4.52am Issue: 025 16th March 2017 - The Kurt Cobain Nirvana Issue
4.52am Your Free Weekly Indie Music and Guitar Magazine. This week featuring Kurt Cobain and Nirvana, Fender Guitars, Eastwood Univox Hi-Flier, Susie Blue and Much More
4.52am Your Free Weekly Indie Music and Guitar Magazine. This week featuring Kurt Cobain and Nirvana, Fender Guitars, Eastwood Univox Hi-Flier, Susie Blue and Much More
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FENDER JAGSTANG<br />
Better By Design<br />
If <strong>Kurt</strong> <strong>Cobain</strong> loved his Mustang and he<br />
had dreamed of owning his Jaguar, the<br />
Fender Jagstang was perhaps a sign of a<br />
tortured mind, combining the top half of<br />
one and the bottom of the other.<br />
<strong>The</strong> design was all his own work of<br />
course, and – ignoring the fact that I<br />
keep saying ‘pragmatic’ – came about as<br />
simply as possible when <strong>Kurt</strong> quite<br />
literally ripped two photos in half of the<br />
two guitars and stuck the top of one onto<br />
the bottom of the other. This he passed<br />
to Fender, suggesting that they make it.<br />
Now, I have no doubt that Fender went<br />
through all due process, market research<br />
and everything else and that the man’s<br />
extreme levels of fame and marketability<br />
at the time had nothing to do with their<br />
decision to do just that. In fact I have just<br />
posted them my own mash-up between a<br />
Starcaster and a mandolin which I’m sure<br />
will be equally well received and when the<br />
royalty cheques turn-up the drinks are on<br />
me.<br />
However, the guitar that resulted<br />
probably confounded everybody’s<br />
expectations when it turned out to be a<br />
rock solid classic. Having owned a couple<br />
myself, it is a quite beautiful guitar to play<br />
and really does retain the simplicity of the<br />
Mustang as well as the class of the<br />
Jaguar. Sadly, it is another that is out<br />
of production at the moment, and<br />
selling for crazy high prices on the<br />
second-hand market (although not<br />
quite as much at the equivalent<br />
Courtney Love model, the Venus,<br />
oddly.)<br />
Specification-wise, it was definitely of<br />
it’s time with no-name pickups<br />
(although the Strat neck pickup was<br />
surprisingly good), though a Seymour<br />
Duncan JB would again provide a sonic<br />
upgrade to match the original. Body<br />
was Basswood (which I would defy<br />
anybody to identify if they didn’t know<br />
– some great guitar makers use<br />
basswood which I always feel is<br />
unfairly ignored) and as you’d expect<br />
we have a maple/rosewood neck with<br />
22 vintage frets and a 7.25” radius.<br />
One thing I loved about the Jagstang<br />
was the neck profile which apparently<br />
was copied from <strong>Cobain</strong>’s Jaguar. True<br />
or not they had a wonderful played-in<br />
feel to them that felt more custom shop<br />
than something cheaper.<br />
A lovely guitar, whatever its heritage.