gardens of the mind gardens of the mind - St. Michael's College ...
gardens of the mind gardens of the mind - St. Michael's College ...
gardens of the mind gardens of the mind - St. Michael's College ...
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Labels on trays <strong>of</strong><br />
moveable type<br />
specify point size<br />
and <strong>the</strong> name<br />
<strong>of</strong> <strong>the</strong> font.<br />
Typesetters kept<br />
trays holding<br />
capital letters in<br />
an upper case,<br />
trays <strong>of</strong> small<br />
letters in a<br />
lower case.<br />
religious groups have used <strong>the</strong> media, both<br />
print and broadcast. The subject is <strong>of</strong> particular<br />
interest to historians <strong>of</strong> <strong>the</strong> <strong>College</strong>—it<br />
was a native <strong>of</strong> Hamilton, Ontario, and a <strong>St</strong>.<br />
Michael’s <strong>College</strong> graduate, Fa<strong>the</strong>r Charles<br />
Coughlin, who became famous as <strong>the</strong> “radio<br />
priest” during <strong>the</strong> Great Depression, reaching<br />
wide audiences with his political message<br />
and forceful delivery. (Unfortunately,<br />
his message was heavily tainted with anti-<br />
Semitism, unsolicited political diatribes, and<br />
denunciations <strong>of</strong> Franklin D. Roosevelt,<br />
much to <strong>the</strong> chagrin <strong>of</strong> <strong>the</strong> American bishops<br />
and <strong>the</strong> Vatican.) Protestant televangelists<br />
may dominate <strong>the</strong> religious airwaves<br />
now, but <strong>the</strong>y learned <strong>the</strong>ir lessons in <strong>the</strong><br />
use <strong>of</strong> broadcast media from such Catholic<br />
virtuosos as Fa<strong>the</strong>r Coughlin and Bishop<br />
14 Spring 2009 <strong>St</strong>. Michael’s<br />
Fulton J. Sheen, a star <strong>of</strong> early television and<br />
winner <strong>of</strong> an Emmy Award in 1952. “Sheen<br />
was not only a very smart individual and a<br />
great communicator, but he had that sense<br />
<strong>of</strong> <strong>the</strong> dramatic,” McGowan says. “He knew<br />
how to use <strong>the</strong> new medium very effectively,<br />
by using a very simple set and by playing to<br />
<strong>the</strong> camera.”<br />
Listening to Portebois and McGowan<br />
discuss <strong>the</strong> fascinating historical details <strong>of</strong><br />
<strong>the</strong>ir subject—whe<strong>the</strong>r those details have to<br />
do with 19 th -century French periodicals or<br />
1950s American network television—an<br />
outsider can well understand why <strong>the</strong> BMS<br />
program is popular with students. The problem,<br />
aggravated by <strong>the</strong> current economic climate,<br />
is to sustain this interest with adequate<br />
funds for <strong>the</strong> program. “It’s been a really<br />
interesting ride, and our problem now is<br />
that we just don’t have <strong>the</strong> resources to sustain<br />
<strong>the</strong> growth,” McGowan comments.<br />
“The number <strong>of</strong> students from o<strong>the</strong>r colleges<br />
is phenomenal—so we really are serving<br />
<strong>the</strong> rest <strong>of</strong> <strong>the</strong> university and we’re doing<br />
it on a shoestring budget.”<br />
For <strong>the</strong> present, McGowan helps to<br />
sustain <strong>the</strong> program by engaging in what<br />
he calls “old fashioned horse trading” with<br />
sympa<strong>the</strong>tic university departments,<br />
notably French and Italian. Any fur<strong>the</strong>r<br />
growth in <strong>the</strong> program, under <strong>the</strong>se circumstances,<br />
will come slowly—but it is<br />
unthinkable that a program <strong>of</strong> such vitality,<br />
and with such connections to <strong>the</strong><br />
<strong>College</strong>’s intellectual traditions, will wi<strong>the</strong>r<br />
from lack <strong>of</strong> funds.✦