KENNY GRIBBON

FEB 2017
#03.02
M A G A Z I N E
featuring
KENNY
GRIBBON
RESPECT.
RIDGWAY
ZOLOPHT
ONE SHARP MIND
SHELDON SENIOR
JEMERE MORGAN
REBECCA ARSCOTT
ROOTS / ROCK / REGGAE / RESPECT
ROOTS.
CHRONICLE
H.I.M. Haile Selassie I
ROCK.
ALEX ROGERS (ICBC)
REWIND.
REBEL SALUTE 2017
59th ANNUAL GRAMMY AWARDS
IRIEMAG.COM

ISSUE #03.02 / FEBRUARY 2017
“ Knowledge is power. If it is not applied properly to
create, let there be no doubts, it will destroy.”
- H.I.M. Haile Selassie I
Nicholas ‘Nico’ Da Silva
Founder/Editor in Chief
IRIEMAG.COM

TABLE OF CONTENTS
ROOTS.
ROCK.
REGGAE.
Chronicle
Alex Rogers
Kenny Gribbon
H.I.M. Haile Selassie I
International Cannabis Business Conference
Let There Be Lights
RESPECT.
Kindah
One Family
IRIEMAG.COM
REWIND.
Reggae Month
59th Grammy Awards / Rebel Salute 2017
RIDDIMS.
Irie Trax
Roots. Rock. Reggae.

ETH
ROOTS.
H.I.M. Haile Selassie I
CHRONICLE
IRIEMAG.COM

ROOTS.
H.I.M. HAILE SELASSIE I
CHRONICLE
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WEBSITE
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If you’re one of the many who have chosen reggae as your religion, then you would know that ‘War’ is a song
recorded and made popular by Bob Marley. It first appeared on Bob Marley and the Wailers’ 1976 Island
Records album, ‘Rastaman Vibration’. What you might not know is that the lyrics are almost literally derived
from a speech made by Ethiopian Emperor Haile Selassie I before the United Nations General Assembly. The
song honors Haile Selassie I while calling for action against racial inequality and international injustice. Here
is the part of Haile Selassie’s speech put to music by Marley in his original song, ‘War’.
“ That until the philosophy which holds one race superior and another inferior is finally and permanently
discredited and abandoned; That until there are no longer first-class and second-class citizens of any
nation; That until the color of a man’s skin is of no more significance than the color of his eyes; That until
the basic human rights are equally guaranteed to all without regard to race; That until that day, the dream
of lasting peace and world citizenship and the rule of international morality will remain but a fleeting illusion,
to be pursued but never attained; And until the ignoble and unhappy regimes that hold our brothers
in Angola, in Mozambique and in South Africa in subhuman bondage have been toppled and destroyed;
Until bigotry and prejudice and malicious and inhuman self-interest have been replaced by understanding
and tolerance and good-will; Until all Africans stand and speak as free beings, equal in the eyes of all men,
as they are in the eyes of Heaven; Until that day, the African continent will not know peace. We Africans
will fight, if necessary, and we know that we shall win, as we are confident in the victory of good over evil.”
–H.I.M. Haile Selassie I

Here are the lyrics from the Bob Marley and the Wailers at the album Rastaman Vibration:
Until the philosophy which hold one race superior / And another / Inferior / Is finally / And permanently /
Discredited / And abandoned / -Everywhere is war - / Me say war.
That until there no longer / First class and second class citizens of any nation / Until the colour of a man’s skin
/ Is of no more significance / than the colour of his eyes / - Me say war.
That until the basic human rights / Are equally guaranteed to all, / Without regard to race / - Dis a war.
That until that day / The dream of lasting peace, / World citizenship / Rule of international morality / Will
remain in but a fleeting illusion to be pursued, / But never attained / - Now everywhere is war - / War.
And until the ignoble and unhappy regimes / that hold our brothers in Angola, / In Mozambique, / South Africa /
Sub-human bondage / Have been toppled, / Utterly destroyed / - Well, everywhere is war - / Me say war.
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War in the east, / War in the west, / War up north, / War down south - / War - war - / Rumours of war. / And
until that day, / The African continent / Will not know peace, / We Africans will fight - we find it necessary /
- And we know we shall win / As we are confident / In the victory
Of good over evil -/ Good over evil, yeah! / Good over evil - / Good over evil, yeah! / Good over evil - / Good
over evil, yeah!
In his speech to the U.N., H.I.M. Haile Selassie I reminded his listeners that these are only words; their
value depends wholly on our will to observe and honor them and give them content and meaning.
‘War’ would become one of Bob Marley’s greatest classics, carrying the Rastafari message to the world
in Haile Selassie I’s own words.
War
April 30, 1976
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USA
ROCK.
ALEX ROGERS
IRIEMAG.COM
INTERNATIONAL CANNABIS BUSINESS CONFERENCE

