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Photo: Scott McKenzie<br />
Photo: Chris Loomis<br />
TI-99-4A: THE BEGINNING<br />
Fleenor grew up as the computer was first emerging. At<br />
a young age he was drawn to the strange device, and<br />
as an eight-year-old begged his parents incessantly<br />
to buy him one. Right when he got his first<br />
computer—the TI-99-4A—he started programming.<br />
“The programming language was called BASIC,”<br />
Fleenor said. “That’s all I would do, experiment and<br />
try to make little games. You could do some graphics<br />
and simple logic and interfaces. I just had an affinity.<br />
I’m grateful for that.” Though programming and<br />
making games was fun, Fleenor always wanted<br />
to make music with computers, even though there<br />
wasn’t the infrastructure to do that at the time.<br />
“Some of my friends from junior high school<br />
remember my elaborate hoaxes about music-making<br />
computers that I had access to,” Fleenor said. “I<br />
would read computer magazines and knew that<br />
would be my world someday. They were very, very<br />
expensive back then.” School wasn’t engaging for<br />
Fleenor, so he would spend most of his time working<br />
with computers and making videos with his friends.<br />
Most of what he knows is self-taught. He is in many<br />
ways a product of the DIY age invoked by the onset<br />
of the computer.<br />
To foster his musical passion, Fleenor would go to<br />
the local mall and play keyboard until they closed.<br />
He was entranced by the synthesizer and its capacity<br />
to stretch the bounds of music as he knew it. The<br />
synthesizer was the voice of the future, and he<br />
wanted to harmonize with it. “It wasn’t until around<br />
the time I got out of high school that I figured out<br />
how to get enough money to buy my first sampling<br />
workstation,” Fleenor said. “It was an Ensoniq EPS<br />
16Plus, with a 61-key keyboard. It was an all-in-one<br />
workstation that you could play live. That was the<br />
beginning of me being able to jump into the artistic<br />
side.” Fleenor’s favorite band was the new wave<br />
group Depeche Mode, and he aimed to make music<br />
similar to that.<br />
Fleenor ended up going to Arizona State University<br />
and majoring in psychology. After his undergrad,<br />
he signed up for a graduate program in neuropsychology,<br />
and he liked it, but he enjoyed working<br />
with computers and making music even more. He<br />
formed a band around that time called Mr. Meeble,<br />
and they were eventually able to go on a world<br />
tour. That opportunity was more exciting than<br />
grad school, so he decided to follow his heart.<br />
“That was the end of my academic path,” Fleenor<br />
said. “Not to say that I don’t respect academia, but I<br />
definitely can’t see myself ever going back to school.<br />
There are certain people that are made for school. I<br />
was never like that.”<br />
EPIC FX<br />
After months of touring with Mr. Meeble, Fleenor<br />
found himself financially depleted and seeking<br />
ways to make money. His girlfriend, Karina,<br />
suggested that he work with lasers like he did<br />
during the tour. That struck a chord, and Fleenor<br />
decided to use his SEO skills to create a website<br />
that advertised world-class laser services. But the<br />
problem was, at that point, he wasn’t a worldclass<br />
laser guy. He was really more of a beginner.<br />
However, he didn’t let that stand in his way.<br />
“When I built the website I had to create this image<br />
of expertise even though I had very little idea what I<br />
was doing,” Fleenor said. “I remember the first time a<br />
person called from a search engine. The conversation<br />
was about me having to represent. Really, I was<br />
speaking about my future me. That’s the best kind<br />
of lie, when you are speaking about your future life,<br />
while manifesting it into a reality. That was the<br />
beginning of Epic FX,” Fleenor said.<br />
10 JAVA<br />
MAGAZINE