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Volume 22 Issue 7 - April 2017

In this issue: Our podcast ramps up with interviews in March with fight director Jenny Parr, countertenor Daniel Taylor, and baritone Russell Braun; two views of composer John Beckwith at 90; how music’s connection to memory can assist with the care of patients with Alzheimer’s; musical celebrations in film and jazz, at National Canadian Film Day and Jazz Day; and a preview of Louis Riel, which opens this month at the COC. These and other stories, in our April 2017 issue of the magazine!

In this issue: Our podcast ramps up with interviews in March with fight director Jenny Parr, countertenor Daniel Taylor, and baritone Russell Braun; two views of composer John Beckwith at 90; how music’s connection to memory can assist with the care of patients with Alzheimer’s; musical celebrations in film and jazz, at National Canadian Film Day and Jazz Day; and a preview of Louis Riel, which opens this month at the COC. These and other stories, in our April 2017 issue of the magazine!

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FOR OPENERS | DAVID PERLMAN<br />

Back in Our Naïve Youth<br />

Back in our naïve youth as a magazine we used<br />

to handcuff ourselves by proclaiming one or<br />

another month of the year as [some particular<br />

genre] month. As in “<strong>April</strong> is Opera Month”; or<br />

“March is New Music Month.”<br />

One problem was, of course, that we failed to<br />

inform the hundreds of presenters putting on<br />

concerts every month far enough in advance so that<br />

they could change their plans to fit with our executive<br />

orders.<br />

Another was that, with every passing year, our tidy<br />

little rolodex of genres has eroded as rapidly as the<br />

memories of those among us who still know what a<br />

rolodex is.<br />

But of all the “this month is” edicts and proclamations, the one that<br />

still feels intuitively right to me is the next one coming up after this<br />

one: thanks to the presence in our upcoming May edition of our 15th<br />

annual Choral Canary Pages, there is still an argument to be made for<br />

saying that “May is Choral Month” in The WholeNote.<br />

It’s not because all our stories in the May issue will have choral<br />

themes. It’s because our Canary Pages are not primarily designed<br />

to give audiences information about what choral performances are<br />

coming up, but to give you and me as much information as possible<br />

about what choirs are out there to join, so that we can give ourselves<br />

an opportunity to breathe in loud and joyful unison, voicing common<br />

hopes and feelings with other people on a regular basis. In a world<br />

that conspires in every imaginable way to have us twittering away<br />

in querulous, frightened or acrimonious solitude,<br />

more than ever, making music together affirms our<br />

common humanity.<br />

More than a decade ago I explained in this very<br />

spot that the reason we had called it the Canary<br />

Pages was drawn from the dark days of coal mining,<br />

where caged canaries were strategically deployed<br />

in the tunnels to alert miners to the presence of<br />

poisonous gases. “As long as the canary is singing,<br />

you’re O.K.,” the theory went. “But if the canary<br />

croaks, metaphorically anyway, hold your breath<br />

and run.”<br />

Aside from some surly Hamiltonian (since moved<br />

to Sarnia, I believe) who blasted us for holding<br />

up cruelty to animals as something laudable, it’s an image that<br />

stands up rather well I think. We can, to a significant extent, gauge<br />

the extent to which our arts environment is becoming toxic by<br />

whether community-based, collective music-making remain stable<br />

because those participating in them are able to remain within those<br />

communities.<br />

The erosion from the urban landscape of local venues to listen to<br />

live music is getting some attention these days, which is good. But<br />

the displacement of the people who work in those spaces, musicians<br />

and non-musicians alike, because they can no longer afford to live in<br />

the communities they work in, tells us even more about the fragile<br />

musical health of our cities.<br />

publisher@thewholenote.com<br />

The WholeNote <br />

VOLUME <strong>22</strong> NO 7 | APRIL 1, <strong>2017</strong> - MAY 7, <strong>2017</strong><br />

Centre for Social Innovation<br />

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PHONE 416-323-<strong>22</strong>32 | FAX 416-603-4791<br />

