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THE<br />
ENGINE<br />
HOUSE<br />
thesis research<br />
leslie gilliat
Table of Contents<br />
introduction<br />
thesis statement<br />
inspiration<br />
precedent analyses<br />
case studies<br />
people + end user description<br />
building analysis<br />
adjacency bubble diagrams<br />
criteria matrix<br />
concept diagrams<br />
final floor plans<br />
sections<br />
materials<br />
final renderings<br />
2<br />
3<br />
4<br />
5-6<br />
7-9<br />
10<br />
11-12<br />
13<br />
15<br />
16-17<br />
18<br />
19-20<br />
21<br />
22-23<br />
1
Introduction to Franklinton<br />
Franklinton is a neighborhood of Columbus often referred to as the “Bottoms”.<br />
Franklinton was developed in the early 1700s, by Appalachian settlers. Several years after<br />
developing, extreme flooding forced settlers out of the area in to less flood-prone areas in<br />
Columbus. Franklinton soon became a neighborhood of neglect, forcing it to go through many<br />
issues including high crime rates, high numbers of heroin addicts and drug overdoses, high<br />
percentages of teen pregnancy and mental health disorders, and extremely low overall income<br />
rates resulting in abandonment of properties and businesses. Recently, Franklinton has been<br />
receiving a lot of public attention from Columbus residents and officials who are pushing to<br />
make it a better neighborhood for both the locals and non-locals.<br />
According to the US census, Franklinton is one of the most poverty stricken areas<br />
in Columbus, and has the lowest median household income. For being so poverty stricken,<br />
Franklinton has a lot of abandoned houses from residents that are no longer able to pay rent.<br />
With so much neglect and abandonment, this neighborhood became a popular area for crime<br />
and drug use. One of the biggest issues Franklinton residents are struggling with is the lack<br />
food available in the area. Recently, food banks, churches, and other community organizations<br />
have been making a lot of effort to get free meals out to those locals who are not able to afford<br />
their own.<br />
While there are still many existing issues in the neighborhood, Columbus has taken<br />
interest in reviving Franklinton. Several years back, an arts community started migrating into<br />
Franklinton, because of the low rent for studios and art spaces in the older buildings. One of<br />
the popular spaces for local artists’ studios is the old factory at 400 W. Rich. Several other<br />
attractions in Franklinton that have been established over the years include Cosi, Strongwater,<br />
The Idea Foundry, Bottoms Up Coffee, and Land Grant Brewery. Franklinton has developed<br />
events like Urban Scrawl, gallery viewing nights, and farmers’ markets, attracting the nonlocals<br />
to come in and experience what is going on in the neighborhood. As we continue to see<br />
new things popping up in Franklinton, we are able to see the potential it holds and the unique<br />
character that this place has to offer the Columbus community.<br />
2
<strong>Thesis</strong> Statement<br />
The act of going out and seeing movies is a popular social experience for people of all ages and<br />
demographics, and can be both a fun and educational experience. Programs for social entertainment in<br />
Franklinton are lacking, which is why the addition of an independent movie theatre would be beneficial and<br />
add some vibrancy to the neighborhood. An independent movie theatre would be great for Franklinton,<br />
because it gives the residents a fun, unique, safe, and affordable activity where they can come together to<br />
enjoy the art of film, along with the company of one another. The placement of this movie theatre in East<br />
Franklinton will attract local residents in the neighborhood, as well as the incoming arts community and<br />
people coming in from downtown and surrounding areas. My goal for this project is to create a community<br />
space for Franklinton residents that allows them to have a fun, social experience, giving them a place to<br />
escape the stress of their daily lives and enjoy light hearted entertainment.<br />
The main purpose for The Engine House is to have a strong focus on the users and the community.<br />
