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Issue 76 / April 2017

April 2017 issue of Bido Lito! magazine. Featuring: ALI HORN, WILD BEASTS, MARY MILLER, TINARIWEN, MIC LOWRY, I SEE RIVERS and much more.

April 2017 issue of Bido Lito! magazine. Featuring: ALI HORN, WILD BEASTS, MARY MILLER, TINARIWEN, MIC LOWRY, I SEE RIVERS and much more.

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Xamvolo<br />

Eleanor Nelly<br />

GRADUATING WITH<br />

FLYING COLOURS<br />

LIMF Academy stars XAMVOLO and ELEANOR<br />

NELLY are the latest artists to benefit from the<br />

award-winning support offered by the country’s<br />

largest free music festival; we find out more.<br />

For what seems like forever and a day, Liverpool has<br />

bubbled over with musical talent, and not just from<br />

those born here: folks come from all around the world to<br />

soak up the culture and feed off the heritage of the city,<br />

to find inspiration and hone their art.<br />

As keen supporters of nurturing local, grassroots artists,<br />

Bido Lito! believe that LIMF Academy, the development arm of<br />

Liverpool International Music Festival, has contributed massively<br />

to the Liverpool music scene over the past five years, and we<br />

are proud once again to play a part in the launch of the <strong>2017</strong><br />

programme. Bido Lito!’s Editor Christopher Torpey will return to<br />

the selection panel, alongside festival curator Yaw Owusu, BBC<br />

Introducing Merseyside’s Dave Monks and Grammy Awardwinning<br />

producer Steve Levine. Joe Frankland from PRS for<br />

Music and Oliver Morris from UK Music will also be on the judging<br />

panel; both of the institutions they represent are integral to the<br />

funding of LIMF Academy.<br />

The idea behind the Academy project is to provide<br />

workshops, expert advice, studio time, publicity and experience<br />

to shortlisted young artists. Each summer, the artists perform on<br />

the Academy stage at LIMF’s Summer Jam festival in Sefton Park,<br />

sharing a bill with some of the UK music industry’s best new<br />

talent. A festival highlight from 2016 was hearing Eleanor Nelly,<br />

XamVolo and Amique fronting the Philharmonic Youth Orchestra<br />

at the opening ceremony on the main stage. Start with breathtaking,<br />

then add some.<br />

At the end of each year the three artists that the<br />

Academy deems to be Most Ready move on to the Elite Talent<br />

Development Programme. As part of this, they are awarded a<br />

healthy bursary and a further 12-month programme of support<br />

and promotion, including studio time with Steve Levine. Last<br />

year’s lucky three, Eleanor Nelly, Lumen and Suedebrown, have<br />

shone through: Eleanor and 2015 Most Ready artist XamVolo<br />

have since landed deals with the legendary Decca label. Proof, if<br />

needed, that LIMF Academy works, from Liverpool to the rest of<br />

the world…<br />

This year’s LIMF Academy application process launches<br />

on 6th <strong>April</strong> and is open to 16-25 year-olds. To prove that the<br />

Academy takes that younger end seriously, consider Eleanor<br />

Nelly: having applied for the programme in 2015 while she was<br />

still at school, she was named a One To Watch artist and received<br />

a boost in profile; the following year she applied again and was<br />

placed through the Academy’s mentoring and development<br />

programme; now, with the assistance of one of the biggest<br />

record labels in the word, she is ready to go global, at just 17. We<br />

asked her how important the LIMF Academy support has been in<br />

helping her take her unique brand of infectious country folk to the<br />

next level.<br />

“Yeh it has, one hundred percent! Being a part of the<br />

masterclass sessions and getting the mentoring has been<br />

a massive help in helping me find my feet, and working out<br />

what route I want to take. You learn things from industry<br />

professionals, from their experiences, that you probably couldn’t<br />

learn anywhere else!”<br />

If it all sounds like hard work, Eleanor doesn’t agree, insisting<br />

that she has enjoyed being involved with the programme right<br />

from the start. “There are so many things I got to do and see, and<br />

especially being the One To Watch and the Most Ready. BUT,<br />

my favourite part of it was playing with the Philharmonic Youth<br />

Orchestra on the Main Stage: I still have no words to explain just<br />

how amazing that was for me. One of the most amazing gigs I’ve<br />

ever, ever had, ever!”<br />

“I’d tell them to just<br />

go for it. Being a part<br />

of the Academy is<br />

a massive help to<br />

reach that next step”<br />

Eleanor is a powerhouse of enthusiasm and has the potential<br />

to inspire other like-minded teenagers to give it a go, and she<br />

recommends that any budding artists should take a chance and<br />

apply. “I’d tell them to just go for it. Being a part of the Academy<br />

is a massive help to reach that next step, whether that’s just for<br />

exposure, the experience, the mentoring and masterclasses, or<br />

the feedback. What have ya got to lose?! You’re in the best city<br />

for local and live music, do it and smash it!”<br />

Similarly, XamVolo – a soulful 22-year-old jazz/hip hop<br />

pioneer who can melt a room within seconds of breathing<br />

into the mic – is full of praise for the opportunities LIMF Academy<br />

has opened up for him. “I reckon I learnt a lot about the live<br />

show from being in the Academy; the opportunity to play a fair<br />

few gigs helped me familiarise myself with how to interact with<br />

an audience organically. It was good to have the support there<br />

to keep moving forwards. Everyone can benefit from some<br />

career direction at any stage, particularly such an early one.”<br />

What advice, then, would he offer anyone who is thinking<br />

of applying? “I’ve felt most confident about my music when there<br />

was a reason behind making it. Aside from the confidence boost<br />

and the real-world motivation to create, the tangible support<br />

the Academy offers you helps you think about everything in a<br />

different way. I can only think of good things that have resulted in<br />

being a part of it.”<br />

The panel of judges recognise the breadth of talent on<br />

offer, each year finding it difficult to select the twenty longlisted<br />

artists, who are then all able to attend masterclass sessions,<br />

as well as perform at showcase events across the country.<br />

BBC Introducing Merseyside’s Dave Monks tells us that the level<br />

of talent runs across the board, explaining “they all possess<br />

something that made them stand out, they are distinctive.<br />

I think Eleanor’s performance at the Magnet confirmed she<br />

had something that made everyone keen to have her involved<br />

last year.”<br />

In contrast to the tired TV talent shows that tend to hold<br />

a formulaic approach, one that could potentially alienate more<br />

individualistic artists like XamVolo and Lumen, projects like LIMF<br />

Academy are vital in encouraging individuality. LIMF collaborator<br />

Joe Frankland, from funding body PRS For Music, recognises this:<br />

“The Academy’s knack for unearthing young, fresh talent is great<br />

– but, more importantly, that talent comes out of this completely<br />

clued-up and ready to go.”<br />

The potential of these new artists is staggering and we can<br />

only wonder what new talents will emerge in <strong>2017</strong>. So, if you’re<br />

sat there wishing you were the next breakout star to sign up with<br />

an internationally-renowned record label, what are you waiting<br />

for? The Academy is open.<br />

Words: Del Pike / @del_pike<br />

Photography: Georgia Flynn and Robin Clewley<br />

Applications for this year’s LIMF Academy open on 6th <strong>April</strong>,<br />

closing on 27th <strong>April</strong>. You can see more about the LIMF Academy<br />

programme, and how to apply, at limfestival.tumblr.com.<br />

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