Berkeley Academy / Primary School - Summer Camp 2014
Headteacher & Director: Keviin Prunty Editor-in-chief: Jessica Joyce Graphic design: Enzo Gianvittorio Danese (Enzo GD)
Headteacher & Director: Keviin Prunty
Editor-in-chief: Jessica Joyce
Graphic design: Enzo Gianvittorio Danese (Enzo GD)
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www.berkeleyprimaryschool.co.uk<br />
<strong>Summer</strong><br />
<strong>School</strong><br />
Review<br />
<strong>Berkeley</strong><br />
<strong>Primary</strong><br />
<strong>School</strong> 2 0 1 4<br />
<strong>Berkeley</strong><br />
<strong>Summer</strong> <strong>School</strong> <strong>2014</strong><br />
started with an idea: “Time Travel and Secret Agents”. That<br />
was it; everything else would come from the children. So on<br />
Monday 22nd July <strong>2014</strong>, <strong>Berkeley</strong> pupils from years 4 and 5 landed<br />
at Cranford Community College to begin <strong>Summer</strong> <strong>School</strong> <strong>2014</strong>.<br />
This is the second year we have run a summer school after the<br />
hugely successful programme in 2013 and I was thrilled to be invited<br />
by Kevin Prunty, Executive Headteacher, to once again lead the<br />
programme.<br />
As I walked into year 4 and 5 assemblies in May <strong>2014</strong>, I was greeted<br />
with squeals of anticipation and I could hear the children whispering<br />
excitedly, “Do you think there is going to be a <strong>Summer</strong> <strong>School</strong>?”<br />
I knew immediately this was going to be another very special journey<br />
of discovery. One boy said, “I would highly recommend <strong>Summer</strong><br />
<strong>School</strong> to everyone. It is brilliant and I am definitely going again<br />
this year”.<br />
We were all delighted the majority of the 2013 <strong>Summer</strong> <strong>School</strong><br />
team was able to return. When I invited them back it was the<br />
fastest response I think I have ever had to an email. Angeline and<br />
Jerome returned to work on the dance, Niamh for the drama and<br />
Luke, Kerry and Emma for the music.<br />
Joining the team from Bounce Theatre was Apryl, a highly skilled<br />
drama practitioner to lead the project and two visual artists, Rachel<br />
and Zoe, who brought to the process something really special with<br />
their dynamic and visually creative designs and puppet constructions.
At the start of June <strong>2014</strong>, the team met together to plan how the<br />
summer school would work. Our aim this year was to make a more<br />
holistic and polished performance and to do this we would become<br />
a Theatre Company. Creating the ‘<strong>Berkeley</strong> Adventure Time Theatre<br />
Company’, named by the children, gave them an identity and a sense<br />
of team with a unified goal.<br />
The idea of secret agents travelling through time gave us the<br />
opportunity to really push the boundaries and challenge ourselves<br />
as arts practitioners. Four time zones were chosen; “The Future”,<br />
“The 1980’s”, “World War 1” and “The Jurassic Era”.<br />
We learnt a lot from our experience in 2013, in particular, the<br />
way to get the best from the children. With this in mind, we gave<br />
them greater control of the process and content and trusted in their<br />
wonderful imaginations to make the story come to life. We reduced<br />
the number of days they worked in each arts discipline to increase the<br />
time bringing the performance together in the last week. Changing<br />
the rotation timings put pressure on the children to work faster and<br />
smarter, but it also proved the more we challenged them, the more<br />
they achieved. They didn’t disappoint us and as one child said, “Well<br />
Miss, we are outstanding”.<br />
The children worked in four groups and in keeping with the theme,<br />
we named the groups after the planets: Mars, Jupiter, Venus and<br />
Saturn. The children loved the idea.<br />
On day one and two, all the children worked in each arts discipline<br />
for half a day and began the devising process. In art they made their<br />
own secret agent file and created a character profile and name. In<br />
drama they began to build a team ethos as they considered what they<br />
would miss most in the future if they didn’t have it. In dance they<br />
considered the same question but through physical interpretation<br />
and in music they worked with keyboards creating soundscapes and<br />
character themes. By the end of day two, we had the skeleton of a<br />
storyline and some key characters emerged.<br />
“Here I am in the fut<br />
nothing to be recogni<br />
The sun is letting dow<br />
getting darker in the<br />
Planes have been cru<br />
make flying c<br />
No human<br />
on the foo<br />
Different t<br />
so differen<br />
Literacy and numeracy were once again a key factor of the work<br />
produced and this year we incorporated these skills and learning<br />
opportunities within the body of the project and through their<br />
designated roles as a theatre company. They designed, measured,<br />
calculated quantities and chose material to make the huge human<br />
and dinosaur puppets. They improvised ideas and situations which<br />
stimulated creative writing, storyboards and character studies,<br />
leading to an amazing storyline and script. They wrote poetry and<br />
experimented with dance techniques, incorporating modern and<br />
classical moves into their routines with mime. They wrote song<br />
lyrics in different music genres with difficult rhythms and rehearsed<br />
as an ensemble. They made wonderful junk percussion to create<br />
atmospheric music for different time zones and link sounds to
depict time travel. Every child contributed and worked in every<br />
aspect and at the end of each rotation, they would share with the<br />
rest of the company their ideas, giving a real sense of being part of<br />
something special and, ultimately, ownership of the show. Secret<br />
agent certificates were awarded to celebrate individual achievements<br />
which were motivational and very popular.<br />
By the end of week 3 the characters and storyline were fixed. The<br />
script was ready to learn and casting had been completed. Now the<br />
