part of theatrical arts since age four. Throughout<br />

the years, she has worked both as a performer and as a<br />

make-up and hair designer. Her repertoire includes Little<br />

Shop of Horrors, Hair, Smokey Joe’s Cafe, Joseph and<br />

the Amazing Technicolor ® Dreamcoat, Perfectly Frank,<br />

Motown, Beauty and the Beast, The Crucible, Rimers of<br />

Eldritch, Hats Off to Gershwin and Hot Mikado. She<br />

accords a huge thank you to her family, her enduring<br />

friends, patient husband Brian and her remarkable<br />

mother who all sustain her many idiosyncrasies. Love<br />

you!!! Smooches.


Michael<br />

Domet<br />

Beryl<br />

Harrison<br />

Charlie<br />

Henderson<br />

Courtney<br />

Hubley<br />

Karen<br />

Rachner<br />

Bob<br />

Reynolds<br />

Sharon<br />

Reynolds<br />

Richelle<br />

Tavernier-Clements<br />

“We've no time to sit and dither<br />

while her withers wither with her! “- Jack’s Mother<br />

Understudies<br />

Narrator ............................... James Clemenger<br />

Cinderella .................................... Stacy Milford<br />

Jack’s Mother ................................ Julie Buffett<br />

Baker ................................................ Joe Balaz<br />

Baker’s Wife .......................... Brianne McNeely<br />

Stepmother ............................ Brenda Ziemann<br />

Florinda..........................................Steph Lewis<br />

Lucinda ............................................ Nicole Bee<br />

Little Red Ridinghood ............. Jennifer Watson<br />

Witch......................................... Kathleen Dodd<br />

Mysterious Man .............................. Matt Moore<br />

Wolf ................................................ Luke Fillion<br />

Rapunzel ..................................... Stacy Milford<br />

Princes........................................... Joe Couture<br />

Band<br />

Music Director/Piano ................ Michael Domet<br />

Violin ................................ Elizabeth Sutherland<br />

Percussion/Auxiliary/Effects ...... Lloyd Morhart<br />

Producer’s Notes<br />

When the opportunity to produce Into the Woods came to my<br />

attention, although I was quite tentative, I decided to take on<br />

the position with fervour. This is my first stint at producing<br />

theatrical work and I have been blessed and honoured to be a<br />

part of what I feel is one of the best cast and crews I have<br />

ever had the privilege of working with.<br />

From the audition stage to now, it has been an interesting and<br />

eye opening experience. At the auditions we saw so much<br />

talent and had a very hard time deciding who to cast but I’m<br />

positive the right choices were made. This cast has had to<br />

deal with a few changes, but they took it on with<br />

professionalism, heart and soul.<br />

Backstage, we have had the best of the best building,<br />

painting and collecting, and, without them, these performers<br />

wouldn’t look anywhere near as good as they do. These<br />

people volunteer their time and talents and seldom are<br />

recognized, but I am grateful to have worked along side of<br />

them.<br />

I am very indebted to HTI for allowing me this opportunity, as<br />

well as to Sharon and Bob Reynolds for believing in me and<br />

helping me every step along the way, I’ve learned more than<br />

you know. I am extremely grateful to Courtney for taking this<br />

on without a moment’s hesitation, and for being my<br />

backbone. As always, a big debt of gratitude goes out to Beryl<br />

for making the cast look fabulous. And, also, a huge amount<br />

of thanks to Michael for coming in last minute, and just being<br />

the consummate professional.<br />

Finally, to the audiences, who without your support this cast<br />

and this company would not be possible, THANK YOU!<br />

Enjoy your journey Into the Woods.


PRODUCTION CREW<br />

Box Office Manager ......................................................................................... Matt Moore<br />

Box Office Staff ................................................. Dan Konior, Barb Montani & Bob Reynolds<br />

Rehearsal Pianist .................................................................................. Charlie Henderson<br />

Assistant Stage Manager .................................................................... Michael Thomlinson<br />

Poster ................................................................................................... Charlie Henderson<br />

Painters ........................................................................... Lynne Jamieson (Fairytale Sets)<br />

& Cheryl Dobbie (Backdrop & Trees)<br />

Construction, Transportation & Set-Up Crew ..........................Brian Clements, Joe Couture,<br />

Paul Decoste, Richard Janiszewski,<br />

Keith MacPherson, Matt Moore & Karim Natha<br />

Properties ............................................. Joe Couture, Cheryl Dobbie & Michael Thomlinson<br />

Costume Supervisor ..................................................................................... Beryl Harrison<br />

Costume Team .............................................................. Toni Forsyth, Eileen MacPherson,<br />

Ronnie Mallon, Phyllis Porritt,<br />

Diane Williams & Brenda Ziemann<br />

Wardrobe Supervisor ................................................................................. Krystal Berwick<br />

Wardrobe Crew ............................................................................................. Leah Facchin<br />

Hair Design .................................................................................................... Toni Forsyth<br />

Hair Crew .............................................................................. Richelle Tavernier-Clements<br />

Make-Up Designer ...................................................................................... Jozina Dykstra<br />

Make-Up Crew ....................................................................... Richelle Tavernier-Clements<br />

Press Release ...................................................................................... Charlie Henderson<br />

Programme ..................................................................... V. Angela Burley & Brian Gedcke<br />

Lobby & Programme Photos ............................................................................. Luke Fillion<br />

Lobby Display .................................................................................................. Luke Fillion<br />

