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Dulwich Picture Gallery - What's On - Jan-Apr 2017

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<strong>Jan</strong>uary – <strong>Apr</strong>il <strong>2017</strong><br />

VISITOR INFORMATION<br />

<strong>Dulwich</strong> <strong>Picture</strong> <strong>Gallery</strong><br />

<strong>Gallery</strong> Road, <strong>Dulwich</strong> Village,<br />

London SE21 7AD<br />

Telephone 020 8693 5254<br />

(Monday - Friday, 9am - 5pm)<br />

OPENING TIMES<br />

10am-5pm, Tuesday to Sunday<br />

and Bank Holiday Mondays<br />

Closed Mondays<br />

ADMISSION CHARGE<br />

£8* Permanent Collection<br />

£7* Senior citizens<br />

FREE Unemployed, disabled,<br />

students, under 18s, Friends<br />

*Ticket prices include a voluntary<br />

Gift Aid donation.<br />

EXHIBITION TICKETS<br />

MAKING DISCOVERIES<br />

Entry included in the standard<br />

admission charge<br />

VAN DE VELDE<br />

£12.50* Adult<br />

£11.50* Senior Citizens<br />

£7* Students, unemployed,<br />

disabled<br />

FREE Children and Friends<br />

*Ticket prices include a voluntary<br />

Gift Aid donation.<br />

VANESSA BELL<br />

£14* Adult<br />

£13* Senior Citizens<br />

£7* Students, unemployed,<br />

disabled<br />

FREE Children and Friends<br />

*Ticket prices include a voluntary<br />

Gift Aid donation.<br />

LEGACY: PHOTOGRAPHS BY<br />

VANESSA BELL AND PATTI<br />

SMITH<br />

Entry included in the standard<br />

admission charge<br />

SARGENT/JANSSON<br />

£15.50* Adult<br />

£14.50* Senior Citizens<br />

£7* Students, unemployed,<br />

disabled<br />

FREE Under 18s and Friends<br />

*Ticket prices include a voluntary<br />

Gift Aid donation.<br />

GALLERY HIRE<br />

The <strong>Gallery</strong> and its spaces<br />

are available for private hire.<br />

For more information call 020<br />

8299 8713 or email events@<br />

dulwichpicturegallery.org.uk<br />

FREE TOURS<br />

Free tours of the <strong>Gallery</strong> on<br />

Saturdays and Sundays at 3pm<br />

(admission charges apply).<br />

GUIDED TOURS<br />

For guided group tours<br />

reservations please visit www.<br />

dulwichpicturegallery.org.uk/visit/<br />

group-visits<br />

ACCESS INFORMATION<br />

The <strong>Gallery</strong> is on one level with<br />

facilities for disabled visitors,<br />

including a hearing loop in the<br />

Linbury Room and parking in the<br />

car park off <strong>Gallery</strong> Road. This guide<br />

is available in large print on request.<br />

Call 020 8693 5254<br />

THE GALLERY SHOP<br />

Shop open during normal <strong>Gallery</strong><br />

hours or visit our online shop.<br />

THE PICTURE GALLERY CAFÉ<br />

There is a licensed café, opening<br />

onto landscaped gardens,<br />

serving delicious meals and light<br />

refreshments. Opening times:<br />

8am - 5pm Tuesday - Saturday,<br />

9.30am - 5pm Sunday<br />

To book a table in the café call<br />

020 8299 8717<br />

Closed Mondays<br />

GETTING TO DULWICH PICTURE<br />

GALLERY… IT’S EASY!<br />

TRAIN<br />

13 minutes from Central London:<br />

London Bridge to North <strong>Dulwich</strong>,<br />

London Victoria to West <strong>Dulwich</strong>.<br />

Steps at stations and no<br />

wheelchair facilities, call 08457<br />

484950 for details<br />

BUS<br />

P4: Brixton Tube Station/Forest<br />

Hill (Horniman Museum) or<br />

Lewisham Bus Station to <strong>Dulwich</strong><br />

<strong>Picture</strong> <strong>Gallery</strong>.<br />

No 3: Central London to West<br />

<strong>Dulwich</strong> Station<br />

No 37: South West London to<br />

North <strong>Dulwich</strong> Station<br />

ROAD<br />

The <strong>Gallery</strong> is in <strong>Dulwich</strong> Village,<br />

just off the South Circular (A205).<br />

The <strong>Gallery</strong> lies between <strong>Gallery</strong><br />

Road and College Road. Ample<br />

unrestricted parking.<br />

VANESSA BELL<br />

(1879-1961)<br />

8 FEBRUARY - 4 JUNE<br />

© The Estate of Vanessa Bell,<br />

courtesy of Henrietta Garnett<br />

Front Cover: Vanessa Bell, The Other Room, late 1930s, oil on canvas, 161 x 174 cm.<br />

Private Collection. © The Estate of Vanessa Bell, courtesy of Henrietta Garnett. Photo:<br />

Bill Philip Photography<br />

dulwichpicturegallery.org.uk


HOW TO BOOK<br />

<strong>Jan</strong>uary - <strong>Apr</strong>il <strong>2017</strong><br />

<strong>On</strong>line at<br />

dulwichpicturegallery.org.uk<br />

By phone on<br />

020 8299 8750<br />

WELCOME!<br />

04<br />

Our thanks to the Friends of<br />

<strong>Dulwich</strong> <strong>Picture</strong> <strong>Gallery</strong> for<br />

