Dulwich Picture Gallery - What's On - Jan-Apr 2017
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<strong>Jan</strong>uary – <strong>Apr</strong>il <strong>2017</strong><br />
VISITOR INFORMATION<br />
<strong>Dulwich</strong> <strong>Picture</strong> <strong>Gallery</strong><br />
<strong>Gallery</strong> Road, <strong>Dulwich</strong> Village,<br />
London SE21 7AD<br />
Telephone 020 8693 5254<br />
(Monday - Friday, 9am - 5pm)<br />
OPENING TIMES<br />
10am-5pm, Tuesday to Sunday<br />
and Bank Holiday Mondays<br />
Closed Mondays<br />
ADMISSION CHARGE<br />
£8* Permanent Collection<br />
£7* Senior citizens<br />
FREE Unemployed, disabled,<br />
students, under 18s, Friends<br />
*Ticket prices include a voluntary<br />
Gift Aid donation.<br />
EXHIBITION TICKETS<br />
MAKING DISCOVERIES<br />
Entry included in the standard<br />
admission charge<br />
VAN DE VELDE<br />
£12.50* Adult<br />
£11.50* Senior Citizens<br />
£7* Students, unemployed,<br />
disabled<br />
FREE Children and Friends<br />
*Ticket prices include a voluntary<br />
Gift Aid donation.<br />
VANESSA BELL<br />
£14* Adult<br />
£13* Senior Citizens<br />
£7* Students, unemployed,<br />
disabled<br />
FREE Children and Friends<br />
*Ticket prices include a voluntary<br />
Gift Aid donation.<br />
LEGACY: PHOTOGRAPHS BY<br />
VANESSA BELL AND PATTI<br />
SMITH<br />
Entry included in the standard<br />
admission charge<br />
SARGENT/JANSSON<br />
£15.50* Adult<br />
£14.50* Senior Citizens<br />
£7* Students, unemployed,<br />
disabled<br />
FREE Under 18s and Friends<br />
*Ticket prices include a voluntary<br />
Gift Aid donation.<br />
GALLERY HIRE<br />
The <strong>Gallery</strong> and its spaces<br />
are available for private hire.<br />
For more information call 020<br />
8299 8713 or email events@<br />
dulwichpicturegallery.org.uk<br />
FREE TOURS<br />
Free tours of the <strong>Gallery</strong> on<br />
Saturdays and Sundays at 3pm<br />
(admission charges apply).<br />
GUIDED TOURS<br />
For guided group tours<br />
reservations please visit www.<br />
dulwichpicturegallery.org.uk/visit/<br />
group-visits<br />
ACCESS INFORMATION<br />
The <strong>Gallery</strong> is on one level with<br />
facilities for disabled visitors,<br />
including a hearing loop in the<br />
Linbury Room and parking in the<br />
car park off <strong>Gallery</strong> Road. This guide<br />
is available in large print on request.<br />
Call 020 8693 5254<br />
THE GALLERY SHOP<br />
Shop open during normal <strong>Gallery</strong><br />
hours or visit our online shop.<br />
THE PICTURE GALLERY CAFÉ<br />
There is a licensed café, opening<br />
onto landscaped gardens,<br />
serving delicious meals and light<br />
refreshments. Opening times:<br />
8am - 5pm Tuesday - Saturday,<br />
9.30am - 5pm Sunday<br />
To book a table in the café call<br />
020 8299 8717<br />
Closed Mondays<br />
GETTING TO DULWICH PICTURE<br />
GALLERY… IT’S EASY!<br />
TRAIN<br />
13 minutes from Central London:<br />
London Bridge to North <strong>Dulwich</strong>,<br />
London Victoria to West <strong>Dulwich</strong>.<br />
Steps at stations and no<br />
wheelchair facilities, call 08457<br />
484950 for details<br />
BUS<br />
P4: Brixton Tube Station/Forest<br />
Hill (Horniman Museum) or<br />
Lewisham Bus Station to <strong>Dulwich</strong><br />
<strong>Picture</strong> <strong>Gallery</strong>.<br />
No 3: Central London to West<br />
<strong>Dulwich</strong> Station<br />
No 37: South West London to<br />
North <strong>Dulwich</strong> Station<br />
ROAD<br />
The <strong>Gallery</strong> is in <strong>Dulwich</strong> Village,<br />
just off the South Circular (A205).<br />
The <strong>Gallery</strong> lies between <strong>Gallery</strong><br />
Road and College Road. Ample<br />
unrestricted parking.<br />
VANESSA BELL<br />
(1879-1961)<br />
8 FEBRUARY - 4 JUNE<br />
© The Estate of Vanessa Bell,<br />
courtesy of Henrietta Garnett<br />
Front Cover: Vanessa Bell, The Other Room, late 1930s, oil on canvas, 161 x 174 cm.<br />
Private Collection. © The Estate of Vanessa Bell, courtesy of Henrietta Garnett. Photo:<br />
Bill Philip Photography<br />
dulwichpicturegallery.org.uk
HOW TO BOOK<br />
<strong>Jan</strong>uary - <strong>Apr</strong>il <strong>2017</strong><br />
<strong>On</strong>line at<br />
dulwichpicturegallery.org.uk<br />
By phone on<br />
020 8299 8750<br />
WELCOME!<br />
04<br />
Our thanks to the Friends of<br />
<strong>Dulwich</strong> <strong>Picture</strong> <strong>Gallery</strong> for<br />
organising the InTown Lecture<br />
series, <strong>Gallery</strong> Music, the puppet<br />
shows, <strong>Gallery</strong> Film and the<br />
InSight Lecture series.<br />
To join the Friends or volunteer<br />
visit dulwichpicturegallery.org.<br />
uk/join or call in at the Friends<br />
desk in the <strong>Gallery</strong>.<br />
10<br />
20<br />
04<br />
Exhibitions<br />
10<br />
Permanent<br />
Collection<br />
12<br />
Family Events<br />
14<br />
Lectures and<br />
Talks<br />
18<br />
<strong>Gallery</strong> Film<br />
19<br />
<strong>Gallery</strong> Music<br />
20<br />
Practical Art<br />
22<br />
Off The Wall<br />
Join us as we celebrate the start of our<br />
200th year of opening with Vanessa<br />
Bell, the first major retrospective of<br />
the radical Bloomsbury artist.<br />
Enjoy the show after hours in<br />
a special exhibition Late which<br />
includes a performance from the<br />
critically acclaimed ballet, Woolf<br />
Works, and a lively panel discussion<br />
(page 4).<br />
In a new series celebrating the<br />
<strong>Gallery</strong>’s bicentenary we take a<br />
look back at <strong>Dulwich</strong>’s first visitors<br />
and see how the collection was<br />
originally displayed (page 10).<br />
Time for a creative challenge?<br />
