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Berkeley Academy / Primary School - Summer Camp 2014

Headteacher & Director: Keviin Prunty Editor-in-chief: Jessica Joyce Graphic design: Enzo Gianvittorio Danese (Enzo GD)

Headteacher & Director: Keviin Prunty
Editor-in-chief: Jessica Joyce
Graphic design: Enzo Gianvittorio Danese (Enzo GD)

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www.berkeleyprimaryschool.co.uk<br />

<strong>Summer</strong><br />

<strong>School</strong><br />

Review<br />

<strong>Berkeley</strong><br />

<strong>Primary</strong><br />

<strong>School</strong> 2 0 1 4<br />

<strong>Berkeley</strong><br />

<strong>Summer</strong> <strong>School</strong> <strong>2014</strong><br />

started with an idea: “Time Travel and Secret Agents”. That<br />

was it; everything else would come from the children. So on<br />

Monday 22nd July <strong>2014</strong>, <strong>Berkeley</strong> pupils from years 4 and 5 landed<br />

at Cranford Community College to begin <strong>Summer</strong> <strong>School</strong> <strong>2014</strong>.<br />

This is the second year we have run a summer school after the<br />

hugely successful programme in 2013 and I was thrilled to be invited<br />

by Kevin Prunty, Executive Headteacher, to once again lead the<br />

programme.<br />

As I walked into year 4 and 5 assemblies in May <strong>2014</strong>, I was greeted<br />

with squeals of anticipation and I could hear the children whispering<br />

excitedly, “Do you think there is going to be a <strong>Summer</strong> <strong>School</strong>?”<br />

I knew immediately this was going to be another very special journey<br />

of discovery. One boy said, “I would highly recommend <strong>Summer</strong><br />

<strong>School</strong> to everyone. It is brilliant and I am definitely going again<br />

this year”.<br />

We were all delighted the majority of the 2013 <strong>Summer</strong> <strong>School</strong><br />

team was able to return. When I invited them back it was the<br />

fastest response I think I have ever had to an email. Angeline and<br />

Jerome returned to work on the dance, Niamh for the drama and<br />

Luke, Kerry and Emma for the music.<br />

Joining the team from Bounce Theatre was Apryl, a highly skilled<br />

drama practitioner to lead the project and two visual artists, Rachel<br />

and Zoe, who brought to the process something really special with<br />

their dynamic and visually creative designs and puppet constructions.


At the start of June <strong>2014</strong>, the team met together to plan how the<br />

summer school would work. Our aim this year was to make a more<br />

holistic and polished performance and to do this we would become<br />

a Theatre Company. Creating the ‘<strong>Berkeley</strong> Adventure Time Theatre<br />