organising the InTown Lecture<br />

series, <strong>Gallery</strong> Music, the puppet<br />

shows, <strong>Gallery</strong> Film and the<br />

InSight Lecture series.<br />

To join the Friends or volunteer<br />

visit dulwichpicturegallery.org.<br />

uk/join or call in at the Friends<br />

desk in the <strong>Gallery</strong>.<br />

10<br />

20<br />

04<br />

Exhibitions<br />

10<br />

Permanent<br />

Collection<br />

12<br />

Family Events<br />

14<br />

Lectures and<br />

Talks<br />

18<br />

<strong>Gallery</strong> Film<br />

19<br />

<strong>Gallery</strong> Music<br />

20<br />

Practical Art<br />

22<br />

Off The Wall<br />

Join us as we celebrate the start of our<br />

200th year of opening with Vanessa<br />

Bell, the first major retrospective of<br />

the radical Bloomsbury artist.<br />

Enjoy the show after hours in<br />

a special exhibition Late which<br />

includes a performance from the<br />

critically acclaimed ballet, Woolf<br />

Works, and a lively panel discussion<br />

(page 4).<br />

In a new series celebrating the<br />

<strong>Gallery</strong>’s bicentenary we take a<br />

look back at <strong>Dulwich</strong>’s first visitors<br />

and see how the collection was<br />

originally displayed (page 10).<br />

Time for a creative challenge?<br />

Learn the art of ceramic tiling or<br />

develop your skills in collage with one<br />

of our practical courses (page 20).<br />

23<br />

Visits & Walks<br />

22<br />

<strong>Jan</strong>uary — <strong>Apr</strong>il <strong>2017</strong> 3


EXHIBITIONS<br />

VANESSA BELL (1879-1961)<br />

Vanessa Bell 1879–1961,<br />

Self–Portrait, ca. 1915, Yale<br />

Center for British Art, Paul<br />

Mellon Fund. © The Estate<br />

of Vanessa Bell, courtesy<br />

of Henrietta Garnett<br />

8 February - 4 June <strong>2017</strong><br />

Widely acclaimed as a central figure of the Bloomsbury<br />

Group, the modernist painter, Vanessa Bell (1879-<br />

1961) was a pivotal player in 20th century British art,<br />

inventing a new language of visual expression.<br />

Sister of Virginia Woolf, muse to fellow artists<br />

such as Roger Fry and mastermind of the idyllic<br />

Bloomsbury life at Charleston – Bell’s reputation as<br />

an artist has long been overshadowed by her family<br />

life and romantic entanglements. A radical innovator<br />

in the use of abstraction, colour and form, Bell will be<br />

presented for fresh consideration in the first major<br />

exhibition of her work.<br />

Approximately 100 paintings as well as fabrics and<br />

photographs will be arranged thematically to reveal<br />

Bell’s pioneering work in the genres of portraiture, still<br />

life and landscape, focusing on her most distinctive<br />

period of experimentation in the 1910s.<br />

Generously supported by the Vanessa Bell Syndicate<br />

RELATED EVENTS<br />

Exhibition Curator’s Lecture<br />

Thursday 9 February<br />

12.30 – 1.30pm<br />

£12, £10 Friends<br />

SPECIAL EVENT<br />

Exhibition Late: Woolf Works<br />

9 February<br />

6.30pm-9.30pm<br />

£20 Adults, £15 Students/<br />

Concessions<br />

Join us for a special evening<br />

during the opening week of<br />

Vanessa Bell. Enjoy the show<br />

after hours and see a live<br />

performance from Wayne<br />

McGregor’s acclaimed ballet,<br />

Woolf Works, inspired by the<br />

literature of Bell’s sister. This<br />

will be followed by a panel<br />

discussion with Uzma Hameed,<br />

dramaturg and Sarah Milroy,<br />

co-curator of the exhibition.<br />

Also enjoy a special reading<br />

by author Alison MacLeod and<br />

an in conversation with Bell’s<br />

granddaughter and writer,<br />

Virginia Nicholson.<br />

Join exhibition co-curator and Sackler Director<br />

of <strong>Dulwich</strong> <strong>Picture</strong> <strong>Gallery</strong>, Ian Dejardin, for an<br />

exploration of Vanessa Bell.<br />

See In View magazine for an exclusive article on<br />

the exhibition by co-curator Sarah Milroy<br />

4 Book online at dulwichpicturegallery.org.uk


EXHIBITIONS<br />

Patti Smith, Paint brushes, Duncan Grant’s studio, 2008, ©<br />

Patti Smith. Courtesy of the artist and Robert Miller <strong>Gallery</strong><br />

Patti Smith, Vanessa Bell’s library, Duncan Bell’s painting<br />

of Vanessa Bell in her mother’s dress, 2006 © Patti Smith.<br />

Courtesy the artist and Robert Miller <strong>Gallery</strong><br />

Adriaen van de Velde, The beach at Scheveningen,<br />

1658, Oil on canvas, © Museumslandschaft Hessen<br />

Kassel, Gemäldegalerie Alte Meister.<br />

LEGACY<br />

PHOTOGRAPHS BY VANESSA BELL<br />

AND PATTI SMITH<br />

8 February - 4 June <strong>2017</strong><br />

ADRIAEN VAN DE VELDE<br />

DUTCH MASTER OF LANDSCAPE<br />

Until 15 <strong>Jan</strong>uary <strong>2017</strong><br />

A special display bringing together photographs<br />

by Vanessa Bell and the American writer, artist<br />

and musician, Patti Smith (b. 1946).<br />

Smith has long been drawn to Charleston,<br />

Bell's farmhouse on the Sussex Downs. Her black<br />

and white photographs sensitively capture the<br />

lingering remains of the life Bell led there - in<br />

particular with her life companion, Duncan Grant.<br />

Bell's own photograph albums include<br />

pictures from her childhood summers in St Ives<br />

and of her own young family and the circle of<br />

leading intellectuals and artists that surrounded<br />

her throughout her life.<br />

6 Book online at dulwichpicturegallery.org.uk<br />

While Smith's photographs depict places<br />

abandoned to the forces of time, Bell's teem with<br />

a host of characters, captured by her sharp eye<br />

and framed by her keen compositional instincts.<br />

Seen together, the photographs offer two different<br />

artistic visions which both capture a lasting<br />

Bloomsbury legacy.<br />

Entry included with your ticket to the Permanent<br />

Collection<br />

The world’s first exhibition devoted to one of<br />

the finest landscape artists of the Dutch Golden<br />

Age, Adriaen van de Velde (1636 – 1672).<br />

Over a career of less than two decades,<br />

van de Velde produced a varied body of<br />

tranquil landscapes matched by a superb<br />

collection of preparatory drawings in<br />

exquisite red chalk, making him one of the<br />

most sought-after names among collectors<br />

in the eighteenth and nineteenth centuries.<br />

The exhibition brings together 60<br />

paintings and drawings, including the<br />

masterpiece The Hut, 1671, which is displayed<br />

with its exquisite studies. The show offers not<br />

only a survey of the artist’s oeuvre but also a<br />

rare glimpse of a seventeenth-century Dutch<br />

landscape painter at work.<br />

A quiet revelation... and<br />

delightful rediscovery<br />

The Telegraph<br />

Varied, accomplished and sensitive<br />

Evening Standard<br />

Time Out<br />

This exhibition is part of Rediscovering Old Masters:<br />

The Melosi Series.<br />

Supported by a grant from the American Friends of<br />

<strong>Dulwich</strong> <strong>Picture</strong> <strong>Gallery</strong> Inc., made possible through the<br />

generosity of The Arthur and Holly Magill Foundation.<br />

In-kind support from Farrow & Ball.<br />

Exhibition organised by <strong>Dulwich</strong> <strong>Picture</strong> <strong>Gallery</strong>,<br />

