COMMON Magazine Europe - SPRING 2017

COMMON.
SPRING 2017 $9.99
CELEBRATING FASHION
Published by Jungle Bird Media GERMANY junglebirdmedia.com

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//2017 SPRING//COMMON

COMMON//SPRING 2017//
IN THIS ISSUE
36
14
TWO BROTHERS, ONE
MISSION
MATTIS AND NIKLAS OF
OPPERMANN LONDON SHARE
THEIR PLANS...
#LFWM
WHAT WE LIKE AT THE
LONDON FASHION WEEK AW17
24
SLEEP, EAT, WORK, PLAY
AT ANDEL'S BY
VIENNA BERLIN
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2017 SPRING//COMMON
IN THIS ISSUE
DINE IN LUX:ECCO
FINE DINING HAS NEVER
LOOKED THIS GOOD
MINIMALIST AUDIO
JONAS WISTRAND, THE CO-
FOUNDER OF SUDIO SWEDEN
SHED SOME LIGHT ON
ITS PRODUCTS
28
48
FOLLOW THE YELLOW
BRICKELL ROAD
YOUR ALL-NATURAL
GROOMING NEEDS
38
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COMMON//SPRING 2017//
INDEX
AGI & SAM..........www.agiandsam.com..........page 14
ALEXANDRA MOURA..........www.alexandramoura.com...page 14
ANNDERSTAND..........www.annderstand.com..........page 15
ARTWIZZ..........www.artwizz.com..........page 46
BARRUS..........www.barrus.co.uk..........page 15
BAUME & MERCIER..........www.baume-et-mercier.com..........page 32
BEDDI..........www.wittidesign.com...........page 6
BELSTAFF..........www.belstaff.com..........page 15
BLACK WOOD..........www.blackwood-watches.com..........page 35
BLOOD BROTHER..........www.blood-brother.co.uk..........page 16
BRICKELL MEN'S PRODUCTS..........www.brickellmensproducts.com..........page 38
BRUZZONI..........www.bruzzoni.com..........page 8
CAFÉ LEATHER SUPPLY..........www.cafeleathersupply.com..........page 42
CARTIER..........www.cartier.com..........page 32
CECI..........www.ceciofficial.com..........page 16
CHESTER BARRIE..........www.chesterbarrie.co.uk..........page 16
CHRISTOPHER RAEBURN..........www.christopherraeburn.co.uk..........page 17
EDWARD CRUTCHLEY..........www.edwardcrutchley.com..........page 17
ETTINGER LONDON..........www.ettinger.co.uk..........page 40
FONESALESMAN..........www.fonesalesman.com..........page 50
GANDHUM..........www.gandhum.com..........page 17
HALUMINOUS....www.haluminous.com...page 18
HARRYS OF LONDON..........www.harrysoflondon.com..........page 18
JASPER CONRAN..........www.jasperconran.com..........page 18
JAEGER-LECOULTRE..........www.jaeger-lecoultre.com..........page 32
KENT & CURWEN..........www.kentandcurwen.com..........page 19
KRISTIAN AADNEVIK..........www.kristianaadnevik.com..........page 19
KTZ..........www.k-t-z.co.uk..........page 19
MILO MARIA..........www.milomaria.com..........page 20
MONTBLANC..........www.montblanc.com..........page 33
MUJJO..........www.mujjo.com..........page 52
NIGEL CABOURN..........www.cabourn.com..........page 20
NOMAD..........www.hellonomad.com..........page 50
OGON DESIGNS..........www.ogondesigns.com..........page 50
OPPERMANN LONDON..........www.oppermann-london.com..........page 36
PANERAI..........www.panerai.com..........page 33
PARMIGIANI..........www.parmigiani.com..........page 33
PAUL COSTELLOE..........www.paulcostelloe.com..........page 21
PAULA KNORR..........www.paulaknorr.uk..........page 21
PIAGET..........www.piaget.com..........page 32
PITAKA..........www.ipitaka.com..........page 9
PRIVATE WHITE V.C..........www.privatewhitevc.com..........page 20
R.CULTURI..........www.rculturi.com..........page 30
SABINNA..........www.sabinna.com..........page 21
SADIE CLAYTON..........www.sadieclayton.co.uk..........page 22
SADIE WILLIAMS..........www.sadiewilliams.co.uk..........page 22
SLOW WATCH..........www.slow-watches.com..........page 7
SONGZIO..........www.songzio.com..........page 22
STILGUT..........www.stilgut.de..........page 50
SUDIO SWEDEN..........www.sudiosweden.com..........page 48
THEO VII STUDIO..........www.theoviistudio.com..........page 23
THOMAS BIRD SHOES..........www.thomasbirdshoes.com..........page 44
TRACKR..........www.thetrackr.com..........page 50
VHBOX..........www.vhbox.com..........page 51
VLIEGER & VANDAM..........www.vliegervandam..........page 53
WOLF..........www.wolf1834.co.uk..........page 34
XANDER ZHOU..........www.xanderzhou.com..........page 23
ZENITH..........www.zenith-watches.com..........page 33
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2017 SPRING//COMMON
EDITOR'S NOTE
Fashion is no longer how it used to be; it's
experimental, it's bold, and it's genderless.
Even though we call ourselves a "men's
magazine", but honestly we're more than just
that. We provide you with the best fashion
option money can buy, but we also strive to
provide a definitive guide to lifestyle of the
young and affluent. This issue is all about
celebrating what fashion has to offer; good or
b ad, and we make sure that they all have a
place in COMMON.
Azhar.A
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INTELLIGENT BEDSIDE
WITTI BEDDI IS THE ONLY THING YOU NEED
ON YOUR BEDSIDE
www.wittidesign.com
How would you like it if you can control your home from your bedside? Part bedside
lamp and speaker, the WITTI BEDDI does all the work for you. You can play music
through Spotify, control ambient lighting through Philips Hue, or even call an Uber! If
you're lazy like us, you can even have the weather and time announced without so much
as a glance.
It's extremely simple to set up with Bluetooth connection and a free WITTI app for iOS
or Android smartphones. When you're ready to declutter your bedside from books and
night time products, BEDDI is definitelythe best bedside companion.
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2017 SPRING//COMMON
WATCH IT, TAKE IT SLOW
COUNT YOUR HOURS DIFFERENTLY WITH SLOW WATCH
www.slow-watches.com
As an accessory, this watch is incredibly elegant. It has that retro feel to it, and that's not event
the best part. As a watch, there's only one single hand to tell time. Imagine a dial on a bike
pump, if you will. Being in a fast-pace world, it really feels like 24 hours a day is just not enough.
Of course, given that the traditional manual watch only shows 12 hours at a time. But with
Slow Watch, all 24 hours are shown in its 38mm stainless steel case. Now, join them on a
revolution to #beslow.
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DO YOU KNOW WHAT THEY DO
AT WALL STREET?
THEY BRUSH THEIR TEETH WITH BRUZZONI
www.bruzzoni.com
Probably not, but just go with us on this one. Bruzzoni created this minimal alternative
to your ugly toothbrush because...why not? Just because it's for brushing it doesn't have
to be ugly.
The toothbrush has an oscillating speed of 8,000 rotations per minute (RPM), and a
running time of 40 minutes. It can be recharged via USB, or placed on a base for
induction charging. It uses soft brush heads since the regular toothpaste you buy on
regular stores are produced for normal brushing and not adapted to the high speed
oscillation that the electric toothbrush provides.
You can choose a 2 pack or 4 pack subscription which can be delivered to you every 1, 2
or 3 months. You don’t even need to pay the whole subscription at once – just pay when
you receive them on each delivery.
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2017 SPRING//COMMON
THINNER, LIGHTER, SLEEKER
CARBON, MEET YOUR NEW MATCH, ARAMID
www.ipitaka.com
Aramid is short for “aromatic polyamide”. It's stronger than its popular rival, carbon fiber
and is also extremely elastic. Because of its natural light golden color, it can be colored
into different hues unlike carbon fiber.
Inspired by a traditional craft methodology, PITAKA use Vacuum Forming technology to
shape the Aramid fibers into the perfect iPhone case. The combination of this amazing
material with advanced forming techniques creates the ultimate case that keeps the
beauty of iPhone, while adding the protection and refined styling with an unforgettable
3D Grip.The name PITAKA comes from its founders Mr. Pittman, a mechanical
engineer and Mr. Yutaka, a designer.
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COMMON//SPRING 2017//
#COMMONCOVER: THE
ILLUSTRATOR, FIRDAUS AHMED
THE TALENTED ILLUSTRATOR FROM MALAYSIA LENDS A HAND IN THIS
ISSUE OF COMMON MAGAZINE
By Azhar Ahmad
First, tell us a little bit about yourself.
My name is Firdaus Ahmed , 29 years old
and I’m a Fashion Illustrator from
Malaysia . I studied Fashion Design in
2006 and graduated in 2009. I used to be a
costume designer, menswear tailor as well
as a Fashion Designer.
When did you start illustrating? And
what tools do you use?
I started illustrating personally since 2006
and professionally in 2013 . I used various
kinds of art tools such as colour pencil , gel
pen, brush pen and copic marker.
Where did you get your inspirations
from?
I get my inspirations from fashion
magazines , illustrations and art galleries ,
graphic novels and street wear fashion .
Do you view art differently than an
average person?
Art is a great way to express myself as it
motivates and inspires me to be better
each day.
When illustrating a person, which part
comes first? How long did it take you to
finish one illustration?
I will start sketching the head first and then
the body, hands and legs. Depending on
the design of the clothing and size of the
paper , it would take me an hour to three
hours to finish one illustration .
How many times do you stop and start all
over again? Any advice for frustrated
illustrator out there?