Learn the art of ceramic tiling or<br />
develop your skills in collage with one<br />
of our practical courses (page 20).<br />
23<br />
Visits & Walks<br />
22<br />
<strong>Jan</strong>uary — <strong>Apr</strong>il <strong>2017</strong> 3
EXHIBITIONS<br />
VANESSA BELL (1879-1961)<br />
Vanessa Bell 1879–1961,<br />
Self–Portrait, ca. 1915, Yale<br />
Center for British Art, Paul<br />
Mellon Fund. © The Estate<br />
of Vanessa Bell, courtesy<br />
of Henrietta Garnett<br />
8 February - 4 June <strong>2017</strong><br />
Widely acclaimed as a central figure of the Bloomsbury<br />
Group, the modernist painter, Vanessa Bell (1879-<br />
1961) was a pivotal player in 20th century British art,<br />
inventing a new language of visual expression.<br />
Sister of Virginia Woolf, muse to fellow artists<br />
such as Roger Fry and mastermind of the idyllic<br />
Bloomsbury life at Charleston – Bell’s reputation as<br />
an artist has long been overshadowed by her family<br />
life and romantic entanglements. A radical innovator<br />
in the use of abstraction, colour and form, Bell will be<br />
presented for fresh consideration in the first major<br />
exhibition of her work.<br />
Approximately 100 paintings as well as fabrics and<br />
photographs will be arranged thematically to reveal<br />
Bell’s pioneering work in the genres of portraiture, still<br />
life and landscape, focusing on her most distinctive<br />
period of experimentation in the 1910s.<br />
Generously supported by the Vanessa Bell Syndicate<br />
RELATED EVENTS<br />
Exhibition Curator’s Lecture<br />
Thursday 9 February<br />
12.30 – 1.30pm<br />
£12, £10 Friends<br />
SPECIAL EVENT<br />
Exhibition Late: Woolf Works<br />
9 February<br />
6.30pm-9.30pm<br />
£20 Adults, £15 Students/<br />
Concessions<br />
Join us for a special evening<br />
during the opening week of<br />
Vanessa Bell. Enjoy the show<br />
after hours and see a live<br />
performance from Wayne<br />
McGregor’s acclaimed ballet,<br />
Woolf Works, inspired by the<br />
literature of Bell’s sister. This<br />
will be followed by a panel<br />
discussion with Uzma Hameed,<br />
dramaturg and Sarah Milroy,<br />
co-curator of the exhibition.<br />
Also enjoy a special reading<br />
by author Alison MacLeod and<br />
an in conversation with Bell’s<br />
granddaughter and writer,<br />
Virginia Nicholson.<br />
Join exhibition co-curator and Sackler Director<br />
of <strong>Dulwich</strong> <strong>Picture</strong> <strong>Gallery</strong>, Ian Dejardin, for an<br />
exploration of Vanessa Bell.<br />
See In View magazine for an exclusive article on<br />
the exhibition by co-curator Sarah Milroy<br />
4 Book online at dulwichpicturegallery.org.uk
EXHIBITIONS<br />
Patti Smith, Paint brushes, Duncan Grant’s studio, 2008, ©<br />
Patti Smith. Courtesy of the artist and Robert Miller <strong>Gallery</strong><br />
Patti Smith, Vanessa Bell’s library, Duncan Bell’s painting<br />
of Vanessa Bell in her mother’s dress, 2006 © Patti Smith.<br />
Courtesy the artist and Robert Miller <strong>Gallery</strong><br />
Adriaen van de Velde, The beach at Scheveningen,<br />
1658, Oil on canvas, © Museumslandschaft Hessen<br />
Kassel, Gemäldegalerie Alte Meister.<br />
LEGACY<br />
PHOTOGRAPHS BY VANESSA BELL<br />
AND PATTI SMITH<br />
8 February - 4 June <strong>2017</strong><br />
ADRIAEN VAN DE VELDE<br />
DUTCH MASTER OF LANDSCAPE<br />
Until 15 <strong>Jan</strong>uary <strong>2017</strong><br />
A special display bringing together photographs<br />
by Vanessa Bell and the American writer, artist<br />
and musician, Patti Smith (b. 1946).<br />
Smith has long been drawn to Charleston,<br />
Bell's farmhouse on the Sussex Downs. Her black<br />
and white photographs sensitively capture the<br />
lingering remains of the life Bell led there - in<br />
particular with her life companion, Duncan Grant.<br />
Bell's own photograph albums include<br />
pictures from her childhood summers in St Ives<br />
and of her own young family and the circle of<br />
leading intellectuals and artists that surrounded<br />
her throughout her life.<br />
6 Book online at dulwichpicturegallery.org.uk<br />
While Smith's photographs depict places<br />
abandoned to the forces of time, Bell's teem with<br />
a host of characters, captured by her sharp eye<br />
and framed by her keen compositional instincts.<br />
Seen together, the photographs offer two different<br />
artistic visions which both capture a lasting<br />
Bloomsbury legacy.<br />
Entry included with your ticket to the Permanent<br />
Collection<br />
The world’s first exhibition devoted to one of<br />
the finest landscape artists of the Dutch Golden<br />
Age, Adriaen van de Velde (1636 – 1672).<br />
Over a career of less than two decades,<br />
van de Velde produced a varied body of<br />
tranquil landscapes matched by a superb<br />
collection of preparatory drawings in<br />
exquisite red chalk, making him one of the<br />
most sought-after names among collectors<br />
in the eighteenth and nineteenth centuries.<br />
The exhibition brings together 60<br />
paintings and drawings, including the<br />
masterpiece The Hut, 1671, which is displayed<br />
with its exquisite studies. The show offers not<br />
only a survey of the artist’s oeuvre but also a<br />
rare glimpse of a seventeenth-century Dutch<br />
landscape painter at work.<br />
A quiet revelation... and<br />
delightful rediscovery<br />
The Telegraph<br />
Varied, accomplished and sensitive<br />
Evening Standard<br />
Time Out<br />
This exhibition is part of Rediscovering Old Masters:<br />
The Melosi Series.<br />
Supported by a grant from the American Friends of<br />
<strong>Dulwich</strong> <strong>Picture</strong> <strong>Gallery</strong> Inc., made possible through the<br />
generosity of The Arthur and Holly Magill Foundation.<br />