London and the Rijksmuseum, Amsterdam.<br />

<strong>Jan</strong>uary — <strong>Apr</strong>il <strong>2017</strong><br />

7


EXHIBITIONS<br />

John Singer Sargent, The lady with the<br />

umbrella (detail), 1911, watercolour and<br />

pencil on paper, 65 x 54 cm, Museu de<br />

Montserrat. Donated by J. Sala Ardiz. Image<br />

© Dani Rovira<br />

Tove <strong>Jan</strong>sson, Mysterious Landscape, c. 1930,<br />

oil on canvas, Ateneum Art Museum. Photo:<br />

Finnish National <strong>Gallery</strong> / Hannu Aaltonen.<br />

SARGENT: THE WATERCOLOURS<br />

TOVE JANSSON (1914 - 2001)<br />

21 June - 8 October <strong>2017</strong><br />

25 October <strong>2017</strong> - 28 <strong>Jan</strong>uary 2018<br />

The first UK show in nearly 100 years<br />

devoted to watercolours by the American<br />

artist, John Singer Sargent (1856-1925).<br />

Renowned as the portraitist of his<br />

generation, Sargent also devoted time<br />

to developing his talent in watercolour,<br />

undertaking several painting expeditions<br />

to Europe in the early twentieth century.<br />

Free from the constraints of his studio he<br />

was able to take inspiration from the places<br />

he visited – from the streams and glacial<br />

moraines in the Alps to the renaissance and<br />

baroque architecture he explored in Venice.<br />

Working en plein air, Sargent developed<br />

a distinctive way of seeing and composing,<br />

his subjects often appearing fragmented<br />

and disorienting.<br />

Frequently dismissed as travel souvenirs,<br />

Sargent’s watercolours dazzle with light<br />

and colour, demonstrating a technical<br />

brilliance and striking individuality, offering<br />

an alternative perspective on the artist. This<br />

exhibition brings together 80 paintings from<br />

private and public collections, revealing<br />

Sargent’s idiosyncratic view of the world and<br />

the scale of his achievement.<br />

The first UK retrospective of one of the most<br />

celebrated illustrators of the 20th century,<br />

Tove <strong>Jan</strong>sson (1914-2001).<br />

Known internationally as creator of<br />

the Moomin characters and books, a<br />

phenomenon which continues to delight<br />

across generations, <strong>Jan</strong>sson’s broader<br />

outputs of painting and graphic illustration<br />

are relatively unseen outside her home<br />

country of Finland.<br />

This exhibition brings together 150<br />

works, including a large body of selfportraits<br />

and paintings never seen before<br />

in the UK. Arranged thematically, the show<br />

will trace the key stages of <strong>Jan</strong>sson’s prolific<br />

career including her surrealist-inspired<br />

paintings of the 1930s and abstract works of<br />

the ‘60s, her satirical anti-war cartoons and<br />

book jacket designs, as well as her original<br />

Moomin illustrations and comic strips.<br />

An exhibition produced by Ateneum Art Museum /<br />

The Finnish National <strong>Gallery</strong><br />

8 Book online at dulwichpicturegallery.org.uk <strong>Jan</strong>uary — <strong>Apr</strong>il <strong>2017</strong> 9


MAKING DISCOVERIES<br />

THE PRIVATE MADE PUBLIC<br />

PERMANENT COLLECTION<br />

AM I<br />

REMBRANDT?<br />

Until 5 March <strong>2017</strong><br />

The final display of the Making<br />

Discoveries series brings<br />

Rembrandt’s Self-Portrait, Wearing<br />

a Feathered Bonnet to London for<br />

the first time, and looks at how<br />

new technical analysis has been<br />

used to authenticate the work as a<br />

genuine Rembrandt. Using the loan<br />

as a starting point the display also<br />

examines the authorship of <strong>Dulwich</strong>’s<br />

own works by the Dutch master,<br />

acquired by the <strong>Gallery</strong>’s founders in<br />

the late 18 th century.<br />

Supported by<br />

The Elizabeth Cayzer Charitable Trust<br />

Rembrandt Harmensz van Rijn, Self-portrait,<br />

wearing a Feathered Bonnet, 1635, National<br />

Trust, Buckland Abbey, gift from the estate of<br />

Edna, Lady Samuel of Wych Cross<br />

As part of the <strong>Gallery</strong>’s bicentenary<br />

celebrations, enjoy a series of displays<br />

throughout the year that reflect the<br />

<strong>Gallery</strong>’s founding principle of bringing<br />

great art into the public realm.<br />

THE FIRST VISITORS<br />

Tuesday 14 March – Sunday 4 June <strong>2017</strong><br />

Free with a ticket to the Permanent Collection.<br />

Learn more about a typical visit to <strong>Dulwich</strong> <strong>Picture</strong><br />

<strong>Gallery</strong> in the 19th century. James Stephanoff’s<br />

watercolour The Viewing at <strong>Dulwich</strong> <strong>Picture</strong> <strong>Gallery</strong>,<br />

c. 1830, is the earliest known view of the <strong>Gallery</strong>’s<br />

interior and gives an indication of what visitors may<br />

have encountered upon their arrival. See an example<br />

of an early <strong>Gallery</strong> handbook, as well as an original<br />

visitor book that all entrants were required to sign.<br />

The visitor books bear the signatures of both local<br />

residents and contemporary celebrities, including:<br />

Claude Monet, Walter Sickert, Rodin, Edith Wharton<br />

and Virginia Woolf.<br />

Future displays<br />

Antonio de Pereda<br />

Tuesday 6 June - Sunday 8 October <strong>2017</strong><br />

Jacopo Bassano<br />

Tuesday 10 October <strong>2017</strong> - Sunday 21 <strong>Jan</strong>uary 2018<br />

The Private Made Public is <strong>Dulwich</strong> <strong>Picture</strong><br />

