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gardens of the mind gardens of the mind - St. Michael's College ...

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Labels on trays <strong>of</strong><br />

moveable type<br />

specify point size<br />

and <strong>the</strong> name<br />

<strong>of</strong> <strong>the</strong> font.<br />

Typesetters kept<br />

trays holding<br />

capital letters in<br />

an upper case,<br />

trays <strong>of</strong> small<br />

letters in a<br />

lower case.<br />

religious groups have used <strong>the</strong> media, both<br />

print and broadcast. The subject is <strong>of</strong> particular<br />

interest to historians <strong>of</strong> <strong>the</strong> <strong>College</strong>—it<br />

was a native <strong>of</strong> Hamilton, Ontario, and a <strong>St</strong>.<br />

Michael’s <strong>College</strong> graduate, Fa<strong>the</strong>r Charles<br />

Coughlin, who became famous as <strong>the</strong> “radio<br />

priest” during <strong>the</strong> Great Depression, reaching<br />

wide audiences with his political message<br />

and forceful delivery. (Unfortunately,<br />

his message was heavily tainted with anti-<br />

Semitism, unsolicited political diatribes, and<br />

denunciations <strong>of</strong> Franklin D. Roosevelt,<br />

much to <strong>the</strong> chagrin <strong>of</strong> <strong>the</strong> American bishops<br />

and <strong>the</strong> Vatican.) Protestant televangelists<br />

may dominate <strong>the</strong> religious airwaves<br />

now, but <strong>the</strong>y learned <strong>the</strong>ir lessons in <strong>the</strong><br />

use <strong>of</strong> broadcast media from such Catholic<br />

virtuosos as Fa<strong>the</strong>r Coughlin and Bishop<br />

14 Spring 2009 <strong>St</strong>. Michael’s<br />

Fulton J. Sheen, a star <strong>of</strong> early television and<br />

winner <strong>of</strong> an Emmy Award in 1952. “Sheen<br />

was not only a very smart individual and a<br />

great communicator, but he had that sense<br />

<strong>of</strong> <strong>the</strong> dramatic,” McGowan says. “He knew<br />

how to use <strong>the</strong> new medium very effectively,<br />

by using a very simple set and by playing to<br />

<strong>the</strong> camera.”<br />

Listening to Portebois and McGowan<br />

discuss <strong>the</strong> fascinating historical details <strong>of</strong><br />

<strong>the</strong>ir subject—whe<strong>the</strong>r those details have to<br />

do with 19 th -century French periodicals or<br />

1950s American network television—an<br />

outsider can well understand why <strong>the</strong> BMS<br />

program is popular with students. The problem,<br />

aggravated by <strong>the</strong> current economic climate,<br />

is to sustain this interest with adequate<br />

funds for <strong>the</strong> program. “It’s been a really<br />

interesting ride, and our problem now is<br />

that we just don’t have <strong>the</strong> resources to sustain<br />

<strong>the</strong> growth,” McGowan comments.<br />

“The number <strong>of</strong> students from o<strong>the</strong>r colleges<br />

is phenomenal—so we really are serving<br />

<strong>the</strong> rest <strong>of</strong> <strong>the</strong> university and we’re doing<br />

it on a shoestring budget.”<br />

For <strong>the</strong> present, McGowan helps to<br />

sustain <strong>the</strong> program by engaging in what<br />

he calls “old fashioned horse trading” with<br />

sympa<strong>the</strong>tic university departments,<br />

notably French and Italian. Any fur<strong>the</strong>r<br />

growth in <strong>the</strong> program, under <strong>the</strong>se circumstances,<br />

will come slowly—but it is<br />

unthinkable that a program <strong>of</strong> such vitality,<br />

and with such connections to <strong>the</strong><br />

<strong>College</strong>’s intellectual traditions, will wi<strong>the</strong>r<br />

from lack <strong>of</strong> funds.✦

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