38202283

Title インドネシアにおける 伝 統 芸 術 と 大 衆 文 化 の 相 互 関 係 :
西 ジャワの 人 形 劇 とコミックのマハーバーラタ
Author(s) 福 岡 , まどか
Citation 大 阪 大 学 大 学 院 人 間 科 学 研 究 科 紀 要 . 39 P.125-P.151
Issue 2013-03-30
Date
Text Version
publisher
URL
http://hdl.handle.net/11094/24777
DOI
Rights
Osaka University

125

127
1950 wayang
R. A. (1919-2012)
1919
1950
2007200920122
1)
(2009, 2011)
19601980
1990
(Bonneff 1998: 112)
1950
1980
1950

128
wayang golek bayang
wayang kulit
(
)dalang
wayang purwa () 2)
wayang golek purwa
3)
()

129
Jelekong
(1955-)
Giri Harja
A. (1918-1988)1970
4) A.
(Weintraub 2004: 242)A.
(2012315)A.
4
1970
(2012315)
(1975-)
197080
Satria baja hitam
1980
VCD
GM(1945-)
( 2009: 129)

130
100
3(20123
19)251
181(Foley 1979: 124-125)
()
()()
()
()
( 2006: 53-82)
(cf. Anderson 1965: 28)
1

131
5)
21
Ajip Rosidi
(200210
14)lakon pakem/galur
lakon carangan
(Rosidi 2000: 147)
(
2004: 586)
31920
1(1729-1803) 6)
(Sears 1996: 55-74)
4
()3
7)
181
23(Foley 1979: 278-304)

132
komik wayang
(Burisrawa merindukan bulan)
8)
(Kosasih n.d.(1953): 2)
(Sears 1996: 279)
(Bonneff 1998: 111)
()
9)
(Bonneff 1998: 112)
19911221(Chudori 1991: 41-63)
R.A.
19197

133
(Chudori 1991: 64-65)
Raden IsrahRaden Endah Lirayana
(2012315)
1950-60
10) 1930
A.
Raden Oemar Partasuanda (1904-1966)
(2012315)
HIS(Hollandsch-Inlandsche School)
(Chudori
1991: 64-65) 11)
GM
(200878)
1950
Sri Asih
(Christina 2003)
12)
(Bonneff 1998: 104)
(Lekra)
13)
1953

134
()
(Chudori 1991: 41-63)
1953
1950
19806070
(1943-)
(Chudori 1991: 44)(Ardisoma)
(Chudori 1991: 44)
cergam
(cerita gambar )
(
)
(Chudori 1991: 46, Rosidi et al 2000: 360, Sears
1996: 274)1953
14)

135
R.
Memed Sastrahadiprawira(1949
)wawacan (Rosidi 2000: 360)
(Chudori
1991: 66)
(Chudori 1991: 46 )
2009
1990
1977-78
1978
6080
15)
(2009315
)
16)
17)

136
()
(Chudori 1991: 46 )
18)
Mahabharata
ABC Lanjutan Mahabharata ABCBhagawad Gita
ABC Bharatayudha ABCD Pandawa Seda
Parikesit AB Prabu Udrayana(
)
ABCD
4AB1977B1978
Arjuna Wiwaha Dewa Ruci

137
7
(1019-49)
( 1994: 90)
19(1729-1803)
()
(Kosasih n.d. )
(Kosasih 1978, n.d.)
18
(Chudori 1991:
45)
(1)

138
p.88 p.89
(Kosasih 1978: 88-89)
p.88
p.89
2012
(2012315)
(2012315)
GM

139
(200878)
( 2009)
1983
1970
Nartosabudho(1924-1985)banjaran
(Sears 1996: 275)
GM(2008
78)
(2009315)
1950

140
()
2012319
(
)13
()
()
13
()

141
(2012319)

142
19771978
13()
1 Persiapan Bharatayuda2 Bhagawatgita3
Gugurnya tiga satria Wirata34 Gugurnya Irawan
5 Bisma Dewabharata()6 Srikandi Tandingan
7 Abimanyu Gugur8 Tugas Perlaya
()9 Ajalnya Resi Dhorna10 Ajalnya Dursasana
11 Karna Tandingan12 Ajalnya Prb. Salya
13 Ajalnya Duryudana
1-61977
61978
19)
()
12(Kosasih
1978: 621-624)
(
)