ROCK
ALEX ROGERS
INTERNATIONAL CANNABIS BUSINESS CONFERENCE
Visionary entrepreneur and political activist, Alex Rogers, is the founder and CEO of three thriving
ancillary cannabis businesses. Cutting his teeth as an activist in the early nineties under the tutelage
of Jack Herer, Alex has a deep proprietary knowledge of the industry. He has played a key role in
professionalizing and mainstreaming the cannabis industry, building one of Oregon’s most popular
medical marijuana clinics in a matter of a few years, and the first ever to advertise medical marijuana on
network TV in America. He also founded and runs the Oregon Marijuana Business Conference (OMBC),
the state’s biggest and longest running cannabis business conference. Living in five different countries
throughout his life, and able to communicate in all respective languages, Alex considers himself an
international citizen, thusly spawning his latest creation, the International Cannabis Business Conference
(ICBC). The ICBC is the first and only cannabis business conference in the world to have multiple dates
set in multiple different countries. A Magna Cum Laude graduate in Political Science, he has used his
knowledge of law and politics to push cannabis policy forward all over the world.
As official sponsors of ICBC, IRIE Magazine was on hand to hear Lieutenant Governor of California,
Gavin Newsom, deliver a compelling speech at the VIP Reception which also included appearances by
cultural rock icon, Henry Rollins, the 4-time NBA champ, John Salley, as well as the world renowned,
Tommy Chong. The conference itself kicked off with an amazingly impassioned speech by keynote
Henry Rollins, who doesn’t use cannabis himself but said “if I ever wanted to use it I would like it to
be legal so I could obtain it”. Look for a full in-depth coverage of the ICBC San Francisco 2017, with
Alex Rogers on the cover of our inaugural release of the Spring Edition of IRIE GUIDE... March 30, 2017!
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WEBSITE
internationalcbc.com
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Tommy Chong
ICBC 2017 San Francisco

Alex Rogers & Henry Rollins
ICBC 2017 San Francisco
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USA
REGGAE.
KENNY GRIBBON
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LET THERE BE LIGHTS

REGGAE.
KENNY GRIBBON
LET THERE BE LIGHTS
In 2007, Kenny Gribbon decided to leave behind his career in construction management to pursue his
passion for concert lighting. He worked his way up through the festival circuit where he eventually
met The Hoffman brothers, owners of Pulse Lighting.
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Kenny Gribbon
He joined Pulse Lighting working events such as Osyrusfest, The D.C. Congressional Blues Festival and
various other events up and down the east coast. Kenny took on the LD position for the Colbie Caillat tour,
in the summer of 2012, solidifying himself as an asset to Pulse Lighting tour clients.
Later in 2012, Kenny took on the roll of designer and touring LD for the California Reggae Band Rebelution,
coming into his own as a lighting designer.
Kenny Gribbon has also served as second LD to Wolfgang Gartner demonstrating his ability to adapt to
new genres for lighting as well as maintaining his LD services to bands like Toubab Krewe, The Green, and
The London Souls.
REBELUTION
Rebelution is an innovative ‘California Reggae’ band from the Santa Barbara college town of Isla Vista. The
band plays 100-120 shows a year. Tours have taken them to South America, Guam, Aruba, New Zealand
and Europe, and they’ve sold out both Red Rocks and the Santa Barbara Bowl. In December 2014, Count
Me In was named the best-selling reggae album of the year by Billboard magazine.
WEBSITE
concertlighting.com
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Kenny Gribbon has provided lighting design and
operation for Rebelution since 2012.
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Kenny Gribbon
Kenny designs the show to evoke the sentiment
described by band member Marley D. Williams:
“Our music is meant to move people physically
and mentally at the same time. When people are
really dancing and really thinking, that’s a
double threat.”
Most people picture red, gold, and green as
reggae colors, but reggae evokes other emotions
and moods, as does the stage lighting provided
by Kenny. To enhance the various moods, Kenny
uses fixtures that allow him to keep the show
interactive and moving with the audience.
WEBSITE
concertlighting.com
IRIEMAG.COM
Rebelution’s stage lighting is unique, because
most reggae bands have not toured with a lighting
package of such high caliber. Kenny changes up
his design to keep it fresh, always pushing the
envelope to create an unforgettable experience.
IRIE Magazine caught up with Kenny Gribbon
during Rebelution’s Fall into Place Winter Tour
2017 to share his story with the IRIE audience.
California Roots Festival 2016