<strong>Gallery</strong>’s <strong>2017</strong> Appeal. Please help us to conserve,<br />

transport and install this remarkable series.<br />

Donate at dulwichpicturegallery.org.uk/appeal or<br />

contact us at appeal@dulwichpicturegallery.org.uk.<br />

James Stephanoff, The Viewing at <strong>Dulwich</strong> <strong>Picture</strong><br />

<strong>Gallery</strong>, watercolour on paper, c. 1830, By permission of<br />

10 Book online at dulwichpicturegallery.org.uk<br />

the Trustees of <strong>Jan</strong>uary <strong>Dulwich</strong> — <strong>Picture</strong> <strong>Apr</strong>il <strong>2017</strong> <strong>Gallery</strong>, London 11


FAMILY EVENTS<br />

Mini Masterpieces<br />

10.30am –12pm<br />

£16 per adult and child<br />

Experience the delights of<br />

our collection with your child<br />

aged 6 – 18 months. Enjoy an<br />

informal, child–friendly gallery<br />

visit followed by a hands–on,<br />

sensory art session tailored for<br />

you and your baby. Collection–<br />

based themes change monthly.<br />

Come to one or all!<br />

Windows and Light:<br />

Exploring the Architecture of<br />

<strong>Dulwich</strong> <strong>Picture</strong> <strong>Gallery</strong><br />

Thursday 19 <strong>Jan</strong>uary<br />

You and Me: Family Portrait<br />

in the <strong>Gallery</strong><br />

Tuesday 7 February<br />

Thursday 23 February<br />

Wildlife: Animals in Nature<br />

Tuesday 7 March<br />

Thursday 23 March<br />

By Land or By Sea:<br />

Landscapes and Seascapes<br />

Tuesday 4 <strong>Apr</strong>il<br />

Thursday 20 <strong>Apr</strong>il<br />

ArtPlay<br />

2 – 4pm<br />

Free with <strong>Gallery</strong> Ticket.<br />

Selected Sundays of every<br />

month. Get creative together<br />

at ArtPlay, our practical drop-in<br />

session, making everything<br />

from bunting to block prints.<br />

Felt Characters – Draw and Sew<br />

22 <strong>Jan</strong>uary<br />

Taking inspiration from the<br />

Permanent Collection, explore a<br />

variety of techniques including<br />

drawing, mark making, stitching<br />

and appliqué. Make your own<br />

creative and colourful characters.<br />

With artist Francesca Centioni<br />

Ideograms – Mark Making<br />

5 February<br />

Create a series of symbolic<br />

pictures using old tools and<br />

techniques.<br />

Still Life in My Pocket –<br />

Draw and Make<br />

19 February<br />

Take inspiration from Vanessa<br />

Bell's paintings and the radical<br />

way the Bloomsbury group<br />

added colour and design to<br />

their homes and everyday<br />

objects. Draw your own objects<br />

in miniature then fold your<br />

drawings into a concertina.<br />

With artist Michelle Weiner<br />

Omega Workshop –<br />

Book Making<br />

5 March<br />

Take inspiration from the<br />

<strong>Gallery</strong>’s Collection and<br />

design your own book covers!<br />

With artist Sarah Weatherall<br />

Spring Birds – Painting<br />

19 March<br />

Take inspiration from the<br />

Permanent Collection and<br />

explore a variety of painting<br />

and mark making techniques.<br />

Create colourful birds with<br />

unique patterns and prints.<br />

With artist Francesca Centioni<br />

<strong>Gallery</strong> Stories<br />

2.30pm and 3.10pm<br />

Free with <strong>Gallery</strong> Ticket<br />

Selected Sundays of every<br />

month: Participate in interactive<br />

storytelling in the main gallery.<br />

Please meet the storyteller at the<br />

gallery ticket desk.<br />

Sunday, 15 <strong>Jan</strong>uary<br />

Sunday, 29 <strong>Jan</strong>uary<br />

Sunday, 12 February<br />

Sunday, 26 February<br />

Sunday, 12 March<br />

Cavatina Children’s Concert<br />

The Magnard Ensemble<br />

Sunday 8 <strong>Jan</strong>uary<br />

2.15pm for 2.30pm start/<br />

Linbury Room<br />

5–12 yrs<br />

Children free, £5 for every<br />

accompanying adult (up to<br />

five children per adult)<br />

No interval. Fruit after the<br />

concert for the children.<br />

A wonderful afternoon for<br />

children with The Magnard<br />

Ensemble who will present<br />

Revolting Rhymes and<br />

Marvellous Music - a music<br />

and drama workshop based<br />

on stories by Roald Dahl.<br />

Explore weird and wonderful<br />

worlds in this creatively<br />

stimulating concert.<br />

Puppet Shows<br />

Sunday 26 March<br />

10.30am and 1.30pm/Linbury<br />

Room<br />

2–8 yrs<br />

Tickets £5 per person, babies<br />

under one year free<br />

Fruit at the end<br />

Early booking recommended<br />

Drew Colby will tickle your<br />

giggle switch, conjuring up<br />

magical images and stories,<br />

using his hands to make<br />

delightful puppets.<br />

With artist Nikki Gardham<br />

Sunday, 26 March<br />

12 Book online at dulwichpicturegallery.org.uk<br />

<strong>Jan</strong>uary — <strong>Apr</strong>il <strong>2017</strong> 13


LECTURES AND TALKS<br />

Contextual Lecture Series <strong>2017</strong><br />

London: The Making of a<br />

Global City<br />

All lectures, Tuesday mornings<br />

at 10.30 – 11.30am<br />

£12, £10 Friends<br />

What makes a global city<br />

and how do we maintain its<br />

expanding fortitude? Join<br />

expert speakers as they<br />

examine aspects of London<br />

identity from 1817 - <strong>2017</strong>, two<br />

centuries of social, industrial<br />

and cultural innovations. This<br />

series will explore the ins<br />

and outs of the capital city,<br />

including its architecture,<br />

infrastructure, social housing<br />

and culture and economic<br />

growth through both business<br />

and scientific advancement.<br />

A.C. Grayling<br />

Thinkers' London<br />

After Waterloo<br />

21 February<br />

This lecture looks at the<br />

decades immediately following<br />

1815 when London came to be<br />

the intellectual capital of Britain<br />

John Robertson<br />

Enlightenment London<br />

14 March<br />

London will be compared<br />

with two other centers of<br />