hard work really began as the various elements in rehearsal and<br />
preparation had to come together to create a whole piece.<br />
ure there is<br />
sed<br />
n less heat it’s<br />
day<br />
shed down to<br />
ars<br />
s are to be seen<br />
tpath<br />
o the past its all<br />
t”.<br />
At the start of week 4, the theatre company came alive and there<br />
was an excited buzz in the air. The concert hall was changed in to a<br />
theatre venue and production week got underway. The excitement<br />
grew each day in rehearsal as the production elements came<br />
together. Lighting, costumes, props and scenery transformed an idea<br />
into a reality and the magic of theatre began. They sang, danced,<br />
swapped roles, learnt lines, played instruments always focussing<br />
on the performance elements. The narrators became more confident<br />
which helped increase the pace and energy; the characters became<br />
more 3-dimensional which helped the actors to work on their voice<br />
projection and stage presence. The songs became upbeat, rhythmic<br />
and dynamic and the dance routines became more polished and fluid.<br />
They were having so much fun whilst taking their task seriously.<br />
Finally the performance day arrived. Pre-show nerves set in for some<br />
(including the staff) but there was no doubt; the <strong>Berkeley</strong> Adventure<br />
Time Theatre Company was proud to present “Pic Poc in Paradox”.<br />
They performed to an audience of 100+ staff, parents and guests. As<br />
the lights went down the magic began. All the children appeared with<br />
florescent painted space ships moving in and out of the audience. A<br />
pre-recorded poem, “Dark Jupiter”, written and recited by individual<br />
children as “talking heads” appears on the screen. “Here I am in the<br />
future, there is nothing here to be recognised...”. A large fluorescent<br />
painted puppet of a Cyborg Queen with long extending arms mimics<br />
the lights from the space ship. Her skirt is the portal for time travel<br />
to other lands and we are transported to the future world of Paradox.<br />
Paradox is a world in darkness and turmoil. Bob, the Super Villain,<br />
has kidnapped “Pic Poc” the Cyborg Queen Elizabeth V’s magical<br />
dog. Super-secret agents; “Half”, “Eyegore” “Rick Roll” and<br />
“Gibberish Wisher” are sent on a mission to capture the villain and<br />
rescue “Pic Poc” which will save the world and create a brighter<br />
future. The agents land first in No Man’s Land during World War 1<br />
on the day of the Christmas football truce, where they find clues in<br />
a box of chocolates given by one of the British soldiers to a German<br />
solider. This sends them to the Jurassic Era where we are introduced<br />
to “gingersaurs”, with children costumed as small dinosaurs with
amazing headdresses and “Urvogel birds and “Beno Bees”. We meet<br />
a very large green dinosaur named Dave whose eggs give them their<br />
next clue. Then it is onto the 1980’s and we are in a Super Mario<br />
game. We meet Princess Peach, the Mario brothers and friends. A<br />
large rubrics cube provides more clues which help to capture Bob<br />
and rescue “Pic Poc”. We finally return to Paradox and the Queen<br />
promotes the agents to the highest honour of the elite MOI Squad.<br />
The future is safe.<br />
Each zone’s story is punctuated with songs performed by the<br />
company: “Space City”, “World War Blues”, “O Tannenbaum”,<br />
”War! What Is It Good For?” the ”Pic Poc” song. “Everybody<br />
Walk The Dinosaur” with drums and junk percussion to create<br />
the Jurassic sounds. The song, “Born In The 80’s” is accompanied<br />
by a boy playing a jazz style riff on the keyboard.<br />
The whole production ends with a company rendition of “Happy”.<br />
Children once again join the audience and encourage them to join<br />
in. On stage the staff join the routine with the children. They feel<br />
real pride in their achievements. The finale is a well-deserved dance<br />
in celebration.<br />
The children’s new found self-belief and confidence really changed<br />
their perception of themselves and what they could achieve. This<br />
brought huge rewards for the arts practitioners who were stunned by<br />
the change in individuals from the year before. The younger children<br />
learnt from the older children who were really keen to mentor them<br />
on what was required to give a good performance.<br />
Everything about this process and the final performance celebrates<br />
the wonderful opportunities this summer school offers children.<br />
The storyline, characters, songs, art work, scenery, props, costumes<br />
etc, etc, all created from the children’s wonderful imagination, hard<br />
work and determination and the belief that they could create an<br />
original piece of theatre good enough to share with an audience.<br />
There is no doubt these children have learnt so much from this<br />
experience, not just about how and what goes into putting on a<br />
production but also about themselves and what they can achieve in a<br />
short space of time with a skilled team to guide them. <strong>Summer</strong> school<br />
is a journey of discovery, of possibilities and of achievements. There<br />
are no barriers to learning or achievement and every single person<br />
involved leaves the experience having learnt something new.<br />
“My best<br />
memory of<br />
<strong>Summer</strong> <strong>School</strong><br />
is having all this<br />
fun... it was the<br />
best ever”.<br />
“The best part<br />
was the final week and the<br />
brilliant parts that I’ve been<br />
playing”.<br />
“I would<br />
recommend <strong>Summer</strong><br />
<strong>School</strong> to anyone because it’s the<br />
best fun I’ve ever had”.<br />
We have been amazed by the quality of work the<br />
children produced. They were a joy to work with.<br />
The whole experience has been full of fun and<br />
laughter resulting in a production of which they<br />
are really proud. Roll on <strong>Summer</strong> <strong>School</strong> 2015.<br />
Jessica Joyce (<strong>Summer</strong> <strong>School</strong> Organiser)<br />
“You should come to<br />
<strong>Summer</strong> <strong>School</strong> instead of being bored<br />
at home. I loved being here it is fun”.