Publisher/Editor In Chief | David Perlman<br />

publisher@thewholenote.com<br />

Chairman of the Board | Allan Pulker<br />

directors@thewholenote.com<br />

EDITORIAL<br />

Managing Editor | Paul Ennis<br />

editorial@thewholenote.com<br />

Recordings Editor | David Olds<br />

discoveries@thewholenote.com<br />

Digital Media Editor | Sara Constant<br />

editorial@thewholenote.com<br />

Listings Editor | John Sharpe<br />

listings@thewholenote.com<br />

Club Listings Editor | Bob Ben<br />

jazz@thewholenote.com<br />

SALES, MARKETING & MEMBERSHIP<br />

Concerts & Events/Membership | Karen Ages<br />

members@thewholenote.com<br />

Record Industry Sales/Marketing | Thom McKercher<br />

thom@thewholenote.com<br />

Advertising/Production Support/Operations<br />

Jack Buell | adart@thewholenote.com<br />

Classified Ads | classad@thewholenote.com<br />

Website/Systems | Bryson Winchester<br />

systems@thewholenote.com<br />

Website/Systems Support | Kevin King<br />

kevin@thewholenote.com<br />

Circulation/Subscriptions | Chris Malcolm<br />

circulation@thewholenote.com<br />

SUBSCRIPTIONS<br />

$35 per year + HST (9 issues)<br />

THANKS TO THIS MONTH’S CONTRIBUTORS<br />

Beat Columnists<br />

Paul Ennis, Wendalyn Bartley, Christopher Hoile,<br />

David Podgorski, Lydia Perović, Andrew Timar,<br />

Jack MacQuarrie, Ori Dagan, mJ buell, Bob Ben,<br />

Brian Chang<br />

Features<br />

David Perlman, Andrew Timar, Vivien Fellegi<br />

Paul Ennis, David Jaeger<br />

CD Reviewers<br />

David Olds, Terry Robbins, Alex Baran, Bruce<br />

Surtees, Janos Gardonyi, Hans de Groot, Robert<br />

Tomas, Dianne Wells, Max Christie, Larry<br />

Beckwith, Michael Schulman, Stuart Broomer,<br />

Raul da Gama, Ted Quinlan, Ken Waxman, Andrew<br />

Timar, Tiina Kiik, Lesley Mitchell-Clarke<br />

Proofreading<br />

Vanessa Wells, Jennifer Liu, John Sharpe,<br />

Paul Ennis, Sara Constant<br />

Listings<br />

John Sharpe, Bob Ben, Tilly Kooyman, Ruth<br />

Atwood, Simone Desilets, Jennifer Liu, Katie White<br />

Circulation Team<br />

Beth Bartley / Mark Clifford, Bob Jerome, Dagmar<br />

Sullivan, Dave Taylor, Garry Page, Gero Hajek,<br />

Jack Buell, James Harris, Jeff Hogben, Lorna<br />

Nevison, Manuel Couto, Micah Herzog, Patrick<br />

Slimmon, Paul Ennis, Robert Faulkner, Sharon<br />

Clark, Tiffany Johnson, Tom Sepp, Wende Bartley,<br />

Lori Sandra Aginian, Christine Vespa<br />

an Ontario government agency<br />

un organisme du gouvernement de l’Ontario<br />

Upcoming Dates & Deadlines<br />

Free Event Listings Deadline<br />

6pm Saturday <strong>April</strong> 8<br />

Display Ad Reservations Deadline<br />

6pm Saturday <strong>April</strong> 15<br />

Classifieds Deadline<br />

6pm Saturday <strong>April</strong> <strong>22</strong><br />

Advertising Materials Due<br />

6pm Tuesday <strong>April</strong> 18<br />

Publication Date<br />

Wednesday <strong>April</strong> 26 (Online)<br />

Friday <strong>April</strong> 28(Print)<br />

<strong>Volume</strong> <strong>22</strong> No 8 covers<br />

May 1, <strong>2017</strong> - June 7, <strong>2017</strong><br />

WholeNote Media Inc. accepts no responsibility or<br />

liability for claims made for any product or service<br />

reported on or advertised in this issue.<br />

Printed in Canada<br />

Couto Printing & Publishing Services<br />

Circulation Statement<br />

<strong>April</strong> <strong>2017</strong>: 30,000 printed & distributed<br />

Canadian Publication Product Sales Agreement<br />

1263846<br />

ISSN 14888-8785 WHOLENOTE<br />

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Return undeliverable Canadian addresses to:<br />

WholeNote Media Inc.<br />

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COPYRIGHT © <strong>2017</strong> WHOLENOTE MEDIA INC<br />

thewholenote.com<br />

6 | <strong>April</strong> 1, <strong>2017</strong> - May 7, <strong>2017</strong> thewholenote.com

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