The Interview
IRIE. Can you tell us a little bit about yourself? Where did you grow up and what inspired you to get
involved in the festival circuit?
Kenny Gribbon. I was born and raised in New Jersey just outside of New York City. The City was just a
train ride away. I was able to experience a ton of music growing up that had a major influence on me going
into the live music industry. As a family, my parents used to take my siblings and I to concerts at a young age.
I saw major concerts like Genesis and Pink Floyd at the Giants Stadium. Those two bands are known for their
theatrical lighting. Seeing that sort of show so young definitely had the most influence on me to become a
lighting designer.
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Kenny Gribbon
IRIE. How did you get your break in lighting design? Was there someone in your life that helped you
along your journey?
Kenny Gribbon. That is a tough question being there are so many people that have helped me in my journey
in this career I would want to mention and thank. I guess I will narrow it down to the major moments where
my career moved forward. First off I could not have done this and start over in a new direction in my late 20s
without my parents help and support. When I first started out I was getting on any gig I could get and in
warmer months, that means festivals. Bear Creek Festival 2009 at Suwanee Music Park is where I met a lot
of folks that have helped me get started. Particularly Michael Allegretto, whom I know is a friend of IRIE
Mag and the reason we are linked up. It was Bear Creek that I worked as an LD for one of the smaller stages.
I busted my butt all weekend and impressed Michael enough to be invited to work a festival in Jamaica called
‘Caribbean Holidaze’. I flew myself there and worked for free as an ‘internship’ type deal. I met a lot of his A-team
down there which led to a lot festival work and all sorts of unique events with Michael and his team. Over the
years I have worked a lot of gigs with Michael all over the US and met some amazingly talented people.
WEBSITE
concertlighting.com
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Kenny Gribbon
Fast forward to summer 2011 and I got a call from my friend, Saira Anderson. Saira is also one of Michael’s
people whom I also met at Bear Creek 2009. She was working on a festival in NJ called Pet Zoo and needed
my help since I was local. I went there thinking I may be helping out with some small stuff but it turned into
being a lot more involved, doing mostly Production Manager work for the first time. It was Pet Zoo Festival
where I met Paul and Preston Hoffman, brothers and owners of Pulse Lighting. They were providing the gear
and running the lights for the festival. Over the 4 days we all got to know each other and they were impressed
enough by me to put me on some Pulse Lighting gigs. Each gig was a little bigger than the last which eventually
led to my first Pulse Lighting tour for our client Colbie Caillat. That was my first major tour with full production.
To say I learned a lot on that tour is an understatement. After that tour I was brought onto Pulse full
time and have had Paul and Preston as my mentors. Since working for Pulse I’ve grown and learned a ton
about design, building and programming for tours. Also, Mikey Cummins is one of our top designers and a
veteran of the business. Between Paul, Preston, and Mikey, no design goes out our doors without everyone’s
input. I can say my designs are a collaborative effort and the best possible version of an idea once it goes out
the door. From the time Mikey and I were brought on we have grown from a storage unit in Raleigh, NC to
a facility in Nashville, TN, complete with storage, full production rehearsal space, visualizer suites, and a full
team of touring LDs. It’s been an honor working for them and seeing the growth happen.
IRIE. You have to admit that you have a pretty cool gig! You are the lighting designer for Rebelution
and… you get to work alongside Errol Brown. How did this all happen for you?
WEBSITE
concertlighting.com
Kenny Gribbon. I have to admit it is a cool gig. It sometimes doesn’t seem right I do this and get paid for it.
My main design and touring client for Pulse is Rebelution. Working with Rebelution came through my boss
Paul and a mutual contact for him. Paul went out with Reb for a short run through Florida to bring them on
as a client. Paul put me on Rebelution’s New Years Eve show in 2012. After that was a success I started touring
full time with them that February 2013. Working with Errol Brown just happened since he was already
IRIEMAG.COM

