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The Official Bulletin: 2016 Q4 / NO. 654

IATSE Official Bulletin: Trading Up The IATSE pioneered national contracts 15 years ago for the tradeshow/AV industry. Since then, the sky has been the limit.

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IN MEMORIAM<br />

LOCAL 33 REMEMBERS GORDON DAVIDSON<br />

Gordon Davidson passed away on the evening<br />

of October 2, <strong>2016</strong>. He was called a “Lion”<br />

by some, “<strong>The</strong> Moses of Los Angeles <strong>The</strong>atre”<br />

by another but to members of Stagehands<br />

Local 33, Wardrobe Local 768, Box Office Local<br />

857 and the ATPAM local he was a loyal friend<br />

and Brother.<br />

Gordon was born May 7, 1933 in Brooklyn, N.Y. <strong>The</strong> son of a<br />

college drama professor, he would upon graduating from Cornell<br />

University with a degree in Electrical Engineering soon realize that<br />

the Arts and not Science was his true calling. He earned a Master’s<br />

degree in theatre from what is now Case Western Reserve in<br />

Cleveland 1957. After a stint at the Phoenix <strong>The</strong>atre Company in<br />

N.Y. and <strong>The</strong> American Shakespeare festival in Stratford, Conn.<br />

he was invited, in 1964 by his former boss John Housman to assist<br />

on a production of “King Lear” at the <strong>The</strong>ater Group based<br />

at UCLA. This led to his staging of “Candide in 1966 for which<br />

he won plaudits and was drafted by the composer Leonard Bernstein<br />

to direct “Mass” which opened the newly completed John<br />

F. Kennedy Center for the performing arts in 1971. His staging of<br />

“Candide” brought the attention of Dorothy Chandler who was<br />

the driving force behind the L.A. Music Center and he was hired<br />

in 1966 to take the helm of the Mark Taper Forum. From 1967 till<br />

2005 Gordon was the Artistic Director of Center <strong>The</strong>atre Group<br />

a company he founded based at the Taper. In addition to his role<br />

at the Taper, Davidson was also the Producing Director of the<br />

Center <strong>The</strong>atre Group/Ahmanson <strong>The</strong>ater for 15 years.<br />

Gordon guided hundreds of productions at the Taper stage<br />

as well as the Ahmanson and Doolittle <strong>The</strong>atres. In 1977 Gordon<br />

won the Tony for his direction of Michael Cristofer’s “<strong>The</strong><br />

Shadow Box”, which also won the Tony for Best Play and the<br />

Taper won for <strong>The</strong>atrical Excellence in the same year. In 1980,<br />

Gordon received a Tony nomination for his direction of “Children<br />

of a Lessor God”, which won Tony’s for Best Play, Best<br />

Actor and Best Actress.<br />

Under Gordon, the Taper was distinguished by having two<br />

of its plays “ <strong>The</strong> Kentucky Cycle and “Angels in America” (Part<br />

One – “Millennium Approaches”) receive in consecutive years<br />

the Pulitzer Prize in Drama , the first time for plays produced<br />

outside of New York. “Angels in America”, when subsequently<br />

produced on Broadway, also received in consecutive years two<br />

Tony Awards for Best Play for Part One and Part Two- “Perestroika”,<br />

respectively. In fact, in 1994 when “Perestroika” won<br />

the Tony , three of the four plays nominated for Best Play were<br />

Taper plays (with “<strong>The</strong> Kentucky Cycle” and “Twilight : Los Angeles,<br />

1992 joining “Perestroika”.<br />

To I.A. members Gordon will be remembered for his loyalty,<br />

class, grace, charm, taste and love of the theatre. For those of us<br />

who had the great fortune of working with him we will be forever<br />

in his debt. He was so revered that in 1995 he was awarded<br />

the highest compliment Local 33 can bestow on someone when<br />

he was given a Gold Card.<br />

LOCAL 357 REMEMBERS WALTER SUGDEN<br />

WWW.IATSE.NET<br />

It has come as a profound shock to learn of the passing of<br />

Brother Walter Howard Arnold Sugden, a long-time member of<br />

the Stratford Festival stage crew and member of IATSE Local<br />

357, who died August 18, <strong>2016</strong> at the age of 64.<br />

Walter, Initiated into Local 357 on March 10, 1974, first<br />

joined the Festival <strong>The</strong>atre in 1973, was in his 44th Festival season,<br />

working on Macbeth and A Chorus Line. He was a fierce<br />

defender of the Festival <strong>The</strong>atre heritage, of which he was so<br />

proud to be a part. In particular, the iconic Tanya stage was of immense<br />

importance to him: he was both eloquent<br />

and passionate in his conviction that<br />

the Festival should always seek to preserve<br />

not only the essence of its brilliant design but<br />

also as much as possible of its original fabric.<br />

With his tragic early passing, we lose not<br />

only a valued colleague and a dear friend but also a dedicated<br />

upholder of our artistic legacy. He will be missed greatly by his<br />

family and friends and Brothers and Sisters of Local 357.<br />

54 OFFICIAL BULLETIN

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