Canberra Glassworks Masterclasses & Artist Access
A description of the masterclasses on offer at Canberra Glassworks in 2017, as well as a comprehensive guide to artist access - facilities, residencies and events.
A description of the masterclasses on offer at Canberra Glassworks in 2017, as well as a comprehensive guide to artist access - facilities, residencies and events.
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1<br />
<strong>Masterclasses</strong><br />
The masterclass schedule for 2017 is a<br />
significant addition to our established<br />
education program at <strong>Canberra</strong> <strong>Glassworks</strong>,<br />
a world-class artist access facility unlike any<br />
other in the southern hemisphere.<br />
Students will not only get the opportunity to develop new skills in<br />
glass but will also have the benefit of sharing their experience and<br />
expertise with makers from around the country and the world.<br />
So often we work away in the solitude of our studios, only sharing<br />
the final results in bodies of work for exhibition, and in a time when<br />
so much can be viewed there is still no substitute for the experiences<br />
gained from taking a workshop with a group of like-minded makers.<br />
Each class is led by a skilled professional, and daily interactions<br />
across the class, demonstrations, and discussions both during the<br />
class and after hours, will be highly beneficial to your own practise.<br />
National and international networks developed during a class often<br />
create enduring friendships and a wealth of shared information.<br />
Having taught for many years I am continually reminded that there<br />
are always new ways of approaching making, of working with glass,<br />
and of developing ideas and resolving works.<br />
I hope to see you as part of the program in the future – come join the<br />
stimulating environment of a class in the inspiring architecture of<br />
<strong>Canberra</strong> <strong>Glassworks</strong> and its community of talented artists.<br />
Kirstie Rea<br />
Creative Fellow, 2016<br />
The inimitable cloth-like folds of some of Kirstie Rea’s<br />
kiln formed work, hanging in the Engine Room during<br />
her tenure as Creative Fellow for 2016.