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The Silence<br />
Inge Santoso<br />
O, Mother !<br />
In your womb, I am Silence.<br />
Neither young. Neither old.<br />
Neither male. Neither female.<br />
Neither. Neither.<br />
Ageless. Timeless.<br />
Formless. Faceless. The Nobody !<br />
Without country. Without race.<br />
Without religion. Without creed.<br />
I am Silence ! Thus, I am.<br />
Voiceless. Without songs. Without words.<br />
I am That. In your womb – Silence !<br />
Without ears. Without tongue. Without<br />
mind. Without body.<br />
I am free ! In your womb floating in the<br />
Silence of Eternity…………<br />
Thus, I am. Always free in Silence.<br />
Neither here. Neither there. Neither<br />
everywhere.<br />
Without center. Without direction.<br />
Without corner.<br />
Therefore, I am ! The Silence.<br />
Among the trees, the lakes and the<br />
mountains.<br />
Here I am on earth.<br />
Where I walk, Where I sit. Where I lay.<br />
Recollecting the memory called Silence !<br />
At the time I wrote this poem, I was assisting<br />
clients to obtain political asylum in the US. I<br />
was overwhelmed by the facts of all kinds of<br />
discrimination afflicted on my clients. To<br />
quiet the disturbing thoughts, I meditated to<br />
recollect the memory of silence returning to<br />
the safety in the womb<br />
of the Universal<br />
Mother. © 2009 Inge<br />
Santoso<br />
the mat. This is the second part of this<br />
sequence, Kukkutasana, the cock pose.<br />
Again men, being flat-chested, have an<br />
advantage here: they can straighten their<br />
backs and look up easily. For women,<br />
whose bust is between them and their arms,<br />
straightening their body against their arms is<br />
more difficult. Initially, I found slightly<br />
bending one elbow and pushing the same<br />
side of my chest forwards, and then<br />
straightening my elbow, then repeating the<br />
same sequence the other side allowed me to<br />
straighten my back. Later, I found I could<br />
do this as I rolled up in to Kukkutasana.<br />
Hold for five breathes, again the drishti is the<br />
nose. Exhale, place your sit-bones back on<br />
the mat, and vinyasa.<br />
We have all seen practitioners lift their hips<br />
higher in Kukkutasana, which increases the<br />
difficulty of the pose - again this is easier for<br />
men as proportionately they have narrower,<br />
lighter hips, and broader stronger<br />
shoulders, but it is something to be tried<br />
for fun.<br />
Similarly, as most women practice wearing<br />
long pants, rolling pants up makes it easier -<br />
skin is much slipperier than polyester/Lycra<br />
jersey - but again, this is the final challenge.<br />
David Swenson’s book gives variations for<br />
those who cannot sit in Padmasana, but to<br />
me they look far more difficult than<br />
practicing the above!<br />
It is hard to fathom the purpose of this<br />
pose apart from to make us all look silly,<br />
but I remember how exhausting I found it<br />
when I first started to practice in<br />
comparison to now, and conclude it builds<br />
stamina and strength. It has become one of<br />
my favourite poses.<br />
Valerie practices<br />
Ashtanga yoga, Mysore<br />
style, and leads Hath<br />
yoga stretches for the<br />
Siddha Meditation<br />
Path.<br />
VALERIE PREPARES TO ROLL BACK<br />
AMY IN KUKKUTASANA<br />
Inge is a lawyer<br />
practicing in Jakarta.<br />
inge_kunarsih@yahoo.com<br />
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