Kenny Gribbon
At the Controls
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Kenny Gribbon
their FOH engineer. It’s been great working with Errol. He is a veteran of the industry. As you know I’m
sure he worked and toured with Bob Marley so he knows a thing or two about mixing reggae. He’s become
my biggest mentor and inspiration out here on the road. He’s in his late 60s and still touring just because he
loves the music. Not to mention he has seen every one of my Reb shows which after this tour is over 300. If
I miss a cue Errol is going to let me know. That’s what I love most about him. He pushes all of us whether its
crew or band member to be the best we can be and not settle for good enough. I think its a great lesson in life
to always push to be a better version of yourself. If you haven’t already you should really interview him. He
has some great stories to tell.
IRIE. Will do, brother! What goes through your mind as you are performing your magic? Is there a
method behind your creative madness?
Kenny Gribbon. On a good night, nothing. It;’s just happening naturally when its all dialed in and I’m running
my show based on muscle memory and feeling the music. But if I am thinking of anything, its my next cue or
big moment in the show. The key to a great lighting moment is showing something you haven’t shown yet.
The element of surprise. Think of the mirror ball. It,s a great effect. But once you’ve seen it, the ‘wow’ factor
is lost. So its all about timing and keeping it interesting. There is no specific method. I think its all based on
inspiration and you can’t force that. There are times I get an idea at 3 am and next thing I have designed a
whole new look for a song or a tour.
IRIE. How do you choose the styles of lighting for each song? Is it important for you to push the boundaries
of your skills with every show?
WEBSITE
concertlighting.com
IRIEMAG.COM
Kenny Gribbon. How I choose styles is different for each song. A Rebelution show is a great example of
diversity in my lighting. As much as they are a reggae band they are also rock n’ roll, ballads, and psychedelic.
I try to listen to the song and find the vibe its going for. If there is a story to be told, how can my lighting help
tell that story is important. Some of the more challenging songs are the slower ones. Big rock songs or

psychedelic are easier to create a look or an effect than a slower or more intimate part of the show. Slower
songs you need to capture the vibe just right. I find it important to push the boundaries and reinvent yourself
as much as possible. Otherwise its the same old thing for the audience but also I will get bored.
IRIE. How has the technical innovations in lighting help you with your creativity?
Kenny Gribbon. It’s definitely given more options in design and programming. For console software its always
improving to help make the programming process easier and more efficient. As far as lighting fixtures,
I think the technology has gotten more affordable and with LED technology being low, bands can invest in a
light package and an LD.
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Kenny Gribbon
IRIE. Do you have any advice for someone looking to become a lighting designer?
Kenny Gribbon. Go for it and don’t be afraid to take the risk. I left an established career in construction
management cause it wasn’t for me. I always knew deep down I was meant to be doing this and I have never
regretted taking the risk.
IRIE. Is there anything you would like to say to the IRIE audience?
Kenny Gribbon. Thank you for supporting live music! Without the fans, none of us would have the pleasure
of living our passion. Much respect and much love!
IRIE. Blessings Kenny! We look forward to seeing you, Errol Brown and Rebelution back at the
Fox Theatre in April!
WEBSITE
concertlighting.com
IRIEMAG.COM

IRIEMAG.COM
Errol Brown & Kenny Gribbon
FOH Engineer & Lighting Designer, Rebelution