The Engine House consists of three main spaces- a community gathering lounge, the screening rooms,<br />
and the main entrance. One of the unique features this movie theatre has to offer is the option for users<br />
to be able to rent out a small screening room and choose their own movies. This gives users the ability<br />
to be in control with what movies they want to watch if they aren’t interested in the main screening room<br />
showing. The lounge serves as a space where guests can interact with one another before and after their<br />
movies to express their thoughts about film or just relax and grab a drink from the bar. Going to see a movie<br />
is something a lot of people enjoy doing to get a break from their lives, and having a place for them to<br />
relax is important in making it an enjoyable experience. In this theatre there will also be a concession area<br />
downstairs, on top of the option to bring your own food, to make for a more personable experience.<br />
The movies that are shown at The Engine House are predominately independent films, giving people<br />
the opportunity to experience non-mainstream films, making it a more unique trip than just an average<br />
movie theatre. Having these special films will bring people in from other parts of the city, giving them the<br />
opportunity to experience and see Franklinton in addition to just visiting the cinema. In choosing to show less<br />
mainstream movies, this also gives locals the chance to experience and appreciate movies that are hard to<br />
find anywhere else.<br />
Film itself is a work of art, which is something that is important for everyone to be able to experience.<br />
With the galleries and restaurants close by, this movie theatre will also be an attraction for Columbus<br />
residents coming into Franklinton for special events put on by the arts community. This theatre will host as a<br />
connection link for social gathering amongst current Franklinton residents along with those form surrounding<br />
Columbus communities coming in for a visit.<br />
3
Inspiration<br />
4
precedent analysis #1<br />
Daniel Libeskind-<br />
Jewish Museum<br />
The Jewish Museum in Berlin, Germany, was built<br />
as a memorial to the Jewish living in Germany<br />
during the time of the Holocaust. The main concept<br />
Libeskind intended for the experience while visiting<br />
this building was to express feelings of fright,<br />
emptiness, and invisibility<br />
The Journey:<br />
To get to the newest part of the museum, you must first<br />
enter from the original entrance in the old building and<br />
then walk through what Libeskind conceptualizes as<br />
the journey of the Jew. As you walk through the dark<br />
winding hallways, you approach three different paths<br />
to choose from- one representing the Holocaust, one<br />
representing the history of Germany, and one representing<br />
the emigration to Germany. The cold concrete and<br />
limited amount of lighting gives you feelings of anxiety<br />
and hopelessness to reach the end. Before reaching the<br />
end of the journey at the Garden of Exile, you walk over<br />
hundreds of cut out steel faces, representing the lives of<br />
those lost during the war. As you exit the building, you<br />
enter the garden and the feelings of anxiety of darkness are<br />
relieved.<br />
5
precedent analysis #2<br />
Rem Koolhaas-<br />
Seattle Public Library<br />
The Journey:<br />
The library itself consists of 11 levels,<br />
however only 10 are allowed for public<br />
access. As you enter, you are greeted with<br />
interior graphics of identical garden views<br />
on the floor from the outside of the window,<br />
creating a link between the sidewalk and<br />
the library. On the first floor, you encounter<br />
an enormous room consisting of a check<br />
out desk, couches, tables, art exhibits, and<br />
wayfinding maps. As you travel up the<br />
escalators on your journey to the top floor,<br />
you pass through book stacks, encyclopedias,<br />
computer labs, meeting rooms, a cafe and gift<br />
shop, a read room, and more, finally making<br />
your way to the grand reading room. As<br />
you reach the final floor of this library, you<br />
find yourself in an enourmous light-filled<br />