After I'm done with the rough sketches , I
would normally stop and take a break .My
advice is to keep on sketching and be
confident with your art. Always remember
that improvements can only come with lots
of practice.
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2017 SPRING//COMMON
"Art is a great way to express myself as
it motivates and inspires me to be
better each day."
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What is the best illustration you’ve
made so far? Any favorites?
I love drawing street wear with different
action poses . My favourite one so far is
an illustration of Mr. Tatano on a
skateboard (on the cover).
When you’re not working on an
illustration, what do you like to do?
I like to read books about fashion
business ,vintage menswear and graphic
novels.
What’s next for you personally and
professionally?
Personally, I want to learn more about
digital art and animation . Professionally,
I'd like to illustrate for various fashion
ads, fashion houses, as well as fashion
shows .
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COMMON//SPRING 2017//
WHAT WE LIKE AT THE LONDON
FASHION WEEK MEN'S AND
LONDON FASHION WEEK AW17
Compiled by Azhar Ahmad
AGI & SAM
Agape Mdumulla and Sam Cotton created a collection inspired by gang mentality,
dashed with an undercurrent of menace – perhaps fitting considering the current
political climate and the concept of using art and fashion to create the ultimate
reflection of our contemporary world.
ALEXANDRA MOURA
Alexandra Moura AW17 ´´Here and There´´ looks to build a stronger connection with
nature and ancestral origins. Drawing its inspiration from the Portuguese empire in
the XVIII century, and its presence in East Timor, reaching up to Indonesia.
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2017 SPRING//COMMON
ANNDERSTAND
This London based young fashion designer Misa Wu developed her original print and
brings excited element to the new collection. We were very impressed with the bold
statement using bright colors, textured prints and loose fabrics.
BARRUS
Design duo, Neslişah Yılmaz and Nur Çağlayan, looked at the Hanging Gardens of
Babylon, the seventh wonder of the ancient world, for their new line, wishing to
continue a tradition of developing contemporary design from antediluvian roots in the
ancient heritage of Mesopotamia.
BELSTAFF
July 2016 marked the move of Delphine Ninous from Belstaff’s head of womenswear
to the role of collection creative director. Having not designed menswear since her
20’s, Belstaff’s AW17 lineup saw her triumphant maiden voyage back into making
mens clothes. And man, are we thankful for her return.
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BLOOD BROTHER
Mastering prints for AW17, Blood Brother reference the cartography and mapping of
the River Thames. Brought to life using detailed embroidery on the tailored pieces,
silks and sweats, Blood Brother highlight the role of the river as London’s lifeblood,
bringing people to it’s banks for thousands of years.
CECI
Influenced on the whole by the stateless vagabond, the collection aimed to
compliment the romance of their relationship with the Earth. Draped fabrics emulated
the free-spirited nomad, depicting the silhouettes of shelters drawn across the body
by rich fabrics.
CHESTER BARRIE
The collection blends opulence, elegance and sophistication to create menswear
that lends air to authority. Color and texture are to the fore with urbans tweeds
equipped with drapes and comes in petrol blue, russet and moss green. The
highlight though was a cashmere change coat with faux fur collar and lapels.
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2017 SPRING//COMMON
CHRISTOPHER RAEBURN
Wool blanket omber shell, appliqued duffle, biker and bomber jackets whilst bomb
disposal utility garments have been ‘Cut n’ Shut’ to form anorak and parka coats. Field
jacket and bomber have been constructed from British multiterrain smocks. Iconic
parachute material used with elevated REMADE branding across joggers, crews, tees
and hoodies
EDWARD CRUTCHLEY
Edward Crutchley's collection feature relaxed shapes, with drop-shoulder velvet
tracksuits in camel and dark chocolate, and a nice velvet robe draped over a louche set
of mismatching silk pajamas. Intarsia knitted separates featured a whimsical pattern
inspired by Japanese Noh opera.
GANDHUM
The new collection introduces us to luxurious casualwear and adventurous fabric
blends, conveying a sense of mystery where the atmospheric tone dominates and a
variety of earthy tones and natural textures along with diverse colour palettes appear
on the designs.
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HALUMINOUS
Vibrant reds blocked with black created a bold look amongst shorts, socks, sliders,
hoodies and dresses. The distressed detail amongst garments, such as the kimonostyle
layering, blended a traditional shape with a modern twist
HARRYS OF LONDON
Suede and patent shoes, new loafers/slippers with collapsible backs and luxurious
socks, Harrys of London really did well in this AW17 collection. Weekend bags in tech
carbon fibre, heron stamped belts and city-chic shoes were among our favs, together
with elegant leather lace-ups, loafers and boots fit for business meetings-come-postwork
pleasure outings.
JASPER CONRAN
Played extensively with proportions and necklines, the womenswear has plenty of
options while still maintaining a very basic masculine form. Pants are still tapered,
shoulders tend to be broad, and sleeves tend to run long. What we get from Conran
this season are his re-worked thoughts on masculine silhouettes
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2017 SPRING//COMMON
KRISTIAN AADNEVIK
Inspired by the Vikings and the cold, immaculate Northern Winter, the theme shows
through the colour palette, which is dominated by dark black hues inspired by the
stormy skies, pristine white shades that cover the body like a mantle of snow and
metallic silver materials reminiscent of the sun’s play of light in the snow.
KTZ
All punk and bondage, this was not fashion for the faint-hearted. To a 1980s German
electro-pop beat, a barrage of bindings, straps and laces met the eyes of the audience.
A gender fluidity resisted and clashed styling stereotypes, with corsets cinching in
above male hips and full bodied skirts billowing over men’s booted legs.
KENT & CURWEN
The collection entails a few Army and country jackets, heavy duty coats, handsome
trench coats and the extremely trendy 1960s style bomber jacket, all which make up
the stunningly raw collection of coats that were on display during Fashion Week.
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MILÓ MARIA
The considered collection was a sea of cascading velvet, trumpet sleeves, frayed
chunky knits and Victorian collars. With grey suits, army green jumpers and maroon
midi dresses these were definitely the new staples for a modern woman
NIGEL CABOURN
The brand has undertaken a unique collaboration with up with Swedish Peak
Performance for a specially developed skiwear selection. Combining Cabourn’s
staunchly British roots and affection for army apparel with the Scandinavian
approach to mountain attire has resulted in an innovative set of pieces with a
contemporary urban feel
PRIVATE WHITE V.C
Layered, robust fabrics and natural pallette characterises the brand’s style. The rest of
the display showcased further examples of layered autumnal-hued knits, woollen
coats, button-down cardigans and crisp shirts plus tailored trousers, chocolate leather
loafers and tan-buckled boots.
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PAUL COSTELLOE
The collection is bold in spirit, bringing the forceful look of the Tudor period in the
centre of attention, through exaggerated, lavish sleeves. Beneath the dresses or skirts
of diverse lengths, carmine, cobalt blue or emerald leggings made out of English latex
added a vigorous glow to the collection.
PAULA KNORR
Hits include a tulle-high neck top in red that features minimal use of ruffles paired
with a matching, fitted skirt that is sheer enough to reveal large fishnet tights
underneath. The favorite however involves a salmon, fitted turtleneck with flared
sleeves worn under a stunning, fitted metallic silver dress.
SABINNA
Romantic and playful vibes were prominent throughout, although most noticeable in
abstract heart motif dress and tees with chest emblems cinched in with corset style
waist belts. Plus the added eclectic mix of belt bags, velvet style dungarees coupled
with a chunky cowl neck jumper and pops of colour.
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SADIE CLAYTON
Fashion, art and technology are effortlessly intertwined in Clayton’s S/S 2017
collection demonstrating her success in spanning genres in order to create bespoke
luxury sculptural womenswear at the foreground of British fashion.
SADIE WILLIAMS
Her latest collection features splashes of Swarovski crystals and geometric shapes
she has become known for. A velvet raglan baseball sweater, tracksuit set and shiny
bomber jacket insert the sporty into an otherwise smartly tailored collection
SONGZIO
The pieces were inspired by paintings from creative director Zio Song’s own hand and
sought to draw the viewer into a narrative around an imagined contemporary man
walking through an unknown city at dawn, both chilled and charmed by the empty
streets in the eerie winter cold.
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2017 SPRING//COMMON
THEO VII STUDIO
Say goodbye to the typical monotone, safe and dark winter colours that comfort us
during the cold months because THEO VII STUDIO has brought back neon yellow,
glitzy patterns and textures and layers
XANDER ZHOU
There's an apocalyptic feel to the collection which came across in military designs,
boiler suits and rubberised macs. Outerwear was heavily involved; trench coats, long
leather jackets and shearling coats were shown in a variety of colours and textures.
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SLEEP, EAT, WORK, PLAY, REPEAT
EQUIPPED WITH A MICHELIN-STARRED RESTAURANT, WORLD-CLASS
CONFERENCE ROOMS, AMAZING SKYBAR AND 5-STAR BEDS, ANDEL'S BY
VIENNA BERLIN IS THE ULTIMATE STAYCATION FOR THE WORKAHOLIC
By Azhar Ahmad
The uniquely designed box was converted from a shopping mall and now home to andel’s
by Vienna House Berlin. Thanks to its proximity to public transportations and just enough
distance from the busy touristic areas, it has become the perfect spot for mixing business
and pleasure.
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//2017 SPRING//COMMON
Location
Tucked away in the melting pot of
Friedrichshain, a fast-neighborhood in
Berlin, the hotel is easy to get to from
anywhere. The tram stop is just directly
opposite the building, in fact, as soon as
you walk out the door it’s just a matter of
crossing the street. The train station is a bit
of a walk, but the trains get you to the main
station as well as directly to the airport, if
you wish. Walking around the hotel can be
a little bit intimidating with graffiti sprayed
over the walls on the walkways but
because Berlin is the hub for creativity,
there is nothing “ghetto” about it.
