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Nocturnal 3 aug 21

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Sebastian.<br />

Lisa.<br />

Kategorierna suger.<br />

Oäkta på något sätt. Vem är vem<br />

till exempel.<br />

Och<br />

Sebastian.<br />

Lisa.<br />

The categories sucks<br />

False in some way. Who’s Who<br />

for example.<br />

And<br />

dessutom<br />

De ville inget hellre än att det skulle vara<br />

något annat<br />

Allt var baklänges<br />

Stunden som skulle bli fri<br />

Var hämmad<br />

Ljuden var kattlika väsande<br />

Visst det var rytm<br />

Han spelade från 8 till kanske 9<br />

på morgonen<br />

moreover<br />

They wanted nothing more than it would be<br />

something else<br />

Everything was backwards<br />

The moment that would be free<br />

Was inhibited<br />

Sounds were catlike hisses<br />

Sure it was rhythm<br />

He was playing from 8 to maybe 9<br />

In the morning<br />

rummet<br />

Utsattheten var arkitektoniskt beviljad<br />

Skrämmande<br />

Fasaderna vanställer känslan<br />

Även om det stämmer<br />

The room<br />

The vulnerability is architecturally granted<br />

Frightening<br />

The facades disfigure feeling<br />

Even if it’s right<br />

Snälla, Sprid ut er<br />

Du kan stå där<br />

Kan du gå dit<br />

Osv<br />

Please, Spread out<br />

You can stand there<br />

Can you go there<br />

etc.<br />

ni måste blunda också<br />

Blunda<br />

Kan inte alla blunda<br />

Det är inte ett visuellt tillfälle<br />

Det är ett öronellt.<br />

Sschj<br />

SEBASTIANAPPLE<br />

Konkav<br />

Konvex<br />

Concave<br />

Convex<br />

Det kändes direkt<br />

Känslan var knölig<br />

Som ett sandpapper<br />

Grovt<br />

It felt directly<br />

The feeling was lumpy<br />

Like a piece of sandpaper<br />

Rough<br />

Inte ens en blind människa skulle fela<br />

Kategorier gör något med känslan<br />

Föreställningen om<br />

håller länge<br />

Men kategorierna tar andan ur<br />

Not even a blind man would err<br />

Categories do something with feeling<br />

The notion of<br />

is long-lasting<br />

But the categories are breathtaking<br />

Vad var det de hade sagt<br />

Ockra 1-3 mm kantkornigt spray<br />

Sand, krapplack<br />

What did they actually say they said<br />

Ocher 1-3 mm edge grain spray<br />

Sand, madder lake brilliant<br />

Hon och han<br />

Yin och Yang<br />

Klyschor är snyggare utomhus än inomhus<br />

Offentligt multiplicerat med privat är<br />

vackrast<br />

Eller är det tvärtom, ihopblandningen<br />

är total som vanligt<br />

She and he<br />

Yin and Yang<br />

Clichés are better looking outdoors than indoors<br />

Public multiplied by private is the most<br />

beautiful<br />

Or is it the other way around, the mixing<br />

together total as usual<br />

Lido<br />

Lido<br />

Det är något som<br />

Formulerar något olikt till något<br />

annat<br />

Det är ett eget material<br />

Error<br />

Översättandet kan aldrig bli<br />

Detsamma som utbytet<br />

Mellan<br />

The translation can never be<br />

The same as the exchange<br />

between<br />

Även om<br />

det aldrig var här det<br />

hände<br />

although<br />

It was never here that it<br />

happened<br />

Rätt som det är<br />

kommer det<br />

Som gör att föreställningen faller<br />

Konst<br />

Eller föreställningen om det<br />

Att kategorin kläms ihop med upplevelsen<br />

Känslan av att vara inträngd<br />

Är lika publik<br />

Som artistiell<br />

Matriell<br />

Eller urban<br />

Naturell<br />

Den är i alla fall äkta<br />

All of a sudden<br />

It appears<br />

That which makes the notion collapse<br />

Art<br />

Or the notion of it<br />

That the category is squeezed together with the<br />

experience<br />

The feeling of being cornered<br />

Is as public<br />

As artist- ical<br />

Material<br />

Or urban<br />

Natural<br />

It is certainly real<br />

Ett performance är ett performance<br />

Oavsett<br />

Om det har formen av<br />

Men för mig är det en text<br />

Inte ett performance<br />

Jag menar jag kanske läste det högt när<br />

jag skrev det<br />

Men det var inte högt i öronen högt<br />

jag tänkte<br />

utan i tanken högt i öronen<br />

A performance is a performance<br />

regardless<br />

If it has the form of<br />