House Manager ...................................................................................... Sharon Reynolds<br />

Usher Captain ............................................................................................. Dustin Jodway<br />

Ushers ................................................................................. Kevin Bardy, Christine Bering,<br />

Cheryl Dobbie, Brian Gedcke,<br />

Theresa Horak, Breanne Jodway,<br />

Pam Knowles, Ronnie Mallon,<br />

Joyce Mattick, Marne Paterson,<br />

& Richelle Tavernier-Clements<br />

Lighting Board Operator ............................................................................... Kristin Hopper<br />

Spotlight Operators .............................................................. Stephen Madill & Erin Richard<br />

Sound Design ............................................................... Courtney Hubley & Stephen Madill<br />

Sound Board Operator ............................................................................. Courtney Hubley<br />

“Every knot was once straight rope.” - Mysterious Man<br />

HAMILTON THEATRE INC. WOULD LIKE TO THANK …<br />

… all of our friends and loved ones, Patrick Brennan, Duane Burley, Cable 14, City of<br />

Hamilton, The Downtown Arts Centre, Drury Lane Theatrical Productions, The Hamilton<br />

Spectator, INDI 101, K-W Angels, Keith MacPherson, Lyla Miklos, Monsignor Paul Dwyer<br />

Catholic High School, The Players’ Guild of Hamilton, Michael Schneider, Gary Smith,<br />

VIEW Magazine, and all of you who chose to come see our show — we hope you enjoy it.<br />

Every effort has been made to thank those people who have helped with this production;<br />

however, if for some reason anyone has been missed, their efforts are no less<br />

appreciated.


HISTORY OF HAMILTON THEATRE INC.<br />

In 1956, a group of dynamic and talented people created The Hamilton Theatre Company,<br />

presenting their first show, South Pacific, at Westdale Secondary School. In 1960,<br />

Hamilton Theatre Company became Hamilton Theatre Incorporated (HTI). HTI’s<br />

headquarters then moved from above a restaurant on King Street to the Old Fire Hall at<br />

the corner of Strathcona and Head Street. After more than 25 years at the Old Fire Hall,<br />

HTI’s headquarters moved again, in 1987, to its present address on MacNab Street North.<br />

HTI’s performance spaces over the years have included Westdale Secondary School,<br />

Mohawk College, Sir John A. Macdonald Secondary School, The Great Hall of Hamilton<br />

Place and HTI’s Studio Theatre. HTI is currently performing at the Downtown Arts Centre.<br />

This 300-seat theatre, located at 28 Rebecca Street, was the former Hamilton<br />

Headquarters of The Salvation Army. HTI has been a training ground and a place for<br />

theatre people to hone their art. Acting, singing, dancing, designing, creating, engineering,<br />

working and playing together has made HTI one of the most successful and enduring<br />

community theatre companies in Southern Ontario. HTI is an organization completely<br />

made up of volunteers, all with a passion and love for the theatrical arts.<br />

2009/2010 DONORS<br />

Patrons<br />

Duane Waltenbery<br />

Friends<br />

Christine Bering, Beverley Cooper,<br />

Alison & Clement Feierabend, Fogarty’s Cove Music,<br />

Ken Forsyth, Maureen Forsyth, Toni Forsyth,<br />

Beryl Harrison, Eileen MacPherson, Joyce Mattick,<br />

Gerry & Kathy McRoberts, Barb Montani,<br />

John & Phyllis Porritt, Sharon Reynolds,<br />

Catherine Ronalds, Douglas Seto,<br />

Doris Witter and Marie Yakimoff<br />

Hamilton Theatre Inc. gratefully receives<br />

donations to assist with the theatre’s<br />

funding. HTI is a registered non-profit<br />

charity, and provides tax receipts for<br />

donations in any of the following donor<br />

categories:<br />

Platinum Sponsor .......................... $5,000+<br />

Gold Sponsor ................... $2,500 to $4,999<br />

Silver Sponsor .................. $1,000 to $2,499<br />

Bronze Sponsor......................$500 to $999<br />

Supporter ...............................$250 to $499<br />

Patron ....................................$125 to $249<br />

Friend ...................................... $25 to $124<br />

Contact our Box Office at<br />

905-522-3032 to make a contribution.<br />

“Into the woods to bring some bread to Granny who is<br />

sick in bed. Never can tell what lies ahead - for all that<br />

I know, she’s already dead.” - Little Red Ridinghood


This Spring<br />

Hamilton Theatre Inc.<br />

presents ...<br />

Jerry Leiber and Mike Stoller, as much as anyone, virtually<br />

invented rock ’n’ roll, and now their songs provide the<br />

basis for an electrifying entertainment that illuminates a<br />

golden age of American culture. In an idealized 1950s<br />

setting, the classic themes of love won, lost and imagined<br />

blend with hilarious set-pieces and slice-of-life emotions.<br />

Featuring nearly 40 of the greatest songs ever recorded,<br />

including “Yakety Yak”, “Hound Dog”, “Love Potion #9”,<br />

“Jailhouse Rock”, “Stand by Me”, “Poison Ivy” and “Treat<br />

Me Nice”, SMOKEY JOE’S CAFE isn't just great pop<br />

music - it’s compelling musical theatre.<br />

April 23, 24, 25, 30, May 1 & 2, 2010<br />

For details call the<br />

Box Office at 905-522-3032,<br />

or check our website at<br />

www.hamiltontheatre.com

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