RESPECT.
One Sharp Mind
United States
Jemere Morgan
Jamaica
Zolopht
United States
Rebecca Arscott
United States
Sheldon Senior
Jamaica
Ridgway
United States
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USA
ONE SHARP MIND
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RESPECT.
ONE SHARP MIND
NEVER GIVE UP
Ask the average person on the street what comes to mind when they hear the word ‘reggae’ and they’ll
quickly conjure up an image of the honorable Bob Marley lighting up a massive spliff. Marley was the
quintessential reggae musician indeed - but where are the reggae bands that are bringing us the modern
reggae vibes that are speaking to todays issues? Let us introduce you to One Sharp Mind!
Based out of the Sacramento area in the Golden State, One Sharp Mind has been bringing their blend of
energetic, modern reggae to gigs and parties for the past four years. They have continued to build upon
their success and momentum by releasing their latest musical offering, ‘Never Give Up’!
This six-strong band presents a collection of nine tracks that will get the party started and even get the
most hesitant dancers up out of their seats. One Sharp Mind is not your average reggae band that gets
booked to knock out all the classics that everybody knows - this is real musicianship expressed through
original, well crafted songs that not only speak about the world in the 21st century but are backed up by
tight musicians who know how to deliver.
The opening track ‘Change the World’ immediately gets your head nodding along with some sweet grooves
before smooth vocals come in and take you away to a better place. Talk of revolution and changing the
world is popular in reggae music for sure, but this track shows how current and cutting edge it is by introducing
vocal samples of Donald Trump, and others, making comments about Muslims and immigrants that
were only made in very recent history.
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One Sharp Mind
Featured Album
Never Give Up
December 17, 2016
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What follows next is a dreamy, reggae cover of a timeless classic that everybody knows and loves. It’s the
Marvin Gaye classic ‘Let’s Get It On’ but not as we know it. This alternate take on the slow dance favourite
is fantastic and also introduces the fact that One Sharp Mind is not a one man show but a male/female
powerhouse that split the vocal duties between them.
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One Sharp Mind
Featured Single
‘In The Waves’ is a key song to this album as it contains not only this original recording but also two
separate remixes with each version bringing something different yet equally delightful. The female vocals
on this are like pure, liquid honey - they are so sweet and keep you wanting more!!
As the album progresses we keep learning more about the musical muscles that One Sharp Mind have no
problem in flexing - as each track passes we hear more than just reggae. ‘Out of Beer’ has a blatant rock intro
while ‘Not Enough Time’ starts out as classic reggae but ends with multiple guitar riffs and licks layered
on top of each other not unlike something off a MeatLoaf album.
With so many great songs it’s hard to pick a favourite but ‘The Shift’ really bought it home to us. Upbeat!
Happy! Feel good... with memorable chorus! This is what reggae is all about - and what this entire album is
all about. It’s clear to us that these guys are good... Irie good!
Meditation not Medication
October 11, 2015
IRIEMAG.COM

JAM
JEMERE MORGAN
IRIEMAG.COM

RESPECT.
JEMERE MORGAN
TRANSITION
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Jemere Morgan
Featured Album
“I put out my first album ever. That says a lot for the beginning of any artist’s career. It’s
an accomplishment and a learning experience at the same time. This album represents
me taking control of my life and turning my dream into a reality. Here you have it.”
JEMERE MORGAN
The royal family of reggae Morgan Heritage’s musical legacy lives on by virtue of their body of work, and
proudly through the next generation via Gramps Morgan’s son Jemere Morgan.
The budding star musical career blossomed and matured forefront on a worldwide stage, as fans of the
Grammy award-winning band saw Jemere transition in front of their eyes. From a pubescent teen to a
young man he remained a frequent fixture on stage with his family, and in the recent years, performing
alongside and as a featured act. The latter has manifest and culminated in Jemere Morgan debut album,
appropriately titled ‘Transition’.
Transition
January 6, 2017
WEBSITE
jemeremorgan.com
IRIEMAG.COM
“This album, ‘Transition’, represents the current phase in my life, transitioning into becoming a man. I’ve
been working on this album for the past three years, handpicking each sound down to the melodies of each
record. Music and the artist should be one, and if the beat doesn’t connect to me, I’m on to the next track.
So, that’s how I picked the tracks for the album. “ explains Jemere of his inaugural album.
Released under Dada Son Entertainment on January 6th, 2017, ‘Transition’ was produced by Gramps
Morgan and Jemere himself, with productions contributions from Chimney Records, Markus Records,
Rellee Hayden, Nebilus Records, Notis Records among a host of other notable producers, has 17 tracks

and features collaborations with Jo Mersa Marley,
Agent Sasco, J Boog, Stonebwoy, Toian and Gramps
Morgan. “I consider everyone featured on my
album family. My uncle Peetah also helped with
the co-writing process on my album.” As the eyes
and ears of the world await the album, Jemere
recognizes that he feels a slight encumbrance, “I
don’t really feel pressure, but there’s a standard
that I have to live by. I’ve been blessed to have
family and a team around me to help live up and
above those standards.”
Along with an upcoming 2017 tour, Jemere will
deliver 3 visuals for the album. “I am currently
planning to shoot three videos for songs from the
album, ‘Shouldn’t Have’ featuring Jo Mersa Marley,
‘Bang Bang’ featuring Toian, and ‘Try Jah Love’
featuring my dad, Gramps Morgan.” Celebrating
its’ 10 years anniversary, the ‘Transition’ project
takes it’s place amid Dada Son Entertainment
impressive discography featuring multi-Grammy
Award-winner India Irie, Grammy winner Buju
Banton, top charting J Boog to name a few.
‘Transition’ is available worldwide on most
major online digital stores.
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Jemere Morgan
WEBSITE
jemeremorgan.com
IRIEMAG.COM

