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BMG%20Super%20Special%20Rhapsody%20Reviews%20-%20Guitar%20Interactive%20Mar%202016

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FEATURE_TONE ON A BUDGET<br />

!"#$%&'(')*$%+$,-".-$*%/)01<br />

‘B<br />

rian May’s tone is without a doubt<br />

one of the unique voices in Rock<br />

guitar. It’s almost like a mystical<br />

chain of events resulted in the<br />

equipment that came together to produce his<br />

sound. Although that sound has evolved and<br />

changed slightly over the years, it has always<br />

stayed faithful to Brian’s initial vision of how<br />

he imagined his tone to be. I think that in<br />

itself is a very interesting fact that, from the<br />

very conception of the Red Special, he knew<br />

in his mind how he imagined his voice on<br />

the guitar.<br />

Right from the outset, he wanted a rich<br />

smooth distortion that would produce<br />

feedback, inspired by Jimi Hendrix and Jeff<br />

Beck. Originally, in fact, the Red Special<br />

was going to have an “F” hole, a design<br />

that was actually used by Andrew Guyton<br />

when building Brian’s “Badger” guitar. He<br />

also wanted to produce a wide array of<br />

Brian May - Tone on a budget<br />

64<br />

Guitar Interactive Magazine Issue 40

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