Enlightenment, Edinburgh and<br />

Naples, to explore the different<br />

characteristics of the cities,<br />

with a focus on the strength of<br />

London’s publishing industry.<br />

Paul Brassley<br />

Rural History<br />

21 March<br />

This talk examines the<br />

changing products of<br />

agriculture over the last two<br />

centuries and surveys the<br />

different political, economic<br />

and scientific contexts within<br />

which the changes occurred.<br />

A.C. Grayling<br />

Nick Barratt<br />

Greater London: The Story<br />

of the Suburbs<br />

28 March<br />

This talk looks at the various<br />

phases in greater London’s<br />

development from the first<br />

Roman suburbs to the modern<br />

expansion, exploring the<br />

impact this had on the people<br />

who chose to dwell in the<br />

suburbs.<br />

Robert Skidelsky<br />

Keynes: A Revolution in<br />

Economic Thinking<br />

11 <strong>Apr</strong>il<br />

John Maynard Keynes<br />

remains highly relevant to an<br />

understanding of the financial<br />

collapse of 2007–8. This<br />

lecture provides a Keynesian<br />

perspective on the reform of<br />

the world's monetary system,<br />

and concludes with reflections<br />

on the role of the state and the<br />

state of economics.<br />

Mary Evens<br />

A City of Women But Not<br />

Always For Us: London<br />

1817 - <strong>2017</strong><br />

25 <strong>Apr</strong>il<br />

This lecture will discuss the<br />

many ways in which access to<br />

the city, and what we define as<br />

'the city' has, in the past one<br />

hundred and fifty years been<br />

gendered.<br />

IN TOWN<br />

A series of lectures about<br />

major exhibitions in other<br />

London galleries<br />

7.00 for 7.30pm/Linbury Room<br />

£12, Friends £10<br />

Includes a glass of wine<br />

Organised by the Friends<br />

Clash of the Titans -<br />

Michaelangelo, Sebastiano<br />

del Piombo and their Rivals<br />

Thursday 23 February<br />

Alongside the National <strong>Gallery</strong><br />

exhibition Michelangelo-<br />

Sebastiano: A Meeting of<br />

Minds, this lecture looks at<br />

the fierce, bitter competition<br />

between the artistic Titans of<br />

the renaissance – Michelangelo,<br />

John Singer Sargent, Italian sailing<br />

Vessels at Anchor, c. 1904-07, The<br />

Ashmolean Museum, Oxford. Presented<br />

by Miss K. de Hochpied Larpent, 1943.<br />

Image © Ashmolean Museum, University<br />

of Oxford<br />

Leonardo, Raphael and Titian,<br />

and the combining of forces to<br />

surpass rivals.<br />

The exhibition at the National <strong>Gallery</strong><br />

runs from 15 March – 25 June <strong>2017</strong><br />

Revolutionary Russian Art<br />

1917-1932<br />

Thursday 16 March<br />

A hundred years after the<br />

Russian revolution this powerful<br />

exhibition explores one of<br />

the most momentous periods<br />

in modern history through<br />

its art, surveying the entire<br />

artistic landscape of postrevolutionary<br />

Russia, including<br />

films, ceramics, textiles, graphic<br />

design and architecture.<br />

The exhibition at the Royal Academy<br />

runs from 11 February – 17 <strong>Apr</strong>il <strong>2017</strong><br />

The painting techniques of<br />

John Singer Sargent<br />

Thursday 30 March<br />

Ahead of Sargent: The<br />

Watercolours at <strong>Dulwich</strong><br />

<strong>Picture</strong> <strong>Gallery</strong> this June, Dr<br />

Townsend will discuss recent<br />

Tate research into Sargent’s<br />

painting materials and his<br />

methods for painting portraits.<br />

Sebastiano del Piombo, The Raising of<br />

Lazarus © The National <strong>Gallery</strong>, London<br />

14 Book online at dulwichpicturegallery.org.uk<br />

<strong>Jan</strong>uary — <strong>Apr</strong>il <strong>2017</strong> 15


LECTURES AND TALKS<br />

IN SIGHT<br />

10.30-11.30am/Linbury Room<br />

Series of 3 £32, £26 Friends<br />

Single lecture £12, £10 Friends<br />

Coffee afterwards<br />

21st Century Women Artists: a<br />

stellar collection in Cambridge<br />

Paula Rego, Cornelia Parker,<br />

Maggi Hambling, Bridget Riley<br />

and Judy Chicago all have work<br />

in the New Hall Art Collection,<br />

Murray Edwards College,<br />

Cambridge. It is the largest<br />

and most significant collection<br />

of contemporary women’s art<br />

in Europe, and is still growing.<br />

This series looks at the story of<br />

the collection with talks by the<br />

artists represented.<br />

Why women, why then,<br />

why now?<br />

Wednesday 25 <strong>Jan</strong>uary<br />

Eliza Gluckman tells the story<br />

of the New Hall Art Collection<br />

through its paintings, from the<br />

acquisition that spurred it in<br />

the late 1980s, to its continued<br />

importance in the story of<br />

women artists and their careers.<br />

Eliza Gluckman, Curator, New Hall<br />

Art Collection<br />

Gayle Chong Kwan, Artist<br />

Wednesday 1 February<br />

Scottish-born and Londonbased,<br />

Gayle exhibited in the<br />

Venice Biennale in 2011 and<br />

internationally. She works<br />

primarily with photography and<br />

installation to create fantastical<br />

landscapes and environments<br />

consisting primarily of waste<br />

materials, creating beautiful,<br />

challenging art works.<br />

Eileen Cooper RA, Keeper of<br />

the Royal Academy<br />

Wednesday 8 February<br />

An accomplished painter and<br />

printmaker, Eileen Cooper’s<br />

practice is underpinned by<br />

drawing. The figure of a woman<br />

is central to her imagery:<br />

heroine, goddess, mother, lover.<br />

Eileen will talk about her practice<br />

and her view on women’s art as<br />

seen from her current role as<br />

Keeper of the RA.<br />

All in the detail: art in<br />

miniature<br />

This series examines three<br />

diverse forms of art, to show<br />

how the finest artists and<br />

craftsmen adopted a small<br />

