Burma RJ Handbook
A handbook for travellers in Burma, by Paul Strachan.
A handbook for travellers in Burma, by Paul Strachan.
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A BU R M A R I V E R J O U R N E Y<br />
ingly unegotistical. Great kings raised momuments that<br />
w e re technically in advance of contemporay Euro p e a n<br />
cathedrals yet told us nothing about themselves. In their<br />
brief, matter of fact, dedicatory inscriptions they rare l y<br />
boast of wealth or power but rather humbly prey for salvation<br />
for themselves, their subjects and all mankind. In<br />
contemporay Cambodia kings were gods and the centers<br />
of meglamanial cults, living in temple palaces. At Pagan<br />
we do not even know where they lived and all we know of<br />
g reat 12th century kings like Sithu I, who reigned for 30<br />
years, consolidated the empire and completed the gre a t<br />
work of nation wide religious purification, and built the<br />
stupendous That-byin-nyu temple, is his name.<br />
By the erection of the Myazedi inscription in 1113 the<br />
Myanma or Burmese language has come to posess a script<br />
of its own and this is used alongside the ancient religious<br />
language of Pali, and the old languages of Pyu and Mon.<br />
During the early period of Pagan, Mon culture seems to<br />
have been the dominant literary language and is used to<br />
caption paintings in the early temples. By the early 12th<br />
century Old Burmese replaces Mon in popularity. The<br />
Burmese had arrived at a confident expression both in literature<br />
and the visual arts, not to mention structural engineering.<br />
The principal architectural forms, monuments<br />
and periods will be described below.<br />
We know little of kings and the political life and we<br />
know little of the extent and manner in which the empire<br />
was administered. It is curious that there are few monuments<br />
beyond the Pagan plain area but this does not necessarily<br />
mean that the city was highly populated. Rather<br />
as a centre of revenue collection it became a centre for religious<br />
expenditure. Beyond the walls and moat of the<br />
palace-city area were a number of village-like quarters<br />
solely occupied by a particular artisan group. Thus there<br />
w e re villages of wood carvers, brick makers or stucco<br />
workers. The inscriptions detail glebe lands and estates<br />
often far away that supported the maintenance of fabric<br />
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