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MODERNISMS

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modernisms<br />

copy retaining the desirable Paul Nash dustjacket, which shows the Arc de Triomphe<br />

through the Archway of Dartmoor Prison.<br />

The novel is a fictionalised memoir in three parts, with the central section recounting<br />

the author's experience as a conscientious objector in the First World War - including<br />

an unflinching portrayal of his time at Dartmoor. Though published anonymously, a<br />

portion of this central section had earlier been published in France - in a translation by<br />

Ludmila Savitzky - under the title ‘Dartmoor'.<br />

Inscribed by Rachel Annand Taylor<br />

79. Lawrence (D.H.) The Ship of Death and<br />

other Poems. Martin Secker, 1933, FIRST COLLECTED<br />

EDITION, title-vignette and 12 other wood-engravings<br />

(10 full-page) by Blair Hughes-Stanton, pp. [ix], 106,<br />

8vo, original quarter black cloth with terracotta<br />

boards, backstrip with red leather label lettered in gilt<br />

and lean to spine, a few faint marks and light wear at<br />

top corners, top edge pink, others untrimmed, very<br />

faint spotting to free endpapers with gift inscription<br />

to flyleaf, good (Roberts A66) £55<br />

The gift inscription to the flyleaf is in the distinctive hand<br />

of Lawrence’s friend and correspondent, the poet Rachel<br />

Annand Taylor: ‘To Robin, from Banabhard, Christmas<br />

Eve 1933’ - Taylor, whose verse was much admired by<br />

Lawrence, characteristically signed using the Scots word<br />

for poetess. The recipient is obscure.<br />

80. Lewis (Wyndham) One-Way Song: Engine Fight-<br />

Talk, The Song of the Militant Romance, If so the<br />

Man You Are, One-Way Song, Envoi. Faber and<br />

Faber, 1933, FIRST EDITION, 17/40 COPIES signed by<br />

the author, border to the title-page and design on<br />

each fly-title by Lewis, pp. 132, 8vo, original yappedged<br />

vellum, lettered in gilt to upper board and<br />

backstrip, the backstrip a little rubbed and<br />

darkened with spine very slightly cocked and a<br />

minor bump at foot, top edge gilt, edges<br />

untrimmed, good (Morrow & Lafourcade A21a:<br />

Pound & Grover A20b) £650<br />

A successful turn to verse from the artist and author,<br />

which prompted this appealing exchange with<br />

Herbert Read at the ticket machine of Piccadilly tube<br />

station:<br />

‘I didn’t know you wrote verse, Lewis.’<br />

‘I never knew it was so damned easy, Read.’<br />

33

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