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w: www.roberthirschfield.com<br />

e: studio@roberthirschfield.com<br />

t: O2O 7435 6O39


Of all forms of art, architecture offers man the<br />

answers to his immediate and legitimate everyday<br />

needs. It is a framework of life and practising it allows<br />

us to design whilst respecting the natural world and<br />

the place of man within it.<br />

Robert Hirschfield Architects is interested in<br />

the aesthetic and functionality of materials, of<br />

maximising the light and volume within the spaces<br />

we create, and to provide imaginative and costeffective<br />

solutions to the challenges presented by<br />

every brief.<br />

We are an innovative architectural practice and we<br />

will bring our knowledge of structure and form to<br />

explore your project. We would like to re-tell the<br />

story, re-interpret the site and re-visualise the<br />

uniqueness of the design.<br />

www.roberthirschfield.com


Maximising Development Potential<br />

We understand the development value in gaining planning<br />

permission with context-sensitive, socially responsive and<br />

culturally relevant architecture.<br />

Right and below: Planning gain<br />

unlocks the full value of a site<br />

<strong>RHA</strong> has a strong track record of successful planning<br />

applications which unlock precious extra internal areas<br />

to seal a development’s optimum commercial and<br />

accommodation potential.<br />

As such, our work adds a premium return on any<br />

development investment, always mindful of budget and<br />

boosting viability.


Values and Principles<br />

Our aim is to explore and understand a client’s objectives and<br />

aspirations so we can create buildings appropriate for their<br />

end user.<br />

Right and below: Context driven<br />

design acts as a stimulant for the<br />

sense of discovery<br />

Our core principle is adding value to property through<br />

exemplary architecture. This is grounded in a fundamental<br />

understanding of the technical, financial and practical issues<br />

which ensures that our designs are viable and deliverable.<br />

What sets us apart is that we have a track record of<br />

building positive working relationships with our clients and<br />

consultants. A large portion of our work comes from repeat<br />

business and referral demonstrating the value that clients<br />

place on our work.


Feasibility Studies<br />

Most projects start with a Feasibility Study. This is a good<br />

way of teasing out the details of the client’s requirements as<br />

well as testing the obvious issues of cost, buildability and the<br />

likelihood of getting the necessary permissions for the work.<br />

Right and below: The constraints and<br />

shape of a site can contribute to the<br />

form and shape of the building<br />

The best feasibility studies are completed in close<br />

cooperation with the client. This is a vital stage of developing<br />

a workable brief and setting the parameters for the project<br />

that will allow it to develop into a reality.<br />

The starting point of any Feasibility Study is the detailed<br />

understanding of the history and cultural significance of the<br />

building, its setting and its contents. Once the nature of the<br />

site is properly appreciated then the requirements of the<br />

brief can be tested against the possibilities and constraints<br />

that the site offers.<br />

This may result in the modification or refinement of the brief<br />

but should ensure that any proposals are genuinely feasible.<br />

This means that they achieve planning and listed building<br />

consent and will comply with the available budget.


Design Approach<br />

The practice has established a diverse portfolio working with<br />

developers, private residential clients and gallery owners as<br />

well as undertaken several installation based projects.<br />

Each of our projects is unique, tailored to brief, budget<br />

and location. Our design philosophy is to treat each project<br />

as a response to the client’s aspirations and end-user<br />

requirements.<br />

In preference to a house ‘style’, <strong>RHA</strong> has a clear ‘philosophy’<br />

that expresses a shared approach to design. We aim to<br />

achieve a unique and appropriate solution for each project,<br />

inspired by the site, brief and client.<br />

Right: Architecture as a<br />

framework of life<br />

Below: Designs may be<br />

diverse, potent and expressive<br />

but always dynamic in their<br />

response to use and space<br />

© Matt Clayton<br />

Guided by this philosophy, we approach design with<br />

intellectual rigour and passion, to produce spaces and ideas<br />

that are eminently practical and emotionally uplifting.


