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Peter and Mary a Romeo and Juliet tale

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Since you've come into my life there are<br />

so many new emotions <strong>and</strong> feelings<br />

<strong>Peter</strong>


Capulet’s Garden<br />

Enter Chorus<br />

Now old desire doth in his death-bed lie,<br />

And young affection gapes to be his heir;<br />

That fair for which love groan’d for <strong>and</strong> would die,<br />

With tender <strong>Mary</strong> match’d, is now not fair.<br />

Now <strong>Peter</strong> is belov’d <strong>and</strong> loves again,<br />

Alike bewitched by the charm of looks,<br />

But to his foe suppos’d he must complain,<br />

And he steal love’s sweet bait from fearful hooks.<br />

Being held a foe, he may not have access<br />

To breathe such vows as lovers use to swear;<br />

And he as much in love, him means much less<br />

To meet him new-beloved any where.<br />

But passion lends them power, time means, to meet, Tempering<br />

extremities with extreme sweet.


SCENE I.<br />

A Lane by the Wall of Capulet’s Orchard<br />

Enter PETER<br />

<strong>Peter</strong>. Can I go forward when my heart is here?—<br />

Turn back, dull earth, <strong>and</strong> find thy centre out.<br />

[He climbs the wall, <strong>and</strong> leaps down within it.<br />

Enter Benvolio <strong>and</strong> Mercutio<br />

Benvolio. <strong>Peter</strong>! my cousin <strong>Peter</strong>! <strong>Peter</strong>!<br />

Mercutio. He is wise,<br />

And, on my life, hath stolen him home to bed.<br />

Benvolio. He ran this way, <strong>and</strong> leap’d this orchard wall;<br />

Call, good Mercutio.<br />

Mercutio. Nay, I’ll conjure too.—<br />

<strong>Peter</strong>! humours! madman! passion! lover!<br />

Appear thou in the likeness of a sigh!<br />

Speak but one rhyme, <strong>and</strong> I am satisfied;<br />

Cry but ‘Ay me!’ pronounce but ‘love’ <strong>and</strong> ‘dove’;<br />

10<br />

Speak to my gossip Venus one fair word,<br />

One nickname for her purblind son <strong>and</strong> heir,


Young Abraham Cupid, he that shot so trim<br />

When King Cophetua lov’d the beggar-maid!—<br />

He heareth not, he stirreth not, he moveth not;<br />

The ape is dead, <strong>and</strong> I must conjure him.—<br />

I conjure thee by Rosaline’s bright eyes,<br />

By her high forehead <strong>and</strong> her scarlet lip,<br />

That in thy likeness thou appear to us!<br />

Benvolio. An if he hear thee, thou wilt anger him.<br />

20<br />

Mercutio. This cannot anger him; ‘twould anger him<br />

To raise a spirit in his mistress’ circle<br />

Of some strange nature, letting it there st<strong>and</strong><br />

Till she had laid it <strong>and</strong> conjur’d it down.<br />

That were some spite; my invocation<br />

Is fair <strong>and</strong> honest, <strong>and</strong> in his mistress’ name<br />

I conjure only but to raise up him.<br />

Benvolio. Come, he hath hid himself among these trees,<br />

To be consorted with the humorous night;<br />

Blind is his love <strong>and</strong> best befits the dark.<br />

30<br />

Mercutio. If love be blind, love cannot hit the mark.—<br />

<strong>Peter</strong>, good night.—I’ll to my truckle-bed;<br />

This field-bed is too cold for me to sleep.<br />

Come, shall we go?<br />

Benvolio.Go, then; for ‘tis in vain<br />

To seek him here that means not to be found. [Exeunt.

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