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Original Comic Book Art And The Collectors - TwoMorrows

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COPY AREA<br />

LEFT: Crack <strong>Comic</strong>s<br />

#17, (Oct. 1941), pg.<br />

1, art: Lou Fine.<br />

RIGHT: Star Spangled<br />

<strong>Comic</strong>s #8, (May<br />

1942), cover, pencils:<br />

Jack Kirby, inks: Joe<br />

Simon.<br />

Characters TM & ©2009<br />

DC <strong>Comic</strong>s.<br />

OPPOSITE: <strong>The</strong> Amazing<br />

Spider-Man #90<br />

(Nov. 1970), pg. 10,<br />

pencils: Gil Kane,<br />

inks: John Romita.<br />

Characters TM & ©2009<br />

Marvel Characters, Inc.<br />

SPARTA<br />

the Timely company. What I didn’t know was that all of those<br />

stories were published in the first ten issues!” Vince convinced<br />

his mother to write a check for $25 to get issue #11 of Captain<br />

America only to find the issue had no Kirby art. He sold it<br />

for $50. <strong>And</strong> though his parents were impressed with their<br />

son’s business acumen they were hesitant to finance his next<br />

bid, a $250 purchase of Captain America #1. Buying a lesser<br />

grade copy of the issue for $125 of his own money, he sold<br />

that for $250 and his parents finally started to accept that they<br />

had a business tycoon for a son.<br />

“To make extra money I started loaning my rare, key Golden<br />

Age books to Alan Light for reprinting in his Flashback series.<br />

Those classic reprints from my books are all over eBay now.” His<br />

parents took him to his first convention where he got to meet a<br />

lot of the dealers who knew him by name only. “<strong>The</strong>y were<br />

amazed to learn that all along they had been dealing with a kid.<br />

“When I got my driver’s license I began setting up at shows<br />

in Chicago. It was 50 cents admission and $3 table fees for the<br />

monthly show at the downtown YMCA. As there were only<br />

about 100 different comics existing that were valued at $50<br />

or more – we referred to them as ‘heavyweights’ – I was able<br />

to own a great many of the classic Golden Age books. As I put<br />

pg. # 72 <strong>Book</strong> GRAILPAGES: <strong>Original</strong> <strong>Comic</strong> <strong>Book</strong> <strong>Art</strong> and the <strong>Collectors</strong><br />

GRAILPAGES<br />

runs together of those rare books I started sending information<br />

to the Overstreet Price Guide.”<br />

At this point Vince still had not gotten into original art. He’d<br />

seen pages by Kirby from the early Hulk issues going for the<br />

“astronomical” prices of $100 - $300. “Reasoning that there<br />

was no way that I could ever get my money back if I had bought<br />

stuff like that, I passed on art. Obviously I was wrong.”<br />

His art collecting started in 1981. “I purchased a complete<br />

Captain Marvel story from C.C. Beck for $125. It was one of<br />

the ten stories he did for DC around 1972. I also bought a killer<br />

Kirby Thor page from Journey into Mystery #87 for $75. That<br />

was my start.”<br />

From there Vince contacted John Romita’s agent. “He had<br />

loads of Romita’s work on Spider-Man issues #39 - #100, Captain<br />

America in Tales of Suspense, Hulk in Tales to Astonish, and<br />

Daredevil.” Through Romita’s agent, Vince bought his splashes.<br />

“Large art splashes were $65, interior pages $45.”<br />

Romita had been Vince’s all-time favorite. His first newsstand<br />

purchase was Spider-Man #57. “I picked out well over<br />

100 pages from Romita’s agent, going heavy on splashes and<br />

cool on interior pages. I took what I thought were the best<br />

pages from issue #39, pages 6-11, the battle pages with<br />

Spidey in costume. While Romita’s agent had complete books<br />

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