In-kind support from Farrow & Ball.<br />
Exhibition organised by <strong>Dulwich</strong> <strong>Picture</strong> <strong>Gallery</strong>,<br />
London and the Rijksmuseum, Amsterdam.<br />
<strong>Jan</strong>uary — <strong>Apr</strong>il <strong>2017</strong><br />
7
EXHIBITIONS<br />
John Singer Sargent, The lady with the<br />
umbrella (detail), 1911, watercolour and<br />
pencil on paper, 65 x 54 cm, Museu de<br />
Montserrat. Donated by J. Sala Ardiz. Image<br />
© Dani Rovira<br />
Tove <strong>Jan</strong>sson, Mysterious Landscape, c. 1930,<br />
oil on canvas, Ateneum Art Museum. Photo:<br />
Finnish National <strong>Gallery</strong> / Hannu Aaltonen.<br />
SARGENT: THE WATERCOLOURS<br />
TOVE JANSSON (1914 - 2001)<br />
21 June - 8 October <strong>2017</strong><br />
25 October <strong>2017</strong> - 28 <strong>Jan</strong>uary 2018<br />
The first UK show in nearly 100 years<br />
devoted to watercolours by the American<br />
artist, John Singer Sargent (1856-1925).<br />
Renowned as the portraitist of his<br />
generation, Sargent also devoted time<br />
to developing his talent in watercolour,<br />
undertaking several painting expeditions<br />
to Europe in the early twentieth century.<br />
Free from the constraints of his studio he<br />
was able to take inspiration from the places<br />
he visited – from the streams and glacial<br />
moraines in the Alps to the renaissance and<br />
baroque architecture he explored in Venice.<br />
Working en plein air, Sargent developed<br />
a distinctive way of seeing and composing,<br />
his subjects often appearing fragmented<br />
and disorienting.<br />
Frequently dismissed as travel souvenirs,<br />
Sargent’s watercolours dazzle with light<br />
and colour, demonstrating a technical<br />
brilliance and striking individuality, offering<br />
an alternative perspective on the artist. This<br />
exhibition brings together 80 paintings from<br />
private and public collections, revealing<br />
Sargent’s idiosyncratic view of the world and<br />
the scale of his achievement.<br />
The first UK retrospective of one of the most<br />
celebrated illustrators of the 20th century,<br />
Tove <strong>Jan</strong>sson (1914-2001).<br />
Known internationally as creator of<br />
the Moomin characters and books, a<br />
phenomenon which continues to delight<br />
across generations, <strong>Jan</strong>sson’s broader<br />
outputs of painting and graphic illustration<br />
are relatively unseen outside her home<br />
country of Finland.<br />
This exhibition brings together 150<br />
works, including a large body of selfportraits<br />
and paintings never seen before<br />
in the UK. Arranged thematically, the show<br />
will trace the key stages of <strong>Jan</strong>sson’s prolific<br />
career including her surrealist-inspired<br />
paintings of the 1930s and abstract works of<br />
the ‘60s, her satirical anti-war cartoons and<br />
book jacket designs, as well as her original<br />
Moomin illustrations and comic strips.<br />
An exhibition produced by Ateneum Art Museum /<br />
The Finnish National <strong>Gallery</strong><br />
8 Book online at dulwichpicturegallery.org.uk <strong>Jan</strong>uary — <strong>Apr</strong>il <strong>2017</strong> 9
MAKING DISCOVERIES<br />
THE PRIVATE MADE PUBLIC<br />
PERMANENT COLLECTION<br />
AM I<br />
REMBRANDT?<br />
Until 5 March <strong>2017</strong><br />
The final display of the Making<br />
Discoveries series brings<br />
Rembrandt’s Self-Portrait, Wearing<br />
a Feathered Bonnet to London for<br />
the first time, and looks at how<br />
new technical analysis has been<br />
used to authenticate the work as a<br />
genuine Rembrandt. Using the loan<br />
as a starting point the display also<br />
examines the authorship of <strong>Dulwich</strong>’s<br />
own works by the Dutch master,<br />
acquired by the <strong>Gallery</strong>’s founders in<br />
the late 18 th century.<br />
Supported by<br />
The Elizabeth Cayzer Charitable Trust<br />
Rembrandt Harmensz van Rijn, Self-portrait,<br />
wearing a Feathered Bonnet, 1635, National<br />
Trust, Buckland Abbey, gift from the estate of<br />
Edna, Lady Samuel of Wych Cross<br />
As part of the <strong>Gallery</strong>’s bicentenary<br />
celebrations, enjoy a series of displays<br />
throughout the year that reflect the<br />
<strong>Gallery</strong>’s founding principle of bringing<br />
great art into the public realm.<br />
THE FIRST VISITORS<br />
Tuesday 14 March – Sunday 4 June <strong>2017</strong><br />
Free with a ticket to the Permanent Collection.<br />
Learn more about a typical visit to <strong>Dulwich</strong> <strong>Picture</strong><br />
<strong>Gallery</strong> in the 19th century. James Stephanoff’s<br />
watercolour The Viewing at <strong>Dulwich</strong> <strong>Picture</strong> <strong>Gallery</strong>,<br />
c. 1830, is the earliest known view of the <strong>Gallery</strong>’s<br />
interior and gives an indication of what visitors may<br />
have encountered upon their arrival. See an example<br />
of an early <strong>Gallery</strong> handbook, as well as an original<br />
visitor book that all entrants were required to sign.<br />
The visitor books bear the signatures of both local<br />
residents and contemporary celebrities, including:<br />
Claude Monet, Walter Sickert, Rodin, Edith Wharton<br />
and Virginia Woolf.<br />
Future displays<br />
Antonio de Pereda<br />
Tuesday 6 June - Sunday 8 October <strong>2017</strong><br />
Jacopo Bassano<br />
Tuesday 10 October <strong>2017</strong> - Sunday 21 <strong>Jan</strong>uary 2018<br />
The Private Made Public is <strong>Dulwich</strong> <strong>Picture</strong><br />
<strong>Gallery</strong>’s <strong>2017</strong> Appeal. Please help us to conserve,<br />
transport and install this remarkable series.<br />