Style
The andel's by Vienna House Berlin is an
example of the company’s Design line.
Contemporary design meets style and
modernity sets the tone. Exploration
stands for: exciting architecture, high class
cuisine and state-of-the-art conference
facilities. The original building was
designed to be a shopping mall, and this can
be seen the moment you enter the hotel.
Spacious and luxurious comes to mind, and
they really didn’t change the original layout
Tip: Save on transport and
get discounted offers in
over 200 attractions in
Berlin! Purchase your
Berlin Welcome Card now
at www.visitberlin.de
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COMMON//SPRING 2017//
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so it stays true to aesthetics. The style is
in keeping with the new breed of young,
wealthy and fashionable. The bedrooms
are hyper-stylized, the bathroom is
spacious and immaculate and the
restaurants, well the restaurant received
its Michelin star in 2016. Go figure.
There are also cosy corners for guests to
enjoy their hot cuppa so it doesn’t feel
too away from home. Think of it as the
home you wish you had. The atmosphere
retains an air of modern and luxury, but is
by no means stuffy. Nothing about
andel’s by Vienna House Berlin takes
itself too seriously. There are playful
design touches around every corner,
such as the huge art piece in the lobby
masquerading as the front office,
covered in gold steel that simulates a
bird cage.
Relax
The temptation is to hole yourself for a
week in the hotel’s 3,800 sqm
subterranean spam. At the Spasphere,
you’ll have the massage of your life.
There is a whole menu of cosmetic and
massage treatments to revive and
replenish, while an in-house
physiotherapist can get to work on any
knots formed during those long hours
attending conferences. The convivial
spaces look and feel like a trendy private
member’s club - there’s an atmospheric
Skybar with a panoramic view of Berlin
for early evening cocktails, executive
lounge with private access, a Michelinstarred
restaurant for foodies and a
traditional cigar lounge for an afterdinner
Old Fashioned.
Food
There are three choices on offer at
andel’s by Vienna House Berlin. Enjoy all
the richness and diversity of European
cuisine at Brasserie Oscar’s. Try the
quiches, salads and delicious desserts. As
well as meat and seasonal vegetables,
you can also enjoy fish and seafood
grilled right in front of you in the open
kitchen. For breakfast, start the day with
crunchy cereals, fresh fruit and
homemade jams, eggs, smoked fish, and
hearty hams and cheeses at the aptly
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named Restaurant Delight. Vegan and
gluten-free dishes are also available on
request. Fresh juices and freshly roasted
coffee will get your day off to the perfect
start. And then there is the Skykitchen -
the fun and relaxed in-house Michelinstarred
restaurant. The menu is vast and
comforting as prepared by Chef de cuisine
Alexander Koppe. Here, creativity goes
hand in hand with old-fashioned skills and
a fresh spin on the classics, the ultimate
“fun dining” experience minus the snob.
Rooms
There are 557 rooms in total plus suites.
Rooms are clean, contemporary and
comfortable. The rooms we stayed in
comes with huge windows with sweeping
views of Berlin. While they have slightly
less pizzazz than the communal spaces, all
the details have been thoughtfully taken
care of: Nespresso machines, state of the
art surround sound systems and a giant
flat screen television mounted on the wall.
All rooms have spacious ensuites with
chin-deep baths, walk-in showers and a
bottomless supply of Aqua Organic
toiletries.
andel's by Vienna House Berlin
Landsberger Allee 106, 10369 Berlin
+49 30 4530530
www.viennahouse.com/en/andels-berlin
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DINE IN LUX: ECCO ZURICH
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WITH TWO MICHELIN STARS ON ITS BELT, DINING HAS NEVER
TASTED (AND LOOKED) THIS GOOD
By Azhar Ahmad
Officially one of the best chefs in Zurich,
Stefan Heilemann gets two Michelin stars
after spending less than a year as a chef at
Ecco Zurich, the gourmet restaurant of the
Hotel Atlantis by Giardino. We managed to
sneak a taste and boy we’re glad we did.
Upon entering Ecco, you already know that
you are in for a very special evening.
The decor of the elegant restaurant is light
and airy, and floral decorations lend accents
of color. The Ecco offers its guests a choice of
menus comprising between three and eight
courses. Each course is a masterful creation
in itself, delighting the palate with natural
flavors and surprising aromas. The main
focus is placed on the interplay between
temperatures and textures that tickle guests’
taste buds.
Naturally, we opted for eight courses,
complemented with wine pairing. We were
seated in the large half-baked sofas that
could easily seat four people even though
there was only two of us. It wasn’t
particularly busy that night so we complied.
It has an excellent view of the restaurant and
perfect for observing happenings in and
around Ecco.
As soon as we were seated, a whole armada
of amuse bouche came dancing out of the
kitchen, served by at least three staffs.
Bedazzled, we gazed into the beautifully
plated starters and our eyes locked when we
noticed a rather dark bread. “This is a malted
bread,” one of the staffs said. It came with the
most wonderful butter we’ve ever tasted,
which sent us into trance.
The first course was a Bigeye Tuna with
Cucumber and Seaweed. It was perfectly
seasoned and the combination was just
extremely light for the palate. We moved on
the second course where we had the
Norwegian Scallop with Butternut Pumpkin
and Bergamot. It was a convincing dish armed
with confidence from the chef as the
bergamot is not too overpowering like it
could have been.
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2017 SPRING//COMMON
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We glanced at the menu to see what was
next and to our delight it’s Breton Lobster
with Fennel and Chorizo. This unique
combination was a winner for us that night.
The lobster’s tender texture blended in with
the aromatic of fennel and spiciness from
chorizo was too good to be true, yet it just
works.
Then, we were given the fourth course;
John Dory with Onion and Bone Marrow. It
had a discreet bitterness to it combined with
the sweetness of the onion. The flaky texture
of the fish was perfectly executed, exactly
how a fish should be cooked. Then came Egg
Yolk Raviolo with Spinach and White Alba
Truffle. The yolk is still creamy and not
overcooked when cut open, and the truffle
shavings on top gave it that extra breath of
earthiness it needed.
A wonderful smell came wafting from the
kitchen as the door opened, and out came
the staffs with our sixth course, Young
Venison with Elder and Chervil Root. The meat
sliced like butter and melted in your mouth
as soon as it touched your tongue. Our final
course before the dessert was Avocado with
Black Rice and Yuzu, a perfect vegan end to all
the meat we’ve been having.
We made our trip back from the world of
textures and taste with beautifully plated
desserts. The dessert consisted of a Ginger
Orange Yogurt, a Brioche with Cassis, Quinoa,
Meringue, Roasted Apple and Brown Butter, a
Passion Fruit Praline and various truffles. The
sweet creations were delicious and delicate,
definitely a sweet and surprise end.
Even though Chef Stefan is only 34, he is
already becoming one of our favorite chefs in
the world and Ecco tops our list as one of the
best restaurants. What we had was more
that just meals, they were created with heart
and of the highest standard. There were very
little experiments done on the plate and its
focus on texture and taste is what drives the
meal close to our hearts. Remember us when
we say this, it’s only a matter of time before
Ecco joins the rank of elBulli and Osteria
Francescana.
Visit www.atlantisbygiardino.ch/dining/ecco
Ecco Restaurant
Döltschiweg 234, 8055
Zürich, Switzerland
+41 44 456 55 33
29

COMMON//SPRING 2017//
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CULTURE + DESIGN = R.CULTURI
MIXING GLOBAL CULTURE AND DESIGN WITH CLASSIC ITALIAN STYLE,
ANTHONY BROVCHENKO IS ON THE RIGHT PATH WITH R. CULTURI
By Azhar Ahmad
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First, tell us a little bit about yourself.
My name is Anthony Brovchenko. I was
born in Kiev, Ukraine, grew up in
Brooklyn, NY, and spent close to four
years living and working in Monaco on
the French Riviera. My background and
the fact that I was exposed to so much
diversity in culture throughout my life
has nurtured and driven my fascination
with different peoples, their language,
their history, their food, and their art and
architecture. Obviously, I also love classic
men’s and womenswear and the
craftsmanship that it stands for. R.
Culturi was born from a fusion of these
two separate but equal interests of mine.
I had a desire to do something new and
interesting in this industry and to create
a truly unique, beautiful product that
would speak for itself. After close to two
years of research and preparation, we
launched our first 10 products in the
summer of 2015. In 2016, I decided that
it was worth giving this passion project
my undivided attention and I left my fulltime
career to pursue building and
growing R. Culturi.
What made you want to be in the
fashion industry, especially in
accessories for men?
I’ve always loved ‘fashion’ and respecting
the way I presented myself by dressing
well. As a teenager, I loved rare, exclusive
sneakers, raw denim, and t-shirts from
streetwear brands. I poured so much
time into learning about and procuring
these items for my wardrobe. As an adult,
my preferences changed to hand-welted
shoes and well-made trousers, shirts,
jackets, and of course neckties and
pocket squares. Living in Europe and
traveling throughout the continent also
really helped shape my personal style
and knowledge of how garments are
made. I was inspired by how well people
dressed in Milan, Paris, and London, to
name a few. All of this culminated in my
wanting to contribute something to this
‘culture’ of fine menswear and classic
dress. I also wanted to challenge myself
to develop something that I had no
background in. Part of it really was an
intellectual project to better educate
myself on design and production.
How do you choose the best pocket
square and necktie combo? What do
you put together first?