room called the Betty Jane Narver Reading<br />
room, which is the grand ephiphany of your<br />
journey.<br />
Rem Koolhaas designed the<br />
new Seattle Public Library with<br />
the intention of creating a link<br />
between the past and the present.<br />
This library form takes a<br />
concept dated back to the classical<br />
age and modernizes it to<br />
fit in with the digital age. Koolhaas<br />
uses specific slements<br />
such as neon colors, bright<br />
lights, geometric patterns,<br />
bright neon escalators traveling<br />
to the top floor, conveyer belts,<br />
wireless help hubs, automatic<br />
book sorters, and overall geometric<br />
shapes creating a modern<br />
library.<br />
6
THE CINEROLEUM Assemble Architects. London, UK. 2010.<br />
The Cineroleum is a small “adaptive reuse” movie theatre, built off of the remains<br />
of an old gas station in London. The idea of this little theatre was developed by<br />
Assemble Architects, but the construction was carried out by volunteers in the<br />
community. The shell of this theatre is made up of the steel posts left from the gas<br />
station, and the walls were created by sheets of aluminum that can be rolled up and<br />
down. The theatre itself seats a little over 100 people, and has just 1 screen, which is<br />
generally pretty small. In addition to the theatre, there is an attatched building where<br />
the bathrooms and concessions (popcorn machine, etc.) are located. The Cineroleum<br />
serves as a community gathering space where people of all demographics can come<br />
together and enjoy something they have in common- the art of film.<br />
private<br />
80%<br />
public<br />
20%<br />
7
ZOETROPE CINEMA Csutoras & LiandoLocation Architects. Jakarta, Indonesia. 2013.<br />
“Visible in the style of 1930s and 1950s cinema,<br />
when such venues were a place of life and not of mere<br />
consumerism, its program reflects a public ambition: offer<br />
a welcoming and comfortable space, where people can<br />
spend a good time before and after their movie starts”-<br />
ADH Architects<br />
The Zoetrope Cinema is a small urban cinema located<br />
in downtown Blaye, France. This building was built by<br />
ADH Architects with the intention of bringing people<br />
together in a comfortable and welcoming environment.<br />
The Zoetrope consists of just 2 screening rooms- the<br />
larger one with 280 seats and the smaller with 120- and<br />
a small cafe for movie snacks.The layout and lobby of this<br />
theatre were designed to mimic the shape of a zoetropean<br />
old machine used to play film. The round area is meant<br />
for circulation to the first and second floors, while the<br />
extension is where guests congregate in the theatres. The<br />
majority of color used throughout the space is white, until<br />
you get to the theatre rooms where everything is black<br />
and the seats are bright colors. The interior design of the<br />
building itself is simple, allowing the art of film to speak<br />
for itself.<br />
8
KINEFORUM MISBAR Csutoras & LiandoLocation Architects. Jakarta, Indonesia. 2013.<br />
The Kineforum is the a small, sinlge screening<br />
theatre located in Jakarta, Indonesia. The<br />
Kineforum was built for an arts festival going<br />
on in the city in 2013, and has remained<br />
there since. This small theatre plays local<br />
art and independent films, and is the only<br />
cinema in the city dedicated to this genre.<br />
The Kineforum was created to promote film in<br />
Indonesia, and to serve as a gathering space<br />
for people from all different backgroundsparticularly<br />
those who cannot afford to go to<br />
an expensive mainstream movie theatre. The<br />
theatre often plays movies for free, as an act<br />
of bringing the community together without<br />
having to worry about spending money. The<br />
Kineforum is also entirely outdoors, and while<br />
screenings can often be cancelled due to<br />
bad weather, the completely open sky allows<br />
guests to gaze at the stars and appreciate<br />
the natural experience of being outside.<br />
public<br />
semi-public<br />
60%<br />
public<br />
40%<br />
semipublic<br />
9
User Personas<br />
