B.Arch Thesis

HOW DO
YOU FEEL I FEEL ISOLATED AND
ONNECTED PASSIVE NOT AND RESPONDING, NOT UNTIL NOW I
participate in life falling into
EMENTS
a
ipate
f Tenochtitlan in AD 1300, which is modern day Mexico City. Tis settlement would become the capitol of the Aztec empire and would prosper for
GUESS COMMUNICATING ON SO MANY LEVELS SIMULTANEOUSL
of fow was by the Aztecs, who established a city on an island in the lake of Tenochtitlan in AD 1300, which is modern day Mexico C
e this is the most in my self I’ve been so far the of the information im receiving, its like somethat
static a workshop for experimental literature be attentive to the accident the possibility of play leave
nterest in how it works unpredictable meanings and efects specifc meanings are less mportant than
orms of spatial segmentation allowing freedom remake the habitat vertical circula
es are conceptual and metaphorical. Tey trace the constellations
the accident the
N OF CONTAINER INFORMATION LANDSCAPE WEAVING OPPORTUNISTICALLY PAY ATTENTION TO THE MATERIAL PROPERTIES OF E
e dead and devastated northern Mexico. When American troops entered northern Mexico in 1846 they found a demoralized people. Tere was little resistance to the Americans from the civilian population. Te result of this war was the treaty of Hidalgo in 1848, where America acquired more than 500,000 square miles of valuable territory and
tion what passes may be a message parasite and static prevent it from being heard be attentive we are concerned with the formation and distribution what passes may be a message parasite and static prevent it from being heard be attentive
its like the dream
its like the dream its like im being prepared for something a fgure in another persons dream life is not a dream and beware and bewar e a nd so many the
the iguana will bite those who do not dream that is self awareness lines walls and dreams you might fnd yourself walking through a dream parking lot
this entire thing we are involved with life is
its like im bein
its like im bein
g
g
its like the dream
its like the
its like the
its like
its like
its
its
its
its like the dream its
its like the dream its
its
its
its
its
its
is happening now i do not exactly disagree bug me i go salsa dancing with my confusion
vast sprawling houses like a well tended crop swirl of houses
tion is the event felds of encounter his
i do not exactly disagree bug me i go salsa dancing with my confusion the iguana will bite those who do not dream that is self awareness lines walls and dreams you might fnd yourself walking through a dream parking lot
ive got the singular of a constant perspectiv
its
its
g
a bad
dream
its not
like a
e open to change a
do you drive a boat car? Tis must be like parallel universe
entation allowing freedom remake the habitat vertical
a propagation of efects careening points distinguish tactical sense of the notion of feld constraints systematic ways of doing things simple structure open to change a propagation of efects careening points distinguish tactical
happening vast sprawling houses like a well tended crop swirl of houses and streets astonishing clarityoutward patterns a hiero
undecipherable forces nothing was
ic
glyphic sense absolute clarity of relationships and structures
its like the dream its like im being prepared for something a fgure in another persons dream life is not a dream and beware and beware and so many the on going wow
d programing into a non specifc fow of events dissolving boun
necessarily react containing no m
ants sent over 50 billion dollars back t
Permeable boundaries, fexible internal relationships, multiple pathways and fuid hierarchies are capable of responding to
ace
Even the lines that defn Even the lines that
what are these strange intermediate zones strict demarcation systems, networks, intermediate zones micro tonality
i do not exactly disagre
Te lines in this category are human
sdfsdf
geod
be dif
ive got the singular of a constant perspective
√ Even the lines that defne landmass are in-
Permeable boundaries, fexible internal relationships,
Te lines in this category
Te lines in this category are human constructs. Tese lines are
conceptual and metaphorical. Tey tr
cult to say is this art or a diagram for art l
e bug me i go salsa dancing with my
felds of
reedom remake the habitat vertical circulation is the event felds of
liqu
an abstract machinE feedback moves reiterative processes systems of fow informatio n e x c h ange these types
do y
ou drive a boat ca
i do n