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BMG%20Super%20Special%20Rhapsody%20Reviews%20-%20Guitar%20Interactive%20Mar%202016
BMG%20Super%20Special%20Rhapsody%20Reviews%20-%20Guitar%20Interactive%20Mar%202016
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REVIEWS_GUITAR REVIEW<br />
green Guyton replica when I<br />
toured with Brian May and<br />
Kerry Ellis, so I have a pretty<br />
good idea of how all of them<br />
feel and play, which I’ve borne<br />
closely in mind while playing<br />
this latest Super.<br />
To start with, visually the<br />
BMG Super is very authentic<br />
looking, with a more accurate<br />
red colour than the BMG<br />
Special boasts. For the real<br />
devotee, this shade is based on<br />
the red wood dye and layers<br />
of Rustin’s Plastic Coating<br />
that Brian and his father had<br />
applied to the original. The<br />
scratch plate and tremolo are<br />
also pretty much the same as<br />
on the original. As with the<br />
BMG Special, there are few<br />
differences that make that<br />
make the guitar more cost<br />
effective, as you might expect.<br />
BM Guitars say the Super<br />
is meant to bridge the gap<br />
between the very affordable<br />
BM Special, and the exquisite<br />
and ‘reassuringly expensive’<br />
Guyton.<br />
Starting with the body, the<br />
Super is constructed from twopiece<br />
quarter sawn mahogany,<br />
with a two-piece quarter sawn,<br />
book matched mahogany top.<br />
The dimensions of the body<br />
are faithful to the original RS,<br />
with some slight modifications<br />
92 Guitar Interactive Magazine Issue 40