Donate at dulwichpicturegallery.org.uk/appeal or<br />
contact us at appeal@dulwichpicturegallery.org.uk.<br />
James Stephanoff, The Viewing at <strong>Dulwich</strong> <strong>Picture</strong><br />
<strong>Gallery</strong>, watercolour on paper, c. 1830, By permission of<br />
10 Book online at dulwichpicturegallery.org.uk<br />
the Trustees of <strong>Jan</strong>uary <strong>Dulwich</strong> — <strong>Picture</strong> <strong>Apr</strong>il <strong>2017</strong> <strong>Gallery</strong>, London 11
FAMILY EVENTS<br />
Mini Masterpieces<br />
10.30am –12pm<br />
£16 per adult and child<br />
Experience the delights of<br />
our collection with your child<br />
aged 6 – 18 months. Enjoy an<br />
informal, child–friendly gallery<br />
visit followed by a hands–on,<br />
sensory art session tailored for<br />
you and your baby. Collection–<br />
based themes change monthly.<br />
Come to one or all!<br />
Windows and Light:<br />
Exploring the Architecture of<br />
<strong>Dulwich</strong> <strong>Picture</strong> <strong>Gallery</strong><br />
Thursday 19 <strong>Jan</strong>uary<br />
You and Me: Family Portrait<br />
in the <strong>Gallery</strong><br />
Tuesday 7 February<br />
Thursday 23 February<br />
Wildlife: Animals in Nature<br />
Tuesday 7 March<br />
Thursday 23 March<br />
By Land or By Sea:<br />
Landscapes and Seascapes<br />
Tuesday 4 <strong>Apr</strong>il<br />
Thursday 20 <strong>Apr</strong>il<br />
ArtPlay<br />
2 – 4pm<br />
Free with <strong>Gallery</strong> Ticket.<br />
Selected Sundays of every<br />
month. Get creative together<br />
at ArtPlay, our practical drop-in<br />
session, making everything<br />
from bunting to block prints.<br />
Felt Characters – Draw and Sew<br />
22 <strong>Jan</strong>uary<br />
Taking inspiration from the<br />
Permanent Collection, explore a<br />
variety of techniques including<br />
drawing, mark making, stitching<br />
and appliqué. Make your own<br />
creative and colourful characters.<br />
With artist Francesca Centioni<br />
Ideograms – Mark Making<br />
5 February<br />
Create a series of symbolic<br />
pictures using old tools and<br />
techniques.<br />
Still Life in My Pocket –<br />
Draw and Make<br />
19 February<br />
Take inspiration from Vanessa<br />
Bell's paintings and the radical<br />
way the Bloomsbury group<br />
added colour and design to<br />
their homes and everyday<br />
objects. Draw your own objects<br />
in miniature then fold your<br />
drawings into a concertina.<br />
With artist Michelle Weiner<br />
Omega Workshop –<br />
Book Making<br />
5 March<br />
Take inspiration from the<br />
<strong>Gallery</strong>’s Collection and<br />
design your own book covers!<br />
With artist Sarah Weatherall<br />
Spring Birds – Painting<br />
19 March<br />
Take inspiration from the<br />
Permanent Collection and<br />
explore a variety of painting<br />
and mark making techniques.<br />
Create colourful birds with<br />
unique patterns and prints.<br />
With artist Francesca Centioni<br />
<strong>Gallery</strong> Stories<br />
2.30pm and 3.10pm<br />
Free with <strong>Gallery</strong> Ticket<br />
Selected Sundays of every<br />
month: Participate in interactive<br />
storytelling in the main gallery.<br />
Please meet the storyteller at the<br />
gallery ticket desk.<br />
Sunday, 15 <strong>Jan</strong>uary<br />
Sunday, 29 <strong>Jan</strong>uary<br />
Sunday, 12 February<br />
Sunday, 26 February<br />
Sunday, 12 March<br />
Cavatina Children’s Concert<br />
The Magnard Ensemble<br />
Sunday 8 <strong>Jan</strong>uary<br />
2.15pm for 2.30pm start/<br />
Linbury Room<br />
5–12 yrs<br />
Children free, £5 for every<br />
accompanying adult (up to<br />
five children per adult)<br />
No interval. Fruit after the<br />
concert for the children.<br />
A wonderful afternoon for<br />
children with The Magnard<br />
Ensemble who will present<br />
Revolting Rhymes and<br />
Marvellous Music - a music<br />
and drama workshop based<br />
on stories by Roald Dahl.<br />
Explore weird and wonderful<br />
worlds in this creatively<br />
stimulating concert.<br />
Puppet Shows<br />
Sunday 26 March<br />
10.30am and 1.30pm/Linbury<br />
Room<br />
2–8 yrs<br />
Tickets £5 per person, babies<br />
under one year free<br />
Fruit at the end<br />
Early booking recommended<br />
Drew Colby will tickle your<br />
giggle switch, conjuring up<br />
magical images and stories,<br />
using his hands to make<br />
delightful puppets.<br />
With artist Nikki Gardham<br />
Sunday, 26 March<br />
12 Book online at dulwichpicturegallery.org.uk<br />
<strong>Jan</strong>uary — <strong>Apr</strong>il <strong>2017</strong> 13
LECTURES AND TALKS<br />
Contextual Lecture Series <strong>2017</strong><br />
London: The Making of a<br />
Global City<br />
All lectures, Tuesday mornings<br />
at 10.30 – 11.30am<br />
£12, £10 Friends<br />
What makes a global city<br />
and how do we maintain its<br />
expanding fortitude? Join<br />
expert speakers as they<br />
examine aspects of London<br />
identity from 1817 - <strong>2017</strong>, two<br />
centuries of social, industrial<br />
and cultural innovations. This<br />
series will explore the ins<br />
and outs of the capital city,<br />
including its architecture,<br />
infrastructure, social housing<br />
and culture and economic<br />
growth through both business<br />
and scientific advancement.<br />
A.C. Grayling<br />
Thinkers' London<br />
After Waterloo<br />
21 February<br />
This lecture looks at the<br />
decades immediately following<br />
1815 when London came to be<br />
the intellectual capital of Britain<br />
John Robertson<br />
Enlightenment London<br />
14 March<br />
London will be compared<br />
with two other centers of<br />
Enlightenment, Edinburgh and<br />
Naples, to explore the different<br />