format to create a big impact in<br />

terms of beauty, charm, drama<br />

and emotion.<br />

‘My portrait in little’: 16th<br />

century portrait miniatures<br />

Wednesday 1 March<br />

The miniature is among the most<br />

sophisticated products of 16th<br />

century England. This lecture will<br />

focus on the finest Tudor portrait<br />

miniaturists, including Hans<br />

Holbein II, Nicholas Hilliard and<br />

Isaac Oliver.<br />

Karen Hearn, Hon. Professor,<br />

University College London<br />

The World Made Small:<br />

miniatures from the V&A<br />

Museum of Childhood<br />

Wednesday 8 March<br />

The miniaturisation of everyday<br />

objects has a long history,<br />

but what is it that makes them<br />

so charming? Both adults<br />

and children delight in these<br />

treasured items, many of which<br />

are in the Museum’s collections.<br />

They show us a child’s eye view<br />

of our world, from home, travel,<br />

war and entertainment.<br />

Esther Lutman, Curator at the V&A<br />

Museum of Childhood<br />

Microcosms and<br />

Microworlds: ivory carvings<br />

from the Middle Ages<br />

Wednesday 15 March<br />

Medieval ivory diptychs,<br />

triptychs and tiny tabernacles<br />

contain miniature worlds.<br />

Tableaus of biblical scenes<br />

and apocryphal stories are<br />

contained and framed. This<br />

lecture explores the skill of the<br />

medieval carver and the role<br />

that miniaturisation played in<br />

the status of ivory carvings.<br />

Naomi Speakman, Curator Late<br />

Medieval Europe, British Museum<br />

Hepworth Statue: © New Hall Art<br />

Collection at Murray Edwards College,<br />

University of Cambridge<br />

Gayle Chong Kwan, Babel 2004, © New Hall Art Collection at<br />

Murray Edwards College, University of Cambridge<br />

Nicholas Hilliard, Portrait of a<br />

Young Man, Probably Robert<br />

Devereux, Second Earl of<br />

Essex, 1588<br />

16 Book online at dulwichpicturegallery.org.uk<br />

<strong>Jan</strong>uary — <strong>Apr</strong>il <strong>2017</strong> 17


GALLERY FILM<br />

GALLERY MUSIC<br />

Each sociable evening<br />

includes:<br />

A complimentary glass of wine,<br />

snacks and film notes<br />

Bar opens at 7.00pm<br />

Screenings at 7.30pm<br />

Linbury Room<br />

£9, £7 Friends<br />

Shirley Valentine<br />

(1989)<br />

Cert 18/108 mins<br />

Monday 9 <strong>Jan</strong>uary<br />

Directed by Lewis Gilbert with<br />

Pauline Collins, Tom Conti, Julia<br />

McKenzie, Alison Steadman,<br />

Joanna Lumley and Sylvia<br />

Syms.<br />

Award-winning romantic<br />

comedy telling the story<br />

of Shirley, a middle-aged<br />

Liverpool housewife, who<br />

breaks free of a world of<br />

domesticity.<br />

East of Eden<br />

(1955)<br />

PG/115 mins<br />

Monday 13 February<br />

Directed by Elia Kazan with<br />

James Dean, Julie Harris,<br />

Raymond Massey and Burl Ives.<br />

Based on the novel by John<br />

Steinbeck, a wilful young man<br />

contends against his brother<br />

for the attention of their<br />

religious father.<br />

Quiz Show<br />

(1995)<br />

Cert 15/133 mins<br />

Monday 13 March<br />

Directed by Robert Redford with<br />

Paul Scofield, Rob Morrow, John<br />

Turturro and Ralph Fiennes.<br />

A true story of the<br />

discrimination, pay-offs, and<br />

cover-ups behind the scenes<br />

of the most popular intellectual<br />

game show in 1958.<br />

American Friends<br />

(1991)<br />

Cert PG/95 mins<br />

Monday 10 <strong>Apr</strong>il<br />

Directed by Tristram Powell,<br />

with Michael Palin, Alfred<br />

Molina, Jonathan Firth and<br />

Connie Booth.<br />

Oxford Professor Frances<br />

Ashby meets and befriends two<br />

women holidaying in the Swiss<br />

Alps in 1861. They follow him<br />

back to campus and move into<br />

a nearby home to pursue him<br />

but unfortunately, university<br />

professors are forbidden to<br />

marry, and Francis must choose<br />

between love and his career.<br />

Includes a personal introduction<br />

by the director, Tristram Powell<br />

and a Q&A session at the end.<br />

Why ‘Live’ Matters – where<br />

Britain’s Cultural Revolution<br />

is going<br />

Thursday 2 February<br />

7.30pm/Linbury Room<br />

£14, £12 Friends includes a<br />

glass of wine<br />

Tom Sutcliffe, long-time opera<br />

critic for the Guardian and the<br />

Evening Standard, will share his<br />

concerns about the future of<br />

live classical music.<br />

The Castalian String Quartet<br />

Castalian String Quartet<br />

Wednesday 22 March<br />

7.30pm/<strong>Gallery</strong><br />

£20, £18 Friends includes a<br />

glass of wine; under 18s £10<br />

The Castalians are rapidly<br />

emerging as an exciting<br />

voice on the international<br />

chamber music scene.<br />

Prize-winners at Hanover<br />

(2013), Lyon (2015) and<br />

at Banff (2016), they have<br />

already performed widely<br />

throughout Europe. They will<br />

play Schubert, Schumann<br />

and Beethoven.<br />

LUNCHTIME CONCERT<br />

SERIES<br />

From Blues to Bach<br />

1.30-2pm/Christ’s Chapel<br />

Wednesdays <strong>Jan</strong>uary 18, 25<br />

February 1, 8, 15<br />

March 1, 8, 15<br />

Enter from the cloister in<br />

<strong>Dulwich</strong> <strong>Picture</strong> <strong>Gallery</strong><br />

Admission free<br />

The free lunchtime concerts<br />

are back again with talented<br />

students from local schools:<br />

<strong>Dulwich</strong> College, JAGS and<br />

Alleyn’s School, who will both<br />

entertain and impress you with<br />

their musicianship, all in the<br />

impressive surroundings of<br />

Christ’s Chapel.<br />

James Dean, East of Eden, 1955<br />

Pauline Collins and Tom Conti,<br />

Shirley Valentine, 1989<br />

18 Book online at dulwichpicturegallery.org.uk<br />

<strong>Jan</strong>uary — <strong>Apr</strong>il <strong>2017</strong> 19


PRACTICAL ART<br />