Before I choose a pocket square and
necktie combo, I first choose the jacket
and trousers. The accessories need to fit
seamlessly with the rest of the outfit
rather than being the ‘main event’. If a
jacket has a strong pattern, the necktie
needs to be more reserved in order to
ground the outfit. Conversely, a very
classic navy sport jacket can call for a
brighter tie with a robust pattern as it
adds a dynamism to the look. The pocket
square should never match the necktie
but rather complement it. Perhaps
certain non-dominant colors of the
necktie can be better represented in the
pocket square, or the main colors of the
tie and pocket squares can be totally
different but complimentary. For
example, burgundy with dark green. In
general, earth tones can be easily paired
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2017 SPRING//COMMON
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with one another.
Tell us briefly about the process of
creating the products from start to
finish.
It starts with looking for interesting
artists. We browse online art portfolios,
blogs, forums, social media, and get
recommendations from other people that
we’ve already worked with. Once we’ve
found a handful of artists whose work is,
to us, unique, interesting, and
aesthetically pleasing, we contact them to
see if they’re open to collaborating. If so,
we begin by discussing an idea or general
direction and developing a few drafts
around this theme. Eventually, the final
composition begins to take form and we
work closely with the artist to optimize
the work so that it’s not only beautiful on
it’s own but also works well as a wearable
textile accessory. Once the final artwork
is finished, we work with our production
partner in Como to get it translated onto
a fabric medium. We print samples of
each design over a dozen times using
different settings and fabrics until we
achieve a result that maintains the
integrity of the artwork and represents
the quality we strive for. Finally, each
piece is made and finished by hand. The
entire production process is done from
start to finish in Italy in order to maintain
the highest standard of quality and
workmanship. It is central to our
philosophy that a beautiful artwork which
someone put their heart and soul into
creating should be made into a scarf,
pocket square, or necktie with the same
amount of care, attention, and love.
What’s next for R.Culturi and you
personally?
I want to continue the trajectory that
we’re on, to keep putting out unique
products, and to expand to other types of
accessories. Of course, we must be
careful with each new product line that
we launch as it has to stay true to the
ethos of the brand. For example, we didn’t
offer neckties until late 2016 as we had to
figure out a way to have an artistdesigned
tie maintain a classic appeal.
Even after we figured out how we’d do it,
it took a year of design and development
before the final product was introduced.
Right now, we’re working on our next
collection of pocket squares, which will
offer more variety in terms of fabrics and
promises to incorporate some very
interesting design features as well. Be on
the lookout for those in the next few
months! For me personally, I take great
pride in R. Culturi and in putting out a
product that I truly believe in. There’s no
better reward than knowing that other
people love our work and support our
brand.
Visit www.rculturi.com
31

COMMON//SPRING 2017//
WATCH THIS SPACE
OUR ENTRY-LEVEL FAVORITES FROM #SIHH2017
Jaeger-LeCoultre Master Control Date
Drawing inspiration from vintage features, its
contemporary design possesses an assertive personality.
The watch has a 39mm stainless steel case that's very slim
at just 8.5mm. The technical details of the watch are
simple enough and inside is a JLC caliber 899/1, which is a
219 component automatic movement with a 38-hour
power reserve and a solid gold winding rotor.
$5,7000; www.jaeger-lecoultre.com
Baume & Mercier Clifton Club Shelby Cobra
"Daytona"
A 44mm flyback chronograph, the Clifton Club Shelby®
Cobra 10344 in Limited Edition of 196 pieces comes with
a sun satin-finished half blue & half silver-colored dial, red
chronograph’s hands with Cobra logo, tachymeter scale, a
manufacture automatic movement is delivered on a blue
“all roads" calfskin embossed with a carbon-like pattern
strap.
$7,950; www.baume-et-mercier.com
DRIVE DE CARTIER EXTRA-FLAT WATCH
Cartier's shaped watches have made their mark on
history. Now, sophistication is redefined with Drive de
Cartier. Making a bold statement with its unique cushionshaped
case, the watch is brought to life by the in-house
Cartier Manufacture Movement 1904 MC. Limited
edition of 200 numbered pieces.
$15,600; www.cartier.com
The Piaget Polo S Limited Edition Black
Sized at an ideal 42mm wide and is a relatively slim 9.4mm
thick, water-resistant to 100m. One of the first things that
separates this from the standard Piaget Polo S watch is
the ADLC (amorphous carbon-like coating) coating on the
bezel, providing superior scratch-resistance and
protection for day-to-day wear. Inside is a 1110P selfwinding
movement, which was developed from their 800P
movement.
$8,900; www.piaget.com
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2017 SPRING//COMMON
EL PRIMERO 36'000 VPH
An intense black ceramicised case, chiaroscuro threecounter
dial and sporty perforated rubber strap reveal a
fascinating take on a watchmaking legend born in 1969.
The Manufacture’s iconic El Primero 36’000 VpH
epitomises high mechanical precision endowed with
enduring charm. These contrasting twin timepieces -
black on white, white on black – are a new couple, exuding
a seductive aura characterised by natural balance.
TBA; www.zenith-watches.com
LUMINOR SUBMERSIBLE 1950 3 DAYS
AUTOMATIC ORO ROSSO
It's the first Panerai Submersible watch with the case 42
mm in diameter, is available in red gold and waterresistant
to a depth of 100 metres. It is supplied with the
P.9010 automatic calibre with a power reserve of three
days, the time remaining being clearly visible through the
sapphire crystal back.
$8,700; www.panerai.com
Parmigiani Fleurier Tonda Métrographe
Introduced three years ago, the watch gets a crisp new
look this year with a streamlined dial that combines
rugged chronograph functionality with the refined
elegance for which the watchmaker is known. Complete
with subtle touches, such as a new date window at 12
o’clock that features a red No. 1, the model is likely to
entice plenty of newcomers to the brand because of its
affrodable price tag.
$11,500; www.parmigiani.com
MONTBLANC TIMEWALKER CHRONOGRAPH
AUTOMATIC
Powered by the calibre MB 25.07 – a Selitta SW500 base
- and has been rigorously tested by the Montblanc
Laboratory Test 500, simulating real-life wear for over
500 hours. It comes with a choice of three different strap
options: perforated leather, perforated rubber, and a new
performance metal bracelet with three links.
TBA; www.montblanc.com
33

COMMON//SPRING 2017//
THE ULTIMATE WATCH WINDER
THE VICEROY WATCH WINDER FROM WOLF IS ALL YOU NEED
FOR YOUR AUTOMATIC WATCHES
By Azhar Ahmad
No, it's not just a show off display for your watches. It also doubles as a winder for your
automatic watches. The Viceroy is part of WOLF collection of winders and comes in models
that wind from one to eight watches. They are housed in padded boxes wth supple pebble
finish that have a closing, clear acrylic front. Inside is a beautiful gray textured silk faceplates
that complements your watches.
What we like best about the Viceroy is the front portion as it opens and closes to protect
your watches against dust. It's that attention to detail that makes us in love with companies
such as WOLF. While the door of the winder box technically does lock, it is a very simple
lock and not one that we would recommend for real security purposes. It is just sort of to
prevent it from accidentally opening and the most easily deterred thieves. The lock does
however use a small key that WOLF provides.
This unit is powered via an AC adapter - which plugs in via a removable cord in the back of
the unit. They also offer watch winders that are stackable, and equipped with bridal cable
function that allows the use of only one AC adapter for as many winders as you have or will
have. Didn't we say they pay attention to detail?
Visit www.wolf1834.co.uk or
follow @WOLF1834 on Instagram!
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INSPIRED BY NATURE
DEEP INSIDE THE BLACK FOREST, BLACK WOOD WATCHES WAS BORN
//2017 SPRING//COMMON
What more can we say about the watches
from BLACK WOOD? They're elegantly
designed and it has that extra detail that
catches everyone's attention.
Our favorite of the lot would be this one
from the limited edition Mt. Belchen 40
Bronze Oak | 1 - 120. It's named after the
highest mountain in the Black Forest in
Germany, located close to the Swiss Alps.
The heart of this modern watch is a
premium quartz movement from the
leading Swiss manufacturer Ronda,
incorporated into a highly polished case.
Scratchproof mineral glass ensures good
readability and water resistance up to
three bar. The chrome-plated, pyramidshaped
hands have been designed so as to
not deform when exposed to large
variations of temperature.
The most eyecatching detail is of course
the dial, crafted from a German oak wood.
It is extremely thin and feels just nice on
our giant wrists. Paired with an embossed
genuine Italian leather strap and matching
stitch, the watch is delivered in a luxurious
leather box too. Due to it being a limited
edition, only 120 watches are made for
this collection and numbered on the side
of case.
It also comes with an additional stainless
steel mesh strap that can be easily changed
with just a click. How's that for a 2-in-1
watch?
Visit www.blackwood-watches.com
WIN A BLACK WOOD WATCH!
Simply answer and follow the instructions below and send to
contest@junglebirdmedia.com before 5th July 2017/ Winners
will be selected randomly and notified via email. T&C applies.
1. How many watches are produced in the limited collection Mt.
Belchen 40 Bronze Oak | 1 - 120?
2. Follow @blackwood.co and @common.mag on Instagram and
send us a PM with your email (so we can cross-reference)
35

COMMON//SPRING 2017//
TWO BROTHERS, ONE MISSION
MATTIS AND NIKLAS OF OPPERMANN LONDON SHARE THEIR PLANS
FOR WORLD DOMINATION (IN LEATHER GOODS)
By Azhar Ahmad
Tell us about both of your backgrounds. What were you both doing before founding
the company?
We started working on Oppermann when we were still both at university. Niklas studied
business studies and I product design. Our two separate fields of study has been really
useful when starting up beacuse Niklas was focusing on the business side and I on the
products, materials and production. Niklas graduated two years before me and since
2014 we’ve both been working full time on Oppermann. I believe that not coming from a
traditional fashion background has helped us starting a brand with a slightly different
approach
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2017 SPRING//COMMON
How is it like working with your own
family? Any clash of ideas and how do you
handle them?