ZOLOPHT
USA
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RESPECT.
ZOLOPHT
FLEXOR
Established in 2009, Zolopht has become a premier act in the Colorado music scene. Loosely described as
psychedelic reggae-rock, Zolopht has an entirely unique sound that is as catchy as it is progressive.
Lovingly crafted music and rigorous touring has provided the band diehard fans around the country and
beyond. Zolopht has shared the stage with artists such as: The Wailers, Robert Randolph and the Family
Band, Dirty Heads, Tribal Seeds, Passafire, Ballyhoo! and Katchafire.
With two full-length studio efforts, ‘Ph-Balanced’ (2014) and ‘Flexor’ (2015) under their belt and a third on
the way, Zolopht has gained an unstoppable momentum.
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Zolopht
Featured Album
Zolopht members include Zac Grant (Rhythm Guitar/Vocals), Cam Vilar (Lead Guitar/Vocals), Geoff
Mueck (Bass Guitar), Jared Schmidt (Drums/Vocals), Greg Indivero (Percussion), Ian McGowan (Violin),
Daniel Ohlson (Trumpet) and Cody Krieger (Saxophone).
When you experience Zolopht perform live, you’ll quickly discover that the guys love making music, and
most importantly, they love sharing it with their fans and friends on stage. Their sound is truly unique; a
heavy blend of reggae, blues, rock & bluegrass influences. Zolopht utilizes three part harmonies alongside
a full horn section to produce this unique and welcoming sound.
Irie Magazine invites you to open up your ears and welcome Zolopht into your mind and soul. We did!
Flexor
December 09, 2016
WEBSITE
zolophtmusic.com
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USA
REBECCA ARSCOTT
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RESPECT.
REBECCA ARSCOTT
FYAH RISING
Rebecca Arscott performs a fusion of Reggae, Pop, and Soul alongside her backing band One Heart Fyah.
She performs with a mix of the best Reggae musicians in Albuquerque. One Heart Fyah represents the unity
of reggae lovers and musicians coming together as one.
Rebecca’s Latin and Jamaican roots have sparked her inspiration to perform and write many different genres
of music such as Island Reggae, Pop, Soul and Latin. Her personal quote is “Music is more powerful than people
think and it can bring people together without boundaries.”
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Rebecca Arscott
Featured EP
She was nominated in 2014 at the New Mexico Music Awards for Best Cover of Common King’s ‘Fly’. She has
also been nominated again this year 2015 for Best Reggae Song for her original ‘Let Love Take Over’. This year
she will be releasing another single ‘Sweet Things’ and soon will be dropping her EP.
Rebecca and One Heart Fyah recently had the opportunity to open for Natural Vibrations (Natty Vibes), Maoli,
Through the Roots, E.N Young, New Kingston, Hirie, and Dirty Heads. She was also given the opportunity to
perform at the 2014 and 2015 New Mexico State Fair and The New Mexico Music Awards. She continues to
perform locally and is currently gearing up to perform across the Southwest region. She will soon be touring
both nationally and internationally. “I will not settle for music to be my dream, I want it to be my Life!’
She released her EP Fyah Rising through Roots Musician Record on November 18th 2016. Her debut EP is
produced by the multi-talented musician/artist/producer E.N Young. Big Up E.N Young!
Fyah Rising
November 18, 2016
WEBSITE
rebeccaarscott.com
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JAM
SHELDON SENIOR
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RESPECT.
SHELDON SENIOR
TEKOVA
Sheldon Senior and Kahinga Records release another power packed track, ‘Tekova’, filled with motivation,
inspiration and positively uplifting messages.
‘Tekova’ is a heavy mix of Jamaican Dancehall fused with Afro-Beat from the mother land and a little bit of
European techno that all blend together into a punching rhythm and hypnotic vibe. The rhythm started out in
the United Kingdom and made its way to Jamaica, then to Amsterdam before returning to the UK for mixing
and mastering, thus making it a truly universal song.
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Sheldon Senior
Featured Single
Lyrics like “This is the truth, dem can’t stop you, dem can’t stop me, dem can’t stop we” show both the
inclusive nature of the song and Senior’s lyrical reach in utilizing simple words to represent complex
human emotions.
Senior told us, “It’s a song that speaks to motivating and inspiring people from all socioeconomic backgrounds.
It cuts across social and cultural differences”. When asked what’s next, Senior replied, “It’s all about
promoting this new single and getting the people familiar with Sheldon Senior before I release my first full
length album in early 2017”.
Sheldon Senior is a fresh dynamic artist who is certainly making his presence felt on the Reggae Music
scene with an assured future in the global music industry. This extraordinary singer/songwriter is responsible
for creating a number of deeply meaningful and thought-provoking songs that have truly captured
the essence of a thriving artist capable of achieving world-wide acclaim.
Tekova
January 11, 2017
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USA
RIDGWAY
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RESPECT.
RIDGWAY
BRIGHTER DAYS
Combining reggae-groove with rock hooks and melodies, Bay Area group, Ridgway, have been taking their act
along the West Coast over the last four years.
What started as three friends playing open mic nights and house parties has grown into a raucous five-piece
band that never fails to put on a thrilling show.
In 2016, the band put together their first full-length album entitled ‘Brighter Days’, and received critical acclaim.
Ridgway would be awarded “2016 Reggae Band of the Year” by the Bohemian newspaper upon return from
their northwest tour.
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Ridgway
Featured Album
Inspired by bands such as Sublime, the Red Hot Chili Peppers, the Expendables, and Passafire the quintet takes
pride in their music’s originality, and its ability to span several genres: reggae, rock, hip-hop, metal, and pop.
The group’s true light shines on stage, where they encourage fans to come out with the intent to dance and the
willingness to rock out.
“We take great pride in writing and performing original songs,” lead guitarist, Jack Buzian says. “Much like the
band itself, our music has collaboratively and organically evolved over time. We began with the idea of forming
a simple reggae band but, given our different backgrounds and musical influences, we incorporated many
genres of music: rock, reggae, hip-hop, tasteful metal and pop.”
Brighter Days
July 02, 2016
WEBSITE
ridgwayband.com
IRIEMAG.COM