But for me it’s a text<br />

Not a performance<br />

I mean I might read it aloud when<br />

I wrote it<br />

But it was not loud in the ears loud<br />

I thought,<br />

but the thought loudly in the ears<br />

Men kategorin<br />

Issue N o 3<br />

NEPTUNE PASSIVELY<br />

Presiding as a<br />

Beach<br />

TRANSSEXUAL<br />

Bum<br />

Stealthy seclusion. A territory without a mouth, without a<br />

face, just a body.<br />

Flakes of golden plaster in the tall grass.<br />

Tall grass covering your ankles: standing.<br />

Moving brushing almost cutting but keeping going.<br />

Opening to a distant sea, the same colour as the sky in bluish<br />

light, far beyond any form of today.<br />

Short lived togetherness, surrounded by cypruss and stone<br />

pine, in sandy earth enclosed by a maze of delapidated ineffective<br />

fences. Breaking up our arriving pack a new chaos<br />

takes over like an instinct to become singular formations and<br />

cruise the scene, making maps of unexpected spaces.<br />

It is respite in a reflective sense. A sense of repetitions of<br />

breaks.<br />

Finite Silence Dancing Walking Finding Bodies Together<br />

Talking Alone Familiar Moving Sitting Silent Loud Encaged<br />

Exposed Wide Tight Endless.<br />

Talking about testosterone gels on bodies without gonads<br />

in distant long night dark sofas in a corner of an abandoned<br />

theater. The soft tangible half light preserved by barely open<br />

doors. outside.<br />

UNTITLED<br />

interlude<br />

General stretching<br />

preparation for dance<br />

interlude laid down silk<br />

scarves form<br />

a pattern no definition for<br />

that pattern but everything<br />

valid<br />

pretty standard dramaturgic<br />

decisions like fully costumed<br />

reenactment of some present<br />

tense scenario dedicated to<br />

people flow and anxiety<br />

x-y gameplay<br />

music is mostly bass drops<br />

lyrics hardly audible<br />

dealing with modernity or<br />

relationships refrain goes<br />

like but they didn’t<br />

untrained muscle flexed<br />

a foot leaves the ground<br />

abrupt stop shaking<br />

long hair<br />

not really moving the head<br />

four plain straight steps forwards<br />

backward sideways<br />

abrupt stop utmost unpretentious<br />

wink<br />

blends into yawn<br />

sed at e a nd d ig n i fied d a nci ng<br />

abrupt stop unassuming<br />

nearly apologetic face<br />

peculiar leaping step<br />

abrupt stop sugared drool<br />

instantly collects dust<br />

You also have to close your eyes<br />

close your eyes<br />

Can’t everyone close there eyes<br />

It is not a visual moment<br />

It is an ear-ual.<br />

It is something that<br />

Formulates something different to something<br />

else<br />

Its own material<br />

Error<br />

Det var samma för mig<br />

But the category<br />

was the same for me<br />

Nu<br />

Sebastian<br />

Flyttar vi på oss<br />

Ställ dig framför mig.<br />

sschj<br />

Now<br />

Sebastian<br />

Lets’move<br />

Stand in front of me<br />

sschj<br />

Översätt manligt tack Sebastian<br />

sschj<br />

Translate manly Sebastian, please<br />

Tack till<br />

Andreas Boström Ljud & Ljus AB<br />

Addnature<br />

Vi som aldrig var där<br />

Människor jobbar på företag med<br />

Lasset<br />

Thanks to:<br />

Andreas Boström Ljud & Ljus AB<br />

Addnature<br />

We who never were there<br />

People work at companies too<br />

Lasset<br />

dirty earth. feet running through dirty earth. brown sandy<br />

dirty earth. long hands dirty earth. not singing dirty earth.<br />

you moved dirty earth. just above dirty earth. soft voices<br />

dirty earth. never free dirty earth. sweet lips dirty earth.<br />

coarse hair dirty earth. sweaty eyes dirty earth. internal<br />

desire dirty earth. scratching wild dirty earth. on the water<br />

dirty earth. holding on dirty earth. never waiting dirty earth.<br />

slippery bodies dirty earth. awkward longing dirty earth.<br />

distant sea dirty earth. tall grass dirty earth. beyond today<br />

dirty earth. short lived dirty earth. cruise the scene dirty<br />

earth. new chaos dirty earth. without a body dirty. earth. just<br />

a face dirty earth. loud encaged dirty earth.<br />

19

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