It is great. Of course there are times we do
not agree leading to some heated
arguments, but we always resolve them
quickly.
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What attracted you to leather work?
The idea of designing leather accessories
came around Christmas time a few years
back. Niklas wanted to get me a leather
laptop folder as a Christmas gift, which he
barely managed to find. After closer
inspection and long discussions we realized
it was neither worth the price nor an
excellent piece of design. Since then we
searched endlessly after just that product.
We looked for affordable pieces, which had
clean lines and were made from exclusive
naturally treated leather. We found some
interesting pieces, but none to match all
our criterias. Working with leather is just
something special. As one of the first
materials used by man and still the leading
material in many applications it has both a
rich history and unmatched material
characteristics. That being said, there are
quite a lot of cheap leathers and only a few
which we really think are awesome. The
leather we use for our products has a
unique matte appearance, smells great and
will age nicer compared to other leathers.
Is there a difference between designing
for a specific market? What attracts
customers from America or Asia or
Europe?
Even though I think there is a difference in
design preferences between the markets,
we do have customers worldwide. I believe
our clean design and our great price to
quality ratio appeals to people regardless
of their geographic location. What kind of
person has an Oppermann in their sartorial
arsenal? Broadly speaking we have two
types of customers. The first working in the
professional services, wearing a suit often
or on a daily basis. This customer usually
goes for a briefcase from our Core
Collection which features structured
shapes, our smooth Vachetta leather with
the finished edges. Our second core
customer is slightly more casual,
entrepreneurs, working in the creative
industries such as design and architecture.
They usually prefer products from our
Surfaces Collection with rounder shapes,
matte titanium finished hardware and
tumbled Vachetta Leather.
What are you guys currently working on
now?
We’re working on a new collection which
will focus on the travelling and urban
commuting. It will be highly functional yet
keep the elegant Oppermann aesthetic
and made with high end materials. We
believe this type of product range is
missing in the market right now and we
can’t wait to launch them.
Visit www.oppermann-london.com
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COMMON//SPRING 2017//
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FOLLOW THE YELLOW BRICKELL
ROAD
JOSH MEYER, CO-FOUNDER OF BRICKELL MEN'S PRODUCTS GIVES US AN
INSIGHT TO THE ALL-NATURAL REMEDY FOR SKINCARE
By Azhar Ahmad
First, tell us about yourself and your role in the
company.
I’m Josh Meyer (RIGHT), the co founder and
CEO of the company. I manage the sales and
marketing, while my business partner, Matt
Bolduc (LEFT), manages our operations and
logistics. I’m the “face” of the company so I
do a lot of interviews, press events, and
other initiatives to help guys relate to our
brand.
How did you decide to be in the grooming and
skincare industry?
A few years ago, my girlfriend at the time
was making fun of my wrinkles. I decided I
should start taking better care of my skin. So
I started doing some research and checking
out my options. But none of the brands
resonated with me. I was looking for a high
quality, luxury brand that would help me
take better care of my skin – but only with
natural ingredients. While investigating one
of the ingredients used by a brand I was
considering, I read a study showing that this
same ingredient was responsible for
shrinking the testicles of laboratory mice!
That was horrifying. I knew I couldn’t
possible be alone – that other guys like me
were looking for the same type of natural
products for the same reasons. That got me
interested in the men’s grooming industry.
When I realized it was the fastest growing
segment of the beauty industry, I knew
there was potential to build a successful
business around this idea. I contacted Matt
and told him what I had been thinking. After
doing his own research, he agreed. Together
we took advantage of the opportunity we
saw and dove into the market.
What are the main selling point of the products?
Are there any special or key ingredients in the
making of the products?
The main selling point is that our products
are made with all natural and organic
ingredients. Most companies say they use
natural ingredients, but they end up only
being trace amounts. We put on our labels
the natural & organic content, most of our
products are 100% natural or very close to
it. We use some of nature’s best ingredients
that are extremely powerful: hyaluronic
acid, aloe, green tea, plant stem cells,
Vitamin C, to name a few.
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2017 SPRING//COMMON
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How long does it take to create a grooming
product from scratch?
It takes about 6 months. You first dream up
what you want, how it will performance
and feel, then the ingredients you want in
it. Then you have the label make some
samples that you test. You then give
feedback on the samples until the formula
is close to you want - and then you have
friends, family, and customers test it out.
How did you decide if a formula is the best in a
product? What was the “Ah-ha!” moment?
The “ah-ha” moment is when almost
everyone who you have try it goes “this is
great!”. You can’t please everyone, so there
will be a few naysayers, but if the majority
resonate with it, it’s good.
What would be your recommended routine for
men using products from Brickell?
1) Wash your face morning and night with
our Purifying Charcoal Face Wash (dry/
sensitive skin) or with our Clarifying Gel
Face Wash (normal/oily skin). This removes
unnecessary oils and impurities from the
skin. 2) Once your face is dry, apply our
Daily Essential Face Moisturizer to
hydrate, nourish and provide anti aging
benefits to the skin. 3) Apply our Restoring
Eye Balm at night and in the morning after
washing your face to help smooth away
wrinkles around the eyes, while removing
dark circles and puffiness. 4) Use our
Revitalizing Anti Aging Cream at night
after washing your face to lift and tighten
the skin while you sleep. 5) Use our
Repairing Night Serum before our
Revitalizing Anti Aging Cream at night to
help repair the skin, fight inflammation and
reduce skin cell maturity.
How do you plan to expand the products? Any
new line coming up soon?
Absolutely! We just launched two facial
serums, as well as a 3-in-1 all over wash
(for hair, face, and body). We will be
releasing a few other products later this
year as well.
Visit www.brickellmensproducts.com
39

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A
COMMON//SPRING 2017//
MASTERY IN LEATHER
ROBERT ETTINGER OF ETTINGER LONDON TELLS US HOW IT'S DONE
By Azhar Ahmad
Firstly, could you explain a little bit about
yourself and how the brand came about?
The Ettinger brand was started in 1934 by
my grandfather, and the head office and
factory were all based in London. My
grandfather had always been very
interested in fine craftsmanship and in fact
his father and grandfather were tailors and
had businesses making clothing. I joined
the business when I was 26 after studying
in England, France and Austria, and then
working in Germany for a manufacturing
company and in Canada for Mappins, the
jewellers, learning about the retail trade
and the jewellery business.
What’s the ethos behind Ettinger?
Ettinger has from the very beginning only
made the top end, using the finest leathers
and crafting them in their factory to make
some of the finest products available.
Although our factory has grown a lot since
then, we still pride ourselves on keeping
the level of quality at the highest level and
our products are only sold in the finest
stores around the world.
Can you remember what your first batch
of products were like? Did it take a while
to iron out all the creases and get a
product that was retail worthy?
Even from the very beginning, we only
took on leather workers who were already
highly skilled. So from our very first batch
of products, the quality was first class.
Now, of course, we do train young people
and it takes up to five years to get them to
the skills needed to be able to not only
make high quality but at a speed level that
makes it viable for the business. We still
source as much leather and all other
materials as we can from England, and
check each and every skin of leather that
we use to make sure it is of a quality level
good enough for Ettinger.
How do you go about sourcing the
different elements and materials for each
product?
Sourcing the finest leathers, linings and
fittings is critical, because without the
finest ingredients one cannot go on and
make the finest products. Apart from
buying as much as we can from England, if
there was an item needed in the
production that’s made in another country
which is of a finer quality, we will buy it
from there. For instance, the best zips
come from Switzerland and the best linings
come from Italy, so it is these that we use.
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2017 SPRING//COMMON
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Who and what inspires you? Any
particular designers or brands?
The company that inspires me the most is
Hermes. They are still true to their roots
and every product that leaves their factory
is perfect. That is Ettinger’s ethos as well -
every piece that leaves our factory is
individually inspected.
What would you say to other individuals
who want to start making their own
products? Any advice?
Learning a skill such as making leather
goods takes many years and the only way
to learn how to make products to a very
high quality like Ettinger is to join a
company who is already doing this. You
can’t beat the experience of sitting next to
somebody who has been making fine
leather goods for 20 years. And indeed
Ettinger is taking on young apprentices to
teach them these skills.
What’s an average day at work for you
like? Take us through a journey of your
daily routine.
Ettinger’s head office is in Putney in
central London. As I live in the country in
Kent, wanting to avoid the traffic, I leave
my house at five o’clock every morning and
drive into central London for ten to six.
Then I go swimming for 40 minutes every
day. This gets me into the office by 6.45
o’clock, and although officially we don’t
open until nine o’clock, I find I can get a lot
done in the first two hours because there
are no interruptions. We then tend to
have a meeting to look at what’s
happening that day, have customers
coming into our showroom to look at our
collections, or sit down with our designers
and design new collections. And of course
all the other things involved in running a
business. Once in every week or two, I
drive up to our factory in Birmingham
where everything is made and which we
acquired 20 years ago when we moved
our factory from central London. I also
travel a lot and visit the Far East, Middle
East and Europe numerous times over the
year.
What’s your plan of expansion in 2017?
In 2017 we have expanded our sales team
and in fact have just attended London
Fashion Week Men’s Show for men’s
clothing and accessories, the MRket Show
in New York and plan on being in Florence
for Pitti, another men’s accessories show
in the summer. We are also working hard
on growing our sales in the Far East, and
in particular in China, as well as working
on a beautiful new collection to be
launched in June.
Visit www.ettinger.co.uk
41

COMMON//SPRING 2017//
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THE NEW-AGE OF LEATHER
GOODS
FOUNDERS OF CAFÉ LEATHER SUPPLY, MIGUEL AND KIKO SHARE THEIR
PASSIONS IN LEATHER AND LIFE
By Azhar Ahmad
First, tell us a little bit about yourselves.
