Michael Franks - Studio Techniques: Speaker Review/Comparison ...
Michael Franks - Studio Techniques: Speaker Review/Comparison ...
Michael Franks - Studio Techniques: Speaker Review/Comparison ...
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<strong>Michael</strong> <strong>Franks</strong> - <strong>Studio</strong> <strong>Techniques</strong>: <strong>Speaker</strong> <strong>Review</strong>/<strong>Comparison</strong><br />
<strong>Speaker</strong> <strong>Review</strong>/<strong>Comparison</strong><br />
Most Flattering<br />
I found the JBL Control 5 speakers the most flattering to the ears as they seemed to<br />
boost the bass frequencies and have good response in the mid and high<br />
frequencies. I think they would be good for use in settings such as someone’s home<br />
sound system or the sound system in a small venue.<br />
Best Low End<br />
I found the Adam A7Xs the best for low-end response, as they could reach<br />
frequencies as low as 40Hz whereas the JBL (subwoofer) and Genelec 8030As did<br />
not reach as low. When listening to bass heavy dance music on the Adams, every<br />
kick drum was clear and the sub bass frequencies could be heard clearly and were<br />
not at all muddy. The 8030As could not play the sub bass frequencies in the dance<br />
music at all and ended up sounding distorted in comparison with the A7Xs.<br />
Best High End<br />
The best high end I felt belonged to the Genelec 8030As, because they seemed to<br />
be clearer in the higher frequencies without fatiguing my ears. Although the Adam<br />
A7Xs can reach up to 50kHz (way beyond human hearing) with ribbon tweeters, I<br />
found the high end was too harsh and caused me discomfort and fatigue when<br />
listening for long periods of time.<br />
Variations Due to Recordings<br />
The speakers performed differently when monitoring various genres of music. For<br />
example, when listening to Dubstep/Drum n Bass, I felt the Adam A7Xs were the<br />
most flattering as they could play the bass frequencies clearly. When listening to<br />
some popular music, the JBL’s seemed to have the best bass response, as the AX7s<br />
sub bass response could at times drown out the higher bass frequencies, making the<br />
music sound muddy.<br />
Specifications<br />
The Adam A7Xs had the biggest frequency range from 40Hz-50kHz, but while<br />
performing well in the bass, the mid-range frequencies were less clear, and the high<br />
frequencies at times seemed harsh. The Genelecs frequency range was from 58Hz-<br />
20kHz, which was very clear in the mid-range frequencies, but meant that the<br />
speakers couldn’t handle sub-bass frequencies at all. The JBL Control 5s with the<br />
SB-5 Subwoofer could handle between 45Hz and 20kHz and these seemed to have<br />
good clarity throughout the frequency range.<br />
Mixdown Choice<br />
To mixdown, I would use the Genelec 8030As in most situations, as I feel they are<br />
the least coloured of the monitors and so music created on them would sound similar<br />
on most speakers, whereas music mixed on the JBLs, which seem to colour the<br />
bass would not sound the same on different monitors without bass colouration.<br />
However, if I were producing bass led dance music, I would mix down on the Adam<br />
A7Xs to get an idea of how the bass would sound in a club type setting.<br />
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Reference List:<br />
<strong>Michael</strong> <strong>Franks</strong> - <strong>Studio</strong> <strong>Techniques</strong>: <strong>Speaker</strong> <strong>Review</strong>/<strong>Comparison</strong><br />
Adam-Audio ca. 2012. Technical Data. Adam Audio. Available from:<br />
http://www.adam-audio.com/en/pro-audio/products/a7x/technical-data<br />
[Accessed 25 February 2012]<br />
Genelec ca. 2012. Genelec 8030a Specs. Genelec. Available from:<br />
http://www.genelec.com/8030a/specs/<br />
[Accessed 24 February 2012]<br />
JBL ca. 2012. Control 5. JBL. Available from:<br />
http://www.jblpro.com/catalog/general/Product.aspx?PId=196&MId=5<br />
[Accessed 24 February 2012]<br />
JBL ca. 2012. Technical Manual. JBL. Available from:<br />
http://tms.plala.jp/pdf/Control%20SB-5.pdf<br />
[Accessed 24 February 2012]<br />
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