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Issue 49 / October 2014

October 2014 issue of Bido Lito! Featuring GULF, TEAR TALK, AMIQUE, LIVERPOOL MUSIC WEEK 2014, PEAKING LIGHTS, SILENT CITIES, GOD UNKNOWN RECORDS plus much more.

October 2014 issue of Bido Lito! Featuring GULF, TEAR TALK, AMIQUE, LIVERPOOL MUSIC WEEK 2014, PEAKING LIGHTS, SILENT CITIES, GOD UNKNOWN RECORDS plus much more.

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Bido Lito! <strong>October</strong> <strong>2014</strong> 13<br />

shows. “We've had some incredible free shows when you<br />

look back: Florence & The Machine in Korova, Friendly Fires<br />

in Bumper and Wild Beasts in Alma de Cuba to name a few.”<br />

This edition sees The Kazimier stepping up as the festival’s<br />

hub as it hosts seven shows in as many days. The itinerary<br />

caters to everyone’s palette, from the gritty post-punk of<br />

EAGULLS to the boggling scree of HOOKWORMS. LIARS<br />

will conclude the series with a special Halloween closing<br />

party hosted by The Quietus, a close encounter of the<br />

experimental kind if there ever was one. With The Kazimier’s<br />

sterling reputation for accommodating an all-encompassing<br />

programme, the venue will demonstrate what the Liverpool<br />

live experience is capable of: an introduction for some, and<br />

a reminder for others. But this part of the programme is just<br />

one voice in the hubbub clamouring for your attention.<br />

One thing Liverpool Music Week isn’t always given due<br />

credit for is the scope of innovative commissions it has<br />

hosted during the last few instalments. This year sees<br />

Bristol producer VESSEL collaborating with the exhilarating<br />

IMMIX ENSEMBLE, a pioneering collective of forwardthinking<br />

musicians from across the North West. Liverpool<br />

AV promotions collective SYNDROME are also part of this<br />

collaborative process, conjuring up a backdrop of visuals<br />

in the beautiful Leggate Theatre at the University of<br />

Liverpool (22nd <strong>October</strong>). Given Vessel’s obsessive nature<br />

for highly detailed sounds, the result promises to be an<br />

intriguing blend of electronic and classical themes, and<br />

Deane sees the success of these commissions as being<br />

the beginning of a new initiative: “With these events as<br />

a stepping stone, the programme will continue to grow<br />

as the festival continues in future years.” The soil already<br />

seems fertile enough for London label Hyperdub Records,<br />

who’ve chosen to host a tenth anniversary showcase as<br />

part of the programme (KODE9 and COOLY G, 30th <strong>October</strong><br />

@ The Kazimier).<br />

But, while there is a spectacular array of choice for you<br />

to ponder over, Deane now stresses the importance of<br />

restricting the number of shows during the festival’s run,<br />

contrasting with the 2009 edition where twenty-eight<br />

venues were running at the same time. This now means that<br />

punters are not overwhelmed by choice and each event has<br />

the best attendance possible. Here, going to see as much<br />

as possible doesn’t mean zigzagging from one event to<br />

another and accumulating a lot of stress along the way.<br />

Just as you’d expect from anything to come out of<br />

Liverpool, the sense of community saturates the festival’s<br />

genes. “In my years as an industry professional, I’ve not<br />

known a more exciting time for Liverpool,” confesses<br />

Deane. “The city is buzzing right now with hard-working,<br />

risk-taking individuals and collectives, gaining international<br />

recognition for themselves and the city as a whole.” The<br />

return of Liverpool Music Week will stand as testament<br />

to the tenacity of its contributors in devising such an<br />

imaginative and embracing series of events – and that’s<br />

even before the music starts playing.<br />

Liverpool Music Week runs from 22nd <strong>October</strong> to 4th<br />

November across a variety of venues.<br />

liverpoolmusicweek.com<br />

Wild Beasts<br />

Caribou<br />

Liverpool Music Week Closing Party<br />

The only tradition within the LMW Closing Party is its celebration of<br />

all styles, dipping toes in to new waters in pursuit of artistic vision; the<br />

rest is up for grabs. “I think that’s the appeal of it,” organiser Mike Deane<br />

states. “For the last one, we had a dozen stages across five floors of the<br />

Contemporary Urban Centre in the Baltic Triangle. It’d never been used on<br />

that sort of scale before, and it's going to take something pretty special<br />

to top that, but we think we've lined up something that could do the job.<br />

We want it to be an 'expect the unexpected' vibe with a solid programme<br />

of quality and varied music.”<br />

This year’s event will spread from Camp and Furnace to engulf the whole<br />

of Liverpool’s Baltic Quarter. From the pinpoints of the infamous Triangle<br />

to the more unfamiliar hideaways of Constellations and 24 Kitchen<br />

Street, if you can name it then you will likely find it on the programme.<br />

Though only a short ramble from the main city centre, the Baltic Quarter<br />

still invokes a mysterious amour among its visitors, making it the ideal<br />

setting for Liverpool Music Week to bow out; it encourages you to explore<br />

the event in a physical manner.<br />

Mercury Prize nominee NICK MULVEY (Constellations) and Glaswegian<br />

headliners CHVRCHES (Camp and Furnace) will both be making their<br />

Liverpool debuts at the party. For the latter in particular, considering the<br />

astonishing rise of the synth pop sensations, it is shocking that it has<br />

been this long coming. Having toured extensively since the release of<br />

their acclaimed 2013 debut, The Bones of What You Believe, this may<br />

be the last time to catch them before they retreat to plot out album<br />

number two. Following this is an electronic spectacle at 24 Kitchen<br />

Street headed up by Ellesmere Port’s EVIAN CHRIST, who cuts a dark path<br />

through alluring ambient sounds. This same showcase will also feature<br />

bewildering electro dazzler SOPHIE, and punk disco leader EMA.<br />

Elsewhere on the bill, BLACK LIPS (District) pair raw garage rock with<br />

radical theatrics. Seventh effort Underneath The Rainbow continues that<br />

journey down the path of well-orchestrated chaos, and you’re guaranteed<br />

to leave the party with numerous stories to divulge. Unsurprisingly, a<br />

crème de la crème of local talent adorns the roster too, with perhaps<br />

the most enticing showcase coming at The Blade Factory as VEYU host<br />

MOATS, HOOTON TENNIS CLUB and LIVES for another of their quasi-<br />

Factory I/O happenings. And over at the Scandinavian Church there’s the<br />

chance to get reacquainted with old mates ALL WE ARE, STEALING SHEEP<br />

and LAURA J MARTIN.<br />

You might dare argue that there is too much to cover at the Closing<br />

Party, but this is hardly a bad thing in this instance. You need a bit of<br />

frenetic madness when going out with a bang; if you want to take in the<br />

whole range you’ll just have to go along yourself.<br />

1st November / Baltic Quarter (various venues)<br />

CHVRCHES<br />

bidolito.co.uk

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