Miguel Sánchez and Kiko Requena,
ourselves, are the founders of Café. We are
27 year-old, Madrid natives. We’ve known
each other since we were young; we went
to high school together and always hung
out in the same friend group. Kiko used to
work in communications and marketing
and I worked as a brand manager for
international brands. Passionate, curious,
adventurous, a love for sports, an
admiration for meticulosity, and
connoisseurs of only the finest foods, are a
few words that define who we are.
What is the ethos behind CLS?
We like to consider Café Leather Supply to
be more than just a brand or a company, but
rather the way that we perceive life,
conveyed through high quality products.
Rather than creating new ways of
production, we focus our efforts on
recovering old costumes of craftsmanship,
adapting them to the methods used today. .
We focus on manufacturing products with
the best leather on the market handled by
only the best craftsmen, just as was done
100 years ago. Outstanding raw materials;
Craftsmanship tradition, products made
with special care and attention to detail;
100% vegetable tanned leather; Durability,
made to be passed down from generation
to generation; Respect, in the most
amplified meaning of the word; Natural;
Curiosity — these values represent Café.
Café is unmatched when it comes to
communication, and we want to preserve
an intimate brand philosophy.
How did you two meet? What made you
decide to be in the leather goods industry?
April 26th in Madrid, and April 27 in
Melbourne. In April, Kiko worked as a
correspondent for Onda Cero in
Melbourne, Australia, where he had gone
for a year after leaving his position at RG
Together, where he led the communication
on Pinterest for Spain. Meanwhile, Miguel
worked as a brand manager in Madrid for
four wellknown brands in the fashion
world: Veja, Deus Ex Machina, Komono,
and Baracuta. We frequently keep in touch
through social media. On April 26th, Kiko
urgently reached out to Miguel. “Maiky
(Miguel's nickname), we need to Skype, it’s
important!” Kiko wrote him. He didn’t
mention why he needed to get in touch with
Miguel so urgently, but they agreed to
Skype that night. That night, the “26.5” of
April, they were both sitting in front of
their computer screens. One of us in
Melbourne, the other in Madrid. Miguel
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2017 SPRING//COMMON
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asked, “Why were you in such a rush to Skype me?” To that, Kiko answered, “Well, I’ve had
this idea for a little while now and I think I’d like to pursue it, and if I’m going to pursue it I
couldn’t think of doing it with anyone else but you…” We had both been thinking about a
very similar business concept, with a very clear vision about who we wanted to work with.
We were both thrilled to see that although our product ideas differed slightly, we shared
the same central concept: creating a handmade product in Spain, capable of expressing
the way we see life. From this moment, we established the company and the brand began
to pick up pace. We launched our website in September, and by early October the
products were up for sale. In a few months, the brand positioned itself in twelve of the
finest multi-brand national stores and began selling online across the world.
When it comes to selecting the best
materials for your products, how do you
make the decision?
After completing our research on the
market, we began an exhaustive search for
suppliers. Since we were demanding very
high quality goods, the search for suppliers
was a difficult task. It was troublesome
trying to find the best vegetable tanned
leather. It was just as hard to find
craftsmen who fulfilled our expectations
for Café. After traveling thousands of
kilometers with innumerable visits to
different factories, tanneries, and
suppliers, we reached our desired result.
The primer level of vegetable tanned
leather came from the north of Spain and
our products would be manufactured by
hand in Ubrique, Cadiz, in one of the best
artesian factories of the world of leather.
We believe, of course, that “Handcrafted in
Spain” has a lot of worth. However,
independent of the marketing strategy that
“Handcrafted in Spain” might bring, we are
very proud to be able to manufacture
everything in our country, using organic
products.
What are your future plans with the
company? What about in your personal
lives?
Our plan is to grow the brand organically.
We want to foster our brand and watch it
grow incrementally. We want to expand
and open stores in Europe, the United
States, and Asia. Currently, we are closing
deals with a few stores in the US and some
in Europe. In regards to our private life, the
most important thing for us in life is TIME
and to whom or to what we decide to
dedicate it to.
Visit www.cafeleathersupply.com
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COMMON//SPRING 2017//
WALK WITH CONFIDENCE
CO-FOUNDER OF THOMAS BIRD SHOES, ADAM TALKS TO US
ABOUT FINDING A GOOD PAIR OF SHOES
By Azhar Ahmad
Tell us a bit about yourself and your role in
the company.
I am one of the co-founders of Thomas
Bird. I've always loved shoes. My main
role in Thomas Bird is marketing and
listening to what our customers tell us.
And I'm always keen to pitch in ideas with
our designers as to which new styles and
colours go into production next.
What drove you to be in the fashion
industry, especially in the shoemaking
business?
The team behind Thomas Bird had worked
behind the scenes for other top end
footwear brands, some for over 30 years.
We had spent a lot of time helping to put
collections together for other brands,
including some well known English and
Italian names. We had learnt about design,
manufacturing, quality control and
marketing. And we had worked with some
great factories In the UK, and Italy. Finally
we got together and said 'why not put
together a collection that we want to see?'.
Set up the brand that WE want - beautiful
design and quality, at a price that is within
reach of more people. I suppose we were
our own first customers.
When assembling a shoe, which part
comes first?
A shoe may be made up from ten or more
pieces of leather. These are individually cut
out from a large leather hide. Decoration
such as broguing might be applied, and the
pieces are then sewn together according to
a pattern to form the shoe's 'upper'. The
upper then goes onto a three dimensional
'last' to form the shape of the shoe and
stitch on the sole. Finally, several stages of
finishing add colour, wax and burnishing to
create the final shoe. It's not a quick
process and can take weeks.
There is a vast difference between English
and Italian style. How does Thomas Bird
capture this essence and unite the two
together?
That is a good question. Some people
associate English shoes with heavy welted
soles, heavy broguing, round toes. And they
see Italian as more light and sleek. Well it
wasn't always so. A lot of classic designs
came from the UK - oxfords, brogues,
chelsea boots - and at times they have been
elegant and sleek. We wanted to capture
that original British essence and elegance
with the fantastic quality, craftsmanship
and finishing we found in Italy. Hopefully
we've combined the best of both.
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2017 SPRING//COMMON
How important is a good pair shoes?
What should a person look for to find ‘the
one’?
A good pair of shoes will make you feel
good. You feel more confident. Plus they
can make sense financially as they should
last longer if you look after them. The
leather will be better quality and you can
have soles replaced over time. A good shoe
will keep its looks longer and become
comfortable as it adapts to you. You will
want to look after them. The hard part is
limiting your choices according to your
budget and lifestyle. And knowing what
will fit you helps. For example are you are a
standard fit and suit an oxford, or do you
have a higher instep and feel more
comfortable in a derby? I have a favourite
shoe for special occassions, a good but
more sensible brogue for work, and some
chukka boots for evenings and weekends.
They are all really nice but I'm still
searching for the one. Next on my list is a
pair of chelsea boots. But which colour..?
What is the best way to take care of
leather shoes?
First, don't over-wear them, even two days
in a row. Rest them to allow moisture to
evaporate, ideally on a shoe tree which will
help this. Clean off any dirt first. Then we
recommend shoe creams to nourish the
leather, with not too much pigment , as you
want to retain the original hand finished
look if possible. You can add some neutral
wax too if you like a higher shine.
Lastly, what’s in store for you personally
and professionally? What is the plan of
expansion for Thomas Bird?
We will continue to grow the brand and
spread the word that you can buy a great
pair of shoes without breaking the bank.
We will continue to add more styles and
colour options. There are so many
possibilities. We would like one day to
open a flagship shop, perhaps in London so
customers could drop in and say hello if
they are in the city. In reality our customers
are all over the world so our delivery
service needs to be smooth and efficient as
possible. While our customers continue to
ask us for more styles and colours, we are
very happy to design and make them.
Visit www.thomasbirdshoes.com
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COMMON//SPRING 2017//
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THE WIZARD OF ART
CARLA ECKHARD IS THE BRAINS BEHIND ARTWIZZ'S MINIMALIST DESIGNS
By Azhar Ahmad
Tell us a little bit about yourself.
I studied Industrial Design at the University
of Applied Sciences in Darmstadt and at the
Northumbria School of Design in
Newcastle upon Tyne. After graduation I
moved to Vienna and started my career in
the area of smart textiles. In 2008 I moved
back to Berlin, the hotbed of creativity, and
joined Artwizz where I began to design
their products.
How did you get into this industry and
why?
I dived into the world of smart fashion and
wearables for a while when Apple
showcased its first iPhone. There was a lot
of enthusiasm for the device and with the
experience I made with wearables I saw a
strong potential in hardware like the
iPhone.
What would you say is your main
influence in design?
I’m fascinated by materials that surprise
with "invisible“ features. It’s extremely
inspiring when you touch something that
looks familiar at the first sight but offers a
completely new characteristic that you
didn’t expect when holding it in your hand.
This fact has a strong influence on the
handling of an object and how it is
integrated in one’s own surrounding. I’m
still at a young stage in my design career
and find myself in a time in which e.g.
sustainability is highly discussed. It has
influenced my method of working and the
work of the team. As a result my work is
concerned with what I can do as a designer
in our changing world. There’s a big
uncertainty of the present and the
question on how we can effectively design
for the future.
What is the process of designing the
products? Where do you start and when
do you know it’s finished?
While the product range "mobile
accessories“ is clearly defined at Artwizz, I
can still work very independently
regarding my tasks. I start with a material
first and then try to create a shape or a
design. Our new Leather Skin for MacBook
12“ for example - our first “Made in
Germany” product - was supposed to be an
elegant sleek protection. I was sure I
wanted to work with leather. So during the
development stage we were looking at the
entire manufacturing process of leather, on
all its pros and cons. From there on we
have searched for possibilities to gain
another, a better quality for the entire
design process rather than just for the final
object. That’s how we came about the topic
of saving resources through reduction.
