Filipino News 15 January 2017
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<strong>15</strong>- 31 JAN <strong>2017</strong> - ISSUE 95 | www.filipinonews.nz | email: filipinonews@xtra.co.nz | www.pinoynzlife.nz Facebook: <strong>Filipino</strong> Migrant <strong>News</strong> 09<br />
Continues from pg 08<br />
Discrimination against<br />
foreign domestic helpers is<br />
built into the system. A clear<br />
example is what happened to<br />
Rudelie Acosta. After one of<br />
the pageants she was late<br />
coming back to her employer<br />
and went over her curfew<br />
hours. She was fired on<br />
the spot and was asked to<br />
leave the only lodgings that<br />
she had. Even after pleading<br />
to at least spend the night her<br />
employer refused and kicked<br />
her out without a roof over<br />
her head. On top of this she<br />
only has 2 weeks to find<br />
another employer or she will<br />
lose the right to stay in Hong<br />
Kong.<br />
Although the termination<br />
was abrupt and unfair,<br />
because of the 2 week rule<br />
there's almost no recourse to<br />
both file a complaint and<br />
immediately find a new job.<br />
Rudelie's case is an example<br />
of the unfairness and injustice<br />
that thousands of foreign<br />
domestic helpers find themselves<br />
facing in Hong Kong.<br />
Different foreign workers<br />
associations of Indians, Indonesians,<br />
Thais, Malaysians,<br />
Nepalese and of<br />
course <strong>Filipino</strong>s, have banded<br />
together to formally<br />
complain against the 2 week<br />
rule since the late 1990s. But<br />
the HK SAR has stuck to its<br />
guns, allowing this discriminatory<br />
and racist policy to<br />
The Sunday Beauty Queen(s) in our lives<br />
continue.<br />
A comprehensive article<br />
entitled Maid in Hong<br />
Kong: Protecting Foreign<br />
Domestic Workers explained<br />
clearly how the 2 week<br />
rule is unjust: “Beyond<br />
cramped housing conditions,<br />
the isolation of domestic<br />
workers means that abuses<br />
by employers often go unrepor-ted.<br />
A 2013 survey conducted<br />
by another Hong<br />
Kong based group, Mission<br />
for Migrant Workers,<br />
found that 58 percent of the<br />
more than 3,000 workers<br />
surveyed had experienced<br />
verbal abuse in the home, 18<br />
percent physical abuse and 6<br />
percent sexual abuse.”<br />
The report continues.<br />
“Another policy, the 'two<br />
week rule', mandates that<br />
once foreign domestic workers<br />
quit or are let go, that<br />
they must depart Hong Kong<br />
within two weeks. This policy,<br />
critics say, discourages<br />
domestic workers from seeking<br />
justice in fear that they<br />
could lose their jobs. It also<br />
makes finding a new<br />
employer difficult, as this<br />
process can take from four to<br />
six weeks. Moreover, a visa<br />
extension, the length of<br />
which varies by case, costs<br />
HK $190 (US $24) and during<br />
the extension application<br />
period migrants cannot work<br />
and must pay for their housing<br />
and food. Many domestic<br />
workers, therefore,<br />
choose to stay silent about<br />
abuses.”<br />
Interestingly enough a<br />
possible solution also came<br />
from one of the victimized<br />
helpers in the documentary.<br />
She theorized that no less<br />
than our own Philippine<br />
Screengrab from YouTube / Tuko Film Productions.<br />
government, along with<br />
other nations like India,<br />
Indonesia, Malaysia, Thailand<br />
and others, should<br />
negotiate on behalf of their<br />
workers with the Hong Kong<br />
authorities to abolish the 2<br />
week rule.<br />
Track Record<br />
SUNDAY BEAUTY<br />
QUEEN is another meaningful<br />
and significant creative<br />
contribution from executive<br />
producers Vincent R.<br />
Nebrida, Fernando Ortigas<br />
and E.A. Rocha. These<br />
are the same executive producers<br />
who brought us the<br />
historical hit HENERAL<br />
LUNA and the enchanting<br />
KANA THE DREAM-<br />
WEAVER. In a short period<br />
of time they have established<br />
a winning track record of<br />
award winning and critically<br />
acclaimed films.<br />
Director Babyruth Villarama's<br />
loving and supportive<br />
husband Chuck Gutierrez is<br />
both Producer and Editor.<br />
Chuck has added yet another<br />
BEST EDITING award from<br />
the MMFF to his wins at<br />
Cinemalaya, Cinema One<br />
and many others.<br />
Dexter Dela Peña as cinematographer<br />
also deserves<br />
credit for being able to make<br />
everyday scenes more cinematic.<br />
Even though it was a<br />
run and gun style we were<br />
able to see the character of<br />
the city and more importantly,<br />
the beauty of the contestants.<br />
Babyruth must have<br />
also handled the secondary<br />
camera. The trio of<br />
Babyruth, Dexter and Chuck<br />
have already been together<br />
for several projects, including<br />
JAZZ IN LOVE,<br />
another documentary that<br />
was part of Cinemalaya in<br />
2013.<br />
Invaluable<br />
Watching SUNDAY<br />
BEAUTY QUEEN is so<br />
enriching and educational in<br />
so many ways and on so<br />
many levels. There are many<br />
touching moments between<br />
the families that helpers literally<br />
care for. Employers<br />
address Leo as 'he', even if<br />
he is biologically a woman.<br />
They see him as who he is,<br />
as a person. If you bring<br />
every family member, every<br />
maid, yaya, kusinera and<br />
labandera to this movie then<br />
you will all come out richer<br />
for it. Respect and kindness<br />
truly goes a long way.<br />
Leo uses the earnings<br />
from the pageants to help<br />
domestic helpers who were<br />
abused and need emergency<br />
assistance. In truth, he has<br />
given those who participate<br />
in them and even those who<br />
watch something more valuable.<br />
He has given them a<br />
chance to see and feel the<br />
beauty they have. You can<br />
see the pride in the costumes<br />
and dances, unique to their<br />
provinces and hometowns in<br />
the Philippines. This pride<br />
extends not just to participants,<br />
but to the audiences as<br />
well.