characteristics of the cities,<br />
with a focus on the strength of<br />
London’s publishing industry.<br />
Paul Brassley<br />
Rural History<br />
21 March<br />
This talk examines the<br />
changing products of<br />
agriculture over the last two<br />
centuries and surveys the<br />
different political, economic<br />
and scientific contexts within<br />
which the changes occurred.<br />
A.C. Grayling<br />
Nick Barratt<br />
Greater London: The Story<br />
of the Suburbs<br />
28 March<br />
This talk looks at the various<br />
phases in greater London’s<br />
development from the first<br />
Roman suburbs to the modern<br />
expansion, exploring the<br />
impact this had on the people<br />
who chose to dwell in the<br />
suburbs.<br />
Robert Skidelsky<br />
Keynes: A Revolution in<br />
Economic Thinking<br />
11 <strong>Apr</strong>il<br />
John Maynard Keynes<br />
remains highly relevant to an<br />
understanding of the financial<br />
collapse of 2007–8. This<br />
lecture provides a Keynesian<br />
perspective on the reform of<br />
the world's monetary system,<br />
and concludes with reflections<br />
on the role of the state and the<br />
state of economics.<br />
Mary Evens<br />
A City of Women But Not<br />
Always For Us: London<br />
1817 - <strong>2017</strong><br />
25 <strong>Apr</strong>il<br />
This lecture will discuss the<br />
many ways in which access to<br />
the city, and what we define as<br />
'the city' has, in the past one<br />
hundred and fifty years been<br />
gendered.<br />
IN TOWN<br />
A series of lectures about<br />
major exhibitions in other<br />
London galleries<br />
7.00 for 7.30pm/Linbury Room<br />
£12, Friends £10<br />
Includes a glass of wine<br />
Organised by the Friends<br />
Clash of the Titans -<br />
Michaelangelo, Sebastiano<br />
del Piombo and their Rivals<br />
Thursday 23 February<br />
Alongside the National <strong>Gallery</strong><br />
exhibition Michelangelo-<br />
Sebastiano: A Meeting of<br />
Minds, this lecture looks at<br />
the fierce, bitter competition<br />
between the artistic Titans of<br />
the renaissance – Michelangelo,<br />
John Singer Sargent, Italian sailing<br />
Vessels at Anchor, c. 1904-07, The<br />
Ashmolean Museum, Oxford. Presented<br />
by Miss K. de Hochpied Larpent, 1943.<br />
Image © Ashmolean Museum, University<br />
of Oxford<br />
Leonardo, Raphael and Titian,<br />
and the combining of forces to<br />
surpass rivals.<br />
The exhibition at the National <strong>Gallery</strong><br />
runs from 15 March – 25 June <strong>2017</strong><br />
Revolutionary Russian Art<br />
1917-1932<br />
Thursday 16 March<br />
A hundred years after the<br />
Russian revolution this powerful<br />
exhibition explores one of<br />
the most momentous periods<br />
in modern history through<br />
its art, surveying the entire<br />
artistic landscape of postrevolutionary<br />
Russia, including<br />
films, ceramics, textiles, graphic<br />
design and architecture.<br />
The exhibition at the Royal Academy<br />
runs from 11 February – 17 <strong>Apr</strong>il <strong>2017</strong><br />
The painting techniques of<br />
John Singer Sargent<br />
Thursday 30 March<br />
Ahead of Sargent: The<br />
Watercolours at <strong>Dulwich</strong><br />
<strong>Picture</strong> <strong>Gallery</strong> this June, Dr<br />
Townsend will discuss recent<br />
Tate research into Sargent’s<br />
painting materials and his<br />
methods for painting portraits.<br />
Sebastiano del Piombo, The Raising of<br />
Lazarus © The National <strong>Gallery</strong>, London<br />
14 Book online at dulwichpicturegallery.org.uk<br />
<strong>Jan</strong>uary — <strong>Apr</strong>il <strong>2017</strong> 15
LECTURES AND TALKS<br />
IN SIGHT<br />
10.30-11.30am/Linbury Room<br />
Series of 3 £32, £26 Friends<br />
Single lecture £12, £10 Friends<br />
Coffee afterwards<br />
21st Century Women Artists: a<br />
stellar collection in Cambridge<br />
Paula Rego, Cornelia Parker,<br />
Maggi Hambling, Bridget Riley<br />
and Judy Chicago all have work<br />
in the New Hall Art Collection,<br />
Murray Edwards College,<br />
Cambridge. It is the largest<br />
and most significant collection<br />
of contemporary women’s art<br />
in Europe, and is still growing.<br />
This series looks at the story of<br />
the collection with talks by the<br />
artists represented.<br />
Why women, why then,<br />
why now?<br />
Wednesday 25 <strong>Jan</strong>uary<br />
Eliza Gluckman tells the story<br />
of the New Hall Art Collection<br />
through its paintings, from the<br />
acquisition that spurred it in<br />
the late 1980s, to its continued<br />
importance in the story of<br />
women artists and their careers.<br />
Eliza Gluckman, Curator, New Hall<br />
Art Collection<br />
Gayle Chong Kwan, Artist<br />
Wednesday 1 February<br />
Scottish-born and Londonbased,<br />
Gayle exhibited in the<br />
Venice Biennale in 2011 and<br />
internationally. She works<br />
primarily with photography and<br />
installation to create fantastical<br />
landscapes and environments<br />
consisting primarily of waste<br />
materials, creating beautiful,<br />
challenging art works.<br />
Eileen Cooper RA, Keeper of<br />
the Royal Academy<br />
Wednesday 8 February<br />
An accomplished painter and<br />
printmaker, Eileen Cooper’s<br />
practice is underpinned by<br />
drawing. The figure of a woman<br />
is central to her imagery:<br />
heroine, goddess, mother, lover.<br />
Eileen will talk about her practice<br />
and her view on women’s art as<br />
seen from her current role as<br />
Keeper of the RA.<br />
All in the detail: art in<br />
miniature<br />
This series examines three<br />
diverse forms of art, to show<br />
how the finest artists and<br />
craftsmen adopted a small<br />
format to create a big impact in<br />
