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4.52am Issue: 025 16th March 2017 - The Kurt Cobain Nirvana Issue

4.52am Your Free Weekly Indie Music and Guitar Magazine. This week featuring Kurt Cobain and Nirvana, Fender Guitars, Eastwood Univox Hi-Flier, Susie Blue and Much More

4.52am Your Free Weekly Indie Music and Guitar Magazine. This week featuring Kurt Cobain and Nirvana, Fender Guitars, Eastwood Univox Hi-Flier, Susie Blue and Much More

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FENDER MUSTANG<br />

<strong>Kurt</strong> <strong>Cobain</strong> Signature<br />

If the Fender Jaguar was <strong>Kurt</strong> <strong>Cobain</strong>’s<br />

ultimate guitar, the Mustang was the one<br />

that he played the most, whether it was<br />

on the recording of ‘Nevermind’ or the<br />

tour for ‘In Utero’, time and again it was<br />

a Mustang you would see him grasping.<br />

In a lot of ways it made sense, like Sonic<br />

Youth found with their adoption of illloved<br />

Jazzmasters the Mustang was<br />

cheap to buy second-hand, easily<br />

modified if you weren’t too precious<br />

about neatness when it came to enlarging<br />

pickup cavities, and it was nice and light<br />

on stage when it came to throw it around<br />

and as a student guitar by design, like the<br />

Jaguar, it has a shorter scale length<br />

which maybe was attractive to <strong>Kurt</strong> who<br />

wasn’t the tallest of geezers. Who knows.<br />

It was an easy win for Fender to create a<br />

signature/tribute model though, and they<br />

went for it in a big way in 2011 to<br />

celebrate that it was 20 twenty years<br />

since the launch of ‘Nevermind’. <strong>The</strong>y<br />

also selected the perfect colours, which is<br />

never a bad thing.<br />

As with his Jaguar, you quickly notice<br />

that the Mustang was pragmatically<br />

upgraded, this time he retained the<br />

standard Mustang neck pickup (though<br />

rarely used it) and at the bridge the<br />

single coil pickup was replaced, this<br />

time by another classic, the Seymour<br />

Duncan JB..<br />

No surprise that for a light guitar, this<br />

one rocked.<br />

Again and as with the Jaguar the nononsense<br />

addition of an ABR/Adjust-omatic<br />

bridge solves any historical<br />

concerns and other than that it is pretty<br />

standard fare with an alder body,<br />

maple and rosewood neck with a<br />

vintage 7.25” radius and vintage frets.<br />

Even compared to the Jaguar this is a<br />

no-bull guitar and in a lot of ways it is<br />

perfect for the man and the music he<br />

made with it.<br />

You can find out more HERE although<br />

it is no longer available, apart from in<br />

shops where, err, it is.<br />

One cool guitar that really needs to be<br />

re-issued.

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