Concept and Process<br />

Architecture is a team-working process. We believe that the<br />

relationship between client and architect is fundamental, and<br />

the establishment of a professional and trusting relationship<br />

between the two is the bedrock of every successful project.<br />

Architectural concepts are our way of responding to the<br />

design situation presented to us. They are a means of<br />

translating the design problem into a physical manifestation.<br />

What makes <strong>RHA</strong> stand out are the innovative strategies<br />

which we bring to the consultation process, encouraging<br />

everybody to think creatively. We find this generates<br />

excitement and a will for the project to succeed.<br />

Right: Diagrams form a vital tool to<br />

quickly explore and convey ideas<br />

Bottom-left: Physical models aid the<br />

design process<br />

Bottom-right: Rendered visuals<br />

provide a realistic representation of<br />

the design


Conservation<br />

Robert Hirschfield Architects is a leading advocate for<br />

remodelling and radically transforming old buildings for<br />

modern uses. The practice does this in ways that reveal what<br />

buildings from different eras mean to us today.<br />

Based in London, a city of historical context with modern<br />

needs and demands, <strong>RHA</strong> enthusiastically embraces an<br />

architecture of change by juxatposing contemporary<br />

elements with original features of existing buildings to create<br />

exciting and dynamic new used.<br />

Right: Organising the existing and new<br />

elements to make a coherent whole<br />

Below: Spaces can be rebalanced by<br />

integrating thoughtful interventions<br />

© David Grandorge<br />

From concept through to completion, varied experience<br />

allows the studio to approach projects across a range of<br />

sectors. The practice also has specialist experience in the<br />

challenges of working with listed buildings and within<br />

conservation areas.<br />

At <strong>RHA</strong>, architectural conservation is seen as an integral part<br />

of the practice of architecture. Where necessary, the practice<br />

seeks to implement the conservation, adaptation, restoration,<br />

protection and rehabilitation of sites which, because of their<br />

architectural merit and/or historical significance, form part<br />

of the heritage of our built environment.<br />

Robert Hirschfield is a registered RIBA Conservation<br />

Registrant and is able to demonstrate good working and<br />

background knowledge of key aspects of conservation<br />

practice, principles and philosophy. He is experienced with on<br />

site delivery of construction projects.


Case Study 1: Galleria<br />

This is a current development in which we are proposing to<br />

combine two buildings in the St James’s conservation area to<br />

create an extensive art gallery housing exhibition areas with<br />

supporting offices and ancillary facilities.<br />

The proposals also involve the demolition and rebuilding of<br />

the top floor mansard, in addition to a new lift core to the<br />

rear elevation of the property, which would serve the entire<br />

six floors of the extended building height. The properties<br />

would also be linked at lower ground level via existing vault<br />

spaces.<br />

Right: Sensitive façade analysis was<br />

required to achieve planning consent<br />

Bottom-left: The gallery spaces are<br />

linked below ground through the<br />

existing vault spaces<br />

Bottom-right: Flexible hanging<br />

arrangements are made possible<br />

through the use of sliding screens<br />

Integral to the scheme is the intention to create new<br />

residential accommodation on the upper floors. The top<br />

floor apartment will feature roof terraces offering panoramic<br />

views.<br />

Sliding walls were designed to provide flexible gallery space<br />

and storage facilities. Circulation is a key consideration<br />

when designing for visual art spaces - allowing a tantalising<br />

glimpse of what lies beyond or above, acts as a stimulant for<br />

the individual observer’s sense of discovery.<br />

Construction cost £5 to 10m<br />

Commissioned by Private Client<br />

in 2014 (ongoing)<br />

The scheme has recently been granted full planning<br />

permission by Westminster City Council.


Case Study 2: Bath Court<br />

Purpose built student accommodation is currently being<br />

constructed in Central Birmingham close to all of the city’s higher<br />

education institutions. The prominent corner location acts as a<br />

‘gateway’ into the city centre and utilises a deep triangular plan<br />

with the accommodation occupying the perimeter of the site.<br />

Below: The proposed ceramic<br />

façade would have depth and<br />

a tactile quality reminiscent of<br />

the historic swimming baths<br />

associated with the area<br />

The prominent 100m street frontage wraps itself around two<br />

sides of the site and the lower level is to be anchored by a<br />

new retail unit, gym, communal social space and silent study<br />

areas, which will animate the street frontage and increase<br />

the pedestrian footfall in what is currently a predominantly<br />

vehicular thoroughfare. The upper levels provide apartment<br />

accommodation for 430 students.<br />

To the rear, a large landscaped raised terrace provides external<br />

space for the students and a central light well allows natural light<br />

deep into the building.<br />

Planning consent was granted in February 2015 and construction<br />

has now commenced on site due for completion in August 2018.<br />

Construction cost £20m<br />

Commissioned by Private <strong>Developer</strong><br />

in 2013 (ongoing)