FOR ADULTS<br />

PAINTING AND DRAWING<br />

Expressionist Nudes<br />

Five Mondays from 23 <strong>Jan</strong>uary<br />

to 20 February<br />

10.30am – 12.30pm<br />

£150, £145<br />

Take inspiration from the iconic<br />

pink nudes of Vanessa Bell and<br />

Henri Matisse. Learn to paint in<br />

oil and acrylics and work from<br />

both life models and still lives<br />

to create several expressionist<br />

paintings. Includes a special visit<br />

to the Vanessa Bell exhibition.<br />

With artist Rebecca Allen<br />

Vanessa Bell: Still Life<br />

Five Mondays from 13 March<br />

to 10 <strong>Apr</strong>il<br />

10.30am – 12.30pm<br />

£150, £145<br />

Adopt Vanessa Bell’s bold use<br />

of colour in your compositions<br />

on paper. Work from classic<br />

interior set-ups to emulate<br />

the work and style of The<br />

Bloomsbury Group and create<br />

finished oil pastel drawings.<br />

With artist Liz Charsley–Jory<br />

Artists’ Choice<br />

Five Tuesdays from 17 <strong>Jan</strong>uary<br />

to 14 February<br />

10.30am – 12.30pm<br />

£150, £145<br />

Through the study of practical<br />

work, exercises and discussion<br />

you will create works on paper<br />

by considering process and<br />

observation, materials and<br />

colour. At the end of the course<br />

you will have explored many<br />

techniques inspired by the<br />

<strong>Gallery</strong>’s Permanent Collection.<br />

With artist Kim Jacobson<br />

MIXED MEDIA<br />

Collage: Colour, shape<br />

and composition<br />

Five Tuesdays from 28 February<br />

to 28 March<br />

7 – 9pm<br />

£150, £145<br />

Explore different collage<br />

techniques inspired by Vanessa<br />

Bell’s experimental approach<br />

to the medium. Develop your<br />

colour mixing and compositionbuilding<br />

skills and create a series<br />

of bold and innovative works.<br />

With artist Jo Lewis<br />

Applied Patterns<br />

Five Tuesdays from 7 March<br />

to 4 <strong>Apr</strong>il<br />

10.30am – 12.30pm<br />

£150, £145<br />

Take inspiration from the<br />

Bloomsbury Group and explore<br />

a range of applications for<br />

decorative applied art. Design<br />

and make ceramic tiles and<br />

produce small prints to apply<br />

to handmade book covers and<br />

endpapers.<br />

With artist Jo Veevers<br />

Composition Workshop<br />

Saturday 11 March<br />

10am – 3pm<br />

£75, £70<br />

This one day workshop, based<br />

in the studio and <strong>Gallery</strong> will<br />

explore the practical tasks it takes<br />

to establish a strong composition,<br />

including movement, diction,<br />

depth, volume and light and dark.<br />

With artist Peter Brown<br />

FOR YOUNG PEOPLE<br />

15 – 18 YRS:<br />

The Artist’s Practice: painting<br />

and drawing<br />

Five Tuesdays from 3 <strong>Jan</strong>uary<br />

to 31 <strong>Jan</strong>uary<br />

4.30 – 6pm<br />

£75<br />

Explore several aspects of an<br />

artist’s practice and build a<br />

portfolio under experienced<br />

guidance. Using a range a<br />

materials including chalks,<br />

charcoals, graphite, paints and<br />

inks, create works on paper.<br />

With artist Kim Jacobson<br />

Vanessa Bell: Portraiture<br />

Five Tuesdays from 28 February<br />

to 28 March<br />

4.30 – 6pm<br />

£75<br />

Create well-composed<br />

portraits and self-portraits and<br />

enhance your life drawing skills.<br />

Taking inspiration from the<br />

work of Vanessa Bell and The<br />

Bloomsbury Group, experiment<br />

with oil pastels and learn new<br />

techniques, including colour<br />

building and blending.<br />

With artist Liz Charsley-Jory<br />

11 – 14 YRS:<br />

The Book Project<br />

Three Thursdays from 26<br />

<strong>Jan</strong>uary to 9 February<br />

4.30 – 6pm<br />

£45<br />

Become a bookbinder<br />

and printmaker! Visit the<br />

Vanessa Bell exhibition and<br />

the permanent collection to<br />

gather ideas, and experiment<br />

with various relief and intaglio<br />

printmaking techniques to<br />

create high-quality prints and<br />

hand-bound books.<br />

With artist Nikki Gardham<br />

Mosaics<br />

Five Thursdays from 2 March<br />

to 30 March<br />

4.30 – 6pm<br />

£75<br />

Explore the decorative arts of<br />

The Bloomsbury Group and<br />

create your own mosaic designs.<br />

Learn techniques such as cutting,<br />

grouting and fixing tiles and<br />

create your very own mirror<br />

frame and pot.<br />

With artist Jo Veevers<br />

7 – 10 YRS:<br />

When I’m an artist<br />

Five Wednesdays from 4<br />

<strong>Jan</strong>uary to 1 February<br />

4.30 – 6pm<br />

£75<br />

Explore traditional materials<br />

such as egg tempera and<br />

gold leaf, and learn painting<br />

techniques used by Monet,<br />

Pollock and Hirst. In this course<br />

you will create original artworks<br />

inspired by interesting artists and<br />

their innovative techniques.<br />

With artist Jo Lewis<br />

20 Book online at dulwichpicturegallery.org.uk<br />

<strong>Jan</strong>uary — <strong>Apr</strong>il <strong>2017</strong> 21


LONDON VISITS AND WALKS<br />

Decorative Art<br />

Five Wednesdays from 1 March<br />

to 29 March<br />

4.30 – 6pm<br />

£75<br />

Create your own patterns inspired<br />

by the decorative arts of Vanessa<br />

Bell and The Bloomsbury Group.<br />

Develop your drawing and<br />

sculpting skills and create your<br />

own decorative papier mache<br />

bowls and pot designs.<br />

With artist Jo Veevers<br />

Half Term Courses:<br />

6 – 9 YRS:<br />

Self–portraits in the classical<br />

style<br />

Two days Wednesday 15 and<br />

Thursday 16 February<br />

10.30am – 12.30pm<br />

Take inspiration from the <strong>Gallery</strong>’s<br />

old master paintings and create<br />

your own unique self–portrait<br />

finished in a "gilded" frame.<br />

With artist Liz Charsley – Jory<br />

10 – 12 YRS:<br />

DPG in CMY (Cyan, Magenta,<br />

Yellow)<br />