terms of beauty, charm, drama<br />
and emotion.<br />
‘My portrait in little’: 16th<br />
century portrait miniatures<br />
Wednesday 1 March<br />
The miniature is among the most<br />
sophisticated products of 16th<br />
century England. This lecture will<br />
focus on the finest Tudor portrait<br />
miniaturists, including Hans<br />
Holbein II, Nicholas Hilliard and<br />
Isaac Oliver.<br />
Karen Hearn, Hon. Professor,<br />
University College London<br />
The World Made Small:<br />
miniatures from the V&A<br />
Museum of Childhood<br />
Wednesday 8 March<br />
The miniaturisation of everyday<br />
objects has a long history,<br />
but what is it that makes them<br />
so charming? Both adults<br />
and children delight in these<br />
treasured items, many of which<br />
are in the Museum’s collections.<br />
They show us a child’s eye view<br />
of our world, from home, travel,<br />
war and entertainment.<br />
Esther Lutman, Curator at the V&A<br />
Museum of Childhood<br />
Microcosms and<br />
Microworlds: ivory carvings<br />
from the Middle Ages<br />
Wednesday 15 March<br />
Medieval ivory diptychs,<br />
triptychs and tiny tabernacles<br />
contain miniature worlds.<br />
Tableaus of biblical scenes<br />
and apocryphal stories are<br />
contained and framed. This<br />
lecture explores the skill of the<br />
medieval carver and the role<br />
that miniaturisation played in<br />
the status of ivory carvings.<br />
Naomi Speakman, Curator Late<br />
Medieval Europe, British Museum<br />
Hepworth Statue: © New Hall Art<br />
Collection at Murray Edwards College,<br />
University of Cambridge<br />
Gayle Chong Kwan, Babel 2004, © New Hall Art Collection at<br />
Murray Edwards College, University of Cambridge<br />
Nicholas Hilliard, Portrait of a<br />
Young Man, Probably Robert<br />
Devereux, Second Earl of<br />
Essex, 1588<br />
16 Book online at dulwichpicturegallery.org.uk<br />
<strong>Jan</strong>uary — <strong>Apr</strong>il <strong>2017</strong> 17
GALLERY FILM<br />
GALLERY MUSIC<br />
Each sociable evening<br />
includes:<br />
A complimentary glass of wine,<br />
snacks and film notes<br />
Bar opens at 7.00pm<br />
Screenings at 7.30pm<br />
Linbury Room<br />
£9, £7 Friends<br />
Shirley Valentine<br />
(1989)<br />
Cert 18/108 mins<br />
Monday 9 <strong>Jan</strong>uary<br />
Directed by Lewis Gilbert with<br />
Pauline Collins, Tom Conti, Julia<br />
McKenzie, Alison Steadman,<br />
Joanna Lumley and Sylvia<br />
Syms.<br />
Award-winning romantic<br />
comedy telling the story<br />
of Shirley, a middle-aged<br />
Liverpool housewife, who<br />
breaks free of a world of<br />
domesticity.<br />
East of Eden<br />
(1955)<br />
PG/115 mins<br />
Monday 13 February<br />
Directed by Elia Kazan with<br />
James Dean, Julie Harris,<br />
Raymond Massey and Burl Ives.<br />
Based on the novel by John<br />
Steinbeck, a wilful young man<br />
contends against his brother<br />
for the attention of their<br />
religious father.<br />
Quiz Show<br />
(1995)<br />
Cert 15/133 mins<br />
Monday 13 March<br />
Directed by Robert Redford with<br />
Paul Scofield, Rob Morrow, John<br />
Turturro and Ralph Fiennes.<br />
A true story of the<br />
discrimination, pay-offs, and<br />
cover-ups behind the scenes<br />
of the most popular intellectual<br />
game show in 1958.<br />
American Friends<br />
(1991)<br />
Cert PG/95 mins<br />
Monday 10 <strong>Apr</strong>il<br />
Directed by Tristram Powell,<br />
with Michael Palin, Alfred<br />
Molina, Jonathan Firth and<br />
Connie Booth.<br />
Oxford Professor Frances<br />
Ashby meets and befriends two<br />
women holidaying in the Swiss<br />
Alps in 1861. They follow him<br />
back to campus and move into<br />
a nearby home to pursue him<br />
but unfortunately, university<br />
professors are forbidden to<br />
marry, and Francis must choose<br />
between love and his career.<br />
Includes a personal introduction<br />
by the director, Tristram Powell<br />
and a Q&A session at the end.<br />
Why ‘Live’ Matters – where<br />
Britain’s Cultural Revolution<br />
is going<br />
Thursday 2 February<br />
7.30pm/Linbury Room<br />
£14, £12 Friends includes a<br />
glass of wine<br />
Tom Sutcliffe, long-time opera<br />
critic for the Guardian and the<br />
Evening Standard, will share his<br />
concerns about the future of<br />
live classical music.<br />
The Castalian String Quartet<br />
Castalian String Quartet<br />
Wednesday 22 March<br />
7.30pm/<strong>Gallery</strong><br />
£20, £18 Friends includes a<br />
glass of wine; under 18s £10<br />
The Castalians are rapidly<br />
emerging as an exciting<br />
voice on the international<br />
chamber music scene.<br />
Prize-winners at Hanover<br />
(2013), Lyon (2015) and<br />
at Banff (2016), they have<br />
already performed widely<br />
throughout Europe. They will<br />
play Schubert, Schumann<br />
and Beethoven.<br />
LUNCHTIME CONCERT<br />
SERIES<br />
From Blues to Bach<br />
1.30-2pm/Christ’s Chapel<br />
Wednesdays <strong>Jan</strong>uary 18, 25<br />
February 1, 8, 15<br />
March 1, 8, 15<br />
Enter from the cloister in<br />
<strong>Dulwich</strong> <strong>Picture</strong> <strong>Gallery</strong><br />
Admission free<br />
The free lunchtime concerts<br />
are back again with talented<br />
students from local schools:<br />
<strong>Dulwich</strong> College, JAGS and<br />
Alleyn’s School, who will both<br />
entertain and impress you with<br />
their musicianship, all in the<br />
impressive surroundings of<br />
Christ’s Chapel.<br />
James Dean, East of Eden, 1955<br />
Pauline Collins and Tom Conti,<br />
Shirley Valentine, 1989<br />
18 Book online at dulwichpicturegallery.org.uk<br />
<strong>Jan</strong>uary — <strong>Apr</strong>il <strong>2017</strong> 19
PRACTICAL ART<br />
FOR ADULTS<br />