143
p.623 p.624
2(Kosasih 1978: 623-624)
p. 623
p. 624
()
2012
(2012315
)

144
1960-70
194050
A.
A.
A.
1955
(1975)
(2012318)
197080
1990
1970-80
1920
R.7
Raden Sacadibrata(1886-1970) 4(Rosidi et al 2000: 389)

145
Salmun, M.A.(1903-1972)
1950
(Rosidi et al 2000: 389)
Mahabharata Karangan Wyasa1955
(Weintraub 2004: 58) 20)
Gewijde verhalen en legenden
van de Hindoue's
(Rosidi et al 2000: 389-390)
(1802-73)19
(Rosidi et al 2000:500;
Weintraub 2004: 62) Ringkesan Pustaka Raja Purwa
U. J. Katikjo Wiropramudjo1960
(Weintraub 2004: 62)
Affandi, Moh.A.(1913-1972) dangding
(Rosidi et al 2000: 24)
Pangadjarang “Ngadalang” di Pasundan
1960(Weintraub 2004: 63)
(Foley 1979: 13)
196080

146
C23520169
1) 201272493
20093152012315
20078
20093
2)
3)
wayang golek cepak
4) A.
5)
7( 1998: 141)
( 1998:142)
6) 12(1756-1844)
7) 3
()
8) 1953

147
9)
(Sears 1996: 277-278)
1983
10) TVRI1962
1976
70( 1993: 133, 1998: 195-196)
11) HIS(Hollandsch-Inlandsche School)
12)
(Christina 2003)(
2003118)
( 2011)
13) (Lembaga Kebudayaan Rakyat)(Lekra)1950
PKI(Partai Komunis Indonesia)
14) Oerip 1000
15) 1950Melodi
Maranatha ()
(Christina 2003)
(Chudori 1991: 62-63)7060
(Ajidarma 2000)
16)

148
17)
18)
M. Saleh. (1958) Mahabarata: ditjeritakan oleh Saleh. Balai Pustaka.
Sunardi D.M. (1979) Ramayana. Balai Pustaka.
1975
(Sears 1996: 322)1975
19581975
1979
19)
12
(Kosasih 1978: 638)
( 1981)13
(Kosasih 1978: 653-656)
20) 1949R. Memed Sastrahadiprawira, R. Satjadibrata, M.A.
Salmun,(1949), Mahabarata: Karangan Wyasa. Balai Pustaka.
Ajidarma, Seno Gumira. (2000), Menjual Komik Indonesia: Paham dan Salah Paham. Kompas, 5
November (2000), (2000115
)
(1998),
p.140-163,

149
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(n.d.), Lanjutan Mahabharata. Bandung: Erlina.
(n.d.), Bagawad gita. Bandung: Erlina.
(n.d.), Pandawa Seda. Bandung: Erlina.
(1978), Pariksit. Bandung: Erlina.
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20021014
200878GM
2009315 R.A.
2012315 R.A.
2012319

151
Relationship between Traditional Art Forms and Popular Art Forms in Indonesia:
The Mahabharata Epic Poem in West Javanese Wayang Performances and Comic Works
Madoka FUKUOKA
This article examines the relationship between wayang performances in West Java and Indonesian
comic works, focusing on the repertoire of the Mahabharata, one of the major epic poems of ancient
India.
Among Indonesian comic writers, R.A. Kosasih(1919-2012) was the best known and most successful.
After watching live performances and listening to radio broadcasts, Kosasih was greatly
influenced by the West Javanese wayang golek performances. He subsequently created his popular
komik wayang, or comics of wayang, which earned its title because of its close association with the
wayang theater.
In this article I focused on his series of works from the Mahabharata. He created them from the main
stories of the Mahabharata also creating works based on special episodes in Javanese wayang performances,
such as “Dewa Ruci”and “Arjuna Wiwaha”.
In addition, Kosasih was greatly affected by several Indonesian translations of ancient Indian epic
poems.
For the main structure of his stories, he closely followed the Indian version of the Mahabharata and
adapted various contents from the wayang performances in order to dramatize the details. This article
considers Kosasih’s unique way of dramatization by comparing the episode “Death of Sangkuni” in
the wayang golek performance with the corresponding part titled “Baratayuda” in Kosasih’s comic
work. Through his comics and his unique version, Kosasih succeeded in presenting the entire plot of
the Mahabharata as well as including the repertoire of Javanese wayang performances.