4.52am Issue: 025 16th March 2017 - The Kurt Cobain Nirvana Issue
4.52am Your Free Weekly Indie Music and Guitar Magazine. This week featuring Kurt Cobain and Nirvana, Fender Guitars, Eastwood Univox Hi-Flier, Susie Blue and Much More
4.52am Your Free Weekly Indie Music and Guitar Magazine. This week featuring Kurt Cobain and Nirvana, Fender Guitars, Eastwood Univox Hi-Flier, Susie Blue and Much More
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FENDER MUSTANG<br />
<strong>Kurt</strong> <strong>Cobain</strong> Signature<br />
If the Fender Jaguar was <strong>Kurt</strong> <strong>Cobain</strong>’s<br />
ultimate guitar, the Mustang was the one<br />
that he played the most, whether it was<br />
on the recording of ‘Nevermind’ or the<br />
tour for ‘In Utero’, time and again it was<br />
a Mustang you would see him grasping.<br />
In a lot of ways it made sense, like Sonic<br />
Youth found with their adoption of illloved<br />
Jazzmasters the Mustang was<br />
cheap to buy second-hand, easily<br />
modified if you weren’t too precious<br />
about neatness when it came to enlarging<br />
pickup cavities, and it was nice and light<br />
on stage when it came to throw it around<br />
and as a student guitar by design, like the<br />
Jaguar, it has a shorter scale length<br />
which maybe was attractive to <strong>Kurt</strong> who<br />
wasn’t the tallest of geezers. Who knows.<br />
It was an easy win for Fender to create a<br />
signature/tribute model though, and they<br />
went for it in a big way in 2011 to<br />
celebrate that it was 20 twenty years<br />
since the launch of ‘Nevermind’. <strong>The</strong>y<br />
also selected the perfect colours, which is<br />
never a bad thing.<br />
As with his Jaguar, you quickly notice<br />
that the Mustang was pragmatically<br />
upgraded, this time he retained the<br />
standard Mustang neck pickup (though<br />
rarely used it) and at the bridge the<br />
single coil pickup was replaced, this<br />
time by another classic, the Seymour<br />
Duncan JB..<br />
No surprise that for a light guitar, this<br />
one rocked.<br />
Again and as with the Jaguar the nononsense<br />
addition of an ABR/Adjust-omatic<br />
bridge solves any historical<br />
concerns and other than that it is pretty<br />
standard fare with an alder body,<br />
maple and rosewood neck with a<br />
vintage 7.25” radius and vintage frets.<br />
Even compared to the Jaguar this is a<br />
no-bull guitar and in a lot of ways it is<br />
perfect for the man and the music he<br />
made with it.<br />
You can find out more HERE although<br />
it is no longer available, apart from in<br />
shops where, err, it is.<br />
One cool guitar that really needs to be<br />
re-issued.