PAINTING AND DRAWING<br />
Expressionist Nudes<br />
Five Mondays from 23 <strong>Jan</strong>uary<br />
to 20 February<br />
10.30am – 12.30pm<br />
£150, £145<br />
Take inspiration from the iconic<br />
pink nudes of Vanessa Bell and<br />
Henri Matisse. Learn to paint in<br />
oil and acrylics and work from<br />
both life models and still lives<br />
to create several expressionist<br />
paintings. Includes a special visit<br />
to the Vanessa Bell exhibition.<br />
With artist Rebecca Allen<br />
Vanessa Bell: Still Life<br />
Five Mondays from 13 March<br />
to 10 <strong>Apr</strong>il<br />
10.30am – 12.30pm<br />
£150, £145<br />
Adopt Vanessa Bell’s bold use<br />
of colour in your compositions<br />
on paper. Work from classic<br />
interior set-ups to emulate<br />
the work and style of The<br />
Bloomsbury Group and create<br />
finished oil pastel drawings.<br />
With artist Liz Charsley–Jory<br />
Artists’ Choice<br />
Five Tuesdays from 17 <strong>Jan</strong>uary<br />
to 14 February<br />
10.30am – 12.30pm<br />
£150, £145<br />
Through the study of practical<br />
work, exercises and discussion<br />
you will create works on paper<br />
by considering process and<br />
observation, materials and<br />
colour. At the end of the course<br />
you will have explored many<br />
techniques inspired by the<br />
<strong>Gallery</strong>’s Permanent Collection.<br />
With artist Kim Jacobson<br />
MIXED MEDIA<br />
Collage: Colour, shape<br />
and composition<br />
Five Tuesdays from 28 February<br />
to 28 March<br />
7 – 9pm<br />
£150, £145<br />
Explore different collage<br />
techniques inspired by Vanessa<br />
Bell’s experimental approach<br />
to the medium. Develop your<br />
colour mixing and compositionbuilding<br />
skills and create a series<br />
of bold and innovative works.<br />
With artist Jo Lewis<br />
Applied Patterns<br />
Five Tuesdays from 7 March<br />
to 4 <strong>Apr</strong>il<br />
10.30am – 12.30pm<br />
£150, £145<br />
Take inspiration from the<br />
Bloomsbury Group and explore<br />
a range of applications for<br />
decorative applied art. Design<br />
and make ceramic tiles and<br />
produce small prints to apply<br />
to handmade book covers and<br />
endpapers.<br />
With artist Jo Veevers<br />
Composition Workshop<br />
Saturday 11 March<br />
10am – 3pm<br />
£75, £70<br />
This one day workshop, based<br />
in the studio and <strong>Gallery</strong> will<br />
explore the practical tasks it takes<br />
to establish a strong composition,<br />
including movement, diction,<br />
depth, volume and light and dark.<br />
With artist Peter Brown<br />
FOR YOUNG PEOPLE<br />
15 – 18 YRS:<br />
The Artist’s Practice: painting<br />
and drawing<br />
Five Tuesdays from 3 <strong>Jan</strong>uary<br />
to 31 <strong>Jan</strong>uary<br />
4.30 – 6pm<br />
£75<br />
Explore several aspects of an<br />
artist’s practice and build a<br />
portfolio under experienced<br />
guidance. Using a range a<br />
materials including chalks,<br />
charcoals, graphite, paints and<br />
inks, create works on paper.<br />
With artist Kim Jacobson<br />
Vanessa Bell: Portraiture<br />
Five Tuesdays from 28 February<br />
to 28 March<br />
4.30 – 6pm<br />
£75<br />
Create well-composed<br />
portraits and self-portraits and<br />
enhance your life drawing skills.<br />
Taking inspiration from the<br />
work of Vanessa Bell and The<br />
Bloomsbury Group, experiment<br />
with oil pastels and learn new<br />
techniques, including colour<br />
building and blending.<br />
With artist Liz Charsley-Jory<br />
11 – 14 YRS:<br />
The Book Project<br />
Three Thursdays from 26<br />
<strong>Jan</strong>uary to 9 February<br />
4.30 – 6pm<br />
£45<br />
Become a bookbinder<br />
and printmaker! Visit the<br />
Vanessa Bell exhibition and<br />
the permanent collection to<br />
gather ideas, and experiment<br />
with various relief and intaglio<br />
printmaking techniques to<br />
create high-quality prints and<br />
hand-bound books.<br />
With artist Nikki Gardham<br />
Mosaics<br />
Five Thursdays from 2 March<br />
to 30 March<br />
4.30 – 6pm<br />
£75<br />
Explore the decorative arts of<br />
The Bloomsbury Group and<br />
create your own mosaic designs.<br />
Learn techniques such as cutting,<br />
grouting and fixing tiles and<br />
create your very own mirror<br />
frame and pot.<br />
With artist Jo Veevers<br />
7 – 10 YRS:<br />
When I’m an artist<br />
Five Wednesdays from 4<br />
<strong>Jan</strong>uary to 1 February<br />
4.30 – 6pm<br />
£75<br />
Explore traditional materials<br />
such as egg tempera and<br />
gold leaf, and learn painting<br />
techniques used by Monet,<br />
Pollock and Hirst. In this course<br />
you will create original artworks<br />
inspired by interesting artists and<br />
their innovative techniques.<br />
With artist Jo Lewis<br />
20 Book online at dulwichpicturegallery.org.uk<br />
<strong>Jan</strong>uary — <strong>Apr</strong>il <strong>2017</strong> 21
LONDON VISITS AND WALKS<br />
Decorative Art<br />
Five Wednesdays from 1 March<br />
to 29 March<br />
4.30 – 6pm<br />
£75<br />
Create your own patterns inspired<br />
by the decorative arts of Vanessa<br />
Bell and The Bloomsbury Group.<br />
Develop your drawing and<br />
sculpting skills and create your<br />
own decorative papier mache<br />
bowls and pot designs.<br />
With artist Jo Veevers<br />
Half Term Courses:<br />
6 – 9 YRS:<br />
Self–portraits in the classical<br />
style<br />
Two days Wednesday 15 and<br />
Thursday 16 February<br />
10.30am – 12.30pm<br />
Take inspiration from the <strong>Gallery</strong>’s<br />
old master paintings and create<br />
your own unique self–portrait<br />
finished in a "gilded" frame.<br />
With artist Liz Charsley – Jory<br />
10 – 12 YRS:<br />
DPG in CMY (Cyan, Magenta,<br />