Company’, named by the children, gave them an identity and a sense<br />

of team with a unified goal.<br />

The idea of secret agents travelling through time gave us the<br />

opportunity to really push the boundaries and challenge ourselves<br />

as arts practitioners. Four time zones were chosen; “The Future”,<br />

“The 1980’s”, “World War 1” and “The Jurassic Era”.<br />

We learnt a lot from our experience in 2013, in particular, the<br />

way to get the best from the children. With this in mind, we gave<br />

them greater control of the process and content and trusted in their<br />

wonderful imaginations to make the story come to life. We reduced<br />

the number of days they worked in each arts discipline to increase the<br />

time bringing the performance together in the last week. Changing<br />

the rotation timings put pressure on the children to work faster and<br />

smarter, but it also proved the more we challenged them, the more<br />

they achieved. They didn’t disappoint us and as one child said, “Well<br />

Miss, we are outstanding”.<br />

The children worked in four groups and in keeping with the theme,<br />

we named the groups after the planets: Mars, Jupiter, Venus and<br />

Saturn. The children loved the idea.<br />

On day one and two, all the children worked in each arts discipline<br />

for half a day and began the devising process. In art they made their<br />

own secret agent file and created a character profile and name. In<br />

drama they began to build a team ethos as they considered what they<br />

would miss most in the future if they didn’t have it. In dance they<br />

considered the same question but through physical interpretation<br />

and in music they worked with keyboards creating soundscapes and<br />

character themes. By the end of day two, we had the skeleton of a<br />

storyline and some key characters emerged.<br />

“Here I am in the fut<br />

nothing to be recogni<br />

The sun is letting dow<br />

getting darker in the<br />

Planes have been cru<br />

make flying c<br />

No human<br />

on the foo<br />

Different t<br />

so differen<br />

Literacy and numeracy were once again a key factor of the work<br />

produced and this year we incorporated these skills and learning<br />

opportunities within the body of the project and through their<br />

designated roles as a theatre company. They designed, measured,<br />

calculated quantities and chose material to make the huge human<br />

and dinosaur puppets. They improvised ideas and situations which<br />

stimulated creative writing, storyboards and character studies,<br />

leading to an amazing storyline and script. They wrote poetry and<br />

experimented with dance techniques, incorporating modern and<br />

classical moves into their routines with mime. They wrote song<br />

lyrics in different music genres with difficult rhythms and rehearsed<br />

as an ensemble. They made wonderful junk percussion to create<br />

atmospheric music for different time zones and link sounds to


depict time travel. Every child contributed and worked in every<br />

aspect and at the end of each rotation, they would share with the<br />

rest of the company their ideas, giving a real sense of being part of<br />

something special and, ultimately, ownership of the show. Secret<br />

agent certificates were awarded to celebrate individual achievements<br />

which were motivational and very popular.<br />

By the end of week 3 the characters and storyline were fixed. The<br />

script was ready to learn and casting had been completed. Now the<br />

hard work really began as the various elements in rehearsal and<br />

preparation had to come together to create a whole piece.<br />

ure there is<br />

sed<br />

n less heat it’s<br />

day<br />

shed down to<br />

ars<br />

s are to be seen<br />

tpath<br />

o the past its all<br />

t”.<br />

At the start of week 4, the theatre company came alive and there<br />

was an excited buzz in the air. The concert hall was changed in to a<br />

theatre venue and production week got underway. The excitement<br />

grew each day in rehearsal as the production elements came<br />

together. Lighting, costumes, props and scenery transformed an idea<br />

into a reality and the magic of theatre began. They sang, danced,<br />

swapped roles, learnt lines, played instruments always focussing<br />

on the performance elements. The narrators became more confident<br />

which helped increase the pace and energy; the characters became<br />

more 3-dimensional which helped the actors to work on their voice<br />

projection and stage presence. The songs became upbeat, rhythmic<br />

and dynamic and the dance routines became more polished and fluid.<br />

They were having so much fun whilst taking their task seriously.<br />

Finally the performance day arrived. Pre-show nerves set in for some<br />

(including the staff) but there was no doubt; the <strong>Berkeley</strong> Adventure<br />

Time Theatre Company was proud to present “Pic Poc in Paradox”.<br />

They performed to an audience of 100+ staff, parents and guests. As<br />

the lights went down the magic began. All the children appeared with<br />

florescent painted space ships moving in and out of the audience. A<br />

pre-recorded poem, “Dark Jupiter”, written and recited by individual<br />

children as “talking heads” appears on the screen. “Here I am in the<br />

future, there is nothing here to be recognised...”. A large fluorescent<br />

painted puppet of a Cyborg Queen with long extending arms mimics<br />

the lights from the space ship. Her skirt is the portal for time travel<br />

to other lands and we are transported to the future world of Paradox.<br />

Paradox is a world in darkness and turmoil. Bob, the Super Villain,<br />

has kidnapped “Pic Poc” the Cyborg Queen Elizabeth V’s magical<br />

dog. Super-secret agents; “Half”, “Eyegore” “Rick Roll” and<br />

“Gibberish Wisher” are sent on a mission to capture the villain and<br />

rescue “Pic Poc” which will save the world and create a brighter<br />

future. The agents land first in No Man’s Land during World War 1<br />

on the day of the Christmas football truce, where they find clues in<br />

a box of chocolates given by one of the British soldiers to a German<br />

solider. This sends them to the Jurassic Era where we are introduced<br />

to “gingersaurs”, with children costumed as small dinosaurs with


amazing headdresses and “Urvogel birds and “Beno Bees”. We meet<br />

a very large green dinosaur named Dave whose eggs give them their<br />

next clue. Then it is onto the 1980’s and we are in a Super Mario<br />

game. We meet Princess Peach, the Mario brothers and friends. A<br />

large rubrics cube provides more clues which help to capture Bob<br />

and rescue “Pic Poc”. We finally return to Paradox and the Queen<br />

promotes the agents to the highest honour of the elite MOI Squad.<br />

The future is safe.<br />

Each zone’s story is punctuated with songs performed by the<br />

company: “Space City”, “World War Blues”, “O Tannenbaum”,<br />

”War! What Is It Good For?” the ”Pic Poc” song. “Everybody<br />

Walk The Dinosaur” with drums and junk percussion to create<br />

the Jurassic sounds. The song, “Born In The 80’s” is accompanied<br />

by a boy playing a jazz style riff on the keyboard.<br />

The whole production ends with a company rendition of “Happy”.<br />

Children once again join the audience and encourage them to join<br />

in. On stage the staff join the routine with the children. They feel<br />

real pride in their achievements. The finale is a well-deserved dance<br />

in celebration.<br />

The children’s new found self-belief and confidence really changed<br />

their perception of themselves and what they could achieve. This<br />

brought huge rewards for the arts practitioners who were stunned by<br />

the change in individuals from the year before. The younger children<br />

learnt from the older children who were really keen to mentor them<br />

on what was required to give a good performance.<br />

Everything about this process and the final performance celebrates<br />

the wonderful opportunities this summer school offers children.<br />

The storyline, characters, songs, art work, scenery, props, costumes<br />

etc, etc, all created from the children’s wonderful imagination, hard<br />

work and determination and the belief that they could create an<br />

original piece of theatre good enough to share with an audience.<br />

There is no doubt these children have learnt so much from this<br />

experience, not just about how and what goes into putting on a<br />

production but also about themselves and what they can achieve in a<br />

short space of time with a skilled team to guide them. <strong>Summer</strong> school<br />

is a journey of discovery, of possibilities and of achievements. There<br />

are no barriers to learning or achievement and every single person<br />

involved leaves the experience having learnt something new.<br />

“My best<br />

memory of<br />

<strong>Summer</strong> <strong>School</strong><br />

is having all this<br />

fun... it was the<br />

best ever”.<br />

“The best part<br />

was the final week and the<br />

brilliant parts that I’ve been<br />

playing”.<br />

“I would<br />

recommend <strong>Summer</strong><br />

<strong>School</strong> to anyone because it’s the<br />

best fun I’ve ever had”.<br />

We have been amazed by the quality of work the<br />

children produced. They were a joy to work with.<br />

The whole experience has been full of fun and<br />

laughter resulting in a production of which they<br />

are really proud. Roll on <strong>Summer</strong> <strong>School</strong> 2015.<br />

Jessica Joyce (<strong>Summer</strong> <strong>School</strong> Organiser)<br />

“You should come to<br />

<strong>Summer</strong> <strong>School</strong> instead of being bored<br />

at home. I loved being here it is fun”.

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