There will people of all ages and demographics coming to The Engine House. One of the most interesting things<br />
about film and art is that it can attract any type of person- regardless of age, demographic, gender, or background. Film<br />
has a way of bringing people together. With the location of Cinema House 6, some of the main types of people coming<br />
to the cinema will be the residents of Franklinton living nearby, people from the surrounding arts community, and other<br />
younger Columbus residents coming in from surrounding neighborhoods.<br />
An OSU student, coming to see<br />
a movie with her friends on their<br />
night off from work and school.<br />
She and her friends come to the<br />
theatre often, renting out a room<br />
for a few hours to watch back to<br />
back movies.<br />
A local group of artists who work at<br />
400 W. Rich. They visit the Engine<br />
House after work every week to<br />
experience new films and then<br />
migrate to the lounge afterwards to<br />
grab a drink and discuss it.<br />
A Franklinton local, going to see<br />
a movie with her boyfriend on a<br />
weekend night. Going to see movies<br />
is important to them, so they can<br />
spend time together and get a break<br />
from their busy work lives.<br />
10
Building Analysis<br />
Homeless<br />
Foundation<br />
Piliilps Original<br />
Coney Island<br />
Project Location<br />
Highway<br />
Street/Ally<br />
Retail Store<br />
Resturant<br />
Education/Gov. Building<br />
Church<br />
Station 67<br />
Spaghetti WareHouse<br />
Jubilee Museum and<br />
Catholic Cultural Center<br />
The circle. Co<br />
UP<br />
NORTH ELEVATION<br />
EAST ELEVATION<br />
UP<br />
UP<br />
DN<br />
DN<br />
UP<br />
SOUTH ELEVATION WEST ELEVATION 1st floor 2nd floor<br />
11
Building Analysis<br />
UP<br />
DN<br />
UP<br />
12
Adjacency Bubble Diagram<br />
entrance<br />
concession<br />
lounge<br />
restrooms<br />
choice<br />
room 1<br />
choice<br />
room 2<br />
main<br />
screen<br />
13
CRITERIA MATRIX<br />
Criteria Matrix<br />
Cinema House No. 6<br />
1. Ticket Area<br />
2. Lounge<br />
3. Main Theatre<br />
4. Choice Theatres<br />
5. Restrooms<br />
600<br />
800<br />
600<br />
380<br />
400<br />
Sq. Footage<br />
4,5<br />
3<br />
2<br />
1<br />
1, 6<br />
Adjacencies<br />
H<br />
H<br />
H<br />
H<br />
H<br />
Privacy<br />
Public Access<br />
L<br />
L<br />
H<br />
M<br />
L<br />
Special<br />
Equipment<br />
Food / Drink<br />
Stations<br />
Projector /<br />
Drink Station<br />
Projector,<br />
seats, screen<br />
Projector,<br />
seats, screen<br />
n/a<br />
6. Janitor Closet<br />
90<br />
5<br />
H<br />
L<br />
n/a<br />
9. Janitor Closet<br />
H = High<br />
M = Medium<br />
L = Low<br />
Y = Yes<br />
N = No<br />
= Immediately<br />
= Reasonably Convenient<br />
= Unimportant<br />
14
Design Concept<br />
The layout of The Engine House is designed around the physical look and movement of film.<br />
The rectangular geometry of the overall building layout with the smaller rectangular rooms within is<br />
representational of stills on a strip of film. The poetic journey users take throughout the space is determined<br />
by the way in which a strip of film flows and twists. Going from room to room, users are guided by a flowing<br />
ceiling structure that resembles the look of an unwinding roll of film. This large wayfinding structure greets<br />
users at the entry of the building behind the ticket counter and leads them upstairs through the lounge and to<br />
the main screening room.<br />
15
Concept Diagrams + Models<br />
16
Concept Diagrams + Models<br />
potential zoning<br />
screening<br />
room<br />
restrooms<br />
entrance<br />
restrooms<br />
UP<br />
screening<br />
room<br />
entrance<br />
concession<br />
+ tickets<br />
UP screening<br />
room<br />
UP<br />
UP<br />
DN<br />
UP<br />
lounge<br />
choice<br />
room<br />
1<br />
concession<br />
+ tickets<br />
choice<br />
room<br />
2<br />
UP<br />
DN<br />
screening<br />
room<br />
lounge<br />
office<br />
DN<br />
UP<br />
choice<br />
room<br />
1<br />
choice<br />
room<br />
2<br />
UP<br />
DN<br />
lounge<br />
1st floor<br />
2nd floor<br />
1st floor<br />
2nd floor<br />
17
Final Floor Plans<br />
18
Sections<br />
19
20
Materials + Color<br />
21
Final Renderings<br />
22
23