Yellow)<br />
Two days Wednesday 15 and<br />
Thursday 16 February<br />
2 – 4pm<br />
Using a layered printing process,<br />
create exciting interpretations<br />
of the <strong>Gallery</strong>’s masterpieces. By<br />
overlaying the CMY colours, red,<br />
green and purples will appear,<br />
revealing surprising images at<br />
the last moment!<br />
With artist Nikki Gardham<br />
OFF THE WALL<br />
Saturday 21 <strong>Jan</strong>uary<br />
Saturday 11 February<br />
Saturday 18 March<br />
Saturday 15 <strong>Apr</strong>il<br />
2 – 4pm<br />
FREE<br />
“I like not knowing what<br />
we’re doing until I turn up!”<br />
Discuss, debate and<br />
have your say!<br />
Meet new people, work with a<br />
professional artist and engage<br />
in lively discussion as you<br />
challenge the role of Galleries<br />
for young people today – what<br />
they represent and who they’re<br />
for. Working in the <strong>Gallery</strong><br />
you will explore universal<br />
themes such as love, power,<br />
beauty and equality using<br />
the collection and temporary<br />
exhibitions as your stimuli. Join<br />
us as we find new and creative<br />
ways to express these ideas -<br />
it’s your space and your voice.<br />
Book your place<br />
Emma Hollamby<br />
020 8299 8753 / e.hollamby@<br />
dulwichpicturegallery.org.uk<br />
Generously supported<br />
by the Sir David Hancock<br />
Learning Fund<br />
The Speaker’s House,<br />
Parliament<br />
Tuesday 10 <strong>Jan</strong>uary<br />
11.00am for 11.45am (20<br />
minutes needed to clear<br />
security)<br />
£12, Friends £10<br />
Meet: 11.00am at the Cromwell<br />
Green entrance to Parliament<br />
Wheelchair access: Yes, but<br />
please arrive early<br />
Queen’s House, Greenwich<br />
Monday 6 February<br />
11am – 12pm<br />
£14, Friends £12<br />
Meet: 10.45am, outside<br />
Romney Rd, Greenwich,<br />
London SE10 9NF<br />
Wheelchair Access: Yes<br />
The Great Fire of<br />
London Walk<br />
Wednesday 22 February<br />
10.30am - 12.30pm<br />
£12, Friends £10<br />
Meet: 10.30am, outside the<br />
entrance to the Monument to<br />
the Great Fire, EC4R 9AA<br />
Wheelchair access: No,<br />
participants need to be fit and<br />
fully mobile<br />
British Library<br />
Conservation Studio<br />
Thursday 9 March<br />
2 – 3pm<br />
£20, Friends £15<br />
After an introduction on<br />
the work of the studio,<br />
conservators will show us<br />
what they are working on<br />
and describe the task and<br />
techniques involved.<br />
Meet: 2.00pm in the Foyle<br />
exhibition area, Centre for<br />
Conservation, British Library<br />
Wheelchair access: Yes<br />
Vintners Hall<br />
Tuesday 14 March<br />
11am - 12.30pm<br />
£18, Friends £15<br />
Meet: 10.45am at the front<br />
door, 68 Upper Thames Street,<br />
London, EC4V 3BG<br />
Wheelchair Access: No<br />
Bloomsbury Literary Walk<br />
Thursday 23 March<br />
10.30am - 12.30pm<br />
£15, Friends £12<br />
See the homes of Vanessa<br />
Bell and Virginia Woolf, and<br />
discover more about other<br />
members of the group, all<br />
within a well-preserved<br />
quarter of Georgian London.<br />
Meet: 10.30am outside Warren<br />
Street tube station<br />
Wheelchair access: No,<br />
participants will need to be fit<br />
and fully mobile<br />
Spencer House<br />
Monday 10 <strong>Apr</strong>il<br />
11.00am – 12.30pm<br />
£16, Friends £14<br />
Meet: 10.45am, outside 27<br />
St James's Place, London,<br />
SW1A 1NR<br />
Wheelchair Access: Yes<br />
GALLERY CAFÉ<br />
A taste of what you can enjoy at<br />
the <strong>Gallery</strong>’s contemporary café<br />
this winter<br />
Early morning openings and<br />
brunch<br />
From 4 <strong>Jan</strong>uary the café will<br />
open from 8am Tuesday -<br />
Saturday and 9.30am on<br />
Sundays. Treat yourself to a<br />
healthy and hearty breakfast<br />
which includes chia and oat<br />
porridge and smashed avocado<br />
on sourdough. For the late risers,<br />
relax over brunch with family and<br />
friends.<br />
Union Roasted Coffee<br />
The café has partnered with<br />
Union Roasted Coffee to provide<br />
the perfect beans to match the<br />
new breakfast menu.<br />
Craft Beers<br />
Sample craft beers from local<br />
Herne Hill micro-brewery,<br />
Canopy Beer.<br />
Winter Menu<br />
The café’s new winter menu<br />
features British favourites such<br />
as kedgeree, bubble & squeak<br />
and stilton rarebit, as well as a<br />
traditional Sunday roast with<br />
supersized Yorkshire puddings.<br />
22 Book online at dulwichpicturegallery.org.uk
Become a Friend<br />
of <strong>Dulwich</strong><br />
<strong>Picture</strong> <strong>Gallery</strong><br />
and enjoy free<br />
entry to the<br />
collection and all<br />
our exhibitions,<br />
all year round<br />
As a Friend you enjoy:<br />
Unlimited FREE entry to all<br />
visiting exhibitions<br />
Unlimited FREE entry to the<br />
Permanent Collection<br />
Invitations to Friends Private<br />
Views<br />
Friends Rates on tickets for<br />
lectures, art classes, talks &<br />
events<br />
The award-winning In View<br />
magazine issued 3 times a year<br />
The opportunity to get involved<br />
with the work of the Friends<br />
Options to join as Friend Plus or<br />
Friends Extra and bring a family<br />
guest/guests<br />
The <strong>Gallery</strong>’s monthly e-news<br />
Friend — £35 a year<br />
<strong>On</strong>e person, no family guest<br />
Friend Plus — £50 a year<br />
<strong>On</strong>e person plus one family<br />
guest<br />
Friend Extra — £70 a year<br />
Two members at a single<br />
address plus two family guests<br />
JOIN TODAY<br />
To join the Friends or volunteer<br />
visit dulwichpicturegallery.<br />
org.uk/join or call at the Friends<br />
Desk in the <strong>Gallery</strong>