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2017 SPRING//COMMON
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Reduction of the design - in the
manufacturing process and in
transportation. Made in Germany with
traditional techniques came then into focus.
A product is never really finished. Even
though you see it’s available online or in
stores, development still continues. Time
plays an important role. It’s good to use and
test the product over a long period of time
to find out how it can be improved.
How do you choose or know which
materials to use?
I love materials and finishing. I am eager to
learn how things are produced, I’m
collecting them, taking them home and
using them out of their original context.
That often leads to interesting applications
within our accessories range. Furthermore
with every project a model and material
collection remains in our office. Due to my
experience we have created a library over
the time that is helping me a lot to find
inspiration and ideas for new products.
Which part of the design process do you
like the most?
The most exciting is the moment when I
have a material and an idea of a product
but yet I do not know what is possible and
what’s impossible. I call it “boost moment”.
At this stage there’s so much energy for
exploration, for questioning and especially
for testing the boundaries of the material
and its production process.
What’s in store for you professionally
and personally in the near future?
Sustainability is a massive project for us.
There are many things waiting for us.
Visit www.artwizz.com
47

COMMON//SPRING 2017//
MINIMALIST AUDIO
AAAAAAAAAAAAAAAAAAAAAAAAAA
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A
JONAS WISTRAND, THE CO-FOUNDER OF SUDIO
SWEDEN SHED SOME LIGHT ON ITS PRODUCTS
By Azhar Ahmad
Vasa Blå Earphones
Let’s begin by telling us about yourself.
My name is Jonas Wistrand, a 30 years old
Swede that lives in Stockholm. I have a
Master's degree in mechanical engineering
and has been working full time with Sudio
for about three years.
Why/how did you choose to be in the
technology industry, specifically in sound/
music?
I have always loved product development
and technology products in particular. I
worked as a product developer within the
medical device industry previously, but it is
impossible to work fast and implement
changes in that industry due to all the
regulations. Earphones and headphones
are a great challenge, both acoustically and
mechanically. Everyone nowadays owns a
pair of earphones, so you know your
product makes a difference in people's
lives.
The names of the products are unique and
interesting. Where do they come from?
Klang is a Swedish word for sounds
without any distortion. TVÅ means two
and was a homage to the great balance
between the two elements for bass and
treble. Vasa is the first King of Sweden and
the one that united Sweden as a country.
Blå means Blue and is short for Bluetooth.
Ericsson named the Bluetooth protocol
from the Viking Harald Blåtand,
translated: Harald Bluetooth. Regent
means the same in English and Swedish,
but we want the Regent to be like a crown
to wear.
How long does it take to create one
product? Can you tell us in brief about
the process from start to finish?
Our very first batch of products took
about 2 years to develop. But now, our
average product development time is
about 12 months nowadays. We start by
making drawings by hand, then we quickly
try to create a mockup so that we can get a
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2017 SPRING//COMMON
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feeling of the product. Once we have
decided on the outlines we get involved
with the factory to get their standpoint on
feasability. Once we know we can make
the product we let the engineers work in
CAD in order to develop the drawings that
will lead to the injection moulds. This
phase takes the longest time. After the
moulding is finished we start fine tuning
the sound in the factory that also makes
the drivers from scratch, in this way we
can be 100% in control over the sound
experience. Last comes all the quality
control and routines of how to check the
quality in the future.
Was there any third party involved?
Where do the design inspiration come
from?
The only third part ever involved is the
factory.
Smart/ Interactive technology is really
catching on right now and looks like it
will become the standard in less than a
decade. How do you want Sudio Sweden
to play a part in that if at all?
We think that a lot of this smart and
interactive technology will become even
more personalised and treated as any
other fashion accessory. The more we
wear the products the more we will care
about them communicating our
personalities.
What should we expect from the brand in
2017?
You can expect us to be very present in
social media in order to get a first hand
communication with our customers. We
will also release a couple of very
interesting products that we are very keen
on getting to the market.
Visit www.sudiosweden.com or follow
them on Instagram @sudiosweden
Regent Headphones
Use our code 'COMMON'
to get 15% off all products!
49

COMMON//SPRING 2017//
ULTIMATE TECH
THE LATEST IN THE WORLD OF TECHNOLOGY
StilGut Powerbank
www.stilgut.de
MusiQi Wireless Charger
www.fonesalesman.com
ÖGON DESIGNS
www.ogondesigns.com
Equipped with Qualcomm
QuickCharge 2.0, your
compatible devices can
now be charged faster
than ever. Its 10,000mAh
capacity can also juice up
your devices more than
twice.
This 3-in-1 accessory is a
must have and why not?
It's a wireless charger,
powerful speaker as well as a
stand for your mobile devices.
The stand can also be
switched from horizontal
to landscape mode.
Replace traditional wallet
with this smart wallet and
never look back. It's RFIDprotected,
water-resistant
and anti-shock. They have
plenty of designs and sizes
to choose from but our
favourite is the Stockholm V2.
TrackR Bravo
www.thetrackr.com
Universal Ultra Rugged Cable
www.hellonomad.com
PowerPlug USB-A 18 W
www.artwizz.com
If you keep losing stuff,
TrackR is definitely for
you. Track your things with
its locator on the free app
and simply ring them to
find it. If you lose your phone,
push the button on the TrackR
and it will ring your phone,
even if it's on silent.
This cable is made from
heavyweight nylon used to
protect the military.
Equipped with built-in
adapters for iPhone, Micro
USB and USB Type C,
you'll only ever need to
bring one powerful cable
for your devices.
No more waiting game!
This stylish charger from
Artwizz is equipped with
Qualcomm QuickCharge 2.0
and small enough to bring
everywhere you go.
Eliminate bulky and ugly
plugs and upgrade to this
sleek charger.
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2017 SPRING//COMMON
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MEET RAY AND
GANG
THE MINIMALIST DESIGNERS
BEHIND VHBOX
By Azhar Ahmad
First,tell us a little bit about yourself and
your roles in the company.
Gang is from the North province of China,
a perceptual designer graduated in arts,
While Ray is from the South, rational and
graduated in science. We look totally
different but amazingly, we have worked
together for more than 10 years, and start
to run the Yuwen design studio from 2014
to do some design work for other
company. As designers, the main work is
design, such as products, packaging, and
website. At the same time, Gang will do
some work in market and branding, and
Ray will spend some time to find projects
and supply chain.
How did you two started the company?
How did you decide it’s going to be a
minimalist design approach?
After running the studio for a while, we
figured we needed a platform to express
our comprehension on design and
products, or maybe we can even start our
own brand to express our ideas. We know
we have the capacity in design and brand,
but we also wanted to do something for
ourselves. We then catch up with Tommy.
another partner in VH now. He has the
sales channel and aspiration to make a
difference in the Chinese manufacturing
industry. Then, we make use of each
other's skills and started “VH” in 2015.
Minimalist is our character. We don’t
chose this style sedulously, as we just
design whatever we feel, and present what
we feel a product should be.
Do you guys often have clash of idea?
Of course we will have some debate or
clash in designs. We have very different
design logic. Gang is emotional when he
designs, as he will think from the outside to
the inside. He insist a product is not only a
product, but it is more than that. He tries
to make a product that is reasonable and
logical. Ray is more rational, he used to
think from the inside to the outside. He
will firstly think about the function, how to
make the construction and function to be
more reasonable. Although we often have
some different ideas, but we have worked
for more than 10 years so we know each
other well. Besides, We have the same
principle: to make products that are
minimalistic, smart and straight.
Explain to us in brief about the design
process.
Design process should be similar with
other designers. When a project is set up,
we will discuss to find a solution, then draw
a draft construction, set up a module in
computer, and make samples. What’s
different is the way of thinking. More, we
often will leave the selected draft/idea for a
while, perhaps two or three weeks, then
check again if the idea is good enough, and
pay more attention on the relations
between human/environment and
products. Different project takes different
time, depending on the complexity.
Generally, we will provide a plan in a month
and will launch 5-6 new products a year.
What else is in store for VH in the near
future? What about in your personal lives?
This year, we will mainly focus on
consumer electronics, some new products
like wireless car charger kits, a new ultrathin
USB fan, a creative lamp, and a cool
lighter. In personal lives, we want to be
more traditional, compared to other people
in our age. We try to keep a simple life way
and most of our spare time, we will
accompany our family. Gang also recently
became a dad just before the Chinese
lunar year so there's that.
Visit www.vhbox.com
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COMMON//SPRING 2017//
ALL WORK, ALL PLAY, ALL BLACK
UP YOUR GAME WITH THESE SLEEK SLEEVES FOR YOUR APPLE PRODUCTS
FROM MUJJO
By Azhar Ahmad
Crafted out of a unique combination of felt and vegetable-tanned leather, these sleeves
from Mujjo has been designed to securely carry your favorite Apple products, including
Macbooks, iPads and iPhones. The full-grain, vegetable-tanned leather used is
manufactured with care, waxed to extend durability, and carefully treated with aniline oil
to enrich 'color tones'. The felt is given a special treatment that provides an excellent
anti-peeling properties and makes the sleeve water repellent. Their products come in tan
and black colors, but we prefer the black as it's sleeker and gives it that modern and
futuristic aesthetic.
Visit www.mujjo.com
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2017 SPRING//COMMON
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DIVE INTO THE
WORLD OF
VLIEGER &
VANDAM
WITH FOUNDERS, CAROLIEN VLIEGER
AND HEIN VAN DAM
By Isabel Claudet
How would you describe your brand?