Two days Wednesday 15 and<br />

Thursday 16 February<br />

2 – 4pm<br />

Using a layered printing process,<br />

create exciting interpretations<br />

of the <strong>Gallery</strong>’s masterpieces. By<br />

overlaying the CMY colours, red,<br />

green and purples will appear,<br />

revealing surprising images at<br />

the last moment!<br />

With artist Nikki Gardham<br />

OFF THE WALL<br />

Saturday 21 <strong>Jan</strong>uary<br />

Saturday 11 February<br />

Saturday 18 March<br />

Saturday 15 <strong>Apr</strong>il<br />

2 – 4pm<br />

FREE<br />

“I like not knowing what<br />

we’re doing until I turn up!”<br />

Discuss, debate and<br />

have your say!<br />

Meet new people, work with a<br />

professional artist and engage<br />

in lively discussion as you<br />

challenge the role of Galleries<br />

for young people today – what<br />

they represent and who they’re<br />

for. Working in the <strong>Gallery</strong><br />

you will explore universal<br />

themes such as love, power,<br />

beauty and equality using<br />

the collection and temporary<br />

exhibitions as your stimuli. Join<br />

us as we find new and creative<br />

ways to express these ideas -<br />

it’s your space and your voice.<br />

Book your place<br />

Emma Hollamby<br />

020 8299 8753 / e.hollamby@<br />

dulwichpicturegallery.org.uk<br />

Generously supported<br />

by the Sir David Hancock<br />

Learning Fund<br />

The Speaker’s House,<br />

Parliament<br />

Tuesday 10 <strong>Jan</strong>uary<br />

11.00am for 11.45am (20<br />

minutes needed to clear<br />

security)<br />

£12, Friends £10<br />

Meet: 11.00am at the Cromwell<br />

Green entrance to Parliament<br />

Wheelchair access: Yes, but<br />

please arrive early<br />

Queen’s House, Greenwich<br />

Monday 6 February<br />

11am – 12pm<br />

£14, Friends £12<br />

Meet: 10.45am, outside<br />

Romney Rd, Greenwich,<br />

London SE10 9NF<br />

Wheelchair Access: Yes<br />

The Great Fire of<br />

London Walk<br />

Wednesday 22 February<br />

10.30am - 12.30pm<br />

£12, Friends £10<br />

Meet: 10.30am, outside the<br />

entrance to the Monument to<br />

the Great Fire, EC4R 9AA<br />

Wheelchair access: No,<br />

participants need to be fit and<br />

fully mobile<br />

British Library<br />

Conservation Studio<br />

Thursday 9 March<br />

2 – 3pm<br />

£20, Friends £15<br />

After an introduction on<br />

the work of the studio,<br />

conservators will show us<br />

what they are working on<br />

and describe the task and<br />

techniques involved.<br />

Meet: 2.00pm in the Foyle<br />

exhibition area, Centre for<br />

Conservation, British Library<br />

Wheelchair access: Yes<br />

Vintners Hall<br />

Tuesday 14 March<br />

11am - 12.30pm<br />

£18, Friends £15<br />

Meet: 10.45am at the front<br />

door, 68 Upper Thames Street,<br />

London, EC4V 3BG<br />

Wheelchair Access: No<br />

Bloomsbury Literary Walk<br />

Thursday 23 March<br />

10.30am - 12.30pm<br />

£15, Friends £12<br />

See the homes of Vanessa<br />

Bell and Virginia Woolf, and<br />

discover more about other<br />

members of the group, all<br />

within a well-preserved<br />

quarter of Georgian London.<br />

Meet: 10.30am outside Warren<br />

Street tube station<br />

Wheelchair access: No,<br />

participants will need to be fit<br />

and fully mobile<br />

Spencer House<br />

Monday 10 <strong>Apr</strong>il<br />

11.00am – 12.30pm<br />

£16, Friends £14<br />

Meet: 10.45am, outside 27<br />

St James's Place, London,<br />

SW1A 1NR<br />

Wheelchair Access: Yes<br />

GALLERY CAFÉ<br />

A taste of what you can enjoy at<br />

the <strong>Gallery</strong>’s contemporary café<br />

this winter<br />

Early morning openings and<br />

brunch<br />

From 4 <strong>Jan</strong>uary the café will<br />

open from 8am Tuesday -<br />

Saturday and 9.30am on<br />

Sundays. Treat yourself to a<br />

healthy and hearty breakfast<br />

which includes chia and oat<br />

porridge and smashed avocado<br />

on sourdough. For the late risers,<br />

relax over brunch with family and<br />

friends.<br />

Union Roasted Coffee<br />

The café has partnered with<br />

Union Roasted Coffee to provide<br />

the perfect beans to match the<br />

new breakfast menu.<br />

Craft Beers<br />

Sample craft beers from local<br />

Herne Hill micro-brewery,<br />

Canopy Beer.<br />

Winter Menu<br />

The café’s new winter menu<br />

features British favourites such<br />

as kedgeree, bubble & squeak<br />

and stilton rarebit, as well as a<br />

traditional Sunday roast with<br />

supersized Yorkshire puddings.<br />

22 Book online at dulwichpicturegallery.org.uk


Become a Friend<br />

of <strong>Dulwich</strong><br />

<strong>Picture</strong> <strong>Gallery</strong><br />

and enjoy free<br />

entry to the<br />

collection and all<br />

our exhibitions,<br />

all year round<br />

As a Friend you enjoy:<br />

Unlimited FREE entry to all<br />

visiting exhibitions<br />

Unlimited FREE entry to the<br />

Permanent Collection<br />

Invitations to Friends Private<br />

Views<br />

Friends Rates on tickets for<br />

lectures, art classes, talks &<br />

events<br />

The award-winning In View<br />

magazine issued 3 times a year<br />

The opportunity to get involved<br />

with the work of the Friends<br />

Options to join as Friend Plus or<br />

Friends Extra and bring a family<br />

guest/guests<br />

The <strong>Gallery</strong>’s monthly e-news<br />

Friend — £35 a year<br />

<strong>On</strong>e person, no family guest<br />

Friend Plus — £50 a year<br />

<strong>On</strong>e person plus one family<br />

guest<br />

Friend Extra — £70 a year<br />

Two members at a single<br />

address plus two family guests<br />

JOIN TODAY<br />

To join the Friends or volunteer<br />

visit dulwichpicturegallery.<br />

org.uk/join or call at the Friends<br />

Desk in the <strong>Gallery</strong>

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