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Issue 74 / February 2017

February 2017 issue of Bido Lito! Featuring THE ORIELLES, OYA PAYA, NIK COLK VOID, DANNY BOYLE, THE LEMON TWIGS and much more.

February 2017 issue of Bido Lito! Featuring THE ORIELLES, OYA PAYA, NIK COLK VOID, DANNY BOYLE, THE LEMON TWIGS and much more.

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42<br />

Bido Lito! <strong>February</strong> <strong>2017</strong> Reviews<br />

room is enveloped in the very palm of his hand<br />

throughout, hanging on every word, every<br />

gentle fingerpicked guitar melody, every lyrical<br />

twist, and even every cough. If anything, the<br />

slight (and in truth, it was really only slight)<br />

crack in the vocal only serves to add depth and<br />

drama to these beguiling songs of love, life and<br />

longing. The audience sits almost hypnotic in<br />

attention, drawn in by the tales held in old<br />

favourites such as Shipwreckers, or Broken<br />

Wave, a haunting depiction of the pain in the<br />

loss of a close friend, in Yorkston’s case that<br />

of Doogie Paul, his best mate and bass player.<br />

Anyone who’s experienced such a visceral,<br />

burning, and all-encompassing pain can relate:<br />

the ‘if only’s, the need for more time, and the<br />

dreadful and absolute finality of the goodbye.<br />

The room is left stunned by its beauty, and his<br />

devoted and distraught performance, as the<br />

song’s final notes seem to hang in the air long<br />

after they’ve faded into a deep silence.<br />

We find in James Yorkston, on that cold<br />

winter’s evening, the warm charm, and selfdeprecating<br />

humour of a performer, wide-eyed<br />

with wonder and appreciation at the reception<br />

he receives from a dedicated and committed<br />

roomful of music lovers, more family than fans,<br />

guests at a party more than mere gig lovers,<br />

such is the intimacy of the songs, the room, and<br />

the many happy moments he brings.<br />

Paul Fitzgerald / @NothingvilleM<br />

BILL RYDER-JONES<br />

By The Sea – Matt Maltese<br />

Harvest Sun @ Floral Pavilion<br />

Has Bill stitched us up tonight? He’s brought<br />

us over to New Brighton’s Floral Pavilion,<br />

looking out onto the lashing waves of the<br />

Mersey on one of the coldest nights of the<br />

year, where there’s still frost on the ground.<br />

It had better be worth it. Although, I think we<br />

know it will.<br />

The conference room is well carpeted and<br />

spotlessly clean – a little too corporate for<br />

this kind of event, perhaps, but once the light<br />

goes down and MATT MALTESE emerges we’re<br />

beginning to lose ourselves a little. Maltese<br />

is a revelation as it happens. His songs are as<br />

cinematic as their delivery is theatrical. There is<br />

no denying the flourishes of Rufus Wainwright<br />

but the lyrical content is way more off the wall.<br />

Sat alone at his keyboard, Maltese’s songs of<br />

the city are bittersweet in the extreme, and<br />

tell of 21 st century romances in the strangest<br />

Bill Ryder-Jones (John Johnson / johnjohnson-photography.com)<br />

of places, Tesco being one of them. Perhaps<br />

the highlight of his set is As The Earth Caves<br />

In, a love story that involves Putin and Theresa<br />

May, snuggling up on the couch on the night<br />

the red button is pressed. It’s a perfect mix<br />

of politics and twisted romance. Maltese has<br />

been working in the studio with BILL RYDER-<br />

JONES, but any similarities end there; he has a<br />

unique sound and lyrics to match.<br />

BY THE SEA provide perfect support tonight,<br />

the fellow Wirralites headed, conveniently, by<br />

Liam Power of Bill’s band. They are a great band<br />

in fairness and are satisfying for anyone who<br />

left their heart in 1986, even if they weren’t born<br />

then. Power’s vocals sound eerily like Lloyd<br />

Cole at times and the songs are cast from the<br />

same mould. Jangly guitars give way to darker<br />

times in the middle section and Cornucopia<br />

rounds up the short set with pure Bunnymen<br />

flourishes. Power may be overshadowed by Bill<br />

Ryder-Jones, but potentially he has talent in<br />

spades that could one day draw even.<br />

Our headliner enters the scene about 15<br />

minutes earlier than planned so everyone can<br />

get home safe. Phew! New Brighton does feel<br />

a million miles from civilisation tonight so we<br />

are grateful. Nice touch Bill.<br />

He’s not well, this is clear, but he’s not letting<br />

that get in the way. We’re only a few songs in<br />

and already the slightly moody, subdued singer<br />

we saw at the Arts Club has been replaced by<br />

a consummate pro. The set has a structure,<br />

the banter between songs is hilarious and the<br />

band are as tight as the proverbial camel’s arse<br />

in a sand storm.<br />

True to his word, Bill treats his own “Leisure<br />

Peninsula” to a strong opening run that<br />

includes He Took You In His Arms (rapturous<br />

applause), Let’s Get Away From Here and<br />

There’s A World Between Us. He’s got a great<br />

back catalogue already and it’s never sounded<br />

so good. Although Let’s Get Away… is from the<br />

last album, (he’s gone off track already).<br />

His solo spot opens with By The Morning<br />

I, which sounds uncannily like Strands era<br />

Michael Head as Bill’s vocals are a little fragile<br />

tonight. It’s a beautiful moment, closely<br />

followed by pared down versions of Seabirds<br />

and Put It Down (possibly the highlights of the<br />

night). Baby, a new song is dedicated to Bill’s<br />

Mum who’s not here tonight, and he makes<br />

sure we don’t think the song is actually about<br />

her. Admittedly, that might be a bit weird.<br />

The expected chatting in the crowd during<br />

these quieter moments is becoming annoying<br />

and people are shushing them down “thanks<br />

for that” says Bill to “the shushers”.<br />

As promised, the second half is a run through<br />

the best bits of West Kirby County Primary,<br />

the album that won us all over last year and<br />

transformed Bill from “Him from The Coral”<br />

to a bona fide artist in his own right. Two To<br />

Birkenhead is always going to be a crowd<br />

pleaser and Catharine And Huskisson is the<br />

only track that can better it tonight.<br />

The album run is interrupted by another new<br />

song, There Are Worse Things. There certainly<br />

are, this is a brilliant song that could be next<br />

year’s Two To Birkenhead, riffing on The Velvet’s<br />

Sweet Jane – it’s perfect.<br />

The show ends with a wonderfully<br />

predictable trio of Daniel, Wild Roses and<br />

Satellites. If it’s all about pleasing the crowd,<br />

then Bill just scored a blinder and off we all go<br />

in time for the last train. Thanks for that Bill.<br />

Del Pike / @del_pike<br />

MINOR VICTORIES<br />

Loved Ones<br />

Harvest Sun @ The Magnet<br />

On a bitter Sunday night in mid-December<br />

we find ourselves in The Magnet’s underground<br />

basement. The likes of Mogwai, Slowdive and<br />

Editors are names more readily associated with<br />

stadium tours than small back rooms so the<br />

chance to catch members of each under the<br />

guise of MINOR VICTORIES seems too good an<br />

opportunity to miss.<br />

First, we get a rare chance to catch elusive<br />

LOVED ONES. Having been a stalwart on the<br />

Merseyside scene for years, Nik Glover, formerly<br />

bidolito.co.uk

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