Original Comic Book Art And The Collectors - TwoMorrows
Original Comic Book Art And The Collectors - TwoMorrows
Original Comic Book Art And The Collectors - TwoMorrows
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LEFT: Crack <strong>Comic</strong>s<br />
#17, (Oct. 1941), pg.<br />
1, art: Lou Fine.<br />
RIGHT: Star Spangled<br />
<strong>Comic</strong>s #8, (May<br />
1942), cover, pencils:<br />
Jack Kirby, inks: Joe<br />
Simon.<br />
Characters TM & ©2009<br />
DC <strong>Comic</strong>s.<br />
OPPOSITE: <strong>The</strong> Amazing<br />
Spider-Man #90<br />
(Nov. 1970), pg. 10,<br />
pencils: Gil Kane,<br />
inks: John Romita.<br />
Characters TM & ©2009<br />
Marvel Characters, Inc.<br />
SPARTA<br />
the Timely company. What I didn’t know was that all of those<br />
stories were published in the first ten issues!” Vince convinced<br />
his mother to write a check for $25 to get issue #11 of Captain<br />
America only to find the issue had no Kirby art. He sold it<br />
for $50. <strong>And</strong> though his parents were impressed with their<br />
son’s business acumen they were hesitant to finance his next<br />
bid, a $250 purchase of Captain America #1. Buying a lesser<br />
grade copy of the issue for $125 of his own money, he sold<br />
that for $250 and his parents finally started to accept that they<br />
had a business tycoon for a son.<br />
“To make extra money I started loaning my rare, key Golden<br />
Age books to Alan Light for reprinting in his Flashback series.<br />
Those classic reprints from my books are all over eBay now.” His<br />
parents took him to his first convention where he got to meet a<br />
lot of the dealers who knew him by name only. “<strong>The</strong>y were<br />
amazed to learn that all along they had been dealing with a kid.<br />
“When I got my driver’s license I began setting up at shows<br />
in Chicago. It was 50 cents admission and $3 table fees for the<br />
monthly show at the downtown YMCA. As there were only<br />
about 100 different comics existing that were valued at $50<br />
or more – we referred to them as ‘heavyweights’ – I was able<br />
to own a great many of the classic Golden Age books. As I put<br />
pg. # 72 <strong>Book</strong> GRAILPAGES: <strong>Original</strong> <strong>Comic</strong> <strong>Book</strong> <strong>Art</strong> and the <strong>Collectors</strong><br />
GRAILPAGES<br />
runs together of those rare books I started sending information<br />
to the Overstreet Price Guide.”<br />
At this point Vince still had not gotten into original art. He’d<br />
seen pages by Kirby from the early Hulk issues going for the<br />
“astronomical” prices of $100 - $300. “Reasoning that there<br />
was no way that I could ever get my money back if I had bought<br />
stuff like that, I passed on art. Obviously I was wrong.”<br />
His art collecting started in 1981. “I purchased a complete<br />
Captain Marvel story from C.C. Beck for $125. It was one of<br />
the ten stories he did for DC around 1972. I also bought a killer<br />
Kirby Thor page from Journey into Mystery #87 for $75. That<br />
was my start.”<br />
From there Vince contacted John Romita’s agent. “He had<br />
loads of Romita’s work on Spider-Man issues #39 - #100, Captain<br />
America in Tales of Suspense, Hulk in Tales to Astonish, and<br />
Daredevil.” Through Romita’s agent, Vince bought his splashes.<br />
“Large art splashes were $65, interior pages $45.”<br />
Romita had been Vince’s all-time favorite. His first newsstand<br />
purchase was Spider-Man #57. “I picked out well over<br />
100 pages from Romita’s agent, going heavy on splashes and<br />
cool on interior pages. I took what I thought were the best<br />
pages from issue #39, pages 6-11, the battle pages with<br />
Spidey in costume. While Romita’s agent had complete books<br />
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