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Issue 29 / Dec 2012/Jan 2013

December 2012/January 2013 issue of Bido Lito! Featuring EVA PETERSEN, ORGAN FREEMAN, NON, MONSIEUR, CRAIG CHARLES and much more.

December 2012/January 2013 issue of Bido Lito! Featuring EVA PETERSEN, ORGAN FREEMAN, NON, MONSIEUR, CRAIG CHARLES and much more.

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8<br />

Bido Lito! <strong>Dec</strong> <strong>2012</strong> / <strong>Jan</strong> <strong>2013</strong><br />

There are times when working as a music journalist feels like<br />

anything but work. As I await a phone call from arguably the<br />

nation’s favourite Scouser, this is definitely one of those times.<br />

CRAIG CHARLES has been in the public consciousness for a quarter<br />

of a century, in a variety of guises - from cult TV to Corrie, poetry<br />

a new generation of fans: “We deal mainly with golden era black<br />

American music, but most of those guys are passing away or have<br />

passed away. For this album we concentrated on the response<br />

to that golden era here in the present. It’s no surprise that the<br />

two most successful artists of this century, Amy Winehouse and<br />

Out of this scene came a rare national success for black<br />

musicians from Liverpool, when The Real Thing topped the charts.<br />

Only The Christians have come close since, a fact Charles finds<br />

baffling: “It’s been a disgrace. In the 80s there were so many<br />

bands from Liverpool in the charts - Echo & The Bunnymen,<br />

to playing records.<br />

He’s the man<br />

Icicle Works, Teardrop Explodes, OMD,<br />

who educated this Kent teenager<br />

about real Liverpudlians, beyond<br />

the plastic stereotypes portrayed by<br />

Harry Enfield and Brookside.<br />

As presenter of BBC 6Music’s<br />

longest-running and most popular<br />

show - The Craig Charles Funk and<br />

Soul Show - Charles has been<br />

responsible for getting the Saturday<br />

night party started for over a decade<br />

now. After calming my fanboy nerves<br />

with a simple “How’s it goin?”, he<br />

reveals how the show’s success has<br />

taken him completely by surprise:<br />

“I thought it’d be this curious little<br />

niche programme on a niche station,<br />

but I didn’t care as it gave me the<br />

chance to play the records that I<br />

loved. It’s amazing how the audience<br />

has grown over the last ten years.<br />

When we started most of the 6Music<br />

output featured white boys with<br />

guitars, but we’ve been able to take<br />

it somewhere different.”<br />

To commemorate that growth,<br />

Charles is releasing a compilation, The<br />

Craig Charles Funk & Soul Club, out<br />

later this month on Freestyle Records.<br />

It’s an absolute gem of an album,<br />

guaranteed to ignite any dancefloor.<br />

Flock of Seagulls, and none of them<br />

were black. The talent was there but<br />

back then there wasn’t that much<br />

support. When the record companies<br />

were flocking to Liverpool with their<br />

chequebooks flapping they weren’t<br />

going down to the shabeens.” Charles<br />

has been a keen supporter of Liverpool<br />

talent, inviting the likes of 6toys onto<br />

his show for live sessions. “I’d love to<br />

help put Liverpool on the map. I’m a<br />

fan of Manukah, and I’m always on the<br />

lookout for more local acts.”<br />

A love for music has been a constant<br />

companion throughout Charles’ career.<br />

His first big break, as a performance<br />

poet, was jumping up on stage at a<br />

Teardrop Explodes concert to recite<br />

a less than complimentary poem<br />

about the lead singer. Since then he’s<br />

written songs for others as well as<br />

starting bands himself, including the<br />

fantastically named Craig Charles and<br />

the Beat Burglars, and Sons of Gordon<br />

Gekko. At the height of his Red Dwarf<br />

fame he even signed to legendary<br />

record label Acid Jazz. “I’ve always<br />

been involved in music, but I saw it<br />

as a bit of a hobby. There were a few<br />

times where it threatened to take over,<br />

Press play, start dancing.<br />

There’s<br />

but honestly I don’t see it as work. It’s<br />

a potent mix of classic tracks from<br />

the likes of The White Stripes, Rage<br />

Against the Machine and the Rolling<br />

like I’ve been invited to a party where I<br />

get to choose the music.”<br />

Right now Craig is busier than ever,<br />

Stones, energetically reworked;<br />

with a well-received new series of Red<br />

stalwarts of the UK funk scene like<br />

Lack of Afro and The Haggis Horns;<br />

and a selection of the brightest new<br />

talent from across the world, from<br />

Barcelona’s The Excitements to The<br />

Bamboos’ Aussie funk.<br />

Far from being the preserve of the<br />

old and backwards-looking, funk and<br />

soul is growing in popularity - a fact<br />

I see borne out on a weekly basis<br />

in my view from the booth of the<br />

dancefloors of Liverpool. There’s a<br />

Dwarf just off our screens as well his<br />

continued role in Coronation Street<br />

as loveable cabbie Lloyd. He’s also<br />

taking The Funk and Soul Show back<br />

on the road, after wowing the crowds<br />

at some of the UK’s biggest festivals<br />

over the past 18 months. Alongside<br />

his monthly residencies in Leeds and<br />

Manchester, there’ll be a UK Christmas<br />

tour in support of the album. Despite<br />

his celebrity status, Charles is adamant<br />

it’s the power of the music that keeps<br />

vibrancy and excitement in these 19<br />

the crowds coming: “People come to<br />

Words: Mo Stewart Illustration: Johanna Wilson<br />

tracks that’s sorely lacking elsewhere<br />

the Funk & Soul Club for the music.<br />

in the musical landscape. This second generation soul gives a tasty<br />

Adele, are both heavily influenced by classic soul.” As was a<br />

new flavour to a tried and trusted format - like sushi on a pizza.<br />

young Craig Charles, whose parents rocked to the sounds of the<br />

Charles’ hardest task was trimming the tracklist down: “I’ve got<br />

Temptations and Otis Redding, when all about them were still<br />

so many great records that I want to share. The album could have<br />

obsessed with mop tops: “My dad arrived in Liverpool in the late<br />

featured 19 other tunes and still been brilliant! What we wanted<br />

50s with a couple of quid in his pocket and a bag full of records.<br />

to do was recreate the feeling that you get from coming to one of<br />

Whether it was Ray Charles or Reverend Al Green, our house was<br />

our live club nights on a CD, but we didn’t want to put out a dead<br />

always alive with music. As I grew up and started going clubbing,<br />

album. Over 70% of the bands selected are still playing now, so<br />

I saw there was a thriving underground scene. While everyone<br />

people can still get out to a show and experience them live.”<br />

else was down at Eric’s or Brady’s I was down at the shabeens in<br />

That live element is a key component in bringing the funk to<br />

Liverpool 8 listening to P-funk and Parliament.”<br />

Gig Guide and Ticket Shop live at www.bidolito.co.uk<br />

We sell out wherever we go, but not because Dave Lister is the<br />

DJ. Celebrity DJs aren’t my bag, which is why I love 6Music. Our<br />

station is full of people like Jarvis (Cocker), Lauren (Laverne), Guy<br />

(Garvey) and Huey (Morgan) who are really passionate about their<br />

music, and the audiences really buzz off it.”<br />

The Craig Charles’ Funk & Soul Club is out on 26th November on<br />

Freestyle Records.<br />

Listen to The Craig Charles Funk and Soul show on BBC 6Music<br />

every Saturday from 6pm to 9pm.

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