Case Study 3: Bloomsbury Apartments<br />

Set within the Bloomsbury Conservation Area, the<br />

upper floors of this pivotal period building in the heart<br />

of Bloomsbury were remodelled to create generously<br />

proportioned apartments all of which share dynamic street<br />

views.<br />

The traditional features of the apartment building were<br />

restored and a modernist approach was applied to the<br />

re-fitting of the bathrooms and kitchens where lightweight<br />

materials and finishes give the apartments a more<br />

contemporary feel.<br />

Right: Local knowledge and careful<br />

negotiation with the planning authorities<br />

secured much higher densities than<br />

thought possible, boosting the project’s<br />

overall viability<br />

Below: The project delivered high<br />

quality, adaptable living spaces that<br />

more than satisfied the needs of the<br />

client’s target market<br />

Construction cost £1m<br />

Commissioned by Private <strong>Developer</strong><br />

in 2013 and completed in 2015


A<br />

A<br />

SCHEME 1 SECTION 1 : 200<br />

Case Study 4: Ellipses<br />

This was a challenging and interesting feasibility study for a<br />

new building style and type. Situated in East London on what<br />

could be described as a ‘public realm’ space, the location lies<br />

at the intersection of a busy three road junction.<br />

The constraints and shape of the site contributed to the form<br />

and shape of the building which comprises a plane curve that<br />

evolves from the intersection of a cone by a plane which in<br />

turn produces a closed curve.<br />

Right: The design for the residential units<br />

anchors the building in its context<br />

Below: Natural light and efficient layout<br />

were the key factors in both plan and<br />

section<br />

The resulting elliptical shape allowed for excellent natural<br />

light and ventilation internally, and enabled an efficient<br />

layout of lift and stair cores, services and utilities.<br />

The upper residential floors were stacked as in the form of<br />

a ship’s prow and the ground floor level was designed with<br />

commercial and community uses in mind.<br />

Commissioned by Private <strong>Developer</strong><br />

in 2015<br />

Flat 5<br />

52 m2<br />

Flat 1<br />

68 m2<br />

+ 18.00 m (Roof)<br />

Flat 4<br />

50 m2<br />

+ 14.50 m L4 (Residential)<br />

+ 11.25 m L3 (Residential)<br />

+ 8.00 m L2 (Residential)<br />

+ 4.50 m L1 (Residential)<br />

Flat 3<br />

58 m2<br />

Flat 2<br />

58 m2<br />

+/- 0 m Gound level (Supermarket)<br />

SECTION A-A<br />

0M 5M 10M 15M


Delivery and Quality<br />

Delivering a successful project is about working with the right<br />

people. It is about negotiating skills, reliability, approachability<br />

and problem-solving. For <strong>RHA</strong>, it also means giving a great<br />

service.<br />

We have been very impressed by their approach to design<br />

and have enjoyed the iterative process of exploring all the<br />

options. We have found their service to be exemplary and<br />

have no doubt that this architectural practice will go on to<br />

become an established force in years to come. It has, and<br />

continues to be a pleasure working with them and we look<br />

forward to continued future cooperation.<br />

(Private <strong>Developer</strong>)<br />

Right: Obsession with detailing is<br />

a quest for perfection<br />

Below: Coordination is key in<br />

delivering high quality projects<br />

© Tom Scott<br />

We found <strong>RHA</strong> to be highly responsive to our needs and<br />

concerns and they displayed critical knowledge during all<br />

stages of the project.<br />

(Private Client)<br />

Architecture is about making spaces and places for people<br />

and we make the most of a project’s resources and are able<br />

to deliver high quality and cost effective solutions for our<br />

clients.


About <strong>RHA</strong><br />

At Robert Hirschfield Architects, we enjoy architecture<br />

because it presents us with opportunities for problem<br />

solving, and expressing our own visual style towards<br />

resolving challenges.<br />

It is a fascinating complex art embracing form and<br />

function, symbol and social purpose, technique and belief,<br />

acknowledging that designs may be diverse, potent and<br />

expressive but always dynamic in their response to use.<br />

Right: Design based on creative<br />

thinking and rigorous analysis<br />

Bottom-left: Committed to<br />

design quality<br />

Bottom-right: Our projects<br />

respond to their context<br />

We also enjoy mentoring and recognise the importance<br />

of teamwork in practice throughout the many stages of a<br />

project.


Services<br />

The practice offers a range of architectural services,<br />

including the following:<br />

• Preparing feasibility studies<br />

• Developing preliminary and detailed design proposals<br />

• Applying for planning and other statutory approvals<br />

• Preparing construction information<br />

• Obtaining tenders for projects<br />

• Contract administration / Project Management<br />

• Interior design<br />

Within this range of services, the practice is fully<br />

conversant with Listed Building and Conservation Area<br />

issues.<br />

RIBA London Practice of the Month


w: www.roberthirschfield.com<br />

e: studio@roberthirschfield.com<br />

t: O2O 7435 6O39

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