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modernisms<br />
copy retaining the desirable Paul Nash dustjacket, which shows the Arc de Triomphe<br />
through the Archway of Dartmoor Prison.<br />
The novel is a fictionalised memoir in three parts, with the central section recounting<br />
the author's experience as a conscientious objector in the First World War - including<br />
an unflinching portrayal of his time at Dartmoor. Though published anonymously, a<br />
portion of this central section had earlier been published in France - in a translation by<br />
Ludmila Savitzky - under the title ‘Dartmoor'.<br />
Inscribed by Rachel Annand Taylor<br />
79. Lawrence (D.H.) The Ship of Death and<br />
other Poems. Martin Secker, 1933, FIRST COLLECTED<br />
EDITION, title-vignette and 12 other wood-engravings<br />
(10 full-page) by Blair Hughes-Stanton, pp. [ix], 106,<br />
8vo, original quarter black cloth with terracotta<br />
boards, backstrip with red leather label lettered in gilt<br />
and lean to spine, a few faint marks and light wear at<br />
top corners, top edge pink, others untrimmed, very<br />
faint spotting to free endpapers with gift inscription<br />
to flyleaf, good (Roberts A66) £55<br />
The gift inscription to the flyleaf is in the distinctive hand<br />
of Lawrence’s friend and correspondent, the poet Rachel<br />
Annand Taylor: ‘To Robin, from Banabhard, Christmas<br />
Eve 1933’ - Taylor, whose verse was much admired by<br />
Lawrence, characteristically signed using the Scots word<br />
for poetess. The recipient is obscure.<br />
80. Lewis (Wyndham) One-Way Song: Engine Fight-<br />
Talk, The Song of the Militant Romance, If so the<br />
Man You Are, One-Way Song, Envoi. Faber and<br />
Faber, 1933, FIRST EDITION, 17/40 COPIES signed by<br />
the author, border to the title-page and design on<br />
each fly-title by Lewis, pp. 132, 8vo, original yappedged<br />
vellum, lettered in gilt to upper board and<br />
backstrip, the backstrip a little rubbed and<br />
darkened with spine very slightly cocked and a<br />
minor bump at foot, top edge gilt, edges<br />
untrimmed, good (Morrow & Lafourcade A21a:<br />
Pound & Grover A20b) £650<br />
A successful turn to verse from the artist and author,<br />
which prompted this appealing exchange with<br />
Herbert Read at the ticket machine of Piccadilly tube<br />
station:<br />
‘I didn’t know you wrote verse, Lewis.’<br />
‘I never knew it was so damned easy, Read.’<br />
33