REWIND.
REGGAE MONTH
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59th GRAMMY AWARDS / REBEL SALUTE 2017
Skip Marley & Katy Perry
59th Grammy Awards

Tribe Called Quest & Anderson Paak
59th Grammy Awards
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Beyonce
59th Grammy Awards

Adele
59th Grammy Awards
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Chance the Rapper & Jennifer Lopez
59th Grammy Awards

Ziggi Presents
Rebel Salute 2017
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Ziggi Presents
Rebel Salute 2017

Ziggi Presents
Rebel Salute 2017
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Ziggi Presents
Rebel Salute 2017

Ziggi Presents
Rebel Salute 2017
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IRIEMAG.COM
Ziggi Presents
Rebel Salute 2017

Ziggi Presents
Rebel Salute 2017
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Ziggi Presents
Rebel Salute 2017

Ziggi Presents
Rebel Salute 2017
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RIDDIMS.
IRIE TRAX
LISTEN
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@IrieMag
One Sharp Mind
Never Give Up
Jemere Morgan
Good Old Roots
Zolopht
Van
Rebecca Arscott
Come Around
Sheldon Senior
Tekova
Ridgway
Fire Inside
WEBSITE
iriemag.com
IRIEMAG.COM

IRIE would like to thank the following people who helped make this
issue a successful one. Without their efforts, this magazine would
not be possible.
Michelle Monreal, Giovanna Guimarães, Ashley Hyde, MPR Consulting
(Jemere Morgan), Kiki ‘Dread’ Yuen (Kenny Gribbon/Rebelution), Matt
Emrich Photography (Alex Rogers / ICBC), Žiga Nahtigal aka Dubtafari
Sound (Ziggi Papers), Joey Armour (One Sharp Mind), Jerry K. Renville
and Lucas Media Productions (Zolopht)!
Nuff Respect!
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