We have a habit of putting a smile on your
face with our designs.
How has your brand evolved?
In our opinion, it all started with an
overkill of information in the newspapers
and on television about all sorts of danger
in the streets of Rotterdam, where we
lived at that time, we developed a series of
'armed' bags in 2002. Being a graphic
designer (Carolien) and a product
designer (Hein) we didn't know how to
make bags, so we bought lots of second
hand handbags in thrift stores in and
around Rotterdam. We cut off the top of
the bags with its handles and zipped
closing and used those parts to create our
first bag collection. We added our part; in
wool embossed 3D shapes of guns, knives,
and crucifixes and later handcuffs.
In the following years we developed the
shapes of the bags, we started using the
best full grain leathers instead of wool felt,
and we created new bag collections. We
like the idea seeing bags as a blank canvas
to which we can add our ideas and
designs. The Vlieger & Vandam collection
is quite outspoken, we received lots of
media attention right from the start. In the
years that followed celebrities like
Rihanna, Rita Ora and the late architect
Dame Zaha Hadid spotted carrying our
bags.
What are you fascinated by at the
moment and how does it feed into your
work?
We are always fascinated by materials and
techniques. Finding ways to add our own
touch to create and design something
unique. We have our own machines and
techniques to emboss shapes in leather.
From using this technique in a storytelling
way like the Guardian Angel
collection, we also created a series of bags
called Reinforced. For these bags we
developed molds to add a foam-filled
shape in leather which reinforces the bag.
Which makes a strong and sturdy bag.
Right now we are also working on a series
of leather cushions and stools.
What are the biggest inspiration behind
your latest collection?
For the SS17 collection we were inspired
by the fun things in everyday life. By
reading the news and following global
issues worldwide there are not much to be
happy about these days. The internet and
social media provides a large stream of
world-news which catches your eye all day
long. One will almost forget about his/her
own life by seeing worldly problems 24/7.
We thought it was time to focus on little
things, nice things in life, like cruising a
convertible on a sunny summer evening,
or walking your dog along the waterside.
We also introduced the series
(RE)DEFINED, our favorite bags reduced
to their most beautiful core.
If you had to choose a piece from the
entire collection what will it be? And
Why?
We love the things most that we're
working on right now. So we pick a bag
from the upcoming Studs-collection.
Visit www.vliegervandam.com
53

COMMON//SPRING 2017//
SLEEP IN... PENTAHOTEL PARIS
PROBABLY THE BEST PLACE TO COMBINE WORK AND PLAY
By Azhar Ahmad
Pentahotel Paris arrives like a breath of fresh air, a new airport hotel built on an old lot
and maintained its obscure and dull design. Everything else about the hotel is 21stcentury
hip though, from the check-in process to the bedroom and facilities. There’s no
concierge or front desk. You check in at the bar, while sipping cocktail or whisky, our fav.
While you're at it, help yourself to their free Wi-Fi - no password needed. With a chic
lounge and bar on the premises, the only problem will be summoning any desire to depart
Pentahotel.
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2017 SPRING//COMMON
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ZZZZ’s: Boasting 186 rooms, the
hotel offers beautifully chicdecorated
rooms, all with king-size
beds, large LCD TV, and suites
equipped with Playstation 4 and
even the old school pinball machine.
Emblazoned with 'PARIS' wallpaper,
leather chairs and industrial pipe
designs for its open-style wardrobe
add up to a palette of dark, restful
hues, with soft white linens on the
comfortable bed providing a crisp
counterpoint.
SPLASHES: Bathrooms are outfitted
with rain showers and we quote,
"gorgeously stealable toiletries",
manufactured by London-based
Anatomicals.
EXTRAS: The hotel has a laundry
service and a 24/7 room service.
What more can you ask for especially
for a quick night stop? For the
workaholics, you'd be happy to know
that they also offer high tech
conference rooms. And when you're
done, hang out at the pentalounge
where there is a billiard table, gaming
consoles and the best part...burger
and beer!
DETAILS: Rooms are priced at $80-
$200
Visit www.pentahotels.com
12 Allée du Verger, 95700
Roissy-en-France, France
+33 1 30 18 21 00
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COMMON//SPRING 2017//
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THE KINGDOM OF BHUTAN
THIS HIMALAYAN COUNTRY IS REPLETE WITH MYTHS AND LEGENDS, WHERE
THE BEST OF TRADITIONAL CULTURE THRIVES AND THE LATEST GLOBAL
DEVELOPMENTS ARE ENTHUSIASTICALLY EMBRACED
As published in RemoteTraveler.com
Bhutan holds many surprises. This is a
country where Gross National Happiness is
deemed more important than Gross
National Product. And while it visibly
maintains its Buddhist traditions, Bhutan is
not a museum nor is it a nation of
otherwordly ascetics shunning the rest of
the world. You will find the Bhutanese welleducated,
fun loving and vibrant.
Tourism in Bhutan is unique and the
Bhutanese pride themselves on a
sustainable, eco-friendly approach in line
with the country’s popular philosophy of
Gross National Happiness. Firstly, to bust a
myth: there is no limit to the number of
tourists. Visitors famously have to pay a
minimum tariff of US$250 per day, making it
appear as one of the world’s most expensive
countries to visit. However, this fee is allinclusive
– accommodation, food, transport
and an official guide are all provided. Not
only that, but your local guide will reveal the
country’s amazing landscape and Buddhist
heritage, and will also introduce you to the
everyday charms of the Bhutanese. You
don’t have to travel in a large group and you
can arrange your own itinerary. What you
won’t find in Bhutan is crowded backpackerstyle
independent travel. This is Nepal for
the jet set.
So why spend your money to come here?
First off, there is the amazing mountainous
landscape, where snowcapped peaks rise
out of primeval forests in every shade of
green. Taking up prime positions in this
landscape are the fantastic monasteries and
incredible fortress-like dzongs. The unique
Buddhist architecture embodies the
traditional Buddhist culture ands sets the
scene for spectacular religious dance
festivals. Then there are the textiles and
handicrafts, outrageous archery
competitions, spectacular trekking trails and
stunning flora and fauna. All this sets Bhutan
aside as the last remaining great Himalayan
kingdom.
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2017 SPRING//COMMON
When you do visit Bhutan, you will become one of the few who have experienced the charm
and magic of one of the world’s most enigmatic countries – the ‘last Shangri-La’- and you’ll be
playing your part in this medieval kingdom’s efforts to join the modern world, while
steadfastly maintaining its distinct and remarkable cultural identity.
Being a country where nearly three-quarters of the terrain still thrives as virgin wilderness,
the real charm of Bhutan lies in its remote backwoods. Composed of a smattering of rugged
mountain folds, snow passes, icy summits, pristine forests, turquoise lakes, rolling meadows,
remote villages and a healthy sprinkling of exotic wildlife, this is perhaps one of the world’s
best preserved landscapes. And the best way to experience the untamed natural beauty of
this wonderland is by walking one of the many treks that cut into its magical depths. Trekking
takes you beyond the roads and the reach of many aspects of modernisation, and meeting
traditionally dressed locals will be a highlight of the experience. Set aside a few days for a
walk in these wilds, and you are bound to return home a happier person.
Bhutanese architecture is one of the
most striking features of the country.
Massive dzongs (fort-monasteries), remote
goembas (monasteries) and lhakhangs
(temples), as well as traditional houses all
subscribe to a characteristic Buddhist
style. These pilgrim spots are imbued with
sacred significance and hold a key to
understanding how Bhutanese see their
world.
Many people time their entire trip around
one of Bhutan’s colourful tsechus, or dance
festivals. Most of the dzongs and goembas
have annual festivals featuring
mesmerising dance dramas. Expect
swirling mask dances, playful clowns,
spectacular costumes, and superb photo
opportunities. Bhutan also specialises in
arts and crafts which vary from sacred
murals to bamboo bows. For high religious
art visit the dzongs and monasteries but
for handicrafts try the fascinating
workshops.
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COMMON//SPRING 2017//
Bhutan is also a paradise for nature lovers. It features a
tremendous diversity of plants and animals living in a range
of ecosystems from subtropical jungle barely above sea level
to snowbound mountains above 7500m. The country’s
various habitats are believed to contain close to 200 species
of mammals and over 600 species of birds. Mountain goats
and langur are easily spotted; Red Pandas are more
commonly seen in their bottled form.
While selecting a suitable itinerary for your visit to Bhutan,
there are two other factors that will probably influence your
decision: the weather conditions and the festival season.
Autumn (late September-November) is the best season for
mountain panoramas, photography and trekking. Spring
(March-May) is somewhat dustier and more overcast, but
ideal for botanists and birdwatchers. The extraordinary
diversity of Bhutanese flora is best appreciated at this time.
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2017 SPRING//COMMON
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Winter (December-February) is fine for
visits to the Paro-Thimpu area of Western
Bhutan, although passes leading to Central
and Eastern Bhutan can be closed by snow.
The days can be warm and sunny, and the
light is superb, but the nights are very cold,
so warm clothing will be essential for any
winter visitors. Summer (June-early
September) is the rainy season.
Although it can rain in Bhutan at any time of
the year and you should always carry an
umbrella, the monsoon deluge in
summertime obscures mountains and
valleys, flooding the narrow roads and
sometimes causing landslides. The areas of
Eastern Bhutan bordering Assam have some
of the highest levels of rainfall in the world,
and the countryside is infested with leeches.
Nonetheless, the cultivated fields and forests
are more verdant at this time than in any
other season.
Where is Bhutan located?
Slightly larger than Switzerland and only
one-third the size of Nepal, the small
kingdom of Bhutan is a landlocked country
located in South Asia at the eastern end of
the Himalayas. It is bordered to the north by
China and to the south, east and west by
India.
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